Look up Alan in Wiktionary, the free dictionary.

Alan may refer to:

People[link]

• Alan (given name), the given name

• alan (Chinese singer), female Chinese singer active in Japan
• Alan (Mexican singer), Mexican boy band singer
• Alan (wrestler), aka Gato Eveready, who wrestles in Asistencia Asesoría y Administración
• Alan I, King of Brittany, the Great
• Alan II, Duke of Brittany
• Alan III, Duke of Brittany
• Alan IV, Duke of Brittany, aka Alan Fergant ("the Younger" in Breton language)
• Alan, abbot of Tewkesbury
• Alan of Lynn, 15th-century monk

Saint Alan or Alain

• Alain de la Roche, or Alanus de Rupe, canonized saint, "Alan of the Rock"
• Alain de Solminihac (1593-1659), French Catholic religious reformer and bishop of Cahors

Fictional characters

• Alan (Sesame Street) in the television series Sesame Street
• Alan (Modern Toss) in the television series Modern Toss
• Alan, the main antagonist in the video game Kya: Dark Lineage
• Alan, the main character in David Firth's animation Alan

Places[link]

• Alan, Russia, name of several rural localities in Russia
• Alan, Haute-Garonne, a commune in France

Other meanings[link]

• Alan (automobile), a short-lived German automobile
• Alan (crater), a crater on the Moon
• Alan (mythical creature), a race of winged spirits from Tinguian folklore
• Cyclone Alan (disambiguation), several tropical storms

See also[link]

• All pages beginning with "Alan"
• Alans
• Alen (given name)
• Allan (disambiguation)
• Alleine
• Allen (disambiguation)

References[link]

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Alan Alan
Alan Alan at The Magic Spot
Born	Alan Rabinowitz November 1926
Occupation	escapologist and magician

Alan Alan (born Alan Rabinowitz in November 1926) is a retired British escapologist and magician.^[1] He originated tricks that have subsequently become familiar features of the repertoire of other performers and he has been honoured by The Magic Circle.^[2]

Alan achieved fame through a series of stunts staged for the media. He made headline news in 1949 when a "buried alive" stunt, performed for Pathe News, nearly went wrong.^[2] He is credited with devising the burning-rope straitjacket escape,^[3] in which he is suspended upside-down from a crane with a length of thick rope doused with petrol, once ignited there is a short time to escape before the rope burns through. He appeared in a number of television magic shows, including The Magic of David Copperfield.^[4] He also "taught" the inmates of Wormwood Scrubs prison how to escape from handcuffs in his performance with a number of other magicians.^[5] In more recent years he was seen on Simon Drake's TV show Secret Cabaret.

He was proprietor of Alan Alan's Magic Spot, a magic shop based on Southampton Row, London until its lease expired in the mid 1990s.

Alan's standing and influence in the world of magic was formally recognised in 2006 when The Magic Circle chose him to receive the coveted Maskelyne award for services to British magic.^[2]

References[link]

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Alan Garner
Garner in 2011
Born	Alan Garner (1934-10-17)17 October 1934 Congleton, Cheshire, England
Occupation	Author, Folklorist
Nationality	English
Genres	Fantasy, low fantasy, folklore
Notable work(s)	The Weirdstone of Brisingamen The Moon of Gomrath Elidor The Owl Service
Spouse(s)	Griselda Garner

Alan Garner OBE (born 17 October 1934) is an English novelist who is best known for his work in children's fantasy and his retellings of traditional British folk tales. His work is firmly rooted in the landscape, history and folklore of his native county of Cheshire, North West England, being set in the region and making use of the native Cheshire dialect.

