In 1971, Island Records pulled out of its partnership with Trojan Records. Around the same time, there was a declining interest in Jamaican music among British youths, who ventured towards other genres when Rastafarian lyrics and slower tempos entered the music. In 1974, Trojan had made attempts to anglicize the reggae on the label, by re-mastering and overdubbing string arrangements over the original Jamaican recordings. They also brought in more British reggae artists, such as Symarip and Greyhound. However, the company was still out of step with the British reggae fanbase; largely missing out on the Rasta and the lovers rock phases of reggae, which could have brought more commercial success. In 1974 (finalized in 1975), Trojan was bought by the Saga company, which focused on releasing budget LPs.
In 1985, Colin Newman bought Trojan Records from Marcel Rodd, the CEO of Saga. By the late 1980s, Trojan was unearthing and compiling many ska, rocksteady and reggae recordings and re-issuing them for the first time in 25 years. They contributed some reggae classics to be remixed for TV commercials for TDK, Adidas and the 2000 UEFA European Football Championship. They also started the popular Trojan Box Set series, which usually feature 50 songs on a 3-CD (or vinyl record) set in a simple cardboard package. In 2001, the Sanctuary Records Group purchased Trojan Records. The deal gave the label leverage to buy music rights controlled by other vintage reggae labels, secure worldwide distribution, and enact slicker marketing campaigns. In June 2007, Universal Music Group bought Sanctuary Records (ironically, Universal Music, by that point, had also become the parent of Island Records).
Category:British record labels Category:Record labels established in 1968 Category:Ska record labels Category:Reggae record labels Category:IFPI members
ca:Trojan Records de:Trojan Records es:Trojan Records fr:Trojan Records hr:Trojan Records it:Trojan Records pl:Trojan Records ru:Trojan Records sv:Trojan RecordsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
In the early 1960s, he was discovered by Byron Lee, the band master of the Dragonaires, who brought him to Jamaica. There, he started performing with the Skatalites as one of their lead singers. He recorded as a solo artist first on Coxsone Dodd's Studio One label, and afterwards on Justin Yap's Top Deck label and Edward Seaga's Wirl label. His styles included ska, R&B;, soul, gospel, and calypso. He is credited with inventing spouge music, a fusion of ska, calypso, and R&B; music. Opel performed duos with Doreen Schaffer and Hortense Ellis, and in 1964 was backed by Wailers Bob Marley and Peter Tosh on "Mill Man."
Opel eventually moved to Trinidad and then back to Barbados. On 8 March 1970, he died in a car crash in Bridgetown, Barbados.
Note: ‘You Gotta Cry’ is in fact ‘Cry Me A River’ renamed to avoid confusion with the Julie London standard.
Category:1938 births Category:1970 deaths Category:Barbadian singers Category:People from Bridgetown Category:The Skatalites members
fr:Jackie Opel sv:Jackie OpelThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Theophilus Beckford |
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background | non_vocal_instrumentalist |
born | 1935 |
died | 19 February 2001 (aged 65) |
origin | Kingston, Jamaica |
instrument | Piano |
genre | Calypso, rhythm & blues, ska, reggae |
years active | Mid-1950s–2001 |
label | King Pioneer |
notable instruments | }} |
The bulk of Beckford's recorded work is as a session musician with bands such as Clue J & His Blues Blasters, and he recorded extensively for both Dodd and Duke Reid in this capacity, as well as for Prince Buster, Leslie Kong, and Clancy Eccles.
In 1975, he played piano on Junior Byles' classic song "Fade Away", and in 1978 he appeared as himself in the film ''Rockers''.
In 1991, Beckford performed as part of the Studio One ''The Beat Goes On: 35 years in the Business'' shows at the National Arena in Kingston.
In 1992, "Easy Snappin'" was used in a television commercial for jeans, but again, Beckford received no royalties. Although he performed on hundreds of popular records, the lack of financial reward received by Beckford was a constant complaint, saying in 2000: "Today as I listen to music on radio and sound system and recognise that I created some of these tunes. I feel strongly that I am not given full recognition for my work".
Beckford died on 19 February 2001 as a result of injuries sustained from a machete wound to the head after an argument with a neighbour in the Washington Gardens area of Kingston. He left nine children.
