Major-General Sir Richard Hannay, KCB, OBE, DSO, Legion of Honour, is a fictional secret agent and army officer created by Scottish novelist John Buchan. In his autobiography, Memory Hold-the-Door, Buchan suggests that the character is based, in part, on Edmund Ironside, from Edinburgh, a spy during the Second Boer War.^[1]

Novels[link]

Hannay appears in several novels as a major character, including:

• The Thirty-Nine Steps (1915)
• Greenmantle (1916)
• Mr Standfast (1919)
• The Three Hostages (1924)
• The Island of Sheep (1936)

He also appears as a minor character in:

• The Courts of the Morning (1929)
• Sick Heart River (1940)

In Combined Forces (1985), a humorous novel by Jack Smithers, Hannay teams up with the similar heroes "Sapper"'s Bulldog Drummond and Dornford Yates' Jonah Mansel.^[2]

Radio, Film, Television & Theatre[link]

Richard Hannay has been portrayed on screen in four versions of The Thirty Nine Steps by Robert Donat, Kenneth More, Robert Powell and Rupert Penry-Jones (in a 2008 BBC production), while Powell reprised the role for the ITV series Hannay (1988–1989).

Orson Welles portrayed Hannay in a radio play of The Thirty-Nine Steps in 1938, as did Glenn Ford in 1948 on Suspense, Herbert Marshall on Studio One in 1952 and David Robb in the BBC Radio 4 adaptations of The Thirty-Nine Steps, Greenmantle, Mr Standfast and The Three Hostages.^[3]

The 1973 BBC documentary Omnibus: The British Hero had Christopher Cazenove playing Hannay in a scene from Mr. Standfast, as well as a number of other such heroic characters, including Beau Geste, Bulldog Drummond and James Bond. Barry Foster played Hannay in a 1977 television adaptation of The Three Hostages.

A comic theatrical adaptation by Patrick Barlow opened in London's Tricycle Theatre, and after a successful run, transferred to the Criterion Theatre in Piccadilly. Although drawing on Buchan's novel, it is chiefly influenced by Hitchcock's 1935 film adaptation. On 15 January 2008, the show made its US Broadway premiere at the American Airlines Theatre; it transferred to the Cort Theatre on 29 April 2008 and then moved to the Helen Hayes Theatre on 21 January 2009, where it ended its run on 10 January 2010. It reopened at off-Broadway venue New World Stages on 25 March 2010. The West End show currently stars Andrew Alexander as Hannay.

Fictional character biography[link]

As revealed through the various novels, Richard Hannay was born in Scotland about 1877;^[4] his father was Scottish and had German business partners. He was brought up to speak German pretty fluently.^[5] At the age of six he joined his father in South Africa.^[4] He became a mining engineer spending three years prospecting for copper in German Damaraland^[5] and made a small fortune in Bulawayo.^[4] He took part in the Matabele Wars,^[5] served two years with the Imperial Light Horse^[6] and was an intelligence officer at Delagoa Bay in the Boer war.^[7] He returned to England in 1914,^[4] and the events of The Thirty-Nine Steps occurred.

The First World War broke out eight weeks after the events of The Thirty-Nine Steps and Hannay immediately joined the New Army as a captain. He suffered wounds to the leg and neck in the Battle of Loos in September 1915, by which time he had reached the rank of major. Greenmantle, the sequel to The Thirty-Nine Steps begins in early 1916, with Hannay in Hampshire where he has arrived to convalesce after Loos. During the events of Greenmantle, his work as a spy in wartime Europe and Turkey earned him a DSO and CB. Following this, he returned to regular service in the army and was rapidly promoted to brigadier-general. In early 1917, however, he was called back to the Secret Service to hunt an exceptionally dangerous German spy during the decisive months of World War I. As told in Mr Standfast, he met and fell in love with his future wife, Mary Lamington, an intelligent young nurse and fellow spy of remarkable beauty. Later, in 1918, now promoted to major-general, he returned to the front lines and participated in desperate fighting following the Germans' massive, last-ditch effort to win the war.

Soon after the war ended, Hannay married Mary Lamington and the following year they had a son, Peter John Hannay. The boy was probably named after Hannay's two great friends John Scantlebury Blenkiron (an American businessman and spy who had often helped him) and Peter Pienaar ("Mr Standfast"), an old Boer scout who seems to have been a kind of father-figure to him. The family settled in Mary's old home in the Cotswolds, Fosse Manor, Oxfordshire and Hannay (now a KCB) found peace and enjoyment as a kind of gentleman farmer. However, in 1920 or 1921, Hannay again found himself in an adventure, this time with his wife's help unravelling a kidnapping mystery in The Three Hostages.

His last adventure, The Island of Sheep, occurred some twelve years later when Hannay, now in his fifties, was called by an old oath to protect the son of a man he once knew, who safeguards the secret of the greatest treasure on earth. This book also focuses on Hannay's son, Peter John, now a bright but solemn teenager.

Though the Hannay books stop short of World War Two, Buchan's last novel, Sick Heart River (published just after the author died in 1940) offers a hint about Hannay's future: dying in Canada, Hannay's friend Sir Edward Leithen hears of the outbreak of war in Europe and guesses that many of his old friends, including Hannay, will have taken up arms again.

Impact on espionage fiction[link]

This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (May 2012)

Richard Hannay was one of the first modern spy thriller heroes and as such has heavily influenced the genre. Today, considered in the light of mainstream espionage fiction, Hannay appears to be badly cliched^{[citation needed]}—although, as he was created well before his attributes became cliched, Hannay could be more accurately described as a seminal character of the spy thriller genre.

In terms of personality, for example, Hannay seems to be a stereotypical "strong, silent" Briton, combining the stereotype of the dour Scotsman with the "stiff upper lip" of an Englishman, along with a tough physique and a shrewd, although not brilliant, brain. He is daring and resourceful, too, and is often seen to think fast on his feet in tight corners. In terms of plot, he is often forced to conduct his activities in breach of the law - such as in "Mr Standfast" where he becomes a person of some interest to the Scottish Police, causing him to be hunted by them as well as the enemy. He falls in love with a beautiful (blonde) spy on his own side, which proves to be an awkward complication, and is often called upon to thwart the enemy in some evil plan to ruin Britain's war effort.

However, Hannay also displays some characteristics that sharply distinguish him from both later characters in adventure tales and the fiction writers that sought to imitate him. He narrates all the stories and shows a much wider range of emotion than is usually expected from this kind of thriller hero. Nowhere near as hard-boiled as the detective of American noir fiction, Hannay is dependent upon his friends and appears to be a religious man; like his author, he is Presbyterian.

He is also increasingly shown to be something of a philosopher; he does not dehumanize his enemy, and despite sharing some of the racial prejudices of his day, is open-minded towards Germans, pacifists, and similar demonized groups of the time. In contrast to more recent thriller heroes, Hannay finds it difficult to talk to women, suffering from months of nerves before declaring his love for Mary. Until she appears, he has no love interest (indeed, the first two books are tautly constructed, and do not suffer from the absence of romance), and when puzzling over his love for Mary, he remarks: "You can't live my kind of life for forty years, wholly among men, and be any good at pretty speeches to women."

Being ignorant of women, however, does not make him immature: he is a sagacious and able judge of men.

See also[link]

Novels portal

• Edward Leithen

References[link]

1. ^ historytoday.com
2. ^ Pringle, David. Imaginary People: A Who's Who of Modern Fictional Characters. London, Grafton Books, 1987. ISBN 0-246-12968-9 (p.201-202).
3. ^ mercurytheatre.info
4. ^ ^{a b c d} ch 1,
   • The Thirty-Nine Steps at Project Gutenberg
5. ^ ^{a b c} ch 2,
   • The Thirty-Nine Steps at Project Gutenberg
6. ^ The Runagates Club, Ch 1
7. ^ ch 3,
   • The Thirty-Nine Steps at Project Gutenberg

External links[link]

• Richard Hannay: The Thirty-Nine Steps' Secret Scot

The Three Stooges
The Three Stooges in 1938's Healthy, Wealthy and Dumb. L to R: Moe Howard, Curly Howard, Larry Fine
Also known as	"Ted Healy and His Southern Gentlemen" "Ted Healy and His Stooges" "Ted Healy and His Three Lost Souls"
Genre	Slapstick comedy
Format	Short subject Feature film
Created by	Ted Healy
Starring	Moe Howard Curly Howard Larry Fine Shemp Howard Joe Besser Joe DeRita
Country of origin	United States
Language(s)	English
External links
threestooges.net

The Three Stooges were an American vaudeville and comedy act of the early to mid–20th century best known for their numerous short subject films. Their hallmark was physical farce and extreme slapstick. In films, the Stooges were commonly known by their first names: "Moe, Larry, and Curly" or "Moe, Larry, and Shemp," among other lineups. They started as "Ted Healy and his Southern Gentlemen" which comprised Moe Howard, Larry Fine and Shemp Howard. This original trio did one feature film entitled Soup to Nuts after which Shemp left the group to pursue a solo career, and was replaced by his brother Curly Howard. This incarnation of the team was the first to be known on film as The Three Stooges.

Shemp rejoined the group after Curly suffered a debilitating stroke in May 1946, reinstating the original line-up until November 1955, when Shemp died of a heart attack. In order to complete four Shemp-era shorts, film actor Joe Palma was used as a temporary body double to Shemp, before Joe Besser became the long-term replacement as the third Stooge. Ultimately, Joe DeRita (nicknamed "Curly Joe") replaced Joe Besser by 1958. The act regained momentum throughout the 1960s as popular kiddie fare until Larry Fine's paralyzing stroke in January 1970 effectively marked the end of the act proper. Moe tried, unsuccessfully, one final time to revive the Stooges with longtime supporting actor Emil Sitka filling in for Larry. Larry ultimately succumbed to a series of additional strokes in January 1975, followed by Moe, who died of lung cancer in May 1975.

