The hour (common symbol: h or hr) is a unit of measurement of time. In modern usage, an hour comprises 60 minutes, or 3,600 seconds. It is approximately 1/24 of a mean solar day.

An hour in the Universal Coordinated Time (UTC) time standard can include a negative or positive leap second, and may therefore have a duration of 3,599 or 3,601 seconds for adjustment purposes.

Although it is not a standard defined by the International System of Units, the hour is a unit accepted for use with SI, represented by the symbol h.^[1]

Midnight on a 24-hour digital clock

Midday or midnight on a 12-hour analog clock

Etymology[link]

The Middle English word ure first appears in the 13th century, as a loanword from Old French ure, ore, from Latin hora. Hora, in turn, derives^[2] from Greek ὥρα ("season, time of day, hour"). In terms of the Proto-Indo-European language, ὥρα is a cognate of English year and is derived from the Proto-Indo-European word *i̯ēro- ("year, summer").

The ure of Middle English and the Anglo-French houre gradually supplanted the Old English nouns tīd (which survives in Modern English as tide) and stund. Stund is the progenitor of stound, which remains an archaic synonym for hour. Stund is related to the Old High German stunta, from Germanic *stundō ("time, interval, while").

The equation of time — above the axis the sundial will appear fast, compared with a clock showing local mean time, and below the sundial will appear slow.

History[link]

Ancient Egyptians used sundials that "divided a sunlit day into 10 parts plus two "twilight hours" in the morning and evening."^[3]

The Greek astronomer, Andronicus of Cyrrhus, oversaw the construction of a horologion called the Tower of the Winds in Athens during the first century BCE. This structure tracked a 24-hour day using both sundials and mechanical hour indicators.^[3]

Ancient Sumer, India, and China also divided days into either one twelfth of the time between sunrise and sunset or one twenty-fourth of a full day^{[citation needed]}.^{[dubious – discuss]} In either case the division reflected the widespread use of a duodecimal numbering system. The importance of 12 has been attributed to the number of lunar cycles in a year.

Astronomers in Egypt's Middle Kingdom (9th and 10th Dynasties) observed a set of 36 decan stars throughout the year. These star tables have been found on the lids of coffins of the period. The heliacal rising of the next decan star marked the start of a new civil week, which was then ten days. The period from sunset to sunrise was marked by 18 decan stars. Three of these were assigned to each of the two twilight periods, so the period of total darkness was marked by the remaining 12 decan stars, resulting in the 12 divisions of the night. The time between the appearance of each of these decan stars over the horizon during the night would have been about 40 modern minutes. During the New Kingdom, the system was simplified, using a set of 24 stars, 12 of which marked the passage of the night.

Ancient Sinhalese in Sri Lanka divided a solar day into 60 Peya (now called Sinhala Peya). One Sinhala Peya was divided into 24 Vinadi. It is interesting to observe that one Vinadi is equal to one present-day standard minute.

Earlier definitions of the hour varied within these parameters:

• One twelfth of the time from sunrise to sunset. As a consequence, hours on summer days were longer than on winter days, their length varying with latitude and even, to a small extent, with the local weather (since it affects the atmosphere's index of refraction). For this reason, these hours are sometimes called temporal, seasonal, or unequal hours. Romans, Greeks and Jews of the ancient world used this definition; as did the ancient Chinese and Japanese. The Romans and Greeks also divided the night into three or four night watches, but later the night (the time between sunset and sunrise) was also divided into twelve hours. When, in post-classical times, a clock showed these hours, its period had to be changed every morning and evening (for example by changing the length of its pendulum), or it had to keep to the position of the Sun on the ecliptic (see Prague Astronomical Clock).
• One twenty-fourth of the apparent solar day (between one noon and the next, or between one sunset and the next). As a consequence hours varied a little, as the length of an apparent solar day varies throughout the year. When a clock showed these hours it had to be adjusted a few times in a month. These hours were sometimes referred to as equal or equinoctial hours.
• One twenty-fourth of the mean solar day. See solar time for more information on the difference to the apparent solar day. When an accurate clock showed these hours it virtually never had to be adjusted. However, as the Earth's rotation slows down, this definition has been abandoned. See UTC.

Counting hours[link]

Top view of an equatorial sundial. The hour lines are spaced equally about the circle, and the shadow of the gnomon (a thin cylindrical rod) rotates uniformly. The height of the gnomon is 5/12 the outer radius of the dial. This animation depicts the motion of the shadow from 3 a.m. to 9 p.m. on mid-summer's day, when the sun is at its highest declination (roughly 23.5°). Sunrise and sunset occur at 3am and 9pm, respectively, on that day at geographical latitudes near 57.5°, roughly the latitude of Aberdeen or Sitka, Alaska.

Planispheric astrolabe designed for the latitude of Varese (Italy), drawn by the Shadows Pro shareware.

Many different ways of counting the hours have been used. Because sunrise, sunset, and, to a lesser extent, noon, are the conspicuous points in the day, starting to count at these times was, for most people in most early societies, much easier than starting at midnight. However, with accurate clocks and modern astronomical equipment (and the telegraph or similar means to transfer a time signal in a split-second), this issue is much less relevant.

Astrolabes, sundials, and astronomical clocks sometimes show the hour length and count using some of these older definitions and counting methods.

