RCA Corporation, founded as the Radio Corporation of America, was an American electronics company in existence from 1919 to 1986. The RCA trademark is currently owned by the French conglomerate Technicolor SA through RCA Trademark Management S.A., a company owned by Technicolor. The trademark is used by Sony Music Entertainment and Technicolor, which licenses the name to other companies like Audiovox and TCL Corporation for products descended from that common ancestor.^[2]

Origins[link]

Organization by General Electric[link]

In August 1914, the German Empire declared war on France and Belgium, the United Kingdom declared war on Germany, and the United Kingdom and France declared war on Austria-Hungary. This following the German and Austrian invasions of their neighbors, including Serbia and the Russian Empire, thus starting World War I. Radio traffic across the Atlantic Ocean increased dramatically after the western Allies cut the German transatlantic submarine communication cables (telegraph-only at that time, well before the first transatlantic telephone cable connected the United States with France in 1956.) Germany, Austria-Hungary, and their allies in Europe (the Central Powers) maintained contact with neutral countries in the Americas, such as the United States, Mexico, Brazil, Argentina, Chile, and Peru via long-distance radio communications, as well as via telegraph cables owned by neutral countries such as the Netherlands and Denmark.

In 1917 the U.S. Government took charge of the patents owned by the major companies involved in radio manufacture in the United States in order to devote radio technology to the war effort. All production of radio equipment was allocated to the U.S. Army, U.S. Navy, U.S. Marine Corps, and the U.S. Coast Guard. The War Department and the Navy Department sought to maintain a Federal monopoly of all uses of radio technology. However, the wartime takeover of all radio systems ended late in 1918, when the U.S. Congress failed to pass a bill which would have extended this monopoly; the War ended in November of that year.

The ending of the Federal Government's monopoly in radio communications did not prevent the War and Navy Departments from creating a national radio system for the United States.^[3] On 8 April 1919, naval Admiral W. H. G. Bullard and Captain Stanford C. Hooper met with executives of the General Electric Corporation (GE) and asked them to discontinue selling the company's Alexanderson alternators (used in the high-power AM radio transmitters of that era) to the British-owned Marconi Company, and to its subsidiary, the Marconi Wireless Telegraph Company of America.

The proposal presented by the government was that if GE created an American-owned radio company, then the Army and Navy would effect a monopoly of long-distance radio communications via this company. This marked the beginning of a series of negotiations through which GE would buy the American Marconi company and then incorporate what would be called the Radio Corporation of America.^[4]

Establishment[link]

The incorporation of the assets of Marconi Wireless Telegraph Company of America (including David Sarnoff,^[5]) the Pan-American Telegraph Company, and those already controlled by the United States Navy led to a new publicly held company formed by General Electric (which owned a controlling interest) on 17 October 1919.^[6] The following cooperation among RCA, General Electric, the United Fruit Company, the Westinghouse Electric Corporation, and American Telephone & Telegraph (AT&T) brought about innovations in high-power radio technology, and also the founding of the National Broadcasting Company (NBC) in the United States. The Army and the Navy granted to RCA the former American Marconi radio terminals that had been confiscated during the War. Admiral Bullard received a seat on the Board of Directors of RCA for his efforts in establishing RCA. The result was Federally created monopolies in radio for GE and the Westinghouse Corporation and in telephone systems for the American Telephone & Telegraph Company.

The argument by the Department of War and the Department of the Navy that the usable radio frequencies were limited, and hence needed to be appropriated for use before other countries, such as the United Kingdom, France, Germany, and Canada monopolized them, collapsed in the mid-1920s following the discovery of the practicality of the use of the shortwave radio band (3.0 MHz though 30.0 MHz) for very long-range radio communications.^[7]

The first chief executive officer of RCA was Owen D. Young;^[8] David Sarnoff became its general manager. RCA's incorporation papers required that a majority of its stock be held by American citizens. RCA agreed to market the radio equipment manufactured by GE and Westinghouse, and in follow-on agreements, RCA also acquired the radio patents that had been held by Westinghouse and the United Fruit Company. As the years went on, RCA either took over, or produced for itself, a large number of patents, including that of the superheterodyne receiver.

Over the years, RCA continued to operate international telecommunications services, under its subsidiary RCA Communications, Inc., and later the RCA Global Communications Company.

Broadcast expansion[link]

By 1926 the market for commercial radio had expanded, and RCA purchased the WEAF and WCAP radio stations and networks from AT&T, merged them with its WJZ (the predecessor of WABC) New York to WRC (presently WTEM) Washington chain, and formed the National Broadcasting Company (NBC).

Radio[link]

GE used RCA as its retail arm for radio sales from 1919, when G.E. began production, until 1930.^[9] Westinghouse also marketed home radios through RCA until 1930.^[10]

Phonograph[link]

RCA trademark exhibit at Heritage Museum in Big Spring, Texas (2004 photograph)

In 1929 RCA purchased the Victor Talking Machine Company, then the world's largest manufacturer of phonographs (including the famous "Victrola") and phonograph records. This included a majority ownership of the Victor Company of Japan (JVC). The new subsidiary then became RCA-Victor. With Victor, RCA acquired New World rights to the Nipper trademark. This Trademark is also the trademark for the British music & entertainment company HMV who now display Nipper in silhouette. RCA Victor produced many radio-phonographs and also created RCA Photophone, a sound-on-film system for sound films that competed with William Fox's sound-on-film Movietone and Warner Bros.' sound-on-disc Vitaphone.

RCA began selling the first electronic turntable in 1930. In 1931 RCA Victor began selling 33⅓ rpm records. These had the standard groove size (the same width as the contemporary 78 rpm records), rather than the "microgroove" used in post-World War II 33⅓ "Long Play" records. The format was a commercial failure at the height of the Great Depression, partly because the records and playback equipment were expensive, and partly because the audio performance was poor, and it would require the smaller-radius stylus of the microgroove system to make slower-speed records track acceptably. The system was withdrawn from the market after about a year. (This was not the first attempt at a commercial long play record format, as Edison Records had marketed a microgroove vertically recorded disc with 20 minutes playing time per side the previous decade; the Edison long-playing records were also a commercial failure.)

