Sign for the Trail of Tears National Historic Trail.

The Trail of Tears is a name given to the forced relocation and movement of Native American nations from southeastern parts of the United States following the Indian Removal Act of 1830. The removal included many members of the Cherokee, Muscogee (Creek), Seminole, Chickasaw, and Choctaw nations, among others in the United States, from their homelands to Indian Territory (eastern sections of the present-day state of Oklahoma). The phrase originated from a description of the removal of the Choctaw Nation in 1831.^[1] Many Native Americans suffered from exposure, disease and starvation en route to their destinations. Many died, including 4,000 of the 15,000 relocated Cherokee.^[2]

In 1831, the Cherokee, Chickasaw, Choctaw, Muscogee-Creek, and Seminole (sometimes collectively referred to as the Five Civilized Tribes) were living as autonomous nations in what would be called the American Deep South. The process of cultural transformation (proposed by George Washington and Henry Knox) was gaining momentum, especially among the Cherokee and Choctaw.^[3] Andrew Jackson continued and renewed the political and military effort for the removal of the Native Americans from these lands with the passage of the Indian Removal Act of 1830.

In 1831 the Choctaw were the first to be removed, and they became the model for all other removals. After the Choctaw, the Seminole were removed in 1832, the Creek in 1834, then the Chickasaw in 1837, and finally the Cherokee in 1838.^[4] After removal, some Native Americans remained in their ancient homelands - the Choctaw are found in Mississippi, the Seminole in Florida, the Creek in Alabama, and the Cherokee in North Carolina. A limited number of non-native Americans (including African-Americans - usually as slaves) also accompanied the Native American nations on the trek westward.^[4] By 1837, 46,000 Native Americans from these southeastern states had been removed from their homelands thereby opening 25 million acres (100,000 km²) for predominantly white settlement.^[4]

The fixed boundaries of these autonomous tribal nations, comprising large areas of the United States, were subject to continual cession and annexation prior to 1830, in part due to pressure from squatters and the threat of military force in the newly declared U.S. territories -- federally administered regions whose boundaries supervened upon the Native treaty claims. As these territories became U.S. states, state governments sought to dissolve the boundaries of the Indian nations within their borders, which were independent of state jurisdiction, and to expropriate the land therein. These pressures were magnified by U.S. population growth and the expansion of slavery in the South.^[5]

Legal background[link]

The territorial boundaries claimed as sovereign and controlled by the Native American nations living in what was then known as the Indian Territories—the portion of the early United States east of the Mississippi River not yet claimed or allotted to become Oklahoma -- were fixed and determined by national treaties with the United States Federal government under terms recognizing these entities as dependent but internally sovereign, or autonomous nations under the sole jurisdiction of the Federal government.^[5]

While retaining their tribal governance, which included a constitution or official council in tribes such as the Iroquois and Cherokee, many portions of the southeastern Native American nations had become partially or completely economically integrated into the economy of the region. This included the plantation economy in states such as Georgia, and the possession of slaves. These slaves were also forcibly relocated during the process of removal.^[5] A similar process had occurred earlier in the territories controlled by the Confederacy of the Six Nations in what is now upstate New York prior to the British invasion and subsequent U.S. annexation of the Iroquois nation.

Under the history of U.S. treaty law, the territorial boundaries claimed by Federally recognized tribes received the same status under which the Southeastern tribal claims were recognized; until the following establishment of reservations of land, determined by the Federal government, which were ceded to the remaining tribes by de jure treaty, in a process that often entailed forced relocation. The establishment of the Indian Territory and the dissolution of Indian territories east of the Mississippi anticipated the establishment of the U.S. Indian reservation system, which was subsequently imposed on remaining Indian lands.

The statutory argument for Native American sovereignty persisted until the Supreme Court ruled in Cherokee Nation v. Georgia (1831), that (e.g.) the Cherokees were not a sovereign and independent nation, and therefore not entitled to a hearing before the court. However, in Worcester v. Georgia (1832), the court re-established limited internal sovereignty under the sole jurisdiction of the Federal government, in a ruling that both opposed the subsequent forced relocation and set the basis for modern U.S. case law.

While the latter ruling was famously defied by Jackson,^[6] the actions of the Jackson administration were not isolated because state and federal officials had violated treaties without consequence, often attributed to military exigency, as the members of individual Native American nations were not automatically United States citizens and were rarely given standing in any U.S. court.

Compounding this was the fact that while citizenship tests existed for Native Americans living in newly annexed areas before and after forced relocation, individual U.S. states did not recognize tribal land claims, only individual title under State law, and distinguished between the rights of white and non-white citizens, who often had limited standing in court; and Indian removal was carried out under U.S. military jurisdiction, often by state militias. As a result, individual Native Americans who could prove U.S. citizenship were nevertheless displaced from newly annexed areas.^[5] The military actions and subsequent treaties enacted by the Jackson and Van Buren administrations pursuant to the 1830 law are widely considered to have directly caused the expulsion or death of a substantial part of the Native Americans then living in the southeastern United States.