Born into a working class family in Congleton, Cheshire, Garner grew up around the nearby town of Alderley Edge, and spent much of his youth in the wooded area known locally as 'The Edge', where he gained an early interest in the folklore of the region. Studying at Manchester Grammar School and then Oxford University, in 1957 he moved to the nearby village of Blackden, where he bought and renovated an Early Modern building known as Toad Hall. His first novel, The Weirdstone of Brisingamen, was published in 1960. A children's fantasy novel set on the Edge, it incorporated elements of local folklore into its plot. It was followed by a sequel, The Moon of Gomrath (1963), although Garner never produced the envisioned third part of the trilogy. Instead he produced a string of further fantasy novels, Elidor (1965), The Owl Service (1967) and Red Shift (1973).

Turning away from fantasy as a genre, Garner produced The Stone Book Quartet (1979), a series of four short novellas detailing a day in the life of four generations of his family. He also published a series of British folk tales which he had rewritten in a series of books entitled Alan Garner's Fairy Tales of Gold (1979), Alan Garner's Book of British Fairy Tales (1984) and A Bag of Moonshine (1986). In his subsequent novels, Strandloper (1996) and Thursbitch (2003), he continued writing tales revolving around Cheshire, although without the fantasy elements which had characterised his earlier work.

Biography[link]

Early life: 1934-1956[link]

Garner was born in the front room of his grandmother's house in Congleton, Cheshire, on 17 October 1934.^[2] He grew up not far away, on Alderley Edge, a well-to-do rural Cheshire village that had effectively become a suburb of Manchester.^[2] Growing up in a "a rural working-class family",^[3] Garner's ancestry had been connected to Alderley Edge since at least the 16th century, with Alan tracing his lineage back to the death of William Garner in 1592.^[4] The Garner family had passed on "a genuine oral tradition", teaching their children the folk tales about The Edge, which included a description of a king and his army of knights that slept under it, guarded by a wizard,^[3] and in the mid 19th century, Alan's great-great grandfather Robert had carved the face of a bearded wizard onto the rock of a cliff next to a well that was known in local folklore as the Wizard's Well.^[5] Living in this rural environment, Robert Garner and his other relatives had all been craftsmen, with each successive generation trying to "improve on, or do something different from, the previous generation."^[6]

Alan's own grandfather, Joseph Garner, "could read, but didn't and so was virtually unlettered", but instead taught his grandson the various folk tales about The Edge,^[3] with Alan later remarking that as a result he was "aware of [the Edge's] magic" as a child, when he would often play there with his friends.^[7] The story of the king and the wizard living under the hill played an important part in the young Alan's life, becoming "deeply embedded in my psyche" and heavily influencing his later novels.^[3]

Garner faced several life-threatening childhood illnesses.^[2] He meanwhile went to a local village school, where he found that despite being praised for his intelligence, he was punished for speaking in his native Cheshire dialect.^[2] Moving on, he went on to attend Manchester Grammar School,^[2] before proceeding to study Classics at Magdalen College, Oxford.^{[citation needed]} Garner was the first member of his family to receive anything more than a basic education, although he noted that this resulted in him being removed from his "cultural background" and led to something of a schism with other members of his family, who "could not cope with me, and I could not cope with" them.^[3]

[edit] The Weirdstone of Brisingamen and The Moon of Gomrath: 1957-1964

In 1957, Garner purchased and began renovating Toad Hall at Blackden in Cheshire.

In 1957, Garner purchased Toad Hall, a Late Mediaeval building in Blackden, seven miles away from Alderley Edge. In the late 19th century the Hall had been divided into two agricultural labourers' cottages, but Garner obtained both for a total of £670, and proceeded to convert it back into a single home.^[8]

It was at Toad Hall that Garner set about writing his first novel, which would be titled The Weirdstone of Brisingamen: A Tale of Alderley. Set in Alderley Edge, it revolved around two children, Susan and Collin, who are sent to live in the area with their mother's old nurse maid, Bess, and her husband, Gowther Mossock. Setting about to explore the Edge, they discover a race of malevolent creatures, the svart alfar, who dwell in the Edge's abandoned mines and who seem intent on capturing them, until they are rescued by the wizard Cadellin who reveals that the forces of darkness are amassing at the Edge in search of the titular "weirdstone of Brisingamen". Whilst engaged in writing in his spare time, Garner attempted to gain employment as a teacher, but soon gave that up, believing that "I couldn't write and teach; the energies were too similar", and so began working as a general labourer for four years, remaining unemployed for much of that time.^[3]