In 1930 RCA agreed to occupy the yet-to-be-constructed landmark building of the Rockefeller Center complex, 30 Rockefeller Plaza, which in 1933 became known as the RCA building, now the GE Building. This critical lease in the massive project enabled it to proceed as a commercially viable venture.^[11]

Separation from General Electric[link]

In 1930 the U.S. Department of Justice brought antitrust charges against RCA, General Electric and Westinghouse. As a result, GE and Westinghouse gave up their ownership interests in RCA. RCA was allowed to keep its radio factories, and G.E. and Westinghouse were allowed to compete in that business after 30 months.

Electronic television[link]

Old television test pattern, created by RCA in 1939 and widely used until color television gained in popularity

RCA demonstrated an all-electronic television system at the 1939 New York World's Fair, and developed the USA's first television test pattern. With the introduction of the NTSC standard, the Federal Communications Commission authorized the start of commercial television transmission on 1 July 1941. World War II slowed the deployment of television in the US, but RCA began selling television sets almost immediately after the war was over. (See also: History of television) RCA was closely involved in radar and radio development in support of the war effort. These development efforts greatly assisted RCA in its television research efforts.

RCA was a major producer of vacuum tubes (branded Radiotron) in the USA, creating a series of innovative products ranging from octal base metal tubes co-developed with General Electric before World War II to the transistor-sized Nuvistor used in the tuners of the New Vista series of television sets. The Nuvistor tubes were a last hurrah for vacuum tubes and were meant to be a competitive technology against the newly introduced transistors. RCA also partnered with Tung-Sol to produce the legendary KT88/6550 hi-fi vacuum tube. Their combined power in the marketplace was so strong that they effectively set the selling prices for vacuum tubes in the USA. Except for the main cathode ray tube (CRT), the company had completely switched from tubes to solid-state television sets by 1975.

Antitrust concerns led FCC to force the breakup of the NBC radio networks, a breakup affirmed by the United States Supreme Court. On 12 October 1943, the "NBC Blue" radio network was sold to Life Savers candy magnate Edward J. Noble for $8,000,000, and renamed "The Blue Network, Inc". It would become the American Broadcasting Company (ABC) in 1946. The "NBC Red" network retained the NBC name, and RCA retained ownership.

Diversification[link]

David Sarnoff with the first RCA videotape recorder, 1954.

In 1941, before the attack on Pearl Harbor, the cornerstone was laid for a research and development facility, RCA Laboratories, on Route 1 just north of New Jersey Rte 571 in Princeton, New Jersey. This lab developed many innovations, such as color television, the electron microscope, CMOS-based technology, heterojunction physics, optoelectronic emitting devices, liquid crystal displays (LCDs), videocassette recorders, direct broadcast television, direct broadcast satellite systems and high-definition television. From 1988 to January 2011, the Lab was called Sarnoff Corporation, a subsidiary of SRI International, after which it was fully integrated into SRI.^[12]

During World War II and beyond, RCA set up several new divisions, for defense, space exploration and other activities. The RCA Service Coporation provided large numbers of staff for the Distant Early Warning (DEW) Line. RCA units won five Army–Navy ‘E’ Awards for Excellence in production.^[13] Also during the war, ties between RCA and JVC were severed.

In 1947 RCA-Victor developed and released the first 45 rpm record to the public, answering CBS/Columbia's 33⅓ rpm "LP".^[14]

In 1953 RCA's all electronic color-TV technology was adopted as the standard for American color TV; it is now known as NTSC (after the "National Television System Committee" that approved it). RCA cameras and studio gear, particularly of the TK-40/41 series, became standard equipment at many American television network affiliates, as RCA CT-100^[15] ("RCA Merrill" to dealers) television sets introduced color television to the public.

RCA Television Quad head 2" color recorder/ reproducer used at broadcast studios in the late 1960s, 70s and early 80s. It used a vertical scanning drum with head motion at 90° to tape direction. This unit was developed before the now-common helical scanning used in commercial and home tape machines.

In 1955 RCA sold its Estate large appliance operations to Whirlpool Corporation. As part of the deal, Whirlpool was given the right to market "RCA Whirlpool" appliances through the mid-1960s.

Despite the company's indisputable leadership in television technology, David Sarnoff in 1955 commented, "Television will never be a medium of entertainment".

RCA was one of several major computer companies (see also: Computing) that also included IBM, Digital Equipment Corporation, Burroughs, Control Data Corporation, General Electric, Honeywell, NCR and Sperry Rand through most of the 1960s. RCA marketed the Spectra 70 Series (models 15, 25, 35, 45, 46, 55, 60 and 61) that were hardware, but not software, compatible with IBM’s 360 series, and the RCA Series (RCA 2, 3, 6, 7) competing against the IBM 370.^[16] These systems all ran RCA’s real-memory operating systems, DOS and TDOS. RCA’s Virtual Memory Systems, the Spectra 70/46 and 70/61 and the RCA 3 and 7 could also run their Virtual Memory Operating System, VMOS. VMOS was originally named TSOS (Time Sharing Operating System), but was renamed in order to expand the system beyond the time-sharing market. RCA was credited with coining the term "Virtual Memory". TSOS was the first mainframe, demand paging, virtual memory operating system on the market. The English Electric System 4 range, the 4-10, 4-30, 4-50,4-70 and the time-sharing 4-75 computers were essentially RCA Spectra 70 clones of the IBM System /360 and 370 range. RCA abandoned computers in 1971. Sperry Rand officially took over the RCA base in January 1972.

RCA Graphic Systems Division (GSD) was an early supplier of electronics designed for the printing and publishing industries. It contracted with German company Rudolf Hell to market adaptations of the Digiset photocomposition system as the Videocomp, and a Laser Color Scanner. The Videocomp was supported by a Spectra computer that ran the Page-1 and, later the Page-II and FileComp composition systems. RCA later sold the Videocomp rights to Information International Inc. (III).

RCA was a major proponent of the eight-track tape cartridge, which it launched in 1965. The eight-track cartridge initially had a huge and profitable impact on the consumer marketplace. However, sales of the 8-track tape format peaked early on as consumers increasingly favored the compact cassette tape format developed by competitor Philips.