Choctaw voluntary removal[link]

In 1832 a young 22-year-old Harkins wrote the Farewell Letter to the American People.

The Choctaw nation was in what are now the U.S. states of Alabama, Mississippi, and Louisiana. After a series of treaties starting in 1801, the Choctaw nation was reduced to 11,000,000 acres (45,000 km²). The Treaty of Dancing Rabbit Creek ceded the remaining country to the United States and was ratified in early 1831. The removals were only agreed to after a provision in the Treaty of Dancing Rabbit Creek allowed some Choctaw to remain. George W. Harkins would write to the citizens of the United States before the removals were to commence:

Map of United States Indian Removal, 1830-1835. Oklahoma is depicted in light yellow-green.

Secretary of War Lewis Cass appointed George Gaines to manage the removals. Gaines decided to remove Choctaws in three phases starting in 1831 and ending in 1833. The first was to begin on November 1, 1831 with groups meeting at Memphis and Vicksburg. A harsh winter would batter the emigrants with flash floods, sleet, and snow. Initially the Choctaws were to be transported by wagon but floods halted them. With food running out, the residents of Vicksburg and Memphis were concerned. Five steamboats (the Walter Scott, the Brandywine, the Reindeer, the Talma, and the Cleopatra) would ferry Choctaws to their river-based destinations. The Memphis group traveled up the Arkansas for about 60 miles (97 km) to Arkansas Post. There the temperature stayed below freezing for almost a week with the rivers clogged with ice, so there would be no travel for weeks. Food rationing consisted of a handful of boiled corn, one turnip, and two cups of heated water per day. Forty government wagons were sent to Arkansas Post to transport them to Little Rock. When they reached Little Rock, a Choctaw chief (thought to be Thomas Harkins or Nitikechi) quoted to the Arkansas Gazette that the removal was a "trail of tears and death."^[8] The Vicksburg group was led by an incompetent guide and was lost in the Lake Providence swamps.

Alexis de Tocqueville, French political thinker and historian.

Alexis de Tocqueville, the French philosopher, witnessed the Choctaw removals while in Memphis, Tennessee in 1831,

Nearly 17,000 Choctaws made the move to what would be called Indian Territory and then later Oklahoma.^[10] About 2,500–6,000 died along the trail of tears. Approximately 5,000–6,000 Choctaws remained in Mississippi in 1831 after the initial removal efforts.^[11][12] The Choctaws who chose to remain in newly formed Mississippi were subject to legal conflict, harassment, and intimidation. The Choctaws "have had our habitations torn down and burned, our fences destroyed, cattle turned into our fields and we ourselves have been scourged, manacled, fettered and otherwise personally abused, until by such treatment some of our best men have died."^[12] The Choctaws in Mississippi were later reformed as the Mississippi Band of Choctaw Indians and the removed Choctaws became the Choctaw Nation of Oklahoma.

Seminole resistance[link]

The U.S. acquired Florida from Spain via the Adams-Onís Treaty and took possession in 1821. In 1832 the Seminoles were called to a meeting at Payne's Landing on the Ocklawaha River. The treaty negotiated called for the Seminoles to move west, if the land were found to be suitable. They were to be settled on the Creek reservation and become part of the Creek tribe, who considered them deserters; some of the Seminoles had been derived from Creek bands but also from other tribes. Those among the tribe who once were members of Creek bands did not wish to move west to where they were certain that they would meet death for leaving the main band of Creek Indians. The delegation of seven chiefs who were to inspect the new reservation did not leave Florida until October 1832. After touring the area for several months and conferring with the Creeks who had already settled there, the seven chiefs signed a statement on March 28, 1833 that the new land was acceptable. Upon their return to Florida, however, most of the chiefs renounced the statement, claiming that they had not signed it, or that they had been forced to sign it, and in any case, that they did not have the power to decide for all the tribes and bands that resided on the reservation. The villages in the area of the Apalachicola River were more easily persuaded, however, and went west in 1834.^[13] On December 28, 1835 a group of Seminoles and blacks ambushed a U.S. Army company marching from Fort Brooke in Tampa to Fort King in Ocala. Out of 110 army troops only 3 survived, this came to be known as the Dade Massacre.

