St. Mary-le-Bow

The term Cockney has both geographical and linguistic associations. Geographically and culturally, it often refers to working-class Londoners, particularly those in the East End. Linguistically, it refers to the form of English spoken by this group.

Etymology[link]

The earliest recorded use of the term is 1362 in The vision of William concerning Piers Plowman (Passus VI) by William Langland and it is used to mean a small, misshapen egg, from Middle English coken (of cocks) and ey (egg) so literally "a cock's egg".^[1] In the Reeve's Tale by Geoffrey Chaucer (circa 1386) it appears as "cokenay",^[2] and the meaning is "a child tenderly brought up, an effeminate fellow, a milksop".^[1][3][4] By 1521 it was in use by country people as a derogatory reference for the effeminate town-dwellers.^[1][5] The term was used to describe those born within earshot of the Bow Bells in 1600, when Samuel Rowlands, in his satire The Letting of Humours Blood in the Head-Vaine, referred to "a Bowe-bell Cockney".^[6] Traveller and writer Fynes Moryson stated in his work An Itinerary that "Londoners, and all within the sound of Bow Bells, are in reproach called Cockneys."^[7] John Minsheu (or Minshew) was the first lexicographer to define the word in this sense, in his Ductor in Linguas (1617), where he referred to "A Cockney or Cockny, applied only to one born within the sound of Bow bell, that is in the City of London".^[8] However, the etymologies he gave (from "cock" and "neigh", or from Latin incoctus, raw) were incorrect. Francis Grose's A Classical Dictionary of the Vulgar Tongue (1785) derives the term from the following story:

A citizen of London, being in the country, and hearing a horse neigh, exclaimed, Lord! how that horse laughs! A by-stander telling him that noise was called Neighing, the next morning, when the cock crowed, the citizen to shew he had not forgot what was told him, cried out, Do you hear how the Cock Neighs?^[9][10]

Given the earlier meanings above, this story is probably apocryphal.

Cockaigne[link]

An alternative derivation is from the word Cockaigne, a term for a mythical luxurious country, first recorded in 1362.^[11] This was then used humorously to refer to London, and over time had a number of spellings: Cocagne, Cockayne, Cocknay and Cockney. The latter two spellings could be used to refer to both pampered children, and residents of London, as to pamper or spoil a child was "to cocker" him.^[12]

Cockney area[link]

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The region in which "Cockneys" are thought to reside is not clearly defined. A common view is that in order to be a Cockney, one must have been born within earshot of the Bow Bells.^[13] However, the church of St Mary-le-Bow was destroyed in 1666 by the Great Fire of London and rebuilt by Sir Christopher Wren. Although the bells were destroyed again in 1941 in The Blitz,they fell silent on 13th. June 1940, as part of the British anti-invasion preparations of World War II and before they were replaced in 1961, there was a period when by this definition no "Bow-bell" Cockneys could be born.^[14] The use of such a literal definition produces other problems, since the area around the church is no longer residential and the noise of the area makes it unlikely that many people would be born within earshot of the bells anymore,^[15] although Guy's Hospital and St Thomas' hospital are both within the defined area covered by the sound of the Bow Bells, suggesting a reasonable number of South London Cockneys continue to be born within the sound of the bells. The closest maternity unit was the East London Maternity Hospital in Stepney which was 2.5 miles from St Mary-le-Bow and was in use from 1884 to 1968.

A study was carried out by the city in 2000 to see how far the Bow Bells could be heard,^{[citation needed]} and it was estimated that the bells would have been heard six miles to the east, five miles to the north, three miles to the south, and four miles to the west. According to the legend of Dick Whittington the bells could once be heard from as far away as Highgate.^[16] The association with Cockney and the East End in the public imagination may be due to many people assuming that Bow Bells are to be found in the district of Bow, rather than the lesser known St Mary-le-Bow church. Thus while all East Enders are Cockneys, not all Cockneys are East Enders.

The traditional core districts of the East End are Bethnal Green, Whitechapel, Spitalfields, Stepney, Wapping, Limehouse, Poplar, Clerkenwell, Aldgate, Shoreditch, Millwall, Hackney, Hoxton, Bow and Mile End. "The Borough" to the south of Waterloo, London and Tower Bridge were also considered Cockney before redevelopment all but extinguished the local working class areas, and now Bermondsey is the only Cockney area south of the Thames, although Pearly Kings and Queens can be found as far out as Peckham and Penge. The area north of the Thames gradually expanded to include East Ham, Stratford, West Ham and Plaistow as more land was built upon.

Famous Cockney people[link]

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• Alfie Bass (actor, born in Bethnal Green)
• Steven Berkoff (actor, born in Stepney)
• Marc Bolan (singer, musician, born in Hackney)
• Bernard Bresslaw (actor, born in Stepney)
• Eric Bristow (darts player, born in Hackney)
• Jimmy Bullard (Footballer, born in East Ham)
• Max Bygraves (singer, songwriter and comedian, born in Rotherhithe)
• Michael Caine (Hollywood film star, born in Rotherhithe)
• George Carey (archbishop, born in Bow)
• Charlie Chaplin (Hollywood film star, born in Walworth)
• Phil Collen (guitarist Def Leppard, musician, born in Hackney)
• Dave Courtney (bodyguard/actor, born in Bermondsey)
• Phil Daniels (actor, born in Islington)
• Roger Delgado, (actor, born in Whitechapel)
• Craig Fairbrass (actor, born in Stepney)
• Bud Flanagan, (actor, comedian and singer, born in Whitechapel)
• Samantha Fox (model/singer, born in Mile End)
• Len Goodman (TV personality on Dancing with the Stars, born in Bethnal Green)
• Frank Harper (Actor, born in Whitechapel)
• Steve Harris, (founder, bass player Iron Maiden, born in Leytonstone)
• Gary Holton (actor, musician, born in Hackney)
• Kenney Jones (musician, born in Stepney)
• Kray twins, Ronald and Reginald (gangsters, born in Hoxton)
• Steve Marriott (musician, born in East Ham)
• Lenny McLean (bare knuckle/unlicensed boxer/actor, born in Hoxton)
• Hoxton Tom McCourt (musician/face, born in Hoxton)
• Ronnie Lane (musician, born in Bow)
• Joe Lovejoy (sports journalist, born in Bow, London)
• Danny Murphy, (footballer, born in Bermondsey)
• Dizzee Rascal (musician/producer, born in Bow.)
• Harry Redknapp (manager for Tottenham Hotspur F.C. born in Bow, London)
• Mike Reid (actor/comedian, born in Hackney)
• Philip Ridley (artist, writer, film maker, photographer born in Bethnal Green)
• Roy Shaw (bare knuckle/unlicensed boxer, born in Stepney)
• Terence Stamp (actor, born in Stepney)
• Tommy Steele (singer, musician and actor, born in Bermondsey)
• Alan Sugar (businessman, born in Hackney)
• John Terry (Footballer, born in Barking)
• Sid Vicious (Sex Pistols vocalist and bassist, born in Hackney)
• Barbara Windsor (actress, born in Shoreditch)
• Ray Winstone (actor, born in Hackney)
• Jah Wobble (musician, composer, writer, born in Stepney)
• Colin Wood (writer, born in Stepney)

