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The Earth seen from Apollo 17. The second half of the 20th century saw humankind's first space exploration.

The 20th century is defined as the time period running from January 1, 1901^[1] to December 31, 2000.

The Chinese, Russian, German, Ottoman, and Austro-Hungarian empires dissolved in the first half of the century, with all but the British, French, and Japanese empires collapsing during the course of World War I, and Russia transformed into communist state of Soviet Union. The inter-war years saw a Great Depression cause a massive disruption to the world economy. Shortly afterwards, World War II broke out, pitting the Allied powers (chiefly the Soviet Union, the United States, and the United Kingdom) against the Axis powers (Nazi Germany, the Empire of Japan, and Italy) which eventually resulted in a total victory for the Allies, at the cost of over 60 million lives (including millions of civilians) and the complete devastation of many nations. Remaining colonial empires dissolved shortly after the war. As a means of preventing future world wars, the United Nations was formed; however, competition between the two new superpowers, the Soviet Union and the United States, resulted in the Cold War, which would dominate geopolitical life for the next 45 years. The Soviet Union collapsed internally in 1991, resulting in the United States taking on sole superpower status.

The century saw a major shift in the way that vast numbers of people lived, as a result of changes in politics, ideology, economics, society, culture, science, technology, and medicine. Terms like ideology, world war, genocide, and nuclear war entered common usage. Scientific discoveries, such as the theory of relativity and quantum physics, drastically changed the worldview of scientists, causing them to realize that the universe was fantastically more complex than previously believed, and dashing the hopes (or perhaps, relieving fears) at the end of the 19th century that the last few details of scientific knowledge were about to be filled in. Accelerating scientific understanding, more efficient communications, and faster transportation transformed the world in those hundred years more rapidly and widely than in any previous century. It was a century that started with horses, simple automobiles, and freighters but ended with luxury sedans, cruise ships, airliners and the space shuttle. Horses, Western society's basic form of personal transportation for thousands of years, were replaced by automobiles and buses within the span of a few decades. These developments were made possible by the large-scale exploitation of fossil fuel resources (especially petroleum), which offered large amounts of energy in an easily portable form, but also caused widespread concerns about pollution and long-term impact on the environment. Humans explored outer space for the first time, even taking their first footsteps on the Moon.

Mass media, telecommunications, and information technology (especially computers, paperback books, public education, and the Internet) made the world's knowledge more widely available to people. Many people's view of the world changed significantly as they became much more aware of the struggles of others and, as such, became increasingly concerned with human rights.^{[citation needed]} Advancements in medical technology also improved the welfare of many people: the life expectancy of the world increased from 35 years to 65 years. Rapid technological advancements, however, also allowed warfare to reach unprecedented levels of destruction. World War II alone killed over 60 million people, while nuclear weapons gave humankind the means to annihilate or significantly harm itself in a very short period of time. The world also became more culturally homogenized than ever with developments in transportation and communications technology, popular music and other influences of Western culture, international corporations, and what was arguably a true global economy by the end of the 20th century.

Summary[link]

The early arms races of the 20th century escalated into a war which involved many powerful nations: World War I (1914–1918). Technological advancements changed the way war was fought, as new inventions such as machine guns, tanks, chemical weapons, grenades, and military aircraft modified tactics and strategy. After more than four years of trench warfare in western Europe, and 20 million dead, those powers who had formed the Triple Entente (France, Britain, and Russia, later replaced by the United States and joined by Italy) emerged victorious over the Central Powers (Germany, Austria-Hungary, and the Ottoman Empire). In addition to annexing much of the colonial possessions of the vanquished states, the Triple Entente exacted punitive restitution payments from their former foes, plunging Germany in particular into economic depression. The Tsarist regime of His Imperial Majesty Nicholas II was overthrown during the conflict and Russia was transitioned into the first ever communist state, and the Austro-Hungarian and Ottoman empires were dismantled at the war's conclusion.

Ukraine, early days of the 1941 Nazi invasion. The Soviet Union lost around 27 million people between 1941 and 1945,^[2] almost half of all World War II deaths.

At the beginning of the period, Britain was the world's most powerful nation;^[3] having acted as the world's policeman for the past century. Fascism, a movement which grew out of post-war angst and which accelerated during the Great Depression of the 1930s, gained momentum in Italy, Germany and Spain in the 1920s and 1930s, culminating in World War II (1939–1945), sparked by Nazi Germany's aggressive expansion at the expense of its neighbors. Meanwhile, Japan had rapidly transformed itself into a technologically advanced industrial power. Its military expansion into eastern Asia and the Pacific Ocean culminated in a surprise attack on the United States, bringing it into World War II. After having had several years of dramatic military success, Germany was defeated in 1945, having been repelled and invaded by the Soviet Union from the east and invaded from the west by the United States, the United Kingdom, Canada, and Free France. The war ended with the dropping of two atomic bombs on Japan. Japan later became a U.S. ally with a powerful economy based on consumer goods and trade. Germany was divided between the western powers and the Soviet Union; all areas recaptured by the Soviet Union (East Germany and eastward) were essentially transitioned into Soviet puppet states under communist rule. Meanwhile, western Europe was influenced by the American Marshall Plan and made a quick economic recovery, becoming major allies of the United States under capitalist economies and relatively democratic governments.