History[link]

Ted Healy and his stooges[link]

The Three Stooges started in 1925 as part of a raucous vaudeville act called 'Ted Healy and His Stooges' (a.k.a. 'Ted Healy and His Southern Gentlemen', 'Ted Healy and His Three Lost Souls' and 'Ted Healy and His Racketeers'—the moniker 'Three Stooges' was never used during their tenure with Healy). In the act, lead comedian Healy would attempt to sing or tell jokes while his noisy assistants would keep "interrupting" him. Healy would respond by verbally and physically abusing his stooges. Brothers Moe and Shemp were joined later that year by violinist-comedian Larry Fine, and Fred Sanborn joined the group as well.^[1]

In 1930, Ted Healy and His Stooges (including Sanborn) appeared in their first Hollywood feature film, Soup to Nuts, released by Fox Film Corporation. The film was not a critical success, but the Stooges' performances were singled out as memorable, leading Fox to offer the trio a contract minus Healy. This enraged the prickly Healy, who told studio executives that the Stooges were his employees. The offer was withdrawn, and after Howard, Fine and Howard learned of the reason, they left Healy to form their own act, which quickly took off with a tour of the theatre circuit. Healy attempted to stop the new act with legal action, claiming they were using his copyrighted material. There are accounts of Healy threatening to bomb theaters if Howard, Fine and Howard ever performed there, which worried Shemp so much that he almost left the act; reportedly, only a pay raise kept him on board.^[2] Healy tried to save his act by hiring replacement stooges, but they were inexperienced and not as well-received as their predecessors.^[2] In 1932, with Moe now acting as business manager, Healy reached a new agreement with his former Stooges, and they were booked in a production of Jacob J. Shubert's The Passing Show of 1932. During rehearsals, Healy received a more lucrative offer and found a loophole in his contract allowing him to leave the production.^[2] Shemp, fed up with Healy's abrasiveness,^[2] decided to quit the act and found work almost immediately, in Vitaphone movie comedies produced in Brooklyn, New York.^[1]

With Shemp gone, Healy and the two remaining stooges (Moe and Larry) needed a replacement, so Moe suggested his younger brother Jerry Howard. Healy reportedly took one look at Jerry, who had long chestnut red locks and a handlebar mustache, and remarked that he did not look like he was funny.^[2] Jerry left the room and returned a few moments later with his head shaved (though his mustache remained for a time), and then quipped "Boy, do I look girly." Healy heard "Curly," and the name stuck.^[1] (There are varying accounts as to how the Curly character actually came about.)

In 1933, Metro-Goldwyn-Mayer (MGM) signed Healy and his Stooges to a movie contract. They appeared in feature films and short subjects, either together, individually, or with various combinations of actors. The trio was featured in a series of musical comedy shorts, beginning with Nertsery Rhymes. The short was one of a few shorts to be made with an early two-strip Technicolor process, including one featuring Curly without Healy or the other Stooges, Roast Beef and Movies (1934). The shorts themselves were built around recycled film footage of production numbers cut from MGM musicals, such as Children of Pleasure, Lord Byron of Broadway, and the unfinished March of Time (all 1930), which had been filmed in early Technicolor. Soon, additional shorts followed (sans the experimental Technicolor), including Beer and Pretzels (1933), Plane Nuts (1933), and The Big Idea (1934).^[1]

Healy and company also appeared in several MGM feature films as comic relief, such as Turn Back the Clock (1933), Meet the Baron (1933), Dancing Lady (1933), Fugitive Lovers (1934), and Hollywood Party (1934). Healy and the Stooges also appeared together in Myrt and Marge for Universal Pictures.^[1]

In 1934, the team's contract with MGM expired, and the Stooges parted professional company with Healy. According to Moe Howard's autobiography,^[3] the Stooges split with Ted Healy in 1934 once and for all because of Healy's alcoholism and abrasiveness. Their final film with Healy was MGM's 1934 film, Hollywood Party. Both Healy and the Stooges went on to separate successes, with Healy dying under mysterious circumstances in 1937.^[1]

The Columbia years[link]

Moe, Larry and Curly[link]

In 1934, the trio – now officially christened "The Three Stooges" – signed on to appear in two-reel comedy short subjects for Columbia Pictures. In Moe's autobiography, he said they each got $600 per week on a one-year contract with a renewable option;^[3] in the Ted Okuda–Edward Watz book The Columbia Comedy Shorts, the Stooges are said to have received $1,000 among them for their first Columbia effort, Woman Haters, and then signed a term contract for $7,500 per film (equal to $130,299 today), to be divided among the trio.^[4]

Within their first year at Columbia, the Stooges became wildly popular. Realizing this, Columbia Pictures president Harry Cohn used the Stooges as leverage, as the demand for their films was so great that Columbia eventually refused to supply exhibitors with the trio's shorts unless they also agreed to book some of the studio's mediocre B movies. Cohn also saw to it that the Stooges remained ignorant of their popularity. During their 23 years spent at Columbia, the Stooges were never completely aware of their amazing drawing power at the box office. As their contracts with the studio included an open option that had to be renewed every year, Cohn would tell the boys that the short subjects were in decline, which was not a complete fabrication (Cohn's yearly mantra was "the market for comedy shorts is dying out, fellas.") Thinking their days were numbered, the Stooges would sweat it out each and every year, with Cohn renewing their contract for another year at the eleventh hour. This cruel deception kept the insecure Stooges unaware of their true value, resulting in them having second thoughts about asking for a better contract without a yearly option. Cohn's scare tactics worked for all 23 years the Stooges were at Columbia; the team never once asked for — nor were they ever given — a salary increase. It was not until after they stopped making the shorts in December 1957 did Moe learn of Cohn's underhanded tactics, what a valuable commodity the Stooges had been for the ailing studio, and how many millions more the act could have earned.^[4]

The Stooges were required to churn out up to eight short films per year within a 40-week period; for the remaining 12 or so weeks, they were free to pursue other employment. Usually, the Stooges would either spend this time with their families or tour the country promoting their live act.^[5] The Stooges appeared in 190 film shorts and five features while at Columbia. Del Lord directed more than three dozen Stooge films; Jules White directed dozens more, and his brother Jack White directed several under the pseudonym "Preston Black". Silent film star Charley Chase also shared directorial responsibilities with Lord and White, with more than pleasing results.^[4]

The Stooge films made between 1935–1941 captured the team at the peak, according to film historians Ted Okuda and Edward Watz, authors of The Columbia Comedy Shorts. Nearly every film produced became a classic in its own right. 1935's Hoi Polloi utilized the classic premise of a stuffy professor waging a bet that he can transform the uncultured trio into refined gentlemen; the plotline worked so well that it was reused twice, as Half-Wits Holiday and Pies and Guys. Three Little Beers featured the team employed at a brewery who then run amuck on a local golf course to win prize money. 1936's Disorder in the Court is considered a quintessential entry in the series, featuring the team as star witnesses to a murder trial. 1938's Violent is the Word for Curly was a quality Chase-directed short that featured the musical interlude, "Swingin' the Alphabet". In the 1940 film A Plumbing We Will Go, the trio were cast as inadvertent plumbers who nearly destroy a socialite's mansion, causing water to exit every appliance in the home.^[4] Other entries of the era, like Uncivil Warriors, A Pain in the Pullman, False Alarms, Grips, Grunts and Groans, The Sitter Downers, Dizzy Doctors, Tassels in the Air, We Want Our Mummy, Nutty but Nice, An Ache in Every Stake and In the Sweet Pie and Pie are considered among the team's finest work.^[4]

With the onset of World War II, the Stooges released several entries that poked fun at the rising Axis powers. You Nazty Spy! and its sequel I'll Never Heil Again burlesqued Hitler and the Nazis at a time when America was still neutral and resolutely isolationist. Moe is cast as "Moe Hailstone", an Adolf Hitler-like character, with Curly playing a Hermann Göring character (replete with medals), and Larry a Ribbentrop-type ambassador. Though revered by Stooge fans, as well as the Stooges themselves (Moe, Larry and director Jules White considered You Nazty Spy! their best film),^[6] the efforts indulged in a deliberately formless, non-sequitur style of verbal humor that was not the Stooges' forte, according to Okuda and Watz. Other wartime entries, like They Stooge to Conga, Higher Than a Kite, Back From the Front, Gents Without Cents and the controversial The Yoke's on Me have their moments, but taken in bulk, the wartime films are decidedly substandard.^[4] No Dough Boys ranks as the best of these farces. The team, made up as Japanese soldiers for a photo shoot, is mistaken for genuine saboteurs by a Nazi ringleader (Vernon Dent). The highlight of the film features the Stooges engaging in nonsensical gymnastics (the real spies are renowned acrobats) for a skeptical group of enemy agents.^[4]

The Stooges made occasional guest appearances in feature films, though generally they stuck to short subjects. Columbia offered theater owners an entire program of two-reel comedies (15 to 25 titles annually) featuring such stars as Buster Keaton, Andy Clyde, Charley Chase, and Hugh Herbert, but the Three Stooges shorts were the most popular of all.^[2]

The World War II era also brought on rising production costs that resulted in a reduced number of elaborate gags and outdoor sequences, Del Lord's stock and trade; as such, the quality of the teams' films (particularly those directed by Lord) began to slip after 1942. According to Okuda and Watz, entries like Loco Boy Makes Good, What's the Matador?, Sock-A-Bye Baby, I Can Hardly Wait and A Gem of a Jam are considered to be less quality work than previous efforts, and in a different class than their earlier films.^[4] The 1943 film Spook Louder, a remake of Mack Sennett's The Great Pie Mystery, is often cited as their worst film. The story of a phantom pie-thrower (later revealed to be the detective on the case) is repetitious and relying on the same jokes, which many Stooge fans consider to be far less humorous than their past work.^[4] Three Smart Saps, a film considered to be an improvement, features a reworking of a routine from Harold Lloyd's The Freshman, in which Curly's loosely basted suit begins to come apart at the seams while he is on the dance floor.^[4]

Film critics and stooge fans alike have cited Curly as the most popular member of the team.^[2] His childlike mannerisms and natural comedic charm (he had no previous acting experience) made him a hit with audiences, particularly children and women (the latter usually finding the trio's humor juvenile and uncouth). The fact that Curly had to shave his head for the act led him to feel unappealing to women. To mask his insecurities, Curly ate and drank excessively and caroused whenever the Stooges made personal appearances, which was approximately seven months out of the year. His weight ballooned in the 1940s, and his blood pressure was dangerously high.^[1] His wild lifestyle and constant drinking eventually caught up with him in 1945, and his performances suffered. In his last dozen shorts (ranging from 1945's If a Body Meets a Body through 1947's Half-Wits Holiday), he was seriously ill, struggling to get through even the most basic scenes.^[2]

It was during the final day of filming Half-Wits Holiday on May 6, 1946, that Curly suffered a debilitating stroke on the set, ending his 14-year career. Curly's health necessitated a temporary retirement from the act, and while the Stooges hoped for a full recovery, Curly never starred in a film again, except for one brief cameo appearance in the third film after Shemp returned to the trio, Hold That Lion! It was the only film that contained all four of the original Stooges (the three Howard brothers and Larry) on screen simultaneously; Jules White recalled Curly visiting the set one day, and White had him do this bit for fun. (Curly's cameo appearance was recycled in the 1953 remake Booty and the Beast.)^[3] In 1949, Curly was supposed to play a cameo role in the Stooge comedy Malice in the Palace, but he was physically unable to perform. His chef role was played by Larry.^[1]

Shemp returns[link]

Moe Howard turned to his older brother Shemp Howard to take Curly's place. Shemp, however, was hesitant to rejoin the Stooges, as he had a successful solo career at the time of Curly's untimely illness. However, he realized that Moe and Larry's careers would be finished without the Stooge act. Shemp wanted some kind of assurance that his rejoining was indeed temporary, and that he could leave the Stooges once Curly recovered. Curly remained gravely ill after 1950, dying of a cerebral hemorrhage caused by additional strokes on January 18, 1952.^[1]

Shemp appeared with the Stooges in 76 more shorts and a quickie Western comedy feature titled Gold Raiders.

