- published: 18 Sep 2015
- views: 78031
A string quartet is a musical ensemble of four string players – two violin players, a viola player and a cellist – or a piece written to be performed by such a group. The string quartet is one of the most prominent chamber ensembles in classical music, with most major composers, from the mid to late 18th century onwards, writing string quartets.
The string quartet was developed into its current form by the Austrian composer Joseph Haydn, with his works in the 1750s establishing the genre. Ever since Haydn's day the string quartet has been considered a prestigious form and represents one of the true tests of the composer's art. With four parts to play with, a composer working in anything like the classical key system has enough lines to fashion a full argument, but none to spare for padding. The closely related characters of the four instruments, moreover, while they cover in combination an ample compass of pitch, do not lend themselves to indulgence in purely colouristic effects. Thus, where the composer of symphonies commands the means for textural enrichment beyond the call of his harmonic discourse, and where the concerto medium offers the further resource of personal characterization and drama in the individual-pitted-against-the-mass vein, the writer of string quartets must perforce concentrate on the bare bones of musical logic. Thus, in many ways the string quartet is pre-eminently the dialectical form of instrumental music, the one most naturally suited to the activity of logical disputation and philosophical enquiry.
String Quartet No. 6 may refer to:
No. 6 is a nine-volume novel series written by Atsuko Asano and published by Kodansha between October 2003 and June 2011. A manga adaptation drawn by Hinoki Kino began serialization in the March 2011 issue of Kodansha's Aria magazine. An anime TV series adaptation by Bones began airing in Japan in July 2011.
The story takes place in the "ideal" and perfect city known as "No.6". Shion, a boy raised in the elite and privileged environment of his home, gives shelter to another boy, who only gives his name as "Rat" on the former's 12th birthday. What Shion soon discovers is how drastically life will change after meeting with the mysterious Rat, whom he had saved one unforgettable, stormy night.
Béla Viktor János Bartók (/ˈbɑːrtɒk/; Hungarian pronunciation: [ˈbeːlɒ ˈbɒrtoːk]; 25 March 1881 – 26 September 1945) was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. On 1 January 2016 his work entered the public domain in the European Union.
Béla Bartók was born in the small Banatian town of Nagyszentmiklós in the Kingdom of Hungary, Austria-Hungary (since 1920 Sânnicolau Mare, Romania) on 25 March 1881. Bartók had a diverse ancestry. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod county (Móser 2006a, 44). Although, his father's mother was of a Roman Catholic Serbian family (Bayley 2001, 16). Béla Bartók's mother, Paula (born Paula Voit), was an ethnic German, though she spoke Hungarian fluently (Bayley 2001, 16).
In music, a quartet or quartette (French: quatuor, German: Quartett, Italian: quartetto, Spanish: cuarteto, Polish: kwartet) is an ensemble of four singers or instrumental performers; or a musical composition for four voices or instruments.
In Classical music, the most important combination of four instruments in chamber music is the string quartet. String quartets most often consist of two violins, a viola, and a cello. The particular choice and number of instruments derives from the registers of the human voice: soprano, alto, tenor and bass. In the string quartet, two violins play the soprano and alto vocal registers, the viola plays the tenor register and the cello plays the bass register.
Composers of notable string quartets include Joseph Haydn (68 compositions), Wolfgang Amadeus Mozart (23), Ludwig van Beethoven (17), Felix Mendelssohn (6), Franz Schubert (15), Johannes Brahms (3), Antonín Dvořák (14), Alexander Borodin (2), Béla Bartók (6), and Dmitri Shostakovich (15). The Italian composer Luigi Boccherini (1743–1805), wrote more than 100 string quartets.
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 6 in D major, Sz. 114, BB 119, written in 1939. 00:00 - I. Mesto - Piu mosso, pesante - Vivace 07:31 - II. Mesto - Marcia 15:23 - III. Mesto - Burletta 22:30 - IV. Mesto - Molto tranquillo Bartók's last completed quartet exemplifies the composer's continuing search for new forms, even as he sought to distill and clarify his mode of expression. The form he devised for the String Quartet No. 6 is ingenious: each movement is preceded by an introductory section marked "Mesto" ("sadly"), with increasing complexity at each appearance. The "mesto" theme functions both as a motto and as the source of much of the quartet's thematic substanc...