Later years[link]

David Sarnoff, whose ambition and business acumen had helped RCA become one of the world's largest companies, turned the company over to his son Robert in 1970. David died the next year, aged 80.

On 17 September 1971, NBC's Huntley-Brinkley Report read a news bulletin issued by the RCA Board of Directors just minutes before the broadcast, announcing the Board's decision to cease operation of its general-purpose computer systems division (RCA-CSD). This marked a milestone in RCA's move away from technology and into a diversified conglomerate. (The introduction by IBM of the 370 series required RCA to make a substantial new investment in its computer division, and the Board decided against making that investment.)

During the late 1960s and 1970s, RCA Corporation, as it was now formally known, ventured into other markets. Under Robert Sarnoff's leadership, RCA diversified far beyond electronics and communications, in a broader American corporate trend toward "conglomerates." The company acquired Hertz (rental cars), Banquet (frozen foods), Coronet (carpeting), Random House (publishing) and Gibson (greeting cards), yet slipped into financial disarray, with wags calling it "Rugs Chickens & Automobiles" to poke fun at their attempt at becoming a conglomerate.^[17]

Robert Sarnoff was ousted in a 1975 boardroom coup by Anthony Conrad, who resigned a year later after he admitted failing to file income tax returns for six years. RCA maintained its high standards of engineering excellence in broadcast engineering and satellite communications equipment, but ventures such as the NBC radio and television networks declined.

In about 1980 RCA corporate strategy reported on moving manufacture of its television sets to Mexico. RCA was still profitable in 1983, when it switched manufacturing of its VHS VCRs from Panasonic to Hitachi.

Forays into new consumer electronics products lost money. The SelectaVision videodisc system, not to be confused with the same trademark that RCA applied to its VCRs, never developed the manufacturing volumes to substantially bring down its price, could not compete against cheaper, recordable videotape technology, and was abandoned in 1985 for a write-off of several hundred million dollars.

In 1984 RCA Broadcast Systems Division moved from Camden, New Jersey, to the site of the RCA antenna engineering facility in Gibbsboro, New Jersey. In the years that followed, the broadcast product lines developed in Camden were terminated or sold off, and most of the buildings demolished, save for the original RCA Victor buildings that had been declared national historical buildings.^[18] For several years, RCA spinoff L-3 Communications Systems East was headquartered in the building, but has since moved to an adjacent building built by the city for them. The building now houses shops and luxury loft apartments.^[19]

Takeover and break-up by GE[link]

Business and financial conditions led to RCA's takeover by GE in 1986 and its subsequent break-up. GE sold its 50% interest in then-RCA/Ariola International Records to its partner Bertelsmann and the company was renamed BMG Music, for Bertelsmann Music Group.

GE then sold the rights to make RCA- and GE-branded televisions and other consumer electronics products in 1988 to the French Thomson Consumer Electronics, in exchange for some of Thomson's medical businesses.

RCA Laboratories was transferred to SRI International as the David Sarnoff Research Center, subsequently renamed Sarnoff Corporation. Sarnoff Labs was put on a five-year plan whereby GE would fund all the labs' activities for the first year, then reduce its support to near zero after the fifth year. This required Sarnoff Labs to change its business model to become an industrial contract research facility.

The only RCA unit which GE kept was the National Broadcasting Company. GE sold the NBC Radio Network to Westwood One and all of its radio stations to various owners.

For information on the RCA brand after 1986, see RCA (trademark).

Legacy[link]

RCA antique radios and RCA Merrill/CT-100s and other early color television receivers are among the more sought-after collectible radios and televisions, thanks to their popularity during the golden age of radio, their manufacturing quality, their engineering innovations, their styling and their name, RCA.

The historic RCA Building 17 is one of the few remaining buildings in Camden, New Jersey, that once housed the vast RCA Victor complex.

The Nipper stained glass atop the "Nipper Tower" in the former Building 17. This photo, taken from inside the "Nipper Tower", shows the 2003 replacement of the 1978 replacement of the 1915 original glass.

The historic RCA Victor Building 17, the "Nipper Building", in Camden, New Jersey, was converted to luxury apartments in 2003.^[20][21]

Environmental record[link]

A former RCA facility in Taiwan's northern county of Taoyuan polluted groundwater with toxic chemicals and led to a high incidence of cancer among former employees.^[22] The area was declared a toxic site by the Taiwanese Environmental Protection Agency.^[23] Both GE and Thomson spent millions of dollars for cleanup, removing 10,000 cubic yards (7,600 m³) of soil and installing municipal water treatment facilities for neighboring communities.^[24] A spokesman for RCA's current owners denied responsibility, saying a study conducted by the Taiwan government showed no correlation between the illnesses and the company's facilities, which shut down in 1991.^[25]

A plant in Lancaster, Pennsylvania which RCA operated from the late 1940s to June 1986, released more than 250,000 pounds of pollutants per year from its exhaust stacks.^[26] Tested by the United States Environmental Protection Agency (EPA) in the late 1980s and early 1990s, the groundwater at the facility is contaminated by trichloroethylene (TCE) and 1,2-dichloroethylene (1,2-DCE).^[27] In 1991 and 1992, contaminants were detected in monitoring wells on the east side of the Conestoga River in Lancaster.

The shallow and deep groundwater aquifers beneath the Intersil Facility in Mountaintop, Pennsylvania, which RCA operated in the 1960s and later sold to Harris Corporation, contain elevated levels of volatile organic compounds.^[28]

A site in Burlington, Massachusetts which RCA used from 1958 to 1994 to make and test military electronics equipment, generated hazardous waste (VOCs, TCE, toluene, ethylbenzene, and xylenes).^[29][30]

In Barceloneta, Puerto Rico, an RCA-operated plant generated wastes containing chromium, selenium and iron. Four lagoons holding chemical waste drained into the limestone aquifer.^[31][32] Used water from the manufacturing process (process water), containing ferric chloride, was treated onsite to remove contaminants and then was discharged into a sinkhole at the site. The treatment of process water created a sludge that was stored onsite in drying beds and in surface impoundments.^[33]

See also[link]