Migration and evolution[link]

Recent linguistic research suggests that today, certain elements of Cockney English are declining in usage within the East End of London and the accent has migrated to Outer London and the Home Counties: in London's East End, some traditional features of Cockney have been displaced by a Jamaican Creole-influenced variety popular among young Londoners (sometimes referred to as "Jafaican"), particularly, though far from exclusively, those of Afro-Caribbean descent.^[17] Nevertheless, the glottal stop, double negatives, and the vocalization of the dark L (and other features of Cockney speech), along with some rhyming slang terms are still in common usage.

A July 2010 report by Paul Kerswill, Professor of Sociolinguistics at Lancaster University, called Multicultural London English: the emergence, acquisition and diffusion of a new variety, claimed that the Cockney accent will disappear from London's streets within 30 years.^[17] The study, funded by the Economic and Social Research Council, said the accent, which has been around for more than 500 years, is being replaced in London by a new hybrid language. "Cockney in the East End is now transforming itself into Multicultural London English, a new, melting-pot mixture of all those people living here who learnt English as a second language", Prof Kerswill said.^[17]

Conversely, migration of Cockney speakers has led to migration of the dialect. In Essex, towns that mostly grew up from post-war migration out of London (e.g. Basildon and Harlow) often have a strong Cockney influence on local speech. However, the early dialect researcher Alexander John Ellis believed that Cockney developed due to the influence of Essex dialect on London speech.^[18] In recent years the dialect has moved out of inner-city London towards the outskirts of Greater London. Today Cockney-speaking areas include parts of Hertfordshire, Kent, Canvey Island, Dagenham, Barking, Romford, Chigwell, Harlow, Tottenham, Enfield, Basildon, Thurrock, Cheshunt, Bexley, Sidcup, Welling, Eltham, Islington and Brimsdown.^[19][20]

[edit] Cockney speech

Cockney speakers have a distinctive accent and dialect, and occasionally use rhyming slang. The Survey of English Dialects took a recording from a long-time resident of Hackney, and the BBC made another recording in 1999 which showed how the accent had changed.^[21][22]

John Camden Hotten, in his Slang Dictionary of 1859, makes reference to "their use of a peculiar slang language" when describing the costermongers of London's East End. In terms of other slang, there are also several borrowings from Yiddish, including kosher (originally Hebrew, via Yiddish, meaning legitimate) and stumm (/ʃtʊm/ originally German, via Yiddish, meaning quiet),^[23] as well as Romany, for example wonga (meaning money, from the Romany "wanga" meaning coal),^[24] and cushty (from the Romany kushtipen, meaning good). A fake Cockney accent is sometimes called "Mockney".

Typical features[link]

