Peter consecrating (ordaining) Hermagoras by the laying on of hands in the presence of Mark. Patriarchal basilica of Aquileia, Italy.

A bishop (English derivation^[1] of the New Testament Greek επίσκοπος episcopos "overseer, guardian") is an ordained or consecrated member of the Christian clergy who is generally entrusted with a position of authority and oversight. Within the Catholic Church, Eastern Orthodox, Oriental Orthodox, Anglican, Old Catholic, Independent Catholic Churches, and in the Assyrian Church of the East, bishops claim apostolic succession, a direct historical lineage dating back to the original Twelve Apostles. Within these churches, bishops are seen as those who posess the full priesthood and can ordain clergy including other bishops. Some Protestant churches including the Lutheran and Methodist churches have bishops serving similar functions as well, though not always understood to be within apostolic succession in the same way. It is the one ordained deacon, priest and then bishop who is understood to hold the fullness of the (ministerial) priesthood, given responsibility by Christ to govern, teach and sanctify the Body of Christ, members of the Faithful. Priests, deacons, and lay ministers cooperate and assist their bishop(s) in shepherding a flock.

The term episcopos was not from the earliest times clearly distinguished from the term presbyter (elder, priest), but the term was already clearly used in the sense of the order or office of bishop, distinct from that of priest in the writings of Ignatius of Antioch (died c. 108), and sources from the middle of the 2nd century undoubtedly set forth that all the chief centres of Christianity recognized and had the office of bishop, using a form of organization that remained universal until the Protestant Reformation.

History[link]

The earliest organization of the Church in Jerusalem was according to most scholars similar to that of Jewish synagogues, but it had a council or college of ordained presbyters (Greek: πρεσβύτεροι elders, priests). In Acts 11:30^[2] and Acts 15:22, we see a collegiate system of government in Jerusalem though headed by James, according to tradition the first bishop of the city. In Acts 14:23, the Apostle Paul ordains presbyters in the churches he founded.

The term presbyter was often not yet clearly distinguished from the term overseer (ἐπίσκοποι episkopoi, later exclusively used as meaning bishop), as in Acts 20:17, Titus 1:5,7^[3] and 1 Peter 5:1.^[4][5][6] The earliest writings of the Apostolic Fathers, the Didache and the First Epistle of Clement for example, show the church used two terms for local church offices—presbyters (seen by many as an interchangeable term with episcopos or overseer) and deacon.

This does not mean that the episcopate, in the sense of the holder of the order or office of bishop, must have developed only later, or have been plural, because in each church the college or presbyter-overseers (also called "presbyter-bishops") did not exercise an independent supreme power; it was subject to the Apostles or to their delegates. An explanation suggests that the delegates were bishops in the actual sense of the term, but that they did not possess fixed sees nor had they a special title. Since they were essentially itinerant, they confided to the care of some of the better educated and highly respected converts the fixed necessary functions relating to the daily life of the community.^[7]

A 6th-century image of Saint Augustine, bishop of Hippo Regius.

In Timothy and Titus in the New Testament a more clearly defined episcopate can be seen. We are told that Paul had left Timothy in Ephesus and Titus in Crete to oversee the local church (1Tim 1:3 and Titus 1:5). Paul commands them to ordain presbyters/bishops and to exercise general oversight, telling Titus to "rebuke with all authority" (Titus 2:15).

Early sources are not clear but various groups of Christian communities would have had a group of college or presbyter-overseers functioning as leaders of the local churches.^[8] Eventually the head or "monarchic" bishop came to rule more clearly, ^[7] and all local churches would eventually follow the example of the other churches and structure themselves after the model of the others with the one bishop in clearer charge,^[8] though the role of the body of priests remained important.^[7]

From the 2nd century, it is certain that the offices of bishop and presbyter were clearly distinguished, the bishop was understood as the president of the council of presbyters, and so the bishop was distinguished both in honor and in prerogative from the presbyters, who were seen as deriving their authority by means of delegation from the bishop.^{[citation needed]} Each Episcopal see had its own bishop and his presence was necessary to consecrate any gathering of the church.^{[citation needed]}

Eventually, as Christendom grew, individual congregations were no longer directly served by a bishop. The bishop in a large city (the Metropolitan bishop) would appoint a priest to pastor the flock in each congregation, acting as his delegate.

Apostolic Fathers[link]

Around the end of the 1st century, the church's organization becomes clearer in historical documents. In the works of the Apostolic Fathers, and Ignatius of Antioch in particular, the role of the episkopos, or bishop, became more important or, rather, already was very important and being clearly defined.

Ignatius, bishop of Antioch, student of John the Apostle

"Plainly therefore we ought to regard the bishop as the Lord Himself" — Epistle of Ignatius to the Ephesians 6:1.
"your godly bishop" — Epistle of Ignatius to the Magnesians 2:1.
"the bishop presiding after the likeness of God and the presbyters after the likeness of the council of the Apostles, with the deacons also who are most dear to me, having been entrusted with the diaconate of Jesus Christ" — Epistle of Ignatius to the Magnesians 6:1.
"Therefore as the Lord did nothing without the Father, [being united with Him], either by Himself or by the Apostles, so neither do ye anything without the bishop and the presbyters." — Epistle of Ignatius to the Magnesians 7:1.
"Be obedient to the bishop and to one another, as Jesus Christ was to the Father [according to the flesh], and as the Apostles were to Christ and to the Father, that there may be union both of flesh and of spirit." — Epistle of Ignatius to the Magnesians 13:2.
"In like manner let all men respect the deacons as Jesus Christ, even as they should respect the bishop as being a type of the Father and the presbyters as the council of God and as the college of Apostles. Apart from these there is not even the name of a church." — Epistle of Ignatius to the Trallesians 3:1.
"follow your bishop, as Jesus Christ followed the Father, and the presbytery as the Apostles; and to the deacons pay respect, as to God's commandment" — Epistle of Ignatius to the Smyrnans 8:1.
"He that honoureth the bishop is honoured of God; he that doeth aught without the knowledge of the bishop rendereth service to the devil" — Epistle of Ignatius to the Smyrnans 9:1.

— Lightfoot translation.

It is clear that a single bishop was expected to lead the church in each centre of Christian mission, supported by a council of presbyters (a distinct and subordinate position) with a pool of deacons. As the Church continued to expand, new churches in important cities gained their own bishop. Churches in the regions outside an important city were served by Chorbishop, an official rank of bishops. However, soon, presbyters and deacons were sent from bishop of a city church. Graudually priests replaced the chorbishops. Thus, in time, the bishop changed from being the leader of a single church confined to an urban area to being the leader of the churches of a given geographical area.^[9]

Clement of Alexandria (end of the 2nd century) writes about the ordination of a certain Zachæus as bishop by the imposition of Simon Peter Bar-Jonah's hands. The words bishop and ordination are used in their technical meaning by the same Clement of Alexandria.^[10] The bishops in the 2nd century are defined also as the only clergy to whom the ordination to priesthood (presbyterate) and diaconate is entrusted: "a priest (presbyter) lays on hands, but does not ordain." (cheirothetei ou cheirotonei^[11])

At the beginning of the 3rd century, Hippolytus of Rome describes another feature of the ministry of a bishop, which is that of the "Spiritum primatus sacerdotii habere potestatem dimittere peccata": the primate of sacrificial priesthood and the power to forgive sins.^[12]

Bishops and civil government[link]

The efficient organization of the Roman Empire became the template for the organisation of the church in the 4th century, particularly after Constantine's Edict of Milan. As the church moved from the shadows of privacy into the public forum it acquired land for churches, burials and clergy. In 391, Theodosius I decreed that any land that had been confiscated from the church by Roman authorities be returned.

