2:21
The Edge - Trailer
Release Date: 26 September 1997 Genre: Drama / Action / Adventure / Thriller Cast: Anthony...
published: 21 Jun 2008
Author: 11ottobre1990
The Edge - Trailer
Release Date: 26 September 1997 Genre: Drama / Action / Adventure / Thriller Cast: Anthony Hopkins, Alec Baldwin, Harold Perrineau, Elle Macpherson, LQ Jones, Bart the Bear Director: Lee Tamahori Writer: David Mamet Producer: Art Linson Studio: 20th Century Fox Plot: Billionaire Charles Morse accompanies his supermodel wife Mickey to photo shoot at Alaska. The shoot is to be made by fashion photographer Robert Green. To find specific Indian for the shoot, they fly to even more distant location, where their small plane crashes into a lake. To survive in the woods full of man-killing bears they need each other, but the smarter of the men - Charles is suspicious that Robert is having an affair with his wife. Official site: www.foxmovies.com
2:21
The Edge 1997 Trailer
Review at www.rabbit-reviews.com check it out for a list of movies that are worth watching...
published: 12 Aug 2009
Author: RabbitReviews
The Edge 1997 Trailer
Review at www.rabbit-reviews.com check it out for a list of movies that are worth watching...
2:29
The Edge (1997) - "Charles"
Lazy screenwriting, or bizarre on-set bet? www.flickbook.wordpress.com...
published: 03 Mar 2011
Author: Flickbookblog
The Edge (1997) - "Charles"
Lazy screenwriting, or bizarre on-set bet? www.flickbook.wordpress.com
10:58
What do we eat?The Edge (1997)
Director: Lee Tamahori Writer (WGA): David Mamet (written by) Contact: View company contac...
published: 08 Nov 2009
Author: 89AYODHYARAMKOT2016
What do we eat?The Edge (1997)
Director: Lee Tamahori Writer (WGA): David Mamet (written by) Contact: View company contact information for The Edge on IMDbPro. Release Date: 26 September 1997 (USA) The Requiem or Requiem Mass, also known as the Missa pro defunctis (Latin, "Mass for the deceased") or Missa defunctorum ("Mass of the deceased"), is a liturgical service of the Roman Catholic Church celebrated by the priest presider for the repose of the soul of a particular deceased person or persons. It is frequently, but by no means always, celebrated in the context of a funeral. Outside the Catholic Church, the ceremony is used in the Anglo-Catholic branch of Anglicanism and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic Churches. The term "Requiem" is the accusative form of the Latin noun requies (rest, repose). The introit of the liturgy begins with the words "Requiem aeternam dona eis, Domine" "Grant them eternal rest, O Lord". The Requiem Mass is notable for the large number of musical compositions that it has inspired, including the requiems of Mozart, Verdi and Fauré. Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Eventually the dramatic character of the text began to appeal to composers to an extent that they made the requiem a genre of its own, and the requiems of composers such as Verdi are essentially concert pieces rather than <b>...</b>
3:08
The Edge - Soundtrack - Lost In The Wild
The Edge (1997) Soundtrack Track 01: Lost In The Wild Music composed and conducted by Jerr...
published: 25 Sep 2008
Author: 11ottobre1990
The Edge - Soundtrack - Lost In The Wild
The Edge (1997) Soundtrack Track 01: Lost In The Wild Music composed and conducted by Jerry Goldsmith
6:10
The Edge - Soundtrack - Rescued
The Edge (1997) Soundtrack Track 09: Rescued Music composed and conducted by Jerry Goldsmi...
published: 25 Sep 2008
Author: 11ottobre1990
The Edge - Soundtrack - Rescued
The Edge (1997) Soundtrack Track 09: Rescued Music composed and conducted by Jerry Goldsmith
3:00
The Edge - Soundtrack - The Edge
The Edge (1997) Soundtrack Track 10: The Edge Music composed and conducted by Jerry Goldsm...
published: 25 Sep 2008
Author: 11ottobre1990
The Edge - Soundtrack - The Edge
The Edge (1997) Soundtrack Track 10: The Edge Music composed and conducted by Jerry Goldsmith
10:01
The Edge part 5
The Edge 1997 part 5 starring Anthony Hopkins, Alec Baldwin, Elle Macpherson, Harold Perri...
published: 24 Mar 2010
Author: TheShadow772
The Edge part 5
The Edge 1997 part 5 starring Anthony Hopkins, Alec Baldwin, Elle Macpherson, Harold Perrineau and Bart the Bear. NOTE: I DO NOT OWN THE EDGE! THE EDGE IS OWNED BY 20TH CENTURY FOX! **I'M SORRY THAT THE VIDEO IS MIRRORED/REFLECTED AND THAT THE AUDIO IS SLIGHTLY HIGHER PITCHED**
0:40
The Edge (1997) Part 1 of 14
The Edge (1997)...
published: 23 Mar 2011
Author: kateenaakama
The Edge (1997) Part 1 of 14
The Edge (1997)
9:45
On the edge of innocence - part 1
Starring Kelli Martin and James Marsden as two teenagers who fall in love in a mental inst...
published: 04 Mar 2010
Author: dealbeach
On the edge of innocence - part 1
Starring Kelli Martin and James Marsden as two teenagers who fall in love in a mental institution.