As the realization that the Seminoles would resist relocation sank in, Florida began preparing for war. The St. Augustine Militia asked the War Department for the loan of 500 muskets. Five hundred volunteers were mobilized under Brig. Gen. Richard K. Call. Indian war parties raided farms and settlements, and families fled to forts, large towns, or out of the territory altogether. A war party led by Osceola captured a Florida militia supply train, killing eight of its guards and wounding six others. Most of the goods taken were recovered by the militia in another fight a few days later. Sugar plantations along the Atlantic coast south of St. Augustine were destroyed, with many of the slaves on the plantations joining the Seminoles.^[14]

Other warchiefs such as Halleck Tustenuggee, Jumper, and Black Seminoles Abraham and John Horse continued the Seminole resistance against the army. The war ended, after a full decade of fighting, in 1842. The U.S. government is estimated to have spent about $20,000,000 on the war, at the time an astronomical sum, and equal to $481,655,172 today. Many Indians were forcibly exiled to Creek lands west of the Mississippi; others retreated into the Everglades. In the end, the government gave up trying to subjugate the Seminole in their Everglades redoubts and left fewer than 100 Seminoles in peace. However, other scholars state that at least several hundred Seminoles remained in the Everglades after the Seminole Wars.^[15][16][17]

As a result of the Seminole Wars, the surviving Seminole band of the Everglades claims to be the only Federally recognized tribe which never relinquished sovereignty or signed a peace treaty with the United States.

Creek dissolution[link]

After the War of 1812, some Muscogee leaders such as William McIntosh signed treaties that ceded more land to Georgia. The 1814 signing of the Treaty of Fort Jackson signaled the end for the Creek Nation and for all Indians in the South.^[18] Friendly Creek leaders, like Selocta and Big Warrior, addressed Sharp Knife (the Indian nickname for Andrew Jackson) and reminded him that they keep the peace. Nevertheless, Jackson retorted that they did not "cut (Tecumseh's) throat" when they had the chance, so they must now cede Creek lands. Jackson also ignored Article 9 of the Treaty of Ghent that restored sovereignty to Indians and their nations.

Eventually, the Creek Confederacy enacted a law that made further land cessions a capital offense. Nevertheless, on February 12, 1825, McIntosh and other chiefs signed the Treaty of Indian Springs, which gave up most of the remaining Creek lands in Georgia.^[21] After the U.S. Senate ratified the treaty, McIntosh was assassinated on May 13, 1825, by Creeks led by Menawa.

The Creek National Council, led by Opothle Yohola, protested to the United States that the Treaty of Indian Springs was fraudulent. President John Quincy Adams was sympathetic, and eventually the treaty was nullified in a new agreement, the Treaty of Washington (1826).^[22] Writes historian R. Douglas Hurt: "The Creeks had accomplished what no Indian nation had ever done or would do again — achieve the annulment of a ratified treaty."^[23] However, Governor Troup of Georgia ignored the new treaty and began to forcibly remove the Indians under the terms of the earlier treaty. At first, President Adams attempted to intervene with federal troops, but Troup called out the militia, and Adams, fearful of a civil war, conceded. As he explained to his intimates, "The Indians are not worth going to war over."

Although the Creeks had been forced from Georgia, with many Lower Creeks moving to the Indian Territory, there were still about 20,000 Upper Creeks living in Alabama. However, the state moved to abolish tribal governments and extend state laws over the Creeks. Opothle Yohola appealed to the administration of President Andrew Jackson for protection from Alabama; when none was forthcoming, the Treaty of Cusseta was signed on March 24, 1832, which divided up Creek lands into individual allotments.^[24] Creeks could either sell their allotments and received funds to remove to the west, or stay in Alabama and submit to state laws. Land speculators and squatters began to defraud Creeks out of their allotments, and violence broke out, leading to the so-called "Creek War of 1836". Secretary of War Lewis Cass dispatched General Winfield Scott to end the violence by forcibly removing the Creeks to the Indian Territory west of the Mississippi River.

Chickasaw monetary removal[link]

Fragment of the Trail of Tears still intact at Village Creek State Park, Arkansas (2010)

Historic Marker in Marion Arkansas for the Trail of Tears

Unlike other tribes who exchanged land grants, the Chickasaw received financial compensation from the United States for their lands east of the Mississippi River. In 1836, the Chickasaws had reached an agreement that purchased land from the previously removed Choctaws after a bitter five-year debate. They paid the Choctaws $530,000 (equal to $11,216,727 today) for the western most part Choctaw land. The first group of Chickasaws moved in 1837 was led by John M. Millard. The Chickasaws gathered at Memphis on July 4, 1837, with all of their assets—belongings, livestock, and slaves. Once across the Mississippi River, they followed routes previously established by Choctaws and Creeks. Once in Indian Territory, the Chickasaws merged with the Choctaw nation. After several decades of mistrust, they regained nationhood^{[citation needed]}.

Cherokee forced relocation[link]

Cherokee Principal Chief John Ross. Image capture in the late 1800s.

