Jimmy Bowen (born November 30, 1937) is an American record producer and former pop music performer.

Bowen was born in Santa Rita, New Mexico. He began as a teenage recording star in 1957 with "I'm Stickin' With You," originally the flip side of the hit record "Party Doll" by Buddy Knox, but ultimately a Top 20 recording on its own, peaking at #14 on Billboard's pop chart. Bowen's version sold over one million copies, and was awarded a gold disc.^[1] Bowen was a less successful singer than Knox, his partner in the Rhythm Orchids, and ultimately he abandoned a singing career, but stayed in the music industry.

In the early 1960s, in Los Angeles, California, he bucked the 1960s rock phenomenon when Frank Sinatra hired him as a record producer for Reprise Records, and Bowen showed a strong knack for production, getting chart hits for Sinatra, Dean Martin and Sammy Davis, Jr., all regarded as too old-fashioned for the sixties market.^[2] He also produced Dino, Desi & Billy.

Bowen is responsible for bringing Nancy Sinatra and Lee Hazlewood together. He is also responsible for teaming Nancy up with Mel Tillis for their album, Mel & Nancy.

In 1969 Bowen launched an independent record label, Amos Records, which lasted until 1971. Leaving Los Angeles for Nashville, Tennessee, Bowen became president of a series of record labels, and took each one to country music preeminence. His success stories included Hank Williams, Jr., The Oak Ridge Boys, Reba McEntire, George Strait, Suzy Bogguss and, finally, Garth Brooks. Bowen also revolutionized the way music was recorded in Nashville, introducing digital technology and modernizing the way instruments such as drums, for example, were recorded and mixed.^[3] In 1988, Bowen founded a label called Universal Records (not to be confused with the current Universal Records), which he sold to Capitol Records a year later.^[4]

Bowen lives with his wife, Ginger Bowen, in Phoenix, AZ.

Bowen is a graduate of the University of Pennsylvania's Wharton School of Business and holds an MBA with honors from Belmont University.^[5]

References[link]

Further reading[link]

Jimmy Bowen: Nashville Powerhouse at mixonline.com

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Buddy Knox (July 20, 1933 - February 14, 1999)^[1] was an American singer and songwriter, best known for his 1957 rockabilly hit song, "Party Doll".^[1]

Biography[link]

Buddy Wayne Knox^[1] was born in the tiny farming community of Happy, Texas and as a boy learned to play the guitar. In his teens, he and some high school friends formed a band called the "Rhythm Orchids." After they performed on the same 1956 radio show as fellow Texan Roy Orbison and his "Teen Kings" band, Orbison suggested Knox go see record producer Norman Petty at his studio in Clovis, New Mexico, the same studio where Buddy Holly recorded several of his early hits, including "That'll Be the Day".

Knox recorded three songs at Petty's recording studio, most notably "Party Doll" that later was released on the Roulette label and went to No.1 on the Cash Box record chart in 1957.^[2] This success was followed by "Rock Your Little Baby To Sleep", a No.17 hit, and "Hula Love", a No.9 hit. While he never achieved the same level of artistic success as Holly or Orbison, Knox enjoyed a long career in music. For his pioneering contribution, Knox was elected to the Rockabilly Hall of Fame. "Party Doll" was voted one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

In the early 1960s Knox signed with Liberty Records and released a number of more mainstream pop records, featuring string arrangements and backing vocalists. "Lovey Dovey" and "Ling-Ting-Tong" were the most notable recordings from this era. The sound captured on these recordings was a distinct departure from his earlier rockabilly work for Roulette. Liberty and principal record producer Tommy "Snuff" Garrett, successfully employed the same production techniques for their other mainstream pop artists of the time, which included Johnny Burnette and Bobby Vee.

In 1968 Knox, who had been living in semi-retirement in Macon, Georgia while running his publishing company, moved to Nashville and signed a new recording contract with United Artists Records. Working with producer Bob Montgomery, Knox honed his traditional rockabilly style more toward the modern country sound of the day. His first album on United Artists earned him the nickname by which he would be known for the remainder of his life. The title song of the album, "Gypsy Man", written by Sonny Curtis and featuring Curtis' acoustic guitar work, received airplay on country radio stations.

Several singles recorded by Knox between 1968 and 1974 were notable for the fact he experimented with a variety of sounds and styles and, from a creative and critical standpoint, may have been his most productive era. His version of Delaney Bramlett's "God Knows I Love You", along with his self-penned "Salt Lake City", placed Knox firmly in the midst of the new pop music genre, being populated by artists such as Delaney & Bonnie, Eric Clapton, and others who were on the leading edge of the developing Southern rock style such as Black Oak Arkansas and the Allman Brothers Band. His cover version of James Hendricks' "Glory Train" was another stylistic stretch and featured a gospel-like chorus of backing vocalists. His cover of the Fleetwoods' "Come Softly to Me" demonstrated a vocal range not heard on his older recordings. He also reached out to the new generation of songwriters who would become prominent during Nashville's "Outlaw Era" of the 1970s, as he was one of the first artists to record Mickey Newbury's "I'm Only Rockin'". Several other major country music artists later recorded this song, but under the alternate title of "T. Total Tommy". Knox also recorded songs by Alex Harvey, John D. Loudermilk and Gary Paxton. On several of these recordings, Knox experimented with multi-tracking, something very few artists had done at that time.

During this same time frame, Knox was also involved in several business ventures in Canada. One of these was said to be a partnership with Gordon Lightfoot and involved a chain of Canadian nightclubs.

In May 1969, Knox appeared at Langley Speedway (British Columbia) in Langley, British Columbia, Canada and assisted in handing out trophies to the race winners.

Knox died of lung cancer in 1999 in Bremerton, Washington. He is interred in Dreamland Cemetery, in Canyon, Texas.

Discography[link]

Compilation albums[link]

Buddy Knox — Greatest Hits — all the Roulette and Liberty recordings

1. "Party Doll" (1957, US no. 2, UK no. 29)
2. "Storm Clouds" (1957)
3. "That’s Why I Cry" (1959, US no. 88)
4. "Hula Love" (1957, US no. 12)
5. "C’mon Baby" (1959)
6. "All For You" (1959)
7. "I Think I’m Gonna Kill Myself" (1959, US no. 55)
8. "Lovey Dovey" (1961, US no. 25)
9. "Ling-Ting-Tong" (1961, US no. 65)
10. "Somebody Touched Me" (1958, US no. 22)
11. "Rock Your Little Baby to Sleep" (1957)
12. "Cause I’m In Love"
13. "Swinging Daddy" (1958, US no. 80)
14. "The Girl with the Golden Hair" (1959)
15. "Devil Woman" (1957)
16. "Mary Lou" (1957)
17. "Rock House" (1957)
18. "Maybellinne" (1957)
19. "Rock Around the Clock" (1957)
20. "She’s Gone" (1962, UK no. 45)
21. "Slippin’ and Slidin’"
22. "Chi-Hua-Hua"
23. "Open"
24. "Dear Abby"
25. "Three Eyed Man"
26. "Tomorrow is a Comin’"
27. "Hitch Hike Back To Georgia"
28. "I Got You"
29. "I Ain’t Sharin’ Sharon"
30. "I’m in Love With You"
31. "Long Lonely Nights"
32. "Good Time Girl"
33. "Livin’ in a House Full of Love"
34. "Love Has Many Ways"
35. "Teasable, Pleasable You" (1959, US no. 85)

References[link]

External links[link]

• Rockabilly Hall page
• Allmusic