World War II left about 60 million people dead. When the conflict ended in 1945, the United States and the Soviet Union emerged as very powerful nations. Allies during the war, they soon became hostile to one other as the competing ideologies of communism and democratic capitalism occupied Europe, divided by the Iron Curtain and the Berlin Wall. The military alliances headed by these nations (NATO in North America and western Europe; the Warsaw Pact in eastern Europe) were prepared to wage total war with each other throughout the Cold War (1947–91). The period was marked by a new arms race, and nuclear weapons were produced in the tens of thousands, sufficient to end most human life on the planet had a large-scale nuclear exchange ever occurred. The very size of the nuclear arsenal on both sides is believed by many historians to have staved off an inevitable war between the two, as the consequences of any attack were too great to bear. The policy of unleashing a massive nuclear attack, knowing a massive nuclear counterattack would be forthcoming, was known as mutually assured destruction (MAD). Although the Soviet Union and the United States never directly entered military conflict with each other, several proxy wars, such as the Korean War (1950–1953) and the Vietnam War (1957–1975), were waged as the United States implemented its worldwide "containment" policy against communism.

Albert Einstein is often regarded as the father of modern physics.

After World War II, most of the European-colonized world in Africa and Asia gained independence in a process of decolonization. This, and the drain of the two world wars, caused Europe to lose much of its long-held power.^{[citation needed]} Meanwhile, the wars empowered several nations, including the UK, U.S., Russia, China and Japan, to exert a strong influence over many world affairs. American culture spread around the world with the advent of Hollywood, Broadway, rock and roll, pop music, fast food, big-box stores, and the hip-hop lifestyle. British culture continued to influence world culture, including the "British Invasion" into American music, leading many top rock bands (such as Swedish ABBA) to sing in English. The western world and parts of Asia enjoyed a post-World War II economic boom. After the Soviet Union collapsed under internal pressure in 1991, the communist governments of the Eastern bloc were also dismantled, followed by rocky transitions into market economies.

Following World War II the United Nations was established as an international forum in which the world's nations could get together and discuss issues diplomatically. It has enacted resolutions on such topics as the conduct of warfare, environmental protection, international sovereignty, and human rights. Peacekeeping forces consisting of troops provided by various countries, in concert with various United Nations and other aid agencies, have helped to relieve famine, disease, and poverty, and to suppress some local armed conflicts. Europe slowly united, economically and, in some ways, politically, into what eventually became the European Union, which consisted of 15 European countries by the end of the 20th century.

In approximately the last third of the century, concern about humankind's impact on the Earth's environment caused environmentalism to become a major citizen movement. In many countries, especially in Europe, the movement was channeled into politics partly through Green parties, though awareness of the problem permeated societies. By the end of the 20th century, some progress had been made in cleaning up the environment though pollution continued apace.^{[citation needed]} Increasing awareness of global warming began in the 1980s, commencing several decades of social and political debate.

Medical science and the Green Revolution in agriculture enabled the world's population to grow from about 1.6 billion to about 6.0 billion. This rapid population increase quickly became a major concern and directly caused or contributed to several global issues, including conflict, poverty, major environmental issues, and severe overcrowding in some areas.

The nature of innovation and change[link]

Due to continuing industrialization and expanding trade, many significant changes of the 20th century were, directly or indirectly, economic and technological in nature. Inventions such as the light bulb, the automobile, and the telephone in the late 19th century, followed by supertankers, airliners, motorways, radio, television, antibiotics, frozen food, computers and microcomputers, the Internet, and mobile telephones and many other things, affected the quality of life for great numbers. Scientific research, engineering professionalization and technological development was the force behind vast changes in everyday life.

Social change[link]

At the turn of the 19th to 20th century, discrimination based on race and sex still existed in general society. Although the atlantic slave trade had ended in the 19th century, the fight for equality for Africans in the white society of North America, Europe, and South Africa continued. During the century, the social taboo of sexism fell. By the end of the 20th century, women had as much rights as men in most parts of the world and not only did general society accept equal rights for members of other races but most people frowned at racism.^[4] In the 1970s, the term Speciesism was coined as people begun to question human's natural discrimination to other species. Also during the late 20th century, movements for GLBT rights and equality for all continued into the 21st century.

Event timeline[link]

See Timeline of modern history

Developments in brief[link]

iok: Also see (for more details): 20th-century events.

Wars and politics[link]

The number of people killed during the 20th century by government actions could be as high as 400 million.^{[citation needed]} This includes deaths caused by wars, genocide, politicide and mass murders. The deaths from battles, fire bombings and nuclear bombs used during the two world wars alone has been estimated between 50 to 80 million. Political scientist Rudolph Rummel estimated 262,000,000 deaths caused by democide, which excludes those killed in war battles, civilians unitentionally killed in war and killings of rioting mobs.^[5] According to Charles Tilly, "Altogether, about 100 million people died as a direct result of action by organized military units backed by one government or another over the course of the 20th century. Most likely a comparable number of civilians died of war-induced disease and other indirect effects."^[6] It is estimated that approximately 70 million Europeans died through war, violence and famine between 1914 and 1945.^[7]

• After gaining political rights in the United States and much of Europe in the first part of the century, and with the advent of new birth control techniques, women became more independent throughout the century.

