Knuckle mnemonic for the number of days in each month of the Gregorian Calendar. Each projecting knuckle represents a 31-day month.

A mnemonic ( /nəˈmɒnɨk/,^[1] with a silent "m"), or mnemonic device, is any learning technique that aids memory. To improve long term memory, mnemonic systems are used to make memorization easier. They do so by increasing the efficiency of the process of consolidation. This process involves the conversion of short term memory to long term memory. Commonly encountered mnemonics are often verbal, such as a very short poem or a special word used to help a person remember something, particularly lists, but a mnemonic may instead be visual, kinesthetic or auditory. Mnemonics rely on associations between easy-to-remember constructs which can be related back to the data that are to be remembered. This is based on the observation that the human mind much more easily remembers spatial, personal, surprising, physical, sexual, humorous, or otherwise meaningful information, as compared to retrieving arbitrary sequences.

The word mnemonic is derived from the Ancient Greek word μνημονικός (mnēmonikos), meaning "of memory"^[2] and is related to Mnemosyne ("remembrance"), the name of the goddess of memory in Greek mythology. Both of these words are derived from μνήμη (mnēmē), "remembrance, memory".^[3] Mnemonics in antiquity were most often considered in the context of what is today known as the Art of Memory.

The major assumption in antiquity was that there are two sorts of memory: the "natural" memory and the "artificial" memory. The former is inborn, and is the one that everyone uses every day. The artificial memory is one that is trained through learning and practicing a variety of mnemonic techniques. The latter can be used to perform feats of memory that are quite extraordinary, impossible for most people to carry out using the natural memory alone.

First letter mnemonics[link]

One common mnemonic for remembering lists consists of an easily remembered acronym, or phrase with an acronym that is associated with the list items. The idea lends itself well to memorizing hard-to-break passwords as well. For example, to remember the colours of the rainbow, use the mnemonic "Richard Of York Gave Battle In Vain" or the fictitious name "Roy G. Biv". Another one is HOMES to help people remember the names of all of the Great Lakes (Huron, Ontario, Michigan, Erie, and Superior). In electronics, colour codes are used on some components, with each colour representing a specific value (0-9). Numerous mnemonics exist to help remember the sequence of numbers where the first letter of each word represents the first letter of the name of the colour for that number. One such mnemonic is "Bill Brown Realized Only Yesterday Good Boys Value Good Work", representing the colours black (0), brown (1), red (2), orange (3), yellow (4), green (5), blue (6), violet (7), grey (8), and white (9).^[4]

Mnemonics for numerical sequences[link]

Mnemonic phrases or poems can be used to encode numeric sequences by various methods, the most common using the number of letters in each word. For example, the first 15 digits of the mathematical constant pi (3.14159265358979) can be encoded as "Now I need a drink, alcoholic of course, after the heavy lectures involving quantum mechanics". Piphilology is the practice dedicated to creating mnemonics for pi.

Arbitrariness of mnemonics[link]

This section is written like a personal reflection or essay rather than an encyclopedic description of the subject. Please help improve it by rewriting it in an encyclopedic style. (May 2012)

A curious characteristic of many memory systems is that mnemonics work despite being (or possibly because of being) illogical or arbitrary. "Roy" is a legitimate first name, "Biv" is a very uncommon last name, and of course the middle initial "G" is arbitrary. Why is "Roy G. Biv" easy to remember in order to memorise the order that the seven colours of the rainbow appear? ROYGBIV can also be expressed as the almost meaningless phrase "Roy Great Britain the Fourth" again referencing "Roy" but using the GB national code for Great Britain and the Roman numerals for 4, viz: IV. The sentence "Richard of York gave battle in vain" is commonly used in the UK, as is "Run over your granny because it's violent". Any two of the three months ending in -ember would fit just as euphoniously as September and November in "Thirty days hath...", yet most people can remember the rhyme correctly for a lifetime after having heard it once, and are never troubled by doubts as to which two of the -ember months have thirty days. A bizarre arbitrary association may stick in the mind better than a logical one.

One reason for the effectiveness of seemingly arbitrary mnemonics is the grouping of information provided by the mnemonic. Just as US phone numbers group 10 digits into three groups, the name "Roy G. Biv" groups seven colors into two short names and an initial. Various studies (most notably The Magical Number Seven, Plus or Minus Two) have shown that the human brain is capable of remembering only a limited number of arbitrary items in working memory; grouping these items into chunks permits the brain to hold more of them in memory.

Assembly mnemonics[link]

In assembly language a mnemonic is a code, usually from 1 to 5 letters, that represents an opcode, a number.

Programming in machine code, by supplying the computer with the numbers of the operations it must perform, can be quite a burden, because for every operation the corresponding number must be looked up or remembered. Looking up all numbers takes a lot of time, and mis-remembering a number may introduce computer bugs.

Therefore a set of mnemonics was devised. Each number was represented by an alphabetic code. So instead of entering the number corresponding to addition to add two numbers one can enter "add".

Although mnemonics differ between different CPU designs some are common, for instance: "sub" (subtract), "div" (divide), "add" (add), and "mul" (multiply).

This type of mnemonic is different from the ones listed above in that instead of a way to make remembering numbers easier, it is a way to make remembering numbers unnecessary (e.g. by relying on the computer's assembler program to do the look-up work.)

In foreign-language acquisition[link]

Mnemonics can be helpful in learning a foreign language, for example by adapting a hard-to-remember foreign word to a pre-existent phrase in the learner's native language - using folk etymology. Linguist Ghil'ad Zuckermann has proposed many mnemonics for English-speaking students of Israeli Hebrew. For example, in trying to assist the learner to remember ohel, the Hebrew word for tent, Zuckermann proposes the memorable sentence "Oh hell, there's a raccoon in my tent".^[5] The notable linguist Michel Thomas taught students to remember that estar is the Spanish word for to be by using the phrase "to be a star". These are sometimes known as linkwords.

In Spanish language acquisition, masculine nouns can be associated with blue and feminine nouns with red. This allows for visual images such as a foot stepping on a pie and blue filling squirting out. The Spanish word for "foot" is el pie, a masculine noun, so recollection of blue will cue recall of the gender.