• As with many accents of England, Cockney is non-rhotic. A final -er is pronounced [ə] or lowered [ɐ] in broad Cockney. As with all or nearly all non-rhotic accents, the paired lexical sets commA and lettER, PALM/BATH and START, THOUGHT and NORTH/FORCE, are merged. Thus, the last syllable of words like cheetah can be pronounced [ɐ] as well in broad Cockney.^[25][26][27]
• Broad /ɑː/ is used in words such as bath, path, demand. This originated in London in the 16th-17th centuries and is also part of Received Pronunciation.^[28]
• T glottalization: Use of the glottal stop as an allophone of /t/ in various positions,^[29][30] including after a stressed syllable. Glottal stops also occur, albeit less frequently for /k/ and /p/, and occasionally for mid-word consonants. For example, Richard Whiteing spelt "Hyde Park" as Hy' Par' . Like and light can be homophones. "Clapham" can be said as Cla'am.^[28] /t/ may also be flapped intervocalically. London /p, t, k/ are often aspirated in intervocalic and final environments, e.g., upper, utter, rocker, up, out, rock, where RP is traditionally described as having the unaspirated variants. Also, in broad Cockney at least, the degree of aspiration is typically greater than in RP, and may often also involve some degree of affrication. Affrication may be encountered in initial, intervocalic, and final position.^[31][32]
  • This feature results in Cockney being often mentioned in textbooks about Semitic languages while explaining how to pronounce the glottal stop.
• Th-fronting:^[33]
  • /θ/ can become [f] in any environment. [fɪn] "thin", [mɛfs] "maths".
  • /ð/ can become [v] in any environment except word-initially when it can be [ð, ð̞, d, l, ʔ, ∅]. [dæɪ] "they", [bɒvə] "bother".^[34][35]
• Yod-coalescence in words such as tune [ˈtʃuːn] or reduce [rɪˈdʒuːs] (compare traditional RP [ˈtjuːn, rɪˈdjuːs]).^[36]
• H-dropping. Sivertsen considers that [h] is to some extent a stylistic marker of emphasis in Cockney.^[37][38]
• Diphthong alterations:^[39]
  • /iː/ → [əi~ɐi]:^[40][41] [bəiʔ] "beet"
  • /eɪ/ → [æɪ~aɪ]:^[42] [bæɪʔ] "bait"
  • /aɪ/ → [ɑɪ] or even [ɒɪ] in "vigorous, dialectal" Cockney. The second element may be reduced or absent (with compensatory lengthening of the first element), so that there are variants like [ɑ̟ə~ɑ̟ː]. This means that pairs such as laugh-life, Barton-biting may become homophones: [lɑːf], [bɑːʔn̩]. But this neutralisation is an optional, recoverable one:^[43] [bɑɪʔ] "bite"
  • /ɔɪ/ → [ɔ̝ɪ~oɪ]:^[43] [tʃoɪs] "choice"
  • /uː/ → [əʉ] or a monophthongal [ʉː], perhaps with little lip rounding, [ɨː] or [ʊː]:^[40][44] [bʉːʔ] "boot"
  • /əʊ/ → this diphthong typically starts in the area of the London /ʌ/, [æ ̠~ɐ]. The endpoint may be [ʊ], but more commonly it is rather opener and/or lacking any lip rounding, thus being a kind of centralized [ɤ̈]. The broadest Cockney variant approaches [aʊ]:^[45] [kʰɐɤ̈ʔ] "coat"
  • /aʊ/ may be [æə] or a monophthongal [æː~aː]:^[46] [tʰæən] "town"
• Other vowel differences include
  • /æ/ may be [ɛ] or [ɛɪ], with the latter occurring before voiced consonants, particularly before /d/:^[27][47] [bɛk] "back", [bɛːɪd] "bad"
  • /ɛ/ may be [eə], [eɪ], or [ɛɪ] before certain voiced consonants, particularly before /d/:^{[27][48][49][50]} [beɪd] "bed"
  • /ɒ/ may be a somewhat less open [ɔ]:^[27] [kɔʔ] "cot"
  • /ɑː/ has a fully back variant, qualitatively equivalent to cardinal 5, which Beaken (1971) claims characterizes "vigorous, informal" Cockney.^[27]
  • /ɜː/ is on occasion somewhat fronted and/or lightly rounded, giving Cockney variants such as [ɜ̟ː], [œ̈ː].^[27]
  • /ʌ/ → [ɐ̟] or a quality like that of cardinal 4, [a]:^[27][51] [dʒamʔˈtˢapʰ] "jumped up"
  • /ɔː/ → [oː] or a closing diphthong of the type [oʊ~ɔo] when in non-final position, with the latter variants being more common in broad Cockney:^[52][53] [soʊs] "sauce"-"source", [loʊd] "lord", [ˈwoʊʔə] "water"
  • /ɔː/ → [ɔː] or a centring diphthong of the type [ɔə~ɔwə] when in final position, with the latter variants being more common in broad Cockney; thus [sɔə] "saw"-"sore"-"soar", [lɔə] "law"-"lore", [wɔə] "war"-"wore". The diphthong is retained before inflectional endings, so that board and pause can contrast with bored [bɔəd] and paws [pɔəz]^[53]
  • /əʊ/ becomes something around [ɒʊ~ɔo] or even [aɤ] in broad Cockney before dark l. These variants are retained when the addition of a suffix turns the dark l clear. Thus a phonemic split has occurred in London English, exemplified by the minimal pair wholly [ˈhɒʊli] vs. holy [ˈhɐɤ̈li]. The development of L-vocalization (see next section) leads to further pairs such as sole-soul [sɒʊ] vs. so-sew [sɐɤ̈], bowl [bɒʊ] vs. Bow [bɐɤ̈], shoulder [ˈʃɒʊdə] vs. odour [ˈɐɤ̈də], while associated vowel neutralisations may make doll a homophone of dole, compare dough [dɐɤ̈]. All this reinforces the phonemic nature of the opposition and increases its functional load. It is now well-established in all kinds of London-flavoured accents, from broad Cockney to near-RP.^[54]
• Vocalisation of dark L, hence [mɪowɔː] for Millwall. The actual realization of a vocalized /l/ is influenced by surrounding vowels and it may be realized as [u], [ʊ], [o] or [ɤ]. It is also transcribed as a semivowel [w] by some linguists, e.g., Coggle and Rosewarne.^[55] Relatedly, there are many possible vowel neutralisations and absorptions in the context of a following "dark L" ([ɫ]) or its vocalised version; these include:^[56]
  • In broad Cockney, and to some extent in general popular London speech, a vocalised /l/ is entirely absorbed by a preceding /ɔː/: i.e., salt and sort become homophones (although the contemporary pronunciation of salt /sɒlt/^[57] would prevent this from happening), and likewise fault-fought-fort, pause-Paul's, Morden-Malden, water-Walter. Sometimes such pairs are kept apart, in more deliberate speech at least, by a kind of length difference: [ˈmɔʊdn̩] Morden vs. [ˈmɔʊːdn̩] Malden.
  • A preceding /ə/ is also fully absorbed into vocalised /l/. The reflexes of earlier /əl/ and earlier /ɔː(l)/ are thus phonetically similar or identical; speakers are usually ready to treat them as the same phoneme. Thus awful can best be regarded as containing two occurrences of the same vowel, /ˈɔːfɔː/. The difference between musical and music-hall, in an H-dropping broad Cockney, is thus nothing more than a matter of stress and perhaps syllable boundaries.
  • With the remaining vowels a vocalised /l/ is not absorbed, but remains phonetically present as a back vocoid in such a way that /Vl/ and /V/ are kept distinct.
  • The clearest and best-established neutralisations are those of /ɪ~iː~ɪə/ and /ʊ~uː~ʊə/. Thus rill, reel and real fall together in Cockney as [rɪɤ]; while full and fool are [foʊ~fʊu] and may rhyme with cruel [krʊu]. Before clear (i.e., prevocalic) /l/ the neutralisations do not usually apply, thus [ˈsɪli] silly but [ˈsɪilɪn] ceiling-sealing, [ˈfʊli] fully but [ˈfʊulɪn] fooling.
  • In some broader types of Cockney, the neutralisation of /ʊ~uː~ʊə/ before non-prevocalic /l/ may also involve /ɔː/, so that fall becomes homophonous with full and fool [fɔo].
  • The other pre-/l/ neutralisation which all investigators agree on is that of /æ~eɪ~aʊ/. Thus, Sal and sale can be merged as [sæɤ], fail and fowl as [fæɤ], and Val, vale-veil and vowel as [væɤ]. The typical pronunciation of railway is [ˈræʊwæɪ].
  • According to Siversten, /ɑː/ and /aɪ/ can also join in this neutralisation. They may on the one hand neutralise with respect to one another, so that snarl and smile rhyme, both ending [-ɑɤ], and Child's Hill is in danger of being mistaken for Charles Hill; or they may go further into a fivefold neutralisation with the one just mentioned, so that pal, pale, foul, snarl and pile all end in [-æɤ]. But these developments are evidently restricted to broad Cockney, not being found in London speech in general.
  • A neutralisation discussed by Beaken (1971) and Bowyer (1973), but ignored by Siversten (1960), is that of /ɒ~əʊ~ʌ/. It leads to the possibility of doll, dole and dull becoming homophonous as [dɒʊ] or [da̠ɤ]. Wells' impression is that the doll-dole neutralisation is rather widespread in London, but that involving dull less so.
  • One further possible neutralisation in the environment of a following non-prevocalic /l/ is that of /ɛ/ and /ɜː/, so that well and whirl become homophonous as [wɛʊ].
• Cockney has been occasionally described as replacing /r/ with /w/. For example, thwee (or fwee) instead of three, fwasty instead of frosty. Peter Wright, a Survey of English Dialects fieldworker, concluded that this was not a universal feature of Cockneys but that it was more common to hear this in the London area than anywhere else in Britain.^[58] This description may also be a result of mishearing the labiodental R as /w/, when it is still a distinct phoneme in Cockney.
• An unstressed final -ow may be pronounced [ə]. In broad Cockney this can be lowered to [ɐ].^[26][27] This is common to most traditional, Southern English dialects except for those in the West Country.^[59]
• Grammatical features:^[37]
  • Use of me instead of my, for example, "At's me book you got 'ere". Cannot be used when "my" is emphasised (i.e., "At's my book you got 'ere" (and not "his")).
  • Use of ain't
• Use of double negatives, for example "I didn't see nuffink."^[60]