During this period, Moe, Larry, and Shemp made a pilot for a Three Stooges television show called Jerks of All Trades in 1949. The series was never picked up, although the pilot is currently in the public domain and is available on home video, as is an early television appearance from around the same time on a vaudeville-style comedy series, Camel Comedy Caravan, originally broadcast live on CBS-TV on March 11, 1950, and starring Ed Wynn. Also available commercially is a kinescope of Moe, Larry, and Shemp's appearance on The Frank Sinatra Show, broadcast live over CBS-TV on January 1, 1952. Frank Sinatra was reportedly a big fan of the Stooges and slapstick comedy in general. On this broadcast, the Stooges are joined by one of their longtime stock-company members, Vernon Dent, who plays "Mr. Mortimer", a party-goer who requests a drink. The Stooges oblige with disastrous results.^[1]

The Three Stooges during the Shemp years (1947–1956), as represented in Malice in the Palace

Columbia's short-subject division downsized in 1952. Producer Hugh McCollum was discharged and director Edward Bernds resigned out of loyalty to McCollum, leaving only Jules White to both produce and direct the Stooges' remaining Columbia comedies. Almost overnight, the quality of the Stooge shorts declined. Production was significantly faster, with the former four-day filming schedules now tightened to two or three days. In another cost-cutting measure, White would create a "new" Stooge short by borrowing footage from old ones, setting it in a slightly different storyline, and filming a few new scenes often with the same actors in the same costumes. White was initially very subtle when recycling older footage: he would reuse only a single sequence of old film, re-edited so cleverly that it was not easy to detect. The later shorts were cheaper and the recycling more obvious, with as much as 75% of the running time consisting of old footage. White came to rely so much on older material that he could film the "new" shorts in a single day. Plus, any new footage filmed in order to link older material suffered from White's wooden directing and his penchant for telling his actors how to act. Shemp in particular disliked working with White.^[4]

Three years after Curly's death, Shemp died of a sudden heart attack at age 60 on November 22, 1955. Recycled footage of Shemp, combined with new footage utilizing Columbia supporting player Joe Palma as Shemp's double (only filmed from the back), were used to complete the last four films originally planned with Shemp: Rumpus in the Harem, Hot Stuff, Scheming Schemers, and Commotion on the Ocean.^[1]

Joe Besser replaces Shemp[link]

Joe Besser replaced Shemp in 1956, appearing in 16 shorts. Besser, noting how one side of Larry Fine's face seemed "calloused",^[7] had a clause in his contract specifically prohibiting him from being hit too hard (though this restriction was later lifted). Besser was the only "third" Stooge that dared to hit Moe back in retaliation and get away with it; Larry Fine was also known to hit Moe on occasion, but always with serious repercussions. "I usually played the kind of character who would hit others back," Besser recalled.^[8]

At that time, the Stooge films began to resemble sitcoms. Sitcoms, though, were now available for free. Television was the new popular medium, and by the time Besser joined the act, the Stooges were generally considered throwbacks to an obsolete era. The Besser films have long been considered the worst of the Stooge films. Though Besser was a very funny comedian (he was very popular on The Abbott and Costello Show), his whining mannerisms ("Not so harrrrd!") did not quite jell with the roughneck Stooge humor. However, Besser was not solely to blame for the lackluster quality of these final entries: the scripts were tired rehashes of earlier efforts (7 of the 16 films were remakes) and Moe and Larry's performances lacked energy. Both comedians were growing older, and could no longer perform pratfalls and physical comedy as they once had.^[4]

The final Stooge films had few bright moments, according to Okuda and Watz: Hoofs and Goofs, A Merry Mix Up, Rusty Romeos and Oil's Well That Ends Well are amusing, while the musical Sweet and Hot (long detested by fans) deserves some credit for straying from the norm. Muscle Up a Little Closer most resembled the sitcoms of the era, while Pies and Guys was a scene-for-scene remake of both Hoi Polloi and Half-Wits Holiday. The space craze also took hold of the American public at the time, resulting in three entries focusing on space travel: Space Ship Sappy, Outer Space Jitters and Flying Saucer Daffy.^[4]

The inevitable occurred soon enough. Columbia was the last studio still producing shorts, and the market for such films had all but dried up. As a result, the studio opted not to renew the Stooges' contract when it expired in late December 1957. The final comedy produced was Flying Saucer Daffy, filmed on December 19–20, 1957.^[5] Several days later, the Stooges were unceremoniously fired from Columbia Pictures after 24 years of making low-budget shorts. Joan Howard Maurer, daughter of Moe, wrote the following in 1982:

The boys' careers had suddenly come to an end. They were at Columbia one day and gone the next—no 'Thank yous,' no farewell party for their 24 years of dedication and service and the dollars their comedies had reaped for the studio. Moe Howard recalled that a few weeks after their exit from Columbia, he drove to the studio to say goodbye to several studio executives when he was stopped by a guard at the gate (obviously, not a Stooges fan) and, since he did not have the current year's studio pass, was refused entry. For the moment, it was a crushing blow.^[1]

Although the Stooges were no longer working for Columbia, the studio had enough completed films on the shelf to keep releasing new comedies for another 18 months, and not in the order they were produced. The final Stooge release, Sappy Bull Fighters, did not reach theaters until June 4, 1959. With no active contract in place, Moe and Larry discussed plans for a personal appearance tour; meanwhile, Besser's wife had a minor heart attack, and he preferred to stay local, leading him to withdraw from the act. For the first time in nearly 30 years, the Stooges hit a dead end.^[1]

The comeback: Larry, Moe and Curly Joe[link]

Seeing the success of how television, in its early years, allowed movie studios to unload a backlog of short films thought unmarketable, the Stooge films seemed perfect for the burgeoning genre. ABC television had even expressed interest as far back as 1949, purchasing exclusive rights to 30 of the trio's shorts.^[9] However, the success of television revivals for such names as Laurel and Hardy, Woody Woodpecker, Tom and Jerry and the Our Gang series in the late 1950s led Columbia to cash in again on the Stooges. In January 1958, Columbia's television subsidiary Screen Gems offered a package consisting of 78 Stooge shorts (mainly from the Curly era), which were well received.^[10] Almost immediately, an additional 40 shorts hit the market, and by 1959, all 190 Stooge shorts were airing regularly. Due to the massive quantity of Stooge product available for broadcast, the films were broadcast Monday through Friday, leading to heavy exposure aimed squarely at children. This led parents to watch alongside of their offspring, and before long, Howard and Fine found themselves in high demand.^[4] Moe quickly signed movie and burlesque comic Joe DeRita for the "third Stooge" role; DeRita adopted first a crew cut and then a completely shaven hairstyle and became "Curly Joe" because of his resemblance to the original Curly Howard (also to make it easier to distinguish him from Joe Besser, the earlier Stooge called Joe).

This Three Stooges lineup went on to make a series of popular full-length films from 1959 to 1965, most notably Have Rocket, Will Travel, The Three Stooges Meet Hercules and The Three Stooges Go Around the World in a Daze. The films were aimed at the kiddie-matinee market, and most were farce outings in the Stooge tradition, with the exception of Snow White and the Three Stooges, a children's fantasy in Technicolor. They also appeared as firemen (the role that helped make them famous in Soup to Nuts) in the film It's a Mad, Mad, Mad, Mad World. Throughout the 1960s, The Three Stooges were one of the most popular and highest-paid live acts in America.^[8]

The Stooges also tried their hand at another weekly television series in 1960 titled The Three Stooges Scrapbook. Filmed in color and with a laugh track, the first episode, "Home Cooking," featured the boys rehearsing for a new television show. Like Jerks of All Trades, the pilot did not sell. However, Norman Maurer was able to reuse the footage (reprocessed in black and white) for the first 20 minutes of the feature film The Three Stooges in Orbit.^[1]

The trio also filmed 41 short comedy skits for The New Three Stooges, which features a series of 156 animated cartoons produced for television. The Stooges appeared in live-action color footage, which preceded and followed each animated adventure in which they voiced their respective characters.^[1]

Final years[link]

In 1969, the Three Stooges filmed a pilot episode for a new TV series entitled Kook's Tour, a combination travelogue-sitcom that had the "retired" Stooges traveling around the world, with the episodes filmed on location.^[1]

On January 9, 1970, during production of the pilot, Larry suffered a paralyzing stroke, ending his acting career, as well as plans for the television series.^[1]

Plans were in the works for longtime foil Emil Sitka to replace Larry as the "Middle Stooge" in 1971, but nothing ever came of that idea other than the proposed publicity still reproduced here.^[1] Three years later, just before Christmas of 1974, Larry Fine suffered yet another stroke at the age of 72 and four weeks later, suffered a more massive one. Slipping into a coma, he died a week later of a stroke-induced cerebral hemorrhage on January 24, 1975.^[1]

Devastated by his friend's death, Moe nevertheless decided that the Three Stooges should continue. Several movie ideas were considered, one of which according to critic and movie historian Leonard Maltin, (who also uncovered a pre-production photo) was entitled Blazing Stewardesses. Before pre-production could begin, Moe fell ill from lung cancer, and died three months later on May 4, 1975.^[3]

However, Blazing Stewardesses, the last film idea that the Three Stooges had ever seriously considered, was eventually made, starring the last of the surviving Ritz Brothers comedy troupe and released to moderate acclaim later that year.^[1]

Joe DeRita continued to perform live into the mid-1970s with Mousie Garner and Frank Mitchell as "The New Three Stooges" enjoying recognition well into old age, before retiring by 1979.

Of the remaining "original-replacement" Stooges, Joe Besser died of heart failure on March 1, 1988, followed by Joe DeRita of pneumonia on July 3, 1993.