Improving long term memory through mnemonics[link]

Mnemonics as we know is a technique or strategy that is used to attempt to improve memory. It attempts to make information that is already stored in long-term memory more elaborate and easier to recall. It organizes new information so that we can retrieve it with other information that is similar to it. Thus meaning, organizing the information we are trying to store with similar things we already have in our memory to make it easier to recall when we need to. One method to remember things in long-term is the method of loci is a mnemonic system where items that we want to be remembered are associated with certain landmarks or locations. For example, if I list the things I do in my day and then associated a list of words that I am trying to remember with each event, it can help me to remember the word. Let's say the first two words are 'tree' and 'seven' and my day begins with me waking up and then I brush my teeth. To remember the words, I would say 'I wake up with a tree' and second, 'I brush my seven teeth'. Notice how the words I want to recall are included with the things I do on a daily basis. This is how the method of Loci works. The second method is called the peg-word method is a mnemonic system where we try to remember items that are associated with a set of mental pegs that you already have in your memory. For example, let's use the numbers 1 to 10. The two words we want to remember are bun and shoe, so we associate the number with the words. It would sound like this, "one-bun, two-shoe' and we would recite that to remember it. Another method to remember things is by narrative stories and songs. You link certain words that you want to remember to a story. Once you make a story with the words, it is easier to recall what the words are. Mnemonics slows the rate at which you hear information and allows you to encode it better. ^[6]

Mnemonic transfer[link]

There is research which suggests that previous use of mnemonics (such as the "peg-word" strategy) increases the likelihood of subsequent uses of similar mnemonic devices, and that the success of such transferability is greater in undergraduates (and presumably, older youths in general) in comparison to younger students.^[7] Four studies of undergraduate art education students predictably indicated that both mnemonic-general tactics (mnemonic devices that focused on overall styles and themes) and mnemonic-detail tactics, (mnemonic devices which focused on a particular detail specific to the painting) designed to aid in the instruction and memory of painter-painting connections, were much more effective than the control group members' own-best-method tactics (where students were directed to use "whatever works best" for themselves).^[7] More importantly, results communicated that when students were instructed with mnemonic-general rather than mnemonic-detail strategies, they were often still able to identify which painter created a given work of art, even if the student had never seen or learned about the painting before, implying the students were able to infer the painter-painting relationship accurately, based on the transferred information from the previously learned mnemonic.^[7]

Effectiveness of Mnemonic[link]

There is research which suggests evidence for the effectiveness of mnemonic techniques. In vocabulary memory experiments, students who applied mnemonic techniques outperformed the control groups that applied contextual learning and free learning style. The experiments were repeated in different age and group settings and yield the same result. ^[8]

See also[link]

• Art of memory
• List of mnemonics
• List of visual mnemonics
• Memorization
• Memory sport
• Method of loci
• Mnemonic dominic system
• Mnemonic goroawase system
• Mnemonic link system
• Mnemonic major system
• Rhyme

References[link]

External links[link]

• Memory Improvement at the Open Directory Project

Henry Rollins
Rollins performing in 2006
Born	Henry Lawrence Garfield (1961-02-13) February 13, 1961 (age 51) Washington, D.C., U.S.
Nationality	American
Occupation	Spoken word artist
Years active	1980–present
Known for	Musician, Spoken word artist
Website
21361.com

Henry Rollins (born 13 February 1961) is an American spoken word artist, writer, journalist, publisher, actor, comedian, radio DJ, activist and formerly singer-songwriter.

After performing for the short-lived Washington D.C.-based band State of Alert in 1980, Rollins fronted the California hardcore punk band Black Flag from August 1981 until mid-1986. Following the band's breakup, Rollins established the record label and publishing company 2.13.61 to release his spoken word albums, as well as forming the Rollins Band, which toured with a number of lineups from 1987 until 2003, and during 2006.

Since Black Flag disbanded, Rollins has hosted numerous radio shows, such as Harmony in My Head on Indie 103, and television shows such as The Henry Rollins Show, MTV's 120 Minutes, and Jackass. He had a recurring dramatic role in the second season of Sons of Anarchy and has also had roles in several films. Rollins has also campaigned for various political causes in the United States, including promoting LGBT rights, World Hunger Relief, and an end to war in particular, and tours overseas with the United Service Organizations to entertain American troops.^[1]

Rollins stated in a 1998 interview with NY Rock, "I don't want a wife and I don't want kids. I'm 36 and if I met a woman of my own age and married her, I'd also be marrying her former life, her past."^[2] Rollins dated fellow KCRW-DJ Liza Richardson.^[3] Rollins has been close friends with musician Ian MacKaye since childhood.^[4]

Early life[link]

Born Henry Lawrence Garfield in Washington, D.C., the only child of Iris, a federal employee in the health and education sectors, and Paul J. Garfield, from Milwaukee, Wisconsin, who was a World War II veteran and Economist with a "Ph.D. in economics".^[5][6] When he was two years old, his parents divorced and he was raised by his mother in the affluent Glover Park neighborhood of the city.^[7][8]

As a child and teenager, Rollins suffered from depression and low self-esteem.^[9] In the fourth grade, he was diagnosed with hyperactivity and took Ritalin for several years so that he could focus during school. His mother taught him how to read before he was enrolled in kindergarten;^[10] however, due to "bad grades, bad attitude, poor conduct," he was soon enrolled at The Bullis School, then an all-male preparatory school in Potomac, Maryland.

According to Rollins, the Bullis School helped him to develop a sense of discipline and a strong work ethic.^[9] It was at Bullis that he began writing; his early literary efforts were mainly short stories about "blowing up my school and murdering all the teachers."^[10]; "it was a very rough upbringing in a lot of other ways. I accumulated a lot of rage by the time I was seventeen or eighteen." He has also mentioned that a "Ramones" concert helped shape his thoughts on music into becoming the musician he is today.