The most usual term for the geographic area of a bishop's authority and ministry, the diocese, began as part of the structure of the Roman Empire under Diocletian. As Roman authority began to fail in the western portion of the empire, the church took over much of the civil administration. This can be clearly seen in the ministry of two popes: Pope Leo I in the 5th century, and Pope Gregory I in the 6th century. Both of these men were statesmen and public administrators in addition to their role as Christian pastors, teachers and leaders. In the Eastern churches, latifundia entailed to a bishop's see were much less common, the state power did not collapse the way it did in the West, and thus the tendency of bishops acquiring secular power was much weaker than in the West. However, the role of Western bishops as civil authorities, often called prince bishops, continued throughout much of the Middle Ages.

Bishops holding political office[link]

Johann Otto von Gemmingen, Prince-Bishop of Augsburg.

As well as being arch chancellors of the Holy Roman Empire after the 9th century, bishops generally served as chancellors to medieval monarchs, acting as head of the justiciary and chief chaplain. The Lord Chancellor of England was almost always a bishop up until the dismissal of Cardinal Thomas Wolsey by Henry VIII. Likewise, the position of Kanclerz in the Polish kingdom was always a bishop until the 16th century.

In France before the French Revolution, representatives of the clergy — in practice, bishops and abbots of the largest monasteries — comprised the First Estate of the Estates-General, until their role was abolished during the French Revolution.

In the 21st century, the more senior bishops of the Church of England continue to sit in the House of Lords of the Parliament of the United Kingdom, as representatives of the established church, and are known as Lords Spiritual. The Bishop of Sodor and Man, whose diocese lies outside of the United Kingdom, is an ex officio member of the Legislative Council of the Isle of Man. In the past, the Bishop of Durham, known as a prince bishop, had extensive viceregal powers within his northern diocese — the power to mint money, collect taxes and raise an army to defend against the Scots.

Eastern Orthodox bishops, along with all other members of the clergy, are canonically forbidden to hold political office. Occasional exceptions to this rule are tolerated when the alternative is political chaos. In the Ottoman Empire, the Patriarch of Constantinople, for example, had de facto administrative, fiscal, cultural and legal jurisdiction, as well as spiritual, over all the Christians of the empire. A recent prominent example of this was Archbishop Makarios III of Cyprus, who served as President of the Republic of Cyprus from 1960 to 1977.

In 2001, Peter Hollingworth, AC, OBE – then the Anglican Archbishop of Brisbane – was controversially appointed Governor-General of Australia. Though Hollingworth gave up his episcopal position to accept the appointment, it still attracted considerable opposition in a country which maintains a formal separation between Church and State.

Episcopacy during the English Civil War[link]

During the period of the English Civil War, the role of bishops as wielders of political power and as upholders of the established church became a matter of heated political controversy. John Calvin formulated a doctrine of Presbyterianism, which held that in the New Testament the offices of presbyter and episkopos were identical; he rejected the doctrine of apostolic succession. Calvin's follower John Knox brought Presbyterianism to Scotland when the Scottish church was reformed in 1560. In practice, Presbyterianism meant that committees of lay elders had a substantial voice in church government, as opposed to merely being subjects to a ruling hierarchy.

Churches[link]

Catholic Church, Orthodox churches and Anglican churches[link]

A mitre is used as a symbol of the bishop's ministry in Western Christianity.

One form for the coat of arms of a Roman Catholic bishop.

Bishops form the leadership in the Roman Catholic Church, the Eastern Orthodox Church, the Oriental Orthodox Churches, the Anglican Communion, the Lutheran Church, the Independent Catholic Churches, the Independent Anglican Churches, and certain other, smaller, denominations.

The traditional role of a bishop is as pastor of a diocese (also called a bishopric, synod, eparchy or see), and so to serve as a "diocesan bishop," or "eparch" as it is called in many Eastern Christian churches. Dioceses vary considerably in size, geographically and population-wise. Some dioceses around the Mediterranean Sea which were Christianised early are rather compact, whereas dioceses in areas of rapid modern growth in Christian commitment—as in some parts of Sub-Saharan Africa, South America and the Far East—are much larger and more populous.

As well as traditional diocesan bishops, many churches have a well-developed structure of church leadership that involves a number of layers of authority and responsibility.

Patriarch

Patriarchs are the bishops who head certain ancient autocephalous or sui iuris churches, which are a collection of metropolitan sees or provinces. After the First Ecumenical Council at Nicea, the church structure was patterned after the administrative divisions of the Roman Empire wherein a metropolitan or bishop of a metropolis came to be the ecclesiastical head of a civil capital of a province or a metropolis. Whereas, the bishop of the larger administrative district, diocese, came to be called an exarch. In a few cases, a bishop came to preside over a number of dioceses, i.e., Rome, Antioch, and Alexandria. At the Fourth Ecumenical Council at Chalcedon in 451, Constantinople was given jurisdiction over three dioceses for the reason that the city was "the residence of the emperor and senate". Additionally, Jerusalem was recognized at the Council of Chalcedon as one of the major sees. In 692, the Quinisext Council formally recognized and ranked the sees of the Pentarchy in order of preeminence, at that time Rome, Constantinople, Alexandria, Antioch, and Jerusalem. In the Catholic Church, Patriarchs sometimes call their leaders Catholicos; the Patriarch of the Orthodox Church of Alexandria, Egypt, is called Pope, meaning 'Father'. While most patriarchs in the Eastern Catholic Churches have jurisdiction over a "ritual church" (a group or diocese of a particular Eastern tradition), all Latin Rite patriarchs, except for the Pope, have only honorary titles. In 2006, Pope Benedict XVI gave up the title of Patriarch of the West. The first recorded use of the title by a Roman Pope was by Theodore I in 620. However, early church documents, such as those of the First Council of Nicaea (325) had always listed the Pope of Rome first among the Ancient Patriarchs (first four, and later five: Rome, Constantinople, Alexandria, Antioch and Jerusalem—collectively referred to as the Pentarchy). Later, the heads of various national churches became Patriarchs, but they are ranked below the Pentarchy.

Mitre worn by an Eastern bishop with icons of Christ, the Theotokos (Mary, Mother of God) and Forerunner (John the Baptist).

Catholicos

Catholicoi are the heads of some of the Eastern Orthodox, Oriental Orthodox, and Eastern Rite Catholic sui iuris churches (notably the Armenian), roughly similar to a Patriarch (see above).

Primate

A primate is usually the bishop of the oldest church of a nation. Sometimes this carries jurisdiction over metropolitan bishops, but usually it is purely honorific. The primate of the Scottish Episcopal Church is chosen from among the diocesan bishops, and, while retaining diocesan responsibility, is called Primus.

Presiding Bishop or President Bishop

These titles are often used for the head of a national Anglican church, but the title is not usually associated with a particular episcopal see like the title of a primate.

Major archbishop

Major archbishops are the heads of some of the Eastern Catholic Churches. Their authority within their sui juris church is equal to that of a patriarch, but they receive fewer ceremonial honors.

Metropolitan bishop

A metropolitan bishop is an archbishop in charge of an ecclesiastical province, or group of dioceses, and in addition to having immediate jurisdiction over his own archdiocese, also exercises some oversight over the other dioceses within that province. Sometimes a metropolitan may also be the head of an autocephalous, sui iuris, or autonomous church when the number of adherents of that tradition are small. In the Latin Rite, metropolitans are always archbishops; in many Eastern churches, the title is "metropolitan," with some of these churches using "archbishop" as a separate office.

Archbishop

An archbishop is the bishop of an archdiocese. This is usually a prestigious diocese with an important place in local church history. In the Roman Catholic Church, the title is purely honorific and carries no extra jurisdiction, though most archbishops are also metropolitan bishops, as above. In most provinces of the Anglican Communion, however, an archbishop has metropolitical and primatial power.

Archbishop William Temple.

Suffragan bishop

A suffragan bishop is a bishop subordinate to a Metropolitan. In the Roman Catholic Church this term is applied to all non-metropolitan bishops (that is, diocesan bishops of dioceses within a metropolitan's province, and auxiliary bishops). In the Anglican Communion, the term applies to a bishop who is a full-time assistant to a diocesan bishop: the Bishop of Warwick is suffragan to the Bishop of Coventry (the diocesan), though both live in Coventry. Some Anglican suffragans are given the responsibility for a geographical area within the diocese (for example, the Bishop of Stepney is an area bishop within the Diocese of London).