Counting from dawn[link]

In ancient and medieval cultures, the counting of hours generally started with sunrise. Before the widespread use of artificial light, societies were more concerned with the division between night and day, and daily routines often began when light was sufficient.^[4] Sunrise marked the beginning of the first hour (the zero hour), the middle of the day was at the end of the sixth hour and sunset at the end of the twelfth hour. This meant that the duration of hours varied with the season. In the Northern hemisphere, particularly in the more northerly latitudes, summer daytime hours were longer than winter daytime hours, each being one twelfth of the time between sunrise and sunset. These variable-length hours were known as temporal hours, sometimes referred to, on astrolabes and astronomical clocks, for example, as "Babylonian" hours, and were in use until the appearance of the mechanical clock, which hastened the introduction of equal length hours.^[4]

This is also the system used in Jewish religious law (Halakha) and frequently called Talmudic hour ("Sha'a Zemanit") in a variety of texts. The talmudic hour is one twelfth of time elapsed from sunrise to sunset, day hours therefore being longer than night hours in the summer; in winter they reverse.

The Indic day began at sunrise. The term "Hora" was used to indicate an hour. The time was measured based on the length of the shadow at day time. A "Hora" translated to 2.5 "Pe." There are 60 "Pe" per day, 60 minutes per "Pe" and 60 "Kshana" (snap of a finger or instant) per minute. "Pe" was measured with a bowl with a hole placed in still water. Time taken for this graduated bowl was one "Pe." Kings usually had an officer in charge of this clock.

Counting from sunset[link]

In so-called Italian time, "Italian hours", or "Old Czech Time", the first hour started with the sunset Angelus bell (or at the end of dusk, i.e., half an hour after sunset, depending on local custom and geographical latitude). The hours were numbered from 1 to 24. For example, in Lugano, the sun rose in December during the 14th hour and noon was during the 19th hour; in June the Sun rose during the 7th hour and noon was in the 15th hour. Sunset was always at the end of the 24th hour. The clocks in church towers struck only from 1 to 12, thus only during night or early morning hours.

This manner of counting hours had the advantage that everyone could easily know how much time they had to finish their day's work without artificial light. It was already widely used in Italy by the 14th century and lasted until the mid-18th century; it was officially abolished in 1755, or in some regions, customary, until the mid-19th century.^[5]

The system of Italian hours can be seen on a number of clocks in Europe, where the dial is numbered from 1 to 24 in either Roman or Arabic numerals. The St Mark's Clock in Venice, and the Orloj in Prague are famous examples. It was also used in Poland and Bohemia until the 17th century.

The medieval Islamic day began at sunset. The first prayer of the day (maghrib) was to be performed between sunset and the end of twilight.

Counting from noon[link]

For many centuries, up to 1925, astronomers counted the hours and days from noon, because it was the easiest solar event to measure accurately. An advantage of this method (used in the Julian Date system, in which a new Julian Day begins at noon) is that the date doesn't change during a single night's observing.

Counting from midnight[link]

In the modern 12-hour clock, counting the hours starts at midnight and restarts at noon. Hours are numbered 12, 1, 2, ..., 11. Solar noon is always close to 12 noon, differing according to the equation of time by as much as fifteen minutes either way. At the equinoxes sunrise is around 6 A.M. (ante meridiem, before noon), and sunset around 6 P.M. (post meridiem, after noon).

In the modern 24-hour clock, counting the hours starts at midnight and hours are numbered from 0 to 23. Solar noon is always close to 12:00, again differing according to the equation of time. At the equinoxes sunrise is around 06:00 and sunset around 18:00.

Further reading[link]

• Gerhard Dohrn-van Rossum (1996). History of the hour: clocks and modern temporal orders. University of Chicago Press. ISBN 0-226-15510-2. 
• "Astronomy before the telescope". Ed. Christopher Walker. London: British Museum Press, 1996.

See also[link]

• Canonical hours

External links[link]

Look up hour or stound in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Hour

References[link]

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Jake Gyllenhaal
Gyllenhaal at the 2012 Berlin International Film Festival
Born	Jacob Benjamin Gyllenhaal (1980-12-19) December 19, 1980 (age 31) Los Angeles, California
Occupation	Actor
Years active	1991–present
Parents	Stephen Gyllenhaal Naomi Foner Gyllenhaal
Relatives	Maggie Gyllenhaal (sister)

Jacob Benjamin "Jake" Gyllenhaal ( /ˈdʒɪlənhɔːl/ JIL-ən-hawl;^[1] born December 19, 1980) is an American actor. The son of director Stephen Gyllenhaal and screenwriter Naomi Foner, Gyllenhaal began acting at the age of ten. Following his first lead role in 1999's October Sky, he starred in the indie cult hit Donnie Darko (2001), in which he played a psychologically troubled teenager alongside his older sister, actress Maggie Gyllenhaal. In 2004 he appeared in the science-fiction film The Day After Tomorrow, portraying a student caught in a cataclysmic global cooling event. He then played against type as a frustrated Marine in Jarhead (2005). The same year his role as Jack Twist in Brokeback Mountain earned him critical acclaim and an Academy Award nomination for Best Supporting Actor. He has since played the lead roles in many notable films, including Zodiac (2007), Prince of Persia: The Sands of Time (2010) and Source Code (2011).

Gyllenhaal has promoted various political and social causes. He has appeared in Rock the Vote advertising, campaigned for the Democratic Party in the 2004 U.S. presidential election, promoted environmental causes, and campaigned on behalf of the American Civil Liberties Union.