Warfare in the early 20th century (1914–1918)
Clockwise from top: front line Trenches, a British Mark I Tank crossing a trench, the Royal Navy battleship HMS Irresistible sinking after striking a mine at the battle of the Dardanelles, a Vickers machine gun crew with gas masks, and German Albatros D.III biplanes.

• Rising nationalism and increasing national awareness were among the many causes of World War I (1914–1918), the first of two wars to involve many major world powers including Germany, France, Italy, Japan, Russia/USSR, the United States and the British Empire. World War I led to the creation of many new countries, especially in Eastern Europe. At the time it was said by many to be the "war to end war".
• Civil wars occurred in many nations. A violent civil war broke out in Spain in 1936 when General Francisco Franco rebelled against the Second Spanish Republic. Many consider this war as a testing battleground for World War II, as the fascist armies bombed some Spanish territories.
• The economic and political aftermath of World War I and the Great Depression in the 1930s led to the rise of fascism and nazism in Europe, and subsequently to World War II (1939–1945). This war also involved Asia and the Pacific, in the form of Japanese aggression against China and the United States. Civilians also suffered greatly in World War II, due to the aerial bombing of cities on both sides, and the German genocide of the Jews and others, known as the Holocaust. In August 1945, Hiroshima and Nagasaki were bombed with nuclear weapons.
• During World War I, in Russia the Bolshevik putsch took over the Russian Revolution of 1917, precipitating the founding of the Soviet Union and the rise of communism. After the Soviet Union's involvement in World War II, communism became a major force in global politics, notably in Eastern Europe, China, Indochina and Cuba, where communist parties gained near-absolute power. This led to the Cold War and proxy wars with the West, including wars in Korea (1950–1953) and Vietnam (1957–1975).

Richard Nixon and Leonid Brezhnev aboard the USS Sequoia, June 19, 1973

• The Cold War had caused an arms race and increasing competition between to the two major players in the world: the Soviet Union and USA. This competition included the development and improvement of nuclear weapons and the Space Race.
• The Soviet authorities caused the deaths of millions of their own citizens in order to eliminate domestic opposition.^[8] More than 18 million people passed through the Gulag, with a further 6 million being exiled to remote areas of the Soviet Union.^[9]
• The civil rights movement in the United States and the movement against apartheid in South Africa challenged racial segregation in those countries.
• The two world wars led to efforts to increase international cooperation, notably through the founding of the League of Nations after World War I, and its successor, the United Nations, after World War II.
• Nationalist movements in the sub continent led to the independence of India and Pakistan.
• Gandhi's non-violence and civil disobedience influenced many political movements around the world, including the African American civil rights movement in USA, and freedom movements in South Africa and Burma.
• The creation of Israel in 1948, a Jewish state in the Middle East, by the British Mandate of Palestine fueled many regional conflicts. These were also influenced by the vast oil fields in many of the other countries of the mostly Arab region.
• The end of colonialism led to the independence of many African and Asian countries. During the Cold War, many of these aligned with the United States, the USSR, or China for defense.
• After a long period of civil wars and conflicts with European powers, China's last imperial dynasty ended in 1912. The resulting republic was replaced, after yet another civil war, by a communist People's Republic in 1949. At the end of the 20th century, though still ruled by a communist party, China's economic system had transformed almost completely to capitalism.
• The Great Chinese Famine was a direct cause of the death of tens of millions of Chinese peasants between 1959 and 1962. It is thought to be the largest famine in human history.^[10]
• The Tiananmen Square protests of 1989, culminating in the deaths of hundreds of civilian protestors, were a series of demonstrations in and near Tiananmen Square in Beijing,China. Led mainly by students and intellectuals, the protests occurred in a year that saw the collapse of a number of communist governments around the world.
• The revolutions of 1989 released Eastern and Central Europe from Soviet supremacy. Soon thereafter, the Soviet Union, Czechoslovakia, and Yugoslavia dissolved, the latter violently over several years, into successor states, many rife with ethnic nationalism. East Germany and West Germany were reunified in 1990.
• European integration began in earnest in the 1950s, and eventually led to the European Union, a political and economic union that comprised 15 countries at the end of the 20th century.

Culture and entertainment[link]

• As the century began, Paris was the artistic capital of the world, where both French and foreign writers, composers and visual artists gathered.
• Movies, music and the media had a major influence on fashion and trends in all aspects of life. As many movies and much music originate from the United States, American culture spread rapidly over the world.
• 1953 saw the glamorous coronation of Queen Elizabeth II, an extremely iconic and revered figure of the 20th century.
• Visual culture became more dominant not only in movies but in comics and television as well. During the century a new skilled understanding of narrativist imagery was developed.
  File:Chagall IandTheVillage.jpg

