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A remix is an alternative version of a recorded song, made from an original version. Sometimes this term is also used for alterations of media or recreation other than song (film, literature, beverages etc.).

A remixer uses audio mixing to compose an alternate master recording of a song, adding or subtracting elements, or simply changing the equalization, dynamics, pitch, tempo, playing time, or almost any other aspect of the various musical components. Some remixes involve substantial changes to the arrangement of a recorded work, but many are harmonic, such as creating a "vocal up" version of a song that emphasizes the lead singer's voice. Contemporary remixes are often produced in a Digital Audio Workstation (DAW), which allow producers to reorganize tracks and apply various effects.

Songs are remixed for a variety of reasons:

• to give a song a second chance at radio and club play
• to create a stereo or surround sound version of a song where none was previously available
• to improve the fidelity of an older song for which the original master recording has been lost or degraded
• to alter a song to suit a specific music genre or radio format
• to use some of the same materials allow the song to reach a different audience
• to alter a song for artistic purposes
• to provide additional versions of a song for use as bonus tracks or for a B-side, for example, in times when a CD single might carry a total of 4 tracks
• to create a connection between a smaller artist and a more successful one, as was the case with the chart-topping remix of Brimful of Asha by Cornershop

Remixes should not be confused with edits, which usually involve shortening a final stereo master for marketing or broadcasting purposes. Another distinction should be made between a remix and a cover. A remix song recombines audio pieces from a recording to create an altered version of the song. A cover is a recording of a song that was previously recorded by someone else.

Roots of the remix[link]

Since the beginnings of recorded sound in the late 19th century, technology has enabled people to rearrange the normal listening experience. With the advent of easily editable magnetic tape in the 1940s and 1950s and the subsequent development of multitrack recording, such alterations became more common. In those decades the experimental genre of musique concrète used tape manipulation to create sound compositions. Less artistically lofty edits produced medleys or novelty recordings of various types.

Modern remixing had its roots in the dance hall culture of late-1960s/early-1970s Jamaica. The fluid evolution of music that encompassed ska, rocksteady, reggae and dub was embraced by local music mixers who deconstructed and rebuilt tracks to suit the tastes of their audience. Producers and engineers like Ruddy Redwood, King Tubby and Lee "Scratch" Perry popularized stripped-down instrumental mixes (which they called "versions") of reggae tunes. At first they simply dropped the vocal tracks, but soon more sophisticated effects were created, dropping separate instrumental tracks in and out of the mix, isolating and repeating hooks, and adding various effects like echo, reverberation and delay.

From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure).^[1] Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high profile remixer to do so.) His contemporaries included Arthur Baker and François Kevorkian.

Contemporaneously to disco in the mid-1970s, the dub and disco remix cultures met through Jamaican immigrants to the Bronx, energizing both and helping to create hip hop music. Key figures included DJ Kool Herc and Grandmaster Flash. Cutting (alternating between duplicate copies of the same record) and scratching (manually moving the vinyl record beneath the turntable needle) became part of the culture, creating what Slate magazine called "real-time, live-action collage." One of the first mainstream successes of this style of remix was the 1983 track "Rockit" by Herbie Hancock, as remixed by Grand Mixer D.ST. Malcolm McLaren and the creative team behind ZTT Records would feature the "cut up" style of hip hop on such records as "Duck Rock."

Electronic music[link]

Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles. These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 bars of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end. As the cost and availability of new technologies allowed, many of the bands who were involved in their own production (such as Yellow Magic Orchestra, Depeche Mode, New Order, Erasure, and Duran Duran) experimented with more intricate versions of the extended mix. Madonna began her career writing music for dance clubs and used remixes extensively to propel her career; one of her early boyfriends was noted DJ John Jellybean Benitez, who created several memorable mixes of her work.

Art of Noise took the remix styles to an extreme—creating music entirely of samples. They were among the first popular groups to truly harness the potential that had been unleashed by the synthesizer-based compositions of electronic musicians such as Kraftwerk, Yellow Magic Orchestra, Giorgio Moroder, and Jean Michel Jarre. Contemporaneous to Art of Noise was the seminal body of work by Yello (composed, arranged and mixed by Boris Blank). Primarily because they featured sampled and sequenced sounds, Yello and Art of Noise would produce a great deal of influential work for the next phase. Others such as Cabaret Voltaire and the aforementioned Jarre (whose Zoolook was an epic usage of sampling and sequencing) were equally influential in this era.

	Scott Brown - "Elysium" (1999) noicon 29 second sample from Scott Brown's "Elysium" - original.
Problems listening to this file? See media help.

	Ultrabeat vs. Scott Brown - "Elysium (radio edit)" (2006) noicon 28 second sample of the Ultrabeat and Scott Brown vocal remix.
Problems listening to this file? See media help.