Titular bishop

A titular bishop is a bishop without a diocese. Rather, the bishop is head of a titular see, which is usually an ancient city that used to have a bishop, but, for some reason or other, does not have one now. Titular bishops often serve as auxiliary bishops. In the Ecumenical Patriarchate, bishops of modern dioceses are often given a titular see alongside their modern one (for example, the Archbishop of Thyateira and Great Britain).

Auxiliary bishop

An auxiliary bishop is a full-time assistant to a diocesan bishop (the Orthodox and Catholic equivalent of an Anglican suffragan bishop). An auxiliary bishop is a titular bishop, and he is to be appointed as a vicar general or at least as an episcopal vicar of the diocese in which he serves.^[13]

Coadjutor bishop

A coadjutor bishop is an auxiliary bishop who is given almost equal authority in a diocese with the diocesan bishop, and the automatic right to succeed the incumbent diocesan bishop. The appointment of coadjutors is often seen as a means of providing for continuity of church leadership.

Honorary Assistant bishop, Assisting Bishop, or Bishop Emeritus

These titles are usually applied to retired bishops who are given a general licence to minister as episcopal pastors under a diocesan's oversight. The titles, in this meaning, are not used by the Roman Catholic Church.

Chorbishop

A chorbishop is an official of a diocese in some Eastern Christian churches. Chorbishops are not generally ordained bishops – they are not given the sacrament of Holy Orders in that degree – but function as assistants to the diocesan bishop with certain honorary privileges.

Supreme Bishop

Is the leader or primate of the Iglesia Filipina Independiente (Philippine Independent Church), known informally as Aglipayans. The Supreme Bishop is selected by the General Assembly of the Church and he heads the Executive Commission, assisted by bishops.

Cardinal

In Roman Catholicism, a cardinal is a member of the clergy appointed by the pope to serve in the College of Cardinals, the body empowered to elect the pope; however, on turning 80 a cardinal loses this right of election. Cardinals also serve as advisors to the pope and hold positions of authority within the structure of the Catholic Church. Under modern canon law, a man who is appointed a cardinal must accept ordination as a bishop, unless he already is one, or seek special permission from the pope to decline such ordination. Most cardinals are already bishops at the time of their appointment, the majority being archbishops of important archdioceses or patriarchs, and a substantial portion of the rest already titular archbishops serving in the Vatican. Recent popes have appointed a few priests, most of them influential theologians, to the College of Cardinals without requiring them to be ordained as bishops; invariably, these men are over the age of 80, which means they are not permitted to take part in a conclave. The purpose of these appointments is to recognise their tremendous contribution to the life of the Church.

Duties[link]

A bishop administering Confirmation. Rogier van der Weyden, The Seven Sacraments, 15th century.
In the Latin Rite of the Catholic Church the administration of Confirmation is normally reserved to the local bishop.

In Catholicism, Eastern Orthodoxy, Oriental Orthodoxy, Lutheranism, and Anglicanism, only a bishop can ordain other bishops, priests, and deacons.

In the Eastern liturgical tradition, a priest can celebrate the Divine Liturgy only with the blessing of a bishop. In Byzantine usage, an antimension signed by the bishop is kept on the altar partly as a reminder of whose altar it is and under whose omophorion the priest at a local parish is serving. In Syriac Church usage, a consecrated wooden block called a thabilitho is kept for the same reasons.

The pope, in addition to being the Bishop of Rome and spiritual head of the Catholic Church, is also the Patriarch of the Latin Rite. Each bishop within the Latin Rite is answerable directly to the Pope and not any other bishop except to metropolitans in certain oversight instances. The pope previously used the title Patriarch of the West, but this title was dropped from use in 2006^[14] a move which caused some concern within the Orthodox Communion as, to them, it implied wider papal jurisdiction.^[15]

In Catholic, Eastern Orthodox, Oriental Orthodox and Anglican cathedrals there is a special chair set aside for the exclusive use of the bishop. This is the bishop's cathedra and is often called the throne. In some Christian denominations, for example, the Anglican Communion, parish churches may maintain a chair for the use of the bishop when he visits; this is to signify the parish's union with the bishop.

The bishop is the ordinary minister of the sacrament of confirmation in the Latin Rite Catholic Church, and in the Anglican and Old Catholic communion only a bishop may administer this sacrament. However, in the Byzantine and other Eastern rites, whether Eastern or Oriental Orthodox or Eastern Catholic, chrismation is done immediately after baptism, and thus the priest is the one who confirms, using chrism blessed by a bishop.^[16]

Ordination of Catholic, Orthodox and Anglican bishops[link]

Ephraim S. Fajutagana, the current Supreme Bishop of the Philippine Independent Church.

Bishops in all of these communions are ordained by other bishops through the laying on of hands. While traditional teaching maintains that any bishop with apostolic succession can validly perform the ordination of another bishop, some churches require two or three bishops participate, either to ensure sacramental validity or to conform with church law. Roman Catholic doctrine holds that one bishop can validly ordain another male (priest) as a bishop. Though a minimum of three bishops participating is desirable (there are usually several more) in order to demonstrate collegiality, canonically only one bishop is necessary. The practice of only one bishop ordaining was normal in countries where the Church was persecuted under Communist rule.

Apart from the ordination, which is always done by other bishops, there are different methods as to the actual selection of a candidate for ordination as bishop. In the Catholic Church the Congregation for Bishops oversees the selection of new bishops with the approval of the pope. The papal nuncio usually solicits names from the bishops of a country, and then selects three to be forwarded to the Holy See. Most Eastern Orthodox churches allow varying amounts of formalised laity and/or lower clergy influence on the choice of bishops. This also applies in those Eastern churches which are in union with the pope, though it is required that he give assent.

Catholic, Orthodox, Anglican, Old Catholic and some Lutheran bishops (for example, Sweden^{[citation needed]}) claim to be part of the continuous sequence of ordained bishops since the days of the apostles referred to as apostolic succession. Since Pope Leo XIII issued the bull Apostolicae Curae in 1896, the Catholic Church has insisted that Anglican orders are invalid because of changes in the Anglican ordination rites of the 16th century and divergence in understanding of the theology of priesthood, episcopacy and Eucharist. However, since the 1930s, Utrecht Old Catholic bishops (recognised by the Holy See as validily ordained) have sometimes taken part in the ordination of Anglican bishops. According to the writer Timothy Dufort, by 1969, all Church of England bishops had acquired Old Catholic lines of apostolic succession recognised by the Holy See.^[17] This development has muddied the waters somewhat as it could be argued that the strain of apostolic succession has been re-introduced into Anglicanism, at least within the Church of England.

The Catholic Church does recognise as valid (though illicit) ordinations done by breakaway Catholic, Old Catholic or Oriental bishops, and groups descended from them; it also regards as both valid and licit those ordinations done by bishops of the Eastern churches,^[18] so long as those receiving the ordination conform to other canonical requirements (for example, is an adult male) and an orthodox rite of episcopal ordination, expressing the proper functions and sacramental status of a bishop, is used; this has given rise to the phenomenon of episcopi vagantes (for example, clergy of the Independent Catholic groups which claim apostolic succession, though this claim is rejected by both Orthodoxy and Catholicism).

The Orthodox Churches would not accept the validity of any ordinations performed by the Independent Catholic groups, as Orthodoxy considers to be spurious any consecration outside of the Church as a whole. Orthodoxy considers apostolic succession to exist only within the Universal Church, and not through any authority held by individual bishops; thus, if a bishop ordains someone to serve outside of the (Orthodox) Church, the ceremony is ineffectual, and no ordination has taken place regardless of the ritual used or the ordaining prelate's position within the Orthodox Churches.