Category:1935 births Category:2001 deaths Category:Jamaican pianists Category:Jamaican reggae musicians Category:People from Kingston, Jamaica Category:Trojan Records artists Category:Deaths by stabbing
de:Theophilus Beckford fr:Theophilus BeckfordThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Mikey Dread |
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landscape | Yes |
background | solo_singer |
birth name | Michael George Campbell |
born | June 04, 1954Port Antonio, Jamaica |
died | March 15, 2008Stamford, Connecticut, United States |
occupation | Singer, Author, Composer, producer, and broadcaster |
years active | 1978–2008 |
associated acts | The Clash |
website | mikeydread.com }} |
A lot of Mikey Dread's distinctive radio chatter can be heard on the US release of the RAS label LP ''African Anthem Dubwise''. Unlike its Jamaican counterpart ''Mikey Dread At The Controls Dubwise'', his radio exclamations and chatter have been included and add quite a bit of atmosphere to the dubwise proceedings.
By 1979-80, Campbell had earned a solid reputation as a singer and producer and began recording his own material. Distinctive albums such as ''Dread at the Controls'', ''Evolutionary Rockers'', and ''World War III'' all became favorites amongst reggae fans. His collaboration with producers King Tubby and Carlton Patterson stand out as some of the best work each party has done.
Campbell's music attracted the attention of British punk rockers The Clash, who invited him over to England to produce some of their music. Although initially suspicious of the strangers, Campbell soon became the best of friends with the band, producing their famous "Bankrobber" single and performing on several songs on their 1980 album ''Sandinista!''. Campbell also toured with The Clash across Britain, Europe, and the US, gaining many new fans along the way.
He studied at the National Broadcasting School in London where he perfected his media production/radio broadcasting skills, graduating with special commendations in 1980.
During the early 1980s he provided vocals with the reggae collective Singers And Players on Adrian Sherwood's On-U Sound record label.
Dread produced ten dub tracks for UB40 and toured Europe and Scandinavia as their support artist.
Some of his works in the United Kingdom include narrating reggae documentaries, hosting series such as ''Rockers Roadshow'' and the ever popular six-part Channel 4 reggae documentary series ''Deep Roots Music''. He later recorded "The Source (Of Your Divorce)" for Warner Brothers Records USA, which obtained regularly rotated video airplay.
In 1991, Dread recorded ''Profile'' and ''African Anthem Revisited''. He also toured in Europe and the USA with Freddie McGregor, Lloyd Parks, We The People Band, and the Roots Radics Band.
In 1992, he collaborated with former Guns N' Roses guitarist Izzy Stradlin on a duet entitled "Can't Hear 'Em". He was nominated for a NAIRD award, an award from the Billboard Magazine, for his work on his 1990 compilation album ''Mikey Dread's Best Sellers''.
In 1993, Mikey Dread was involved in several projects, including his tour supporting the album ''Obsession'' and working in TV with the Caribbean Satellite Network (CSN) where he was Program Director and On Air personality as well as Producer of various shows.
In 1994 he presented The Culture Award of Honor in the Martin’s International Reggae Music Awards in Chicago. In 1995, he worked as a Radio DJ for WAVS 1170 AM and WAXY-AM 790 in Miami, Florida. In 1996 he participated in the Essential Music Festival as a performer in Brighton, UK.
Mikey furthered his knowledge of TV/Video Production at the Art Institute of Ft. Lauderdale, where he graduated in 1996 with Honors and at Lynn University in Boca Raton / Florida where he earned a Bachelor of Arts Degree in International Communications, with Magna Cum Laude honors.
He did live appearances with The Clash, UB40, Bob Dylan, Carlos Santana, Macka B, Channel One, and many other bands and artists. He also produced artists such as Sugar Minott, Junior Murvin, Earl Sixteen, Wally Bucker, Sunshine, Jah Grundy and Rod Taylor. He also worked closely with producer Trevor Elliot to launch musical career of singer Edi Fitzroy. Mikey Dread was the featured artist on "Lips Like Sugar" with Seal for the soundtrack of the 2004 film, ''50 First Dates''.
After many years working as a producer and singer, Campbell withdrew from the business and moved to Miami where he furthered his college education with courses in electronics and business. Disgusted with several unfair contracts with record companies, Campbell shrewdly waited until all of the existing contracts expired and then regained control over his entire catalogue. Since then, he has been re-releasing much of it on his own Dread At The Controls record label.
Dread, together with The Blizzard of 78, featured on ''The Sandinista! Project'', a tribute to the 1980 Clash album ''Sandinista!'', with the song "Silicone on Sapphire". The tribute album, recorded in 2004, was released on 15 May 2007 by the 00:02:59 Records (a label named after a lyric from the Sandinista! song "Hitsville UK").