Music career[link]

State of Alert[link]

After high school, Rollins attended American University in Washington D.C. for one semester, but dropped out in December 1979.^[11] He began working minimum-wage jobs, including a job as a courier for liver samples at the National Institutes of Health.^[12] Rollins got into punk rock after he and his friend Ian MacKaye procured a copy of The Ramones's eponymous debut album; he later described it as a "revelation." From 1979 to 1980, Rollins was working as a roadie for Washington bands, including Teen Idles. When the band's singer Nathan Strejcek failed to appear for practice sessions, Rollins convinced the Teen Idles to let him sing. Word of Rollins's ability spread around the punk rock scene in Washington; Bad Brains singer H.R. would sometimes get Rollins on stage to sing with him.^[13]

In 1980, the Washington punk band The Extorts lost their frontman Lyle Preslar to Minor Threat. Rollins joined the rest of the band to form State of Alert, and became its frontman and vocalist. He put words to the band's five songs and wrote several more. S.O.A. recorded their sole EP, No Policy, and released it in 1981 on MacKaye's Dischord Records.^[14] S.O.A. disbanded after a total of a dozen concerts and one EP. Rollins had enjoyed being the band's frontman, and had earned a reputation for fighting in shows. He later said: "I was like nineteen and a young man all full of steam [...] Loved to get in the dust-ups." By this time, Rollins had become the manager of the Georgetown Häagen-Dazs ice cream store; his steady employment had helped to finance the S.O.A. EP.^[15]

Black Flag[link]

In 1980, a friend gave Rollins and MacKaye a copy of Black Flag's Nervous Breakdown EP. Rollins soon became a fan of the band, exchanging letters with bassist Chuck Dukowski and later inviting the band to stay in his parents' home when Black Flag toured the East Coast in December 1980.^[16] When Black Flag returned to the East Coast in 1981, Rollins attended as many of their concerts as he could. At an impromptu show in a New York bar, Black Flag's vocalist Dez Cadena allowed Rollins to sing "Clocked In", as Rollins had a five-hour drive back to Washington, D.C., to return to work after the performance.^[17]

Unbeknownst to Rollins, Cadena wanted to switch to guitar, and the band was looking for a new vocalist.^[17] The band was impressed with Rollins' singing and stage demeanor, and the next day, after a semi-formal audition at Tu Casa Studio in NYC, they asked him to become their permanent vocalist. Despite some doubts, he accepted, in part because of MacKaye's encouragement. His high level of energy and intense personality suited the band's style, but Rollins' diverse tastes in music were a key factor in his being selected as singer; Black Flag's founder Greg Ginn was growing restless creatively and wanted a singer who was willing to move beyond simple, three-chord punk.^[18]

After joining Black Flag in 1981, Rollins quit his job at Häagen-Dazs, sold his car, and moved to Los Angeles, California. Upon arriving in Los Angeles, Rollins got the Black Flag logo tattooed on his left biceps^[12] and changed his surname from Garfield to Rollins, a surname he and MacKaye had used as teenagers.^[18] Rollins was in a different environment in Los Angeles; the police soon realized he was a member of Black Flag, and he was hassled as a result. Rollins later said: "That really scared me. It freaked me out that an adult would do that. [...] My little eyes were opened big time."^[19]

Before concerts, as the rest of the band tuned up, Rollins would stride about the stage dressed only in a pair of black shorts, grinding his teeth; to focus before the show, he would squeeze a pool ball.^[20] His stage persona impressed several critics; after a 1982 show in Anacortes, Washington, Sub Pop critic Calvin Johnson wrote: "Henry was incredible. Pacing back and forth, lunging, lurching, growling; it was all real, the most intense emotional experiences I have ever seen."^[21]

By 1983, Rollins' stage persona was increasingly alienating him from the rest of Black Flag. During a show in England, Rollins assaulted a member of the audience; Ginn later scolded Rollins, calling him a "macho asshole."^[22] A legal dispute with Unicorn Records held up further Black Flag releases until 1984, and Ginn was slowing the band's tempo down so that they would remain innovative. In August 1983, guitarist Dez Cadena had left the band; a stalemate lingered between Dukowski and Ginn, who wanted Dukowski to leave, before Ginn fired Dukowski outright.^[23] 1984's heavy metal music-influenced My War featured Rollins screaming and wailing throughout many of the songs; the band's members also grew their hair to confuse the band's hardcore punk audience.^[24]

Black Flag's change in musical style and appearance alienated many of their original fans, who focused their displeasure on Rollins by punching him in the mouth, stabbing him with pens, or scratching him with their nails, among other methods. He often fought back, dragging audience members on stage and assaulting them. Rollins became increasingly alienated from the audience; in his tour diary, Rollins wrote "When they spit at me, when they grab at me, they aren't hurting me. When I push out and mangle the flesh of another, it's falling so short of what I really want to do to them."^[25] During the Unicorn legal dispute, Rollins had started a weight-lifting program, and by their 1984 tours, he had become visibly well-built; journalist Michael Azerrad later commented that "his powerful physique was a metaphor for the impregnable emotional shield he was developing around himself."^[24] Rollins has since replied that "no, the training was just basically a way to push myself."^[26]

Rollins Band and solo releases[link]

Rollins performing with the Rollins Band in 1993

Before Black Flag disbanded in August 1986, Rollins had already toured as a solo spoken word artist.^[27] He released two solo records in 1987, Hot Animal Machine, a collaboration with guitarist Chris Haskett, and Drive by Shooting, recorded as "Henrietta Collins and the Wifebeating Childhaters";^[28] Rollins also released his second spoken word album, Big Ugly Mouth in the same year. Along with Haskett, Rollins soon added Andrew Weiss and Sim Cain, both former members of Ginn's side-project Gone, and called the new group Rollins Band. The band toured relentlessly,^[29] and their 1987 debut album, Life Time, was quickly followed by the outtakes and live collection Do It. The band continued to tour throughout 1988; 1989 marked the release of another Rollins Band album, Hard Volume.^[30] Another live album, Turned On, and another spoken word release, Live at McCabe's, followed in 1990.

Rollins and Weiss released Fast Food For Thought, an EP by their one-off side project Wartime in 1990. It was sonically in many ways more reminiscent of Weiss's work with Ween than the Rollins Band. The music, while heavy and driving, had a distinctly psychedelic bent, culminating in the final track, a cover of "Franklin's Tower" by The Grateful Dead. Early pressings were simply credited to "Wartime" while later releases added the phrase "featuring Henry Rollins" to the cover.