5:40
The Edge - Featurette
Release Date: 26 September 1997 Genre: Drama / Action / Adventure / Thriller Cast: Anthony...
published: 29 Jun 2008
Author: 11ottobre1990
The Edge - Featurette
Release Date: 26 September 1997 Genre: Drama / Action / Adventure / Thriller Cast: Anthony Hopkins, Alec Baldwin, Harold Perrineau, Elle Macpherson, LQ Jones, Bart the Bear Director: Lee Tamahori Writer: David Mamet Producer: Art Linson Studio: 20th Century Fox Plot: Billionaire Charles Morse accompanies his supermodel wife Mickey to photo shoot at Alaska. The shoot is to be made by fashion photographer Robert Green. To find specific Indian for the shoot, they fly to even more distant location, where their small plane crashes into a lake. To survive in the woods full of man-killing bears they need each other, but the smarter of the men - Charles is suspicious that Robert is having an affair with his wife. Official site: www.foxmovies.com
5:01
Best VGM 544 - Soul Blade - The Edge of Soul (Intro)
A collection of my favorite videogame music. Note that most of them are from games I playe...
published: 21 Sep 2009
Author: SupraDarky
Best VGM 544 - Soul Blade - The Edge of Soul (Intro)
A collection of my favorite videogame music. Note that most of them are from games I played so I might miss some great ones from games I never played. Playstation Soul Blade (1997) The Edge of Soul Suzi Kim
10:38
Jerry Goldsmith - The Edge - Soundtrack Music Suite
original music of the soundtrack The Edge composed and conducted by Jerry Goldsmith in 199...
published: 30 Jun 2010
Author: DaneTheConquerer
Jerry Goldsmith - The Edge - Soundtrack Music Suite
original music of the soundtrack The Edge composed and conducted by Jerry Goldsmith in 1997 starring Anthony Hopkins, Alec Baldwin and Bart the Bear, directed by Lee Tamahori that is previously unreleased material only have fun!
4:57
Tracey Lee - On the Edge
From "Many Facez" (1997) Producer: DJ Parlay & Tracey Lee...
published: 20 Feb 2009
Author: SultanoKimah
Tracey Lee - On the Edge
From "Many Facez" (1997) Producer: DJ Parlay & Tracey Lee
Vimeo results:
2:22
beet cake
song: "babe" - evenings
There is something beautiful about the baking process. The way fl...
published: 25 May 2011
Author: tiger in a jar
beet cake
song: "babe" - evenings
There is something beautiful about the baking process. The way flour feels in your hands or the sound of eggs cracking on the edge of a bowl. Baking is a gathering of interesting materials, a mixed medium art piece of sorts, that ends in a cake instead of a canvas.
Thank you for your compliments. We have not been able to respond to comments for some reason (still trying to figure it out....) but here is some general info.
We shot this with a Canon 5D and 7D with EF 50mm f1.4 USM and EF 24-105mm f4L IS. We edited in Final Cut Pro and colored in Color and FCP. We wrote out the titles and edited them in Photoshop.
And yes, the beet cake is delicious!
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
7:28
Nikon - WHY
Nikon D4 Release Video
It's here! The Nikon D4 has arrived and it is a freaking HOT camer...
published: 06 Jan 2012
Author: Corey Rich
Nikon - WHY
Nikon D4 Release Video
It's here! The Nikon D4 has arrived and it is a freaking HOT camera! For the past months I have been working in silence with an amazingly talented crew and three of the best athletes on the planet producing my short D4 launch film "WHY". It was like Christmas morning when Nikon called and described the new camera and all of its incredible features. All I could think was that this is the camera we have been waiting for. Then the gift of all gifts... "Corey, dream up a film that you would like to shoot. You pick the topic. You pick the location. It's your film... only requirement is you show off the features of the new camera." My favorite quote from the call was "You have a blank white canvas and it's up to you to fill it". I had to pinch myself several times to confirm that the call was real. Everyone involved has been tight lipped about the project for months and today we can finally begin to share some of the assets and get fired up about the camera!!!