In October 2007, it was announced that Campbell was being treated for a brain tumour. He died on 15 March 2008, surrounded by his family, at the home of his sister in Stamford, Connecticut.
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''African Anthem'' |
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Released: 1979 | Recorded: 1978 | Label: Dread at the Controls (DATC LP 002) | LP album>LP | Producer: Mikey Dread | Track listing | # "Saturday Night Style" (Campbell) – 4:55 | # "Industrial Spy" (Dread) – 4:25 | # "Headline News" (Campbell) – 3:06 | # "Mikey Dread in Action" (Campbell) – 5:10 | # "Resignation Dub" (Campbell) – 5:01 | # "Technical Selection" (Campbell) – 3:50 | # "Comic Strip" (Campbell) – 3:02 | # "Pre-Dawn Dub" (Campbell) – 3:21 | # "Operator's Choice" (Campbell) – 4:45 | 2004 and 2005 reissues bonus tracks | Reissues | CD Audio>CD) | *2004 Auralux (LUXXCD 005) (CD, alternative cover, bonus tracks, deluxe edition) | *2005 Dread at the Controls (DATC CD 1033) (CD, alternative cover, bonus tracks, deluxe edition) |
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Released: 1979 | Recorded: 1979 | Trojan Records>Trojan (TRLS 178), Dread at the Controls | LP album>LP | Producer: Mikey Dread | Track listing | # "Everybody Needs a Proper Education" – 7:20 | # "Dread Combination" (Campbell) – 4:12 | # "Love the Dread" (Campbell) – 2:55 | # "The Voice of Jah" – 3:42 | # "Step by Step" – 4:52 | # "Walk Rastafari Way" (Campbell) – 3:45 | # "King in the Ring" – 3:58 | # "Barber Saloon" (Campbell) – 7:20 | 2005 reissues bonus tracks | Reissues | *1979 (as ''Evolutionary Rockers'') Dread at the Controls (LP) | *1989 (as ''Evolutionary Rockers'') Dread at the Controls (CD, bonus tracks) | LP album>LP) | CD Audio>CD, bonus tracks) | *2007 (as ''Evolutionary Rockers'') Dread at the Controls (CD, bonus tracks) | Notes: ''Dread at the Controls'' has been released by DATC as ''Evolutionary Rockers'' in 1979, 1989, and 2007 with different cover arts and track lisitings. |
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Released: 1980 | Recorded: 1980 | Label: Dread at the Controls (TNT1) | LP album>LP | Producer: Mikey Dread | Track listing | # "The Jumping Master" (Campbell) – 5:09 | # "Break Down the Walls" (Campbell) – 5:28 | # "Jah Jah Love (In the Morning)" (Campbell) – 6:47 | # "Israel" (12 Tribe) / "Stylee" (Extended Play) (Campbell) – 3:40 | # "Money Dread" (Campbell) – 3:34 | # "Mental Slavery" (Campbell) – 6:06 | # "Skin Head Skank" (Campbell) – 3:22 | # "Losers Weepers, Finders Keepers" (Campbell) – 6:45 | # "World War III" (Extended Play) (Campbell) – 6:13 | 2002 reissue bonus tracks | Reissues | *1981 Hearthbeat (HB-02) (LP) | CD Audio>CD, bonus tracks) |
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Released: 1981 | Recorded: 1980–1981 | Big Cat Records>Big Cat | LP album>LP | Producer: Mikey Dread | Track listing | # "Break Down the Walls" (Campbell) – 5:47 | # "Jah Jah Love (In the Morning)" (Campbell) – 7:14 | # "The Jumping Master" (Campbell) – 5:39 | # "Israel" (12 Tribe) / "Stylee" (Extended Play) (Campbell) – 8:44 | # "Warrior Stylee" (Extended Stero Style) (Campbell) – 7:51 | # "Money Dread" (Campbell) – 3:33 | # "Rockers Delight" (Extended Play) (Campbell) – 8:05 | # "Mental Slavery" (Campbell) – 6:35 | # "World War III" (Campbell) – 3:43 | Reissues | *1996 Big Cat (23131521)(LP) | CD Audio>CD) | *1997 Big Cat (80109)(CD) | *1999 Big Cat (109)(CD) | *unknown date Heartbeat (CD-HB-02)(CD) |
