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Royal, noble and chivalric ranks

Emperor & Empress consort Empress & Emperor consort

Empress dowager or Empress mother

King & Queen consort or Princess consort Queen & King consort or Prince consort

Queen dowager or Queen mother Princess dowager or Princess mother

Grand Duke & Grand Duchess Grand Prince & Grand Princess

Viceroy & Vicereine

Archduke & Archduchess Infante & Infanta

Duke & Duchess Prince & Princess

Marquess & Marchioness Marquis & Marquise Margrave & Margravine

Count & Countess Earl & Countess

Viscount & Viscountess

Baron & Baroness Freiherr & Freifrau

Baronet & Baronetess Hereditary Knight, Ritter

Knight & Dame

Nobile, Edler von

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The royal procession to Parliament at Westminster, 4 February 1512. Left to right: The Marquess of Dorset, Earl of Northumberland, Earl of Surrey, Earl of Shrewsbury, Earl of Essex, Earl of Kent, Earl of Derby, Earl of Wiltshire. From: Parliament Procession Roll of 1512

An earl is a member of the nobility. The title is Anglo-Saxon, akin to the Scandinavian form jarl, and meant "chieftain", particularly a chieftain set to rule a territory in a king's stead. In Scandinavia, it became obsolete in the Middle Ages and was replaced with duke (hertig/hertug). In later medieval Britain, it became the equivalent of the continental count (in England in the earlier period, it was more akin to duke; in Scotland it assimilated the concept of mormaer). However, earlier in Scandinavia jarl could also mean sovereign prince.^{[citation needed]} For example, the rulers of several of the petty kingdoms of Norway had in fact the title of jarl and in many cases of no lesser power than their neighbours who had the title of king. Alternative names for the "Earl/Count" rank in the nobility structure are used in other countries, such as Hakushaku during the Japanese Imperial era.

In modern Britain, an earl is a member of the peerage, ranking below a marquess and above viscount.^[1] There never developed a feminine form of earl; countess is used as the equivalent feminine title.

Etymology[link]

See also Ríg for the account in Norse mythology of the warrior Jarl or Ríg-Jarl presented as the ancestor of the class of warrior-nobles.

According to Procopius, the Heruli, after having raided the European continent for several generations, returned to Scandinavia in 512 AD as a result of military defeats. As their old territory was now occupied by the Danes, they settled next to the Geats in present-day Sweden. While the Proto-Norse word for this mysterious tribe may have been erilaz, which is etymologically near "jarl" and "earl", and it has often been suggested they introduced the runes in Scandinavia,^[2] no elaborate theory exists to explain how the word came to be used as a title. Arguably, their knowledge in interpreting runes also meant they were gifted in martial arts and, as they gradually integrated, eril or jarl instead came to signify the rank of a leader.^[3]

The Norman-derived equivalent "count" was not introduced following the Norman Conquest of England though "countess" was and is used for the female title. As Geoffrey Hughes writes, "It is a likely speculation that the Norman French title 'Count' was abandoned in England in favour of the Germanic 'Earl' […] precisely because of the uncomfortable phonetic proximity to c**t".

Earls in the United Kingdom and the Commonwealth[link]

See also List of earldoms

An earl's coronation robes.

Forms of address[link]

An earl has the title Earl of [X] when the title originates from a placename, or Earl [X] when the title comes from a surname. In either case, he is referred to as Lord [X], and his wife as Lady [X]. A countess who holds an earldom in her own right also uses Lady [X], but her husband does not have a title (unless he has one in his own right).

The eldest son of an earl, though not himself a peer, is entitled to use a courtesy title, usually the highest of his father's lesser titles (if any); younger sons are styled The Honourable [Forename] [Surname], and daughters, The Lady [Forename] [Surname] (Lady Diana Spencer being a well-known example).

Furthermore in Scotland, when there are no courtesy titles involved, the heir to an earldom, and indeed any level of peerage, is styled Master of [X], and successive sons as younger of [X].

England[link]

Changing power of English earls[link]

In Anglo-Saxon England, earls had authority over their own regions and right of judgment in provincial courts, as delegated by the king. They collected fines and taxes and in return received a "third penny", one-third of the money they collected. In wartime they led the king's armies. Some shires were grouped together into larger units known as earldoms, headed by an ealdorman or earl. Under Edward the Confessor earldoms like Wessex, Mercia, East Anglia and Northumbria—names that represented earlier independent kingdoms—were much larger than any shire.

Earls originally functioned essentially as royal governors. Though the title of Earl was nominally equal to the continental duke, unlike them earls were not de facto rulers in their own right.

After the Norman Conquest, William the Conqueror tried to rule England using the traditional system but eventually modified it to his own liking. Shires became the largest secular subdivision in England and earldoms disappeared. The Normans did create new earls like those of Herefordshire, Shropshire, and Cheshire but they were associated with only a single shire at most. Their power and regional jurisdiction was limited to that of the Norman counts.^[4] There was no longer any administrative layer larger than the shire, and shires became "counties". Earls no longer aided in tax collection or made decisions in country courts and their numbers were small.

King Stephen increased the number of earls to reward those loyal to him in his war with his cousin Empress Matilda. He gave some earls the right to hold royal castles or control the sheriff and soon other earls assumed these rights themselves. By the end of his reign, some earls held courts of their own and even minted their own coins, against the wishes of the king.