Garner sent his debut novel to the publishing company Collins, where it was picked up by the company's head, Sir William Collins, who was on the look out for new fantasy novels following on from the recent commercial and critical success of J.R.R. Tolkien's The Lord of the Rings (1954–55).^[9] Garner, who would go on to become a personal friend of Collins, would later relate that "Billy Collins saw a title with funny-looking words in it on the stockpile, and he decided to publish it."^[9] Following its release in 1960, The Weirdstone of Brisingamen proved to be a "resounding success... both critically and commercially", later being described as "a tour de force of the imagination, a novel that showed almost every writer who came afterwards what it was possible to achieve in novels ostensibly published for children."^[10]

With his first book published, Garner abandoned his work as a labourer and gained a job as a freelance television reporter, living a "hand to mouth" lifestyle on a "shoestring" budget.^[3] He also worked on a sequel to The Weirdstone of Brisingamen, which would be known as The Moon of Gomrath.

The Moon of Gomrath also revolves around the adventures of Colin and Susan, with the latter being possessed by a malevolent creature called the Brollachan who has recently entered the world. With the help of the wizard Cadellin, the Brollachan is exorcised, but Susan's soul also leaves her body, being sent to another dimension, leading Colin to find a way to bring it back.

In a later interview given in 1989, Garner admitted that he had left scope for a third book following the adventures of Collin and Susan, envisioning a trilogy, but that he had intentionally decided not to write it, instead moving on to write something different.^[3] However Boneland, the conclusion to the sequence, will be published in August 2012.^[11]

[edit] Elidor, The Owl Service and Red Shift: 1964-1973

Set in contemporary Manchester, Elidor told the story of four children who enter into a broken down Victorian church, only to find a portal to the magical realm of Elidor. Here, they are entrusted by King Malebron to help rescue four treasures which have been stolen by the forces of evil who are attempting to take control of Elidor. Successfully doing so, the children return home to Manchester with the treasures, but are pursued by the evil forces who need them to seal their victory.

The Owl Service was set in Wales, and used as its basis a story in the Mediaeval Welsh epic, the Mabinogion.

Garner at his home in Blackden, 2011.

[edit] The Stone Book Quartet and Folkloric collections: 1974-1994

The Stone Book (which received the Phoenix Award in 1996) is poetic in style and inspiration. Garner pays particular attention to language, and strives to render the cadence of the Cheshire tongue in modern English. This he explains by the sense of anger he felt on reading "Sir Gawain and the Green Knight": the footnotes would not have been needed by his father. This and other aspects of his writing are the subject of Neil Philip's A Fine Anger, (Collins, 1981), which offers a detailed analysis of his work.

In a 1989 interview, Garner noted that whilst writing The Stone Book Quartet had been "exhausting", it had been "the most rewarding of everything" he'd done to date.^[3]

[edit] Strandloper, Thursbitch and Boneland: 1995-present

1996 saw the publication of Garner's novel Strandloper.

His collection of essays and public talks, The Voice That Thunders, contains much autobiographical material (including an account of his life with bipolar disorder), as well as critical reflection upon folklore and language, literature and education, the nature of myth and time. Garner is an accomplished public speaker.

Garner's next novel, Thursbitch, was published in 2003.

Garner's latest novel, Boneland, is set for release in 2012.