1991 saw the Rollins Band sign a distribution deal with Imago Records and appear at the Lollapalooza festival; both improved the band's presence. However, in December 1991, Rollins and his best friend Joe Cole were accosted by two armed robbers outside Rollins's home. Cole was murdered by a gunshot to the head, Rollins escaped without injury but police initially suspected him in the murder and detained him for ten hours.^[31] Although traumatized by Cole's death, as chronicled in his book Now Watch Him Die, Rollins continued to release new material; the spoken-word album Human Butt appeared in 1992 on his own record label, 2.13.61. The Rollins Band released The End of Silence, Rollins's first charting album.^[30]

The following year, Rollins released a spoken-word double album, The Boxed Life.^[32] The Rollins Band embarked upon the End of Silence tour; bassist Weiss was fired towards its end and replaced by funk and jazz bassist Melvin Gibbs. According to critic Steve Huey, 1994 was Rollins's "breakout year".^[30] The Rollins Band appeared at Woodstock 94 and released Weight, which ranked on the Billboard Top 40. Rollins released Get in the Van: On the Road with Black Flag, a double-disc set of him reading from his Black Flag tour diary of the same name; he won the Grammy for Best Spoken Word Recording as a result. Rollins was named 1994's "Man of the Year" by the American men's magazine Details and became a contributing columnist to the magazine. With the increased exposure, Rollins made several appearances on American music channels MTV and VH1 around this time, and made his Hollywood film debut in 1994 in The Chase playing a police officer.^[33]

In 1995, the Rollins Band's record label, Imago Records, declared itself bankrupt. Rollins began focusing on his spoken word career. He released Everything, a recording of a chapter of his book Eye Scream with free jazz backing, in 1996. He continued to appear in various films, including Heat, Johnny Mnemonic and Lost Highway. The Rollins Band signed to Dreamworks Records in 1997 and soon released Come in and Burn, but it did not receive as much critical acclaim as their previous material. Rollins continued to release spoken-word book readings, releasing Black Coffee Blues in the same year. In 1998, Rollins released Think Tank, his first set of non-book-related spoken material in five years.

By 1998, Rollins felt that the relationship with his backing band had run its course, and the line-up disbanded. He had produced a Los Angeles hard rock band called Mother Superior, and invited them to form a new incarnation of the Rollins Band. Their first album, Get Some Go Again, was released two years later. The Rollins Band released several more albums, including 2001's Nice and 2003's Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three. After 2003, the band became inactive as Rollins focused on radio and television work. During a 2006 appearance on Tom Green Live!, Rollins stated that he "may never do music again"^[34] a feeling which he reiterated in 2011 when talking to Trebuchet magazine.^[35] In an interview with Culture Brats, Henry admitted he had sworn off music for good - "... and I must say that I miss it every day. I just don't know honestly what I could do with it that's different." ^[36]

Musical style[link]

As a vocalist, Rollins has adopted a number of styles through the years. Rollins was initially noted in the Washington, D.C. hardcore scene for what journalist Michael Azerrad described as a "compelling, raspy howl".^[13] With State of Alert, Rollins "spat out the lyrics like a bellicose auctioneer".^[15] He adopted a similar style after joining Black Flag in 1981. By their album Damaged however, Black Flag began to incorporate a swing beat into their style; Rollins then abandoned his S.O.A. "bark" and adopted the band's swing.^[37] Rollins later explained: "What I was doing kind of matched the vibe of the music. The music was intense and, well, I was as intense as you needed."^[38]

In both incarnations of the Rollins Band, Rollins combined spoken word with his traditional vocal style in songs such as "Liar" (the song begins with a one minute spoken diatribe by Rollins), as well as barking his way through songs (such as "Tearing" and "Starve") and employing the loud-quiet dynamic. Rolling Stone's Anthony DeCurtis names Rollins a "screeching hate machine" and his "hallmark" as "the sheets-of-sound assault".^[39]

With the Rollins Band, his lyrics focused "almost exclusively on issues relating to personal integrity," according to critic Geoffrey Welchman.^[40]

As producer[link]

In the 1980s, Henry Rollins produced an album of acoustic songs for the convicted murderer Charles Manson titled Completion. The record was supposed to be released by SST Records, but the project was later canceled due to the label receiving death threats for working with Manson. Only five test presses of Completion were pressed, two of which remain in Rollins' possession.^[41]

Media work[link]

Television[link]

As Rollins rose to prominence with the Rollins Band, he began to present and appear on television. These included Alternative Nation and MTV Sports in 1993 and 1994 respectively. 1995 saw Rollins appear on an episode of Unsolved Mysteries that explored the murder of his best friend Joe Cole^[42] and present State of the Union Undressed on Comedy Central. Rollins began to present and narrate VH1 Legends in 1996.^[43] Rollins, busy with the Rollins Band, did not present more programs until 2001, but made appearances on a number of other television shows, including Welcome to Paradox in 1998 in the episode "All Our Sins Forgotten", as a therapist that develops a device that can erase the bad memories of his patients. Rollins also voiced Mad Stan in Batman Beyond in 1999 and 2000.^[44][45] He also did the voice in Apple's 1999 G4 Cube Ad with Jimi Hendrix's "Purple Haze" playing as the theme song.

Rollins was a host of film review programme Henry's Film Corner on the Independent Film Channel, before presenting the weekly The Henry Rollins Show on the channel. The Henry Rollins Show is now being shown weekly on Film24 along with Henry Rollins Uncut. The show also lead to a promotional tour in Europe that led to Henry being dubbed a “bad boy goodwill ambassador” by a NY reviewer.^[46]

2002 saw Rollins guest star on an episode of the sitcom The Drew Carey Show as a man whom Oswald would find on eBay and pay to come to his house and kick his ass. He co-hosted the British television show Full Metal Challenge, in which teams built vehicles to compete in various driving and racing contests, from 2002–2003 on Channel 4 and TLC. He has made a number of cameo appearances in television series such as MTV's Jackass and an episode of Californication, where he played himself hosting a radio show.^[47] In 2006, Rollins appeared in a documentary series by VH1 and The Sundance Channel called The Drug Years.^[48]

Rollins appears in FX's Sons of Anarchy's second season, which premiered in the fall of 2009 in the United States. Rollins plays A.J. Weston, a white-supremacist gang leader and new antagonist in the show's fictional town of Charming, California, who poses a deadly threat to the Sons of Anarchy Motorcycle Club.^[49]

Rollins was a voice actor in the animated Batman Beyond: Return of the Joker and voiced Robotman (Cliff Steele)^[50] in two episodes of Batman: The Brave and the Bold.