Most of the features mentioned above have, in recent years, partly spread into more general south-eastern speech, giving the accent called Estuary English; an Estuary speaker will use some but not all of the Cockney sounds.^[61][62][63] Some of the features may derive from the upper-class pronunciation of late 18th century London, such as the use of "ain't" for "isn't" and the now lost reversal of "v" and "w" (as noted by Dickens regarding Sam Weller/Veller).

Changing attitudes towards Cockney English[link]

The Cockney accent has long been looked down upon and thought of as inferior by many. In 1909 these attitudes even received an official recognition thanks to the report of The Conference on the Teaching of English in London Elementary Schools issued by the London County Council, where it is stated that "[…] the Cockney mode of speech, with its unpleasant twang, is a modern corruption without legitimate credentials, and is unworthy of being the speech of any person in the capital city of the Empire".^[64] On the other hand, however, there started rising at the same time cries in defence of Cockney as, for example the following one: "The London dialect is really, especially on the South side of the Thames, a perfectly legitimate and responsible child of the old kentish tongue […] the dialect of London North of the Thames has been shown to be one of the many varieties of the Midland or Mercian dialect, flavoured by the East Anglian variety of the same speech […]".^[64] Since then, the Cockney accent has been more accepted as an alternative form of the English Language rather than an 'inferior' one; in the 1950s the only accent to be heard on the BBC (except in trivial programmes such as Sooty) was RP, whereas nowadays many different accents, including Cockney or ones heavily influenced by it, can be heard on the BBC.^[65] In a survey of 2000 people conducted by Coolbrands in autumn 2008, Cockney was voted equal fourth coolest accent in Britain with 7% of the votes, while The Queen's English was considered the coolest, with 20% of the votes.^[66] Brummie was voted least popular, receiving just 2%.

Spread of Cockney English[link]

Studies have indicated that the heavy use of South East English accents on television and radio may be the cause of the spread of Cockney English since the 1960s.^{[67][68][69][70]} Cockney is more and more influential and some claim that in the future many features of the accent may become standard.^[71]

Scotland[link]

Studies have indicated that working-class adolescents in areas such as Glasgow have begun to use certain aspects of Cockney and other Anglicisms in their speech,^[72] infiltrating the traditional Glasgow patter.^[73] For example, TH-fronting is commonly found, and typical Scottish features such as the postvocalic /r/ are reduced.^[74] Research suggests the use of English speech characteristics is likely to be a result of the influence of London and South East England accents featuring heavily on television.^{[67][68][69][70]} However, such claims have been criticised.^[75]

England[link]

Th-fronting, L-vocalization and T glottalization can now be found in every county of England (with L-vocalization being largely absent from Northern England),^{[76][77][78][79][80]} whereas before the 1960s the only Cockney feature that was common to all of England, except for much of East Anglia and North East England, was H-dropping.^[81][82][83]

See also[link]

• British English
• Rhyming slang
• Estuary English
• Languages of the United Kingdom
• London slang
• Mockney
• Jafaican
• L-vocalization
• Possessive me
• T glottalization
• List of British regional nicknames

References[link]

Bibliography[link]

• Cruttenden, A. (2001). Gimson's Pronunciation of English (6th ed.). London: Arnold. 
• Ellis, Alexander J. (1890). English dialects: Their Sounds and Homes. 
• Hughes, Arthur; Trudgill, Peter (1979). English Accents and Dialects: An Introduction to Social and Regional Varieties of British English. Baltimore: University Park Press. 
• Matthews, William (1938). Cockney, Past and Present: a Short History of the Dialect of London. Detroit: Gale Research Company. 
• Sivertsen, Eva (1960). Cockney Phonology. Oslo: University of Oslo. 
• Wells, J.C. (1982a). Accents of English 1: An Introduction. Cambridge: Cambridge University Press. 
• Wells, J.C. (1982b). Accents of English 2: The British Isles. Cambridge: Cambridge University Press. 
• Wright, Peter (1981). Cockney Dialect and Slang. London: B.T. Batsford Ltd.. 