After the rise of dance music in the late 1980s, a new form of remix was popularised, where the vocals would be kept and the instruments would be replaced, often with matching backing in the house music idiom. A clear example of this approach is Roberta Flack's 1989 ballad "Uh-Uh Ooh-Ooh Look Out (Here It Comes)", which Chicago House great Steve "Silk" Hurley dramatically reworked into a boisterous floor-filler by stripping away all the instrumental tracks and substituting a minimalist, sequenced "track" to underpin her vocal delivery. The art of the remix gradually evolved, and soon more avant-garde artists such as Aphex Twin were creating more experimental remixes of songs (relying on the groundwork of Cabaret Voltaire and the others), which varied radically from their original sound and were not guided by pragmatic considerations such as sales or "danceability", but were created for "art's sake."

In the 1990s, with the rise of powerful home computers with audio capabilities came the mash-up, an unsolicited, unofficial (and often legally dubious) remix created by "underground remixers" who edit two or more recordings (often of wildly different songs) together. Girl Talk is perhaps the most famous of this movement, creating albums using sounds entirely from other music and cutting it into his own. Underground mixing is more difficult than the typical official remix, because clean copies of separated tracks such as vocals or individual instruments are usually not available to the public. Some artists (such as Björk, Nine Inch Nails, and Public Enemy) embraced this trend and outspokenly sanctioned fan remixing of their work; there was once a web site which hosted hundreds of unofficial remixes of Björk's songs, all made using only various officially sanctioned mixes. Other artists, such as Erasure, have included remix software in their officially released singles, enabling almost infinite permutations of remixes by users. The band have also presided over remix competitions for their releases, selecting their favourite fan-created remix to appear on later official releases.

Remixing has become very prevalent in heavily synthesized electronic and experimental music circles. Many of the people who create cutting edge music in such genres as synthpop and aggrotech are solo artists or pairs. They will often use remixers to help them with skills or equipment that they do not have. Artists such as Chicago-based Delobbo, Dallas-based LehtMoJoe, and Russian DJ Ram, who has worked with t.A.T.u, are sought out for their remixing skill and have impressive lists of contributions. It is not uncommon for industrial bands to release albums which have remixes as half of the songs. Indeed, there have been popular singles that have been expanded to an entire album of remixes by other well-known artists.

Some industrial groups allow, and often encourage, their fans to remix their music, notably Nine Inch Nails, whose website contains a list of downloadable songs that can be remixed using Apple's GarageBand software. Some artists have started releasing their songs in the U-MYX format, which allows the buyers to mix songs and share them on the U-MYX website.

Urban music[link]

Remixes have become the norm in contemporary dance music, giving one song the ability to appeal across many different musical genres or dance venues. Such remixes often include "featured" artists, adding new vocalists or musicians to the original mix. The remix is also widely used in hip-hop and rap music. An R&B remix usually has the same music as the original song but has added or altered verses that are rapped or sung by the featured artists. It usually contains some if not all of the original verses of the song however, these verses may be arranged in a different order depending on how the producers decided to remix the song.

In the early 1990s, Mariah Carey became one of the first mainstream artists who re-recorded vocals for a dancefloor version, and by 1993 most of her major dance and urban-targeted versions had been re-sung, e.g. "Dreamlover". Some artists would contribute new or additional vocals for the different versions of their songs. These versions were not technically remixes, as entirely new productions of the material were undertaken (the songs were "re-cut", usually from the ground up). In 1988, Sinead O'Connor's art-rock song "I Want Your (Hands On Me)" was remixed to emphasize the urban appeal of the composition (the original contains a tight, grinding bassline and a rhythm guitar not entirely unlike Chic's work). M.C. Lyte was asked to provide a "guest rap," and a new tradition was born in pop music. George Michael would feature three artistically differentiated arrangements of "I Want Your Sex" in 1987, highlighting the potential of "serial productions" of a piece to find markets and expand the tastes of listeners. In 1995, after doing "California Love", which proved to be his best selling single ever, Tupac Shakur would do its remix with Dr. Dre again featured, who originally wanted it for his next album, but relented to let it be on the album All Eyez on Me instead. This also included the reappearance of Roger Troutman, also from the original, but he ended the remix with an ab lib on the outro. Another well-known example is R. Kelly, who recorded two different versions of "Ignition" for his 2003 album Chocolate Factory. The song is unique in that it segues from the end of the original to the beginning of the remixed version (accompanied by the line "Now usually I don't do this, but uh, go ahead on, break em' off with a little preview of the remix.") In addition, the original version's beginning line "You remind me of something/I just can't think of what it is" is actually sampled from an older Kelly song, "You Remind Me of Something". Madonna's I'm Breathless featured a remix of "Now I'm Following You" that was used to segue from the original to "Vogue" so that the latter could be added to the set without jarring the listener.

Many hip-hop remixes arose either from the need for a pop/R&B singer to add more of an urban, rap edge to one of their slower songs, or from the need for a rapper to gain more pop appeal by getting an R&B singer to sing some lines here and there. When a song by a solo artist does not take off, a remix with additional performers can give the song a second chance.

Thanks to a combination of guest raps, re-sung or altered lyrics and alternative backing tracks, some hip-hop remixes can end up being almost entirely different songs from the originals. An example is the remix of "Ain't It Funny" by Jennifer Lopez, which has little in common with the original recording apart from the title.