Rollins was also interviewed in the National Geographic series Explorer "Born To Rage". He was interviewed regarding his possible link to the MAO gene (Warrior gene) and violent behavior.^[51]

Rollins has done voice over work for Verizon Wireless and Infiniti luxury automobiles (2011).^[52]

Radio[link]

On May 19, 2004, Rollins began hosting a weekly radio show, Harmony in My Head, on Indie 103.1 radio in Los Angeles. The show aired every Monday evening, with Rollins playing music ranging from early rock and jump blues to hard rock, blues rock, folk rock, punk rock, heavy metal and rockabilly, and touching on hip hop, jazz, world music, reggae, classical music and more. Harmony In My Head often emphasizes B-sides, live bootlegs and other rarities, and nearly every episode has featured a song either by the Beastie Boys or British group The Fall.

Rollins put the show on a short hiatus to undertake a spoken-word tour in early 2005. Rollins posted playlists and commentary on-line; these lists were expanded with more information and published in book form as Fanatic! through 2.13.61 in November 2005. In late 2005, Rollins announced the show's return and began the first episode by playing the show's namesake Buzzcocks song. As of 2008, the show continues each week despite Rollins's constant touring with new pre-recorded shows between live broadcasts. In 2009 Indie 103.1 went off the air, although it continues to broadcast over the Internet.

In 2007 Rollins published Fanatic! Vol. 2 through 2.13.61. Fanatic! Vol. 3 was released in the fall of 2008.

On February 18, 2009, KCRW announced that Rollins would be hosting a live show on Saturday nights starting March 7, 2009.^[53]

In 2011 Rollins was interviewed on Episode 121 of American Public Media's podcast, "The Dinner Party Download", posted on November 3, 2011.

Film[link]

Rollins began his film career appearing in several independent films featuring the band Black Flag. His film debut was in 1982's The Slog Movie, about the West Coast punk scene.^[54] An appearance in 1985's Black Flag Live followed. Rollins' first film appearance without Black Flag was the short film The Right Side of My Brain with Lydia Lunch in 1985.^[55] Following the band's breakup, Rollins did not appear in any films until 1994's The Chase. Rollins appeared in the 2007 direct-to-DVD sequel to Wrong Turn (2003), Wrong Turn 2: Dead End as a retired Marine Corps officer who hosts his own show which tests the contestants' will to survive. Rollins has also appeared in Punk: Attitude, a documentary on the punk scene, and in American Hardcore (2006).

Some feature length movies Henry Rollins has appeared in include:

• Kiss Napoleon Goodbye (1990), with Lydia Lunch and Don Bajema.
• The Chase (1994), with Charlie Sheen.
• Johnny Mnemonic (1995), with Keanu Reeves, Ice T and Dolph Lundgren.
• Heat (1995), with Al Pacino, Robert De Niro and Val Kilmer.
• Lost Highway (1997), with Bill Pullman and Patricia Arquette. Directed by David Lynch.
• Jack Frost (1998), with Michael Keaton.
• Batman Beyond: Return of the Joker (2000), with Kevin Conroy and Mark Hamill
• Morgan's Ferry (2001), with Billy Zane and Kelly McGillis.
• Dogtown and Z-Boys (2001 documentary)
• Scenes of the Crime (2001), with Jeff Bridges.
• The New Guy (2002), with Tommy Lee and DJ Qualls.
• Jackass The Movie (2002) with Johnny Knoxville and Bam Margera.
• Jackass Number Two (2006) with Preston Lacy, Steve-O, and Chris Pontius.
• Bad Boys 2 (2003), with Will Smith and Martin Lawrence.
• Feast (2005), with Balthazar Getty and Navi Rawat.
• The Alibi (2006)
• Wrong Turn 2: Dead End (2007)
• The Devil's Tomb (2009)
• H for Hunger (2009 documentary)
• William Shatner's Gonzo Ballet (2009 documentary)
• Green Lantern: Emerald Knights (2011) as Kilowog

Books and Audiobooks[link]

Rollins has written a series of books based on his travel journals referred to as the Black Coffee Blues trilogy. They include the namesake book, Black Coffee Blues, Do I Come Here Often?, The First Five and Smile, You're Traveling. Others include See a Grown Man Cry, Now Watch Him Die, Get in the Van, Eye Scream, Broken Summers, Roomanitarian, and Solipsist.

For the audiobook version of the 2006 novel World War Z Rollins voiced the character of T. Sean Collins, a mercenary hired to protect celebrities during a mass panic caused by an onslaught of the undead. Rollins' other audiobook recordings include 3:10 to Yuma and his own autobiographical book Get in the Van, for which he won a Grammy Award.

Online Journalism[link]

In September 2008 Rollins began contributing to the "Politics & Power" blog at the online version of Vanity Fair magazine.^[56] Since March 2009 his posts have appeared under their own sub-title, Straight Talk Espresso.^[57] His posts consistently direct harsh criticism at conservative politicians and pundits, although he does occasionally target the left wing as well. In August 2010 he began writing a music column for the LA Weekly, an alternative newspaper in Los Angeles.^[58]

Spoken Word[link]

Rollins also has toured doing spoken word performances which range from stand up comedy to more introspective commentaries on his childhood, such as the death of his friend, Joe Cole. He also speaks about experiences he's had with eccentric people. Rollins' spoken word style varies greatly, ranging from intense commentaries on society to playful, sometimes vulgar, anecdotes.

Campaigning and activism[link]

Rollins signing an autograph while on a United Service Organizations tour in Iraq in 2006.

Rollins has become an outspoken human rights activist, most vocally for gay rights. Rollins frequently speaks out on social justice on his spoken word tours and promotes equality, regardless of sexuality.^[59] He was the host of the WedRock benefit concert, which raised money for a pro-gay-marriage organization.

