James Wesley "Bubber" Miley (April 3, 1903 – May 20, 1932) was an American early jazz trumpet and cornet player, specializing in the use of the plunger mute.

Miley was born in Aiken, South Carolina, United States, into a musical family. At the age of six, he and his family moved to New York City where, as a child, he occasionally sang for money on the streets, and later, at the age of fourteen, studied to play the trombone and cornet.

In 1920, after having served in the Navy for eighteen months, he joined a jazz formation named the Carolina Five, and remained a member for the next three years, playing small clubs and boat rides all around New York City. After leaving the band at the age of nineteen, Miley briefly toured the Southern States with a show titled The Sunny South, and then joined Mamie Smith's Jazz Hounds, replacing trumpeter Johnny Dunn. They regularly performed in famous clubs around New York City and Chicago. While touring in Chicago, he heard King Oliver's Creole Jazz Band playing and was captivated by Oliver's use of mutes. Soon Miley found his own voice by combining the straight and plunger mute with a growling sound.

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and big-band leader. Ellington wrote over 1,000 compositions. In the opinion of Bob Blumenthal of The Boston Globe "In the century since his birth, there has been no greater composer, American or otherwise, than Edward Kennedy Ellington." A major figure in the history of jazz, Ellington's music stretched into various other genres, including blues, gospel, film scores, popular, and classical. His career spanned more than 50 years and included leading his orchestra, composing an inexhaustible songbook, scoring for movies, composing stage musicals, and world tours. Several of his instrumental works were adapted into songs that became standards. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music. His reputation increased after his death and the Pulitzer Prize Board bestowed on him a special posthumous honor in 1999.

Arthur Whetsel was an early "sweet" trumpeter for Duke Ellington's Washingtonians. Leaving the band in 1923 to study medicine, he returned in 1928 to perform on a number of Ellington's most recognizable pieces during Ellington's stint at the Cotton Club, including "Black Beauty", "Black and Tan", and "Mood Indigo". His sound provided a contrast with Bubber Miley, Ellington's other trumpeter during the period.

Leo (F.) Reisman (October 11, 1897 - December 18, 1961) was a violinist and bandleader in the 1920s and 1930s. Born and reared in Boston, Reisman studied violin as a young man, and formed his own band in 1919. He became famous for having over 80 hits on the popular charts during his career. Jerome Kern called Reisman's orchestra "The String Quartet of Dance Bands".

Mr. Reisman's first recording was on a 10" in. 78rpm record for Columbia Records, recorded on January 10, 1921 - the two titles being "Love Bird", with a catalog issue of Columbia A-3366, mx.79634 and the other title being "Bright Eyes", with a catalog issue of Columbia A-3366, mx.79635.

Reisman recorded for Columbia exclusively from July 1923 through March 11, 1929, when he signed with Victor and stayed until October 1933. He then signed with Brunswick and stayed until 1937 when he re-signed with Victor. During his 1929-1933 Victor period, Reisman recorded many lesser-known period Broadway songs, some of which were recorded by no other band.

Albany Leon Bigard (March 3, 1906 – June 27, 1980), aka Barney Bigard, was an American jazz clarinetist and tenor saxophonist, though primarily known for the clarinet.

Bigard was born in New Orleans and studied music and clarinet with Lorenzo Tio. He moved to Chicago in the early 1920s, where he worked with Joe "King" Oliver and others. During this period, much of his recording with Oliver and others, including clarinetist Johnny Dodds, was on tenor saxophone, an instrument he played often with great lyricism, as on Oliver's hit recording of "Someday Sweetheart".

In 1927 he joined Duke Ellington's band in New York, where he stayed until 1942. With Ellington, he was the featured clarinet soloist, while also doing some section work on tenor.

After leaving Ellington's Orchestra, he moved to Los Angeles, California and did sound track work, including an onscreen featured role with an allstar band led by Louis Armstrong in the 1946 film New Orleans.

He began working with trombonist Kid Ory's band during the late 1940s, and later worked with Louis Armstrong's touring band, the All Stars, and others. He appeared and played in the movie St. Louis Blues in 1958, with Nat King Cole, Ella Fitzgerald, Pearl Bailey and Eartha Kitt.