Slow ballads and R&B songs can be remixed by techno producers and DJ's in order to give the song appeal to the club scene and to urban radio. Conversely, a more uptempo number can be mellowed to give it "quiet storm" appeal. Frankie Knuckles saddled both markets with his Def Classic Mixes, often slowing the tempo slightly as he removed ornamental elements to soften the "attack" of a dancefloor filler. These remixes proved hugely influential, notably Lisa Stansfield's classic single "Change" would be aired by urban radio in the Knuckles version, which had been provided as an alternative to the original mix by Ian Devaney and Andy Morris, the record's producers.

Broader context[link]

John Von Seggern of the ethnomusicology department at the University of California, Riverside says that the remix "is a major conceptual leap: making music on a meta-structural level, drawing together and making sense of a much larger body of information by threading a continuous narrative through it. This is what begins to emerge very early in the hip-hop tradition in works such as Grandmaster Flash's pioneering mix recording Adventures on the Wheels of Steel. The importance of this cannot be overstated: in an era of information overload, the art of remixing and sampling as practiced by hip-hop DJs and producers points to ways of working with information on higher levels of organization, pulling together the efforts of others into a multilayered multireferential whole which is much more than the sum of its parts."

A remix may also refer to a non-linear re-interpretation of a given work or media other than audio. Such as a hybridizing process combining fragments of various works. The process of combining and re-contextualizing will often produce unique results independent of the intentions and vision of the original designer/artist. Thus the concept of a remix can be applied to visual or video arts, and even things farther afield. Mark Z. Danielewski's disjointed novel House of Leaves has been compared by some to the remix concept.

Remix in literature[link]

A remix in literature is an alternative version of a text. William Burroughs used the cut-up technique developed by Brion Gysin to remix language in the 1960s.^[2] Various textual sources (including his own) would be cut literally into pieces with scissors, rearranged on a page, and pasted to form new sentences, new ideas, new stories, and new ways of thinking about words.

Naked Lunch (1959) is a famous example of an early novel by Burroughs based on the cut-up technique. Remixing of literature and language is also apparent in Pixel Juice (2000) by Jeff Noon who later explained using different methods for this process with Cobralingus (2001).

Remix in art[link]

A remix in art often takes multiple perspectives upon the same theme. An artist takes an original work of art and adds their own take on the piece creating something completely different while still leaving traces of the original work. It is essentially a reworked abstraction of the original work while still holding remnants of the original piece while still letting the true meanings of the original piece shine through. Famous examples include the Marilyn prints of Andy Warhol (modifies colors and styles of one image), and The Weeping Woman by Pablo Picasso, (merges various angles of perspective into one view). Some of Picasso's other famous paintings also incorporate parts of his life, such as his love affairs, into his paintings. For example, his painting Les Trois Danseuses, or The Three Dancers, is about a love triangle.

Other types of remixes in art are parodies. A parody in contemporary usage, is a work created to mock, comment on, or make fun at an original work, its subject, author, style, or some other target, by means of humorous, satiric or ironic imitation. They can be found all throughout art and culture from literature to animation. Current television shows are filled with parodies such as South Park, Family Guy, and the Simpsons.

The internet has allowed for art to be remixed quite easily, as evidenced by sites like memgenerator.net (provides pictorial template upon which any words may be written by various anonymous users), and Dan Walsh's Garfieldminusgarfield.net [1] (removes the main character from various original strips by Garfield creator Jim Davis).

Remix in media and consumer products[link]

In recent years the concept of the remix has been applied analogously to other media and products. In 2001, the British Channel 4 television program Jaaaaam was produced as a remix of the sketches from the comedy show Jam. In 2003 the Coca-Cola Corporation released a new version of their soft drink Sprite with tropical flavors under the name Sprite Remix.

Remix production is now often involved in media production as a form of parody. Scary Movie series is famous for its comic remix of various well-known horror movies such as Ring, Scream, and Saw. This form of remix is also used in advertisements, creating parodies of famous movies, TV series, etc. For example, McDonald published a commercial poster that parodied the movie Dark Knight.

Copyright implications[link]

Because remixes may borrow heavily from an existing piece of music (possibly more than one), the issue of intellectual property becomes a concern. The most important question is whether a remixer is free to redistribute his or her work, or whether the remix falls under the category of a derivative work according to, for example, United States copyright law. Of note are open questions concerning the legality of visual works, like the art form of collage, which can be plagued with licensing issues.

There are two obvious extremes with regard to derivative works. If the song is substantively dissimilar in form (for example, it might only borrow a motif which is modified, and be completely different in all other respects), then it may not necessarily be a derivative work (depending on how heavily modified the melody and chord progressions were). On the other hand, if the remixer only changes a few things (for example, the instrument and tempo), then it is clearly a derivative work and subject to the copyrights of the original work's copyright holder.

The Creative Commons non-profit group created the ccMixter website to provide remixers with creative material licensed for remixers to use with permission. A number of netlabels have similarly used liberal licensing to facilitate remixing.