• Ampliphase
• Berliner Gramophone Company, whose Canadian operation became RCA Victor of Canada
• Empire State Building broadcast stations
• HMV His Masters Voice
• RCA Mark II Sound Synthesizer
• RCA connector
• CMOS 4000 series
• RCA/Columbia Pictures Home Video, joint venture between RCA and Columbia Pictures
• RKO Pictures, founded in part by RCA
• RCA Photophone, Motion Picture sound recording
• Electrofax
• Harold H. Beverage vice president of research and development at RCA Communications Inc
• Ernst F. W. Alexanderson RCA's first Chief Engineer, 1920–1924
• George H. Brown, research engineer who headed RCA's development of color television
• Colortrak and Colortrak 2000, notable trademarks for RCA's early color television sets
• Dimensia, a high-end advanced trademark TV for RCA
• RCA Records
• Claude Robinson, American pioneer in advertising and opinion survey research
• Film Chain—RCA TK-26, TK-27 and TK-28
• Professional video cameras—TK 47 and more
• Victor Company of Japan (JVC)
• Missile Test Project

References[link]

• Robert N. Sobel: RCA New York: Stein and Day Publishers, 1986. ISBN 0-8128-3084-9

External links[link]

Wikimedia Commons has media related to: RCA

• RCA History from Technicolor
• Intech Contractors/Construction Managers. The Victor Project. Converting the "Nipper" building into apartments
• RCAGlobal.com - a web site dedicated to what was RCA Global Communications
• The Victor Lofts
• RCA Radio Central, Rock Point, Long Island, NY
• RCA Taiwan factory pollution
• RCA TV equipment archive

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Alicia Keys
Keys in South Africa for the 2010 FIFA World Cup kick-off concert.
Background information
Birth name	Alicia Augello Cook
Also known as	Lellow
Born	(1981-01-25) January 25, 1981 (age 31)
Origin	New York City, United States
Genres	Soul, R&B, blues, hip hop, jazz, neo soul, electronic
Occupations	singer-songwriter, record producer, actress
Instruments	Vocals, piano, keyboards, cello, synthesizer, vocoder, guitar, bass guitar
Years active	1997–present
Labels	RCA, J, Arista, Columbia
Website	aliciakeys.com

Alicia Augello Cook (born January 25, 1981), better known by her stage name Alicia Keys, is an American R&B singer-songwriter, record producer, and actress. Keys was raised by a single mother in the Hell's Kitchen area of Manhattan in New York City. At age seven, Keys began playing the piano. She attended Professional Performing Arts School and graduated at 16 as valedictorian. Keys released her debut album with J Records, having had previous record deals first with Columbia and then Arista Records.

Keys' debut album, Songs in A Minor, was a commercial success, selling over 12 million copies worldwide.^[1] She became the best-selling new artist and best-selling R&B artist of 2001.^[2] The album earned Keys five Grammy Awards in 2002, including Best New Artist and Song of the Year for "Fallin'".^[3] Her second studio album, The Diary of Alicia Keys, was released in 2003 and was also another success worldwide, selling eight million copies.^[4] The album garnered her an additional four Grammy Awards in 2005.^[5] Later that year, she released her first live album, Unplugged, which debuted at number one in the United States.^[6] She became the first female to have an MTV Unplugged album to debut at number one and the highest since Nirvana in 1994.^[2]

Keys made guest appearances on several television series in the following years, beginning with Charmed. She made her film debut in Smokin' Aces and went on to appear in The Nanny Diaries in 2007. Her third studio album, As I Am, was released in the same year and sold six million copies worldwide, earning Keys an additional three Grammy Awards. The following year, she appeared in The Secret Life of Bees, which earned her a nomination at the NAACP Image Awards. She released her fourth album, The Element of Freedom, in December 2009, which became Keys' first chart-topping album in the United Kingdom. Throughout her career, Keys has won numerous awards and has sold over 30 million albums worldwide and 25 million singles, which makes her one of the best selling artists of all time. Billboard magazine named her the top R&B artist of the 2000–2009 decade, establishing herself as one of the best-selling artists of her time. In 2010, VH1 included Keys on its list of the 100 Greatest Artists of All Time.^[7] Billboard magazine placed her number ten on their list of Top 50 R&B/Hip-Hop Artists of the Past 25 Years.^[8] As of January 2012, Keys has sold 60 million records worldwide.

Life and career[link]

1981–2001: Early life and Career Beginnings[link]

Keys was born Alicia Augello Cook on January 25, 1981, in the Hell's Kitchen area of Manhattan, in New York City.^[9][10][11] She is the only child of Teresa Augello, a paralegal and part-time actress, and Craig Cook, a flight attendant.^{[12][13][14][15]} Keys' mother is of Italian, Scottish, and Irish descent, and her father is African American;^[16] Keys has expressed that she was comfortable with her biracial heritage because she felt she was able to "relate to different cultures".^[10][17] Her parents separated when she was two and she was subsequently raised by her mother during her formative years in Hell's Kitchen, Manhattan.^[18] In 1985, Keys made an appearance on The Cosby Show at the age of four, where she and a group of girls played the parts of Rudy Huxtable's sleepover guests in the episode "Slumber Party".^[19][20] Throughout her childhood, Keys was sent to music and dance classes by her mother.^[21] She began playing the piano when she was seven and learned classical music by composers such as Beethoven, Mozart and Chopin.^[12] Keys enrolled in the Professional Performing Arts School at the age of 12, where she majored in choir and began writing songs at the age of 14.^[13][22] She graduated in four years as valedictorian at the age of 16.^[23]

In 1994 Keys met long-term manager Jeff Robinson after she enrolled in his brother's after-school program.^[24] The following year Robinson introduced Keys to her future A&R at Arista Records, Peter Edge, who later described his first impressions to HitQuarters: "I had never met a young R&B artist with that level of musicianship. So many people were just singing on top of loops and tracks, but she had the ability, not only to be part of hip-hop, but also to go way beyond that."^[25] Edge helped Robinson create a showcase for Keys and also got involved in developing her demo material. He was keen to sign Keys himself but was unable to do so at that time due to being on the verge of leaving his present record company. Keys signed to Columbia Records soon after.^[25] At the same time as signing a recording contract with Columbia Records, Keys was accepted into Columbia University. At first, Keys attempted to manage both but after four weeks dropped out of college to pursue her musical career fulltime.^[23][26]