The consecrated bishop is the only minister of Holy Orders. Photo of pre-Vatican II ceremony

The position of Roman Catholicism is slightly different. Whilst it does recognise the validity of the orders of certain groups which separated from communion with Holy See. The Holy See accepts as valid the ordinations of the Old Catholics in communion with Utrecht, as well as the Polish National Catholic Church (which received its orders directly from Utrecht, and was—until recently—part of that communion); but Roman Catholicism does not recognise the orders of any group whose teaching is at variance with what they consider the core tenets of Christianity; this is the case even though the clergy of the Independent Catholic groups may use the proper ordination ritual. There are also other reasons why the Holy See does not recognise the validity of the orders of the Independent clergy:

• They hold that the continuing practice among many Independent clergy of one person receiving multiple ordinations in order to secure apostolic succession, betrays an incorrect and mechanistic theology of ordination.
• They hold that the practice within Independent groups of ordaining women demonstrates an understanding of Priesthood that they vindicate is totally unacceptable to the Catholic and Orthodox churches as they believe that the Universal Church does not possess such authority; thus, they uphold that any ceremonies performed by these women should be considered being sacramentally invalid.
• The theology of male clergy within the Independent movement is also suspect according to the Roman Catholics, as they presumably approve of the ordination of females, and may have even undergone an (invalid) ordination ceremony conducted by a woman.

Katharine Jefferts Schori, Presiding Bishop of the Episcopal Church (United States).

Whilst members of the Independent Catholic movement take seriously the issue of valid orders, it is highly significant that the relevant Vatican Congregations tend not to respond to petitions from Independent Catholic bishops and clergy who seek to be received into communion with the Holy See, hoping to continue in some sacramental role. In those instances where the pope does grant reconciliation, those deemed to be clerics within the Independent Old Catholic movement are invariably admitted as laity and not priests or bishops.

There is a mutual recognition of the validity of orders amongst Roman Catholic, Eastern Orthodox, Old Catholic, Oriental Orthodox and Assyrian Nestorian churches.

Some provinces of the Anglican Communion have begun ordaining women as bishops in recent decades for example, the United States, New Zealand, Canada and Cuba. The first woman bishop within Anglicanism was Barbara Clementine Harris, who was ordained in the United States in 1989. In 2006, Katharine Jefferts Schori, the Episcopal Bishop of Nevada, became the first woman to become the Presiding Bishop of the Episcopal Church.

Lutheranism[link]

Mark S. Hanson, Third Presiding Bishop of the ELCA. (Credit: Caleb Williams, Augsburg College Echo newspaper)

In the Evangelical Lutheran Church in America (ELCA) and the Evangelical Lutheran Church in Canada (ELCIC), the largest Lutheran Church bodies in the United States and Canada respectively and roughly based on the Nordic Lutheran state churches (similar to that of the Church of England), bishops are elected by Synod Assemblies, consisting of both lay members and clergy, for a term of 6 years, which can be renewed, depending upon the local synod's "constitution" (which is mirrored on either the ELCA or ELCIC's national constitution). Since the implementation of concordats between the ELCA and the Episcopal Church of the United States and the ELCIC and the Anglican Church of Canada, all bishops, including the Presiding Bishop (ELCA) or the National Bishop (ELCIC), have been consecrated using the historic succession, with at least one Anglican bishop serving as co-consecrator.^[19][20]

Since going into ecumenical communion with their respective Anglican body, bishops in the ELCA or the ELCIC not only approve the "rostering" of all ordained pastors, diaconal ministers, and associates in ministry, but they serve as the principal celebrant of all pastoral ordination and installation ceremonies, diaconal consecration ceremonies, as well as serving as the "chief pastor" of the local synod, upholding the teachings of Martin Luther as well as the documentations of the Ninety-Five Theses and the Augsburg Confession. Unlike their counterparts in the United Methodist Church, ELCA and ELCIC synod bishops do not appoint pastors to local congregations (pastors, like their counterparts in the Episcopal Church, are called by local congregations). The Presiding Bishop of the ELCA and the National Bishop of the ELCIC, the national bishops of their respective bodies, is elected for a single 6-year term and may be elected to an additional term.

Although ELCA agreed with the Episcopal Church to limit ordination to the bishop "ordinarily", ELCA pastor-ordinators are given permission to perform the rites in "extraordinary" circumstance. In practice, "extraordinary" circumstance have included disagreeing with Episcopalian views of the episcopate, and as a result, ELCA pastors ordained by other pastors are not permitted to be deployed to Episcopal Churches (they can, however, serve in Presbyterian Church USA, United Methodist Church, Reformed Church in America, and Moravian Church congregations, as the ELCA is in full communion with these denominations). The Lutheran Church–Missouri Synod (LCMS) and the Wisconsin Evangelical Lutheran Synod (WELS), the second and third largest Lutheran bodies in the United States and the two largest Confessional Lutheran bodies in North America, do not have a bishop as the head of the church or middle jurisdiction, practicing a form of congregationalism similar to the United Church of Christ. It should also be noted that the second largest of the three predecessor bodies of the ELCA, the American Lutheran Church, was a congregationalist body, with national and synod presidents before they were re-titled as bishops (borrowing from the Lutheran churches in Germany) in the 1980s.

Methodism[link]

United Methodist Church[link]

In the United Methodist Church (the largest branch of Methodism in the United States) bishops serve as administrative and pastoral superintendents of the church. They are elected for life from among the ordained elders (presbyters) by vote of the delegates in regional (called jurisdictional) conferences, and are consecrated by the other bishops present at the conference through the laying on of hands. In the United Methodist Church bishops remain members of the "Order of Elders" while being consecrated to the "Office of the Episcopacy". Within the United Methodist Church only bishops are empowered to consecrate bishops and ordain clergy. Among their most critical duties is the ordination and appointment of clergy to serve local churches as pastor, presiding at sessions of the Annual, Jurisdictional, and General Conferences, providing pastoral ministry for the clergy under their charge, and safeguarding the doctrine and discipline of the Church. Furthermore, individual bishops, or the Council of Bishops as a whole, often serve a prophetic role, making statements on important social issues and setting forth a vision for the denomination, though they have no legislative authority of their own. In all of these areas, bishops of the United Methodist Church function very much in the historic meaning of the term. According to the Book of Discipline of the United Methodist Church, a bishop's responsibilities are

Leadership.—Spiritual and Temporal—

1. To lead and oversee the spiritual and temporal affairs of The United Methodist Church, which confesses Jesus Christ as Lord and Savior, and particularly to lead the Church in its mission of witness and service in the world.
2. To travel through the connection at large as the Council of Bishops (¶ 526) to implement stategy for the concern of the Church.
3. To provide liaison and leadership in the quest for Christian unity in ministry, mission, and structure and in the search for strengthened relationships with other living faith communities.
4. To organize such Missions as shall have been authorized by the General Conference.
5. To promote and support the evangelistic vision of the whole Church.
6. To discharge such other duties as the Discipline may direct.

Presidential Duties.—1. To preside in the General, Jurisdictional, Central, and Annual Conferences. 2. To form the districts after consultation with the district superintendents and after the number of the same has been determined by vote of the Annual Conference. 3. To appoint the district superintendents annually (¶¶ 517–518). 4. To consecrate bishops, to ordain elders and deacons, to consecrate diaconal ministers, to commission deaconesses and home missionaries, and to see that the names of the persons commissioned and consecrated are entered on the journals of the conference and that proper credentials are funised to these persons.

Working with Ministers.—1. To make and fix the appointments in the Annual Conferences, Provisional Annual Conferences, and Missions as the Discipline may direct (¶¶ 529–533).

2. To divide or to unite a circuit(s), stations(s), or mission(s) as judged necessary for missionary strategy and then to make appropriate appointments. 3. To read the appointments of deaconesses, diaconal ministers, lay persons in service under the World Division of the General Board of Global Ministries, and home missionaries. 4. To fix the Charge Conference membership of all ordained ministers appointed to ministries other than the local church in keeping with ¶443.3. 5. To transfer, upon the request of the receiving bishop, ministerial member(s) of one Annual Conference to another, provided said member(s) agrees to transfer; and to send immediately to the secretaries of both conferences involved, to the conference Boards of Ordained Ministry, and to the clearing house of the General Board of Pensions written notices of the transfer of members and of their standing in the course of study if they are undergraduates.^[21]

In each Annual Conference, United Methodist bishops serve for four year terms, and may serve up to three terms before either retirement or appointment to a new Conference. United Methodist bishops may be male or female, with the Rev. Marjorie Matthews being the first woman to be consecrated a bishop in 1980.