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Released: 1982 | Recorded: 1982 | Label: Dread at the Controls (DATC LP 005) | LP album>LP | Producer: Mikey Dread | Track listing | # "Demo Dub" – 5:35 | # "Raving Style" – 3:12 | # "Dub Addict" – 3:21 | # "Stereo Dub" – 3:04 | # "Brain Wave" – 2:32 | # "Two Track Dub" – 6:13 | # "Front Room Dub" – 3:17 | # "Control Tower Dub" – 3:26 | # "Reflexion Dub" – 3:36 | # "Dreadlocks Dub" – 3:23 | 2006 reissue bonus track | Reissue | CD Audio>CD, bonus tracks) | Notes: The 2006 reissue has "Front Room Dub" on track number 6 and "Two Track Dub" on track number 7. |
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Released: 1982 | Recorded: 1982 | Label: Dread at the Controls (DATC LP 009) | LP album>LP | Producer: Mikey Dread | Track listing | # "Freestyle Dubatak" – 5:38 | # "Theme from Solidarity" – 4:09 | # "Dub Trakarak" – 4:03 | # "Klappaz Konekshan" – 4:03 | # "3 O'Clock Dubatak" – 5:25 | # "Gully Bank Dub" – 3:24 | # "River Nile Style" – 3:05 | # "Radix Revenge" – 3:03 | # "Tricky Track" – 4:20 | # "Dub Venture" – 3:47 | # "Jamba Dub" – 1:48 | # "Dubservation" – 3:20 | Reissue | CD Audio>CD) |
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Released: 1982 | Recorded: 1982 | Label: Dread at the Controls | LP album>LP | Producer: Mikey Dread | Track listing | # "Signal One" – 6:12 | # "Jungle Signal" – 5:48 | # "Signal Three Dub" – 6:12 | # "Rainbow Jungle" – 2:40 | # "Star Chaser" – 4:40 | # "Jungle Gym" – 5:01 | # "Jungle Juice" – 3:05 | # "Dub Jungle" – 3:59 | # "Theme Signal" – 5:34 | # "Jungle Delight" – 3:20 | Reissue | CD Audio>CD) |
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Released: 1982 | Recorded: 1982 | Label: Heartbeat | LP album>LP | Producer: Mikey Dread | Track listing (CD) | # "Pave the Way" – 4:17 | # "Reggae" / "Hit Shot" – 5:12 | # "Roots and Culture" – 6:06 | # "Sunday School" – 3:37 | # "Knock Knock" – 4:44 | # "(Open the Gate) Come In" – 5:11 | # "Freedom... Is Coming" – 4:37 | # "(Dance) Face to Face" – 4:22 | # "Forever and Ever" – 5:12 | # "Everchanging World" – 4:20 | # "Quest for Oneness" – 2:56 | # "Time Waster" – 3:02 | # "Relax/Enjoy Yourself" – 2:45 | # "Have You Got a Minute to Spare?" – 3:19 | # "Dizzy (Herb Smoker)" – 4:09 | # "Paradise" – 4:19 | # "Too Many Rulers" – 3:32 | Reissues | CD Audio>CD) | Compact Cassette>Cassette | *1999 Heartbeat (CDHB) (CD) | *2005 Dread at the Controls (mikeydread8) (CD) |
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Released: 1982 | Recorded: 1982 | Label: Heartbeat (HB009 [U.S.] / HB09 [UK, alternate cover]) | LP album>LP | Producer: Mikey Dread | Track listing | # "Rocky Road" – 3:15 | # "S.W.A.L.K." – 8:27 | # "Positive Reality" – 3:11 | # "Heavy-Weight Sound" – 5:08 | # "Problems" – 3:27 | # "Zodiac Signs" – 6:12 | # "Armagiddeon Style" – 3:41 | # "In Memory (Jacob, Marcus & Marley)" – 3:20 | 2004 reissue bonus track | Reissues | Compact Cassette>Cassette | CD Audio>CD, bonus tracks) |
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Released: 1989 | Recorded: 1989 | Label: RAS | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Happy Family" – 4:16 | # "Your Love" – 4:06 | # "Good-Bye" – 4:05 | # "African Soldiers" – 4:17 | # "Nelson Mandela" – 4:01 | # "Perfect Woman" – 3:42 | # "Come Back" – 3:50 | # "Ready to Settle Down" – 4:11 | # "The Seagull" – 3:42 | # "I See Jah" – 4:06 |
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Released: 1991 | Recorded: 1991 | Label: RAS (RAS CD 3081) | Format: [[CD Audio | Producer: Mikey Dread | Track listing | # "Break Down the Walls" (Dread) | # "Fatten Frogs for Snakes" (Campbell) | # "Pleasure Knowing U (Plus Dub for U)" (Campbell) | # "Profile" (Campbell) | # "Sugarcain" (Campbell) | # "I Need Your Loving" (Campbell) | # "Cater for Your Loving" (Campbell) | # "Still My #1" (Campbell) | # "Strangers in Love" (Campbell) | # "Cruizing" (Campbell) | # "Sentiments of Love" (Campbell) | # "Awake With Jab" (Campbell) | Reissue | *2005 Dread at the Controls (mikeydread6) (CD) |