Early life and education[link]

Gyllenhaal was born in Los Angeles, the son of film director Stephen Gyllenhaal and film producer and screenwriter Naomi Foner (née Achs).^[2] Maggie Gyllenhaal, his older sister and also an actress, appeared with Jake in the movie Donnie Darko. Gyllenhaal's father, who was raised as a Swedenborgian, is of Swedish and English descent, and is a descendant of the Swedish noble Gyllenhaal family.^[3] His last native Swedish ancestor was his great-great-grandfather, Anders Leonard Gyllenhaal.^[4][5] Jake Gyllenhaal's mother is from a Jewish family from New York City, and Gyllenhaal has said that he considers himself "more Jewish than anything else."^[6] On his 13th birthday, Gyllenhaal performed a "barmitzvah-like act, without the typical trappings", volunteering at a homeless shelter, because his parents wanted to instill in him a sense of gratitude for his privileged lifestyle.^[7][8] His parents insisted that he have summer jobs to support himself, and he thus worked as a lifeguard and as a busboy at a restaurant operated by a family friend.^[9]

Acting career[link]

Early career[link]

As a child, Gyllenhaal was regularly exposed to filmmaking due to his family's deep ties to the industry. He made his acting debut as Billy Crystal's son in the 1991 comedy film City Slickers. His parents did not allow him to appear in the 1992 film The Mighty Ducks because it would have required him leaving home for two months.^[2] In subsequent years, his parents allowed him to audition for parts, but regularly forbade him to take them if he were chosen.^[9] He was allowed to appear in his father's films several times. Gyllenhaal appeared in the 1993 film A Dangerous Woman (along with sister Maggie); in "Bop Gun" a 1994 episode of Homicide: Life on the Street; and in the 1998 comedy Homegrown. Along with their mother, Jake and Maggie appeared in two episodes of Molto Mario, an Italian cooking show on the Food Network. Prior to his senior year in high school, the only other film not directed by his father in which Gyllenhaal was allowed to perform was the 1993 film Josh and S.A.M., a little-known children's adventure.^[10]

Gyllenhaal graduated from the Harvard-Westlake School in Los Angeles in 1998, then attended Columbia University, where his sister was a senior and from which his mother had graduated, to study Eastern religions and philosophy. Gyllenhaal dropped out after two years to concentrate on acting, but has expressed intentions to eventually finish his degree.^[2] Gyllenhaal's first lead role was in October Sky, Joe Johnston's 1999 adaptation of the Homer Hickam autobiography Rocket Boys, in which he portrayed a young man from West Virginia striving to win a science scholarship to avoid becoming a coal miner. The film earned $32 million and was described in the Sacramento News and Review as Gyllenhaal's "breakout performance."^[11][12]

[edit] From Donnie Darko to the London stage

Donnie Darko, Gyllenhaal's second major film, was not a box office success upon its initial 2001 release, but eventually became a cult favorite.^[13] The film, directed by Richard Kelly, is set in 1988 and stars Gyllenhaal as a troubled teenager who, after narrowly escaping death, experiences visions of a 6 foot (1.8 m) tall rabbit named Frank who tells him that the world is coming to an end. Gyllenhaal's performance was well-received by critics; Gary Mairs of Culture Vulture wrote that "Gyllenhaal manages the difficult trick of seeming both blandly normal and profoundly disturbed, often within the same scene."^[14][15]

After the critical success of Donnie Darko, Gyllenhaal's next role was as Pilot Kelston in 2002's Highway alongside Jared Leto. His performance was described by one critic as "silly, cliched and straight to video."^[16] Gyllenhaal had more success starring opposite Jennifer Aniston in The Good Girl, which premiered at the 2002 Sundance Film Festival; he also starred in Lovely & Amazing with Catherine Keener.^[17] In both films he plays an unstable character who begins a reckless affair with an older woman. Gyllenhaal later described these as "teenager in transition" roles.^[18] Gyllenhaal later starred in the Touchstone Pictures romantic comedy Bubble Boy, which was loosely based on the story of David Vetter. The film portrays the title character's adventures as he pursues the love of his life before she marries the wrong man.^[19] The film was panned by critics, with one calling it an "empty-headed, chaotic, utterly tasteless atrocity".^[20]

Following Bubble Boy, Gyllenhaal starred opposite Dustin Hoffman, Susan Sarandon and Ellen Pompeo in Moonlight Mile, as a young man coping with the death of his fiancée and the grief of her parents. The story, which received mixed reviews,^[21] is loosely based on writer/director Brad Silberling's personal experiences following the murder of girlfriend Rebecca Schaeffer.^[22]

Gyllenhaal was almost cast as Spider-Man for Spider-Man 2 due to director Sam Raimi's concerns about original Spider-Man star Tobey Maguire's health.^[23] Maguire recovered, however, and the sequel was shot without Gyllenhaal.^[24] Instead, Gyllenhaal starred in the blockbuster The Day After Tomorrow in 2004, co-starring Dennis Quaid as his father.^[2][25]

In his theatrical debut Gyllenhaal starred on the London stage in Kenneth Lonergan's revival of This is Our Youth.^[26] Gyllenhaal said, "Every actor I look up to has done theatre work, so I knew I had to give it a try."^[27] The play, which had been a critical sensation on Broadway, ran for eight weeks in London's West End. Gyllenhaal received favorable critical reviews and an Evening Standard Theatre Award in the category "Outstanding Newcomer."^[28][29]

[edit] Brokeback Mountain and subsequent roles

Gyllenhaal attending the premiere of Proof in 2005.