Béla Bartok: String Quartet No.6 I. Mesto - Vivace II. Mesto - Marcia III. Mesto - Burletta IV. Mesto - Molto tranquillo Shanghai Quartet Weigang Li, Violin Yi-Wen Jiang, Violin Honggang Li, Viola Nicholas Tzavaras, Cello April 2, 2011, 8:00pm Alexander Kasser Theater Montclair State University
The String Quartet No. 6, Béla Bartók's sixth string quartet, was written from August to November, 1939 in Budapest. The work is in four movements. Each movement opens with a slow melody marked mesto (sadly). This material is employed for only a relatively short introduction in the first movement, but is longer in the second and longer again in the third. In the fourth movement, the mesto material, with reminiscences of the first movement material, takes up the entire movement. It can be seen from Bartók's sketches that he originally intended ending with a lively dance-like finale; however, upon learning of the death of his mother, he re-wrote the last movement as a deeply sad elegy. 00:00 1. Mesto - Piu mosso, pesante 07:14 2. Mesto - Marcia 15:01 3. Mesto - Burletta: Moderato 22:22 4. M...
Take a respite from your busy work day with the glories of classical music. Hear rising stars from The Juilliard School perform selections from some of classical music’s best-loved composers in The Greene Space. Leave the emails, phone calls, and stress behind, and settle in for an hour of musical serenity. Performing today will be the Bordone Quartet, from Juilliard's Honors Chamber Music program.
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 5 in B flat major, Sz. 102, BB 110, written in 1934. 00:00 - I. Allegro 07:48 - II. Adagio molto 14:18 - III. Scherzo: alla bulgarese 19:13 - IV. Andante 24:16 - V. Finale: Allegro vivace In the six years separating the fourth and fifth string quartets, Bartók wrote comparatively little music, but the works he did complete pointed to his mature style of the 1930s and 1940s, in which directness of compositional technique is coupled with a new concern for clear communication. The Cantata Profana (1930) and Piano Concerto No. 2 (1931) demonstrated a new linear style that incorporated elements of unabashed triadic harmony; while the 44...
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology
Takács Quartet violist Geraldine Walther coaches the Attacca Quartet on creating shape and character in Bartók's String Quartet No. 6, second movement (Mesto—Marcia).
The Alinde Quartett plays the second movement ("Mesto-Marcia") of Bartók String Quartet No.6, Sz.114. Alinde Quartett #stringquartet #streichquartett #strings #quartet #quartett #quartetto #belabartok #bartok #bartok6 #sz114 #allegro #chambermusic #kammermusik #music #violin #viola #cello Violin - Eugenia Ottaviano Violin - Axel Haase Viola - Amélie Legrand Violoncello - Josep Castanyer Alonso This is actually one of our prefered movements of the piece because of its genial formal coherence and wonderful orchestration. As in each movement, a “Mesto” introduction presents the quartet’s main theme, in this case played by the cello. The “Marcia” (01:19) follows a typical sonata form: The exposition presents the main motive-like elements based on very sharp, dotted, rhythms. A crazy al...
Takács Quartet violist Geraldine Walther coaches the Attacca Quartet on adding a fun character to a piece by showing it physically in Bartók's String Quartet No. 6, third movement (Mesto—Burletta: Moderato).
Aeolus Quartet performed as part of the 12th Banff International String Quartet Competition, held at Banff Centre, August 29-September 4th, 2016. Find out more about at the competition and Banff Centre at http://bisqc.ca.
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 6 in D major, Sz. 114, BB 119, written in 1939. 00:00 - I. Mesto - Piu mosso, pesante - Vivace 07:31 - II. Mesto - Marcia 15:23 - III. Mesto - Burletta 22:30 - IV. Mesto - Molto tranquillo Bartók's last completed quartet exemplifies the composer's continuing search for new forms, even as he sought to distill and clarify his mode of expression. The form he devised for the String Quartet No. 6 is ingenious: each movement is preceded by an introductory section marked "Mesto" ("sadly"), with increasing complexity at each appearance. The "mesto" theme functions both as a motto and as the source of much of the quartet's thematic substanc...