The collegial expression of episcopal leadership in the United Methodist Church is known as the Council of Bishops. The Council of Bishops speaks to the Church and through the Church into the world and gives leadership in the quest for Christian unity and interreligious relationships.^[22] The Conference of Methodist Bishops includes the United Methodist Council of Bishops plus bishops from affiliated autonomous Methodist or United Churches.

John Wesley consecrated Thomas Coke a "General Superintendent," and directed that Francis Asbury also be consecrated for the United States of America in 1784, where the Methodist Episcopal Church first became a separate denomination apart from the Church of England. Coke soon returned to England, but Asbury was the primary builder of the new church. At first he did not call himself bishop, but eventually submitted to the usage by the denomination.

Notable bishops in United Methodist history include Coke, Asbury, Richard Whatcoat, Philip William Otterbein, Martin Boehm, Jacob Albright, John Seybert, Matthew Simpson, John S. Stamm, William Ragsdale Cannon, Marjorie Matthews, Leontine T. Kelly, William B. Oden, Ntambo Nkulu Ntanda, Joseph Sprague, William Henry Willimon, and Thomas Bickerton.

British Methodism[link]

Methodists in Britain acquired their own bishops early in the 19th century^{[citation needed]}, after the Methodist movement in Britain formally parted company with the Church of England. The position no longer exists in British Methodism. A system of polity known as Connexionalism is now used, where superintendents carry out the equivalent role of bishops.

Christian Methodist Episcopal Church[link]

In the Christian Methodist Episcopal Church in the United States, bishops are administrative superintendents of the church; they are elected by "delegate" votes for as many years deemed until the age of 74, then he/she must retire. Among their duties, are responsibility for appointing clergy to serve local churches as pastor, for performing ordinations, and for safeguarding the doctrine and discipline of the Church. The General Conference, a meeting every four years, has an equal number of clergy and lay delegates. In each Annual Conference, CME bishops serve for four year terms. CME Church bishops may be male or female.

The Church of Jesus Christ of Latter-day Saints[link]

In The Church of Jesus Christ of Latter-day Saints, the Bishop is the leader of a local congregation, called a ward. As with most Mormon priesthood, the bishop is a part-time lay minister and earns a living through other employment; in all cases, he is a married man. As such, it is his duty to preside at services, call local leaders, and judge the worthiness of members for service. The bishop does not deliver sermons at every service (generally asking members to do so), but is expected to be a spiritual guide for his congregation. It is therefore believed that he has both the right and ability to receive divine inspiration (through the Holy Spirit) for the ward under his direction. Because it is a part-time position, all able members are expected to assist in the management of the ward by holding delegated lay positions (for example, women's and youth leaders, teachers) referred to as 'callings.' Although members are asked to confess serious sins to him, unlike the Roman Catholic Church, he is not the instrument of divine forgiveness, merely a guide through the repentance process (and a judge in case transgressions warrant excommunication or other official discipline). The bishop is also responsible for the physical welfare of the ward, and thus collects tithing and fast offerings and distributes financial assistance where needed.

A bishop is the president of the Aaronic priesthood in his ward (and is thus a form of Mormon Kohen; in fact, a literal descendant of Aaron has "legal right" to act as a Bishop ^[23] after being found worthy and ordained by the First Presidency ^[24]). In the absence of a literal descendant of Aaron, a High priest in the Melchizedek priesthood is called to be a Bishop.^[24] Each bishop is selected from resident members of the ward by the stake presidency with approval of the First Presidency, and chooses two counselors to form a bishopric. In special circumstances (such as a ward consisting entirely of young university students), a bishop may be chosen from outside the ward. A bishop is typically released after about five years and a new bishop is called to the position. Although the former bishop is released from his duties, he continues to hold the Aaronic priesthood office of Bishop. Church members frequently refer to a former bishop as "Bishop" as a sign of respect and love.

Latter Day Saint bishops do not wear any special clothing or insignia the way clergy in many other churches do, but are expected to dress and groom themselves neatly and conservatively per their local culture, especially when performing official duties. Bishops (as well as other members of the priesthood) can trace their line of authority back to Joseph Smith, Jr., who, according to church doctrine, was ordained to lead the Church in modern times by the ancient apostles Peter, James, and John, who were ordained to lead the Church by Jesus Christ.

The Presiding Bishop oversees the temporal affairs (buildings, properties, commercial corporations, and so on) of the worldwide Church, including the Church's massive global humanitarian aid and social welfare programs. The Presiding Bishop has two counselors; the three together form the Presiding Bishopric.

New Apostolic Church[link]

The New Apostolic Church (NAC) knows three classes of ministries: Deacons, Priests and Apostles. The Apostles, who are all included in the apostolate with the Chief Apostle as head, are the highest ministries.

Of the several kinds of priest....ministries, the bishop is the highest. Nearly all bishops are set in line directly from the chief apostle. They support and help their superior apostle.

Church of God (Cleveland, Tennessee)[link]

In the polity of the Church of God (Cleveland, Tennessee), the international leader is the Presiding Bishop, and the members of the Executive Committee are Executive Bishops. Collectively, they supervise and appoint national and state leaders across the world. Leaders of individual states and regions are Administrative Bishops, who have jurisdiction over local churches in their respective states and are vested with appointment authority for local pastorates. All ministers are credentialed at one of three levels of licensure, the most senior of which is the rank of Ordained Bishop. To be eligible to serve in state, national, or international positions of authority, a minister must hold the rank of Ordained Bishop.

Pentecostal Church of God[link]

In 2002, the general convention of the Pentecostal Church of God came to a consensus to change the title of their overseer from General Superintendent to Bishop. The change was brought on because internationally, the term Bishop is more commonly related to religious leaders than the previous title.

The title Bishop is used for both the General (International leader) and the district (state) leaders. The title is sometimes used in conjunction with the previous thus becoming General (District) Superintendent/Bishop.

Others[link]

Some Baptists have begun taking on the title of Bishop.^[25]

In some smaller Protestant denominations and independent churches the term bishop is used in the same way as pastor, to refer to the leader of the local congregation, and may be male or female. This usage is especially common in African American churches in the USA. In the Church of Scotland, which has a Presbyterian church structure, the word "bishop" refers to an ordained person, usually a normal parish minister, who has temporary oversight of a trainee minister. In the Presbyterian Church (U.S.A.), the term bishop is an expressive name for a Minister of Word and Sacrament who serves a congregation and exercises "the oversight of the flock of Christ."^[26] The term is traceable to the 1789 Form of Government of the PC(U.S.A.) and the Presbyterian understanding of the pastoral office.^[27]

While not considered orthodox Christian, the Ecclesia Gnostica Catholica uses roles and titles derived from Christianity for its clerical hierarchy, including bishops who have much the same authority and responsibilities as in Roman Catholicism.

The Salvation Army does not have bishops but have appointed leaders of geographical areas known as Divisional Commanders. Larger geographical areas, called Territories, are led by a Territorial Commander, who is the highest ranking officer in that Territory.

Dress and insignia[link]

Eastern Rite Catholic bishops celebrating Divine Liturgy in their proper pontifical vestments.

Traditionally, a number of items are associated with the office of a bishop, most notably the mitre, crosier, and ecclesiastical ring. Other vestments and insignia vary between Eastern and Western Christianity.