2005 was a prolific year for Gyllenhaal, who starred in the critically praised films Proof, Jarhead, and Brokeback Mountain. In Proof, featuring Gwyneth Paltrow and Anthony Hopkins, Gyllenhaal played a graduate student in mathematics who tries to convince Paltrow's character to publish a revolutionary proof to a problem puzzling the mathematicians' community. In Jarhead, Gyllenhaal played against his usual "sensitive yet disturbed" type by displaying an aggressive masculinity as a violent U.S. Marine during the first Gulf War. He also auditioned to be Batman for one of the biggest blockbusters Batman Begins^[30] and came close to getting the role^[31] but Christian Bale was ultimately chosen for it.

In Brokeback Mountain, Gyllenhaal^[32] and Heath Ledger play young men who meet as sheep herders and embark upon a sexual relationship that begins in the summer of 1963 and lasts for 20 years. The film was often referred to in the media with the shorthand phrase "the gay cowboy movie,"^[33] though there was differing opinion on the sexual orientation of the characters. The film won the Golden Lion prize at the Venice Film Festival. The film went on to win four Golden Globe Awards, four British Academy of Film and Television Arts (BAFTA) Awards, and three Academy Awards. Gyllenhaal was nominated for an Academy Award in the category of Best Supporting Actor for his performance, but lost to George Clooney for Syriana. Gyllenhaal also won the Best Supporting Actor BAFTA for the same role and received a Best Supporting Actor nomination and Best Film Ensemble nomination from the Screen Actors Guild. Also for Brokeback Mountain, he and Ledger won an MTV Movie Award for "Best Kiss" in 2006. Shortly after the 2006 Academy Awards, Gyllenhaal was invited to join the Academy in recognition of his acting career.^[34] Gyllenhaal was awarded the 2006 Young Artist Award for Artistic Excellence by The Americans for the Arts National Arts Awards for his role.^[35]

Gyllenhaal expressed mixed feelings about the experience of being directed by Ang Lee in Brokeback Mountain, but generally had more praise than criticism for Lee's directing style. While complaining of the way Lee tended to disconnect from his actors once filming began, Gyllenhaal praised his encouraging direction of the actors and sensitive approach to the material.^[36][37] At the Directors Guild of America Awards on January 28, 2006, Gyllenhaal also praised Lee for "his humbleness and his respect for everyone around him."^[38]

When asked about his kissing scenes with Heath Ledger in Brokeback Mountain, Gyllenhaal said, "As an actor, I think we need to embrace the times we feel most uncomfortable."^[39] When asked about the more intimate scenes with Ledger, Gyllenhaal likened them to "doing a sex scene with a woman I'm not particularly attracted to."^[32] Following the release of Brokeback Mountain, rumors circulated regarding the actor's sexual orientation. When asked about such gossip during an interview, Gyllenhaal said:

You know it's flattering when there's a rumor that says I'm bisexual. It means I can play more kinds of roles. I'm open to whatever people want to call me. I've never really been attracted to men sexually, but I don't think I would be afraid of it if it happened.^[40]

Gyllenhaal signing photographs at the 62nd Berlin International Film Festival in 2012

Gyllenhaal narrated the 2005 short animated film The Man Who Walked Between the Towers,^[41] based on Mordicai Gerstein's book of the same name about Philippe Petit's famous stunt.^[42] In January 2007, as host of Saturday Night Live, he put on a sparkly evening dress and sang "And I Am Telling You I'm Not Going" from the musical Dreamgirls for his opening monologue,^[43] dedicating the song to his "unique fan base... the fans of Brokeback."^[44]

In 2007, Gyllenhaal starred in David Fincher's Zodiac, which was based on a true story. He played Robert Graysmith, a San Francisco Chronicle cartoonist and author of two books about the Zodiac serial killer.^[45] Gyllenhaal starred opposite Meryl Streep, Alan Arkin, and Reese Witherspoon in the October 2007 release Rendition, a Gavin Hood-directed political thriller about the U.S. policy of extraordinary rendition.^[46] In 2009, he appeared with Tobey Maguire in Jim Sheridan's remake of Susanne Bier's 2004 Danish language film Brothers.^[47] The following year, Gyllenhaal played the lead role in the movie adaptation of the video game Prince of Persia: The Sands of Time, produced by Jerry Bruckheimer and released by Disney on May 28, 2010 and in the romantic comedy Love and Other Drugs, released on November 24, 2010, for which he received a Golden Globe Award nomination.

His upcoming roles include the comedy Nailed, which he filmed in South Carolina with Jessica Biel,^[48] and Doug Liman's as yet untitled film about the race for lunar colonization.^[49]

Personal life[link]

Family and relationships[link]

For more on Gyllenhaal's paternal ancestors, see Gyllenhaal family

The son of director Stephen Gyllenhaal and screenwriter Naomi Foner, Gyllenhaal's immediate family includes his sister, actress Maggie, who is married to actor Peter Sarsgaard, Gyllenhaal's co-star in Jarhead and Rendition. In December 2006, Jake and his sister escaped a fire that destroyed Manka's, a famed lodge and restaurant in Inverness, California, at which they were vacationing.^[50] Gyllenhaal's niece, Ramona Sarsgaard, was born on October 3, 2006. Jamie Lee Curtis is Gyllenhaal's godmother,^[2] and he has repeatedly referred to his godfathers being a gay couple.^[51][52] Gyllenhaal himself is the godfather of Matilda Rose Ledger (born October 28, 2005), daughter of Heath Ledger and Michelle Williams, both of whom co-starred with him in Brokeback Mountain.^[53]