External links[link]

• Grose's 1811 dictionary
• Whoohoo Cockney Rhyming Slang translator
• Money slang expressions
• Sounds Familiar? – Listen to examples of London and other regional accents and dialects of the UK on the British Library's 'Sounds Familiar' website

Stephen Fry
Fry in Happy Birthday to GNU (2008)
Born	Stephen John Fry (1957-08-24) 24 August 1957 (age 54) Hampstead, London, England
Nationality	British
Alma mater	Queens' College, Cambridge
Occupation	Actor, comedian, author, journalist, broadcaster, film director
Years active	1981–present
Influenced by	Oscar Wilde, P. G. Wodehouse, Evelyn Waugh, Hugh Laurie, Emma Thompson, Douglas Adams, Rowan Atkinson, Christopher Hitchens
Title	President of Mind (2011–present)[1] Honorary Kentucky Colonel[2][3] Patron of the Lip Theatre Company Patron of the Norwich Playhouse theatre Vice President of the Noël Coward Society Honorary fellow of Queens' College, Cambridge Honorary fellow of Cardiff University Honorary president of the Cambridge University Quiz Society Rector of the University of Dundee (1992–1998)
Religion	None (atheist)
Partner	Daniel Cohen (1995–2010)
Parents	Alan John Fry Marianne Eve Fry (née Newman)
Signature
Website
www.stephenfry.com

Stephen John Fry (born 24 August 1957) is an English^[4][5] actor, screenwriter, author, playwright, journalist, poet, comedian, television presenter, film director, and a director of Norwich City Football Club.^[6]

After a troubled childhood and adolescence, during which he was expelled from a number of schools and eventually spent three months in prison for credit card fraud, he was able to secure a place at Queens' College, Cambridge, where he studied English Literature.

He first came to public attention in the 1981 Cambridge Footlights Revue presentation "The Cellar Tapes", which also included Hugh Laurie, Emma Thompson and Tony Slattery. With Hugh Laurie, as the comedy double act Fry and Laurie, he co-wrote and co-starred in A Bit of Fry & Laurie, and took the role of Jeeves (with Laurie playing Wooster) in Jeeves and Wooster.

As an actor, Fry played the lead in the film Wilde, was Melchett in the BBC television series Blackadder, starred as the title character Peter Kingdom in the ITV series Kingdom, has a recurring guest role as Dr. Gordon Wyatt on the Fox crime series Bones and appeared as rogue TV host Gordon Deitrich in the dystopian thriller V For Vendetta. He has also written and presented several documentary series including the 2008 television series Stephen Fry in America, which saw him travelling across all 50 US states. Since 2003 he has been the host of the quiz show QI.

As well as his work in television, Fry has contributed columns and articles for newspapers and magazines, and has written four novels and two volumes of autobiography, Moab Is My Washpot and The Fry Chronicles. He also appears frequently on BBC Radio 4, starring in the comedy series Absolute Power, being a frequent guest on panel games such as Just a Minute, and acting as chairman for I'm Sorry I Haven't a Clue, where he was one of a trio of hosts who succeeded the late Humphrey Lyttelton. Fry is also known in the UK for his audiobook recordings, particularly as reader for all seven Harry Potter novels.

Early life[link]

Fry, upper right, rehearsing a student production of A Midsummer Night's Dream at the Norfolk College of Arts and Technology, 1975

Fry was born in Hampstead, London, on 24 August 1957, the son of Marianne Eve Fry (née Newman) and Alan John Fry, who was an English physicist and inventor.^[7][8] His maternal grandparents, Martin and Rosa Neumann,^[8] were Hungarian Jewish immigrants from Šurany, which is now in Slovakia.^[8][9][10] His mother's aunt and cousins died in Auschwitz.^[8] Fry grew up in the village of Booton near Reepham, Norfolk, having moved from Chesham, Buckinghamshire at an early age.^[11]

Fry briefly attended Cawston Primary School, Cawston, Norfolk^[12] before going on to Stouts Hill Preparatory School at the age of seven, and then to Uppingham School, Rutland, where he joined Fircroft house and was described as a "near-asthmatic genius".^[13] He was expelled from Uppingham when he was 15, and subsequently from the Paston School.

At 17, after leaving Norfolk College of Arts and Technology, Fry absconded with a credit card stolen from a family friend, was arrested in Swindon, and as a result spent three months in Pucklechurch Prison on remand.^[14]

Following his release he resumed his education at City College Norwich, promising administrators that he would study rigorously to sit the Cambridge entrance exams. He scored well enough to gain a scholarship to Queens' College, Cambridge. At Cambridge, Fry joined the Cambridge Footlights, appeared on University Challenge, and gained a degree in English literature.^[15] It was at the Footlights that Fry met his future comedy collaborator Hugh Laurie.

Career[link]

Television[link]

Comedy[link]

Fry signing autographs at the Apple Store, Regent Street, London on 3 February 2009

Fry's career in television began with the 1982 broadcasting of The Cellar Tapes, the 1981 Cambridge Footlights Revue which was written by Fry, Hugh Laurie, Emma Thompson and Tony Slattery. The revue caught the attention of Granada Television, who, keen to replicate the success of the BBC's Not the Nine O'Clock News, hired Fry, Laurie and Thompson to star alongside Ben Elton in There's Nothing to Worry About!. A second series, re-titled Alfresco, was broadcast in 1983 and a third in 1984; it established Fry and Laurie's reputation as a comedy double act. In 1983, the BBC offered them their own show, which became The Crystal Cube, a mixture of science fiction and mockumentary that was axed after the first episode. Undeterred, Fry and Laurie appeared in an episode of The Young Ones in 1984, and Fry in Ben Elton's 1985 series, Happy Families. In 1986 and 1987 Fry and Laurie also performed sketches on the LWT/Channel 4 show Saturday Live.

Forgiving Fry and Laurie for The Crystal Cube, the BBC commissioned a sketch show in 1986 that was to become A Bit of Fry & Laurie. The programme ran for 26 episodes spanning four series between 1986 and 1995, and was very successful. During this time Fry starred in Blackadder II as Lord Melchett, made a guest appearance in Blackadder the Third as the Duke of Wellington, then returned to a starring role in Blackadder Goes Forth as General Melchett. In the 1988 television special Blackadder's Christmas Carol he played the roles of Lord Melchett and Lord Frondo.

Between 1990 and 1993, Fry starred as Jeeves (alongside Hugh Laurie's Bertie Wooster) in Jeeves and Wooster, 23 hour-long adaptations of P.G. Wodehouse's novels and short stories.

Towards the end of 2003, Fry starred alongside John Bird in the television adaptation of Absolute Power, previously a radio series on BBC Radio 4.

In 2010 Fry took part in a Christmas series of Short Films called 'Little Crackers'. Fry's short is based on a story from his childhood at school.^[16] He appeared as the Christian God in 2011's Holy Flying Circus.