It fell to Stephen's successor Henry II to again curtail the power of earls. He took back the control of royal castles and even demolished castles that earls had built for themselves. He did not create new earls or earldoms. No earl was allowed to remain independent of royal control.

The English kings had found it dangerous to give additional power to an already powerful aristocracy, so gradually sheriffs assumed the governing role. The details of this transition remain obscure, since earls in more peripheral areas, such as the Scottish and Welsh marches and Cornwall, retained some viceregal powers long after other earls had lost them. The loosening of central authority during the Anarchy also complicates any smooth description of the changeover.

By the 13th century, earls had a social rank just below the king and princes, but were not necessarily more powerful or wealthier than other noblemen. The only way to become an earl was to inherit the title or marry into one—and the king reserved a right to prevent the transfer of the title. By the 14th century, creating an earl included a special public ceremony where the king personally tied a sword belt around the waist of the new earl, emphasizing the fact that the earl's rights came from him.

Earls still held influence and as "companions of the king", were regarded as supporters of the king's power. They showed that power for the first time in 1327 when they deposed Edward II. They would later do the same with other kings they disapproved of. Still, the number of earls remained the same until 1337 when Edward III declared that he intended to create six new earldoms.

Earls, land, and titles[link]

A loose connection between earls and shires remained for a long time after authority had moved over to the sheriffs. An official defining characteristic of an earl still consisted of the receipt of the "third penny", one-third of the revenues of justice of a shire, that later became a fixed sum. Thus every earl had an association with some shire, and very often a new creation of an earldom would take place in favour of the county where the new earl already had large estates and local influence.

Also, due to the association of earls and shires, the medieval practice could remain somewhat loose regarding the precise name used: no confusion could arise by calling someone earl of a shire, earl of the county town of the shire, or earl of some other prominent place in the shire; these all implied the same. So there were the "earl of Shrewsbury" (Shropshire), "earl of Arundel", "earl of Chichester" (Sussex), "earl of Winchester" (Hampshire), etc.

In a few cases the earl was traditionally addressed by his family name, e.g. the "earl Warenne" (in this case the practice may have arisen because these earls had little or no property in Surrey, their official county). Thus an earl did not always have an intimate association with "his" county. Another example comes from the earls of Oxford, whose property largely lay in Essex. They became earls of Oxford because earls of Essex and of the other nearby shires already existed.

Eventually the connection between an earl and a shire disappeared, so that in the present day a number of earldoms take their names from towns, mountains, or simply surnames. Nevertheless, some consider that the earldoms named after counties (or county towns) retain more prestige.

Scotland[link]

The oldest earldoms in Scotland (with the exception of the Earldom of Dunbar and March) originated from the office of mormaer, such as the Mormaer of Fife, of Strathearn, etc.; later earldoms developed by analogy.

Coronet[link]

A coronet of a British Earl

A British earl is entitled to a coronet bearing eight strawberry leaves (four visible) and eight silver balls (or pearls) around the rim (five visible). The actual coronet is mostly worn on certain ceremonial occasions, but an Earl can bear his coronet of rank on his coat of arms above the shield.

Scandinavia[link]

Norway[link]

In later medieval Norway, the title of jarl was the highest rank below the king. The jarl was the only one, beside the king himself, who was entitled to have a hird (large armed retinue). There was usually no more than one jarl in mainland Norway at any one time, sometimes none. The ruler of the Norwegian dependency of Orkney held the title of jarl, and after Iceland had acknowledged Norwegian overlordship in 1261, a jarl was sent there as well as the king's high representative. In mainland Norway, the title of jarl was usually used for one of two purposes:

• To appoint a de facto ruler in cases where the king was a minor or seriously ill (e.g. Håkon galen in 1204 during the minority of king Guttorm, Skule Bårdsson in 1217 during the illness of king Inge Bårdsson).
• To appease a pretender to the throne without giving him the title of king (e.g. Eirik, the brother of king Sverre).

In 1237, jarl Skule Bårdsson was given the rank of duke (hertug). This was the first time this title had been used in Norway, and meant that the title jarl was no longer the highest rank below the king. It also heralded the introduction of new noble titles from continental Europe, which were to replace the old Norse titles. The last jarl in mainland Norway was appointed in 1295.

Some Norwegian jarls:

• Jarl Toste
• Skule Tostesson, killed by peasants near Haverö church in 12th century.
• Erling Skakke, father of king Magnus Erlingsson
• Hakon Galen

Sweden[link]

The usage of the title in Sweden was similar to Norway's. Known jarls from the 12th and 13 century were Birger Brosa, Jon jarl, Folke Birgersson, Karl Döve, Ulf Fase and the most powerful of all jarls and the last to hold the title, Birger jarl.

Iceland[link]

Only one person ever held the title of Earl (or Jarl) in Iceland. This was Gissur Þorvaldsson, who was made Earl of Iceland by King Haakon IV of Norway for his efforts in bringing Iceland under Norwegian kingship during the Age of the Sturlungs.