The Fair Use agreement allows users to use copyrighted materials without asking the permission of the original creator (section 107 of the federal copyright law).Within this agreement, the copyrighted material that is borrowed must be used under specific government regulations. Material borrowed falls under fair use depending on the amount of original content used, the nature of the content, the purpose of the borrowed content, and the effect the borrowed content has on an audience. Unfortunately, there are no distinct lines between copyright infringement and abiding by fair use regulations while producing a remix.^[3] . However, if the work that is distributed by the remixer is an entirely new and transformative work that is not for profit, copyright laws are not breached.

See also[link]

• Musical montages
• Sound collage
• Cover version
• Multitracking
• Ccmixter
• Assemblage
• WhoSampled

References[link]

External links[link]

Look up remix in Wiktionary, the free dictionary.

• "The Remixmasters", Slate (July 29, 2002) at slate.msn.com

Kid Cudi
Kid Cudi performing in Denver, Colorado in 2011
Background information
Birth name	Scott Ramon Seguro Mescudi
Born	(1984-01-30) January 30, 1984 (age 28) Cleveland, Ohio, United States
Genres	Alternative hip hop, neo-psychedelia, pop rock
Occupations	Rapper, singer-songwriter, guitarist, actor
Instruments	Vocals, guitar, drums
Years active	2003–present
Labels	GOOD, Universal Republic,[1] Wicked Awesome
Associated acts	WZRD, Dot da Genius, Kanye West, Chip tha Ripper, Ratatat
Website	www.KidCudi.com

Scott Ramon Seguro Mescudi^[2] (born January 30, 1984),^[3] better known by his stage name Kid Cudi ( /ˈkɪd ˈkʌdi/ KID KUD-ee), sometimes stylized KiD CuDi, is an American alternative hip hop recording artist, singer-songwriter, guitarist and actor. He first gained major attention after the release of his debut mixtape A Kid Named Cudi. In 2009, his single "Day 'n' Nite" reached the top five of the Billboard Hot 100 and Hot R&B/Hip-Hop Songs charts. "Day 'n' Nite" was included on Cudi's debut album Man on the Moon: The End of Day, which was later certified Gold. In 2010 he released his second studio album Man on the Moon II: The Legend of Mr. Rager, preceded by the release of two singles "Erase Me" and "Mr. Rager". In October 2010, Cudi announced that he would be forming a rock band with Dot da Genius called 'Wizard', later renamed WZRD. Their self-titled debut album was released on February 28, 2012.^[4] Kid Cudi has sold over 4.6 million digital singles and has worked with Kanye West, Common, David Guetta and other artists signed to the GOOD Music label.^[5]

In 2009 Cudi, along with record producers Patrick "Plain Pat" Reynolds and Emile Haynie launched their record label, Dream On, in partnership with Kanye West's GOOD Music and Universal Motown. On February 26, 2011 Cudi took to his Twitter account to announce that the label had been dissolved due to differences. In April 2011, while performing at New York City’s Roseland Ballroom Kid Cudi announced he was launching his own label: "Wicked Awesome Records".

Biography[link]

1984-2008: Early life and career beginnings[link]

Kid Cudi was born in Cleveland, Ohio and grew up in Shaker Heights and Solon. He is the youngest of four children, with two brothers, Domingo and Dean, and a sister, Maisha.^[6] His father, a house painter, substitute teacher and World War II Air Force veteran was Mexican-Native American, while his mother, a middle-school choir teacher at Roxboro Middle School, in Cleveland Heights, Ohio, is African-American.^[7][8] When he was eleven years old, Mescudi's father died of cancer; his passing would have a significant effect on Mescudi's personality and subsequently his music.^[8] Mescudi attended Shaker Heights High School for two years, then transferred to Solon High School, and later earned his GED. Eventually, Mescudi studied film at the University of Toledo then dropped out after a year.^[6]

It was towards the end of high school that Mescudi first began rapping, inspired by alternative hip hop groups such as The Pharcyde and A Tribe Called Quest.^[8] He moved to Brooklyn in New York City to pursue a music career.^[2] In July 2008, Kid Cudi released his first mixtape, A Kid Named Cudi, in collaboration with New York street-wear brand 10.Deep as a free download.^[9] The mixtape quickly caught the attention of Kanye West, which in turn spawned his signing to GOOD Music later that year.

Kid Cudi was featured on Kanye West's 2008 album, 808s & Heartbreak, singing with West on the track "Welcome to Heartbreak", and helping with songwriting on "Heartless" and "Paranoid". "Welcome to Heartbreak" peaked at #87 on the Pop 100,^[10] and music videos for both songs have been released. Cudi was then tipped as an artist to watch for in media such as Rolling Stone, Vibe, The Source, XXL and BBC News's Sound of 2009 poll of up-and-coming acts.^[11] MTV News also reported on Cudi on a series of reports MCs To Watch In 2009.^[12]

Kid Cudi performing at Central Park Summerstage in New York City, in 2008.

His first television appearance was at the 2008 MTV Video Music Awards, alongside Travis Barker and DJ AM. On February 17, 2009, he appeared on Snoop Dogg's MTV talk show Dogg After Dark performing "Day 'n' Nite" at the end of the show. Two days later on February 19, 2009, Cudi appeared on BET's 106 & Park with Kanye West to debut the video of "Day 'n' Nite". On March 16, 2009 Kid Cudi performed on mtvU's Spring Break special, and the next day he performed three songs on NBC's Last Call with Carson Daly. He has also appeared as a musical guest on The Late Show with David Letterman and Jimmy Kimmel Live!.