  I and the Village by Marc Chagall, a modern painter.
• Computer games and internet surfing became new and popular form of entertainment during the last 25 years of the century.
• In literature, science fiction, fantasy (with well-developed fictional worlds, rich in detail), alternative history fiction gained unprecedented popularity. Detective fiction gained unprecedented popularity between the two world wars.
• Blues and jazz music became popularized during the 1910s and 1920s in the United States. Blues went on to influence rock and roll in the 1950s, which only increased in popularity with the British Invasion of the mid-to-late 1960s. Rock soon branched into many different genres, including heavy metal, punk rock, and alternative rock and became the dominant genre of popular music. This was challenged with the rise of hip hop in the 1980s and 1990s. Other genres such as house, techno, reggae, and soul all developed during the latter half of the 20th century and went through various periods of popularity.
• Modern Dance is born in America as a 'rebellion' against centuries-old European ballet. Dancers and choreographers such as Isadora Duncan, Ruth St. Denis, Martha Graham, Jose Limon, Doris Humphrey, Merce Cunningham and Paul Taylor^{[disambiguation needed ]} re-defined movement, struggling to bring it back to its 'natural' roots and along with Jazz, created a solely American art form.
• In classical music, composition branched out into many completely new domains, including dodecaphony, aleatoric (chance) music, and minimalism.
• Synthesizers began to be employed widely in music and crossed over into the mainstream with new wave music in the 1980s. Electronic instruments have been widely deployed in all manners of popular music and has led to the development of such genres as house, synthpop, electronic dance music, and industrial.
• The art world experienced the development of new styles and explorations such as expressionism, Dadaism, cubism, de stijl, abstract expressionism and surrealism.
• The modern art movement revolutionized art and culture and set the stage for both Modernism and its counterpart postmodern art as well as other contemporary art practices.
• Art Nouveau began as the most advanced architecture and design but went unfashionable after World War I. The style was very dynamic and highly inventive, however the depression of the Great War made it difficult to keep up such a high standard.
• In Europe, modern architecture departed radically from the excessive decoration of the Victorian era. Streamlined forms inspired by machines became more commonplace, enabled by developments in building materials and technologies. Before World War II, many European architects moved to the United States, where modern architecture continued to develop.
• The automobile vastly increased the mobility of people in the Western countries in the early-to-mid-century, and in many other places by the end of the 20th century. City design throughout most of the West became focused on transport via car.
• The popularity of sport increased considerably—both as an activity for all, and as entertainment, particularly on television. Several dictators in the 20th century supported organised sport.

Science and mathematics[link]

Theodore Maiman holding his invention of the world's first laser

• Advanced by the Turing machine, new fields of mathematics studying computability and computation complexity were developed.
• Gödel's incompleteness theorems were formulated and proven.
• New areas of physics, like special relativity, general relativity, and quantum mechanics, were developed during the first half of the century.
• While some pioneering experiments about internal structure of atoms had been made at the end of 19th century, it is only in 20th century the structure of atoms was clearly understood, followed by discovery of elementary particles.
• It was found that all the known forces can be traced to only four fundamental interactions. It was discovered further that two of them, namely electromagnetism and weak interaction, can be merged in the electroweak interaction, leaving only three different fundamental interactions.
• Discovery of nuclear reactions, in particular nuclear fusion, finally solved the problem of the source of solar energy. The age of solar system, including Earth, was determined and it turned to be much older than what was considered before (more than 4 billion years rather than 20 million years suggested by Lord Kelvin in 1862^[11]).
• Radiocarbon dating became a powerful technique to determine the age of prehistoric animals and plants as well as historical objects. No such technique existed in the 19th century.
• In astronomy, much better understanding of the evolution of the Universe was achieved, its age was determined, the Big Bang theory was proposed. The planets of the Solar System and their moons were closely observed; planets such as Pluto were discovered in the 1930s on the edge of the Solar System; although Pluto has since been declassified as a planet; and re-classified as a dwarf planet. On the planets in our Solar System it was found that there is no sentient (or complex animal or plant) life on their surfaces. Extrasolar planets were observed for the first time.
• In biology, genetics was unanimously accepted and significantly developed. The structure of DNA was determined in 1953 by James Watson,^[12][13] Francis Crick,^[12][13] Rosalind Franklin^[13] and Maurice Wilkins,^[12][13] following by developing techniques which allow to read DNA sequences and culminating in starting the Human Genome Project (not finished in 20th century) and cloning the first mammal in 1996.
• The role of sex reproduction in evolution was understood, and bacterial conjugation was discovered.

Engineering and technology[link]

American Buzz Aldrin during the first moonwalk in 1969.

In contrast to the earlier centuries, one of the most prominent traits of the world during the 20th century was the drastic growth of technology. Organized research and practice of science led to advancement in the fields of communication, engineering, travel, medicine, and war.