In 1838, the Cherokee people were forcibly removed from their lands in the Southeastern United States to the Indian Territory (present day Oklahoma) in the Western United States, which resulted in the deaths of approximately 4,000 Cherokees.^[25] In the Cherokee language, the event is called Nu na da ul tsun yi—“the Place Where They Cried”. The Cherokee Trail of Tears resulted from the enforcement of the Treaty of New Echota, an agreement signed under the provisions of the Indian Removal Act of 1830, which exchanged Native American land in the East for lands west of the Mississippi River, but which was never accepted by the elected tribal leadership or a majority of the Cherokee people.

Tensions between Georgia and the Cherokee Nation were brought to a crisis by the discovery of gold near Dahlonega, Georgia, in 1829, resulting in the Georgia Gold Rush, the first gold rush in U.S. history. Hopeful gold speculators began trespassing on Cherokee lands, and pressure began to mount on the Georgia government to fulfill the promises of the Compact of 1802.

When Georgia moved to extend state laws over the Cherokee lands in 1830, the matter went to the U.S. Supreme Court. In Cherokee Nation v. Georgia (1831), the Marshall court ruled that the Cherokee Nation was not a sovereign and independent nation, and therefore refused to hear the case. However, in Worcester v. Georgia (1832), the Court ruled that Georgia could not impose laws in Cherokee territory, since only the national government — not state governments — had authority in Indian affairs.

Elizabeth "Betsy" Brown Stephens, a Cherokee Indian who walked the Trail of Tears. (1903)

Jackson had no desire to use the power of the national government to protect the Cherokees from Georgia, since he was already entangled with states’ rights issues in what became known as the nullification crisis. With the Indian Removal Act of 1830, the U.S. Congress had given Jackson authority to negotiate removal treaties, exchanging Indian land in the East for land west of the Mississippi River. Jackson used the dispute with Georgia to put pressure on the Cherokees to sign a removal treaty.^[26]

Nevertheless, the treaty, passed by Congress by a single vote, and signed into law by President Andrew Jackson, was imposed by his successor President Martin Van Buren who allowed Georgia, Tennessee, North Carolina, and Alabama an armed force of 7,000 made up of militia, regular army, and volunteers under General Winfield Scott to round up about 13,000 Cherokees into concentration camps at the U.S. Indian Agency near Cleveland, Tennessee before being sent to the West. Most of the deaths occurred from disease, starvation and cold in these camps. Their homes were burned and their property destroyed and plundered. Farms belonging to the Cherokees for generations were won by white settlers in a lottery. After the initial roundup, the U.S. military still oversaw the emigration until they met the forced destination.^[27] Private John G. Burnett later wrote, "Future generations will read and condemn the act and I do hope posterity will remember that private soldiers like myself, and like the four Cherokees who were forced by General Scott to shoot an Indian Chief and his children, had to execute the orders of our superiors. We had no choice in the matter."^[28]

Portrait of Marcia Pascal, a young Cherokee woman. (1880)

In the winter of 1838 the Cherokee began the thousand-mile march with scant clothing and most on foot without shoes or moccasins. The march began in Red Clay, Tennessee, the location of the last Eastern capital of the Cherokee Nation. The Cherokee were given used blankets from a hospital in Tennessee where an epidemic of small pox had broken out. Because of the diseases, the Indians were not allowed to go into any towns or villages along the way; many times this meant traveling much farther to go around them.^[30] After crossing Tennessee and Kentucky, they arrived in Southern Illinois at Golconda about the 3rd of December 1838. Here the starving Indians were charged a dollar a head (equal to $21.83 today) to cross the river on "Berry's Ferry" which typically charged twelve cents, equal to $2.62 today. They were not allowed passage until the ferry had serviced all others wishing to cross and were forced to take shelter under "Mantle Rock," a shelter bluff on the Kentucky side, until "Berry had nothing better to do". Many died huddled together at Mantle Rock waiting to cross. Several Cherokee were murdered by locals. The killers filed a lawsuit against the U.S. Government through the courthouse in Vienna, suing the government for $35 a head (equal to $763.88 today) to bury the murdered Cherokee.^[30]

On December 26, Martin Davis, Commissary Agent for Moses Daniel's detachment, wrote: "There is the coldest weather in Illinois I ever experienced anywhere. The streams are all frozen over something like 8 inches (20 cm) or 12 inches (30 cm) inches thick. We are compelled to cut through the ice to get water for ourselves and animals. It snows here every two or three days at the fartherest. We are now camped in Mississippi swamp 4 miles (6.4 km) from the river, and there is no possible chance of crossing the river for the numerous quantity of ice that comes floating down the river every day. We have only traveled 65 miles (105 km) on the last month, including the time spent at this place, which has been about three weeks. It is unknown when we shall cross the river...."^[31]

Lillian Gross, a young multiracial Cherokee. (1906)