Kid Cudi also made a cameo appearance next to Solange in the video for the song "T.O.N.Y." in February 2009, and later in The Black Eyed Peas' video for "I Gotta Feeling", with David Guetta. He has also been on two magazine covers, Complex (August/September 2009) and URB (August 2009). Bape awarded Cudi his own t-shirt in September 2009, in reward for his music and past employment there when living in New York City.

[edit] 2009–2010: Man on the Moon series

Kid Cudi performing on August 6, 2009.

Cudi's debut album Man on the Moon: The End of Day was released on Universal Motown Records on September 15, 2009^[13] and sold 104,419 copies in the first week and charted at #4.^[14] The album's lead single "Day 'n' Nite", Kid Cudi's greatest commercial success thus far, charted well both in the U.S. and in Europe. The second single was "Make Her Say" (originally titled "I Poke Her Face"), which features a sample from Lady Gaga's hit single "Poker Face" and performances by Kanye West and Common.^[15][16]

On February 25, 2009, Cudi self-leaked a "teaser trailer" ^[17] for the upcoming Transformers: Revenge of the Fallen film using his song "Sky Might Fall" in the background, later he posted that he made the trailer himself and was in talks to possibly make it official.^[18]

With Emile Haynie, Cudi produced an exclusive single called "Switchin Lanes" for the video game Midnight Club: Los Angeles, part of its "South Central Premium Upgrade" downloadable content (DLC) which came out March 19, 2009 for the PlayStation 3 and March 27, 2009 for the Xbox 360.^[19]

He revealed information about his future plans via his blog, saying that a possible collaboration with Chip tha Ripper could be followed with a collaboration project with electrorock duo Ratatat.^[20] During the summer of 2009, Cudi joined rapper Asher Roth for the Great Hangover concert tour.^[21] Kid Cudi was featured on the highly anticipated Jay-Z album The Blueprint 3 (2009), on the song "Already Home".^[22] In a late 2009 interview, Cudi announced that the follow-up to his debut album will be a collaboration album called Cudder and the Revolution of Evolution. He stated he has already recorded songs with Snoop Dogg, Travis Barker, Clipse, Cage and Pharrell and would also like to work with Drake, Green Day, Kings of Leon, Robin Thicke, The Killers and The Postal Service on the album. Also it was rumored that Man on the Moon: The End of Day will be followed up by a sequel titled Man on the Moon: The Ghost in the Machine and that the Man on the Moon will be a trilogy, but was not been confirmed.^[23] Kid Cudi was nominated for three 2010 Grammy Awards for his singles, "Day 'n' Nite" and "Make Her Say".^[24] Kid Cudi was featured on Snoop Dogg's re-release of Malice n Wonderland, More Malice (2010), on the song "That Tree",^[25] as well as teaming up with Johnny Polygon to remix Polygon's "The Riot Song" which appears on his mixtape, Rebel Without Applause(2010)^[26] On April 20, 2010, Kid Cudi announced that the name of his second album has been changed from Cudder and the Revolution of Evolution to Man on the Moon II: The Legend of Mr. Rager.^[27][28] On June 11, 2010, Kid Cudi was arrested in the Chelsea neighborhood of the Manhattan borough New York City and charged with felony criminal mischief and possession of a controlled substance.^[29] Despite his arrest, he was released and made it to Manchester, Tennessee in time to play at Bonnaroo.

The lead single for Cudi's second studio album titled "Erase Me" featuring Kanye West and produced by Jim Jonsin, debuted on a Cleveland radio station June 30, 2010 and was officially released to Rhythm/Crossover radio on August 17, 2010.^{[30][31][32][33]} The album debuted at number three on the US Billboard 200 chart, with first-week sales of 169,000 copies.^[34] In its second week it crossed the 200,000 sales mark.^[35] 2010 also featured Kid Cudi on a number of songs for Kanye West's weekly free music giveaway G.O.O.D. Fridays appearing on "Good Friday", "Christian Dior Denim Flow" and "The Joy", which later became a bonus track on Jay-Z and Kanye West collaborative effort Watch the Throne (2011).