Gyllenhaal dated actress Kirsten Dunst for nearly two years starting in 2002.^[54] He later dated his Rendition co-star Reese Witherspoon from about 2007 to 2009.^{[55][56][57][58]} He dated singer-songwriter Taylor Swift from October 2010 until January 2011.^[59][60][61]

Politics and other interests[link]

Gyllenhaal is politically active. He shot a commercial for Rock the Vote, and along with his sister, visited the University of Southern California to encourage students to vote during the 2004 U.S. Election.^[62] He also campaigned for Democratic Presidential candidate John Kerry.^[63] He has said, however, that "it frustrates me when actors talk politics; I'm political and I make choices in my movies that I think are political. I try and say things with what I do. Rightly or wrongly, young actors have all the power."^[45] In an interview for Rendition, he remarked that "it's a sad time when actors are politicians and politicians are actors."^[64]

Raised in a family concerned with social issues, in 2003 Gyllenhaal participated in an advertising campaign by the American Civil Liberties Union, an organization his entire family strongly supports.^[65][66] Environmentally conscious, he recycles regularly, and said in an interview that he spends $400 a year to have trees planted in a Mozambique forest, partly to promote the Future Forests program.^[67][68] After filming The Day After Tomorrow, he flew to the Arctic to promote awareness of climate change.^[69][70]

In his spare time, Gyllenhaal enjoys woodworking and cooking.^[71] He has said, "I am not a card-carrying Buddhist, but I do try to practice mindfulness" and it is his goal to meditate every day.^[72][73]

Gyllenhaal has signed on to help the TV fundraiser Stand Up To Cancer.^[74]

On December 19, 2011, he was announced as a jury member for the 62nd Berlin International Film Festival that was held in February 2012.^[75]

Media image[link]

Gyllenhaal was named one of People magazine's "50 Most Beautiful People" in 2006.^[76] He was also listed in People's "Hottest Bachelors of 2006".^[77] In response to mainstream press lists like these, thousands of gay and bisexual men were polled for the 2007 and 2008 "AfterElton.com Hot 100 List." Gyllenhaal was ranked at No.1 in both consecutive years.^[78] He was ranked at No.2 on the Gay Wired Magazine poll of male actors who have played gay characters in movies.^[79]

Filmography[link]

Accolades[link]

References[link]

External links[link]

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Alan Gordon Partridge OBE (Honour Removed) is a fictional radio and television presenter portrayed by English comedian Steve Coogan and invented by Coogan, Armando Iannucci, Stewart Lee and Richard Herring for the BBC Radio 4 programme On The Hour. A parody of both sports commentators and chat show presenters, among others, the character has appeared in two radio series, three television series and numerous TV and radio specials, including appearances on BBC's Comic Relief, which have followed the rise and fall of his career.

Character[link]

This section relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (April 2009)

Whereas many of his personality defects are apparent in his appearances in shows such as The Day Today and Knowing Me, Knowing You with Alan Partridge, it is largely from I'm Alan Partridge onwards that his creators began to explore his personality in depth, and most of the observations that follow originated in that show.

Personality[link]

Partridge is characterised as an insecure, superficial and narcissistic 'wally', concerned largely with status, the level of his public profile and, to a lesser extent, the ostentatious possessions this allows him to acquire (such as his beloved Rover and Lexus cars and Bang & Olufsen stereo systems). Despite being a broadcaster, Partridge is a socially incompetent and awkward character prone to one-upmanship, embarrassing social faux pas and displays of deep insensitivity to social norms. His thoughtlessness and selfish lack of interest in anything beyond his own objectives exposes an unsympathetic character that is disliked and privately lampooned by many of those with whom he comes into contact. Among Partridge's few friends are Lynn Benfield, his put-upon and long-suffering personal assistant whom he regularly humiliates, and Michael, an emotionally tortured ex-soldier from Newcastle upon Tyne. It is notable, however, that he treats even these people with little more than disdain despite expecting complete loyalty from them in return; in the first series of I'm Alan Partridge he does not even seem to be on first-name terms with Michael (who exclusively addressed him as Mr Partridge throughout the two series). Bizarrely, he appears to have a close friendship with Bill Oddie, who even sends Alan Christmas presents. Partridge is otherwise depicted as being unable to forge genuine friendships or connections with other people (who are, seemingly without exception, repelled by his unpleasant and self-absorbed personality).

Attraction[link]

Partridge is depicted as being a sexually repressed and prudish man, uncomfortable and awkward with overt (or even subtle) displays of sexual or romantic feelings, or what he views as being ‘perverted’ sexual practices. He is particularly disconcerted by homosexuality, and despite describing himself as "homosceptic" at one point appears to entertain homoerotic or bisexual tendencies. This is the subject of numerous running gags in I’m Alan Partridge, in particular his numerous efforts to deny his interest in Bangkok "lady-boys" (whom he describes as ‘fascinating creatures’ whilst insisting that he is merely confused by them and not attracted to them) and a recurrent gag in which he will daydream about performing an erotic dance in a peephole Pringle jumper and a vulcanised rubber thong for a selection of men (usually those who can help further his career in some way, such as BBC Chief of Programming Tony Hayers). He is also quite misogynistic, displaying a tendency to objectify and patronise women (who usually view him with some disdain). Despite this, in the second series of I’m Alan Partridge he manages to sustain a romantic relationship with Sonja, a scatterbrained 33-year-old immigrant from Ukraine who is quite devoted to him. Even this relationship, however, is marked by Alan’s open contempt for her, and it is apparent that her affection towards him is largely unreturned and that his relationship with her is mainly based on the boost to his ego that their 14-year age gap provides (which he is frequently heard boasting about).