Removed Cherokees initially settled near Tahlequah, Oklahoma. When signing the Treaty of New Echota in 1835 Major Ridge said "I have signed my death warrant." The resulting political turmoil led to the killings of Major Ridge, John Ridge, and Elias Boudinot; of the leaders of the Treaty Party, only Stand Watie escaped death.^[32][33][34] The population of the Cherokee Nation eventually rebounded, and today the Cherokees are the largest American Indian group in the United States.^[35]

There were some exceptions to removal. Perhaps 100 Cherokees evaded the U.S. soldiers and lived off the land in Georgia and other states. Those Cherokees who lived on private, individually owned lands (rather than communally owned tribal land) were not subject to removal. In North Carolina, about 400 Cherokees, known as the Oconaluftee Cherokee, lived on land in the Great Smoky Mountains owned by a white man named William Holland Thomas (who had been adopted by Cherokees as a boy), and were thus not subject to removal. Added to this were some 200 Cherokee from the Nantahala area allowed to stay in the Qualla Boundary after assisting the U.S. Army in hunting down and capturing the family of the old prophet, Tsali. (Tsali faced a firing squad.) These North Carolina Cherokees became the Eastern Band of the Cherokee Nation.

Trail of Tears National Historic Trail[link]

In 1987, about 2,200 miles (3,500 km) of trails were authorized by Federal law to mark the removal of seventeen detachments of the Cherokee people.^[36] Called the "Trail of Tears National Historic Trail," it traverses portions of nine states and includes land and water routes.^[37]

Terminology of forced relocation[link]

The latter forced relocations have sometimes been referred to as a "death march", in particular with reference to the Cherokee march across the Midwest in 1838, which occurred on a predominantly land route.^[5] However the use of this term is heavily disputed, because a death march is typically defined as a forced march in which the captors show either depraved indifference to the lives of the persons during the course of the march, or actively attempt to reduce their numbers, e.g., by the execution of stragglers or those who attempt to leave the march. However, missionaries traveled along with the march as humanitarian observers, and documented the resulting conditions, as did the native leaders themselves. It was latterly described as an act of genocide by Alfred Cave in 2003.^[38]

Tribesmen who had means initially conducted their own removal. Contingents that were led by conductors from the U.S. Army included those led by Edward Deas, who was claimed to be a sympathizer for the Cherokee plight.^{[citation needed]} The largest death toll from the Cherokee forced relocation comes from the period after the May 23, 1838 deadline. This was at the point when the remaining Cherokee were rounded into camps and pressed into oversized detachments, often over 700 in size (larger than Little Rock or Memphis at that time). Communicable diseases spread quickly through these closely quartered groups, killing many. These contingents were among the last to move, but following the same routes the others had taken; the areas they were going through had been depleted of supplies due to the vast numbers that had gone before them. The marchers were subject to extortion and violence along the route. In addition, these final contingents were forced to set out during the hottest and coldest months of the year, killing many. Exposure to the elements, disease and starvation, harassment by local frontiersmen, and insufficient rations similarly killed up to one-third of the Choctaw and other nations on the march.^[11]

It has also been claimed by descendants of the survivors^{[by whom?]} that the term "Trail of Tears" referred to the tears of those who witnessed the suffering of the marchers, and that the Native Americans themselves marched in silence.

There exists some debate among historians and the affected tribes as to whether the term "Trail of Tears" should be used to refer to the entire history of forced relocations from the United States east of the Mississippi into Indian Territory (as was the stated U.S. policy), or to the Five Tribes described above, to the route of the land march specifically, or to specific marches in which the remaining holdouts from each area were rounded up.

See also[link]

Notes[link]

References[link]

• Anderson, William, ed. (1991). Cherokee Removal: Before and After. Athens, Georgia: University of Georgia Press. ISBN 978-0-8203-1482-2. 
• Bealer, Alex W. (1972, 1996). Only the Names Remain: The Cherokees and The Trail of Tears. Boston, Massachusetts: Little, Brown. ISBN 978-0-316-08519-9. 
• Carter, Samuel (1976). Cherokee Sunset: A Nation Betrayed. New York: Doubleday. ISBN 0-385-06735-6. 
• Ehle, John (1989) [1988]. Trail of Tears: The Rise and Fall of the Cherokee Nation. New York: Anchor Books. ISBN 0-385-23954-8. 
• Fitzgerald, David; King, Duane (2008). The Cherokee Trail of Tears. Graphic Arts Books. ISBN 978-0-88240-752-4. 
• Foreman, Grant (1989) [1932]. Indian Removal: The Emigration of the Five Civilized Tribes of Indians (11 ed.). Norman, Oklahoma: University of Oklahoma Press. ISBN 0-8061-1172-0. 
• Jahoda, Gloria (1995) [1975]. Trail of Tears: The Story of the American Indian Removal 1813-1855. Henry Holt & Co. ISBN 978-0-517-14677-4. 
• Mooney, James (2007) [1888]. King, Duane. ed. Myths of the Cherokee. New York: Barnes & Noble. ISBN 978-0-7607-8340-5. 
• Perdue, Theda; Green, Michael (2008) [2007]. The Cherokee Nation and the Trail of Tears. New York: Penguin Books. ISBN 978-0-14-311367-6. 
• Prucha, Francis (1984). The Great Father: The United States Government and the American Indians. Lincoln, Nebraska: Nebraska Press. ISBN 0-8032-3668-9. 
• Remini, Robert (2001). Andrew Jackson and his Indian Wars. New York: Viking. ISBN 0-670-91025-2. 
• Wallace, Anthony (1993). The Long, Bitter Trail: Andrew Jackson and the Indians (Hardback ed.). New York: Hill and Wang. ISBN 0-8090-6631-9. 
• Wilson, James (1998). The Earth Shall Weep: A History of Native America. New York: Grove Press. ISBN 978-0-8021-3680-0. 