Legacy and perspective[link]

Over half a century since their last short film was released, the Three Stooges remain wildly popular with audiences. Their films have never left the television airwaves since first appearing in 1958, and they continue to delight old fans while attracting a new legion of fervent admirers. A hard-working group of working-class comedians who were never the critic's darlings, the durable act endured several personnel changes in their careers that would have permanently sidelined a less persistent act.^[4] The Stooges would not have lasted as long as they did as a unit without Moe Howard's guiding hand.^[1]

The Ted Okuda/Edward Watz-penned book The Columbia Comedy Shorts puts the Stooges legacy in critical perspective:

Many scholarly studies of motion picture comedy have overlooked the Three Stooges entirely—and not without valid reasoning. Aesthetically, the Stooges violated every rule that constitutes "good" comedic style. Their characters lacked the emotional depth of Charlie Chaplin and Harry Langdon; they were never as witty or subtle as Buster Keaton. They were not disciplined enough to sustain lengthy comic sequences; far too often, they were willing to suspend what little narrative structure their pictures possessed in order to insert a number of gratuitous jokes. Nearly every premise they have employed (spoofs of westerns, horror films, costume melodramas) has been done to better effect by other comedians. And yet, in spite of the overwhelming artistic odds against them, they were responsible for some of the finest comedies ever made. Their humor was the most undistilled form of low comedy; they were not great innovators, but as quick laugh practitioners, they place second to none. If public taste is any criterion, the Stooges have been the reigning kings of comedy for over fifty years.^[4]

Beginning in the 1980s, the Stooges finally began to receive long-overdue critical recognition. The release of nearly all their films on DVD by 2010 has allowed critics of Joe Besser and Joe DeRita—often the recipients of significant fan backlash—to appreciate the unique style of comedy both comedians brought to the Stooges. In addition, the DVD market in particular has allowed fans to view the entire Stooge film corpus as distinct periods in their long, distinguished career instead of comparing one Stooge to the other (the Curly vs. Shemp debate continues to this day^[11][12][13]).

The team appeared in 220 films. In the end, it is the durability of the 190 timeless short films the Stooges made at Columbia Pictures that acts as an enduring tribute to the comedy team. Their continued popularity worldwide has proven to even the most skeptical critics that their films—quite simply—are funny.^[4] American television personality Steve Allen went on record in the mid-1980s saying "though they never achieved widespread critical acclaim, they achieved exactly what they had always intended to do: they made people laugh."^[14]

Line-ups[link]

Years	Moe	Shemp	Larry	Curly	Joe	Curly Joe
1925–1932 (7)	Y	Y	Y
1932–1946 (14)	Y		Y	Y
1946–1955 (9)	Y	Y	Y
1956–1958 (2)	Y		Y		Y
1958–1971 (13)	Y		Y			Y

Moe Howard
Real Name: Moses Harry Horwitz
Born: (1897-06-19)June 19, 1897
Died: May 4, 1975(1975-05-04) (aged 77)
Stooge years: 1922–1975

Larry Fine
Real Name: Louis Feinberg
Born: (1902-10-05)October 5, 1902
Died: January 24, 1975(1975-01-24) (aged 72)
Stooge years: 1925–1971

Curly Howard
Real Name: Jerome Lester Horwitz
Born: (1903-10-22)October 22, 1903
Died: January 18, 1952(1952-01-18) (aged 48)
Stooge years: 1932–1946

Shemp Howard
Real Name: Samuel Horwitz
Born: (1895-03-11)March 11, 1895
Died: November 22, 1955(1955-11-22) (aged 60)
Stooge years: 1922–1932, 1946–1955

Joe Besser
Born: (1907-08-12)August 12, 1907
Died: March 1, 1988(1988-03-01) (aged 80)
Stooge years: 1956–1958

Joe DeRita ("Curly Joe")
Real Name: Joseph Wardell
Born: (1909-07-12)July 12, 1909
Died: July 3, 1993(1993-07-03) (aged 83)
Stooge years: 1958–1975

Shorts[link]

The Three Stooges appeared in 220 films throughout their career. Of those 220, 190 short films were made for Columbia Pictures between 1934 and 1959, for which the trio are best known. Their contract was extended each year from 1934 until the final one expired on December 31, 1957. The last 8 of the 16 shorts with Joe Besser were released soon afterward.

C3 Entertainment, Inc.[link]

Throughout their career, Moe acted as both their main creative force and business manager. Comedy III (C3) was formed by Moe, Larry and Joe DeRita in 1959 to manage all business and merchandise transactions for the team. C3 was basically in the background, with Moe's son-in-law Norman Maurer managing the comedy teams' film interests under Normandy Productions, and merchandising affairs under Norman Maurer Productions (NMP). Norman Maurer died of cancer in 1986.

In 1994, the heirs of Larry Fine and Joe DeRita filed a breach-of-contract lawsuit against Moe's family, particularly Joan Howard Maurer and her son Jeffrey, who had inherited the NMP/Normandy business. The lawsuit alleged that the Howards had cheated the DeRita and Fine families out of their share of royalties. Howard was ordered to pay $2.6 million in damages; $1.6 million was for compensatory damages to Jean DeRita, while the remaining $1 million was divided between four of Fine's grandchildren. The Fine and DeRita families were represented by California attorney Bela G. Lugosi. Jr.^[15]

The resulting 1994 lawsuit led to the reestablishment of C3 as a three-way interest of Fine/[Moe]Howard/DeRita. The DeRita heirs received the proxy to the Howard share, giving them majority control on the company's management. Joe DeRita's stepsons, Robert and Earl Benjamin, became the senior management of C3, with Lugosi, Jr. serving as an executive board member for several years. The Benjamins later incorporated the company, and C3 is currently the owner of all Three Stooges trademarks and merchandising. Larry's grandson Eric Lamond is the representative of the Fines' one-third interest in the company.^[16]

Since 1995, C3 has authorized and provided the services of veteran actors Jim Skousen, Alan Semok, and Dave Knight (as Moe, Larry, and Curly respectively) for numerous "personal appearances" by the Stooge characters for a variety of merchandising and promotional events. This latter day trio has also provided voices for the characters in a variety of radio spots, merchandising tie-ins, and most recently for the first new Three Stooges short in fifty years. A CGI animation by Famous Frames Mobile Interactive, a first-wave "new media" company, entitled The Grate Debate, has Moe, Larry and Curly running for President.

Television broadcasts and rights issues[link]

A handful of Three Stooges shorts first aired on television in 1949, on the American Broadcasting Company (ABC) network. It was not until 1958 that Screen Gems packaged 78 shorts for national syndication; the package was gradually enlarged to encompass the entire library of 190 shorts. In 1959, KTTV in Los Angeles purchased the Three Stooges films for air, but by the early 1970s, rival station KTLA began airing the Stooges films, keeping them in the schedule until early 1994. The Family Channel (now ABC Family) ran the shorts as part of their Stooge TV block from February 19, 1996, to January 2, 1998. In the late 1990s, AMC had held the rights to the Three Stooges shorts, originally airing them under the Stooges Playhouse block, but replacing it in 1999 with N.Y.U.K. (New Yuk University of Knuckleheads). Featuring host Leslie Nielsen in the form of a college instructor, the block aired several shorts often grouped by a theme, such as similar schtick used in different films. Although the block was discontinued after AMC revamped their format in 2002, the network still ran Stooges shorts occasionally. The AMC run ended when Spike TV picked them up in 2004, airing them in their Stooges Slap-Happy Hour. By 2007, the network had discontinued the block. Although Spike did air Stooges shorts for a brief period of time after the block was canceled, as of late April 2008, Three Stooges has disappeared from the network's schedule entirely. The Three Stooges returned on December 31, 2009, on AMC, starting with the "Countdown with the Stooges" New Year's Eve marathon. AMC planned to put several episodes on their website in 2010.

Since the 1990s Columbia and its television division's successor, Sony Pictures Television, has preferred to license the Stooges shorts to cable networks, precluding the films from being shown on local broadcast TV. Two stations in Chicago and Boston, however, signed long-term syndication contracts with Columbia years ago and have declined to terminate them. Thus, WMEU-CA in Chicago currently airs all 190 Three Stooges shorts on Stooge-a-Palooza, hosted by Rich Koz, and WSBK-TV in Boston airs Stooge shorts and feature films. KTLA in Los Angeles dropped the shorts in 1994, but brought them back in 2007 as part of a special retro-marathon commemorating the station's 60th anniversary. Since that time, the station's original 16mm Stooges film prints have aired occasionally as part of mini-marathons on holidays. Antenna TV, a network broadcasting on the digital subchannels of local broadcast stations (owned by Tribune Broadcasting, who also owns KTLA), began airing the Stooges shorts upon the network's January 1, 2011 launch, which run in multi-hour blocks on weekends; most of the Three Stooges feature films are also broadcast on the network, through Antenna TV's distribution agreement with Sony Pictures Entertainment (whose Columbia Pictures subsidiary released most of the films).

Some of the Stooge films have been colorized by two separate companies. The first colorized DVD releases, distributed by Sony Pictures Home Entertainment, were prepared by West Wing Studios in 2004. The following year, Legend Films colorized the public domain shorts Malice in the Palace, Sing a Song of Six Pants, Disorder in the Court and Brideless Groom. Disorder in the Court and Brideless Groom also appears on two of West Wing's colorized releases. In any event, the Columbia-produced shorts (aside from the public domain films) are handled by Sony Pictures Entertainment, while the MGM Stooges shorts are owned by Warner Bros. via their Turner Entertainment division. Sony offers 21 of the shorts on their web platform Crackle, along with eleven Minisodes. Meanwhile, the rights to the Stooges' feature films rests with the studios that originally produced them (Columbia/Sony for the Columbia films, and 20th Century Fox for the Fox films).

International airings[link]

• Japan - NTV
• Germany - ARD

Home video release and public reception[link]

Between 1984 and 1985, RCA Columbia Pictures Home Video released a total of thirteen Three Stooges volumes on VHS, Beta and Laserdisc, each containing three shorts. These titles were later reissued on VHS by its successor, Sony Pictures Entertainment, between 1995 and 1997, with a DVD reissue between 2000 and 2004.

