Caption | Jerzy Skolimowski |
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Birth date | May 05, 1938 |
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Birth place | Łódź, Poland |
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Jerzy Skolimowski (born May 5, 1938) is a
Polish film director,
screenwriter,
dramatist and
actor. A graduate of the prestigious
National Film School in Łódź, Skolimowski has directed more than twenty films since his
1960 début
Oko wykol (The Menacing Eye). He lived in Los Angeles where he painted in a figurative, expressionist mode and acted occasionally in films. More recently, he began dividing his time between the US and Poland and returned to film making as a writer and director after a 17 year hiatus with
Four Nights With Anna (
Cztery noce z Anną) in 2008.
Early life
Skolimowski was born in
Łódź,
Poland, the son of Maria (
née Postnikoff) and Stanisław Skolimowski, an
architect. He often recognized indications in his work to a childhood ineradicably scarred by the War. As a small child he witnessed the brutalities of war, even having been rescued from the rubble of a bombed-out house in Warsaw. His father, a member of the Polish Resistance, was executed by the Nazis. His mother hid a Jewish family in the house and Skolimowski recalls being required to take candy from the Nazis to maintain appearances.
Skolimowski was considered as a trouble maker at school as he was the origin of many harmless jokes which angered the authorities. At college he studied ethnography, history and literature and took up boxing, which was also the subject of a feature-length documentary, his first significant film. Skolimowski's interest in jazz and association with composer Krzysztof Komeda brought him into contact with actor Zbigniew Cybulski and directors Andrzej Munk and Roman Polanski.
Writer and actor
In his early twenties Skolimowski was already a writer, having published several books of poems, short stories and a play. Soon he met
Andrzej Wajda, the leading director of the then dominant 'Polish school' and twelve years Skolimowski's senior, who has showed him a script for a film about youth written by
Jerzy Andrzejewski, the author of the novel
Ashes and Diamonds. Skolimowski was not impressed and dismissed the script. However in response to a challenge by Wajda, he produced his own version which became a basis for the finished film,
Innocent Sorcerers (1960), directed by Wajda with Skolimowski playing a boxer.
Skolimowski enrolled in the Łódź Film School with the intention of avoiding the long apprenticeship required before graduating to feature film direction. He used the film stock available to him for student exercises, and with initial advice from Andrzej Munk, he filmed over several years in such a way that the sequences cut together into a feature. While scoring poorly in course work Skolimowski had a finished feature by the end of the course.
Into the movie arena
Skolimowski then collaborated with Polański, writing the dialogue for the script of
Knife in the Water (1962).
Between 1964 and 1984 he completed six semi-autobiographical features:
Rysopis,
Walkover,
Barrier (1966),
Hands Up! (completed 1967, released 1981),
Moonlighting (GB 1982) and
Success Is the Best Revenge, a segment in
Dialóg and two other features
Le Départ (1967) and
Deep End based on his original screenplays.
Le Départ won the
Golden Bear at the
17th Berlin International Film Festival.
While living and working in many countries, he also completed another six relatively big budget productions, including four international co-productions, between 1970 and 1992 (The Adventures of Gerard, King, Queen, Knave, The Shout, The Lightship, Torrents of Spring and Ferdydurke), all distinctly bearing Skolimowski’s signature.
Skolimowski has said that he makes films to please himself.
Film as life
After
Barrier he left Poland to make
Le Départ in Belgium in French. According to him
Le Départ was a light film rather than a comedy, "
does not have the serious layers that I like in my work." Skolimowski returned to Poland to make
Hands Up!, the third film of the Andrzej trilogy and the fourth of his Polish sextet.
Between
Hands Up! and his next feature,
Arthur Conan Doyle’s
The Adventures of Gerard (1970), Skolimowski contributed a story to a Czech-produced portmanteau film,
Dialóg 20-40-60 (1968), in which three different directors (with
Zbynek Brynych and Peter Solan) each devised their own story using identical dialogue even though the central characters in each section are separated in age by twenty years. Skolimowski's segment, "The Twenty Year Olds", would seem to be an extension of
Le départ with
Jean-Pierre Léaud playing opposite Skolimowski's wife Joanna Szcerbic.
Deep End (1970) was Skolimowski's second non-Polish feature to be based on his own original screenplay. The movie with a coming of age storyline bears distinctive thematic similarities to Le Départ. Deep End was a promising film yet it was poorly handled by the studio. His films The Shout (1978) and Moonlighting (1982) became critical successes, with Moonlighting, made in the UK, the fifth of his Polish sextet, critically and commercially his most successful film.
In America
The Lightship, Skolimowski’s first US production, was adapted from a novella by the German writer
Siegfried Lenz. Set on a US coastguard ship it was filmed in the North Sea. It is suspended between psychological duel with a doppelgänger theme and a pure performance piece within the stage-like confines of the lightship. However, even though receiving the best film award at the Venice Film Festival,
The Lightship had only a very limited release.
Torrents of Spring (1989), adapted from a semi-autobiographical novella by the Russian
Ivan Turgenev, was a big budget European co-production starring
Timothy Hutton,
Nastassja Kinski and
Valeria Golino. It could be considered as Skolimowski’s most impersonal 'generic' film, the only real departure from his expressed interest in making films only to please himself.
Skolimowski is also an actor, having appeared as Colonel Chaikov, a ruthless yet composed KGB colonel, in White Nights (1985) and Uncle Stepan, a Russian expatriate in Eastern Promises (2007), among other roles.
Quotations
As a poet my mind is trained along the path of poetic associations — I'm not afraid to wander away from direct narrative - I feel safe with a story that tempts you to believe or disbelieve.
Filmography
Director
Erotique (Erotyk) (1960)
Little Hamlet (Hamles) (1960)
The Menacing Eye (Oko wykol) (1960)
Boxing (Boks) (1961)
Your Money or Your Life (Pieniadze albo zycie) (1961)
The Nude (1962)
(Rysopis) (1964)
Walkover (Walkower) (1965)
Barrier (Bariera) (1966)
Le départ (1967)
Rece do góry (subitiled English version entitled Hands Up!, completed 1967, released 1981)
Deep End (1970)
The Adventures of Gerard (1970)
King, Queen, Knave (1972)
The Shout (1978)
Moonlighting (1982)
Dialóg 20-40-60 (1968) (segment "The Twenty-Year-Olds")
Success Is the Best Revenge (1984)
The Lightship (1985)
Torrents of Spring (1989)
Ferdydurke (30 Door Key) (1991)
Four Nights with Anna (Cztery noce z Anna) (2008)
America (2008)
Essential Killing (2010)
Actor
Niewinni czarodzieje (1960)
Boks (1961)
Rysopis (1964) as Andrzej Leszczyc
Walkower (1965) as Andrzej Leszczyc
Sposob bycia (1966) as Leopold
Deep End (1970) as a man with newspaper
Rece do góry (1981) as Andrzej Leszczyc
Die Fälschung (1981) as Hoffmann
White Nights (1985) as KGB Colonel Chaiko
Big Shots (1987) as Doc
Torrents of Spring (1989) as Victor Victorovich
Mars Attacks! (1996)
L.A. Without a Map (1998)
Before Night Falls (2000)
Eastern Promises (2007) as Stepan
References
External links
Senses of Cinema: Great Directors Critical Database
Category:1938 births
Category:Living people
Category:Alumni of National Film School in Łódź
Category:Polish actors
Category:Polish dramatists and playwrights
Category:Polish film directors
Category:Polish screenwriters
Category:People from Łódź