Documents[link]

• Cherokee Indian Removal Debate U.S. Senate, April 15-17, 1830
• Winfield Scott's Address to the Cherokee Nation, May 10, 1838
• Gen. Winfield Scott's Order to U.S. Troops

Documentary[link]

• The Trail of Tears: Cherokee Legacy (2006) - directed by Chip Richie; narrated by James Earl Jones

External links[link]

Wikimedia Commons has media related to: Trail of Tears

Wikisource has original text related to this article: Appeal of the Cherokee Nation

• Remote Sensing Technology to Understanding the Choctaw Removals
• Trail of Tears National Historic Trail (U.S. National Park Service)
• The North Little Rock Site: Interpretive Contexts Chickasaw
• Seminole Tribe of Florida History: Indian Resistance and Removal
• Muscogee (Creek) Removal
• Cherokee Heritage Documentation Center
• Cherokee Nation Cultural Resource Center
• Trail of Tears - The Dream We Dreamed
• Cherokee Indian Removal, Encyclopedia of Alabama
• The Trail of Tears and the Forced Relocation of the Cherokee Nation, a National Park Service Teaching with Historic Places (TwHP) lesson plan

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Johnny Cash
Cash in 1969.
Background information
Birth name	John R. Cash
Born	(1932-02-26)February 26, 1932 Kingsland, Arkansas, United States
Origin	Kingsland, Arkansas, United States
Died	September 12, 2003(2003-09-12) (aged 71) Nashville, Tennessee, United States
Genres	Country, rock and roll, folk, americana, gospel, blues, rockabilly
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, guitar, harmonica, mandolin
Years active	1955–2003
Labels	Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
Associated acts	The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, The Oak Ridge Boys, Area Code 615, Roy Orbison, Jerry Lee Lewis, Carl Perkins, Bob Dylan, Tom Petty and the Heartbreakers
Website	johnnycash.com
Notable instruments
Martin Acoustic Guitars[1]

John R. "Johnny" Cash (February 26, 1932 – September 12, 2003), was an American singer-songwriter, actor,^[2] and author,^[2] who has been called one of the most influential musicians of the 20th century.^[3] Although he is primarily remembered as a country music icon, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame.

Cash was known for his deep, distinctive bass-baritone voice;^[4][5][6] for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness,^[7][8] coupled with an increasingly somber and humble demeanor;^[4] for providing free concerts inside prison walls;^[9][10] and for his dark performance clothing, which earned him the nickname "The Man in Black".^[11] He traditionally started his concerts by saying, "Hello, I'm Johnny Cash."^[12][13] and usually following it up with his standard "Folsom Prison Blues".

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption.^[4][14] His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, including "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".^[15] Late in his career, Cash covered songs by several rock artists, most notably "Hurt" by Nine Inch Nails - the resulting music video was voted one of the best of all time and is sometimes seen as Cash's epitaph.

Cash, a troubled but devout Christian,^[16][17] has been characterized as a "lens through which to view American contradictions and challenges."^[18][19][20] A Biblical scholar,^[2][21][22] he penned a Christian novel titled Man in White,^[23][24] and he made a spoken word recording of the entire New King James Version of the New Testament.^[25][26] Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man.^[27][28] Accordingly,^[29] Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".^[30][31]

Personal life[link]

Early life[link]

Johnny Cash was born in Kingsland, Arkansas,^[32] the fourth of seven children to Ray Cash (May 13, 1897, Kingsland, Arkansas – December 23, 1985, Hendersonville, Tennessee)^[33] and Carrie Cloveree Rivers (March 13, 1904, Rison, Arkansas – March 11, 1991, Hendersonville, Tennessee).^[34][35] Cash was named John R. Cash because his parents couldn't think of a name, but he went by J. R. all throughout his childhood as a shortened version of his real name. When Cash enlisted in the Air Force, they wouldn't let him use initials as his name, so he began to use his legal name of John R. Cash. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.^[36]