Literary style[link]

Although Garner's early work is often labelled as "children's literature", Garner himself rejects such a description, informing one interviewer that "I certainly have never written for children" but that instead he has always written purely for himself.^[3] Neil Philip, in his critical study of Garner's work (1981), commented that up till that point, "Everything Alan Garner has published has been published for children",^[12] although he went on to relate that "It may be that Garner's is a case" where the division between children's and adult's literature is "meaningless" and that his fiction is instead "enjoyed by a type of person, no matter what their age."^[13]

The English author and academic Charles Butler noted that Garner was attentive to the "geological, archaeological and cultural history of his settings, and careful to integrate his fiction with the physical reality beyond the page."^[14] As a part of this, Garner had included maps of Alderley Edge in both The Weirdstone of Brisingamen and The Moon of Gomrath.^[15] Garner has spent much time investigating the areas that he deals with in his books; writing in the Times Literary Supplement in 1968, Garner commented that in preparation for writing his book Elidor:

I had to read extensively textbooks on physics, Celtic symbolism, unicorns, medieval watermarks, megalithic archaeology; study the writings of Jung; brush up my Plato; visit Avebury, Silbury and Coventry Cathedral; spend a lot of time with demolition gangs on slum clearance sites; and listen to the whole of Britten's War Requiem nearly every day.^[16]

Recognition and legacy[link]

The Medicine House, an Early Modern building that was moved to Blackden by Garner.

In the fiftieth anniversary edition of The Weirdstone of Brisingamen, published by HarperCollins in 2010, several notable British fantasy novelists praised Garner and his work. Susan Cooper related that "The power and range of Alan Garner's astounding talent has grown with every book he's written", whilst David Almond called him one of Britain's "greatest writers" whose works "really matter".^[17] Philip Pullman, the author of the His Dark Materials trilogy, went further when he remarked that:

"Garner is indisputably the great originator, the most important British writer of fantasy since Tolkien, and in many respects better than Tolkien, because deeper and more truthful... Any country except Britain would have long ago recognised his importance, and celebrated it with postage stamps and statues and street-names. But that's the way with us: our greatest prophets go unnoticed by the politicians and the owners of media empires. I salute him with the most heartfelt respect and admiration."^[18]

Another British fantasy author, Neil Gaiman, claimed that "Garner's fiction is something special" in that it was "smart and challenging, based in the here and the now, in which real English places emerged from the shadows of folklore, and in which people found themselves walking, living and battling their way through the dreams and patterns of myth."^[18] Praise also came from Nick Lake, the editorial director of HarperCollins Children's Books, who proclaimed that "Garner is, quite simply, one of the greatest and most influential writers this country has ever produced."^[19]

Awards[link]

He was appointed OBE for services to literature in the 2001 New Year's Honours list.

• 'The Owl Service' won the Guardian Award and the Carnegie Medal in 1968
• The Lewis Carroll Shelf Award (before 1980)^{[clarification needed]}
• Artist Patrick James Lynch won the 1987 Mother Goose Award for his illustrative work on 'A Bag of Moonshine'.
• 'The Stone Book' received the Phoenix Award from the Children's Literature Association (USA) in 1996
• The 1981 film 'Images' won First Prize at the Chicago International Film Festival
• Karl Edward Wagner Award (British Fantasy Award, Special Award) won in 2003
• On 20 January 2011, the University of Warwick awarded him the degree of Doctor of Letters (honoris causa).^[20]

Television and radio adaptations[link]

• The Owl Service (1969), a British TV series transmitted by Granada Television based on Garner's novel of the same name.
• Elidor was read in installments on a BBC children's radio program in the early 1970s
• Red Shift (BBC, transmitted 17 January 1978); directed by John Mackenzie; part of the BBC's Play for Today series.
• To Kill a King (1980), part of the BBC series of plays on supernatural themes, Leap in the Dark: an atmospheric story about a writer overcoming depression and writer's block. The hero's home appears to be Garner's own house.
• Garner and Don Webb adapted Elidor into a children's television series for the BBC. The series consisted of six half-hour episodes starring Damian Zuk as Roland and Suzanne Shaw as Helen^[21]

Works[link]

Novels[link]

Alan Silvestri
Silvestri in 2009
Background information
Birth name	Alan Anthony Silvestri
Born	(1950-03-26) March 26, 1950 (age 62) New York City
Genres	Film score
Occupations	Composer, conductor
Instruments	Guitar, Piano, Synthesizer, Synclavier, Drums
Years active	1972–present

Alan Anthony Silvestri (born March 26, 1950) is an American film composer and conductor.