I have always been facinated by those people that are the best at what they do. Those that operate on the edge; scientists, artists, musicians, athletes, etc. Always the question that I find myself asking is "WHY"? What deep inside drives them? What does the world look like through their eyes? Those that live on the edge, push the envelope, redefine sports and industries operate in a space all to themselves. In my Nikon D4 launch film I wanted to visually portray the beauty and intensity of the athletes doing what they do best while also delving into their heads and answering the question "WHY"? There was a very simple list of criteria used when selecting the athletes for this film. 1. They needed to be the best in the world at what they do. 2. They needed to be true role modes / heros. (In short, no ego and just simply fantastic people). Dane, Rebecca and Alex fulfill the requirements in spades!
As it seems to be with many shoots, the schedule for WHY was INSANE! In just 13 days we went from Veracruz, Mexico to Moab, Utah to Joshua Tree, California. With a fantastic crew of eight amazingly talented people, three of the worlds best athletes, over 20 pieces of luggage, three D4 prototypes, an rc helicopter and enough RedBull and ClifBars to keep us awake and moving, the entire journey was epic! Huge days, little sleep, lost bags, crashed helicopter (the D4 lived), speeding tickets (talked our way out of both ;-), wicked mosquito bites, flu, and a trip to the urgent care - all the prerequisites for a great shoot. Just the way I like it!
Special thanks to everyone that helped on this production! Dane Henry, Shawn Corrigan, Rex Lint, Mike Hagadorn; you guys are studs! Blaine Deutsch and Marina Rich, thank you for keeping us all on track, organized, fed and looking good (and Marina, thanks for loving me and being the best wife in the world). Gen Umei, Soichi Hayashi, Jason Jenkins and Mike Corrado; thank you for the opportunity! Dane Jackson, Alex Honnold and Rebecca Rusch, you guys really made the film and answered the question WHY!!! Tommy Thompson and Chris McNamara; thanks for keeping us safe and getting me into the coolest camera positions possible! Amazing team and thank you everyone who helped!
When it is all said and done by far the most exciting part is the future. It's about the collective creativity and vision of the photo and video community and what we will all create when we get a D4 in our hands. One thing is for certain, WHY was just the tip of the iceberg!
Check out the link below for more production and technical info on the Corey Rich Productions blog:
http://news.coreyrich.com/2012/01/nikon-d4-project-production-technical-info.html
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
Youtube results:
5:07
Lady GaGa - The Edge Of Glory (Ballad Version)
Hey! Since this video is going to have new viewers, i thought i should tell a little bit a...
published: 25 Dec 2011
Author: Briitnneyxove
Lady GaGa - The Edge Of Glory (Ballad Version)
Hey! Since this video is going to have new viewers, i thought i should tell a little bit about my self, Hi, you can call me Divazzy, I'm 14 years old (May 16th, 1997) and i like to make remixes of songs, specially ballad remixes, ballad remixes is when i take any song, probably a fast dance one, and try my best to turn it into a ballad- slow song! i first started with doing ballad remixes with Britney's amazing songs from femme fatale and such, then i made a whole remix album for britney! so now i'm trying to change things up a little bit and ballad-remix other artist's songs, and well, i did gaga! the next ballad remix will PROBABLY be We Found Love By Rihanna, i still can't find a good quality acapella of it but we'll see. the program i used to remix is FL Studio 10, ran on Parallels Desktop (a mac application that runs windows on a mac ;p) and the video is made with iMovie -pretty simple and the cover is made by me! Thanks for watching and i hope you like what you hear! :) oh and Merry Christmas!
3:54
U2 - Sunday Bloody Sunday (The Edge) - Live Popmart Santiago
Widely considered the best show from the Popmart Tour....
published: 30 Dec 2006
Author: SJGrantski
U2 - Sunday Bloody Sunday (The Edge) - Live Popmart Santiago
Widely considered the best show from the Popmart Tour.
0:36
Kill The Bear - scene from "The Edge" with Anthony Hopkins and Alec Baldwin
"What one man can do, another can do!" This is my motto and this is one of the a...
published: 29 Mar 2010
Author: indepndnt
Kill The Bear - scene from "The Edge" with Anthony Hopkins and Alec Baldwin
"What one man can do, another can do!" This is my motto and this is one of the all time greatest theatrical expressions of it.
3:00
Jerry Goldsmith scores "The Edge"
Breathtaking theme for fantastic 1997 lost-in-the-wilderness film. This is one of my favor...
published: 24 Aug 2008
Author: bobbengan
Jerry Goldsmith scores "The Edge"
Breathtaking theme for fantastic 1997 lost-in-the-wilderness film. This is one of my favorite Goldsmith scores of all time, and easily one of his most underrated works. Brilliant!