Drama[link]

Fry has appeared in a number of BBC adaptations of plays and books, including a 1992 adaptation of the Simon Gray play The Common Pursuit (Fry had previously appeared in the West End stage production); a 1998 Malcolm Bradbury adaptation of the Mark Tavener novel, In the Red, with Fry taking the part of the Controller of BBC Radio 2; and in 2000 Fry took the role of Professor Bellgrove in the BBC serial Gormenghast which were adapted from the first two novels of Mervyn Peake's Gormenghast series. In 2011, Fry portrayed Professor Mildeye in the BBC adaption of Mary Norton's 1952 novel The Borrowers.

Fry narrates the English language version of the Spanish children's animated series Pocoyo.^[17]

From 2007 to 2009, Fry played the lead role in (and was executive producer for) the legal drama Kingdom, which ran for three series on ITV1.^[18] He has also taken up a recurring guest role as psychiatrist Dr. Gordon Wyatt in the popular American drama Bones.

In 2010, having learned some Irish for the role,^[19] he filmed a cameo role in Ros na Rún, an Irish language soap opera broadcast in Ireland, Scotland and the United States.^[20][21][22]

Documentaries and other factual programmes[link]

Fry made his first foray into documentary-making with the Emmy Award-winning The Secret Life of the Manic Depressive in 2006; also in 2006, he appeared in the genealogy series Who Do You Think You Are?, tracing his maternal family tree to investigate his Jewish ancestry.^[23] Fry narrated The Story of Light Entertainment, which was shown from July–September 2006.^[24][25] In 2007 he presented a documentary on the subject of HIV and AIDS, HIV and Me.^[26]

On 7 May 2008, Fry gave a speech as part of a series of BBC lectures on the future of public service broadcasting in the United Kingdom,^[27] which he later recorded for a podcast.^[28]

His six-part travel series Stephen Fry in America began on BBC One in October 2008 and saw him travel to each of the 50 US states;^[29] in the same year he narrated the nature documentaries Spectacled Bears: Shadow of the Forest for the BBC Natural World series.^[30]

In the 2009 television series Last Chance to See, Fry and zoologist Mark Carwardine sought out endangered species, some of which had been featured in Douglas Adams' and Carwardine's 1990 book and radio series of the same name^[31] Also in 2009, Fry briefly hosted CBBC series Horrible Histories, an educational TV show for school children.

In August 2011 Stephen Fry's 100 Greatest Gadgets was shown on Channel 4 as one of the 100 Greatest strand.^[32] His choice for the greatest gadget was the cigarette lighter which he described as "fire with a flick of the fingers".^[32]

In September 2011 Fry's Planet Word, a five-part documentary about language, aired on BBC HD and BBC Two.^[33][34]

[edit] QI

In 2003, Fry began hosting QI (Quite Interesting), a British comedy panel game television quiz show. QI was created and co-produced by John Lloyd, and features permanent panellist Alan Davies. QI has the highest viewing figures for any show on BBC Four and UKTV G2 (now Dave).^[35][36] In 2006, Fry won the Rose d'Or award for "Best Game Show Host" for his work on the series.^[37]

Film[link]

Having made his film debut in the 1985 film The Good Father, Fry had a brief appearance in A Fish Called Wanda (in which he is knocked out by Kevin Kline, who is posing as an airport security man) and then appeared in the lead role for Kenneth Branagh's Peter's Friends in 1992. In the 1994 romantic comedy film I.Q., he played the role of James Moreland.^[38] Portraying Oscar Wilde (of whom he had been a fan since the age of 13) in the 1997 film Wilde, he fulfilled to critical acclaim a role that he has said he was "born to play". It also earned him a nomination for Best Actor – Drama in the 1998 Golden Globe Award. A year later, Fry starred in David Yates' small independent film The Tichborne Claimant, and in 2001 he played the detective in Robert Altman's period costume drama, Gosford Park. In the same year he also appeared in the Dutch film The Discovery of Heaven, directed by Jeroen Krabbé and based on the novel by Harry Mulisch.

In 2003, Fry made his directorial debut with Bright Young Things, adapted by himself from Evelyn Waugh's Vile Bodies. In 2001, he began hosting the BAFTA Film Awards, a role from which he stepped down in 2006.^[39] Later that same year, he wrote the English libretto and dialogue for Kenneth Branagh's film adaptation of The Magic Flute.

Fry continues to make regular film appearances, notably in treatments of literary cult classics. He portrayed Maurice Woodruff in The Life and Death of Peter Sellers, served as narrator in the 2005 film version of The Hitchhiker's Guide to the Galaxy, and in 2005 he appeared in both A Cock and Bull Story, based on Tristram Shandy, and as a non-conforming TV Presenter who challenges the fascist state in V for Vendetta.^[40][41] In 2006, he played the role of gadget-master Smithers in Stormbreaker, and in 2007 he appeared as himself hosting a quiz in St Trinian's. In 2007, Fry wrote a script for a remake of The Dam Busters for director Peter Jackson.^[42]

Fry in "Happy Birthday to GNU (2008)"

Fry was offered a role in Valkyrie but was unable to participate.^[43] Fry starred in the Tim Burton version of Alice in Wonderland, as the voice of The Cheshire Cat.^[44] He played Mycroft Holmes in the sequel to Sherlock Holmes directed by Guy Ritchie.^[45] In 2010, Fry provided the voice of Socrates the Lion in the environmental animated film Animals United. He will portray the Master of Lake-town in the 2012 film adaptation of J. R. R. Tolkien's The Hobbit.^[46]

Feature filmography[link]

• 1985: The Good Father – Creighton
• 1988: A Fish Called Wanda – Hutchison
• 1992: Peter's Friends – Peter
• 1994: I.Q. – James Moreland
• 1997: Wilde – Oscar Wilde
• 1998: The Tichborne Claimant – Hawkins
• 1999: Whatever Happened to Harold Smith? – Dr.Peter Robinson
• 2001: Gosford Park – Inspector Thompson
• 2001: The Discovery of Heaven – Onno
• 2002: Thunderpants – Sir Antony Silk (Judge)
• 2003: Bright Young Things – Director
• 2004: The Life and Death of Peter Sellers – Maurice Woodruff
• 2005: V for Vendetta – Deitrich
• 2005: The Hitchhikers Guide to the Galaxy – The Narrator (Voice)
• 2006: The Magic Flute – Writer
• 2006: Stormbreaker – Smithers
• 2007: St. Trinian's – Himself
• 2007: Eichmann – Minister Tormer
• 2009: House of Boys – Dr Marsh
• 2010: Alice in Wonderland – Cheshire Cat (Voice)
• 2010: Animals United – Socrates the Lion (Voice)
• 2011: Sherlock Holmes: A Game of Shadows – Mycroft Holmes
• 2012: The Hobbit: There and Back Again – Master of Lake-town

