Staatskapelle Dresden

The Staatskapelle Dresden (officially known in German as the Sächsische Staatskapelle Dresden) is an orchestra based in Dresden, Germany founded in 1548 by Kurfürst Moritz (Elector Moritz, or Maurice) of Saxony. It is one of the world's oldest orchestras. The precursor ensemble was Die Kurfürstlich-Sächsische und Königlich-Polnische Kapelle (The Saxony Elector and Royal Polish Band).

The orchestra is the musical body of the Sächsische Staatsoper (Saxon State Opera). Venue of the orchestra is the Semperoper opera house.

History

The orchestra has had many eminent chief conductors. Heinrich Schütz was associated with it early in its existence, and in the nineteenth century Carl Maria von Weber and Richard Wagner were both chief conductors.

In the twentieth century, Richard Strauss became closely associated with the orchestra as both conductor and composer, which premiered several of his works. Karl Böhm and Hans Vonk were notable among the orchestra's chief conductors in that they served as chief conductors of both the Sächsische Staatskapelle Dresden and the State Opera simultaneously. Herbert Blomstedt was musical director of the Staatskapelle from 1975 to 1985.

Christian Thielemann

Christian Thielemann (born 1 April 1959 in Berlin) is a German conductor. He is Chief Conductor of the Staatskapelle Dresden and the Director of the Salzburg Easter Festival.

Career

Thielemann studied viola and piano at the Hochschule für Musik in Berlin and took private lessons in composition and conducting before becoming répétiteur aged 19 at the Deutsche Oper Berlin with Heinrich Hollreiser and working as Herbert von Karajan's assistant. He worked at a number of smaller German theatres including the Musiktheater im Revier in Gelsenkirchen, in Karlsruhe, Hanover, at Düsseldorf's Deutsche Oper am Rhein as First Kapellmeister and in Nürnberg as Generalmusikdirektor before returning to the Deutsche Oper Berlin in 1991 to conduct Wagner's Lohengrin. During this time he also assisted Daniel Barenboim at the Bayreuth Festspielhaus.

His 1991/92 season debut in the United States, conducting a new production of Strauss' Elektra in San Francisco was soon followed by engagements at the Metropolitan Opera in New York. In 1997, he became Generalmusikdirektor of the Deutsche Oper Berlin. A report in 2000 stated that Thielemann was to leave the Deutsche Oper in 2001 over artistic conflicts with the then-incoming artistic director Udo Zimmermann. Thielemann remained with the company until 2004, when he resigned over conflicts regarding Berlin city funding between the Deutsche Oper and the Staatsoper Unter den Linden.

Dresden

Dresden (German pronunciation: [ˈdʁeːsdn̩]) is the capital city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the Czech border.

Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque and rococo city centre. The controversial British and American bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. The bombing gutted the city, as it did for other major German cities. After the war restoration work has helped to reconstruct parts of the historic inner city, including the Katholische Hofkirche, the Semper Oper and the Dresdner Frauenkirche as well as the suburbs.

Before and since German reunification in 1990, Dresden was and is a cultural, educational, political and economic center of Germany and Europe. The Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative.

Richard Strauss

Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor throughout Germany and Austria.

Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.

Early life and family

Strauss was born on 11 June 1864 in Munich, the son of Josephine (née Pschorr) and Franz Strauss, who was the principal horn player at the Court Opera in Munich. In his youth, he received a thorough musical education from his father. He wrote his first composition at the age of six and continued to write music almost until his death.

Jonas Kaufmann

Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for his performances in spinto roles such as Don José in Carmen, Cavaradossi in Tosca, Maurizio in Adriana Lecouvreur, and the title role in Don Carlos. He has also sung leading tenor roles in the operas of Richard Wagner with success in Germany and abroad, most notably the Metropolitan Opera in New York. He is also an accomplished Lieder singer. In 2014 The New York Times described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation."

Early life and education

Kaufmann was born in Munich. His father worked for an insurance company, and his mother was a kindergarten teacher. He had one older sister. He started studying piano when he was eight, and he sang in his elementary school choir. Although he studied for mathematics entrance exams, in the summer of 1989 he began his vocal training at the University of Music and Performing Arts Munich. While studying, he sang some small roles at the Bavarian State Opera. He graduated from school in 1994 achieving distinctions both in opera and concert performances.