In the Latin Rite of the Catholic Church, the choir dress of a bishop includes the purple cassock with amaranth trim, rochet, purple zucchetto (skull cap), purple biretta, and pectoral cross. The cappa magna may be worn, but only within the bishop's own diocese and on especially solemn occasions.^[28] The mitre, zuchetto, and stole are generally worn by bishops when presiding over liturgical functions. For liturgical functions other than the Mass the bishop typically wears the cope. Within his own diocese and when celebrating solemnly elsewhere with the consent of the local ordinary, he also uses the crosier.^[29] When celebrating Mass, a bishop, like a priest, wears the chasuble. The Caeremoniale Episcoporum recommends, but does not impose, that in solemn celebrations a bishop should also wear a dalmatic, which can always be white, beneath the chasuble, especially when administering the sacrament of holy orders, blessing an abbot or abbess, and dedicating a church or an altar.^[30] The Caeremoniale Episcoporum no longer makes mention of episcopal gloves, episcopal sandals, liturgical stockings (also known as buskins), or the accoutrements that it once prescribed for the bishop's horse. The coat of arms of a Latin Rite Catholic bishop usually displays a galero with a cross and crosier behind the escutcheon; the specifics differ by location and ecclesiastical rank (see Ecclesiastical heraldry).

Anglican bishops generally make use of the mitre, crosier, ecclesiastical ring, purple cassock, purple zucchetto, and pectoral cross. However, the traditional choir dress of Anglican bishops is quite different from that of their Catholic counterparts; it consists of a long rochet which is worn with a chimere.

In the Eastern Churches (Eastern Orthodox, Eastern Rite Catholic) a bishop will wear the mandyas, panagia (and perhaps an enkolpion), sakkos, omophorion and an Eastern-style mitre. Eastern bishops do not normally wear an episcopal ring; the faithful kiss the bishop's hand. To seal official documents, he will usually use an inked stamp. An Eastern bishop's coat of arms will normally display an Eastern-style mitre, cross, eastern style crosier and a red and white (or red and gold) mantle. The arms of Oriental Orthodox bishops will display the episcopal insignia (mitre or turban) specific to their own liturgical traditions. Variations occur based upon jurisdiction and national customs.

See also[link]

Christianity portal

Notes[link]

1. ^ Etymology from en.wiktionary.org: Bishop. From Proto-Germanic *biskopas, *biskupaz (“bishop”), from Vulgar Latin *biscopus, from Latin episcopus (“overseer, supervisor”), from Ancient Greek ἐπίσκοπος (episkopos, “overseer”), from ἐπί (epi, “over”) + σκοπέω (skopeō, “I examine”).
2. ^ Acts 11:30
3. ^ Titus 1:5,7
4. ^ 1Peter 5:1
5. ^ Oxford Dictionary of the Christian Church, 1997 edition revised 2005, page 211: "It seems that at first the terms 'episcopos' and 'presbyter' were used interchangeably ..."
6. ^ Cambridge History of Christianity, volume 1, 2006, "The general consensus among scholars has been that, at the turn of the first and second centuries, local congregations were led by bishops and presbyters whose offices were overlapping or indistinguishable."
7. ^ ^{a b c} Van Hove, A. (1907). Bishop. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved April 13, 2012 from New Advent: http://www.newadvent.org/cathen/02581b.htm
8. ^ ^{a b} O'Grady, John. The Roman Catholic church: its origins and nature. p. 140. 
9. ^ http://en.wikipedia.org/wiki/Chorbishop
10. ^ Clement, "Hom.", III, lxxii; cfr. Stromata, VI, xiii, cvi; cf. "Const. Apost.", II, viii, 36
11. ^ "Didascalia Syr.", IV; III, 10, 11, 20; Cornelius, "Ad Fabianum" in Eusebius, Historia Ecclesiastica, VI, xliii.
12. ^ Bernard Botte, O.S.B., La Tradition apostolique de saint Hippolyte: Essai de reconstitution, LQF 39 (Munster-Westfalen, 1963). English Translation added at website.
13. ^ "Canon 406". Code of Canon Law. The Holy See. 1983. http://www.vatican.va/archive/ENG1104/__P1F.HTM. Retrieved 2009-06-15. 
14. ^ Catholic News Service 2nd March 2006
15. ^ CNS 13 June 2006
16. ^ Catechism of the Catholic Church, 1313
17. ^ Timothy Dufort, The Tablet, May 29, 1982, pp. 536–538.
18. ^ Unitatis Redintegratio 16: "To remove, then, all shadow of doubt, this holy Council solemnly declares that the Churches of the East, while remembering the necessary unity of the whole Church, have the power to govern themselves according to the disciplines proper to them, since these are better suited to the character of their faithful, and more for the good of their souls."
19. ^ [1] "Called to Common Mission," 1999. viewed 29 September 2006
20. ^ [2] Wright, J. Robert, "The Historic Episcopate: An Episcopalian Viewpoint," Lutheran Partners, March / April 1999—Volume 15, Number 2, viewed 29 September 2006
21. ^ The Book of Discipline of the United Methodist Church: Specific Responsibilities of Bishops—¶ 514–516 (retrieved 27 May 2007).
22. ^ The Book of Discipline of the United Methodist Church: Council of Bishops—¶ 526 (retrieved 27 May 2007).
23. ^ Doctrine and Covenants 107:76
24. ^ ^{a b} Doctrine and Covenants 68:20
25. ^ http://atheism.about.com/b/2003/10/04/baptist-bishops-bucking-tradition.htm
26. ^ Presbyterian Church (U.S.A.). Book of Order (2009-2011) (Louisville: Office of the General Assembly), G-6.0202.
27. ^ See "The Successor To Peter", a discussion paper from the 2000 Presbyterian and Roman Catholic dialog.
28. ^ Caeremoniale Episcoporum, 64
29. ^ Caeremoniale Episcoporum, 59
30. ^ Caeremoniale Episcoporum, 56

References[link]

• Ignatius of Antioch, Epistles of to the Ephesians, Magnesians, Trallesians, and Smyrnans, Lightfoot, trans., Harmer, ed. (Kessinger, 1891/2003). ISBN 0-7661-6498-5
• Mathews, James, Set Apart To Serve: The Role of the Episcopacy in the Wesleyan Tradition (Nashville: Abingdon, 1985).
• Moede, Gerald, The Office of Bishop in Methodism: Its History and Development (Nashville: Abingdon, 1965).

External links[link]

Look up bishop, episcopal, or episcopus in Wiktionary, the free dictionary.

• 1 Timothy 3:1-7 (NRSV)
• Methodist/Anglican Thoughts On Apostolic Succession by Gregory Neal
• Methodist Episcopacy: In Search of Holy Orders by Gregory Neal
• The Ecumenical Catholic Communion* The United Methodist Church: Council of Bishops
• Titus 1:7-9 (NRSV)
• Vatican Website with Canon Law of Roman Catholic Church
• What a bishop wears (Office of Worship of the Diocese of Harrisburg, Pennsylvania)

v t e Order of the Divine Service in Lutheranism Preparatory Service Entrance hymn and Trinitarian formula (known as the Invocation) · Penitential Rite including the Confiteor and Declaration of Grace (or Asperges on Easter) Elevation of the host The Service of the Word Introit · Gloria Patri · Kýrie · Gloria · Dominus Vobiscum · Oremus · Collect · Old Testament reading · gradual (or Responsorial Psalm) · Epistle · Alleluia (tract during Lent) · Gospel · Hymn of the day · Homily or Postil (Sermon) · Nicene Creed (Athanasian Creed on Trinity Sunday)  · Offertory · Prayers of the Faithful The Service of the Eucharist Preface (Sursum corda / Sanctus / Hosanna) · Eucharistic Prayer (Epiclesis / Words of Institution / Memorial Acclamation) · Lord's Prayer · Sign of peace / pax (elevation)  · Agnus Dei  · Distribution  · Nunc dimittis  · Postcommunion  · Benedicamus Domino  · Benediction  · Dismissal · Ite missa est Participants Acolyte · bishop · cantor · choir · crucifer · deacon · elder · laity · lector · Pastor (or Priest) · usher Parts of the Sanctuary altar · altar bell · altar crucifix · altar rails · kneeler · piscina · processional cross · tabernacle Candles altar candle · paschal candle · sanctuary lamp · votive candle Liturgical vessels ciborium · chalice · cruet · Liturgical objects collection basket · holy water · incense (use) · paten · sacramental bread (wafer) · sacramental wine · thurible Vestments alb · chasuble · dalmatic · geneva gown · humeral veil · stole · surplice · tunicle · Liturgical books and hymnals Agenda · Evangelical Lutheran Hymn-Book · Evangelical Lutheran Hymnary · Evangelical Lutheran Worship · Lutheran Book of Worship · Lutheran Hymnal · Lutheran Hymnal with Supplement · Lutheran Service Book · Lutheran Worship · Service Book and Hymnal Lutheranism Portal