During the 2003 Iraq War, he started touring with the United Service Organizations to entertain troops overseas while remaining against the war, leading him to once cause a stir at a base in Kyrgyzstan when he told the crowd: "Your commander would never lie to you. That's the vice president's job."^[60] Rollins believes it is important that he performs to the troops so that they have multiple points of contact with the rest of the world, stating that, "they can get really cut loose from planet earth".^[61] He has made 8 tours, including visits to bases in Kuwait, Iraq, Kyrgyzstan, Afghanistan (twice), Egypt, Turkey, Qatar, Honduras, Japan, Korea and the United Arab Emirates.^[62] He has also been active in the campaign to free the "West Memphis Three"—three young men believed by their supporters to have been wrongfully convicted of murder. Rollins appears with Public Enemy frontman Chuck D on the Black Flag song "Rise Above" on the benefit album Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three, the first time Rollins had performed Black Flag's material since 1986.^[63]

Continuing his activism on behalf of troops and veterans, Rollins joined Iraq and Afghanistan Veterans of America (IAVA) in 2008 to launch a groundbreaking national public service advertisement campaign, CommunityofVeterans.org, which helps veterans coming home from war reintegrate into their communities. In April 2009, Rollins helped IAVA launch the second phase of the campaign which engages the friends and family of Iraq and Afghanistan veterans at SupportYourVet.org.

On December 3, 2009, Rollins wrote of his support for the victims of the Bhopal disaster in India, in an article for Vanity Fair^[64] 25 years – to the day – after the methyl isocyanate gas leak from the Union Carbide Corporation's pesticide factory exposed more than half a million local people to poisonous gas and resulted in the death of 17,000. He spent time in Bhopal with the people, to listen to their stories. In a later radio interview in February 2010^[65] Rollins summed-up his approach to activism, "This is where my anger takes me, to places like this, not into abuse but into proactive, clean movement".^[66]

Works[link]

Work with State of Alert[link]

• No Policy (1981)
• three songs on the sampler Flex Your Head (1982)

Work with Black Flag[link]

• Damaged (1981)
• My War (1984)
• Family Man (1984)
• Slip It In (1984)
• Loose Nut (1985)
• In My Head (1985)

Studio albums (Solo)[link]

• Hot Animal Machine (1987)
• Drive by Shooting (1987)

Studio albums with Rollins Band[link]

• Life Time (1987, re-release 1999)
• Do It (1987)
• Hard Volume (1989, re-release 1999)
• The End of Silence (1992, double-CD re-release 2002)
• Weight (1994)
• Come In and Burn (1997)
• Get Some Go Again (2000)
• Nice (2001)
• Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three (2002)

Spoken word[link]

• Short Walk on a Long Pier (1985)
• Big Ugly Mouth (1987)
• Sweatbox (1989)
• Live at McCabe's (1990)
• Human Butt (1992)
• The Boxed Life (1993)
• Think Tank (1998)
• Eric the Pilot (1999)
• A Rollins in the Wry (2001)
• Live at the Westbeth Theater (2001)
• Talk Is Cheap: Volume 1 (2003)
• Talk Is Cheap: Volume 2 (2003)
• Talk Is Cheap: Volume 3 (2004)
• Talk Is Cheap: Volume 4 (2004)
• Provoked (2008)
• Spoken Word Guy (2010)
• Spoken Word Guy 2 (2010)
• The Long March (2012)

Spoken word documentaries[link]

• Talking from the Box (1993)
• Henry Rollins Goes to London (1995)
• You Saw Me Up There (1998)
• Up for It (2001)
• Live at Luna Park (2004)
• Shock & Awe: The Tour (2005)
• Uncut from NYC (2007)
• Uncut from Israel (2007)
• San Francisco 1990 (2007)
• Live in the Conversation Pit (2008)

Audio books[link]

• Get in the Van: On the Road with Black Flag (1994)
• Everything (1996)
• Black Coffee Blues (1997)
• Nights Behind the Tree Line (2004)

Essays[link]

• Iron and the Soul, First published in Details magazine, 1994.^{[citation needed]}
• As We See It, an editorial essay in Stereophile magazine.^[67]

Guest appearances and collaborations[link]

In 1993, Rollins appeared on the Tool album, Undertow where he and Tool front man, Maynard James Keenan, performed the vocals in the song "Bottom". Rollins appeared on the 1996 studio album Les Claypool and the Holy Mackerel Presents Highball with the Devil, narrating "Delicate Tendrils". He also appears on Black Sabbath guitarist Tony Iommi's solo record Iommi which was released in 2000.

Rollins appeared as Vanilla Ice in the 1991 music video "Pop Goes the Weasel" by hip-hop trio 3rd Bass; and as Duke in the 2009 music video "The Ballad of G.I. Joe" on the website Funny or Die. He also appeared in the 2010 music video "Haifisch" by German industrial metal band Rammstein.

Rollins has made several voice acting performances in video games including the main character Mace Griffin in Mace Griffin: Bounty Hunter and as himself in Def Jam: Fight for NY.

References[link]

Further reading[link]

• Azerrad, Michael. Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991. Little Brown and Company, 2001. ISBN 0-316-78753-1

External links[link]

Wikiquote has a collection of quotations related to: Henry Rollins

• Official website
• Interview with Henry Rollins on PMAKid.com
• Straight Talk Espresso, Rollins's blog at VanityFair.com
• Henry Rollins at the Internet Movie Database
• IFC Site for The Henry Rollins Show
• Henry Rollins: 9 Questions with the Legendary Frontman about the Mainstream Media, So-called Class Warfare and the Political Necessities facing the 99% Movement, Dan O'Mahony, "Point Nine Nine", November 7, 2011

Keanu Reeves
Reeves at The Lake House London premiere, September 2006
Born	Keanu Charles Reeves (1964-09-02) September 2, 1964 (age 47) Beirut, Lebanon
Nationality	Canadian
Occupation	Actor
Years active	1985–present
Parents	Patricia Bond Samuel Nowlin Reeves, Jr.