Family[link]

No member of Partridge’s family is shown on any of the series that he appears in; however, his dysfunctional relationship with them informs much of the background of the show. In his early appearances, Alan was married to Carol; although never-seen on screen, she can be heard in the mock documentary 'Knowing Knowing Me, Knowing You' that accompanies the BBC Radio 4 series of 'Knowing Me, Knowing You' first broadcast in 1993. Their relationship appeared to be under a lot of strain. In the Christmas special Knowing Me, Knowing Yule, Alan attributed his rash and erratic behaviour to the fact that Carol had left him on Christmas Eve. By the time of I'm Alan Partridge, Alan and Carol are divorced, and while Alan lives in a Travel Tavern, Carol remains in their home with her new boyfriend, who Alan describes unflatteringly as "a narcissistic sports pimp" who apparently enjoys protein drinks. During their marriage, Alan and Carol had two children — Fernando (apparently named after the song by ABBA) and Denise — neither of whom is ever seen or heard on-screen. During the run of Knowing Me, Knowing You, Alan states that Fernando is studying Politics at Christ's College, Cambridge. The next references to Alan's children are made in I'm Alan Partridge, in which Fernando hangs up on one of Alan's rambling go-nowhere telephone conversations, and in which a staff member at the Travel Tavern mentions that Denise has an oddly similar appearance to Alan. It is also revealed that Denise has a pierced navel, and that Fernando seems to spend much of his time in bed with a succession of girlfriends. The final mention of Alan's children is an offhand comment in the second episode of the second series of I'm Alan Partridge, in which Alan glibly states that he has access to his children, but that they have no desire to see him.

Ambitions[link]

Outside of his all-consuming quest to be on television, his various appearances often demonstrate that Partridge does not possess a particularly rich or detailed personal life. In I’m Alan Partridge in particular, he is often shown to occupy himself with pointless or needless tasks, seemingly just to give himself something to do. This is particularly evident in the first series episode "Basic Alan", over the course of which he walks to a petrol station to buy 12 bottles of windscreen washer fluid for no apparent reason, spends time driving repeatedly around a ring road and purchases a packet of tungsten-tipped screws which he states he has no intention of ever using. Most of the interests he is depicted as having show him as out of touch with modern society in general; he describes Paul McCartney's band Wings as "the band The Beatles could have been". In "Towering Alan" he claims to have a broad taste in music; he is a fan of Kate Bush, the Electric Light Orchestra, UB40, Def Leppard and particularly ABBA, the music of which is a recurrent theme in Knowing Me, Knowing You. In the second series episode "I Know What Alan Did Last Summer" he enthusiastically plays "air-bass" to the Gary Numan song "Music for Chameleons", and in "Never Say Alan Again" is seen drumming along inside his Lexus to the theme of Return of the Saint which he plays at full volume insensitively at the cemetery whilst having given his assistant Lynn ten minutes to commemorate the anniversary of her mother's passing. The few hobbies he is depicted as indulging in include driving, rambling, birdwatching and collecting celebrity memorabilia.

Political views[link]

Partridge is politically conservative, and his favourite newspaper is the Daily Mail, a right-leaning publication which he claims is "arguably the best newspaper in the world" in the episode Bravealan. He is very pro-law and has a strong stance on criminality, viewing hoodlums and miscreants as "sub-human scum". He also favours the death penalty for treason and murder. Despite these professed views, he appears to have no strong moral compunctions; in one episode he exploits an "all you can fit on a plate" breakfast deal at the Travel Tavern by bringing in a slightly larger plate of his own, a "scam" of which the staff are in fact fully aware but tolerate with amusement. Alan is not a fan of the modern obsession with health and safety, stating on one occasion that political correctness had "gone mad" after being told that naked flames are not permitted on the forecourt of his local petrol station, thus curtailing his plans for a barbecue there. He has admiration for former Prime Minister Margaret Thatcher and believes she was betrayed by her own party when she was forced out of Downing Street, and in 1997 claimed that the Referendum Party had "more integrity than the whole of the other political parties put together."^[1]

He has commented on the troubles in Northern Ireland stating that he believes both Gerry Adams and Martin McGuinness to be very clever men, though that he does not trust either of them as he believes Adams looks like a deputy headmaster and McGuinness looks like a clown without make-up. He displays ignorance over the issues that unfolded in Ireland, once chastising the Irish over the potato famine with the remark, "at the end of the day, they will pay the price for being a fussy eater", and also completely misunderstanding the lyrics to Sunday Bloody Sunday by U2, believing the song to "really encasuplated the frustrations of a Sunday" (both of these conversations happened in front of two Irish television producers in To Kill A Mocking Alan). Alan once caused a security alert at Choristers Country Club by booking a room under the name "The Real IRA".