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Released: 1991 | Recorded: 1991 | Label: RAS (RAS CD 3082) | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Pleased to Dub You" (Campbell) – 3:44 | # "Break Down the Dub" (Dread) – 3:29 | # "Fatten Dub for Snakes Campbell) – 2:52 | # "Stangers in Dub" (Campbell) – 4:41 | # "Dub File" (Campbell) – 5:05 | # "The Source of Dub" (Campbell) – 3:08 | # "Sweet Dub" (Campbell) – 5:19 | # "Awake With Dub" (Campbell) – 3:44 | # "Still My #1 Dub" (Campbell) – 3:56 | # "So Much Dub" (Campbell) – 5:07 | # "Need Your Dub" (Campbell) – 4:45 | # "Cruizin Dub" (Campbell) – 4:02 | Reissue | *2005 Dread at the Controls (mikeydread14) (CD) |
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Released: 1992 | Recorded: 1992 | Label: Rykodisc (20243) | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Modern Africa" (Campbell) | # "Obsession" (Campbell, Sterrett) | # "Love Connection" (Campbell, Sterrett) | # "One Night Lover" (Campbell) | # "Muscle Up" (Campbell) | # "Museum of Love" (Campbell) | # "Love Encore" (Campbell, Sterrett) | # "This Inspiration" (Campbell) | # "So Many Hills to Climb" (Campbell) | # "Global Harmony" (Campbell) | # "Fighting for Truth and Rights" (Campbell) | # "iddung 'Pon Money" (Campbell) | # "Livin' in the Jungle" (Campbell) | # "Give the Children Education" (Campbell) | # "Tomorrow Will Be Better" (Campbell) | # "African Princess" (Campbell) | # "Line of King David" (Campbell) | # "Full Moon in the Desert" (Campbell) |
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Released: 1995 | Recorded: 1995 | Label: ROIR (8208) | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Dub Party" (Campbell) – 3:58 | # "Buh Yah Kah" (Campbell) – 5:00 | # "Sound Check" (Campbell) – 3:31 | # "Tourist Dub" (Campbell) – 4:09 | # "Haile Selassie Centenary Dub (July 2, 1892-July 23, 1992)" (Campbell) – 4:14 | # "Special Request Dub" (Campbell) – 4:06 | # "Joyride" (Campbell) – 4:12 | # "Everyday Dub" (Campbell) – 3:56 | # "Cover Dub" – 3:53 | # "Mother's Day Dub" (Campbell) – 3:48 | # "Ragamuffin Style" (Campbell) – 3:13 | # "Womanizer Dubtract" (Campbell) – 2:58 | # "(Roir) Commercial Dub" – 4:14 | # "Impulsive Emotions Dub" – 4:03 | # "Cherry Pie" – 4:29 | # "Black Supremacy for South Africa" (Campbell) – 4:38 | Reissue | *2005 Dread at the Controls (mikeydread10) (CD) |
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Released: 2000 | Recorded: 2000 | Label: Dread at the Controls | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Life Is Strange" – 5:09 | # "Loving You" – 3:54 | # "Weekend" – 4:14 | # "Princess" – 4:31 | # "My Religion" – 3:55 | # "World Tour" – 4:01 | # "Homeless People" – 4:02 | # "As We Enter" – 3:46 | # "Original General" – 7:35 | # "I Love My Mother" – 4:49 | # "Behold Jah" – 3:35 | # "Water Molecule" – 3:34 | # "Election Night" – 4:56 | # "I'll Be Yours" – 4:18 | # "Sorry" – 4:44 | # "Chosen Few" – 5:01 |
