4:44

2 Live Crew - Me So Horny (Uncensored)
Unrestricted Music Videos you can't find on other Social Networks! bvmtv.com - www.bvm...
published: 14 Apr 2009
Author: BVMUndergroundHipHop
2 Live Crew - Me So Horny (Uncensored)
Unrestricted Music Videos you can't find on other Social Networks! bvmtv.com - www.bvmundergroundhiphop.com Even some X-Rated Music Videos!! Twitter #BVMTV - @JeffBVMTV facebook - facebook.com/bohemiavisualmusic As you know, providing a free music video broadcasting service is very time consuming and also isn't easy, so we've made this page so you can help support us! Any amount helps, your money goes towards server bills, server upgrades (for better website performance), web design work, video player upgrades, and other website related costs to make it a better music video website for everybody! Plus Purchase one BVM's of Products: bvmtv.com/products/ All this helps You the Music Lover! 2 Live Crew is a hip hop group from Miami, Florida. They caused considerable controversy with the sexual themes in their work, particularly on their 1989 album As Nasty As They Wanna Be. 2 Live Crew was created by David "Treach DJ Mr. Mixx" Hobbs in Riverside, California, with fellow rappers Chris (Fresh Kid Ice) Wongwon, and Yuri ("Amazing Vee") Vielot. The 3 met at March AFB Riverside, CA, as they were enlisted in the Air Force.[citation needed] Along with giving local parties on and off base, they recorded their first singles through Macola Records Distribution in Los Angeles, CA. They released "Revelation" in 1984; the single sold well in Florida, encouraging the group to release "What I Like." In 1986, due to the popularity of the new single "Throw the Dick," the group, including new <b>...</b>
4:12

me so horny
it's just a funny song...
published: 18 Oct 2006
Author: vas0003
me so horny
it's just a funny song
2:49

2 Live Crew-We Want Some Pussy
From 2 Live Is What We Are (1986)....
published: 23 Mar 2010
Author: chrisrap4ever
2 Live Crew-We Want Some Pussy
From 2 Live Is What We Are (1986).
1:55

2-Live Crew, "Face down ass up"
2-Live Crew performing "Face down ass up" on the Phil Donahue show in 1990....
published: 04 Mar 2008
Author: WaxmasterC
2-Live Crew, "Face down ass up"
2-Live Crew performing "Face down ass up" on the Phil Donahue show in 1990.
4:26

2 Live Crew - Banned In The USA
Music Video...
published: 25 Jan 2008
Author: droopi3
2 Live Crew - Banned In The USA
Music Video
2:59

2 Live Crew - Hoochie Mama (Nasty Version)
The uncensored version of 2 Live Crew's Hoochie Mama, (also known as Big Booty Ho'...
published: 27 Jul 2007
Author: BigBoseMan
2 Live Crew - Hoochie Mama (Nasty Version)
The uncensored version of 2 Live Crew's Hoochie Mama, (also known as Big Booty Ho's)
3:45

2 Live Crew - Get It Girl
More One Clip Classic Of Scene Of Miami Bass...
published: 01 Jan 2007
Author: anjovingador
2 Live Crew - Get It Girl
More One Clip Classic Of Scene Of Miami Bass
3:24

2 Live Crew - Fuck Shop
Release Date Jun 10, 1996 Studio/Live Studio Mono/Stereo Stereo Producer The 2 Live Crew E...
published: 29 Aug 2008
Author: hardstyleplayer9
2 Live Crew - Fuck Shop
Release Date Jun 10, 1996 Studio/Live Studio Mono/Stereo Stereo Producer The 2 Live Crew Engineer Ron Taylor; Ted Stein
5:34

2 Live Crew - Pop That Pussy
Pop That Pussy lyrics FKI = Fresh Kid Ice BM = Brother Marquis Blowfly: "Go-ooooooo-o...
published: 30 May 2009
Author: roughsun
2 Live Crew - Pop That Pussy
Pop That Pussy lyrics FKI = Fresh Kid Ice BM = Brother Marquis Blowfly: "Go-ooooooo-od-DAMN!! Shee-yee-YIT!! Look at the ass on that bitch! Look at the titties!" (Mixx scratches "Aw hit me!" and "Hold your legs up on easy.") Verse 1 [FKI] There's...
3:20