Fictional biography[link]

Early years and career[link]

Within his fictional world, Partridge was born to Dorothy Partridge on 2 April 1955 in King's Lynn, Norfolk, England, and spent his childhood in Norwich. He was often bullied at school, as we find out in an episode of the original Knowing Me, Knowing You... with Alan Partridge radio show when Alan is hypnotised and regressed to his childhood, and reveals he was called "Smelly Alan Fartridge" by classmate Stephen McCoombs - happily for Partridge now McCoombs has back problems and lives on disability benefits. He claims in his autobiography that this was infantile humour that any self-respecting comedian would have dismissed and that he was particularly sensitive to hygiene issues and if there were anything he did smell of, it would have been Radox and Colgate. In the second series of I'm Alan Partridge, Alan recounts a story about a time he was once caned for having a chalk penis drawn on the back of his school blazer by another student, an incident about which he still feels bitter. The same student also dropped Alan's swimming trunks into a urinal one day at school, despite Alan being his scout pack leader. He appears to have had a lonely childhood, and in a 'Rural Alan' special feature (found on the DVD release of Knowing Me Knowing You with Alan Partridge) recounts how he would ramble about the Norfolk countryside in solitude, singing his favourite pop songs.

After passing two A-levels Partridge attended the (fictional) East Anglia Polytechnic. He later married Carol, who gave birth to Alan's son Fernando and daughter Denise. Carol left Alan for a fitness instructor (whom Alan claims to be an "idiot" and a "narcissistic sports pimp"), and took the children with her.

Radio career[link]

Alan worked his way upwards from a position as a DJ on Radio Smile on St Luke's hospital radio, until he left, after arguments with patients. He then began presenting the drive time Traffic Buster show on Radio Norwich, where he stayed for five years and was named sports reporter of the year in 1988. He then became a presenter on the BBC's Scoutabout programme, where he entered into the top eight of BBC sports reporters. Alan soon garnered a slot presenting sports news on BBC Radio 4's On the Hour programme (1991) presented by Chris Morris. On that show Alan suffered from a severe lack of any sporting knowledge and developed a notable talent for mixed and/or nonsensical metaphors.

Alan got his first starring role in 1992 as host of BBC Radio 4's Knowing Me, Knowing You... with Alan Partridge (a spoof chat show with fictional guests). A typical question was "You've just published your autobiography. What's that about?" He managed to offend people on his show who would then attempt to disgrace the host. During his tenure on the show, Alan hit a child genius, unknowingly took cocaine, bribed rent boys, lost his wife's car in a bet, was openly homophobic, forced the resignation of a junior government minister and, in the series finale, his guest Lord Morgan of Glossop died of an apparent heart attack.

There was also a one off spoof-documentary about the show called Knowing, Knowing Me, Knowing You. It provided a behind-the-scenes look at how the show was put together and the antagonism between Alan and those who worked for him, as well as giving insight into the problems with his marriage to Carol.

[edit] The Day Today

On The Hour transferred to television as The Day Today in 1994, where Alan continued as the inept sports reporter ("This is Sports Desk... I'm Alan Partridge"). Here he bungled his way through a feature on the 1994 FIFA World Cup, gave a colourful report on the previous sporting season, made a complete mess of reporting the recent horse racing tournament, and was beaten up by a female martial-arts instructor.

[edit] Knowing Me, Knowing You

The transition to television was to be a success for Alan and was swiftly followed by a television version of Knowing Me, Knowing You... with Alan Partridge. The format was largely the same as the radio show, with the addition of a house band under the directorship of Glen Ponder (played by musical comedian Steve Brown). In the sixth episode, Alan accidentally shot dead one of his guests (Forbes McAllister) on air while examining one of Lord Byron's duelling pistols. He was cleared of any wrongdoing by an internal BBC investigation. The show featured an Alan Partridge tie and blazer badge set which, like the Alan Partridge face mask, was produced but never marketed - instead the famous "Tie and Blazer Badge Set" was included as part of a Boxed Set of videos released towards the end of the 1990s.

In reality, KMKYWAP was a huge success; in the fictional world of Alan Partridge, it suffered from terrible ratings. This was because of "poor scheduling" (The show was aired at the same time as the News at Ten^{[disambiguation needed ]}) and Alan's PA, Lynn, claimed that "the ratings started poorly and went downhill from there". In the end the show was taken off the air at the end of the first series.

In 1995, Alan hosted a Christmas special of KMKYWAP, humorously titled Knowing Me, Knowing Yule. One of his guests was the (fictional) director of programming at the BBC, Tony Hayers (later to become Alan's nemesis, played by David Schneider). Alan, with a characteristic lack of subtlety, was seen probing for a new series of KMKYWAP. However, the show was an unmitigated disaster for Alan, as his attempt at product placement was blatantly exposed, and the show climaxed with Alan punching both a man in a wheelchair and Tony Hayers (twice) with his hand inside a roast partridge. After punching Hayers for the first time, Partridge begged "please don't take my chat away from me", then after punching him a second time declared "I'll never work in broadcasting again". Mick Hucknall of Simply Red then played the show out. It was clearly the beginning of the end of his time at BBC television. He was "kept on the books", as it were, for a short while, but after a particularly harrowing meeting with Hayers at the BBC cafeteria (which involved assault by cheese) he was left in no doubt that his BBC TV career was over.