Radio[link]

Fry came to the attention of radio listeners with the 1986 creation of his alter-ego, Donald Trefusis, whose "wireless essays" were broadcast on the BBC Radio 4 programme Loose Ends. In the 1980s he starred as David Lander in four series of the BBC Radio 4 show Delve Special, written by Tony Sarchet, which became the six part Channel 4 series This is David Lander in 1988. In 1988, Fry wrote and presented a six-part comedy series entitled Saturday Night Fry; frequent radio appearances have ensued (notably on panel games Just a Minute and I'm Sorry I Haven't a Clue). In 2000, he began starring as Charles Prentiss in the Radio 4 comedy Absolute Power, reprising the role for three further series on radio and two on television. In 2002, Fry voiced Winnie-the-Pooh and was one of the narrators of A.A. Milne's Winnie-the-Pooh and The House at Pooh Corner. He presented a 20-part, two-hour series, The Incomplete and Utter History of Classical Music, a "witty guide" to the genre over the past 1,000 years, on Classic FM.

In 2007, he hosted Current Puns, an exploration of wordplay, and Radio 4: This Is Your Life, to celebrate the radio station's 40th anniversary. He also interviewed Tony Blair as part of a series of podcasts released by 10 Downing Street.^[47]

In February 2008, Fry began presenting podcasts entitled Stephen Fry's Podgrams, in which he recounts his life and recent experiences.^[28] In July 2008, he appeared as himself in I Love Stephen Fry, an Afternoon Play for Radio 4 written by former Fry and Laurie script editor Jon Canter.^[48]

Since August 2008 he has presented Fry's English Delight, a series on BBC Radio 4 about the English language.^[49] As of 2011, it has been running for four series and 15 episodes.

In the summer 2009 series of I'm Sorry I Haven't a Clue, Fry was one of a trio of hosts replacing Humphrey Lyttelton (the others being Jack Dee and Rob Brydon).^[50]

In 2012 he appeared as a guest panellist in the BBC Radio 4 comedy panel show Wordaholics.^[51]

Theatre[link]

Fry wrote the play Latin! or Tobacco and Boys for the 1980 Edinburgh Festival, where it won the Fringe First prize.^[52] It had a revival in 2009 at London's Cock Tavern Theatre, directed by Adam Spreadbury-Maher.^[53] The Cellar Tapes, the Footlights Revue of 1981, won the Perrier Comedy Award. In 1984, Fry adapted the hugely successful 1930s musical Me and My Girl for the West End, where it ran for eight years. He was also cast in a lead role in Simon Gray's 1995 play, Cell Mates, which he left three days into the West End run, pleading stage fright. He later recalled the incident as a hypomanic episode in his documentary about bipolar disorder, The Secret Life of the Manic Depressive. In 2007, Fry wrote a Christmas pantomime, Cinderella, which ran at London's Old Vic Theatre.^[54]

Fry is a long-standing fan of the anarchic 1960s British musical comedy group, the Bonzo Dog Band and, particularly, of its eccentric front man, the late Vivian Stanshall. Fry helped to fund an ill-fated 1988 London re-staging of Stanshall's acclaimed Stinkfoot, a Comic Opera, written by Vivian and Ki Longfellow-Stanshall for the Bristol-based Old Profanity Showboat. Fry performed several of Stanshall's numbers as part of the Bonzos' 2006 reunion concert at the London Astoria. He also appears as a shiny New Millennium Bonzo on their post-reunion album, Pour l'Amour des Chiens, on which he recites a recipe for "Salmon Proust", plays a butler in "Hawkeye the Gnu", and voices ads for the fictitious "Fiasco" stores.

Following three one-man shows in Australia, Fry announced a "sort of stand-up" performance at The Royal Albert Hall in London for September 2010.^[55]

Audio books[link]

Stephen Fry has been the reader for the British versions of all of J.K.Rowling's Harry Potter series of audio books. He discussed this project in an interview with J.K. Rowling in 2005.^[56] Fry has also been the reader for Douglas Adams's The Hitchhiker's Guide To The Galaxy film tie-in edition. He has also made recordings of his own books, such as The Stars' Tennis Balls and Moab Is My Washpot; and works by Roald Dahl, Michael Bond, A. A. Milne, and Anthony Buckeridge.

Video games[link]

Fry's distinctive voice has been featured in a number of video games, including an appearance as Reaver, a primary antagonist in Lionhead Studios games Fable II and Fable III, and as the narrator in LittleBigPlanet and its sequel on PlayStation 3 and PlayStation Portable.^[57][58] He also served as narrator on the first four Harry Potter games (Philosopher's Stone, Chamber of Secrets, Prisoner of Azkaban and the Goblet of Fire).

Advertisements[link]

Fry has lent himself and his voice to many advertisements, starting with an appearance as "Count Ivan Skavinsky Skavar" in a 1982 advert for Whitbread Best Bitter. Fry has said in his memoirs that after receiving his payment for this work – £25,000 – he has never subsequently experienced "what one could call serious money troubles".^[59] He has since appeared in adverts for products and companies such as Marks and Spencer, Twinings, Kenco, Vauxhall, Honda, Direct Line, Calpol, Heineken, Alliance & Leicester, After Eights, Trebor, Panama cigars and Orange Mobile.

Literature[link]

Since the publication of his first novel, The Liar (1991), Fry has written three further novels, several non-fiction works and two volumes of autobiography. Making History (1997) is partly set in an alternative universe where Adolf Hitler's father is made infertile and his replacement proves a rather more effective Führer. The book won the Sidewise Award for Alternate History. The Hippopotamus (1994) is about Edward (Ted/Tedward) Wallace and his stay at his old friend Lord Logan's country manor in Norfolk. The Stars' Tennis Balls (2000) is a modern retelling of The Count of Monte Cristo. Fry's book, The Ode Less Travelled: Unlocking the Poet Within, is a guide to writing poetry.