Career[link]

Silvestri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009) and The Avengers (2012).

Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/science fiction film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004, and G.I. Joe: The Rise of Cobra in 2009. His most recent work included The Avengers in 2012.

Silvestri has also composed music for television shows, including TJ Hooker (one episode), Starsky & Hutch (three episodes), CHiPs, and Manimal (all but one episode).

Silvestri was 21 years old when he started his film/television composing career. His early style is marked by a strong use of the octatonic scale, as well as an eclectic use of different notes and instruments.

Personal life[link]

Silvestri was born in New York City. He studied guitar at the Berklee College of Music in Boston, but dropped out after two years to tour with Wayne Cochran and the C.C. Riders.

Silvestri grew up in Teaneck, New Jersey^[1] and attended Teaneck High School there.^[2]

Silvestri also owns a vineyard, Silvestri Vineyards, located in Carmel Valley, California.^[3]

Awards[link]

Silvestri has received two Academy Award nominations, one for Best Original Score for Forrest Gump (1994) and one for Best Original Song for "Believe" on The Polar Express soundtrack. He also received two Golden Globe nominations: Best Score for Forrest Gump and Best Song for The Polar Express.

He has also received four Grammy Award nominations, winning two awards – Best Song Written for a Motion Picture, Television or Other Visual Media, for “Believe” from The Polar Express in 2004 and Best Instrumental Composition, for "Cast Away End Credits" from Cast Away in 2002. His other two nominations were for Best Soundtrack Album (for Back to the Future and Who Framed Roger Rabbit). During the 2005 Grammys, Josh Groban performed "Believe." ^[4]

On September 23, 2011 he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.

Discography[link]

References[link]

External links[link]

• AlanSilvestri.com
• Alan Silvestri at Allmusic
• Alan Silvestri at the Internet Movie Database
• Alan Silvestri at Soundtrackguide.net
• Castell'Alfero (Italy) country of Asti of which it is City Honorarium
• Complete Alan Silvestri Discography

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (June 2010)

Alan Parsons
Alan Parsons in 2006
Background information
Born	(1948-12-20) 20 December 1948 (age 63) London, England
Genres	Rock, progressive rock
Occupations	Audio engineer, composer, musician, record producer, director
Years active	1967–present
Labels	Legacy, Arista, Fox, Mercury, Frontiers[citation needed]
Associated acts	The Alan Parsons Project
Website	Alan Parsons Music

Alan Parsons (born 20 December 1948^[1]) is a British audio engineer, musician, and record producer. He was involved with the production of several significant albums, including The Beatles' Abbey Road and Let It Be, as well as Pink Floyd's The Dark Side of the Moon for which Pink Floyd credit him as an important contributor. Parsons' own group, The Alan Parsons Project, as well as his subsequent solo recordings, have also been successful commercially.

Career[link]

In October 1967, at age 18, Parsons went to work as an assistant engineer at Abbey Road Studios, where he earned his first credit on the LP Abbey Road. He became a regular there, engineering such projects as Paul McCartney's Wild Life and Red Rose Speedway, five albums by The Hollies, and Pink Floyd’s The Dark Side of the Moon, for which he received his first Grammy Award nomination. He was known for doing more than what would normally be considered the scope of a recording engineer’s duties.^{[citation needed]}He considered himself to be a recording director, likening his contribution to recordings to what Stanley Kubrick contributed to film.^{[citation needed]} This is apparent in his work with Al Stewart's "Year of the Cat", where Parsons added the saxophone part and transformed the original folk concept into the jazz-influenced ballad that put Al Stewart onto the charts.^{[citation needed]} It is also heard in Parsons' influence on the Hollies' "He Ain't Heavy, He's My Brother" and "The Air That I Breathe", sharp departures from their popular 1960s hits "Stay", "Just One Look", "Stop! Stop! Stop!" or "Bus Stop".^{[citation needed]} Parsons was also known to have swapped shifts during the engineering of The Dark Side of the Moon so he could work entirely on the project.^{[citation needed]}

Parsons also produced three albums by Pilot, a Scottish pop rock band consisting of Ian Bairnson on guitar, Stuart Tosh on drums, and David Paton on lead vocals, guitars,bass and William (Billy) Lyall, on piano and keys. Their hits included "January" and "Magic".