[edit] The Three Stooges Collection

On October 30, 2007, Sony Pictures Home Entertainment released a two-disc DVD set entitled The Three Stooges Collection, Volume One: 1934–1936. The set contains shorts from the first three years the Stooges worked at Columbia Pictures, marking the first time ever that all 19 shorts were released in their original theatrical order to DVD. Additionally, every short was remastered in high definition, a first for the Stooge films. Previous DVD releases were based on themes (wartime, history, work, etc.), and sold poorly. Fans and critics alike praised Sony for finally giving the Stooges the proper DVD treatment. One critic states "the Three Stooges on DVD has been a real mix'n match hodgepodge of un-restored titles and illogical entries. This new...boxset...seems to be the first concerted effort to categorize their huge body of work chronologically with many shorts seeing the digital light for the first time."^[17] Videolibrarian.com critic added "finally, the studio knuckleheads got it right! The way that the Three Stooges have been presented on home video has been a real slap in the face and poke in the eye to fans. They've been anthologized, colorized, and public domain-ed, as their shorts have been released and re-released in varying degrees of quality. Highly recommended."^[18] Critic James Plath of DVDtown.com added, "Thank you, Sony, for finally giving these Columbia Pictures icons the kind of DVD retrospective that they deserve. Remastered in High Definition and presented in chronological order, these short films now give fans the chance to appreciate the development of one of the most successful comedy teams in history."^[19]

The chronological series proved very successful and wildly popular, and Sony wasted little time preparing the next set for release. Volume Two: 1937–1939 was released on May 27, 2008, followed by Volume Three: 1940–1942' three months later on August 26, 2008. Demand exceeded supply, proving to Sony that they had a hit on their hands. In response, Volume Four: 1943–1945 was released on October 7, 2008, a mere two months after its predecessor.^[20] The global economic crisis slowed down the release schedule after Volume Four, and Volume Five: 1946–1948 was belatedly released on March 17, 2009. Volume Five is the first in the series to feature Shemp Howard with the Stooges.^[21] Volume Six: 1949–1951 was released June 16, 2009,^[22] and Volume Seven: 1952–1954 was released on November 10, 2009.^[23] The eighth and final volume was released on June 1, 2010, bringing the series to a close. For the first time in history, all 190 Three Stooges short subjects became available to the public, uncut and unedited.

A new 20-disc DVD boxed set entitled The Three Stooges: The Ultimate Collection, reported to include all 190 shorts from volumes 1-8 and additional bonus material, is scheduled to be released in June 2012.

Music[link]

• Several instrumental tunes were played over the opening credits at different times in the production of the short features. The most commonly used themes were:
  • The verse portion of the Civil War era song "Listen to the Mockingbird", played in a comical way, complete with sounds of birds and such. This was first used in Pardon My Scotch, their ninth short film, in 1935. (Prior to that comedic short, the opening theme varied and was typically connected to the storyline in some fashion.)
  • "Three Blind Mice", beginning in 1939 as a slow but straightforward presentation (dubbed the "sliding strings" version), often breaking into a "jazzy" style before ending. In mid-1942, another more driving version, complete with accordion was played fast all the way through.
• The Columbia short subject Woman Haters was done completely in rhyme, mostly recited (not sung), in rhythm with a Jazz-Age underscore running throughout the film, but with some key lines sung. It was sixth in a Musical Novelties short subject series, and appropriated its musical score from the first five films. The memorable "My Life, My Love, My All," was originally "At Last!" from the film Um-Pa.
• "Swinging the Alphabet" (a.k.a. B-A-bay, B-E-be, B-I-bicky-bi…) from Violent Is the Word for Curly is perhaps the best-known song performed by the Stooges on film.
• The Stooges broke into a three-part harmonized version of "Tears" ("You'll Never Know Just What Tears Are") in Horses' Collars, A Ducking They Did Go (in which the melody was sung by Bud Jamison) and Half Shot Shooters. The song, which was written by Moe, Larry, Shemp, and one-time Ted Healy Stooge Fred Sanborn, first appeared in the 1930 feature film Soup to Nuts.
• The "Lucia Sextet" (Chi mi frena in tal memento?), from the opera Lucia di Lammermoor by Gaetano Donizetti (announced by Larry as "the Sextet from Lucy"), is played on a record player and lip-synched by the Stooges in Micro-Phonies. The same melody re-appears in Squareheads of the Round Table as the tune of "Oh, Elaine, can you come out tonight?". Micro-Phonies also includes the Johann Strauss II waltz "Voices of Spring" ("Frühlingsstimmen") Op. 410. Another Strauss waltz, "The Blue Danube", is featured in Ants in the Pantry and Punch Drunks.
• The song "Fredric March" (named after the actor) was a favorite of director Jules White; it appeared in at least seven different Columbia shorts:
  • Termites of 1938 – The Stooges "play" this song on a violin, flute, and string bass at a dinner party in an attempt to attract mice.
  • Dutiful But Dumb – Curly is hidden inside a floor-standing radio, and plays the song on a modified harmonica.
  • Three Little Twirps – Heard as background music at the circus while Moe and Curly sell tickets.
  • Idle Roomers – Curly plays the song on a trombone to calm a wolf man.
  • Gents Without Cents – Three girls perform acrobatics on stage while this song is playing.
  • Gents in a Jam – Shemp and Moe have a problem with a radio that will not stop playing this song.
  • Pardon My Backfire – The song plays on a car radio.
• The Moe–Larry–Curly Joe lineup of the Stooges recorded several musical record albums in the early 1960s. Most of their songs were adaptations of nursery rhymes. Among their more popular recordings were "Making a Record" (a surreal trip to a recording studio built around the song "Go Tell Aunt Mary"), "Three Little Fishes", "All I Want for Christmas Is My Two Front Teeth", "Wreck the Halls with Boughs of Holly", "Mairzy Doats" and "I Want a Hippopotamus for Christmas".
• In 1983, a group called the Jump 'N the Saddle Band recorded a track called "The Curly Shuffle", which featured the narrator singing about his love of the Stooges mixed with a chorus of many of Curly's catchphrases and sound effects. In the mid-1980s, the song became a popular mid-game hit for New York Mets fans in the Shea Stadium bleachers, who would dance in small groups to the tune whenever the song was played between innings. The music video, which featured clips of the classic Stooges shorts, was also included as a bonus feature on one of the 1984 VHS releases.

Feature motion pictures[link]

The Three Stooges also made appearances in many feature length movies in the course of their careers:

Film	Year	Moe	Larry	Curly	Shemp	Joe	Curly Joe
Soup to Nuts	1930	Y	Y		Y
Turn Back the Clock	1933	Y	Y	Y
Meet the Baron	1933	Y	Y	Y
Dancing Lady	1933	Y	Y	Y
Broadway to Hollywood	1933	Y		Y
Myrt and Marge	1933	Y	Y	Y
Fugitive Lovers	1934	Y	Y	Y
Hollywood Party (cameos)	1934	Y	Y	Y
The Captain Hates the Sea (cameos)	1934	Y	Y	Y
Start Cheering	1938	Y	Y	Y
Time Out for Rhythm	1941	Y	Y	Y
My Sister Eileen (cameos)	1942	Y	Y	Y
Rockin' in the Rockies	1945	Y	Y	Y
Swing Parade of 1946	1946	Y	Y	Y
Gold Raiders	1951	Y	Y		Y
Have Rocket, Will Travel	1959	Y	Y				Y
Stop! Look! and Laugh! (compilation)	1960	Y	Y	Y
Snow White and the Three Stooges	1961	Y	Y				Y
The Three Stooges Meet Hercules	1962	Y	Y				Y
The Three Stooges in Orbit	1962	Y	Y				Y
The Three Stooges Go Around the World in a Daze	1963	Y	Y				Y
It's a Mad, Mad, Mad, Mad World (cameos)	1963	Y	Y				Y
4 for Texas (cameo)	1963	Y	Y				Y
The Outlaws Is Coming	1965	Y	Y				Y
Kook's Tour (TV pilot)	1970	Y	Y				Y

Joe Besser never appeared with the Stooges in a feature film.

Three feature-length Columbia releases were actually packages of older Columbia shorts. Columbia Laff Hour (introduced in 1956) was a random assortment that included the Stooges among other Columbia comedians like Andy Clyde, Hugh Herbert, and Vera Vague; the content and length varied from one theater to the next. Three Stooges Fun-o-Rama (introduced in 1959) was an all-Stooges show capitalizing on their TV fame, again with shorts chosen at random for individual theaters. The Three Stooges Follies (1974) was similar to Laff Hour, with a trio of Stooge comedies augmented by Buster Keaton and Vera Vague shorts, a Batman serial chapter, and a Kate Smith musical.

Museum[link]

Gary Lassin, grandson-in-law of Larry Fine, opened the Stoogeum in 2004, in a renovated architect's office in Spring House, Pennsylvania, 25 miles (40 km) north of Philadelphia. The museum-quality exhibits fill three stories 10,000 square feet (930 m²), including an 85-seat theater.^[24] Peter Seely, editor of the book Stoogeology: Essays on the Three Stooges said that the Stoogeum has "more stuff than I even imagined existed." 2,500 people visit it yearly, many during the annual Three Stooges Fan Club gathering in April.^[25]

In other media[link]

Comic books[link]

Over the years, several Three Stooges comics were produced.

• St. John Publications published the first Three Stooges comics in 1949 with 2 issues, then again in 1953–54 with 7 issues.
• Dell Comics published a Three Stooges series first as one-shots in their Four Color Comics line for five issues, then gave them a numbered series for four more issues (#6–9). With #10, the title would be published by Gold Key Comics. Under Gold Key, the series lasted through issue #55 in 1972.
• Gold Key Comics then published the Little Stooges series (7 issues, 1972–74) with story and art by Norman Maurer, Moe's son-in-law. This series featured the adventures of three fictional sons of the Three Stooges, as sort of modern-day teen-age versions of the characters.
• Eclipse Comics published the Three-D Three Stooges series (3 issues, 1986–1987) which reprinted stories from the St. John Publications series.^[26]
• Malibu Comics did a couple of one-shot comics, reprinting stories from the Gold Key Comics in 1989 and 1991.
• Bluewater Comics issued a biographical comic in 2011 which followed the lives and careers of the group.

Music[link]

Beginning in 1959, the Three Stooges began to appear in a series of novelty records. Their first recording was a 45 rpm single of the title song from Have Rocket, Will Travel. The trio released additional singles and LPs on the Golden and Coral labels, mixing comedy adventure albums and off-beat renditions of children's songs. Their final recording was the 1966 Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-No, which incorporated the Three Stooges into the cast of the Yogi Bear cartoons.^[1]

The Stooges are referenced in the video for Weird Al Yankovic's "Like a Surgeon" with a hospital PA system asked for "Dr. Howard, Dr. Fine, Dr. Howard."

Radio[link]

Sirius XM Radio aired a special about the Stooges hosted by Tom Bergeron on Friday, July 31, 2009, at 2:00PM on the Sirius Howard 101 channel. Bergeron had conducted the interviews at the age of 17 back when he was still in high school in 1971. The television host had the tapes in storage for many years and was convinced on-air during an interview with Howard Stern to bring them in and turn it into a special.

After finding "the lost tapes," Bergeron brought them into Stern's production studio. He stated that the tapes were so old that the tapes with the Larry Fine interviews began to shred as Stern's radio engineers ran them through their cart players. They only really had the one shot, and fortunately for Three Stooges fans, the tapes were saved.