Notes[link]

References[link]

Frank Ocean
Frank Ocean performing at the Coachella Valley Music and Arts Festival in 2012
Background information
Birth name	Christopher Breaux
Also known as	Christopher Francis Ocean, Lonny Breaux, Frank Ocean
Born	(1987-10-28) October 28, 1987 (age 24)[1] New Orleans, Louisiana
Genres	jazz R&B, Neo Soul, Alternative hip hop, hip hop soul[2]
Occupations	Singer-songwriter, rapper, musician, entertainer, vocalist
Instruments	Vocals, Keyboards,
Years active	2007–present
Labels	Odd Future Records, Island Def Jam
Associated acts	OFWGKTA, James Fauntleroy II, Jay-Z, Kanye West, Justin Bieber, Beyonce
Website	frankocean.com

Christopher Francis Ocean (born Christopher Breaux; October 28, 1987), better known by his stage name Frank Ocean, is an American singer-songwriter from New Orleans, Louisiana. Breaux made an early career as a ghost-writer for artists such as Justin Bieber, Bridget Kelly, Aramide Makinde and John Legend. In mid 2010 he became a member of OFWGKTA premiering on Domo Genesis' track, "SteamRoller". In February 2011, he released his debut mixtape Nostalgia, Ultra to critical acclaim. He released two singles; "Novacane" and "Swim Good". Both singles achieved chart success. Ocean went on a 7 show tour through North America and Europe promoting the mixtape. He is currently located in New York City.

The mixtape caught the interest of recording artists such as Kanye West, Beyoncé Knowles and Jay-Z, and he appeared on Watch the Throne. He co-wrote the popular track "Thinking About You" for Bridget Kelly. On January 5, 2012, the BBC announced that he had finished in second place in the BBC's Sound of 2012 poll.^[3] Ocean is currently working on his debut studio album, set to be released in the first half of 2012, while the same year he appeared at Coachella and he is scheduled to appear at Lollapalooza.

Biography[link]

2005–2010: Career beginnings[link]

Frank Ocean began his career with the producer duo The MIDI Mafia. Ocean joined Los Angeles-based hip hop collective OFWGKTA, whom he met through his connections, at the end of 2009.^[4][5] In late 2009, he met Tricky Stewart, who helped Ocean sign a contract with Def Jam Recordings as a solo artist, however, he was initially unable to build a relationship with the company.^[5][6][7] In 2010, he changed his name from Christopher Breaux to Christopher Francis William Ocean via a legal website.^[5]

[edit] 2011–present: Nostalgia, Ultra and debut album

Ocean has written songs for Justin Bieber, John Legend, Brandy,^[5] and Beyoncé Knowles ("I Miss You" from the album 4),^[8][9] Ocean has also worked with Nas^[10] (on whose 10th studio album Ocean is expected to feature, along with fellow Odd Future members Tyler, the Creator and Hodgy Beats)^[11] and Pharrell Williams.^[12] On February 18, 2011, Ocean released his first mixtape, Nostalgia, Ultra, to critical acclaim.^[5][7] His music mostly focuses on interpersonal relationships, personal reflection and social commentary.^[5] NPR's Andrew Noz calls Ocean's songwriting "smart and subtle...setting him apart from the pack."^[13] Rolling Stone magazine's Jonah Weiner calls Ocean a "gifted avant-R&B smoothie".^[14] In an April 2011 interview, Ocean stated that his relationship with Def Jam has strengthened since the release of his mixtape.^[4]

Ocean appeared in Tyler, the Creator's music video for the single "She", from Tyler's second studio album Goblin (2011).^[15][16] Ocean first performed with Odd Future at the Coachella Music & Arts Festival in April 2011, then later joined his OFWGKTA bandmates for the first time on tour from May 12 to May 19, 2011. They toured the eastern seaboard of the United States.^[17] On May 19, 2011 Ocean's record label Def Jam announced its plans to re-release Nostalgia, Ultra as an EP.^[18] The single "Novacane" was released to iTunes on May 31, 2011, and the EP originally was set to be released on July 26, 2011, but through his Tumblr blog on July 24, he stated that it would not be released on that date.^[19][20] In June 2011, Ocean revealed on his Tumblr that he would be working on the upcoming Kanye West and Jay-Z collaborative album, Watch the Throne.^[21] Ocean was ultimately a writer and featured artist on the tracks "No Church in the Wild" and "Made in America".^[22][23] On July 28, 2011 a song titled "Thinking About You"^[24] was leaked on the internet. It was later revealed the song was a reference track and written for Roc Nation artist Bridget Kelly for her debut studio album.^[25] Kelly who has performed an acoustic version of the song, retitled the song "Thinking About Forever".^[26] However, on September 15, 2011, a music video directed by High5Collective for Ocean's version was released, yet the song appeared on Bridget Kelly's debut EP Every Girl.^[27] His debut album is set for a release on Def Jam Records in Spring 2012.^[28] On March 8, 2012, a re-mastered version of "Thinking About You" leaked, intended to be a single.^[29] On April 5, Ocean released the cover art for his upcoming debut studio album's lead single "Thinkin' Bout You", revealing the song would be released to digital retailers on April 10.^[30] "It succinctly defines me as an artist for where I am right now and that was the aim," he said of the follow-up to the acclaimed Nostalgia, Ultra. "It’s about the stories. If I write 14 stories that I love, then the next step is to get the environment of music around it to best envelop the story and all kinds of sonic goodness."^[30]

Ocean used the entire melody and chords of The Eagles' song "Hotel California", without permission, on his own song, “American Wedding.” When asked about it, Ocean stated that Eagles band member "Don Henley is apparently intimidated by my rendition of 'Hotel California'. He threatened to sue if I perform it again." In response to Ocean's comments, The Eagles released a statement: “Frank Ocean did not merely 'sample' a portion of the Eagles’ 'Hotel California,' he took the whole master track, plus the song’s existing melody, and replaced the lyrics with his own. This is not creative, let alone 'intimidating.' It’s illegal. For the record, Don Henley has not threatened or instituted any legal action against Frank Ocean, although the Eagles are now considering whether they should.”^[31] In early 2012, a suit was filed against Frank Ocean for the use of Hotel California.