2011-present: New direction and WZRD[link]

In October 2010, Cudi announced that he would be forming a rock band with Dot da Genius tentatively called 'Wizard'.^[36] However, in early 2011, he announced that he would be releasing a mixtape prior to the rock album.^[37] On February 26, 2011 Cudi took to his Twitter account to announce that Dream On, the record label he launched back in 2009 with partners Patrick “Plain Pat” Reynolds and producer Emile Haynie, has been dissolved.^[38] However in an interview with Complex Magazine he explained they were still on good terms: "I wanted to try something new, and I wanted to take control of things myself. Those are still my guys, Pat and Emile, and I'm still going to work with them in the future. When we start working on Man on the Moon III I’ll be calling them up to see if they want to be a part of it. I know Emile is definitely down. We had an issue, but we’re men and we were able to figure it out and move forward. There’s no hard feelings."^[39]

In March 2011, Cudi announced that a music video for "Marijuana" will be released in the spring,^[40] followed by a music video for "Mr. Rager" in the summer of 2011.^[40] As well as a short film inspired by his song "Maniac" with Cage, directed by Shia LaBeouf^[41] will be released in October 2011.^{[dated info][40]}

In April 2011, while performing at New York City’s Roseland Ballroom Kid Cudi announced name of the record label he is launching. The new label, which he will be releasing his third studio album on is called “Wicked Awesome Records”. He also renamed his band on the same occasion to '2 Be Continuum' renaming it from the original 'Wizard'. Kid Cudi explained his reasoning saying: "I needed something more original, something different, but it’s still wizardry at its finest."^[42] On August 12, 2011, Kid Cudi released the music video for "No One Believes Me", directed by Fright Night director Craig Gillespie. Although the song was recorded as a collaborative song with Dot da Genius, the single was released under Kid Cudi's name.^[43] On August 21, Cudi announced that he is no longer releasing the mixtape A Man Named Scott so that he can focus on his rock project and his third solo album Man on the Moon III.^[44] Kid Cudi released a video for Man on the Moon II: The Legend of Mr. Rager's title track "Mr. Rager" on September 8, 2011. The video has received all-positive reviews from critics and fans alike.^[45]

Despite saying he will not do many more features for other artists in Complex magazine's October/November 2011 cover story,^[46] he appeared on Bryan Greenberg's second studio album We Don't Have Forever (2011), Travis Barker's Give the Drummer Some (2011), The Knux's Eraser (2011), and Wale's Ambition (2011) respectively.

On October 30, Cudi released the Maniac, a short horror film co-starring Cage and directed by Shia LaBeouf, through his blog.^[47]

On November 13, 2011, a previously unreleased mixtape of material Cudi had recorded from 2002-2003 titled Rap Hard was released. On November 18, 2011 renamed his band, for the second time to 'WZRD'.^[48] He also announced that the upcoming rock project will be released on his 28th birthday, January 30, 2012.

In late 2011, Cudi was mentioned in a viral video by Ben Breedlove about his near death experiences.^[49] After Breedlove's death on December 26, 2011, Cudi commented on his thoughts about inspiring the young kid. "I am so sad about Ben Breedlove," Kid Cudi wrote on his Tumblr blog. "I watched the video he left for the world to see, and him seeing me in detail, in his vision really warmed my heart. I broke down, I am to tears because I hate how life is so unfair. This has really touched my heart in a way I cant describe, this is why I do what I do. Why I write my life, and why I love you all so much. Life is really f---- up sometimes, but I know Ben is at Peace, and I hope he gets a chance to sit and talk with my Dad. We love you Ben. Forever. Thank you for loving me. To Ben’s family, you raised a real hero, he’s definitely mine. You have my love."

In January 2012 Cudi appeared on two songs off Chip tha Ripper's mixtape Tell Ya Friends, "Ride 4 You" which also featured Far East Movement and "GloryUs" which credited the duo as they are collectively known, The Almighty GloryUs, which led to speculation that a project from the two was underway. On January 31, Cudi announced through his Twitter feed that he had completed Man on the Moon III and that his next album was the collaborative effort with Chip tha Ripper.^[50] In 2012 Cudi was featured on the soundtrack to the film The Hunger Games, crafting an original song for the film titled "The Ruler and the Killer". Cudi wrote on Twitter, "I could not have done it with out my producing partners on the project for the film, The legendary and Godly T Bone Burnett and Greg Wells!", referring to "The Ruler and the Killer"^[51]

While working on WZRD, Cudi claims he had writer's block for almost 5 months because of his new sobriety. Something that never has happened to him for such an extended period of time. According to Kid Cudi, bands that inspired the album include Electric Light Orchestra, Jimi Hendrix, Nirvana and Pink Floyd. The album includes a song titled "Where Did You Sleep Last Night?", a cover of the same titled song by Nirvana who in turn was inspired by blues guitar legend Lead Belly's rendition of the traditional folk song.^[52]

Acting career[link]

Kid Cudi starred in the new HBO comedy series How to Make It in America until its cancellation after 2 seasons. He is credited under his real name.^[53]

Personal life[link]

On March 26, 2010, his daughter, Vada Wamwene Mescudi, was born.^[54][55]

Discography[link]

Studio albums

• Man on the Moon: The End of Day (2009)
• Man on the Moon II: The Legend of Mr. Rager (2010)
• Man on the Moon III (2012)^[56]

Collaborative albums

• WZRD (2012) (with Dot da Genius as WZRD)^[37]
• Cruel Summer (2012) (with GOOD Music)^[57]
• The Almighty GloryUS (TBA) (with Chip tha Ripper)

Mixtapes

• A Kid Named Cudi (2008)

Awards and nominations[link]

Filmography[link]

References[link]

External links[link]