"The Lost Stooges Tapes" was hosted by Tom Bergeron, with modern commentary on the almost 40-year-old interviews that he had conducted with Larry Fine and Moe Howard. At the times of these interviews, Moe was still living at home and Larry had suffered a stroke and was living in a Senior Citizen's home.

Television[link]

In addition to the unsuccessful television series pilots Jerks of All Trades, The Three Stooges Scrapbook, and the incomplete Kook's Tour, the Stooges appeared in a show called The New Three Stooges which ran from 1965 to 1966. This series featured a mix of thirty-nine live-action segments which were used as wraparounds to 156 animated Stooges shorts. The New Three Stooges became the only regularly scheduled television show in history for the Stooges.^[1] Unlike other films shorts that aired on television, like the Looney Tunes, Tom and Jerry, and Popeye, the film shorts of the Stooges never had a regularly scheduled national television program to air in, neither on network nor syndicated. When Columbia/Screen Gems licensed the film library to television, the shorts aired in any fashion the local stations chose (examples: late-night "filler" material between the end of the late movie and the channel's sign-off time; in "marathon" sessions running shorts back-to-back for one, one-and-a-half, or two hours; etc.)

In the October 13, 1967 "Who's Afraid of Mother Goose?" episode of ABC's "World-of-Disney"-like anthology series Off to See the Wizard, the Three Stooges made a short appearance as "the three men in a tub".

Two episodes of Hanna-Barbera's The New Scooby-Doo Movies aired on CBS featuring animated Stooges as guest stars: the premiere, "Ghastly Ghost Town" (September 9, 1972) and "The Ghost of the Red Baron" (November 18, 1972). There also was a short-lived animated series, also produced by Hanna-Barbera, titled The Robonic Stooges, originally seen as a featured segment on The Skatebirds (CBS, 1977–1978), featuring Moe, Larry, and Curly (voiced by Paul Winchell, Joe Baker and Frank Welker, respectively) as bionic cartoon superheroes with extendable limbs, similar to the later Inspector Gadget. The Robonic Stooges later aired as a separate half-hour series, retitled The Three Robonic Stooges (each half-hour featured two segments of The Three Robonic Stooges and one segment of Woofer And Whimper, Dog Detectives, the latter re-edited from episodes of Clue Club, an earlier Hanna-Barbera cartoon series). There are also many Stooges references in the sitcom ALF.

In the episode "Beware The Creeper" of The New Batman Adventures. the Joker retreats to his hide-out after a quick fight with Batman. He yells out for his three henchmen "Moe? Larr? Cur?" only to find that they are not there. Shortly after that, Batman comes across these three goons in a pool hall; they have distinctive accents and hair styles similar to those of Moe, Larry, and Curly. These henchmen are briefly seen throughout the rest of the season.

2000 television film[link]

In spring of 2000, longtime Stooge fan Mel Gibson executive-produced a TV film (The Three Stooges^[27]) about the lives and careers of the comedians. Playing Moe was Paul Ben-Victor, Evan Handler was Larry, John Kassir was Shemp and Michael Chiklis was Curly. It was filmed in Australia and was produced for and broadcast on ABC. It was based on Michael Fleming's authorized biography of the Stooges, "The Three Stooges: From Amalgamated Morons to American Icons". Its unflattering portrayal of Ted Healy led Healy's son to give media interviews calling the film inaccurate. Additional error of fact included the hint that Moe Howard was down on his luck later in life and worked as a gofer (go fer...); someone who goes and gets stuff, at the studio, where he, his brothers and Larry had formerly worked as actors. Moe was the most careful with his money, which he invested well. He and his wife Helen owned a comfortable house in Toluca Lake in which they raised their children.

The film regularly runs on the American Movie Classics (AMC) channel.

Feature film revival[link]

A film about the Three Stooges, simply titled The Three Stooges, started production on March 14, 2011 with 20th Century Fox^[28] and will be directed by the Farrelly brothers. The film had been in what one critic has dubbed "development hell".^[29] The Farrellys, who have wanted to make this film since 1996, said that they were not going to do a biopic or remake, but instead new Three Stooges episodes set in the present day. The plot of the episodes is an adventure that revolves around the Stooges characters.^[30]

Casting players for the title characters proved difficult for the studio. Originally slated were Sean Penn to play Larry, Benicio del Toro to play Moe and Jim Carrey to play Curly. Both Sean Penn and Benicio del Toro left the project but returned while no official confirmation had been made about Jim Carrey. When del Toro was interviewed on MTV News for The Wolfman, he spoke about playing Moe. He was later asked who was going to play Larry and Curly in the film and commented that he still thought that Sean Penn and Jim Carrey were going to play them, though he added "Nothing is for sure yet."^[31][32] A story in The Hollywood Reporter stated that Will Sasso would play Curly in the upcoming comedy and that Hank Azaria was the front runner to play Moe.^[33] Sasso was ultimately cast as Curly; Sean Hayes of Will & Grace was cast as Larry Fine,^[34] while Chris Diamantopoulos was cast as Moe.^[35] Jane Lynch later joined the cast, playing a nun.^[36] The film was released on April 13, 2012.

Video games[link]

In 1984 Gottlieb released an arcade game featuring the Stooges trying to find three kidnapped brides. Later in 1987, game developers Cinemaware released a successful Three Stooges computer game, available for Apple IIGS, Amiga, Commodore 64, MS-DOS, and Nintendo Entertainment System (NES). Based on the Stooges earning money by doing odd jobs to prevent the foreclosure of an orphanage, it incorporated audio from the original films and was popular enough to be reissued for the Game Boy Advance in 2002, as well as for PlayStation in 2004.^[37]

In foreign languages[link]

In most other languages, the Three Stooges are known by their English name. However, in Chinese, the trio is known as Sānge Chòu Píjiàng (三個臭皮匠)^[38] or Huóbǎo Sānrénzǔ (活寶三人組). Sānge Chòu Píjiàng, literally "Three Smelly Shoemakers", derives from a saying in the Romance of the Three Kingdoms: Sāngè chòu píjiàng shèngguò yīgè Zhūgě Liàng (三個臭皮匠，勝過一個諸葛亮) or "Three smelly shoemakers (are enough to) overcome one Zhuge Liang [a hero of the story]", i.e. three inferior people can overpower a superior person when they combine their strength. Huóbǎo Sānrénzǔ translates as "Trio of Buffoons".^[39]

In Japanese they are known as San Baka Taishō (三ばか大将)^[40] meaning "Three Idiot Generals" or "Three Baka Generals". The Japanese term baka (馬鹿, "fool" or "idiot", lit. "horse deer") is associated with the Chinese idiom zhǐlù wéimǎ (指鹿為馬; lit. "point at a deer and call it a horse", in Japanese shika o sashite uma to nasu [鹿を指して馬と為す]) meaning "deliberate misrepresentation for ulterior purposes". In Spanish they are known as Los tres chiflados^[41] or, roughly, "The Three Crackpots". In French and German usage, the name of the trio is partially translated as Les Trois Stooges and Die drei Stooges respectively. In Thai, the trio is known as 3 สมุนจอมป่วน (3 Samunčhǭmpūan; IPA: [sà mun tɕɔːm pùːan]) or 3 พี่น้องจอมยุ่ง (Phīnǭngčhǭmyung; IPA: [pʰîː nɔ́ːŋ tɕɔːm jûŋ]). In Portuguese, they are known as Os Três Patetas in Brazil, and Os Três Estarolas in Portugal, being "estarola" a direct translation to "stooge", while "pateta" being more related to "goofy".

See also[link]

• The Three Stooges in popular culture

References[link]

Further reading[link]

• Besser, Joe (with Lenburg, Jeff, and Lenburg, Greg), Not Just a Stooge (1984) Excelsior Books, Inc. (reissued 1987 as Once a Stooge, Always a Stooge) Roundtable Publications (Autobiography of Joe Besser, including anecdotes about Abbott and Costello and Olsen and Johnson)
• Bruskin, David N., Behind the Three Stooges: The White Brothers: Conversations with David N. Bruskin (1993) Directors Guild of America (In-depth interviews with producer-directors Jules White, Jack White, and Sam White)
• Comedy III Productions, Inc., Pop, You're "Poifect!": A Three Stooges Salute to Dad (2002) Andrews McMeel
• Cox, Steve and Terry, Jim, One Fine Stooge: Larry Fine's Frizzy Life in Pictures (2005) Cumberland House Publishing
• Davis, Lon and Davis, Debra (eds.), Stooges Among Us (2008) BearManor Media ISBN 1-59393-300-2
• Feinberg, Morris, Larry: The Stooge in the Middle (1984) Last Gasp of San Francisco (Biography of Larry Fine, attributed to his brother but actually ghostwritten by Bob Davis)
• Fericano, Paul, Stoogism Anthology (1977) Poor Souls Printing
• Fine, Larry (with Carone, James), Stroke of Luck (1973) Siena Publishing Co. (Larry Fine's autobiography, transcribed from interviews toward the end of his life)
• Flanagan, Bill, Last of the Moe Haircuts (1986) McGraw-Hill/Contemporary Books, Inc.
• Fleming, Michael, The Three Stooges: An Illustrated History, from Amalgamated Morons to American Icons (2002) Broadway Publishing
• Forrester, Jeffrey, The Stoogephile Trivia Book (1982) Contemporary Books, Inc.
• Forrester, Jeffrey, The Stooge Chronicles (1981) Contemporary Books, Inc. (Comprehensive overview of the team's career; also discusses the various Ted Healy stooges)
• Forrester, Tom, with Forrester, Jeff, The Stooges' Lost Episodes (1988) Contemporary Books, Inc. (Discussion of obscure Stooges appearances, including solo films by individual Stooges)
• Forrester, Jeff, with Forrester, Tom, and Wallison, Joe, The Three Stooges: The Triumphs and Tragedies of the Most Popular Comedy Team of All Time (2001) Donaldson Books
• Garner, Paul, Mousie Garner: Autobiography of a Vaudeville Stooge (1999) McFarland & Co.
• Hansen, Tom and Forrester, Jeffrey, Stoogemania: An Extravaganza of Stooge Photos, Puzzles, Trivia, Collectibles and More (1984) Contemporary Books, Inc. (Overview of Three Stooges memorabilia)
• Howard, Moe, Moe Howard and the Three Stooges (1977) Citadel Press (Moe Howard's autobiography, completed and released posthumously by his daughter)
• Koceimba, Bill, with Kaufman, Eric A., and Sack, Steve, The Three Stooges Golf Spoof and Trivia Book (1999) Gazelle, Inc.
• Kurson, Robert, The Official Three Stooges Encyclopedia: The Ultimate Knucklehead's Guide to Stoogedom, from Amalgamated Association of Morons to Ziller, Zeller, and Zoller (1999) McGraw-Hill
• Kurson, Robert, The Official Three Stooges Cookbook (1998) Contemporary Books, Inc.
• Lenburg, Jeff, with Maurer, Joan Howard, and Lenburg, Greg, The Three Stooges Scrapbook (1982, revised 1994, 2000) Citadel Press
• Longley, Maximillian, The Conservative In Spite of Himself: A Reluctant Right-Winger's Thoughts on Life, Law and the Three Stooges (2007) Monograph Publishers
• Maltin, Leonard, The Great Movie Comedians (1978) Crown Books
• Maltin, Leonard, Movie Comedy Teams (1970, revised 1985) New American Library
• Maltin, Leonard, Selected Short Subjects (first published as The Great Movie Shorts, 1972) Crown Books, (revised 1983) Da Capo Press
• McGarry, Annie, The Wacky World of the Three Stooges (1992) Crescent Books
• Maurer, Joan Howard, Curly: An Illustrated Biography of the Superstooge (1985, revised 1988) Citadel Press
• Maurer, Joan Howard (ed.), The Three Stooges Book of Scripts (1984) Citadel Press
• Maurer, Joan Howard and Maurer, Norman (eds.), The Three Stooges Book of Scripts, Volume II (1987) Citadel Press
• Okuda, Ted and Watz, Edward, The Columbia Comedy Shorts (1998) McFarland & Co. (Comprehensive history of the Columbia short subject department; Stooge colleagues Edward Bernds and Emil Sitka are quoted extensively)
• Seely, Peter and Pieper, Gail W., Stoogeology: Essays on the Three Stooges (2007) McFarland & Co.
• Smith, Ronald L., The Stooge Fans' I.Q. Test (1988) Contemporary Books, Inc.
• Solomon, Jon, The Complete Three Stooges: The Official Filmography and Three Stooges Companion (2000) Comedy III Productions