• The number and types of home appliances increased dramatically due to advancements in technology, electricity availability, and increases in wealth and leisure time. Such basic appliances as washing machines, clothes dryers, furnaces, exercise machines, refrigerators, freezers, electric stoves, and vacuum cleaners all became popular from the 1920s through the 1950s. The microwave oven became popular during the 1980s. Radios were popularized as a form of entertainment during the 1920s, which extended to television during the 1950s. Cable television spread rapidly during the 1980s. Personal computers began to enter the home during the 1970s–1980s as well. The age of the portable music player grew during the 1960s with the development of 8-track and cassette tapes, which slowly began to replace record players. These were in turn replaced by the CD during the late 1980s and 1990s. The proliferation of the Internet in the mid-to-late 1990s made digital distribution of music (mp3s) possible. VCRs were popularized in the 1970s, but by the end of the millennium, DVDs were beginning to replace them.
• The first airplane was flown in 1903. With the engineering of the faster jet engine in the 1940s, mass air travel became commercially viable.
• The assembly line made mass production of the automobile viable. By the end of the 20th century, billions of people had automobiles for personal transportation. The combination of the automobile, motor boats and air travel allowed for unprecedented personal mobility. In western nations, motor vehicle accidents became the greatest cause of death for young people. However, expansion of divided highways reduced the death rate.
• The triode tube (Audion), transistor and integrated circuit revolutionized computers, leading to the proliferation of the personal computer in the 1980s and cell phones and the public-use Internet in the 1990s.
• New materials, most notably stainless steel, plastics, polyethylene, Velcro, and teflon, came into widespread use for many various applications.
• Aluminum became an inexpensive metal and became second only to iron in use. Semiconductors were put to use in electronic objects.
• Thousands of chemicals were developed for industrial processing and home use.
• The Space Race between the United States and the Soviet Union gave a peaceful outlet to the political and military tensions of the Cold War, leading to the first human spaceflight with the Soviet Union's Vostok 1 mission in 1961, and man's first landing on another world—the Moon—with America's Apollo 11 mission in 1969. Later, the first space station was launched by the Soviet space program. The United States developed the first (and to date only) reusable spacecraft system with the Space Shuttle program, first launched in 1981. As the century ended, a permanent manned presence in space was being founded with the ongoing construction of the International Space Station.
• In addition to Human spaceflight, unmanned space probes became a practical and relatively inexpensive form of exploration. The first orbiting space probe, Sputnik 1, was launched by the Soviet Union in 1957. Over time, a massive system of artificial satellites was placed into orbit around Earth. These satellites greatly advanced navigation, communications, military intelligence, geology, climate, and numerous other fields. Also, by the end of the 20th century, unmanned probes had visited the Moon, Mercury, Venus, Mars, Jupiter, Saturn, Uranus, Neptune, and various asteroids and comets. The Hubble Space Telescope, launched in 1990, greatly expanded our understanding of the Universe and brought brilliant images to TV and computer screens around the world.

Medicine[link]

A stamp commemorating Alexander Fleming. His discovery of penicillin had changed the world of modern medicine by introducing the age of antibiotics.

• Placebo-controlled, randomized, blinded clinical trials became a powerful tool for testing new medicines.
• Antibiotics drastically reduced mortality from bacterial diseases and their prevalence.
• A vaccine was developed for polio, ending a worldwide epidemic. Effective vaccines were also developed for a number of other serious infectious diseases, including influenza, diphtheria, pertussis (whooping cough), tetanus, measles, mumps, rubella (German measles), chickenpox, hepatitis A, and hepatitis B.
• A successful application of epidemiology and vaccination led to the eradication of the smallpox virus in humans.
• X-rays became powerful diagnostic tool for wide spectrum of diseases, from bone fractures to cancer. In the 1960s, computerized tomography was invented. Other important diagnostic tools developed were sonography and magnetic resonance imaging.
• Development of vitamins virtually eliminated scurvy and other vitamin-deficiency diseases from industrialized societies.
• New psychiatric drugs were developed. These include antipsychotics for treating hallucinations and delusions, and antidepressants for treating depression.
• The role of tobacco smoking in the causation of cancer and other diseases was proven during the 1950s (see British Doctors Study).
• New methods for cancer treatment, including chemotherapy, radiation therapy, and immunotherapy, were developed. As a result, cancer could often be cured or placed in remission.
• The development of blood typing and blood banking made blood transfusion safe and widely available.
• The invention and development of immunosuppressive drugs and tissue typing made organ and tissue transplantation a clinical reality.
• Research on sleep and circadian rhythms led to the discovery of sleep disorders.
• New methods for heart surgery were developed, including pacemakers and artificial hearts.
• Cocaine/crack and heroin were found to be dangerous addictive drugs, and their wide usage had been outlawed; mind-altering drugs such as LSD and MDMA were discovered and later outlawed. In many countries, a war on drugs caused prices to soar 10x-20x higher, leading to profitable black market drugdealing, and to prison inmate sentences being 80% related to drug use by the 1990s.
• Contraceptive drugs were developed, which reduced population growth rates in industrialized countries.
• The development of medical insulin during the 1920s helped raise the life expectancy of diabetics to three times of what it had been earlier.
• As a result of some of the above developments, most notably antibiotics and vaccines, child and young people's mortality decreased drastically.

Notable diseases[link]

• An influenza pandemic, the Spanish Flu, killed anywhere from 20 to 100 million people between 1918 and 1919.
• A new viral disease, AIDS, arose in Africa and subsequently killed millions of people throughout the world. AIDS treatments remained inaccessible to many people living with AIDS in developing countries, and a cure has yet to be discovered.
• Because of increased life spans, the prevalence of cancer, Alzheimer's disease, Parkinson's disease, and other diseases of old age increased slightly.
• Sedentary lifestyles, due to labor-saving devices and technology, contributed to an "epidemic" of obesity, at first in the rich countries, but by the end of the 20th century, increasingly in the developing world, too.

Energy and the environment[link]

Oil field in California, 1938. The first modern oil well was drilled in 1848 by Russian engineer F.N. Semyonov, on the Apsheron Peninsula north-east of Baku.