Keys signed a demo deal with Jermaine Dupri and So So Def Recordings, where she appeared on the label's Christmas album performing "The Little Drummer Girl". She also co-wrote and recorded a song entitled "Dah Dee Dah (Sexy Thing)", which appeared on the soundtrack to the 1997 film, Men in Black.^[26] The song was Keys' first professional recording; however, it was never released as a single and her record contract with Columbia ended after a dispute with the label. Keys was unhappy with the label because her career had stalled during her two years under contract at Columbia due to executive indecision over her direction and major changes within the company.^[25] Keys called Clive Davis, who sensed a "special, unique" artist from her performance and signed her to Arista Records, which later disbanded.^[9][10] Keys almost chose Wilde as her stage name until her manager suggested the name Keys after a dream he had. Keys felt that name represented her both as a performer and person.^[27] Following Davis to his newly formed J Records label, she worked with Kerry "Krucial" Brothers and recorded the songs "Rock wit U" and "Rear View Mirror", which were featured on the soundtracks to the films Shaft (2000) and Dr. Dolittle 2 (2001), respectively.^[28][29]

[edit] 2001–2002: Songs in A Minor

	"Fallin" (2001) noicon "Fallin'" is a gospel-influenced piano ballad.[30] Often considered her signature song, it describes the "ins and outs" of being in a relationship.[31]
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Keys released her first studio album, Songs in A Minor, in June 2001. It debuted at number one on the Billboard 200 and sold 236,000 copies in its first week.^[32] The album sold over 6.2 million copies in the United States,^[33] where it was certified six times Platinum by the Recording Industry Association of America (RIAA).^[34] It went on to sell over 12 million copies worldwide,^[35] establishing Keys' popularity both inside and outside the United States, where she became the best-selling new artist and best-selling R&B artist of 2001.^[2] The album's lead single, "Fallin'", spent six weeks at number one on the Billboard Hot 100.^[36] The album's second single, "A Woman's Worth", was released in February 2002 and peaked at number 7 on the Billboard Hot 100 and number three on the Hot R&B/Hip-Hop Songs, as her second Top 10 single in both charts.^[37] The album's third single, "How Come You Don't Call Me", was released in June 2002 and peaked at number 59 on the Billboard Hot 100 and number 30 on the Hot R&B/Hip-Hop Songs. The album's fourth single, "Girlfriend", was released in November 2002 in UK and peaked at number 82 on the Hot R&B/Hip-Hop Songs. The following year, the album was reissued as Remixed & Unplugged in A Minor, which included eight remixes and seven unplugged versions of the songs from the original.

Keys performing in Frankfurt, Germany, 2002

Songs in A Minor led Keys to win five awards at the 2002 Grammy Awards: Song of the Year, Best Female R&B Vocal Performance, and Best R&B Song for "Fallin'", Best New Artist, and Best R&B Album; "Fallin'" was also nominated for Record of the Year. Keys became the second female solo artist to win five Grammy Awards in a single night, following Lauryn Hill at the 41st Grammy Awards.^[38] That same year, she collaborated with Christina Aguilera for the latter's upcoming album Stripped on a song entitled "Impossible", which Keys wrote, co-produced, and provided with background vocals.^[39] During the early 2000s, Keys also made small cameos in television series Charmed and American Dreams.^[12]

[edit] 2003–2005: The Diary of Alicia Keys and Unplugged

Keys followed up her debut with The Diary of Alicia Keys, which was released in December 2003. The album debuted at number one on the Billboard 200, selling over 618,000 copies its first week of release, becoming the largest first-week sales for a female artist in 2003.^[40] It sold 4.4 million copies in the United States and was certified four times Platinum by the RIAA.^[34][41] It sold eight million copies worldwide,^[42] becoming the sixth biggest-selling album by a female artist and the second biggest-selling album by a female R&B artist.^[43] The album's lead single, "You Don't Know My Name", peaked at number three on the Billboard Hot 100 and number one on Hot R&B/Hip-Hop Songs for eight consecutive weeks, her first Top 10 single in both charts since 2002's "A Woman's Worth ". The album's second single, "If I Ain't Got You", was released in February 2004 and peaked at number 4 on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs for six weeks. The album's third single, "Diary", peaked at number 8 on the Billboard Hot 100 and number two on the Hot R&B/Hip-Hop Songs chart, being their third consecutive Top 10 single in both charts. The album's fourth and final single, "Karma", which peaked at number 20 on the Billboard Hot 100 and number 17 on the Hot R&B/Hip-Hop Songs, first release to fail to achieve top ten status on both charts. "If I Ain't Got You" became the first single by a female artist to remain on the Billboard Hot R&B/Hip-Hop Songs chart for over a year.^{[44][45][46][47][48]} Keys also collaborated with recording artist Usher on the song "My Boo" from his 2004 album, Confessions (Special Edition). The song topped the Billboard Hot 100 for six weeks and Hot R&B/Hip-Hop Songs for three weeks, became her first number-one single in Hot 100 since 2001's "Fallin'".

Keys won Best R&B Video for "If I Ain't Got You" at the 2004 MTV Video Music Awards; she performed the song and "Higher Ground" with Lenny Kravitz and Stevie Wonder.^[49][50] Later that year, Keys released her novel Tears for Water: Songbook of Poems and Lyrics, a collection of unreleased poems from her journals and lyrics. The title derived from one of her poems, "Love and Chains" from the line: "I don't mind drinking my tears for water."^[51] She said the title is the foundation of her writing because "everything I have ever written has stemmed from my tears of joy, of pain, of sorrow, of depression, even of question".^[52] The book sold over US$500,000 and Keys made The New York Times bestseller list in 2005.^[53][54] The following year, she won a second consecutive award for Best R&B Video at the MTV Video Music Awards for the video "Karma".^[55] Keys performed "If I Ain't Got You" and then joined Jamie Foxx and Quincy Jones in a rendition of "Georgia on My Mind", the Hoagy Carmichael song made famous by Ray Charles in 1960 at the 2005 Grammy Awards.^[56] That evening, she won four Grammy Awards: Best Female R&B Vocal Performance for "If I Ain't Got You", Best R&B Song for "You Don't Know My Name", Best R&B Album for The Diary of Alicia Keys, and Best R&B Performance by a Duo or Group with Vocals" for "My Boo" with Usher.^[57]