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne and Tommy.^[37][38] His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. He started working in cotton fields at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising".^[39] His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack.^[40] In May 1944, Jack was pulled into a whirling head saw in the mill where he worked and was almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15.^[39] Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.^[41]

Cash enlisted in the United States Air Force on July 7, 1950.^[42] After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a Morse Code Intercept Operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians."^[43] He was the first radio operator to pick up the news of the death of Joseph Stalin.^[44] After he was honorably discharged as a Staff Sergeant on July 3, 1954, he returned to Texas.^[45]

Marriages and family[link]

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters.^[46] On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.^[47]

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario,^[48] marrying on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in I Walked the Line: My Life with Johnny, stating that Cash gave Carter the credit for monetary reasons.^[49]

Heritage[link]

Cash's heritage was a British Isles mix. He learned upon researching his heritage that he was of Scottish royal descent on his father's side, traced back to Malcolm I of Scotland.^[50][51][52] After meeting with now-dead laird Major Michael Crichton-Stuart of Falkland, Fife, Scotland, Johnny traced the Cash family tree to eleventh-century Fife;^[53][54][55] Cash Loch and other locations in Fife bear the name of his family.^[53]

Cash also had English and Scots-Irish ancestry. Though he did not have American Indian ancestry, his empathy and compassion for Native American Indians were unabated. These feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, Bitter Tears: Ballads of the American Indian. Through his maternal grandmother, Rosanna Lee (Hurst) Rivers, Cash is distantly related to millionaire William Randolph Hearst and socialite Patty Hearst.^{[citation needed]}

Friends[link]

Cash was a long time friend of Woody Hayes (ex Ohio State Buckeyes football coach). The lyrics "I braided Twigs of Willows Made a String of Buckeye Beads" from the song Flesh and Blood was for Woody.^{[citation needed]}

Career[link]

Early career[link]

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment.^[56] Cash eventually won over the producer with new songs delivered in his early rock'a'billy style. In 1955 Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with reasonable success on the country hit parade.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title Million Dollar Quartet.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived Rainbow Quest.^[57]

He also acted in a 1961 film entitled Five Minutes to Live, later re-released as Door-to-door Maniac. He also wrote and sang the opening theme.

Outlaw image[link]

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at The Johnny Cash Show, Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burnt several hundred acres in Los Padres National Forest in California.^[58][59] When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it."^[39] The fire destroyed 508 acres (206 ha), burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($923,127 today). Cash eventually settled the case and paid $82,001.^[60] He said he was the only person ever sued by the government for starting a forest fire.^[39]

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested October 4 by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was 688 Dexedrine capsules and 475 Equanil tablets that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.

Johnny Cash and his second wife, June Carter

Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

In the mid 1960s, Cash released a number of concept albums, including Ballads Of the True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with June Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, Georgia where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, Georgia jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.^[61]

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had "cleaned up".^[62] He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmie Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, California for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he entered the Loma Linda Behavioural Medicine Centre in Loma Linda, California for his final rehabilitation (several months later, his son followed him into this facility for treatment).^[63][64][65]

Folsom Prison Blues[link]

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison.^[66] These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album På Österåker ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"[link]

Cash advocated prison reform at his July 1972 meeting with United States President Richard Nixon.

From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more mainstream performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan. During the same period, he contributed the title song and other songs to the film Little Fauss and Big Halsey, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, The Ballad of Little Fauss and Big Halsey, written by Carl Perkins, was nominated for a Golden Globe award.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."^[67]

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

Cash attired in black performing in Bremen, Northern Germany, in September 1972

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime",^[68] and on behalf of those who have been betrayed by age or drugs.^[68] "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."^[68]

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits.^[39] He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color.^[39] To this day, the US Navy's winter blue uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.^[69]

In the mid 1970s, Cash's popularity and number of hit songs began to decline. He made commercials for Amoco, an unpopular enterprise in an era in which oil companies made high profits while consumers suffered through high gasoline prices and shortages. However, his autobiography (the first of two), titled Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo (Swan Song). He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series North and South. Johnny and June also appeared in Dr Quinn, Medicine Woman (TV series) as a recurring couple. Cash also had a starring role in a Columbo film.

He was friendly with every US President starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends.^[39] He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.^[39]

When invited to perform at the White House for the first time in 1970,^[70] Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What Is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason.^[39] However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.^[71]

Highwaymen[link]

In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age 48, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums which were released beginning with the originally titled "Highwaymen" in 1985, followed by "Highwaymen 2" in 1990, and concluding with "Highwaymen - The Road Goes on forever" in 1995.