When writing a book review for Tatler, Fry wrote under a nom de plume, Williver Hendry, editor of A Most Peculiar Friendship: The Correspondence of Lord Alfred Douglas and Jack Dempsey, a field close to Fry's heart as an Oscar Wilde enthusiast. Once a columnist in The Listener and The Daily Telegraph, he now writes a weekly technology column in the Saturday edition of The Guardian. His blog attracted more than 300,000 visitors in its first two weeks.^[29]

In May 2009, Fry unveiled The Dongle of Donald Trefusis, an audiobook series following Donald Trefusis (a fictional character from Fry's novel The Liar and from the BBC Radio 4 series Loose Ends), set over 12 episodes.^[60] After its release, it reached No. 1 on the UK Album Chart list.

Fry's use of the word "luvvie" (spelled "lovie" by Fry) in The Guardian on 2 April 1988 is given by the Oxford English Dictionary as the earliest recorded use of the word as a humorous synonym for "actor".^[61]

Football[link]

In August 2010, Fry joined the Board of Directors at Norwich City Football Club. A lifelong fan of "the Canaries" and a regular visitor to Carrow Road, he said on being appointed "Truly this is one of the most exciting days of my life and I am as proud and pleased as I could be."^[6]

Twitter[link]

In October 2008, Fry began posting to the social networking site Twitter,^[62] which he regularly updates.^[63] On 16 May 2009, he celebrated the 500,000-follower mark: "Bless my soul 500k followers. And I love you all. Well, all except that silly one. And that's not you."^[64]

Fry wields a considerable amount of influence through his use of Twitter.^[65][66] He is frequently asked to promote various charities and causes, often inadvertently causing their websites to crash because of the volume of traffic generated by his large number of followers; as Fry notes on his website: "Four thousand hits a second all diving down the pipeline at the same time for minutes on end."^[67] Fry uses his influence to recommend underexposed musicians and authors (who often see large increases in web hits and sales)^[68][69] and to raise awareness of contemporary issues in the world of media and politics, notably the dropping of an injunction against The Guardian^[70][71] and the lambasting of Daily Mail columnist Jan Moir over her article on the death of Boyzone member Stephen Gately.^[72][73]

In October 2009 Fry again sparked debate amongst users when he announced his intention to leave the social networking site after criticism from another user on Twitter. He retracted the intention the next day.^[74] In October 2010, Fry left Twitter for a few days following press criticism of a quote taken from an interview he had given, with a farewell message of "Bye bye". After returning, Fry explained that he had left Twitter to "avoid being sympathised with or told about an article I would otherwise never have got wind of".^[75] In some quarters the general methods Fry uses on Twitter have been criticised.^[76]

In November 2009 Fry's Twitter account reached one million followers. He commemorated the million followers milestone with a humorous video blog in which a 'Step Hen Fry' clone speaks from the year 2034 where MySpace, Facebook and Twitter have combined to form 'Twit on MyFace'.^[77] In November 2010 Fry welcomed his two millionth follower with a blog entry detailing his opinions and experiences of Twitter.^[78] On 11 March 2012, Fry noted his passing of the four million follower mark with a tweet: "Lordy I've breasted the 4 million followers tape. Love you all. Yes even YOU. But let's dedicate today to Douglas Adams's diamond jubilee"^[79]

Acclaim[link]

Stephen Fry visits Nightingale House, London, December 2009

In 1995, Fry was presented with an honorary doctorate from the University of Dundee, which named their main Students' Association bar after his novel The Liar. Fry is a patron of its Lip Theatre Company.^[80] He also served two consecutive terms – 1992 to 1995 and 1995 to 1998 – as the student-elected Rector of the University of Dundee. Such was his popularity, he was unopposed when he sought re-election to office in 1995, and by the time he completed his second term in office he had won the widespread admiration of the University's staff and students.^[81][82] He was awarded the AoC Gold Award in 2004, and was entered into their hall of fame.^[83] Fry was also awarded an honorary degree from Anglia Ruskin University in 2005.^[84][85] He was made honorary president of the Cambridge University Quiz Society and honorary fellow of his alma mater Queens' College, Cambridge. On 13 July 2010, he was made an honorary fellow of Cardiff University^[86] and on 28 January 2011 he was awarded an honorary doctorate at the University of Sussex for his work campaigning for people suffering from mental health problems, bipolar disorder and HIV.^[87]

He is a Patron of the Norwich Playhouse theatre and a Vice President of The Noël Coward Society.^[88] Fry was the last person to be named Pipe Smoker of the Year before the award was discontinued.^[89]

In December 2006 he was ranked sixth for the BBC's Top Living Icon Award,^[90] was featured on The Culture Show, and was voted Most Intelligent Man on Television by readers of Radio Times. The Independent on Sunday Pink List named Fry the second most influential gay person in Britain in May 2007; he had taken the twenty-third position on the list the previous year.^[91] Later the same month he was announced as the 2007 Mind Champion of the Year^[1] in recognition of the success of his documentary The Secret Life of a Manic Depressive in raising awareness of bipolar disorder. Fry was also nominated in "Best Entertainment Performance" for QI and "Best Factual Series" for Secret Life of the Manic Depressive at the 2007 British Academy Television Awards.^[92] That same year, Broadcast magazine listed Fry at number four in its "Hot 100" list of influential on-screen performers, describing him as a polymath and a "national treasure".^[93] He was also granted a lifetime achievement award at the British Comedy Awards on 5 December 2007^[94] and the Special Recognition Award at the National Television Awards on 20 January 2010.^[95]

BBC Four dedicated two nights of programming to Fry on 17 and 18 August 2007, in celebration of his 50th birthday. The first night, comprising programs featuring Fry, began with a sixty-minute documentary entitled Stephen Fry: 50 Not Out. The second night was composed of programs selected by Fry, as well as a 60-minute interview with Mark Lawson and a half-hour special, Stephen Fry: Guilty.^[96] The weekend programming proved such a ratings hit for BBC Four that it was repeated on BBC Two on 16 and 17 September 2007.