[edit] I'm Alan Partridge

Partridge next appeared in I'm Alan Partridge (1997), a look behind the scenes of his rapidly failing career. In this television series, he is seen having gained a slot on the fictional Radio Norwich. He continues to cause offence, this time mainly to his listeners. He also has a bad relationship with his colleague Dave Clifton (played by Phil Cornwell), Alan occasionally insults him while introducing him on his show (for example in ‘Alan Attraction’ Alan says "Here's a man who indeed won't be killing anyone with syphilis"). However Dave usually gets the better of Alan except in ‘Basic Alan’ where he tells Dave to "fuck off" after he torments him over a recent incident with a traffic cone, Dave is stunned by this and lays into Alan by claiming that "dead-air is a crime and that it is terrible that he has to fill it with swearing on his show". Alan's comeback refers to the correct time (7.01am) and that it is Dave's show and he is merely a guest whom Dave has failed to control, he then says "Read the smallprint on your cone-tract". By this stage in his life Alan had been kicked out by his wife and, after wandering around a John Menzies for five hours in a state of depressed homelessness, Alan had been forced to take up residence in the equally fictional Linton Travel Tavern, which he chose because it is "equidistant between London and Norwich". The first episode featured Alan meeting Tony Hayers, begging for a new series on the BBC. Hayers was not impressed, and Alan had to wrap up his production company Peartree Productions (a reference to the Christmas Carol "The Twelve Days of Christmas"), firing all its staff including Jill (whom he had feelings for and had one-night stand with; albeit unsuccessful). During his time at the Linton Travel Tavern, we discovered more about Alan's failed marriage, his children and his obsession with "Bangkok Chick Boys". In ‘Watership Alan’ he was crushed by a dead cow after insulting farmers on his show. And in ‘To Kill a Mocking Alan’ he was nearly kidnapped by his "number one fan", a crazed lunatic called Jed Maxwell.

In the final episode, Tony Hayers died after a fall from a roof, and one of Alan's old friends, Chris Feather, took over as head of programmes at the BBC. However, at the decisive moment when the new executive was about to sign a five-year contract, he keeled over and died, forcing Alan to forge the dead man's signature.

The programme itself is not presented as a documentary, but during the in-character commentary on the DVD release, Alan explains that it is in fact a "post-documentary"; all the events depicted in the series took place, but everyone in the show, apart from himself and his personal assistant Lynn Benfield (played by Felicity Montagu), were actors hired to portray them "after they had actually occurred".

Alan's next appearance was in a 1999 half-hour special filmed for Comic Relief in which Alan started to lose the plot, foreshadowing his mental breakdown in the second series of I'm Alan Partridge. A simulcast between BBC Two and Radio Norwich, Alan appears incoherent and incapable of keeping track of the format of his own show. A second Comic Relief appearance followed in 2001, showing him interviewing a boxing manager, played by Peter Kay. Eventually, this resulted in Alan taking on one of the boxers in the ring and being beaten by the boxer, the manager and his friend Michael.

Coogan was apparently reluctant to continue playing the character, but returned for a second series of I'm Alan Partridge in 2002.

In the second series Alan was temporarily living in a caravan while waiting for his new house to be built. Despite his five-year contract with the BBC, Alan claims to his old school teacher "Sweaty" Frank Raphael in ‘The Talented Mr. Alan’ that there was "bad blood" between them and they were "bitter bastards" plus every profession has its "shits", so they had to let him go.

Alan returned to radio, securing the "third best slot on Radio Norwich", presenting Norfolk Nights, a big leap from his former timeslot of 4am to 7am, when he presented Up With the Partridge. Alan also presents a military-based quiz show called Skirmish on the (fictional) cable station UK Conquest, and has a deal with Meteor Productions to make the Crash! Bang! Wallop!... What a Video/Scum on the Run series of car-crash videos.

In the period from his time at the Linton Travel Tavern to his residence in the temporary "static home", Alan suffered a mental breakdown and put on weight, or as he put it, was "clinically fed up" and "repellent to women for two years". This collapse culminated in Alan driving a Vauxhall Vectra to Dundee in his bare feet while gorging himself on Toblerone (in a similar incident, Alan recounts throwing all his tax receipts off a ferry). However, by 2002, his life was firmly back on track, save for the odd glitch. He even had a Ukrainian girlfriend called Sonja, who was 33 years old — 14 years younger than himself (a point Alan emphasises with the smug exclamation, "Cashback!"). This period in Alan's life is documented in his autobiography Bouncing Back, which Alan claims has been described as "lovely stuff" by entertainer Shakin' Stevens.

Memorable moments of this series include Alan dry-vomiting his way through a speech about fireplaces after impaling his foot on a spiked fence; mistakenly getting involved with swingers; attacking a six-foot stuffed Beefeater bear; his summing up the entire opening of The Spy Who Loved Me in less than a minute during a failed attempt at a 24-hour Bondathon; Lynn's baptism at her Baptist church and, of course, the sad pulping of his autobiography which, despite taking up four weeks of his life to write, simply wasn't selling well (partly because every anecdote ended with the phrase "Needless to say, I had the last laugh".) Unfortunately, Alan tells us, it seems the public was more concerned with buying gangster autobiographies like Bad Slags.

The second series saw a move away from the drier and more realistic style of the first, a move that was at odds with more recent sitcoms, most notably The Office. This led to it being less well received than the first. Surprisingly, producer and co-writer of the series, Armando Iannucci states in the commentary to his own DVD of The Armando Iannucci Shows, that he had recently re-watched the second series of I'm Alan Partridge, and describes it as "terrible". On the DVD commentary of the second series of I'm Alan Partridge, Steve Coogan appears surprised at the over-the-top style he used to play Alan in the 2002 series, calling it "big acting".