v t e Anglican Communion Organisation Archbishop of Canterbury Archbishop of York Primates' Meeting Lambeth Conferences Anglican Consultative Council Bishops / Dioceses / Episcopal polity Background Æthelberht of Kent Edwin of Northumbria Offa of Mercia Christianity Christian Church Anglicanism History Jesus Christ Saint Paul Catholicity and Catholicism Apostolic Succession Ministry Ecumenical councils Augustine of Canterbury Paulinus of York Hygeberht Bede Medieval Architecture Henry VIII Reformation Thomas Cranmer Dissolution of the Monasteries Church of England Edward VI Elizabeth I Matthew Parker Richard Hooker James I Authorized Version Charles I William Laud Nonjuring schism Ordination of women Homosexuality Windsor Report Theology Trinity (Father / Son / Holy Spirit) Doctrine Thirty-Nine Articles Caroline Divines Oxford Movement Chicago-Lambeth Quadrilateral Sacraments Mary Saints Liturgy and worship Book of Common Prayer Morning / Evening Prayer Eucharist Liturgical year Biblical canon Books of Homilies High Church Low Church Broad Church Other topics Ecumenism Monasticism Sermons Prayer Anglican rosary Music Liturgy Symbols Art Anglicanism portal

Monty Python (sometimes known as The Pythons)^[2][3] was a British surreal comedy group who created Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles' influence on music.^[4][5]

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content.^[6][7] A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find The Comedian's Comedian, three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.^[8]

[edit] Before Flying Circus

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue Cambridge Circus (originally entitled A Clump of Plinths). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future Goodies (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of Yes Minister and Yes, Prime Minister). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before Monty Python's Flying Circus. The Frost Report is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

• I'm Sorry, I'll Read That Again (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]
• The Frost Report (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]
• At Last the 1948 Show (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]
• Twice a Fortnight (1967) [Palin and Jones: cast members and writers]
• Do Not Adjust Your Set (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation]
  — Bonzo Dog Band: musical interludes]
• We Have Ways of Making You Laugh (1968) [Idle: cast member & writer] – [Gilliam: animation]
• How to Irritate People (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]
• The Complete and Utter History of Britain (1969) [Palin and Jones: cast members & writers]
• Doctor in the House (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of Do Not Adjust Your Set, originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on The Frost Report and At Last The 1948 Show. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.^[9]

[edit] Monty Python's Flying Circus

Development of the series[link]

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on Beyond the Fringe, and had worked on Frost, which was similar in style. They enjoyed Cook and Moore's sketch show Not Only... But Also. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series Q5 (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called Beware of the Elephants, which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled Christmas Cards, and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the Flying Circus series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members (Jones and Palin) was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's".^[10] Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before Monty Python's Flying Circus was settled upon. Some were Owl Stretching Time, Toad Elevating Moment, A Bucket, a Horse and a Spoon, Vaseline Review and Bun, Wackett, Buzzard, Stubble and Boot. Flying Circus stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered Monty Python's Flying Circus to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. Arthur Megapode's Flying Circus was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary Live At Aspen during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".^[11]

Style of the show[link]

Flying Circus popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements.^[12] An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. Because of their dislike of finishing with punchlines, they experimented with ending the sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken,^[13] before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is The Liberty Bell, a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.^[12]

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece Venus, Cupid, Folly, and Time by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) only when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in Monty Python's Life of Brian they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

Introduction to North America[link]

The Canadian Broadcasting Corporation (CBC) added Monty Python’s Flying Circus to its national September 1970 fall lineup.^[14] They aired the 13 episodes of Series 1, which had first run on the BBC the previous fall (October 1969 to January 1970), as well as the first 6 episodes of Series 2 only a few weeks after they first appeared on the BBC (September to November 1970).^[14] The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining 7 episodes of series 2 on the January 1971 CBC schedule.^[14] Within a week the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged a demonstration at the CBC’s Montreal studios.^[14]

Time-Life Films had the right to distribute all BBC-TV programs in the United States, however they had decided that British comedy simply would not work in America. Therefore, it was not worth the investment to convert the Python episodes from the European PAL standard to the American NTSC standard.

Sketches from Monty Python’s Flying Circus were introduced to American audiences in August 1972, with the release of the Python movie And Now for Something Completely Different, featuring sketches from series 1 and 2 of the television show. This 1972 release met limited box office success.

In the summer of 1974 Ron Devillier, the program director for non-profit PBS television station KERA in Dallas, Texas, started airing episodes of Monty Python’s Flying Circus. Ratings shot through the roof, providing an encouraging sign to the other 100 PBS stations that had signed up to begin airing the show in October 1974—exactly 5 years after their BBC debut. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy. The popularity on PBS resulted in the 1974 re-release of the 1972 "...Completely Different" movie, with much greater box office success.

The ability to show Monty Python’s Flying Circus under the American NTSC standard had been made possible by the commercial actions of American television producer Greg Garrison. Garrison produced the NBC series The Dean Martin Comedy World, which ran during the summer of 1974. The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". Payment for use of these two sketches was enough to allow Time-Life Films to convert the entire Python library to NTSC standard, allowing for the sale to the PBS network stations who then brought the entire show to US audiences.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as Are You Being Served? gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.^[15]

[edit] End of Flying Circus

Having considered the possibility at the end of the second series, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts.^[9] He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."^[16]

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name Monty Python's Flying Circus appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the Holy Grail script. While the first three series contained 13 episodes each, the fourth ended after six.

[edit] Life after the Flying Circus

Filmography[link]

[edit] And Now for Something Completely Different (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the Flying Circus, reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

[edit] Monty Python and the Holy Grail (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. Monty Python and the Holy Grail was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. Holy Grail was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.^[17]

[edit] Monty Python's Life of Brian (1979)

Following the success of Holy Grail, reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked Holy Grail in sixth place, with Life of Brian at the top.^[18]

[edit] Monty Python Live at the Hollywood Bowl (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for The Meaning of Life, this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of Flying Circus) and live performances of several songs from the troupe's then-current Monty Python's Contractual Obligation Album.