Keanu Charles Reeves ( /keɪˈɑːnuː/ kay-AH-noo; born September 2, 1964) is a Canadian film actor. Reeves is perhaps best known for his role in Bill & Ted's Excellent Adventure as well as Speed, Point Break and the science fiction-action trilogy The Matrix. He has worked under major directors, such as Stephen Frears (in the 1988 period drama Dangerous Liaisons); Gus Van Sant (in the 1991 independent film My Own Private Idaho); and Bernardo Bertolucci (in the 1993 film Little Buddha). Referring to his 1991 film releases, The New York Times’ critic, Janet Maslin, praised Reeves’ versatility, saying that he “displays considerable discipline and range. He moves easily between the buttoned-down demeanor that suits a police procedural story and the loose-jointed manner of his comic roles.”^[1] A repeated theme in roles he has portrayed is that of saving the world, including the characters of Ted Logan, Buddha, Neo, Johnny Mnemonic, John Constantine and Klaatu.

In addition to his film roles, Reeves has also performed in theatre. His performance in the title role in a Manitoba Theatre Centre production of Hamlet was praised by Roger Lewis, the Sunday Times, who declared Reeves " … one of the top three Hamlets I have seen, for a simple reason: he is Hamlet."^{[citation needed]} On January 31, 2005, Reeves received a star on the Hollywood Walk of Fame.

Early life[link]

Reeves was born in Beirut, Lebanon, the son of Patricia Bond (née Taylor), a costume designer/performer, and Samuel Nowlin Reeves, Jr., a geologist. His mother was English and his father was a Hawaiian-born American of English, Irish, Portuguese, Hawaiian, and Chinese descent.^[2][3][4] Reeves's mother was working in Beirut when she met his father. Reeves' father worked as an unskilled laborer and earned his GED while imprisoned in Hawaii for selling heroin at Hilo International Airport.^[5] He abandoned his wife and family when Reeves was three years old, and Reeves does not currently have any relationship with him.^[5]

Reeves moved around the world frequently as a child and he lived with various stepfathers. After his parents divorced in 1966, his mother became a costume designer and moved the family to Sydney, Australia^[6] and then to New York City. There she met and married Paul Aaron, a Broadway and Hollywood director. The couple moved to Toronto; they divorced in 1971. Reeves' mother married Robert Miller, a rock promoter, in 1976; the couple divorced in 1980. She subsequently married her fourth husband, Jack Bond, a hairdresser, a marriage that broke up in 1994. Grandparents and nannies babysat Reeves and his sisters, and Reeves grew up primarily in Toronto. Within a span of five years, he attended four different high schools, including the Etobicoke School of the Arts, from which he was later expelled. Reeves stated he was expelled "I was just a little too rambunctious and shot my mouth off once too often. I was not generally the most well-oiled machine in the school." ^[7]

Reeves excelled more in hockey than in academics, as his educational development was challenged by dyslexia. He was a successful goalie at one of his high schools (De La Salle College "Oaklands"). While Reeves dreamed of becoming an Olympic hockey player for Canada, an injury ended his hopes for a hockey career. After leaving De La Salle College, he attended an anarchistic free school (Avondale Alternative), which allowed him to obtain an education while working as an actor; he later dropped out, never obtaining his high school diploma.^{[citation needed]}

In January 2011, on the BBC program The One Show, he spoke of his English ancestry, via his mother, mentioning his happy watching of The Two Ronnies comedy show amongst others when younger, and how his mother imparted English manners that he still has today.^{[citation needed]}

Career[link]

1980s[link]

Reeves began his acting career at the age of nine, appearing in a theatre production of Damn Yankees. At 15, he played Mercutio in a stage production of Romeo and Juliet at the Leah Posluns Theatre. Reeves made his screen acting debut in a CBC Television comedy series entitled Hangin' In. Throughout the early 1980s, he appeared in commercials (including one for Coca-Cola), short films including the NFB drama One Step Away^[8] and stage work such as Brad Fraser's cult hit Wolfboy in Toronto. In 1984, he was a correspondent for the Canadian Broadcasting Corporation TV youth program Going Great.^[9]

Reeves' first studio movie appearance was in the Rob Lowe ice hockey film Youngblood, in which he played a Québécois goalie. Shortly after the movie's release, Reeves drove to Los Angeles in his 1969 Volvo. His ex-stepfather Paul Aaron, a stage and television director, had convinced Erwin Stoff to be Reeves' manager and agent before he even arrived in Los Angeles. Stoff has remained Reeves' manager, and has co-produced many of his films. After a few minor roles, Reeves received a more sizable role in the 1986 drama film River's Edge, which depicted how a murder affected a group of teens. Following this film's critical success, he spent the late 1980s appearing in a number of movies aimed at teenage audiences, including Permanent Record, and the unexpectedly successful 1989 comedy, Bill & Ted's Excellent Adventure, which, along with its 1991 sequel, Bill & Ted's Bogus Journey, typecast Reeves as a spaced-out teen. Much of his portrayal in the press and much of the response to his acting in the early 1990s still mentioned his portrayal of the airheaded Ted.

1990s[link]

Reeves' interacting with the press at the Berlin Film Festival

During the early 1990s, Reeves started to break out of his teen-film period. He appeared in high-budget action films like Point Break, for which he won MTV's "Most Desirable Male" award in 1992. He was also involved in various lower-budget independent films, including the well-received 1991 film, My Own Private Idaho with his close friend, the late River Phoenix. In 1994, Reeves' career reached a new high as a result of his starring role in the action film Speed. His casting in the film was controversial since, except for Point Break, he was primarily known for comedies and indie dramas. He had never been the sole headliner on a film. The summer action film had a fairly large budget and was helmed by novice cinematographer-turned-director Jan de Bont. The unexpected international success of the film made Reeves and co-star Sandra Bullock into A-List stars.

Reeves' career choices after Speed were eclectic: despite his successes, Reeves continued to accept supporting roles and appear in experimental films. He scored a hit with a romantic lead role in A Walk in the Clouds. He made news by refusing to take part in Speed 2: Cruise Control and choosing to play the title role in a 1995 Manitoba Theatre Centre production of Hamlet in Winnipeg, Manitoba.^[10] Roger Lewis, the Sunday Times critic, wrote, "He quite embodied the innocence, the splendid fury, the animal grace of the leaps and bounds, the emotional violence, that form the Prince of Denmark... He is one of the top three Hamlets I have seen, for a simple reason: he is Hamlet."^[11]

Reeves promoting The Day the Earth Stood Still in Mexico in 2008.