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Released: 2002 | Recorded: 2002 | Label: Dread at the Controls (3000) | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Rasta in Control" (Campbell) – 4:59 | # "Inna Foreign" (Campbell, Hines, Myton, Reedy) – 3:16 | # "Equal Rights" (Campbell) – 4:02 | # "Like You" (Campbell) – 4:45 | # "Give It a Chance" (Campbell) – 3:57 | # "Reggae Session" (Campbell) – 3:56 | # "Keep Smiling" (Campbell) – 4:51 | # "Prophecy" (Campbell) – 4:35 | # "Debut Performance" (Campbell) – 4:12 | # "How We Used to Live" (Campbell, Easy, Vernal) – 4:10 | # "Great God of Glory" (Campbell) – 3:16 | # "Rasta Irie Oki" (Campbell) – 3:17 | # "His Imperial Majesty" (Campbell) – 4:10 | # "Sacrifice" (Campbell) – 2:48 | # "Prediction" (Campbell) – 2:58 | # "Hawaii Surfer" (Campbell) – 4:09 | # "Year of Decision" (Campbell) – 3:26 | # "Groove City" (Campbell) – 3:26 |
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Released: 2007 | Recorded: 2007 | Label: Dread at the Controls | CD Audio>CD | Producer: Mikey Dread | Track listing | # "Praise Jah Jah" – 4:09 | # "Life Is a Stage" – 5:16 | # "Pound a Weed" – 3:21 | # "Destiny" – 4:34 | # "Backstage Pass" – 4:34 | # "Barcoding" – 4:22 | # "Teenage Pregnancy" – 4:49 | # "I'm Not the Kind" – 4:26 | # "Oh No" – 4:58 | # "Soundbwoy Special" – 5:16 | # "Dread Next Door" – 4:56 | # "Passing Through" – 5:11 | # "First Generation" – 4:45 | # "Point of View" – 5:17 | # "Stem Cells" – 6:15 |
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''African Anthem'' / ''Happy Family'' |
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Released: 1989 | Recorded: 1979-1989 | Label: RAS Records (RASCD-3035) | Format: CD | Producer: Mikey Dread | Note: ''African Anthem'' (1979) and ''Happy Family'' (1989) on one CD. |
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Released: 1989 | Recorded: 1982-1989 | Label: Heartbeat Records (HB 11568) | Format: CD | Producer: Mikey Dread | Note: ''S.W.A.L.K.'' (1982) is combined with a compilation of Dread productions on Heartbeat Records. |
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Released: 20 May 1991 | Recorded: 1979-1989 | Label: Rykodisc (RCD 20178 and RACS 0178-2) | Format: CD and cassette | Producer: Mikey Dread | Track listing | All tracks written by Mikey Dread | # "Quest for Oneness" – 3:03 | # "Break Down the Walls" – 4:43 | # "Goodbye" – 3:59 | # "Industrial Spy" – 4:24 | # "Wake-Up Call" – 3:38 | # "Warrior Stylee" – 4:30 | # "S.W.A.L.K." – 5:17 | # "Barber Saloon-Haircut" – 4:05 | # "Choose Me" – 4:40 | # "Jah Jah Love (In the Morning)" – 7:39 | # "Sunday School" – 3:41 | # "Positive Reality" – 3:22 | # "Enjoy Yourself" – 3:25 | # "Roots and Culture" – 6:10 | # "Knock Knock" – 4:42 | # "My Religion" (live with Roots Radics) – 3:45 | 2003 reissue bonus tracks | Reissue | *2003 Dread at the Controls (DATC CD 2003) (CD, alternative cover, bonus tracks, deluxe edition) |
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Released: 1998 | Recorded: 1978-1992 | Label: Dread at the Controls, Music Club | Format: CD | Producer: Mikey Dread | Track listing | # "Resignation Dub" (Michael Campbell) | # "Industrial Spy" (Mikey Dread) | # "Barber Saloon" (Campbell) | # "S.W.A.L.K." (Dread) | # "Modern Africa" (Campbell) | # "Saturday Night Style" (Campbell) | # "Sunday School" (Dread) | # "Dizzy (Herb Smoker)" | # "Pre-Dawn Dub" (Campbell) | # "Wake-Up Call" (instrumental) (Dread) | # "Roots and Culture" (Dread) | # "Buh Yuk Kah" | # "Technical Selection" (Campbell) |
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Released: 4 January 2006 | Label: Dread at the Controls (DATC CD 2015) | Format: CD | Producer: Mikey Dread | Track listing | # "Natural Rasta" – 4:15 | # "Childhood Days" – 3:59 | # "African Map" – 4:24 | # "Jungle Signal" – 6:06 | # "Change Is Coming" – 4:10 | # "Pound of Weed" – 4:05 | # "Rub a Dub" – 3:50 | # "Equal Rights" – 4:02 | # "Rockers Delight" – 5:40 | # "Get Up and Dance" – 2:30 | # "Autobiography" – 6:41 | # "Rockers Roadshow" – 2:54 | # "Surfer" – 4:09 | # "Backstage Dub" – 4:19 | # "Vegetable Matter" – 4:42 | # "Dub Is the Roots" – 5:49 |