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Ellie Goulding
Goulding performing at Lincoln Hall, Chicago, U.S., March 30, 2011.
Background information
Birth name	Elena Jane Goulding
Born	(1986-12-30) 30 December 1986 (age 25) Hereford, Herefordshire, England
Origin	London, England
Genres	Indie pop, electropop, synthpop, folktronica
Occupations	Singer-songwriter, guitarist, pianist, drummer
Instruments	Vocals, guitar, drums, piano, clarinet, mandolin, tambourine
Years active	2007–present
Labels	Neon Gold, Polydor, Cherrytree, Interscope
Associated acts	Starsmith, Frankmusik, Diana Vickers, Gabriella Cilmi, Little Boots, Tinie Tempah, Erik Hassle, Lissie, Mumford & Sons, Skrillex,Swedish House Mafia, Lupe Fiasco, DJ Daaar
Website	elliegoulding.com

Elena Jane Goulding (born 30 December 1986),^[1] known professionally as Ellie Goulding, is an English singer-songwriter. In 2010 she became the second artist to both top the BBC's annual Sound of... poll and win the Critics' Choice Award at the BRIT Awards in the same year, following Adele's win of both in 2008. After signing to Polydor Records in 2009, she released her first EP in 2009, An Introduction to Ellie Goulding, followed by her debut studio album Lights in 2010. Her album debuted at number one on the UK Albums Chart and has sold over 650,000 copies in the UK. "Lights" was released in America March 8th 2011, where the title track has been certified platinum by the RIAA (excess of 1 million units sold) ^[2].

Goulding is a soprano,^[3] and her musical style has been compared to that of Kate Nash, Meiko, Lykke Li and Tracey Thorn.^[4]

Background and personal life[link]

Goulding was born and brought up in a small town near Hereford, Herefordshire, the second of four children.^[5][6] She began playing the clarinet at the age of nine, and at 14 began learning guitar. She attended Lady Hawkins' School in Kington, where she won a main part in a school production, the Wizard Of Oz, as the scarecrow. She started songwriting at the age of 15 and while in college she won a singing competition.^[7]

After commencing a drama course, politics course, and an English course at the University of Kent,^[8] where she was exposed to electronic music, she developed her sound on the track "Wish I Stayed" with the help of Starsmith and Frankmusik. Starsmith went on to become her chief collaborator and primary producer of Lights. After two years at Kent, she was advised to take a gap year to pursue singing,^[9][10] and moved to West London.^[11]

She is a keen runner, running six miles every day, and in 2010 announced plans to run a marathon.^[6] In support of her second EP, Run Into the Light, she invited a small number of fans through her Facebook pages, to run with her in seven different cities on her UK tour,^[12] and has announced that she will be doing the same across Europe and the United States. Goulding is considered to have an impressively athletic physique.^[13][14][15]

Music career[link]

Early career[link]

Signed to Polydor Records in September 2009,^[9] Goulding's debut single, "Under the Sheets", was released digitally in the United Kingdom on 15 November 2009,^[16] peaking at number fifty-three on the UK Singles Chart.^[17] In October 2009 she toured the UK supporting Little Boots,^[18] and appeared on Later... with Jools Holland, performing "Under the Sheets" and "Guns and Horses".^[19] "Wish I Stayed" was available as a free download as the Single of the Week on iTunes Store UK from 22–28 December 2009.^[20]

[edit] 2009–11: Lights and Bright Lights

Before the release of her debut studio album, Goulding won the BBC Sound of 2010 poll, which showcases the critics, broadcasters and music industry insiders' top choices for rising stars and artists for the coming year.^[21] She also won the Critics' Choice Award at the 2010 BRIT Awards, which prize made her the second artist to win both in the same year.^[22]

Goulding performing in Amsterdam on 17 September 2010.

Goulding's debut album Lights was released in March 2010, reaching number one on the UK Albums Chart and number six on the Irish Albums Chart.^[23][24][25] Its singles, "Starry Eyed", "Guns and Horses" and "The Writer" peaked at numbers 4, 26, and 19 respectively.^[17] The album has sold over 650,000 copies in the UK as of April 2012.^[26] In August 2010, Goulding released a second EP, Run Into the Light, containing remixes of songs from Lights. The album was supported by Nike and was released through Polydor as a running soundtrack in an effort to get Goulding's music taken up by the national running subculture.^[12]

In November 2010, Lights was re-released as Bright Lights, with six new tracks added. It was originally announced that the lead single from Bright Lights would be the new edit of the title track with a release scheduled for 1 November 2010.^[27] Yet this was scrapped to allow her cover of Elton John's "Your Song" to be released in conjunction with the John Lewis Christmas 2010 advertising campaign in the UK.^[28] The single became Goulding's highest-charting single to date, reaching number two on the UK Singles Chart.^[17] The song also charted in some European countries in early 2011.^[29]