• The dominant use of fossil sources and nuclear power, considered the conventional energy sources.
• Widespread use of petroleum in industry—both as a chemical precursor to plastics and as a fuel for the automobile and airplane—led to the vital geopolitical importance of petroleum resources. The Middle East, home to many of the world's oil deposits, became a center of geopolitical and military tension throughout the latter half of the century. (For example, oil was a factor in Japan's decision to go to war against the United States in 1941, and the oil cartel, OPEC, used an oil embargo of sorts in the wake of the Yom Kippur War in the 1970s).
• A vast increase in fossil fuel consumption caused smog and other forms of air pollution, global warming, local and global climate change.
• Pesticides, herbicides and other toxic chemicals accumulated in the environment, including the bodies of humans and other animals.
• Overpopulation and worldwide deforestation diminished the quality of the environment.

The world at the end of the 20th century[link]

By the end of the 20th century, more technological advances had been made than in all of preceding history. Communications and information technology, transportation technology, and medical advances had radically altered daily lives. Europe appeared to be at a sustainable peace for the first time in recorded history. The people of the Indian subcontinent, a sixth of the world population at the end of the 20th century, had attained an indigenous independence for the first time in centuries. China, an ancient nation comprising a fifth of the world population, was finally open to the world in a new and powerful synthesis of west and east, creating a new state after the near-complete destruction of the old cultural order. With the end of colonialism and the Cold War, nearly a billion people in Africa were left with truly independent new nation states, some cut from whole cloth, standing up after centuries of foreign domination.

Norman Borlaug, father of the Green Revolution, is often credited with saving over a billion people worldwide from starvation.

The world was undergoing its second major period of globalization; the first, which started in the 18th century, having been terminated by World War I. Since the U.S. was in a position of almost unchallenged domination, a major part of the process was Americanization. This led to anti-Western and anti-American feelings in parts of the world, especially the Middle East. The influence of China and India was also rising, as the world's largest populations, long marginalized by the West and by their own rulers, were rapidly integrating with the world economy.

Terrorism, dictatorship, and the spread of nuclear weapons were some issues requiring attention. The world was still blighted by small-scale wars and other violent conflicts, fueled by competition over resources and by ethnic conflicts. Despots such as Kim Jong-il of North Korea continued to lead their nations toward the development of nuclear weapons.

Disease threatened to destabilize many regions of the world. New viruses such as SARS and West Nile continued to spread. Malaria and other diseases affected large populations. Millions were infected with HIV, the virus which causes AIDS. The virus was becoming an epidemic in southern Africa.

The geographic distribution of surface warming during the 21st century calculated by the HadCM3 climate model if a business as usual scenario is assumed for economic growth and greenhouse gas emissions. In this figure, the globally averaged warming corresponds to 3.0 °C (5.4 °F).

Some speculate that in the long term, environmental problems may threaten the planet's liveability. One popular belief is that global warming may be occurring, and may be due to human-caused emission of greenhouse gases, particularly carbon dioxide produced by the burning of fossil fuels. This prompted many nations to negotiate and sign the Kyoto treaty, which set mandatory limits on carbon dioxide emissions.

World population[link]

World population increased from about 1.6 billion people in 1901 to 6.1 billion at the century's end. Some believe that significant driver of many of the problems of the 20th century was overpopulation. Overpopulation has been a fascination of many, including economic theorist Reverend Thomas Robert Malthus whose "An Essay on the Principal of Population" was first published in 1798. Some demographers have predicted that the population will reach a plateau of 9 to 10 billion around 2100.

See also[link]

• 20th-century art (with Modern art)
• List of 20th-century women artists
• 20th-century events
• 20th-century inventions
• Death rates in the 20th century
• List of 20th-century religious leaders
• List of notable 20th-century writers
• Infectious disease in the 20th century
• List of battles 1901–2000

References[link]

Sources[link]

• UNESCO (February 28, 2008). "The Twentieth Century". History of Humanity. VII. Routledge. pp. 600. ISBN 978-0-415-09311-8. 

External links[link]

Wikimedia Commons has media related to: 20th century

• The 20th Century Research Project
• Slouching Towards Utopia: The Economic History of the Twentieth Century
• TIME Archives The greatest writers of the 20th century

David Bowie
Bowie during the Heathen Tour in 2002.
Background information
Birth name	David Robert Jones
Born	(1947-01-08) 8 January 1947 (age 65) Brixton, London, England
Genres	Rock, glam rock, art rock, pop
Occupations	Musician, singer-songwriter, record producer, actor
Instruments	Vocals, guitar, keyboards, harmonica, saxophone, viola, cello, koto, percussion
Years active	1964–2008
Labels	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
Associated acts	The Riot Squad, Arnold Corns, Tin Machine, The Hype, The Lower Third, The Konrads
Website	davidbowie.com

David Bowie ( /ˈboʊ.i/ BOH-ee;^[1] born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture."^[2] The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album Young Americans, which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album Low (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He then reached a new commercial peak in 1983 with Let's Dance, which yielded several hit singles. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was Reality (2003), which was supported by the 2003–04 Reality Tour.

Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."^[2] In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the UK, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the US, five Platinum and seven Gold certifications. In 2004, Rolling Stone ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

Biography[link]

1947–62: early years[link]

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent,^[3] worked as a cinema usherette, while his father, Haywood Stenton "John" Jones was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.^[4][5]

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability.^[6] At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child.^[6] The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard.^[7][8] Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God".^[9] Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that."^[8] By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet."^[8] Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.^[10]

It was an unusual technical school, as biographer Christopher Sandford writes:

Despite its status it was, by the time David arrived in 1958, as rich in arcane ritual as any [English] public school. There were houses, named after eighteenth-century statesmen like Pitt and Wilberforce. There was a uniform, and an elaborate system of rewards and punishments. There was also an accent on languages, science and particularly design, where a collegiate atmosphere flourished under the tutorship of Owen Frampton. In David's account, Frampton led through force of personality, not intellect; his colleagues at Bromley Tech were famous for neither, and yielded the school's most gifted pupils to the arts, a regime so liberal that Frampton actively encouraged his own son, Peter, to pursue a musical career with David, a partnership briefly intact thirty years later.^[10]

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician.^[11]

In 1962, George Underwood injured Bowie's eye in a fight over a girl. Bowie owes his unusual eyes to the fact that not all the damage could be surgically repaired. Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.^[12]

Eyes[link]

Bowie received a serious injury at school in 1962 when his friend George Underwood, while wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would become blind in that eye. After a series of operations during a four-month hospitalisation,^[13] his doctors determined that the damage could not be fully repaired and Bowie was left with faulty depth perception and a permanently dilated pupil. The latter condition has misled some to believe that Bowie has different coloured eyes, when in reality both irises are the same blue colour. ^[14]

1962–68: the Konrads to the Riot Squad[link]

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them.^[15] When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.^[16]

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall.^[16] "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.^[17]

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie renamed himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised.^[18] His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.^[19]

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus."^[20] Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside."^[20] Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year.^[21] After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.^[22]

1969–73: psychedelic folk to glam rock[link]

[edit] Space Oddity to Hunky Dory

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat.^[23] Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, Love You till Tuesday, was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing.^[23] Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger.^[24] Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street.^[24] This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival".^[25] "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, Space Oddity, followed in November; originally issued in the UK as David Bowie, it caused some confusion with its predecessor of the same name, and the early US release was instead titled Man of Words/Man of Music. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.^[26]

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence.^[27] Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally".^[28] The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist.^[28] A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. Known as The Hype, the band members created characters for themselves and wore elaborate costumes that prefigured the glam style of The Spiders From Mars. After a disastrous opening gig at the London Roundhouse, they reverted to a configuration presenting Bowie as a solo artist.^[28][29] Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey.^[30] Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.^[30]

The studio sessions continued and resulted in Bowie's third album, The Man Who Sold the World (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by Space Oddity. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including Rolling Stone's John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass".^[31][32] During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol".^[31] A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".^[31]

Hunky Dory (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May.^[33] (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word zoe, life.)^[34] Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time^[35] but was ranked No.16 by voters in the All Time Top 1000 Albums.

[edit] Ziggy Stardust

David Bowie during the Ziggy Stardust Tour

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture".^[2] Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972.^[36] The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom."^[36] The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), combining the hard rock elements of The Man Who Sold the World with the lighter experimental rock and pop of Hunky Dory, was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July Top of the Pops performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old Hunky Dory. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.^[37]

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough Transformer, co-producing the album with Mick Ronson.^[38] His own Aladdin Sane (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".^[39][40]

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity."^[41] His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane, were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar.^[42] Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film Ziggy Stardust and the Spiders from Mars.^[43]

	"Ziggy Stardust" noicon Sample of "Ziggy Stardust" (1972). A pioneer of glam rock, Bowie performed as the character Ziggy Stardust, backed by The Spiders from Mars.
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After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: The Man Who Sold the World had been re-released in 1972 along with Space Oddity. "Life on Mars?", from Hunky Dory, was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four.^[44] Pin Ups, a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.^[45]

1974–76: soul, funk and the Thin White Duke[link]

Bowie performing during the 1974 Diamond Dogs Tour

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles.^[46] Diamond Dogs (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's 1984 to music.^[47] The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, Cracked Actor, featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems.^[48] He later commented that the accompanying live album, David Live, ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". David Live nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.^[49]

The fruit of the Philadelphia recording sessions was Young Americans (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now."^[50] The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees.^[51] Young Americans yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on".^[52] Earning the distinction of being one of the first white artists to appear on the US variety show Soul Train, Bowie mimed "Fame", as well as "Golden Years", his November single,^[53] that it was offered to Elvis Presley to perform, but Presley declined it.^[53] Young Americans was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US.^[54] Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of Ziggy Stardust alone), existed essentially on loose change."^[55] In 1975, in a move echoing Ken Pitt's acrimonious dismissal five years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door."^[55] Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.^[56]

Bowie as the Thin White Duke at Maple Leaf Gardens, Toronto on 26 February 1976

Station to Station (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year.^[57] Developing the funk and soul of Young Americans, Station to Station also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence."^[58] His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.^[48][59]