Keys performed and taped her installment of the MTV Unplugged series in July 2005 at the Brooklyn Academy of Music.^[58] During this session, Keys added new arrangements to her original songs and performed a few choice covers.^[59] The session was released on CD and DVD in October 2005. Simply titled Unplugged, the album debuted at number one on the U.S. Billboard 200 chart with 196,000 units sold in its first week of release.^[60] The album sold one million copies in the United States, where it was certified Platinum by the RIAA, and two million copies worldwide.^[12][34][61] The debut of Keys' Unplugged was the highest for an MTV Unplugged album since Nirvana's 1994 MTV Unplugged in New York and the first Unplugged by a female artist to debut at number one.^[2] The album's first single, "Unbreakable", peaked at number 34 on the Billboard Hot 100 and number four on the Hot R&B/Hip-Hop Songs.^[62] It remained at number one on the Billboard Hot Adult R&B Airplay for 11 weeks.^[63] The album's second and final single, "Every Little Bit Hurts", was released in January 2006, it failed to enter the U.S. charts.

Keys opened a recording studio in Long Island, New York, called The Oven Studios, which she co-owns with her production and songwriting partner Kerry "Krucial" Brothers.^[64] The studio was designed by renowned studio architect John Storyk of WSDG, designer of Jimi Hendrix' Electric Lady Studios. Keys and Brothers are the co-founders of KrucialKeys Enterprises, a production and songwriting team who assisted Keys in creating her albums as well as create music for other artists.^[65]

[edit] 2006–2008: Film debut and As I Am

In 2006, Keys won three NAACP Image Awards, including Outstanding Female Artist and Outstanding Song for "Unbreakable".^[66] She also received the Starlight Award by the Songwriters Hall of Fame.^[67] In October 2006, she played the voice of Mommy Martian in the "Mission to Mars" episode of the children's television series The Backyardigans, in which she sang an original song, "Almost Everything Is Boinga Here".^[68] That same year, Keys nearly suffered a mental breakdown. Her grandmother had died and her family was heavily dependent on her. She felt she needed to "escape" and went to Egypt for three weeks. She explained: "That trip was definitely the most crucial thing I've ever done for myself in my life to date. It was a very difficult time that I was dealing with, and it just came to the point where I really needed to—basically, I just needed to run away, honestly. And I needed to get as far away as possible."^[69][70]

Keys made her film debut in early 2007 in the crime film Smokin' Aces, co-starring as an assassin named Georgia Sykes opposite Ben Affleck and Andy García. Keys received much praise from her co-stars in the film; Reynolds said that Keys was "so natural" and that she would "blow everybody away". Smokin' Aces had a hit moderate performance at the box office, earning only $57,103,895 worldwide during its theatrical run.^[71][72] In the same year, Keys earned further praise for her second film, The Nanny Diaries, based on the 2002 novel of the same name, where she co-starred alongside Scarlett Johansson and Chris Evans. The Nanny Diaries had a hit moderate performance at the box office, earning only $44,638,886 worldwide during its theatrical run.^[73] She also guest starred as herself in the "One Man Is an Island" episode of the drama series Cane.^[74]

Keys performing live, March 20, 2008

Keys released her third studio album, As I Am, in November 2007; it debuted at number one on the Billboard 200, selling 742,000 copies in its first week. It gained Keys her largest first week sales of her career and became her fourth consecutive number one album, tying her with Britney Spears for the most consecutive number-one debuts on the Billboard 200 by a female artist.^[75][76] The week became the second largest sales week of 2007 and the largest sales week for a female solo artist since singer Norah Jones' album Feels like Home in 2004.^[77] The album has sold nearly four million copies in the United States and has been certified three times Platinum by the RIAA.^[78][79] It has sold nearly six million copies worldwide.^[80] Keys received five nominations for As I Am at the 2008 American Music Award and ultimately won two.^[81] The album's lead single, "No One", peaked at number one on the Billboard Hot 100 for five consecutive weeks and Hot R&B/Hip-Hop Songs for ten consecutive weeks, became her first number-one single in Hot 100 since 2004's "My Boo" and becoming Keys' third and fifth number-one single on each chart, respectively.^[82] The album's second single, "Like You'll Never See Me Again", was released in late 2007 and peaked at number 12 on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs for seven consecutive weeks. From October 27, 2007, when "No One" reached No. 1, through February 16, 2008, the last week "Like You'll Never See Me Again" was at No. 1, the Keys was on top of the chart for 17 weeks, more consecutive weeks than any other artist in Hot R&B/Hip/Hop Songs chart.^[83] The album's third single, "Teenage Love Affair", which peaked at number 54 on the 'Billboard Hot 100 and number three on the Hot R&B/Hip-Hop Songs.^[83] The album's fourth and final single, "Superwoman", which peaked at number 82 on the Billboard Hot 100 and number 12 on the Hot R&B/Hip-Hop Songs.^[83][84]

Keys performing at the 2008 Summer Sonic Festival in Tokyo, Japan

"No One" earned Keys the awards for Best Female R&B Vocal Performance and Best R&B Song at the 2008 Grammy Awards.^[85] Keys opened the ceremony singing Frank Sinatra's 1950s song "Learnin' the Blues" as a "duet" with archival footage of Sinatra in video and "No One" with John Mayer later in the show.^[86] Keys also won Best Female R&B Artist during the show.^[87] She starred in "Fresh Takes", a commercial micro-series created by Dove Go Fresh, which premiered during The Hills on MTV from March to April 2008. The premiere celebrated the launch of new Dove Go Fresh.^[88] She also signed a deal as spokesperson with Glacéau's VitaminWater to endorse the product,^[89] and was in an American Express commercial for the "Are you a Cardmember?" campaign.^[90] Keys, along with The White Stripes' guitarist and lead vocalist Jack White, recorded the theme song to Quantum of Solace, the first duet in Bond soundtrack history.^[91] In 2008, Keys was ranked in at number 80 the Billboard Hot 100 All-Time Top Artists.^[92] She also starred in The Secret Life of Bees, a film adaptation of Sue Monk Kidd's acclaimed 2003 bestseller novel of the same name alongside Jennifer Hudson, Dakota Fanning, Paul Bettany and Queen Latifah, released in October 2008 via Fox Searchlight. The Secret Life of Bees had a hit moderate performance at the box office, earning only $39,947,322 worldwide during its theatrical run.^[93] Her role earned her a nomination for Outstanding Supporting Actress in a Motion Picture at the NAACP Image Awards.^[94] She also received three nominations at the 2009 Grammy Awards and won Best Female R&B Vocal Performance for "Superwoman".^[95]