He also mixed the debut album by the American band Ambrosia and produced their second album Somewhere I've Never Travelled. Alan was nominated for grammys for both of these albums. ^[2]

In 1975, he declined Pink Floyd's invitation to come back and work on the follow-up for "Dark Side," Wish You Were Here, and instead initiated The Alan Parsons Project with producer and songwriter (and occasional singer) Eric Woolfson, whom he had met at Abbey Road. The Project consisted of a revolving group of studio musicians and vocalists, most notably the members of Pilot and (on the first album) the members of Ambrosia. Unlike most rock groups, The Alan Parsons Project never performed live during its heyday, although it did release several music videos. Its only live performance during its original incarnation was in 1990, with Woolfson present but behind the scenes. After releasing ten albums, the last in 1987, the Project terminated in 1990 after Parsons and Woolfson split, with the Project's intended 11th album released that year as a Woolfson solo album. Parsons continued to release work in his own name and in collaboration with other musicians. Parsons and his band now regularly tour many parts of the world.

Although an accomplished vocalist, keyboardist, bassist, guitarist and flautist, Parsons only sang infrequent and incidental parts on his albums. While his keyboard playing was very audible on the Alan Parsons Project albums, very few recordings feature his flute. During the late 1990s, Parsons' career travelled an interesting full circle. Having started out in the music industry at the Abbey Road Studios in London as an assistant engineer in the late 1960s, he briefly returned to run the studio in its entirety. He reportedly managed to combine this role with the demands of a hectic performing and recording schedule. Parsons also continued with his selective production work for other bands.

Of all his collaborations, guitarist Ian Bairnson worked with Parsons the longest, including Parsons' post-Woolfson albums, Try Anything Once, On Air, and The Time Machine.

As well as receiving gold and platinum awards from many nations, Parsons has received ten Grammy Award nominations for engineering and production. In 2007 he received a nomination for Best Surround Sound Album for A Valid Path.

In May 2005, Parsons appeared at the Canyon Club in Agoura Hills, California, to mix front-of-house sound for Southern California-based Pink Floyd tribute band Which One’s Pink? and their performance of The Dark Side of the Moon in its entirety.^[3]

Since 2003 he has toured under a revised name, The Alan Parsons Live Project (with Woolfson’s permission). The globe-trotting band features guitarist Godfrey Townsend, drummer Steve Murphy, keyboardist Manny Focarazzo, and bass guitarist John Montagna. The 2004–2005 shows offered vocalist P. J. Olsson's track "More Lost Without You", while the later 2006 shows presented The Crystal Method-featured "We Play the Game" and opened with "Return to Tunguska" along with successes spanning the Project years.

Beginning in 2001 and extending for four years, Parsons conceived and led a Beatles tribute show called A Walk Down Abbey Road featuring a group of headlining performers such as Todd Rundgren, Ann Wilson of Heart, John Entwistle of The Who, and Jack Bruce of Cream. The show structure included a first set where all musicians assembled to perform each others' hits, and a second set featuring all Beatles songs.

In 2010, Alan Parsons released his single "All Our Yesterdays" through Authentik Artists.^[4] Parsons also launched a DVD educational series in 2010 titled The Art and Science of Sound Recording ("ASSR") on music production and the complete audio recording process. The single "All Our Yesterdays" was written and recorded during the making of ASSR. The series, narrated by Billy Bob Thornton,^[5] gives detailed tutorials on virtually every aspect of the sound recording process. Individual sections of the series are also being released in batches and are available to stream or download at www.artandscienceofsound.com.^[5]

During 2010, several media reports,^[6][7] one of which included a quote from a representative of Parsons,^[8] alleged that the song "Need You Now" by country music group Lady Antebellum possessed the melody and arrangement of "Eye in the Sky."