Station to Station's January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and was detained by customs on the Russian/Polish border for possessing Nazi paraphernalia.^[60] Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in NME. Bowie said the photographer simply caught him in mid-wave.^[61] He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke.^[62] "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...".^[59] According to playwright Alan Franks, writing later in The Times, "he was indeed 'deranged'. He had some very bad experiences with hard drugs."^[63]

1976–79: the Berlin era[link]

Bowie performing in Oslo on 5 June 1978

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, and produced a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".^[64]

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy.^[65] During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, The Idiot, and its follow-up, Lust for Life, touring the UK, Europe, and the US in March and April 1977.^[66] Low (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, Low yielded the UK number three single "Sound and Vision", and its own performance surpassed that of Station to Station in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described Low as "a work of genius" in 1992, when he used it as the basis for his Symphony No. 1 "Low"; subsequently, Glass used Bowie's next album as the basis for his 1996 Symphony No. 4 "Heroes".^[67][68] Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".^[69]

	"Heroes" noicon Sample of "Heroes" (1977). One of the ambient rock songs to emerge from Bowie's Berlin Trilogy era, "Heroes" gained lasting popularity.
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Echoing Low's minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like Low, "Heroes" evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin.^[70] Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French.^[71] Towards the end of the year, Bowie performed the song for Marc Bolan's television show Marc, and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.^[72]

After completing Low and "Heroes", Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends."^[73] Recordings from the tour made up the live album Stage, released the same year.^[74]

The final piece in what Bowie called his "triptych", Lodger (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop.^[75] The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's Sergeant Pepper [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." Lodger reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ".^[76][77] Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.^[78]

1980–89: from superstar to megastar[link]

Serious Moonlight Tour 1983

Scary Monsters (and Super Creeps) (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time.^[79] While Scary Monsters utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine.^[80] As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in The Elephant Man.^[81] The same year, he made a cameo appearance in the German film Christiane F., a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as Christiane F. a few months later.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play Baal. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as David Bowie in Bertolt Brecht's Baal. In March 1982, the month before Paul Schrader's film Cat People came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.^[82]

Bowie reached a new peak of popularity and commercial success in 1983 with Let's Dance. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially censored) beach lovemaking scene (a homage to the film From Here to Eternity), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. Let's Dance was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.^[83] Stevie Ray Vaughan was guest guitarist playing solo on "Let's Dance".

Performing during the critically maligned Glass Spider Tour, 1987

Tonight (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Mick Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of The Falcon and the Snowman. Released as a single, the song became a top 40 hit in the UK and US.^[84]

Bowie was given a role in the 1986 film Absolute Beginners. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film Labyrinth, for which he wrote five songs. His final solo album of the decade was 1987's Never Let Me Down, where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album".^[85] Supporting Never Let Me Down, and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.^[86]

1989–91: Tin Machine[link]

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, whom Bowie had known since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album Lust For Life.^[87]

Bowie in Chile during the 1990 Sound+Vision Tour

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making.^[88] The band's album debut, Tin Machine (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book."^[89] EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production".^[90] The album nevertheless reached number three in the UK.^[89] Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member.^[91] A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label.^[92] Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band.^[93] Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.^[94]

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992.^[95] Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine II's arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless.^[96] Tin Machine toured again, but after the live album Tin Machine Live: Oy Vey, Baby failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.^[97]

1992–99: electronica[link]

Bowie performing in Finland in 1997

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part.^[98] Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.^[99]

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise. Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say".^[100] Bowie explored new directions on The Buddha of Suburbia (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in Black Tie White Noise, and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.^[101]

Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles.^[102] In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.^[103]

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.^[104] Incorporating experiments in British jungle and drum 'n' bass, Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100. The Earthling Tour took in Europe and North America between June and November 1997.^[105] Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'".^[106] The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.^[107]

1999–present: neoclassicist Bowie[link]

Bowie (left) on-stage with Sterling Campbell during the Heathen Tour in 2002.

Bowie created the soundtrack for Omikron, a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album 'Hours...' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant.^[108] Making extensive use of live instruments, the album was Bowie's exit from heavy electronica.^[109] Sessions for the planned album Toy, intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album Heathen.^[110] Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.^[111]

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes".^[112] 2002 saw the release of Heathen, and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's Low era.^[113] Reality (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.^[114]

Bowie in 2009 with his son Duncan Jones at the premiere of Jones' directorial debut Moon

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film Shrek 2.^[115] During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film Stealth.^[116] He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon.^[117] He contributed back-up vocals on TV on the Radio's song "Province" for their album Return to Cookie Mountain,^[118] made a commercial with Snoop Dogg for XM Satellite Radio,^[119] and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album No Balance Palace.^[120]

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006.^[121] In April, he announced, "I’m taking a year off—no touring, no albums."^[122] He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released.^[123] He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive,^[124] a performance that marks the last time Bowie performed his music on stage.^[125]

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event,^[126] and performed on Scarlett Johansson's 2008 album of Tom Waits covers, Anywhere I Lay My Head.^[127] On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix.^[128] A Reality Tour, a double album of live material from the 2003 concert tour, was released in January 2010.^[129]

In late March 2011, Toy, Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for Heathen and most of its single B-sides, as well as unheard new versions of his early back catalogue.^[130][131]

Acting career[link]

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed."^[132] Buckley says, "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole."^[133] Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.