In March 2012, Coldplay announced that Ocean would perform as an opening act for a number of shows on their European tour in July and August 2012.^[32]

Discography[link]

Collaborative albums[link]

• The OF Tape Vol. 2 (2012)

Mixtapes[link]

• Nostalgia, Ultra (2011)

Awards and nominations[link]

References[link]

Doc Watson
Doc Watson at Sugar Grove Music Festival in 2009
Background information
Birth name	Arthel Lane Watson
Also known as	Doc Watson
Born	(1923-03-03)March 3, 1923 Deep Gap, North Carolina
Died	May 29, 2012(2012-05-29) (aged 89) Winston-Salem, North Carolina
Genres	Blues, bluegrass, country, folk, gospel
Occupations	Musician, singer-songwriter
Instruments	Vocals, guitar, banjo, harmonica
Labels	Folkways, Vanguard, United Artists, Flying Fish, Sugar Hill

Arthel Lane "Doc" Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter and singer of bluegrass, folk, country, blues and gospel music. Watson won seven Grammy awards as well as a Grammy Lifetime Achievement Award. Watson's flatpicking skills and knowledge of traditional American music are highly regarded. He performed with his son Merle for over 15 years until Merle's death in 1985, in an accident on the family farm.^[1][2][3]

Biography[link]

Early life[link]

Watson was born in Deep Gap, North Carolina. According to Watson on his three-CD biographical recording Legacy, he got the nickname "Doc" during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname. A fan in the crowd shouted "Call him Doc!" presumably in reference to the literary character Sherlock Holmes's sidekick Doctor Watson. The name stuck ever since.^[4]

An eye infection caused Doc Watson to lose his vision before his first birthday. Despite this, he was taught by his parents to work hard and care for himself. He attended North Carolina's school for the visually impaired, The Governor Morehead School, in Raleigh, North Carolina.^[5]

In a 1989 radio interview with host Terry Gross on the Fresh Air show of National Public Radio (NPR), Watson explains how he got his first guitar. His father told him that if he and his brother (David Watson) chopped down all the small, dead, chestnut trees along the edge of their field, he could sell the wood to the tannery and make money. The brothers did the work and Watson bought a $10 Stella guitar from Sears Roebuck while his brother bought a new suit.^[6] Later in that same interview, Watson explained that his first high quality guitar was a Martin Guitar D-18.^[7]

Watson's earliest influences were the roots of country, including the Carter Family and Jimmy Rodgers. The first song he learned to play on the guitar was "When Roses Bloom in Dixieland", first recorded by the Carter Family in 1930. Watson stated in an interview with American Songwriter that, "Jimmy Rodgers was the first man that I started to claim as my favorite."^[8] Watson proved to be a natural musical talent and within months was performing on local street corners playing songs from the Delmore Brothers, Louvin Brothers, and Monroe Brothers alongside his brother Linny. By the time Watson reached adulthood, he had become a proficient acoustic and electric guitar player.^[9]

Career[link]

In 1953, Watson joined the Johnson City, Tennessee-based Jack Williams' country and western swing band on electric guitar. The band seldom had a fiddle player, but was often asked to play at square dances. Following the example of country guitarists Grady Martin and Hank Garland, Watson taught himself to play fiddle tunes on his Les Paul electric guitar. He later transferred the technique to acoustic guitar, and playing fiddle tunes became part of his signature sound.^[1][10] During his time with Jack Williams, Doc also supported his family as a piano tuner.

In 1960, as the American folk music revival grew, Watson took the advice of folk musicologist Ralph Rinzler and began playing acoustic guitar and banjo exclusively.^[5] That move ignited Watson's career when he played on his first recording, Old Time Music at Clarence Ashley's. Also of pivotal importance for his career was his February 11, 1961 appearance at P.S. 41 in Greenwich Village.^[11] He subsequently began to tour as a solo performer and appeared at universities and clubs like the Ash Grove in Los Angeles. Watson would eventually get his big break and rave reviews for his performance at the renowned Newport Folk Festival in Newport, Rhode Island in 1963. Watson recorded his first solo album in 1964 and began performing with his son Merle the same year.

After the folk revival waned during the late 1960s, Watson's career was sustained by his performance of "Tennessee Stud" on the 1972 live album recording Will the Circle Be Unbroken. As popular as ever, Doc and Merle began playing as a trio, with T. Michael Coleman on bass guitar, in 1974. The trio toured the globe during the late seventies and early eighties, recorded nearly fifteen albums between 1973 and 1985, and brought Doc and Merle’s unique blend of acoustic music to millions of new fans. In 1985, Merle died in a tractor accident.^[10]

Doc Watson sculpture on the corner of King and Depot Streets in Boone, North Carolina. The plaque on the bench reads "Just one of the People".

Watson played guitar in both flatpicking and fingerpicking style, but is best known for his flatpick work. His guitar playing skills, combined with his authenticity as a mountain musician, made him a highly influential figure during the folk music revival. Watson pioneered a fast and flashy bluegrass, lead guitar style including fiddle tunes and crosspicking techniques which were adopted and extended by Clarence White, Tony Rice and many others. Watson was also an accomplished banjo player and sometimes accompanied himself on harmonica as well. Known also for his distinctive and rich baritone voice, Watson over the years developed a vast repertoire of mountain ballads, which he learned via the oral tradition of his home area in Deep Gap, North Carolina. His affable manner, humble nature and delightful wit endeared him to his fans nearly as much as his musical talent.