Goulding toured in support of Lights and supported Passion Pit in March 2010 and John Mayall during his British tour in May 2010.^[30] During the summer she performed at a number of festivals. On 29 May she performed at the Dot to Dot Festival in Bristol.^[12] She performed a set on 25 June at the Glastonbury Festival 2010 on the John Peel Stage.^[31] Her third EP was a live recording of part of her set at the iTunes Festival 2010.^[32] The whole set was ultimately included as bonus content on the iTunes version of Bright Lights.^[33] She made her T in the Park debut on 11 July.^[34] She played on the Nissan Juke Arena at the 2010 V Festival in late August.^[35] In September she was part of the line-up at Bestival 2010 on the Isle of Wight.^[36] In support of the album in Europe she performed on the first day of Pukkelpop in Belgium, at the Open'er Festival in Poland and at Benicàssim in Spain.^[37] A track from Lights, "Every Time You Go", was featured in the Vampire Diaries episode "Founder's Day", "Your Biggest Mistake" appeared in an episode of The Inbetweeners.^[38] and "Believe Me" appeared in an episode of 90210. She began a tour of the United States and Canada in February 2011 to coincide with the release of the American edition of Lights.^[39] In August/September 2010 the singer was an opening act on Irish alternative rock band U2's U2 360 Tour in Munich, Germany, Vienna, Austria, and Zurich, Switzerland.^{[citation needed]}

In January 2011 it was announced that the title track from Lights would serve as the second single from Bright Lights.^[40] In early 2011 she recorded an original song for the film Life in a Day. Goulding was placed at number five on Rolling Stone's annual hot list in February 2011.^[41] In February 2011 she returned to the BRIT Awards where she was nominated for Best British Female and Best British Breakthrough Act, but lost out to Laura Marling and Tinie Tempah, respectively.^[42] Previously she had performed at the BRITs launch party where the nominations were announced.

She also played live at Coachella Valley Music and Arts Festival in April 2011.^[6] Goulding made her American television debut on Jimmy Kimmel Live on 7 April 2011 performing "Starry Eyed". She appeared as the musical guest on the 700th episode of the Saturday Night Live, broadcast 7 May 2011 and hosted by Tina Fey.^[43][44] She served as one of many live performers at the wedding reception of Prince William and Kate Middleton on 29 April 2011 singing her rendition of "Your Song" for the couple's first dance as well as her hits "The Writer" and "Starry Eyed" and several of William and Kate's personal favourites.^[45] She was introduced to Prince William by Tinie Tempah at a music festival during the summer of 2010. Goulding performed, for the second consecutive year, at Radio 1's Big Weekend on Saturday 14 May.^[46]

Goulding headlined the 2011 Wakestock Festival in Wales, performing on 8 July.^[47] In August she, again, performed at V Festival for her second year in a row.^[48] Following the re-release of Lights and the American release of the album, Goulding said she would soon begin work on a second studio album with an expected release in September 2011.^[49]

On 6 August 2011, Goulding performed at Lollapalooza in Chicago.^[50] Goulding performed at the annual Nobel Peace Prize Concert on 11 December 2011 in Oslo, Norway, where she also served on a panel discussion with Amy Lee of Evanescence and Janelle Monáe.^[51] On 1 December 2011, Goulding performed at the White House during the National Christmas Tree lighting ceremony, alongside the likes of Big Time Rush and will.i.am.^[52] On 18 January 2012, Goulding performed "Lights" on Late Show with David Letterman.^[53]

2011–present: Second studio album[link]

In February 2011, Goulding told the Daily Star that she had plans to release a follow-up to Lights sometime in 2012, commenting, "I'm not going to go away for ages. It'll be out this year or the start of next."^[54] The following month, when asked about the album's musical direction in an interview with gossip website Dean Piper's World, Goulding stated, "It's started to sound very dark and very weird. This album is going to be even more emotional [...] I wanted to make it so there is hope. I want to make an effect whether it's happy or sad."^[55] In April 2012, Goulding stated that she hoped the album would be released in October 2012.^[26] That same month, her single Lights was certified platinum in the United States by the RIAA ^[56].

Work with other artists[link]

Goulding co-wrote "Love Me 'Cause You Want To" for Gabriella Cilmi's second album, Ten, and three songs, "Remake Me + You", "Notice" and "Jumping Into Rivers", for Diana Vickers's debut album, Songs from the Tainted Cherry Tree.^[57] Her song "Not Following" was used by German singer Lena on her debut album My Cassette Player.^[58] Goulding was featured on rapper Tinie Tempah's single "Wonderman" from his debut studio album Disc-Overy. Goulding's "Under the Sheets" was also remixed by American rap duo Chiddy Bang, featured on their 2010 mixtape Air Swell, and by DJ Frenzy (F^K Y3AH! Breaks Mix). Frankmusik, who produced Goulding's song "Wish I Stayed", told Digital Spy he hoped to collaborate with her on his second album, Do It in the AM.^[59] "Lights" was remixed by Bassnectar, which appears on his 2011 album Divergent Spectrum.

On 19 September 2011, it was announced that Goulding would open for Katy Perry on her "California Dreams Tour", replacing Jessie J due to a foot injury.^[60][61]

On 14 December 2011, Mika announced that Goulding had involvement in his upcoming album The Origin of Love.^[62]

Goulding collaborated with American electro artist and producer Skrillex on a song titled "Summit", included on his 2011 EP Bangarang.

Discography[link]

• 2010: Lights

Tours[link]