Atana is a raga (musical scale) in Carnatic music (South Indian classical music). It is a Janya raga (derived scale), whose Melakarta raga (parent, also known as janaka) is Shankarabharanam, 29th in the 72 Melakarta raga system.

It is considered to be a very catchy raga that gives a stage flavor for a musician when everything is going dull in a concert. It stimulates the audience by its qualities of Veeram (courage).^[1]

Structure and Lakshana[link]

Parent scale Shankarabharanam with Shadjam at C

Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

• ārohaṇa : S R2 M1 P N3 S
• avarohaṇa : S N3 D2 P M1 P G3 R2 S

The swaras used are chathusruthi rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham and kakali nishadham. Atana is a bhashanga raga (kind of raga where the arohana and avarohana are not strictly followed). That is, it has two annyaswaras (alien notes; foreign swaras).^[1] They are sadharana gandharam (G2) and kaisiki nishadham (N2).^[1]

Popular Compositions[link]

Here are some more compositions set to Atana.

Raja Rao (Kannada: ರಾಜ ರಾವ್) (November 8, 1908 – July 8, 2006) was an Indian writer of English language novels and short stories, whose works are deeply rooted in Hinduism. Raja Rao's semi-autobiographical novel, The Serpent and the Rope (1960), is a story of a search for spiritual truth in Europe and India. It established him as one of the finest Indian stylists and won him the Sahitya Akademi Award in 1964.^[1] For the entire body of his work, Rao was awarded the Neustadt International Prize for Literature in 1988.

Early life[link]

Raja Rao was born on November 8, 1908 in Hassan, in the state of Mysore (now Karnataka) in South India, into a well-known Brahmin (Hoysala Karnataka) family. He was the eldest of nine siblings - two brothers and seven sisters. His native language was Kannada, but his post-graduate education was in France, and all his publications in book form have been in English. His father taught Kannada at Nizam College in what was then Hyderabad State. The death of his mother, when he was four, left a lasting impression on the novelist - the absence of a mother and orphanhood are recurring themes in his work . Another influence from early life was his grandfather, with whom he stayed in Hassan and Harihalli.

Rao was educated at Muslim schools, the Madarsa-e-Aliya in Hyderabad and the Aligarh Muslim University, where he became friends with Ahmed Ali. He began learning French at the University. After matriculation in 1927, Rao returned to Hyderabad and studied for his degree at Nizam's College. After graduating from the University of Madras, having majored in English and history, he won the Asiatic Scholarship of the Government of Hyderabad in 1929, for study abroad.

Rao moved to the University of Montpellier in France. He studied French language and literature, and later at the Sorbonne in Paris, he explored the Indian influence on Irish literature. He married Camille Mouly, who taught French at Montpellier, in 1931. The marriage lasted until 1939. Later he depicted the breakdown of their marriage in The Serpent and the Rope. Rao published his first stories in French and English. During 1931-32 he contributed four articles written in Kannada for Jaya Karnataka, an influential journal.

Nationalist Novelist[link]

Returning to India in 1939, he edited with Iqbal Singh, Changing India, an anthology of modern Indian thought from Ram Mohan Roy to Jawaharlal Nehru. He participated in the Quit India Movement of 1942. In 1943-1944 he coedited with Ahmed Ali a journal from Bombay called Tomorrow. He was the prime mover in the formation of a cultural organization, Sri Vidya Samiti, devoted to reviving the values of ancient Indian civilization; this organization failed shortly after inception. In Bombay, he was also associated with Chetana, a cultural society for the propagation of Indian thought and values.

Rao's involvement in the nationalist movement is reflected in his first two books. The novel Kanthapura (1938) was an account of the impact of Gandhi's teaching on non-violent resistance against the British. The story is seen from the perspective of a small Mysore village in South India. Rao borrows the style and structure from Indian vernacular tales and folk-epic. Rao returned to the theme of Gandhism in the short story collection The Cow of the Barricades (1947). In 1998 he published Gandhi's biography Great Indian Way: A Life of Mahatma Gandhi. In 1988 he received the prestigious International Neustadt Prize for Literature. The Serpent and the Rope was written after a long silence during which Rao returned to India. The work dramatized the relationships between Indian and Western culture. The serpent in the title refers to illusion and the rope to reality.^[2] Cat and Shakespeare (1965) was a metaphysical comedy that answered philosophical questions posed in the earlier novels.

Later years[link]

Rao relocated to the United States and was Professor of Philosophy at the University of Texas at Austin from 1966 to 1983, when he retired as Emeritus Professor. Courses he taught included Marxism to Gandhism, Mahayana Buddhism, Indian philosophy: The Upanishads, Indian philosophy: The Metaphysical Basis of the Male and Female Principle.

In 1965, he married Katherine Jones, an American stage actress. They have one son, Christopher Rama. In 1986, after his divorce from Katherine, Rao married his third wife, Susan, whom he met when she was a student at the University of Texas in the 1970s.

Rao died on July 8, 2006 at Austin, Texas, at the age of 97.^{[3] [4] [5]}

Notes[link]

1. Nobel laureate Czesław Miłosz published his only poem in the English language for Raja Rao.
2. He was awarded the Sahitya Akademi award in 1964.
3. He was awarded India's third highest civilian award, Padma Bhushan in 1969.
4. A new novel, Daughter of the Mountain, is to be published in 2008.^{[dated info]}
5. In 2007, Raja Rao has been given the Padma Vibhushan India's second highest civilian award.

Bibliography[link]

Fiction

• Kanthapura, 1938 (reprint ISBN 0-8371-9573-X)
• The Cow of the Barricades, and Other Stories, 1947
• The Serpent and the Rope, 1960 (ISBN 0-87951-220-2; reprint ISBN 0-8371-8437-1)
• The Cat and Shakespeare : A Tale of India, 1965
• Comrade Kirilov, 1976
• The Policeman and the Rose: Stories, 1978
• The Chessmaster and His Moves, 1988 (ISBN 81-7094-021-4)
• On the Ganga Ghat, 1989 (ISBN 81-7094-050-8)
• The Best of Raja Rao, 1998 (ISBN 81-85586-81-0)

Non-Fiction

• Changing India: An Anthology (edited with Iqbal Singh), 1939
• Whither India? (edited with Iqbal Singh), 1948
• The Meaning of India essays, 1996 (ISBN 81-7094-257-8)
• The Great Indian Way: A Life of Mahatma Gandhi biography, 1998 (ISBN 81-7094-308-6)
• Tomorrow, co-edited with Ahmed Ali, Bombay, 1943-44.

Upcoming Work

• Daughter of the Mountain (Volume 2 of the Chessmaster trilogy) to be published in 2008.^{[dated info]}
• A Myrobalan in the Palm of Your Hand (Volume 3 of the Chessmaster trilogy).

Web References[link]

• Stefano Mercanti, 2009. The Rose and the Lotus. Partnership Studies in the Works of Raja Rao http://www.rodopi.nl/functions/search.asp?BookId=CC+122]

External links[link]

• Raja Rao Website, sponsored by the Raja Rao Publication Project at the University of Texas.
• (Kannada)"ನಮ್ಮ ಹಾಸನದ ರಾಜಾರಾಯರು" U R Ananthamurthy remembers Raja Rao.
• Civil Disobedience, Violence, and Colonial “Justice” in two Indian Novels - R C Sterne examines Raja Rao’s Kanthapura and Kamala Markandaya’s Some Inner Fury (1956).
• The Literary Encyclopedia's article on Raja Rao