Watson played a Martin model D-18 guitar on his earliest recordings. In 1968, Watson began a relationship with Gallagher Guitars when he started playing their G-50 model. His first Gallagher, which Watson refers to as "Old Hoss", is on display at the Country Music Hall of Fame in Nashville, Tennessee. In 1974, Gallagher created a customized G-50 line to meet Watson's preferred specifications, which bears the Doc Watson name. In 1991, Gallagher customized a personal cutaway guitar for Watson that he played until his death and which he referred to as "Donald" in honor of Gallagher guitar's second generation proprietor and builder, Don Gallagher. ^[12] For the last few years, Doc had been playing a Dana Bourgeois dreadnought given to him by Ricky Skaggs for his 80th birthday.

In 1986, Watson received the North Carolina Award and in 1994 he received a North Carolina Folk Heritage Award. Also in 1994, Watson teamed up with musicians Randy Scruggs and Earl Scruggs to contribute the classic song "Keep on the Sunny Side" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.

Later life[link]

In 2000, Watson was inducted into the International Bluegrass Music Hall of Honor in Owensboro, Kentucky. In 1997, Watson received the National Medal of Arts from U.S. president Bill Clinton.^[13] In 2010, he was awarded an honorary doctor of music degree from Berklee College of Music in Boston, Massachusetts.^[14]

In his later life, Watson scaled back his touring schedule. Watson was generally joined onstage by his grandson (Merle's son) Richard, as well as longtime musical partners David Holt or Jack Lawrence. On one occasion, Watson was accompanied by Australian guitar player Tommy Emmanuel at a concert at the Bass Performance Hall in Fort Worth, Texas. Watson also performed, accompanied by Holt and Richard, at the Hardly Strictly Bluegrass festival in San Francisco, California in 2009, as he had done in several previous years.

Watson hosted the annual MerleFest music festival held every April at Wilkes Community College in Wilkesboro, North Carolina. The festival features a vast array of acoustic style music focusing on the folk, bluegrass, blues and old-time music genres. It was named in honor of Merle Watson and is one of the most popular acoustic music festivals in the world, drawing over 70,000 music fans each year.^[15]

In 2010, Blooming Twig Books published "Blind But Now I See" by Dr. Kent Gustavson, the first comprehensive biography of the seminal flatpicking guitarist.

Personal life[link]

In 1947, Doc married Rosa Lee Carlton, the daughter of popular fiddle player Gaither Carlton. Watson and Rosa Lee had two children — Eddy Merle (named after country music legends Eddy Arnold and Merle Travis) in 1949 and Nancy Ellen in 1951.^[5]

In late May 2012, Watson was listed in critical condition but was responsive at Wake Forest Baptist Medical Center in Winston-Salem, North Carolina, after undergoing colon surgery.^[16] Watson fell at his home earlier in the week, after which he was sent to Watauga Medical Center in nearby Boone, NC. Watson was not seriously injured in the fall, but an underlying medical condition prompted the surgery which required him to be airlifted to Winston-Salem.^[17] Watson died on May 29, 2012 at Wake Forest Baptist at the age of 89.^[18]

Discography[link]

Awards & honors[link]

Grammy awards[link]

• 1973 Best Ethnic Or Traditional Recording (Including Traditional Blues): Doc Watson for Then And Now
• 1974 Best Ethnic Or Traditional Recording: Merle Watson & Doc Watson for Two Days In November
• 1979 Best Country Instrumental Performance: Doc Watson & Merle Watson for Big Sandy/Leather Britches
• 1986 Best Traditional Folk Recording: Doc Watson for Riding The Midnight Train
• 1990 Best Traditional Folk Recording: Doc Watson for On Praying Ground
• 2002 Best Traditional Folk Album: Doc Watson & David Holt for Legacy
• 2004 Lifetime Achievement Award
• 2006 Best Country Instrumental Performance: Bryan Sutton & Doc Watson for Whiskey Before Breakfast track from Not Too Far From The Tree by Bryan Sutton

References[link]

External links[link]

• Doc's Guitar : A site dedicated to the guitar and music of Doc Watson
• Podcast of Doc Watson and Jack Lawrence performing live at the 1996 Florida Folk Festival from the Florida Folklife Collection (made available for public use by the State Archives of Florida)
• Live 1977 recording of "The Cuckoo Bird" by Doc and Merle Watson from the Florida Folklife Collection (made available for public use by the State Archives of Florida)
• Live 1996 recording of "Shady Grove" by Doc and Jack Lawrence from the Florida Folklife Collection (made available for public use by the State Archives of Florida)
• MerleFest
  • MerleFest official website
  • "Doc's orders: No heavy metal at MerleFest" 2007 article in the Hook weekly
• National Public Radio
  • Guitarist Arthel 'Doc' Watson Interview on NPR's Fresh Air
  • Morning Edition's Bob Edwards interview Doc Watson from 1985
  • Morning Edition's Bob Edwards interview Doc Watson from 1989
• Prairie Home Companion
  • Doc Watson & Taj Mahal August 9, 1986 (db.etree.org)
  • October 23, 1999
  • February 14, 2004

Article on Doc Watson and other western NC guitar players [2]