Béla Bartok: String Quartet No.6 I. Mesto - Vivace II. Mesto - Marcia III. Mesto - Burletta IV. Mesto - Molto tranquillo Shanghai Quartet Weigang Li, Violin Yi-Wen Jiang, Violin Honggang Li, Viola Nicholas Tzavaras, Cello April 2, 2011, 8:00pm Alexander Kasser Theater Montclair State University
The String Quartet No. 6, Béla Bartók's sixth string quartet, was written from August to November, 1939 in Budapest. The work is in four movements. Each movement opens with a slow melody marked mesto (sadly). This material is employed for only a relatively short introduction in the first movement, but is longer in the second and longer again in the third. In the fourth movement, the mesto material, with reminiscences of the first movement material, takes up the entire movement. It can be seen from Bartók's sketches that he originally intended ending with a lively dance-like finale; however, upon learning of the death of his mother, he re-wrote the last movement as a deeply sad elegy. 00:00 1. Mesto - Piu mosso, pesante 07:14 2. Mesto - Marcia 15:01 3. Mesto - Burletta: Moderato 22:22 4. M...
Take a respite from your busy work day with the glories of classical music. Hear rising stars from The Juilliard School perform selections from some of classical music’s best-loved composers in The Greene Space. Leave the emails, phone calls, and stress behind, and settle in for an hour of musical serenity. Performing today will be the Bordone Quartet, from Juilliard's Honors Chamber Music program.
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 5 in B flat major, Sz. 102, BB 110, written in 1934. 00:00 - I. Allegro 07:48 - II. Adagio molto 14:18 - III. Scherzo: alla bulgarese 19:13 - IV. Andante 24:16 - V. Finale: Allegro vivace In the six years separating the fourth and fifth string quartets, Bartók wrote comparatively little music, but the works he did complete pointed to his mature style of the 1930s and 1940s, in which directness of compositional technique is coupled with a new concern for clear communication. The Cantata Profana (1930) and Piano Concerto No. 2 (1931) demonstrated a new linear style that incorporated elements of unabashed triadic harmony; while the 44...
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology
Takács Quartet violist Geraldine Walther coaches the Attacca Quartet on creating shape and character in Bartók's String Quartet No. 6, second movement (Mesto—Marcia).
The Alinde Quartett plays the second movement ("Mesto-Marcia") of Bartók String Quartet No.6, Sz.114. Alinde Quartett #stringquartet #streichquartett #strings #quartet #quartett #quartetto #belabartok #bartok #bartok6 #sz114 #allegro #chambermusic #kammermusik #music #violin #viola #cello Violin - Eugenia Ottaviano Violin - Axel Haase Viola - Amélie Legrand Violoncello - Josep Castanyer Alonso This is actually one of our prefered movements of the piece because of its genial formal coherence and wonderful orchestration. As in each movement, a “Mesto” introduction presents the quartet’s main theme, in this case played by the cello. The “Marcia” (01:19) follows a typical sonata form: The exposition presents the main motive-like elements based on very sharp, dotted, rhythms. A crazy al...
Takács Quartet violist Geraldine Walther coaches the Attacca Quartet on adding a fun character to a piece by showing it physically in Bartók's String Quartet No. 6, third movement (Mesto—Burletta: Moderato).
Aeolus Quartet performed as part of the 12th Banff International String Quartet Competition, held at Banff Centre, August 29-September 4th, 2016. Find out more about at the competition and Banff Centre at http://bisqc.ca.
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 6 in D major, Sz. 114, BB 119, written in 1939. 00:00 - I. Mesto - Piu mosso, pesante - Vivace 07:31 - II. Mesto - Marcia 15:23 - III. Mesto - Burletta 22:30 - IV. Mesto - Molto tranquillo Bartók's last completed quartet exemplifies the composer's continuing search for new forms, even as he sought to distill and clarify his mode of expression. The form he devised for the String Quartet No. 6 is ingenious: each movement is preceded by an introductory section marked "Mesto" ("sadly"), with increasing complexity at each appearance. The "mesto" theme functions both as a motto and as the source of much of the quartet's thematic substanc...