Two Live Crew -- Pretty Woman
"Pretty Woman" from the 1989 Luke Records album "As Clean As They Wanna Be&...
published: 14 Oct 2009
Author: Skorpio420
Two Live Crew -- Pretty Woman
"Pretty Woman" from the 1989 Luke Records album "As Clean As They Wanna Be" by The 2 Live Crew
4:13

2 Live Crew - Me so horny
video clip...
published: 06 Nov 2007
Author: psychoass1982
2 Live Crew - Me so horny
video clip
4:39

2 Live Crew - Get The Fuck Out Of My House
2 Live Crew - Get The Fuck Out Of My House...
published: 01 Feb 2009
Author: mrfatd
2 Live Crew - Get The Fuck Out Of My House
2 Live Crew - Get The Fuck Out Of My House
5:34

2 Live Crew - Pop That Coochie
1991...
published: 27 Aug 2009
Author: originalmuthapukkca2
2 Live Crew - Pop That Coochie
1991
3:02

2 Live Crew - Hoochie Mama (HQ + Lyrics)
14th track off of the Friday Soundtrack I do NOT own this track, or the picture used in th...
published: 18 Apr 2010
Author: riseewiththefallen
2 Live Crew - Hoochie Mama (HQ + Lyrics)
14th track off of the Friday Soundtrack I do NOT own this track, or the picture used in the video. All rights belong to the artist(s) themselve(s), and/or their record company. LYRICS __________________________________ [Intro: Mr. Mixx] Big booty hoes -- up wit it! Hoochie mamas -- up wit it! Let me see ya touch the ground! [Verse 1: Brother Marquis] I don't know my reputation But all the niggas in the hood say it's all good But the bitch ain't shit, so you need to make a switch Smackin' on ya lips with your hands on your hips Triflin' slimy, don't try me Playin' on the phone? You supposed to be grown Bitch, stop lyin', I ain't with it Keep runnin' ya mouth and I'ma stick my dick in it Hoochie hoodrat needs home training Ghetto-ass always complaining Tryin to clown in front of my friends By the way, bitch, can I get those ends? Fuck theatrics, you ain't no actress Lay on the mattress and let a nigga splak it The bitch is full of DRAMA!! Hoochie hoodrat is a hoe like her momma! [Chorus (2x): Mr. Mixx] She ain't nothin' but a hoochie mama! (Hoodrat, hoodrat, hoochie mama!) Yeah, she ain't nothin' but a hoochie mama! (Hoodrat, hoodrat, hoochie mama!) [Verse 2: Fresh Kid Ice] Hoe I love your big brown eyes And the way you shake your thighs Actin' like you're so damn cute Let a real nigga just knock them boots I don't need no confrontation All I want is an ejaculation 'Cause I like them ghetto hoochies Ones who like to pop that coochie [Hoo wee!] Miami style! Makin niggas <b>...</b>
Vimeo results:
6:22

OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
7:28

Nikon - WHY
Nikon D4 Release Video
It's here! The Nikon D4 has arrived and it is a freaking HOT camer...
published: 06 Jan 2012
Author: Corey Rich
Nikon - WHY
Nikon D4 Release Video
It's here! The Nikon D4 has arrived and it is a freaking HOT camera! For the past months I have been working in silence with an amazingly talented crew and three of the best athletes on the planet producing my short D4 launch film "WHY". It was like Christmas morning when Nikon called and described the new camera and all of its incredible features. All I could think was that this is the camera we have been waiting for. Then the gift of all gifts... "Corey, dream up a film that you would like to shoot. You pick the topic. You pick the location. It's your film... only requirement is you show off the features of the new camera." My favorite quote from the call was "You have a blank white canvas and it's up to you to fill it". I had to pinch myself several times to confirm that the call was real. Everyone involved has been tight lipped about the project for months and today we can finally begin to share some of the assets and get fired up about the camera!!!
I have always been facinated by those people that are the best at what they do. Those that operate on the edge; scientists, artists, musicians, athletes, etc. Always the question that I find myself asking is "WHY"? What deep inside drives them? What does the world look like through their eyes? Those that live on the edge, push the envelope, redefine sports and industries operate in a space all to themselves. In my Nikon D4 launch film I wanted to visually portray the beauty and intensity of the athletes doing what they do best while also delving into their heads and answering the question "WHY"? There was a very simple list of criteria used when selecting the athletes for this film. 1. They needed to be the best in the world at what they do. 2. They needed to be true role modes / heros. (In short, no ego and just simply fantastic people). Dane, Rebecca and Alex fulfill the requirements in spades!
As it seems to be with many shoots, the schedule for WHY was INSANE! In just 13 days we went from Veracruz, Mexico to Moab, Utah to Joshua Tree, California. With a fantastic crew of eight amazingly talented people, three of the worlds best athletes, over 20 pieces of luggage, three D4 prototypes, an rc helicopter and enough RedBull and ClifBars to keep us awake and moving, the entire journey was epic! Huge days, little sleep, lost bags, crashed helicopter (the D4 lived), speeding tickets (talked our way out of both ;-), wicked mosquito bites, flu, and a trip to the urgent care - all the prerequisites for a great shoot. Just the way I like it!
Special thanks to everyone that helped on this production! Dane Henry, Shawn Corrigan, Rex Lint, Mike Hagadorn; you guys are studs! Blaine Deutsch and Marina Rich, thank you for keeping us all on track, organized, fed and looking good (and Marina, thanks for loving me and being the best wife in the world). Gen Umei, Soichi Hayashi, Jason Jenkins and Mike Corrado; thank you for the opportunity! Dane Jackson, Alex Honnold and Rebecca Rusch, you guys really made the film and answered the question WHY!!! Tommy Thompson and Chris McNamara; thanks for keeping us safe and getting me into the coolest camera positions possible! Amazing team and thank you everyone who helped!
When it is all said and done by far the most exciting part is the future. It's about the collective creativity and vision of the photo and video community and what we will all create when we get a D4 in our hands. One thing is for certain, WHY was just the tip of the iceberg!
Check out the link below for more production and technical info on the Corey Rich Productions blog:
http://news.coreyrich.com/2012/01/nikon-d4-project-production-technical-info.html
6:22

Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
2:04

SF to Paris in Two Minutes
More of these at http://beepshow.com
I shot a photo roughly every two miles between take...
published: 01 Apr 2011
Author: Beep Show
SF to Paris in Two Minutes
More of these at http://beepshow.com
I shot a photo roughly every two miles between take-off in San Francisco and landing in Paris CDG to make this airplane time lapse.
Big thanks to the folks at http://uxlondon.com for inviting me to europe to speak - if it wasn't for them I wouldn't have made the trip. Shot with a 5d2, a time-lapse controller, and a 16mm - 35mm, mixed with some iPhone shots. The music is a modified template "Gain" used with permission from DETUNE ltd. denkitribe http://soundcloud.com/denkitribe/gain - I arranged on the Korg iMS20 iPad App. Edits and pans in After Effects CS5 and iMovie.
The photos during take-off and landing are all computer models and totally rendered because I would never use an electronic device when the FAA prohibits them. I did get lucky and have a whole row to myself to setup the tripod and gear.
Thanks to my neighbors for not minding an SLR click every 2 to 30 seconds for 11 hours, and thanks to the whole Air France flight crew for being insanely friendly and allowing me to shoot. Thanks to @ztaylor for showing me the Korg iMS20 iPad App. Thanks to @jayzombie and the #nerdbird on the way to SXSW this year for helping me come up with the idea. Thanks to @somnabulent for the idea of live scoring. Thanks to you for actually reading this far. You are a champion.
Youtube results:
3:54

2 Live Crew-S & M
From Move Somethin' (1987)....
published: 19 May 2010
Author: chrisrap4ever
2 Live Crew-S & M
From Move Somethin' (1987).
2:52

2 Live Crew - Yakety Yak (Video)
FROM THE SINGLE "YAKETY YAK" (1988)....
published: 25 Aug 2010
Author: kennylavish
2 Live Crew - Yakety Yak (Video)
FROM THE SINGLE "YAKETY YAK" (1988).
3:24

2 live crew-welcome to the fuck shop..
2 live crew-welcome to the fuck shop music video...
published: 16 Sep 2011
Author: Osidius4201
2 live crew-welcome to the fuck shop..
2 live crew-welcome to the fuck shop music video
4:48

2 Live Crew - C´mon Babe (As Nasty As They Wanna Be)
2 LIVE CREW THEY ARE STILL ALIVE ! GET BACK TO THE 90´s !...
published: 06 Nov 2010
Author: samcoln
2 Live Crew - C´mon Babe (As Nasty As They Wanna Be)
2 LIVE CREW THEY ARE STILL ALIVE ! GET BACK TO THE 90´s !