Earl Scruggs
Scruggs in 2005
Background information
Birth name	Earl Eugene Scruggs
Born	(1924-01-06)January 6, 1924 Shelby, North Carolina, U.S.
Origin	Shelby, North Carolina, U.S.
Died	March 28, 2012(2012-03-28) (aged 88)[1] Nashville, Tennessee, U.S.
Genres	Bluegrass, country, gospel
Occupations	Bluegrass artist
Instruments	5-string banjo, guitar
Years active	1945–2012
Labels	MCA Nashville Records
Associated acts	Bill Monroe's Blue Grass Boys, Flatt and Scruggs, Earl Scruggs Revue
Website	earlscruggs.com
Notable instruments
A 1934 Gibson Granada previously owned by Don Reno and Snuffy Jenkins, and "Nellie", a 1935 Gibson RB-3 flathead[2][3]

Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for perfecting and popularizing a three-finger banjo-picking style (now called "Scruggs style") that is a defining characteristic of bluegrass music. Although other musicians had played in three-finger style before him, Scruggs shot to prominence when he was hired by Bill Monroe to fill the banjo slot in his group, the Blue Grass Boys.

Early life[link]

Scruggs was born near Shelby, Cleveland County, North Carolina, to Georgia Lula Ruppe and George Elam Scruggs, a farmer and bookkeeper, who played banjo and died when Scruggs was four years old. His older brothers, Junie and Horace, plus his two older sisters, Eula Mae and Ruby, all played banjo and guitar. Scruggs' mother played the organ.^[4] He grew up in Cleveland County, North Carolina.^[5]

Career[link]

Scruggs joined Bill Monroe's Blue Grass Boys in late 1945, and quickly popularized his syncopated, three-finger picking style. In 1948 Scruggs and guitarist Lester Flatt left Monroe's band and formed the Foggy Mountain Boys, also later known simply as Flatt and Scruggs. In 1969, they broke up, and he started a new band, the Earl Scruggs Revue, featuring several of his sons.

On September 24, 1962, singer Jerry Scoggins, Lester Flatt and Scruggs recorded "The Ballad of Jed Clampett" for the TV show The Beverly Hillbillies, which was released October 12, 1962. The theme song became an immediate country music hit and was played at the beginning and end of each episode. Flatt and Scruggs appeared in several episodes as family friends of the Clampetts in the following years. In their first appearance (season 1 episode 20), they portray themselves in the show and perform both the theme song and "Pearl Pearl Pearl".

On November 15, 1969, Scruggs played his Grammy-winning "Foggy Mountain Breakdown" on an open-air stage in Washington, D.C., at the Moratorium to End the War in Vietnam, becoming one of the very few bluegrass or country-western artists to give support to the anti-war movement.^[6] In an interview after his performance, Scruggs said:^[7]

I think the people in the South is just as concerned as the people that's walkin' the streets here today ... I'm sincere about bringing our boys back home. I'm disgusted and in sorrow about the boys we've lost over there. And if I could see a good reason to continue, I wouldn't be here today.

In January 1973, a tribute concert was held for Scruggs in Manhattan, Kansas. Among the artists playing were Joan Baez, David Bromberg, The Byrds, Ramblin' Jack Elliott, The Nitty Gritty Dirt Band, and Doc and Merle Watson. The concert was filmed and turned into the 1975 documentary film Banjoman.^[8]

Awards and honors[link]

Flatt and Scruggs won a Grammy Award in 1969 for Scruggs' instrumental "Foggy Mountain Breakdown". They were inducted together into the Country Music Hall of Fame in 1985. In 1989, Scruggs was awarded a National Heritage Fellowship. He was an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. In 1992, he was awarded the National Medal of Arts. In 1994, Scruggs teamed up with Randy Scruggs and Doc Watson to contribute the song "Keep on the Sunny Side" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.

Earl Scruggs and Tim Cooney

In 2002 Scruggs won a second Grammy award for the 2001 recording of "Foggy Mountain Breakdown", which featured artists such as Steve Martin on 2nd banjo solo (Martin played the banjo tune on his 1970s stand-up comic acts), Vince Gill and Albert Lee on electric guitar solos, Paul Shaffer on piano, Leon Russell on organ, and Marty Stuart on mandolin. The album, Earl Scruggs and Friends, also featured artists such as John Fogerty, Elton John, Sting, Johnny Cash, Don Henley, Travis Tritt, and Billy Bob Thornton.^[9]

On February 13, 2003, Scruggs received a star on the Hollywood Walk of Fame. That same year, he and Flatt were ranked No. 24 on CMT's 40 Greatest Men of Country Music.

On September 13, 2006, Scruggs was honored at Turner Field in Atlanta as part of the pre-game show for an Atlanta Braves home game. Organizers set a world record for the most banjo players (239) playing one tune together (Scruggs' "Foggy Mountain Breakdown"). On February 10, 2008, Scruggs was awarded the Lifetime Achievement Award at the 50th Annual Grammy Awards.

Personal life[link]

Scruggs' wife and manager, Louise, died on February 2, 2006, aged 78, at Nashville's Baptist Hospital following a lengthy illness.^[10]

Death and funeral[link]

Scruggs died from natural causes on the morning of March 28, 2012, in a Nashville hospital.^[11][12] His funeral was held on Sunday, April 1, 2012, at the Ryman Auditorium, former home of the Grand Ole Opry in Nashville, Tennessee at 2pm and was open to the public. He was buried at Spring Hill Cemetery in a private service.