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Released: 4 January 2006 | Recorde: 1979 | Label: Dread at the Controls | Format: CD | Producer: Mikey Dread | Note: ''Dread at the Controls'' (1979) and '''''Evolutionary Rockers'' (1979) on one CD. | Track listing | # "Dread Combination – 4:12 | # "Walk Ras Tafari Way – 3:45 | # "Proper Education – 7:20 | # "King in the Ring – 3:58 | # "Step by Step – 4:52 | # "Love the Dread – 2:55 | # "The Voice of Jah – 3:42 | # "Barber Saloon – 7:20 | # "African Map – 4:17 | # "School Girl – 4:06 | # "East Portland Dub – 4:06 | # "Bull Bay Dubwize – 3:28 | # "Datc Tribute to King Tubby – 3:17 | # "Voice of Dub – 3:30 | # "Internal Energy Dubmix – 2:54 | # "Rastadub – 2:58 | # "School Girl Dub – 4:11 |
;Articles
Category:1954 births Category:2008 deaths Category:Cancer deaths in Connecticut Category:The Clash Category:Deaths from brain cancer Category:Jamaican radio personalities Category:Jamaican reggae musicians Category:Reachout International Records recording artists Category:People from Portland Parish Category:Trojan Records artists
de:Mikey Dread es:Mikey Dread fr:Mikey Dread nl:Mikey Dread ja:マイキー・ドレッド pl:Mikey Dread ru:Майки ДредThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Toots and the Maytals |
---|---|
Landscape | yes |
Background | group_or_band |
Origin | Jamaica |
Genre | ReggaeSkaRocksteady |
Years active | 1963 to early 1980searly 1990s to present |
Label | Beverley'sTrojanV2Mango |
Website | http://www.tootsandthemaytals.com/ http://www.myspace.com/tatm |
Current members | Frederick "Toots" HibbertPaul DouglasCarl HarveyJackie JacksonMichelle EugeneLeba ThomasMarie "Twiggi" GittenNorris WebbCharles FarquarsonRadcliffe "Dougie" BryanAndy Bassford |
Past members | Hux BrownHarold ButlerHenry "Raleigh" Gordon (deceased)Winston Wright (deceased)Nathaniel "Jerry" Matthias or McCarthyWinston Grennan (deceased) }} |
Toots and the Maytals, originally called simply The Maytals, are a Jamaican musical group and one of the best known ska and reggae vocal groups. According to Sandra Brennan at Allmusic, "The Maytals were key figures in reggae music. Formed in the early 1960s when ska was hot, the Maytals had a reputation for having strong, well-blended voices and a seldom-rivaled passion for their music. Frontman Hibbert's soulful style led him to be compared to Otis Redding".
In Kingston, Hibbert met Henry "Raleigh" Gordon and Nathaniel "Jerry" Mathias, forming in 1961 a group whose early recordings were incorrectly attributed to 'The Flames' and 'The Vikings' in the UK by Island Records. The Maytals first had chart success recording for producer Clement "Coxsone" Dodd at Studio One. With musical backing from Dodd's house band, The Skatalites, the Maytals' close-harmony gospel singing ensured success, overshadowing Dodd's other up-and-coming vocal group, The Wailers. After staying at Studio One for about two years, the group moved on to do sessions for Prince Buster before recording with Byron Lee in 1966. With Lee, the Maytals won the first-ever Jamaican Independence Festival Popular Song Competition with their original song "Bam Bam" (not to be confused with the Sister Nancy song of the same title). However, the group's musical career was interrupted in late 1966 when Hibbert was arrested and imprisoned for 18 months. He stated that he was not arrested for ganja, but whilst bailing a friend. He also stated that he made up the number 54-46 when writing "54-46 That's My Number" about his time in jail.