In an interview with Blender magazine, Keys allegedly said "'Gangsta rap' was a ploy to convince black people to kill each other, 'gangsta rap' didn't exist" and went on to say that it was created by "the government". The magazine also claimed she said that Tupac Shakur and The Notorious B.I.G. were "essentially assassinated, their beefs stoked by the government and the media, to stop another great black leader from existing".^[22] Keys later wrote a statement clarifying the issues and saying her words were misinterpreted.^[96] Later that year, Keys was criticized by anti-smoking campaigners after billboard posters for her forthcoming concerts in Indonesia featured a logo for the A Mild cigarette brand sponsored by tobacco firm Philip Morris. She apologized after discovering that the concert was sponsored by the firm and asked for "corrective actions". In response, the company withdrew its sponsorship.^[97]

[edit] 2009–2010 : The Element of Freedom, marriage and motherhood

Keys on the red carpet at the 2009 American Music Awards.

Keys and manager Jeff Robinson signed a film production deal to develop live-action and animated projects with Disney. Their first film will be a remake of the 1958 comedy Bell, Book and Candle and will star Keys as a witch who casts a love spell to lure a rival's fiancé.^[98] Keys and Robinson also formed a television production company called Big Pita.^[99] Keys and Robinson will develop live-action and animated projects from their company, Big Pita and Little Pita, with Keys as producer, thespian, banner spearheading soundtrack and music supervision.^[100]

Keys collaborated with the record producer Swizz Beatz to write and produce "Million Dollar Bill" for Whitney Houston's seventh studio album, I Look to You. Keys had approached Clive Davis for permission to submit a song for the album.^[101] Keys also collaborated with the recording artist Jay-Z on the song "Empire State of Mind" from his 2009 album, The Blueprint 3. The song topped the Billboard Hot 100 and became her fourth number-one single on that chart.^[102] At the 53rd Grammy Awards ceremony, "Empire State of Mind" won Best Rap/Sung Collaboration and Best Rap Song. It had also been one of the five nominees for Record of the Year.^[103]

Keys during the As I Am Tour in Lisbon.

The following month, the American Society of Composers, Authors and Publishers honored Keys with the Golden Note Award, an award given to artists "who have achieved extraordinary career milestones".^[104] She collaborated with Spanish recording artist Alejandro Sanz for "Looking for Paradise", which topped the Hot Latin Songs chart, this was Keys' first number one on all three charts, which also made her the first African-American of non-Hispanic origin to reach #1 on the Hot Latin Tracks.^[105] Keys released her fourth studio album, The Element of Freedom, in December 2009.^[106] It debuted at number two on the Billboard 200, selling 417,000 copies in its first week.^[107] As part of the promotional drive for the album, she performed at the Cayman Island Jazz Festival on December 5, the final night of the three day festival which will be broadcast on Black Entertainment Television (BET).^[108] The album's lead single, "Doesn't Mean Anything", has peaked at number 60 on the Billboard Hot 100 and number 14 on the Hot R&B/Hip-Hop Songs.^[106] Keys was ranked as the top R&B recording artist of the 2000–2009 decade by Billboard magazine and ranked at number five as artist of the decade, while her song, "No One", was ranked at number six on the magazine's songs of the decade.^{[109][110][111]} In the United Kingdom, The Element of Freedom became Keys' first album to top the UK Albums Chart.^[112] The album's second single, "Try Sleeping with a Broken Heart", was released in November 2009 and peaked at number 27 on the Billboard Hot 100 and number two on the Hot R&B/Hip-Hop Songs. The album's third single, "Put It in a Love Song", featuring Grammy-winner Beyoncé, peaked at number 60 on the Hot R&B/Hip-Hop Songs. The music video for the single, which was filmed in Rio de Janeiro, Brazil, has been postponed several times, and later it was confirmed that Alicia Keys' team made a decision not to release the video. The album's fourth single, "Empire State of Mind (Part II) Broken Down", was released in February 2010 and peaked at number 55 on the Billboard Hot 100 and number 76 on the Hot R&B/Hip-Hop Songs. The album's fifth single, "Un-Thinkable (I'm Ready)", was released in May 2010 and peaked at number 21 on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs, for twelve consecutive weeks and became the album's most successful single, becoming Keys' eighth number-one single on Hot R&B/Hip-Hop Songs chart. The album's sixth and final single, "Wait Til You See My Smile", was released in December 2010 in the U.K only.

Keys at the Walmart Shareholders Meeting 2011.

In May 2009, Swizz Beatz announced that he and Keys were romantically involved, while he was still married to his first wife^[113] and in May 2010, a representative for Keys and Swizz Beatz confirmed that they were engaged and expecting a child together.^[114] During the time of the 2010 FIFA World Cup, the couple took part of a union and had the unborn child blessed in a Zulu ceremony, which took place in the Illovo suburb of Johannesburg, South Africa.^[115] Keys and Beatz were married on the French island of Corsica on July 31, 2010.^[116][117] On October 14, 2010, Keys gave birth to a son, Egypt Daoud Ibarr Dean, in New York City.^[118]

2011–present: Other ventures and upcoming album[link]