Legacy[link]

At an 80th birthday party for Scruggs in 2004, country singer Porter Wagoner said, “Earl was to the five-string banjo what Babe Ruth was to baseball.” “He is the best there ever was”, Wagoner said, “and the best there ever will be.”^[13]

Discography[link]

Albums[link]

Singles[link]

Guest singles[link]

Music videos[link]

DVDs[link]

• Earl Scruggs – His Family and Friends (2005)

  (Recorded 1969. Bob Dylan, The Byrds, Bill Monroe, Joan Baez et al.)

• Private Sessions (2005)
• The Bluegrass Legend (2006)

Earl Scruggs, Doc Watson and Ricky Skaggs

• The Three Pickers (2003)

Flatt and Scruggs

• The Best of Flatt and Scruggs TV Show Vol 1 (2007)
• The Best of Flatt and Scruggs TV Show Vol 2 (2007)
• The Best of Flatt and Scruggs TV Show Vol 3 (2007)
• The Best of Flatt and Scruggs TV Show Vol 4 (2007)
• The Best of Flatt and Scruggs TV Show Vol 5 (2008)
• The Best of Flatt and Scruggs TV Show Vol 6 (2008)
• The Best of Flatt and Scruggs TV Show Vol 7 (2009)
• The Best of Flatt and Scruggs TV Show Vol 8 (2009)
• The Best of Flatt and Scruggs TV Show Vol 9 (2010)
• The Best of Flatt and Scruggs TV Show Vol 10 (2010)

Footnotes[link]

References[link]

• Rosenberg, Neil V. (1998). "Flatt & Scruggs and the Foggy Mountain Boys". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 173–4.
• Willis, Barry R. "Biography of Earl Scruggs". Retrieved October 5, 2008.
• Lifetime Honors – National Medal of Arts

External links[link]

• Official Website
• Interview with www.CountryMusicPride.com Interview with www.CountryMusicPride.com
• at the Country Music Hall of Fame
• on MCA Nashville
• on Rounder Records
• Country Music Hall of Fame and Museum
• Earl Scruggs at the Internet Movie Database
• Los Angeles Times obituary

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Youssou N'Dour
N'Dour in Warsaw on 13 September 2009
Minister of Tourism and Culture of Senegal
Incumbent
Assumed office April 4, 2012
President	Macky Sall
Prime Minister	Abdoul Mbaye
Preceded by	Thierno Lo
Personal details
Born	(1959-10-01) 1 October 1959 (age 52) Dakar, Senegal

Youssou N'Dour (French pronunciation: [jusu nˈduʁ]; born 1 October 1959) is a Senegalese singer, percussionist, songwriter, composer, occasional actor and businessman. In 2004, Rolling Stone described him as, "perhaps the most famous singer alive" in Senegal and much of Africa.^[1] Since April 2012, he has been Senegal's Minister of Tourism and Culture.

N'Dour helped to develop a style of popular Senegalese music known in the Serer language as mbalax, which traces from the conservative Serer music tradition of "Njuup" (the progenitor of Mbalax).^[2] He is the subject of the award-winning films Return to Goree directed by Pierre-Yves Borgeaud and Youssou N'Dour: I Bring What I Love directed by Elizabeth Chai Vasarhelyi, which were released around the world.

Life[link]

N'Dour at the 2008 Toronto International Film Festival

N'Dour was born in Dakar to a Serer father. At age 12, he began to perform and within a few years was performing regularly with the Star Band, Dakar's most popular group during the early 1970s. Several members of the Star Band joined Orchestra Baobab about that time.

Despite N’Dour's maternal connection to the traditional griot caste, he was not raised in that tradition, which he learned instead from his siblings. His parents' world view encouraged a modern outlook, leaving him open to two cultures and thereby inspiring N'Dour's identity as a modern griot.

Career[link]

In 1979, he formed his own ensemble, the Étoile de Dakar. His early work with the group was in the Latin style popular all over Africa during that time. In the 1980s he developed a unique sound with his ultimate group, Super Étoile de Dakar featuring Jimi Mbaye on guitar, bassist Habib Faye, and Tama (talking drum) player Assane Thiam.

By 1991 he had opened his own recording studio, Xippi, and, by 1995, his own record label, Jololi.

N'Dour is one of the most celebrated African musicians in history. His mix of traditional Senegalese mbalax with eclectic influences ranging from Cuban rumba to hip hop, jazz and soul won him an international fan base of millions. In the West, N'Dour collaborated with Peter Gabriel,^[3] Axelle Red,^[4] Sting,^[5] Alan Stivell,^[6] Bran Van 3000,^[7] Neneh Cherry,^[8] Wyclef Jean,^[5] Paul Simon,^[8] Bruce Springsteen, Tracy Chapman, Branford Marsalis, Ryuichi Sakamoto, Dido and others.

The New York Times described his voice as an "arresting tenor, a supple weapon deployed with prophetic authority".^[9] N'Dour's work absorbed the entire Senegalese musical spectrum, often filtered through the lens of genre-defying rock or pop music from outside Senegalese culture.

In July 1993, an African opera composed by N'Dour premiered at the Opéra Garnier for the French Festival Paris quartier d'été.

He wrote and performed the official anthem of the 1998 FIFA World Cup with Axelle Red "La Cour des Grands".^[4]

Folk Roots magazine described him as the African Artist of the Century. He toured internationally for thirty years. He won his first American Grammy Award (best contemporary world music album) for his CD Egypt in 2005.^{[citation needed]}

He is the proprietor of L'Observateur, one of the widest-circulation newspapers in Senegal, the radio station RFM (Radio Future Medias) and the TV channel TFM.