In 2011 it was announced that Parsons was creating and producing a new group called the Subclones. Parsons said: "I feel that the public deserves some genuinely innovative music and It's been a long time since I've heard some that truly excites me – it made me want to get back into the studio and do another 'Dark Side'." Parsons jokingly refers to one of the biggest-selling and most popular albums in history.^{[citation needed]}

Personal life[link]

Parsons was born in London. He resides in Santa Barbara, California with his wife and her two daughters, as well as numerous pets.^[1]

Discography[link]

Studio albums[link]

• with The Alan Parsons Project:
  • Tales of Mystery and Imagination (1976)
  • I Robot (1977)
  • Pyramid (1978)
  • Eve (1979)
  • The Turn of a Friendly Card (1980)
  • Eye in the Sky (1982)
  • Ammonia Avenue (1984)
  • Vulture Culture (1985)
  • Stereotomy (1985)
  • Gaudi (1987)
• as a solo artist:
  • Try Anything Once (1993)
  • On Air (1996)
  • The Time Machine (1999)
  • A Valid Path (2004)

Full discography[link]

[edit] Billboard Top 40 hit singles (U.S.)

No. 37 – "(The System Of) Doctor Tarr And Professor Fether" (1976)

No. 36 – "I Wouldn't Want to Be Like You" (1977)

No. 27 – "Damned if I Do" (1979)

No. 16 – "Games People Play" (1980)

No. 15 – "Time" (1981)

No. 3 – "Eye in the Sky" (1982)

No. 15 – "Don't Answer Me" (1984)

Canadian singles[link]

No. 62 – "(The System Of) Doctor Tarr And Professor Fether" (1976)

No. 22 – "I Wouldn't Want to Be Like You" (1977)

No. 16 – "Damned if I Do" (1980)

No. 9 – "Games People Play" (1981)

No. 30 – "Time" (1981)

No. 1 – "Eye in the Sky" (1982)

No. 43 – "You Don't Believe" (1983)

No. 20 – "Don't Answer Me" (1984)

No. 89 – "Let's Talk About Me" (1985)

Awards and nominations[link]

Nominations[link]

• 1973 – Pink Floyd – The Dark Side of the Moon – Grammy Award for Best Engineered Album, Non-Classical
• 1976 – Ambrosia – Somewhere I've Never Travelled – Grammy Award for Best Engineered Album, Non-Classical
• 1976 – The Alan Parsons Project – Tales of Mystery and Imagination – Grammy Award for Best Engineered Album, Non-Classical
• 1978 – The Alan Parsons Project – Pyramid – Grammy Award for Best Engineered Album, Non-Classical
• 1979 – Ice Castles – Original Motion Picture Soundtrack – Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media
• 1979 – The Alan Parsons Project – Eve – Grammy Award for Best Engineered Album, Non-Classical
• 1981 – The Alan Parsons Project – The Turn of a Friendly Card – Grammy Award for Best Engineered Album, Non-Classical
• 1982 – The Alan Parsons Project – Eye in the Sky – Grammy Award for Best Engineered Album, Non-Classical
• 1986 – The Alan Parsons Project – "Where's The Walrus?" – Grammy Award for Best Rock Instrumental Performance
• 2007 – Alan Parsons – A Valid Path – Grammy Award for Best Surround Sound Album

References[link]

• Official website of the Alan Parsons Project
• The Avenue, The Official Alan Parsons Fan Club

External links[link]

• Alan Parsons at Allmusic
• Alan Parsons Music Official Site
• Alan Parsons Project Official Site
• Alan Parsons in the Internet Movie Data Base
• Crawdaddy! "Parsons Knows: The Tale of Alan Parsons and Edgar Allan Poe"
• The Subclones, Parsons new group