Béla Bartok: String Quartet No.6 I. Mesto - Vivace II. Mesto - Marcia III. Mesto - Burletta IV. Mesto - Molto tranquillo Shanghai Quartet Weigang Li, Violin Yi-Wen Jiang, Violin Honggang Li, Viola Nicholas Tzavaras, Cello April 2, 2011, 8:00pm Alexander Kasser Theater Montclair State University
The String Quartet No. 6, Béla Bartók's sixth string quartet, was written from August to November, 1939 in Budapest. The work is in four movements. Each movement opens with a slow melody marked mesto (sadly). This material is employed for only a relatively short introduction in the first movement, but is longer in the second and longer again in the third. In the fourth movement, the mesto material, with reminiscences of the first movement material, takes up the entire movement. It can be seen from Bartók's sketches that he originally intended ending with a lively dance-like finale; however, upon learning of the death of his mother, he re-wrote the last movement as a deeply sad elegy. 00:00 1. Mesto - Piu mosso, pesante 07:14 2. Mesto - Marcia 15:01 3. Mesto - Burletta: Moderato 22:22 4. M...
Take a respite from your busy work day with the glories of classical music. Hear rising stars from The Juilliard School perform selections from some of classical music’s best-loved composers in The Greene Space. Leave the emails, phone calls, and stress behind, and settle in for an hour of musical serenity. Performing today will be the Bordone Quartet, from Juilliard's Honors Chamber Music program.
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 5 in B flat major, Sz. 102, BB 110, written in 1934. 00:00 - I. Allegro 07:48 - II. Adagio molto 14:18 - III. Scherzo: alla bulgarese 19:13 - IV. Andante 24:16 - V. Finale: Allegro vivace In the six years separating the fourth and fifth string quartets, Bartók wrote comparatively little music, but the works he did complete pointed to his mature style of the 1930s and 1940s, in which directness of compositional technique is coupled with a new concern for clear communication. The Cantata Profana (1930) and Piano Concerto No. 2 (1931) demonstrated a new linear style that incorporated elements of unabashed triadic harmony; while the 44...
Cuarteto de cuerda núm.2 en do mayor Sz.67 0:00 I. Moderato 11:37 II. Allegro molto capriccioso 19:37 III. Lento Cuarteto La Pampa - Escuela Superior de Música Reina Sofía 18/05/2016 - Auditorio Sony - Madrid - Spain The String Quartet No. 2 by Béla Bartók was written between 1915 and October 1917 in Rákoskeresztúr in Hungary. It is one of six string quartets by Bartok. The work is in three movements: Moderato, Allegro capriccioso and Lento. In a letter to André Gertier, Bartók described the first movement as being in sonata form, the second as "a kind of rondo" and the third as "difficult to define" but possibly a sort of ternary form. The first movement opens with a leaping motif based on the interval of a seventh - a quintessentially atonal figure. But it intertwines with...
Bartók: String Quartet No. 6, Sz. 114 (1939) The Hungarian String Quartet: Zoltán Székely, violin I Alexandre Moszkowsky, violin II Denes Koromzay, viola Vilmos Palotai, cello Recorded on March 21, 1948, in Abbey Road Studios, London, on Gramophone Company 78-rpm matrices 2EA 12832 through 2EA 12839. Issued in 1949 as DB 9389 through DB 9392 (automatic sequence). This was one of three recordings made of the Bartók Sixth Quartet during the 78-rpm era, more than for any other of his quartets. (The others were by the Gertler Quartet, on Decca, and the Erling Bloch Quartet, on Danish HMV. The Gertler recording can be heard at the CHARM website, www.charm.rhul.ac.uk) Bartók's Sixth String Quartet is in four movements: 1. Mesto - Vivace 2. Mesto - Marcia (at 7:18) 3. Mesto - Burlesca (at ...
Aeolus Quartet performed as part of the 12th Banff International String Quartet Competition, held at Banff Centre, August 29-September 4th, 2016. Find out more about at the competition and Banff Centre at http://bisqc.ca.
- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Performers: Hungarian String Quartet - Year of recording: 1961 String Quartet No. 1 in A minor, Sz. 40, BB 52 (Op. 7), written in 1908. 00:00 - I. Lento 10:48 - II. Allegretto {Poco a poco accelerando all'allegretto} - Introduzione 20:41 - III. Allegro vivace In a letter to violinist Stefi Geyer, Bartók described the opening movement of this quartet as his "funeral dirge." The quartet's first four notes -- a descending major sixth and a minor sixth interval played imitatively by the first and second violins -- are nearly identical to the opening motif of the second, giocoso, movement of the Violin Concerto No. 1 (1908), Bartók's musical portrait of Geyer, with whom he was unrequitedly in love. Bartók deal...