External links[link]

Wikimedia Commons has media related to: The Three Stooges

Wikiquote has a collection of quotations related to: The Three Stooges

• Three Stooges Online Filmography at threestooges.net
• The Three Stooges Official Website (sanctioned by C3 Entertainment, Inc. - threestooges.com)
• The Stoogeum (Three Stooges Museum) – stoogeum.com
• A Three Stooges compilation is available for free download at the Internet Archive [more]
• Portrait (2009) of The Three Stooges (with Shemp) by noted illustrator Drew Friedman
• Interview with Moe Howard on new success with the younger generation from the Ocala Star-Banner – February 22, 1959 accessed via Google News
• The Three Stooges (2012) at the Internet Movie Database
• Dan Barry (April 13, 2012). "Even the Three Stooges Needed Second Fiddles". The New York Times. http://www.nytimes.com/2012/04/14/movies/the-three-stooges-used-a-lot-of-second-fiddles.html. 

His Excellency the Right Honourable the Lord Tweedsmuir PC GCMG GCVO CH
15th Governor General of Canada
In office 2 November 1935 – 11 February 1940
Monarch	George V Edward VIII George VI
Prime Minister	R. B. Bennett William L. Mackenzie King
Preceded by	The Earl of Bessborough
Succeeded by	The Earl of Athlone
More...
Personal details
Born	(1875-08-26)26 August 1875 Perth, Scotland
Died	11 February 1940(1940-02-11) (aged 64) Montreal, Quebec
Spouse(s)	Susan Buchan, Baroness Tweedsmuir
Profession	Author
Religion	Free Church of Scotland, United Free Church of Scotland, Church of Scotland
Signature

John Buchan, 1st Baron Tweedsmuir PC GCMG GCVO CH (26 August 1875 – 11 February 1940) was a Scottish novelist, historian and Unionist politician who served as Governor General of Canada, the 15th since Canadian Confederation.

After a brief career in law, Buchan simultaneously began writing and his political and diplomatic career, serving as a private secretary to the colonial administrator of various colonies in Southern Africa, and eventually wrote propaganda for the British war effort in First World War. Once back in civilian life, Buchan was elected Member of Parliament for the Combined Scottish Universities, but spent most of his time on his writing career. He wrote The Thirty-Nine Steps and other adventure fiction. He was in 1935 appointed as governor general by George V, king of Canada, on the recommendation of Prime Minister of Canada R. B. Bennett, to replace the Earl of Bessborough as viceroy, and occupied that post until his death in 1940. Buchan proved to be enthusiastic about literacy, as well as the evolution of Canadian culture, and he received a state funeral in Canada before his ashes were returned to the United Kingdom.

Early life and education[link]

Buchan was the first child of John Buchan — a Free Church of Scotland minister — and Helen Jane Buchan. Born in Perth,^[1] Buchan was brought up in Kirkcaldy, Fife, and spent many summer holidays with his grandparents in Broughton, in the Scottish Borders. There he developed a love of walking, as well as for the local scenery and wildlife, which often featured in his novels; the name of a protagonist in several of Buchan's books — Sir Edward Leithen — is borrowed from the Leithen Water, a tributary of the River Tweed.

After attending Hutchesons' Grammar School, Buchan was awarded a scholarship to the University of Glasgow at age 17, where he studied classics, wrote poetry, and became a published author. With a junior Hulme scholarship, he moved on in 1895 to study Literae Humaniores (the Oxonian term for the Classics) at Brasenose College, Oxford,^[2] where he befriended a number of individuals, including Hilaire Belloc, Raymond Asquith, and Aubrey Herbert. Buchan won both the Stanhope essay prize, in 1897, and the Newdigate Prize for poetry the following year,^[2] as well as being elected as the president of the Oxford Union and having six of his works published.^[3] It was at around the time of his graduation from Oxford that Buchan had his first portrait painted, done in 1900 by a young Sholto Johnstone Douglas.^[4]

Life as an author and politician[link]

Buchan entered into a career in diplomacy and government after graduating from Oxford, becoming the private secretary to Alfred Milner, who was then the High Commissioner for Southern Africa, Governor of Cape Colony, and colonial administrator of Transvaal and the Orange Free State, putting Buchan in what came to be known as Milner's Kindergarten. He also gained an acquaintance with a country that would feature prominently in his writing, which he resumed upon his return to London, at the same time entering into a partnership in the Thomas Nelson & Son publishing company and becoming editor of The Spectator.^[5] Buchan also read for and was called to the bar in 1901,^[6] though he did not practice as a lawyer,^[7] and on 15 July 1907 married Susan Charlotte Grosvenor — daughter of Norman Grosvenor and a cousin of the Duke of Westminster. Together, Buchan and his wife had four children, Alice, John, William, and Alastair, two of whom would spend most of their lives in Canada.^[6]

John Buchan, circa 1936

Buchan wrote Prester John in 1910, the first of his adventure novels set in South Africa, and the following year he suffered from duodenal ulcers, which also inspired one of his characters in later books. At the same time, Buchan ventured into the political arena, and ran as a Unionist candidate in a Scottish Borders constituency; he supported free trade, women's suffrage, national insurance, and curtailing the powers of the House of Lords,^[8] though he did also oppose the welfare reforms of the Liberal Party, and what he considered to be the "class hatred" fostered by demagogic Liberals such as David Lloyd George.^[9]

With the outbreak of the First World War, Buchan went to write for the British War Propaganda Bureau and worked as a correspondent in France for The Times. He continued to write fiction, and in 1915 published his most famous work, The Thirty-Nine Steps, a spy-thriller set just prior to World War I. The novel featured Buchan's oft used hero, Richard Hannay, whose character was based on Edmund Ironside, a friend of Buchan from his days in South Africa. A sequel, Greenmantle, came the following year. Buchan then enlisted in the British Army and was commissioned as a second lieutenant in the Intelligence Corps, where he wrote speeches and communiqués for Sir Douglas Haig. Recognised for his abilities, Buchan was appointed as the Director of Information in 1917, under the Lord Beaverbrook^[6] — a job that Buchan said was "the toughest job I ever took on"^[10] — and also assisted Charles Masterman in publishing a monthly magazine that detailed the history of the war, the first edition appearing in February 1915 (and later published in 24 volumes as Nelson's History of the War). It was difficult, given his close connections to many of Britain's military leaders, for Buchan to be critical of the British Army's conduct during the conflict.^[11]

Following the close of the war, Buchan turned his attention to writing on historical subjects, along with his usual thrillers and novels. By the mid-1920s, he was living in Elsfield and had become president of the Scottish Historical Society and a trustee of the National Library of Scotland,^[6] and he also maintained ties with various universities. Robert Graves, who lived in nearby Islip, mentioned his being recommended by Buchan for a lecturing position at the newly founded Cairo University and, in a 1927 by-election, Buchan was elected as the Unionist Party Member of Parliament for the Combined Scottish Universities. Politically, he was of the Unionist-Nationalist tradition, believing in Scotland's promotion as a nation within the British Empire. Buchan remarked in a speech to parliament: "I believe every Scotsman should be a Scottish nationalist. If it could be proved that a Scottish parliament were desirable... Scotsmen should support it."^[12] The effects of the Great Depression in Scotland, and the subsequent high emigration from that country, also led Buchan to reflect in the same speech: "We do not want to be like the Greeks, powerful and prosperous wherever we settle, but with a dead Greece behind us,"^[13] and he found himself profoundly affected by John Morley's Life of Gladstone, which Buchan read in the early months of the Second World War. He believed that Gladstone had taught people to combat materialism, complacency, and authoritarianism; Buchan later wrote to Herbert Fisher, Stair Gillon, and Gilbert Murray that he was "becoming a Gladstonian Liberal."^[14]

After the United Free Church of Scotland joined in 1929 with the Church of Scotland, Buchan remained an active elder of St. Columba's Church in London, as well as of the Oxford Presbyterian parish. In 1933 and 1934, Buchan was further appointed as the King George V's Lord High Commissioner to the General Assembly of the Church of Scotland. Beginning in 1930, Buchan aligned himself with Zionism and the related Palestine All Party Parliamentary Group.^[15] In recognition of his contributions to literature and education, on 1 January 1932, Buchan was granted the personal gift of the sovereign of induction into the Order of the Companions of Honour.^[16]

In 1935, Buchan's literary work was adapted to the cinematic theatre with the completion of Alfred Hitchcock's The 39 Steps, starring Robert Donat as Richard Hannay, though with Buchan's story much altered. This came in the same year that Buchan was honoured with appointment to the Order of St. Michael and St. George on 23 May,^[17] as well as being elevated to the peerage, when he was entitled by King George V as Baron Tweedsmuir of Elsfield in the County of Oxford on 1 June.^[18] This had been done in preparation for Buchan's appointment as Canada's governor general; when consulted by Canadian prime minister Richard Bedford Bennett about the appointment, the Leader of His Majesty's Loyal Opposition, William Lyon Mackenzie King, had recommended that the King allow Buchan to serve as viceroy as a commoner,^[19] but George V insisted that he be represented by a peer.