Reeves' other choices after A Walk in the Clouds, however, failed with critics and audiences. Big-budget films such as the sci-fi action film Johnny Mnemonic and the action-thriller Chain Reaction were critically panned and failed at the box office, while indie films like Feeling Minnesota were also critical failures. Reeves started to climb out of his career low after starring in the horror/drama The Devil's Advocate alongside Al Pacino and Charlize Theron. Reeves deferred his salary for The Devil's Advocate so that Pacino would be cast, as he would do later for the less successful The Replacements, guaranteeing the casting of Gene Hackman. The Devil's Advocate did well at the box office, received good reviews, and proved that Reeves could play a grown-up with a career, although many critics felt that his poor performance detracted from an otherwise enjoyable movie. The 1999 science fiction-action hit The Matrix, a film in which Reeves had a starring role, was a box office success and attracted positive reviews.^{[citation needed]}

2000s[link]

In between the first Matrix film and its sequels, Reeves received positive reviews for his portrayal of an abusive husband in The Gift. Aside from The Gift, Reeves appeared in several films that received mostly negative reviews and unimpressive box office grosses, including The Watcher, Sweet November and The Replacements. However, the two Matrix sequels, The Matrix Reloaded and The Matrix Revolutions, Something's Gotta Give, and the 2005 horror-action film, Constantine, proved to be box office successes and brought Reeves back into the public spotlight.

His appearance in the 2006 film, A Scanner Darkly, based on the dystopian science fiction novel by Philip K. Dick, received favorable reviews, but The Lake House, his romantic outing with Sandra Bullock, did not do well at the box office. He went on to play the lead character in two 2008 films, Street Kings and The Day the Earth Stood Still. In February 2009 The Private Life of Pippa Lee was presented at Berlinale.^{[citation needed]}

2010s[link]

Reeves started filming the surrealist romantic comedy Henry's Crime in December 2009, with filming wrapped up in early 2010. After this he started working as producer and star on the science-fiction space drama Passengers, written by Jon Spaihts.^[12]

In January 2009, it was revealed that Reeves will star in the live-action film adaptation of the anime series Cowboy Bebop,^[13][14] slated for release in 2011. Other upcoming projects include the samurai film 47 Ronin, Chef – story by Reeves and written by Steven Knight, and a modern retelling of the Robert Louis Stevenson classic Strange Case of Dr Jekyll and Mr Hyde, scripted by Justin Haythe and titled Jekyll. Nicolas Winding Refn was in negotiations to direct but was eventually replaced by Dennis Iliadis and produced by Universal Pictures.^[15]

In April 2011, Reeves confirmed that a third installment of the Bill & Ted movie series was underway.^[16]

Personal life and other interests[link]

Reeves' star on the Hollywood Walk of Fame

For nearly a decade following his initial rise to stardom, Reeves preferred to live in rental houses and hotels. He was a long-term resident of the Chateau Marmont. Reeves bought his first house in the Hollywood Hills of Los Angeles around 2003. He also has an apartment on Central Park West in New York City.^{[citation needed]}

He is a U.S. citizen through his American father, and also holds Canadian citizenship by naturalization; he grew up as a Canadian and identifies as such.^{[citation needed]} Due to April 2003 changes in the law, he is entitled to British citizenship through his English mother.

Reeves has never married.^[17] In December 1999, his girlfriend, Jennifer Syme, gave birth to a stillborn daughter, Ava Archer Syme-Reeves. Syme died in 2001, a sole driver involved in an automobile wreck, while partying in Los Angeles.^[18]

Reeves was sued unsuccessfully in 2008 in Los Angeles Superior Court for $711,974^[19] by paparazzo Alison Silva for allegedly hitting and injuring him with his Porsche after visiting a relative at a Los Angeles medical facility.^[20][21] The paparazzo's lawsuit took a year and a half to make it to trial, during which time Silva continued to attack Reeves and demand payment. At the trial, all 12 jurors rejected the suit needing only an hour of deliberation to reach their verdict. With the lawsuit rejected, Reeves was cleared of all the charges.^[22]

Reeves is an atheist. ^[23][24]

In 2010, photos of a sad-looking Keanu Reeves eating a sandwich while alone led to the spread of the "Keanu is Sad/Sad Keanu" Internet meme and the declaration of June 15 as "Unofficial Cheer-up Keanu Day" by a Facebook fanpage.^[25]

Music[link]

Reeves played bass guitar in the grunge band Dogstar during the 1990s. In the 2000s, he performed with the band Becky.

Filmography[link]

References[link]

Further reading[link]

• "Keanu Reeves Articles & Interviews Archive, 1987 – 2010". http://www.whoaisnotme.net/articles/articles.htm. Retrieved January 9, 2010. 
• Papp, Adrienne (April 18, 2008). "Tempest in Tibet". LA2DAY. http://la2day.com/talk/tempest_in_tibet. Retrieved May 13, 2008. 
• "Pondering the mysterious Keanu Reeves". CNN. November 5, 2003. Archived from the original on April 30, 2008. http://web.archive.org/web/20080430121543/http://www.cnn.com/2003/SHOWBIZ/Movies/11/05/sprj.caf03.film.keanureeves.ap/. Retrieved May 10, 2008. 
• "Seven magazine interview with Keanu Reeves". Seven magazine. http://www.se7enmagazine.org/film/film_27.htm. Retrieved May 10, 2008. 
• Bystedt, Karen Hardy (September 1988). The New Breed: Actors Coming of Age. Henry Holt and Company. ISBN 978-0-8050-0774-9. 
• Chin, Ong Song (May 15, 2003). "A Man of Many Faces". Straits Times (Singapore). 
• Fleming, Michael (April 2006). "Playboy Interview: Keanu Reeves". Playboy: 49–52, 140–141. 
• Howell, Peter (May 4, 2003). "Reeves Reloaded". Toronto Star. 
• Makela, Bob (August 5, 2000). "Keanu Reeves: All the right moves". USA Weekend. http://www.usaweekend.com/00_issues/000806/000806keanu.html. Retrieved May 10, 2008. ^{[dead link]}
• Roman, Shari (February 1, 1988). "Keanu Reeves – Hawaiian Punk". Details. 
• Shnayerson, Michael (August 1995). "The Wild One". Vanity Fair.