In June 2011, Songs in A Minor was re-released as deluxe and collector's editions in commemoration of its 10th anniversary.^[119] To support the release, Keys embarked on a four-city promotional tour, entitled Piano & I: A One Night Only Event With Alicia Keys, featuring only her piano. Keys is also set to co-produce the Broadway premiere of Stick Fly, which will open in December 2011.^[120] On September 26, 2011, was the premiere of Project 5 known as Five, short film that marks the debut of Alicia Keys as a director. It is a documentary of five episodes that tell stories of five women who were victims of breast cancer and how it affected their lives. The production also has co-direction of the actresses Jennifer Aniston, Demi Moore and film director Patty Jenkins.^[121]

on September 23, she performed at iHeart Music Festival and sang her new song "A Place Of My Own", which is present in her fifth studio album.^[122][123] On October 7, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Keys (and all other artists previously signed to these three labels) will release her future material on RCA Records.^[124][125] On Saturday February 18, 2012, Alicia performed "Send Me an Angel" at Whitney Houston's memorial at the New Hope Baptist Church in Newark, New Jersey.^[126]

Artistry[link]

Musical style[link]

	"If I Ain't Got You" (2003) noicon Keys often incorporates piano into her songs
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An accomplished pianist, Keys incorporates piano into a majority of her songs and often writes about love, heartbreak and female empowerment.^[10][53] She has cited several musicians as her inspirations, including Prince, Nina Simone, Barbra Streisand, Marvin Gaye, Quincy Jones, Donny Hathaway and Stevie Wonder.^{[127][128][129]} Keys' style is rooted in gospel and vintage soul music, supplemented by bass and programmed drumbeats.^[130] She heavily incorporates classical piano with R&B, soul and jazz into her music.^[131][132] She began experimenting with other genres, including pop and rock, in her third studio album, As I Am,^{[130][133][134]} transitioning from neo soul to a 1980s and 1990s R&B sound with her fourth album, The Element of Freedom.^[135][136] Patrick Huguenin of the New York Daily News stated that her incorporation of classical piano riffs contributed to her breakout success.^[44] Jet magazine states she "thrives" by touching her fans with "piano mastery, words and melodious voice".^[137] The Independent described her style as consisting of "crawling blues coupled with a hip-hop backbeat", noting that her lyrics "rarely stray from matters of the heart".^[138] Blender magazine referred to her as "the first new pop artist of the millennium who was capable of changing music."^[139]

Songwriting, voice and achievements[link]

Keys playing the piano while performing, surrounded by three backing vocalists

Keys has a vocal range of a contralto, which spans three octaves.^[44][140] She can sing from B flat over an octave below middle C (B♭₂) to B below soprano C (B₅). Often referred to as the "Princess of Soul",^[30][138] Keys has been commended as having a strong, raw and impassioned voice;^[141][142] others feel that her voice is "emotionally manufactured" at times and that she pushes her voice out of its natural range.^[141][142] Keys' songwriting is often criticized for lack of depth, which has led to her writing abilities being called limited.^[141] Her lyrics have been called generic, clichéd and that her songs revolve around generalities.^[130][141] Greg Kot of the Chicago Tribune feels that she "[pokes] around for multi-format hits rather than trying to project any sort of artistic vision".^[142] Diversely, Jon Pareles of Blender magazine stated that the musical composition of her songs makes up for their lyrical weakness,^[133] while Gregory Stephen Tate of The Village Voice compared Keys' writing and production to 1970s music.^[143]

Throughout her career, Keys has won numerous awards and is listed on the Recording Industry Association of America's best-selling artists in the United States, with 15 million certified albums.^[144] She has sold over 30 million albums worldwide and has established herself as one of the best-selling artists of her time.^{[19][143][145]}

Philanthropy[link]

Keys performing at the Live Earth concert

Keys is the co-founder and Global Ambassador of Keep a Child Alive, a non-profit organization that provides medicine to families with HIV and AIDS in Africa.^[146] Keys and U2 lead singer Bono recorded a cover version of Peter Gabriel and Kate Bush's "Don't Give Up", in recognition of World AIDS Day 2005. Keys and Bono's version of the song was retitled "Don't Give Up (Africa)" to reflect the nature of the charity it was benefiting.^[147][148] She visited African countries such as Uganda, Kenya and South Africa to promote care for children affected by AIDS.^{[149][150][151]} Her work in Africa was documented in the documentary Alicia in Africa: Journey to the Motherland and was available in April 2008.^[152]

Keys has also donated to Frum tha Ground Up, a non-profit organization that aids children and teenagers with scholarships.^[153][154] She performed in Philadelphia, Pennsylvania, as part of the worldwide Live 8 concerts to raise awareness of the poverty in Africa and to pressure the G8 leaders to take action.^[155] In 2005, Keys performed on ReAct Now: Music & Relief and Shelter from the Storm: A Concert for the Gulf Coast, two benefit programs that raised money for those affected by Hurricane Katrina.^[156][157] In July 2007, Keys and Keith Urban performed The Rolling Stones' 1969 song "Gimme Shelter" at Giants Stadium in East Rutherford, New Jersey at the American leg of the Live Earth concerts.^[158][159]

Keys performed Donny Hathaway's 1973 song "Someday We'll All Be Free" at the America: A Tribute to Heroes televised benefit concert following the September 11 attacks.^[160] She participated in the Nobel Peace Prize Concert which took place at the Oslo Spektrum in Oslo, Norway, on December 11, 2007, along with other various artists.^[161] She recorded a theme song for Democratic presidential nominee Barack Obama. She joined Joss Stone and Jay-Z on the effort, which served as a theme song for Obama's campaign.^[162] For her work, Keys was honored at the 2009 BET Awards with the Humanitarian Award.^[163] Keys performed the song "Prelude to a Kiss", retitled "Send Me an Angel", from her 2007 album As I Am for the "Hope for Haiti Now: A Global Benefit for Earthquake Relief" telethon in response to the 2010 Haiti earthquake.^[164]

Discography[link]

• Songs in A Minor (2001)
• The Diary of Alicia Keys (2003)
• As I Am (2007)
• The Element of Freedom (2009)
• TBA (2013)

Live albums

• Unplugged (2005)

Tours[link]

Keys at Tokyo Summer Sonic 2008.

Filmography[link]

See also[link]

• List of artists who reached number one in the United States
• List of awards and nominations received by Alicia Keys
• List of honorific titles in popular music

References[link]