Buchan's name had been earlier put forward by Mackenzie King to George V as a candidate for the governor generalcy: Buchan and his wife had been guests of Mackenzie King's at his estate, Kingsmere, in 1924, and Mackenzie King, who at that time was prime minister, was impressed with Buchan, stating, "I know no man I would rather have as a friend, a beautiful, noble soul, kindly & generous in thought & word & act, informed as few men in this world have ever been, modest, humble, true, man after God's own heart." One evening in the following year, the Prime Minister mentioned to Governor General the Lord Byng of Vimy that Buchan would be a suitable successor to Byng, with which the Governor General agreed, the two being friends. Word of this reached the British Cabinet, and Buchan was approached, but he was reluctant to take the posting; Byng had been writing to Buchan about the constitutional dispute that took place in June 1926 and spoke disparagingly of Mackenzie King.^[20]

Governor General of Canada[link]

Mackenzie King delivers an address at the installation of the Lord Tweedsmuir as Governor General of Canada, 2 November 1935

The Lord Tweedsmuir in Native headdress, 1937 (photo by Yousuf Karsh)

It was announced from the Canadian prime minister's office on 10 August 1935 that the King had approved Bennett's recommendation of Buchan as the viceregal representative by commission under the royal sign-manual and signet. Buchan then departed for Canada and was sworn in as the country's governor general in a ceremony on 2 November 1935 in the salon rouge of the parliament buildings of Quebec. Buchan was the first viceroy of Canada appointed since the enactment of the Statute of Westminster on 11 December 1931, and was thus the first to have been decided on solely by the monarch of Canada in his Canadian council.

Buchan continued writing during his time as governor general, but he also thereafter took his position as viceroy seriously and from the outset made it his goal to travel the length and breadth of Canada, including, for the first time for a governor general,^[3] the arctic regions; he said of his job: "a Governor General is in a unique position for it is his duty to know the whole of Canada and all the various types of her people." Buchan also encouraged a distinct Canadian identity and national unity, despite the ongoing Great Depression and the difficulty which it caused for the population.^[6] Not all Canadians shared Buchan's views; he raised the ire of imperialists when he said in Montreal in 1937: "a Canadian's first loyalty is not to the British Commonwealth of Nations, but to Canada and Canada's King,"^[21] a statement that the Montreal Gazette dubbed as "disloyal."^[22] Buchan maintained and recited his idea that ethnic groups "should retain their individuality and each make its contribution to the national character," and "the strongest nations are those that are made up of different racial elements."^[23]

The following year proved to be a tumultuous one for the monarchy that Buchan represented. In late January, George V died, and his eldest son, the popular Prince Edward, succeeded to the throne as Edward VIII, while Rideau Hall — the royal and viceroyal residence in Ottawa — was decked in black crepe and all formal entertaining was cancelled during the official period of mourning. As the year unfolded, it became evident that the new king planned to marry American divorcée Wallis Simpson, which caused much discontentment throughout the Dominions. Buchan conveyed to Buckingham Palace and British prime minister Stanley Baldwin Canadians' deep affection for the King, but also the outrage to Canadian religious feelings, both Catholic and Protestant, that would occur if Edward married Simpson.^[24] By 11 December, King Edward had abdicated in favour of his younger brother, Prince Albert, Duke of York, who was thereafter known as George VI. In order for the line of succession for Canada to remain parallel to those of the other Dominions, Buchan, as Governor-in-Council, gave the government's consent to the British legislation formalising the abdication, and ratified this with finality when he granted Royal Assent to the Canadian Succession to the Throne Act in 1937 .^[25]

In May and June 1939, the new king and his royal consort toured the country from coast to coast and paid a state visit to the United States on behalf of Canada. The royal tour had been conceived by Buchan before the coronation in 1937; according to the official event historian, Gustave Lanctot, the idea "probably grew out of the knowledge that as his coming Coronation, George VI was to assume the additional title of King of Canada," and Buchan desired to demonstrate with living example — through Canadians seeing "their King performing royal functions, supported by his Canadian ministers" — the fact of Canada's status as an independent kingdom.^[26] Buchan put great effort into securing a positive response to the invitation sent to King George in May 1937; after more than a year without a reply, in June 1938 Buchan headed to the United Kingdom for personal holidays, but also to procure a decision on the possible royal tour. From his home near Oxford, Buchan wrote to Mackenzie King: "The important question for me is, of course, the King's visit to Canada." After a period of convalescence at Ruthin Castle, Buchan, in October, sailed back to Canada with a secured commitment that the royal couple would tour the country. Though he had been a significant contributor to the organisation of the trip, Buchan retired to Rideau Hall for the duration of the royal tour; Buchan expressed the view that while the King of Canada was present, "I cease to exist as Viceroy, and retain only a shadowy legal existence as Governor-General in Council."^[26] In Canada itself, the royal couple took part in public events such as the opening of the Lions Gate Bridge in May 1939.

Another factor behind the tour was public relations: the presence of the royal couple in Canada and the United States, was calculated to shore up sympathy for Britain in anticipation of hostilities with Germany. Buchan's experiences during the First World War made him averse to conflict, he tried to help prevent another war in coordination with United States president Franklin D. Roosevelt and Mackenzie King. Still, Buchan authorised Canada's declaration of war against Germany in September, shortly after the British declaration of war and with the consent of King George; and, thereafter, issued orders of deployment for Canadian soldiers, airmen, and seamen as the titular commander-in-chief of the Canadian armed forces.

These duties would not burden Buchan for long, as, on 6 February 1940, he suffered a severe head injury when he fell during a stroke at Rideau Hall. Two surgeries by Doctor Wilder Penfield of the Montreal Neurological Institute were insufficient to save him, and his death on 11 February was eulogised on the radio by Mackenzie King: "In the passing of His Excellency, the people of Canada have lost one of the greatest and most revered of their Governors General, and a friend who, from the day of his arrival in this country, dedicated his life to their service." The Governor General had formed a strong bond with his prime minister, even if it may have been built more on political admiration than personal friendship; while Mackenzie King appreciated his "sterling rectitude and disinterested purpose,"^[3] despite being wary of Buchan's vices (such as his penchant for titles),

After lying in state in the Senate chamber on Parliament Hill, the state funeral for Buchan was held at St. Andrew's Presbyterian Church in Ottawa. Buchan's ashes were returned to the UK aboard the cruiser HMS Orion for final burial at Elsfield, his family estate in Oxfordshire.

Legacy[link]

In his last years, Buchan, amongst other works, wrote an autobiography, Memory Hold-the-Door, as well as works on the history and his views of Canada. He and Baroness Tweedsmuir together established the first proper library at Rideau Hall, and, with his wife's encouragement, Buchan founded the Governor General's Literary Awards, which remain Canada's premier award for literature.^[6]

Buchan's 100 works include nearly thirty novels, seven collections of short stories, and biographies of Sir Walter Scott, Caesar Augustus, and Oliver Cromwell. Buchan was awarded the James Tait Black Memorial Prize for his biography of the Marquess of Montrose, but the most famous of his books were the spy thrillers, and it is for these that he is now best remembered. The "last Buchan" (as Graham Greene entitled his appreciative review) was the 1941 novel Sick Heart River (American title: Mountain Meadow), in which a dying protagonist confronts the questions of the meaning of life in the Canadian wilderness. The insightful quotation, "It's a great life, if you don't weaken," is famously attributed to Buchan,^[27] as is, "No great cause is ever lost or won, The battle must always be renewed, And the creed must always be restated."^[28]

Tweedsmuir Provincial Park in British Columbia, now divided into Tweedsmuir South Provincial Park and Tweedsmuir North Provincial Park and Protected Area, was created in 1938 to commemorate Buchan's 1937 visit to the Rainbow Range and other nearby areas by horseback and floatplane. In the foreword to a booklet published to commemorate his visit, he wrote, "I have now travelled over most of Canada and have seen many wonderful things, but I have seen nothing more beautiful and more wonderful than the great park which British Columbia has done me the honour to call by my name".^[29]

Titles, styles and honours[link]

Titles[link]

Viceregal styles of The Lord Tweedsmuir (1935–1940)
Reference style	His Excellency the Right Honourable Son Excellence le très honourable
Spoken style	Your Excellency Votre Excellence
Alternative style	Sir Monsieur

United Kingdom

• 25 August 1875 – 3 June 1935: Mister John Buchan or John Buchan, Esquire^{[dubious – discuss]}
• 3 June 1935 – 11 February 1940: The Right Honourable the Lord Tweedsmuir

Canada

• 2 November 1935 – 11 February 1940: His Excellency the Right Honourable the Lord Tweedsmuir, Governor General and Commander-in-Chief of the Militia and Naval and Air Forces of Canada

Honours[link]

Ribbon bars of the Lord Tweedsmuir

Appointments

• 1 January 1932 – 11 February 1940: Companion of the Order of the Companions of Honour (CH)
• 23 May 1935 – 11 February 1940: Knight Grand Cross of the Most Distinguished Order of Saint Michael and Saint George (GCMG)
• 2 November 1935 – 11 February 1940: Chief Scout for Canada
• 2 November 1935 – 11 February 1940: Honorary Member of the Royal Military College of Canada Club
• 28 May 1937 – 11 February 1940: Member of His Majesty's Most Honourable Privy Council (PC)^[30]
• 15 June 1939 – 11 February 1940: Knight Grand Cross of the Royal Victorian Order (GCVO)^[30]
• : Honorary Fellow of Oxford University

Medals

• 1935: King George V Silver Jubilee Medal
• 1937: King George VI Coronation Medal

Awards

• 1897: Stanhope essay prize
• 1898: Newdigate Prize
• 1928: James Tait Black Memorial Prize
• 4 December 1940: Silver Wolf Award (posthumous)^[30]

Foreign honours

• 15 December 1918 – 11 February 1940: Knight of the Order of the Crown of Italy^[30]

Non-national honours

• 1937 – 11 February 1940: Master of the Order of Good Cheer

Honorary military appointments[link]

• 2 November 1935 – 11 February 1940: Colonel of the Regiment of the Governor General's Horse Guards
• 2 November 1935 – 11 February 1940: Colonel of the Regiment of the Governor General's Foot Guards
• 2 November 1935 – 11 February 1940: Colonel of the Regiment of the Canadian Grenadier Guards