[edit] Monty Python's The Meaning of Life (1983)

Python's final film returned to something structurally closer to the style of Flying Circus. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, The Meaning of Life is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—The Crimson Permanent Assurance. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation Parrot Sketch Not Included, where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

[edit] Secret Policeman's Ball benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the Secret Policeman's Ball shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues.^[19] Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting.^[19] The shows are credited by Amnesty with helping the organisation develop public awareness in the US where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first Secret Policeman's Ball benefit—the 1976 A Poke In The Eye (With A Sharp Stick)—where they performed several Python sketches. In this first show they were collectively billed as Monty Python. (Peter Cook deputised for the errant Idle in one major sketch The Courtroom.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing Secret Policeman's Ball benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo[link]

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably A Fish Called Wanda (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in Time Bandits (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed Jabberwocky (1977), and also directed and co-wrote Brazil (1985) and The Adventures of Baron Munchausen (1988), which featured Palin and Idle respectively. Yellowbeard (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series Ripping Yarns (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film Erik the Viking, also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel The Wind in the Willows. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including Cheers, 3rd Rock from the Sun, Q's assistant in the James Bond movies, and Will & Grace), 23 direct-to-video productions, six video games, and a number of commercials.^[20] His BBC sitcom Fawlty Towers (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the Flying Circus on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with Rutland Weekend Television in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary All You Need Is Cash), and as an actor in Nuns on the Run (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical Spamalot has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas.^[21] This was followed by Not the Messiah (He's a Very Naughty Boy), which repurposes The Life of Brian as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions[link]

Since The Meaning of Life, their last project as a team, the Pythons have often been the subject of reunion rumours.^[21] The final reunion of all six members occurred during the Parrot Sketch Not Included – 20 Years of Monty Python special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of The Wind in the Willows, which was later renamed Mr. Toad's Wild Ride.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years.^[22] The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first Flying Circus television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD The Life of Python. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of The Meaning of Life, Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings.^[23] A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."^[24]

2003's The Pythons Autobiography By The Pythons, compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to Holy Grail that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that The Meaning of Life had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original Grail and Brian films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from Holy Grail, mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical Spamalot, based on Monty Python and the Holy Grail. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of Spamalot, PBS announced on 13 July 2005, that it would begin to re-air the entire run of Monty Python's Flying Circus and new one-hour specials focusing on each member of the group, called Monty Python's Personal Best.^[25] Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of Monty Python's Flying Circus, a six part documentary entitled Monty Python: Almost the Truth (The Lawyer's Cut) was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of Not the Messiah (He's a Very Naughty Boy) at the Royal Albert Hall. The European premiere was held on 23 October 2009.^[26] An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.^[27]

In June 2011, it was announced that Monty Python have begun production on their first film project since the Meaning of Life in 1983. Their next film, A Liar's Autobiography, is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. A Liar’s Autobiography was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.^[28]

Python members[link]

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in Holy Grail, as King Arthur, and Life of Brian, as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman, in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin.^[29] He started off as an animator and strip cartoonist for Harvey Kurtzman's Help! magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for Do Not Adjust Your Set and was then asked by its makers to join them on their next project: Monty Python's Flying Circus. He co-directed Monty Python and the Holy Grail and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before The Meaning of Life).

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After Flying Circus, he hosted Saturday Night Live four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film Splitting Heirs (written, produced by and starring him) and 1998's An Alan Smithee Film: Burn Hollywood Burn (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical Spamalot, based on the Holy Grail movie. He also wrote Not the Messiah (He's a Very Naughty Boy), an oratorio derived from the Life of Brian.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in Life of Brian, "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.^[30][31]

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series Ripping Yarns together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After Flying Circus, he hosted Saturday Night Live four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled Michael Palin Diaries 1969–1979, published in 2007.

Associate Pythons[link]

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the 7th Python, in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as Associate Pythons at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994.

Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the Flying Circus. He appeared in sketches and the Python films, as well as performing some of his songs in Monty Python Live at the Hollywood Bowl. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for All You Need is Cash (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album The Rutles: Archaeology and Idle's straight-to-DVD The Rutles 2: Can't Buy Me Lunch, each undertaken without the other's participation. According to an interview with Idle in the Chicago Tribune in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the Flying Circus, she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors[link]

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in Monty Python and the Holy Grail. Cleese and Booth later co-wrote and co-starred in Fawlty Towers.

Douglas Adams was "discovered" by Chapman when a version of the Footlights Revue (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode The Light Entertainment War, Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of Mr. Neutron, Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including Out of the Trees. He also contributed to a sketch on the soundtrack album for Monty Python and the Holy Grail.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of Flying Circus, the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled The Life of Python (1999) that was part of the Python Night and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as Live at Aspen).

Cultural influence[link]

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish".^[32] A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre Monty Python's Flying Circus was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence"^[33] Matt Groening, creator and co-developer of the animated sitcom The Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.^[34]

Space[link]

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records[link]

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.^[35]

'Pythonesque'[link]

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries.^[36] Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".^[37]

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of South Park, whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).^[38]

Good Eats creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode.^[39] Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python[link]

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

• The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( [1] ), named after Bicycle Repair Man sketch.
• In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of Montypythonoides riversleighensis in honour of the Monty Python team.^[40] (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".)
• In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor.^[41][42]
• In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."^[43]
• The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's Contractual Obligation Album from 1980.
• The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year.^[44]
• A philosophy lecture series entitled Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python.^[45][46]
• The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.^[47]
• In the book The Reptile Room by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.
• Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .
• The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

• Dead Parrot Society is the title of a comedy CD released in 1993 featuring sketches from Monty Python's Flying Circus as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film Dead Poets Society.

Media[link]

Television[link]

• Monty Python's Flying Circus (1969–74)

The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

• Monty Python's Fliegender Zirkus (1972)

Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

• Monty Python's Personal Best (2006)

Six one-hour specials, each episode presenting the best of one member's work.

Films[link]

There were five Monty Python productions released as theatrical films:

• And Now for Something Completely Different (1971)

A collection of sketches from the first and second TV series of Monty Python's Flying Circus purposely re-enacted and shot for film.

• Monty Python and the Holy Grail (1974)

King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

• Monty Python's Life of Brian (1979)

Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

• Monty Python Live at the Hollywood Bowl (1982)

A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

• Monty Python's The Meaning of Life (1983)

An examination of the meaning of life in a series of sketches from conception to death and beyond.

• Monty Python: Almost the Truth (The Lawyer's Cut) (2009)

This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

• A Liar's Autobiography: Volume IV (2012)

This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums[link]

• Monty Python's Flying Circus (1970)
• Another Monty Python Record (1971)
• Monty Python's Previous Record (1972)
• The Monty Python Matching Tie and Handkerchief (1973)
• Monty Python Live at Drury Lane (1974)
• The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail (1975)
• Monty Python Live at City Center (1976)
• The Monty Python Instant Record Collection (1977)
• Monty Python's Life of Brian (1979)
• Monty Python's Contractual Obligation Album (1980)
• Monty Python's The Meaning of Life (1983)
• The Final Rip Off (1988)
• Monty Python Sings (1989)
• The Monty Python Instant Record Collection, Volume 2 (1991)
• The Ultimate Monty Python Rip Off (1994)
• The Instant Monty Python CD Collection (1994)
• Spamalot (Broadway version of Monty Python and the Holy Grail with Tim Curry as King Arthur) (2005)
• The Hastily Cobbled Together for a Fast Buck Album (unreleased)

Theatre[link]

• Monty Python's Flying Circus – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.
• Monty Python's Spamalot – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, Spamalot is a musical adaptation of the film Monty Python and the Holy Grail. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.
• Not the Messiah (He's a Very Naughty Boy) – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on Monty Python's Life of Brian. Entitled Not the Messiah, it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. Not the Messiah was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books[link]

• Monty Python's Big Red Book (1971) ISBN 0-413-29520-6.
• The Brand New Monty Python Bok (1973) ISBN 0-7493-1170-3.
• Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk) (1977) ISBN 0-413-38520-5.
• MONTYPYTHONSCRAPBOOK/ The Life of Brian (1979) ISBN 0-413-46550-0.
• Monty Python's Flying Circus – Just The Words Volume 1 (1989) ISBN 0-413-62540-0.
• Monty Python's Flying Circus – Just The Words Volume 2 (1989) ISBN 0-413-62550-8.
• The Complete Monty Python's Flying Circus Volumes 1 & 2
• The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book (1994) ISBN 0-413-69000-8
• Michael Palin Diaries 1969–1979
• The Pythons: Autobiography by the Pythons
• The Life of Brian/Jesus (2011) ISBN 978-1-84876-628-0.

Games[link]

• Monty Python's Flying Circus (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum^[48]
• Monty Python's Complete Waste of Time (1994) released by 7th Level for PC / DOS
• Monty Python & the Quest for the Holy Grail (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".
• Monty Python's The Meaning of Life (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.
• Python-opoly (2007), a Monty Python-themed property game released by Toy Vault Inc.^[49]
• Monty Python Fluxx (2008), a card game released by Looney Labs^[50]
• Blazing Dragons