During that period, Cash appeared in a number of television films. In 1981, he starred in The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the Muppet Show. In 1983, he appeared as a heroic sheriff in Murder in Coweta County, based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm.^[72]

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.^{[citation needed]}

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody.^{[citation needed]} "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of '55. Also in 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He also recorded Johnny Cash Reads The Complete New Testament in 1990.

American Recordings[link]

Johnny Cash sings a duet with a Navy lieutenant c.1987.

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer" on U2's album Zooropa. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar – one of many Cash played throughout his career.^[73] The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released Unchained, which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997.

Last years[link]

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of multiple system atrophy. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from American IV, is now generally recognized as "his epitaph,"^[74] and received particular critical and popular acclaim.

Cash's grave (top) and the Cash/Carter memorial (bottom)

June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and heaven. She came down for a short visit, I guess, from heaven to visit with me tonight to give me courage and inspiration like she always has.

Death[link]

Cash died of complications from diabetes at approximately 2:00 a.m. CT on September 12, 2003, while hospitalized at Baptist Hospital in Nashville - less than four months after his wife. It was suggested that Johnny's health worsened due to a broken heart over June's death.^[75][76] He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.^[77]

In June 2005, Cash's lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. During a major restoration of the property by the new owner, Cash's home was accidentally destroyed by workers using linseed oil products in a spontaneous combustion-ignited fire on April 10, 2007.^[78]

One of Cash's final collaborations with producer Rick Rubin, entitled American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted in the No.1 position on the Billboard Top 200 album chart for the week ending July 22, 2006.

On February 23, 2010, three days before what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled American VI: Ain't No Grave.

Legacy[link]

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock.^[79][80]

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a Best of Cash on American retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica.^[81] The Johnny Cash Memorial Fund was founded.^[82]

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone Magazine ranked Cash^[83] No.31 on their list of the 100 Greatest Artists of All Time.^[84]

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway"; the Johnny Cash Museum is located in the town.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.^[85]

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

WWE Superstar The Undertaker used Cash's song "Aint No Grave" (from American VI: Ain't No Grave) to announce his return following an absence in February, 2011, and as his entrance music for Wrestlemania XXVII. Independent circuit wrestlers Tyson Dux and Brodie Lee also use "God's Gonna Cut You Down" (from American V: A Hundred Highways) as entrance music. Other professional wrestlers who have used Cash's songs as entrance music include Austin Aries, who used his cover of the Depeche Mode's song "Personal Jesus" (from American IV: The Man Comes Around), and Necro Butcher, who used both "The Man Comes Around" and "Hurt". WWE also used "Hurt" in a special video package that was aired on Monday Night RAW in November 2005 as a tribute to Eddie Guerrero, a popular WWE Superstar who had died of heart failure while he was still contracted with the company. It is also noted that current WWE Superstar Ted DiBiase, Jr. is a huge fan of Cash, as is former WWE Diva and current TNA Knockout Mickie James.

The television show "The Deadliest Catch" is using the song "Ain't No Grave" as the theme song in many of their commercials.

One of Cash's greatest hits, "Hurt", was also used to advertise Prototype 2 in the trailer called "The Power Of Revenge".

Portrayals[link]

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie was the first to portray Cash, in the short film, I Still Miss Someone.

In November of 2005, Walk the Line, an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny (for which he was nominated for the 2005 Best Actor Oscar) and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

On March 12, 2006 Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

On April 11, 2010, Million Dollar Quartet, a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography[link]

See Johnny Cash discography, and Johnny Cash Sun Records discography.

Awards and honors[link]

For detailed lists of music awards, see List of Johnny Cash awards.

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades during which he rose to recording industry icon status, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame.^[86] He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts.^[87] He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.^[88]

Further reading[link]

• Graeme Thomson The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings Jawbone Press ISBN 978-1-906002-36-7

Sources[link]

Notes[link]

References[link]

Published works[link]

• Cash, Johnny. Man in Black: His Own Story in His Own Words. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.
• Cash, Johnny, with Patrick Carr. Cash: The Autobiography. New York: Harper Collins, 1997. ISBN 0-06-101357-9.
• Cash, Johnny, with June Carter Cash. Love liner notes. New York: Sony, 2000.
• Cash, Johnny, The Man in White, 1986.

External links[link]

	Book: Johnny Cash
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Johnny Cash

Wikiquote has a collection of quotations related to: Johnny Cash

• Official website
• Johnny Cash Official Label Website
• Official Johnny Cash Lost Highway Artist Page
• at the Country Music Hall of Fame
• at the Rock and Roll Hall of Fame
• at the Rockabilly Hall of Fame
• at the Hit Parade Hall of Fame
• Larry King's November 26, 2002 interview With Johnny Cash on CNN
• Johnny Cash: Best Photos – slideshow by Life magazine
• Johnny Cash at the Internet Movie Database
• Johnny Cash at AllRovi