Following Hibbert's release from jail towards the end of 1967, the Maytals began working with the Chinese Jamaican producer Leslie Kong, a collaboration which yielded a string of hits throughout the late 1960s and early 1970s. These included "Do the Reggay", one of several songs released in 1968 to first use the word 'reggae' (spelled 'reggay') in a Jamaican recording; "Pressure Drop"; "54-46 That's My Number" the 1969 Jamaica festival's popular song winner; "Sweet and Dandy"; and "Monkey Man", the group's first international hit in 1970. By 1971, they had not only become the biggest act on the island, they were also (thanks to signing a recording contract with Chris Blackwell's Island Records) international stars. In 1972 they won their third Jamaica festival popular song with "Pomps and Pride". The group was also featured twice in the soundtrack to ''The Harder They Come'', the 1972 film starring Jimmy Cliff, named as one of ''Vanity Fair'''s Top 10 soundtracks of all time.
After Kong's death in 1971, the group continued to record with Kong's former sound engineer, Warrick Lyn. Their re-instated producer Byron Lee renamed them Toots & the Maytals. The group released three best-selling albums produced by Lyn and Blackwell of Island Records, and enjoyed international hits with ''Funky Kingston'' in 1973 and ''Reggae Got Soul'' in 1975. Following the release of ''Reggae Got Soul'', Toots & the Maytals were invited to tour as the opening act for The Who during their 1975-76 North American tour. The tour went poorly and Toots & the Maytals never went on to the success of Bob Marley or Peter Tosh in the U.S.
Toots and the Maytals' compositions would be given a second airing in 1978-80 during the reggae punk and ska revival period in the UK, when The Specials included "Monkey Man" on their 1979 debut album and The Clash covered "Pressure Drop". They were also included in the lyrics to Bob Marley & The Wailers song, "Punky Reggae Party" - ''"The Wailers will be there, The Damned, The Jam, The Clash, The Maytals will be there, Dr. Feelgood too"''. In 1982, Toots & the Maytals' "Beautiful Woman", reached number one in New Zealand, but the group had already broken up.
They reformed in the early 1990s to continue touring and recording successfully.
In 2005, the group released ''True Love'', an album consisting of re-recorded versions of their earlier hits, alongside Bonnie Raitt, Willie Nelson, Eric Clapton, Keith Richards, Trey Anastasio, No Doubt, Ben Harper, The Roots, and Shaggy. The album won the Grammy Award that year for best reggae album.
In 2006, they recorded a reggae/ska version of Radiohead's "Let Down" for the tribute album, ''Radiodread'', by the Easy Star All-Stars. The album was a song for song makeover of the English rock band's album ''OK Computer'' into reggae, dub and ska. In August 2007 Toots & the Maytals released ''Light Your Light'', which featured re-workings of older songs such as "Johnny Cool Man", as well as new material. The album was nominated in 2008 for a Grammy in the best reggae album category.
Toots & the Maytals hold the current record of number one hits in Jamaica, with a total of thirty one.
In March 2009 it was announced that Toots & the Maytals would be performing alongside Amy Winehouse, for their shared record label, Island Records' 50th anniversary. Winehouse had covered the band's "Monkey Man", and the act were supposed to support her at the Shepherds Bush Empire in London on 31 May 2009. However, Winehouse was forced to cancel, leaving the Maytals to play at the more intimate Bush Hall, round the corner from the Empire, to a sell-out crowd.
In the summer of 2009, Toots and the Maytals performed at the Mountain Jam festival at Hunter Mountain, New York.
On 8 July 2011, Toots and the Maytals played the Winnipeg Folk Festival to an outdoor dancing crowd of thousands.
In August 2011, Toots and the Maytals are due to appear at a small number of outdoor events, including Rhythm Festival
Category:Jamaican ska groups Category:First-wave ska groups Category:Grammy Award winners Category:Jamaican reggae musical groups Category:Charly Records artists Category:Trojan Records artists
ca:Toots and The Maytals de:Toots & the Maytals es:Toots and the Maytals fr:Toots and the Maytals gl:Toots and the Maytals it:Toots & the Maytals ht:Maytals hu:Toots & the Maytals nl:Toots and The Maytals ja:トゥーツ・アンド・ザ・メイタルズ no:Toots and the Maytals pl:Toots and The Maytals pt:Toots & the Maytals ru:Toots and the Maytals fi:Toots & the Maytals sv:Toots and the MaytalsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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