In 2006, N'Dour played the role of the African-British abolitionist Olaudah Equiano in the movie Amazing Grace, which chronicled the efforts of William Wilberforce to end slavery in the British Empire.^[10]

In 2008, N'Dour offered one of his compositions, Bébé, for the French singer Cynthia Brown.^{[citation needed]}

In 2011, N'Dour was awarded an honorary doctoral degree in Music from Yale University.^[11]

Activism[link]

N'Dour was nominated Goodwill Ambassador of the Food and Agriculture Organization of the United Nations (FAO) on 16 October 2000.^[12]

In Senegal, N'Dour became a powerful cultural icon, actively involved in social issues. In 1985, he organized a concert for the release of Nelson Mandela. He was a featured performer in the 1988 worldwide Amnesty International Human Rights Now! Tour collaborating with Lou Reed on a version of the Peter Gabriel song Biko which was produced by Richard James Burgess and featured on the Amnesty International benefit album The Secret Policeman's Third Ball. He worked with the United Nations and UNICEF, and he started Project Joko to open internet cafés in Africa and to connect Senegalese communities around the world. He performed in three of the Live 8 concerts (in Live 8 concert, London, Live 8 concert, Paris and at the Live 8 concert, Eden Project in Cornwall) on 2 July 2005, with Dido.^[13] He covered John Lennon's "Jealous Guy" for the 2007 CD Instant Karma: The Amnesty International Campaign to Save Darfur. He appeared in a joint Spain-Senegal ad campaign to inform the African public about the dramatic consequences of illegal immigration.^{[citation needed]} N'Dour participated in the Stock Exchange of Visions project in 2007.^[14]

In 2007 he became a council member of the World Future Council.^{[citation needed]}

Since 2008, he is a member of the Fondation Chirac's honour committee^[15]. The same year, Youssou N'Dour's microfinance organization named Birima was launched with the collaboration of Benetton United Colors.

In 2009, he released his song "Wake Up (It's Africa Calling)" under a Creative Commons license to help IntraHealth International in their IntraHealth Open campaign to bring open source health applications to Africa. The song was remixed by a variety of artists including Nas, Peter Buck of R.E.M., and Duncan Sheik to help raise money for the campaign.^[16]

Politics[link]

At the beginning of 2012, he entered the race for the presidency of Senegal for the 2012 presidential election, competing against Abdoulaye Wade^[17][18]. However, he was disqualified from running in the election over the legitimacy of the signatures he had collected to endorse his campaign^[19].

In April 2012 it was announced that N'dour has been appointed tourism and culture minister in the cabinet of new Prime Minister Abdoul Mbaye.^[20]

Discography[link]

N'Dour at the 2010 Festival de Cornouaille at Quimper, France.

Albums[link]

• Bitim Rew (1984)
• Nelson Mandela (1986)
• Immigrés (1988)
• The Lion (1989)
• Set (1990)
• Eyes Open (1992)
• The Guide (Wommat) (1994)
• Gainde – Voices from the Heart of Africa (1995)
• Djamil (1996)
• Inedits 84-85 (1997)
• Special Fin D'annee Plus (1999)
• Lii (2000)
• Joko: From Village To Town (2000)
• Joko: The Link (2000)
• Rewmi (2000)
• Le Grand Bal (2000)
• St. Louis (2000)
• Le Grand Bal a Bercy (2001)
• Ba Tay (2002)
• Nothing's In Vain (2002)
• Youssou N'Dour and His Friends (2002)
• Kirikou (2004)
• Egypt (2004)
• Alsaama Day (2007)
• Rokku Mi Rokka (2007) — #30 in Rolling Stone's Top 50 Albums of 2007.^[21]
• Special Fin D'annee : Salegne-Salegne (2009)
• Dakar - Kingston (2010)
• Mbalakh Dafay Wakh (2011)

Compilation albums[link]

• The Best of Youssou N'Dour (1995)
• Euleek Sibir with Omar (You et Pene) (1996)
• Immigrés/Bitim Rew (1997)
• Best of the 80's (1998)
• Hey You: The Essential Collection 1988–1990 (1998)
• Birth of a Star (2001)
• Rough Guide to Youssou N'Dour & Etoile de Dakar (2002)
• 7 Seconds: The Best of Youssou N'Dour (Remastered) (2004)
• Instant Karma: The Amnesty International Campaign to Save Darfur — John Lennon's "Jealous Guy" (2007)

Singles[link]

Films[link]

Amazing Grace (2006)

• As Olaudah Equiano. "A central figure in the abolitionist movement in Great Britain, Olaudah Equiano (c.1745–97) wrote an eyewitness account of his life as a slave and of his work in the anti-slavery movement: The Interesting Narrative of the Life of Olaudah Equiano."
• As a musician on the film's soundtrack.

Retour à Gorée (2007)

• As himself, journeying from the island of Gorée to the USA and back, exploring the origins of jazz, which go back to the era of slave trade in Africa, through a concert performed by an international group of artists.^[23][24]

Youssou N´Dour: I Bring What I Love (2008)

• As himself, through the recording of Egypt album and its repercussions.
• Released in the US on DVD by Oscilloscope Laboratories.

	Serer portal
	Senegal portal
	Music portal

References[link]