Look up Georgia or georgia in Wiktionary, the free dictionary.

Georgia has two principal meanings:

• Georgia (country), a country in the Caucasus, previously known as:
  • Various earlier Georgian kingdoms and states; see History of Georgia (country)
  • Democratic Republic of Georgia (1918–21)
  • Georgian Soviet Socialist Republic (1921–91), part of the Soviet Union

• Georgia (U.S. state), previously known as:
  • The State of Georgia (1861–70), part of the Confederate States of America; see Georgia in the American Civil War
  • Province of Georgia (1732–76)

Georgia may also refer to:

Places[link]

• New Georgia, Solomon Islands
• South Georgia and the South Sandwich Islands, British overseas territory in the South Atlantic/Southern Ocean
• Strait of Georgia, British Columbia, Canada
• Georgia, Indiana, United States
• Georgia, New Jersey, United States
• Georgia, Vermont, United States
• Georgia Avenue, in Washington, DC, United States
• Georgia Street, in Vancouver, British Columbia, Canada

Media and entertainment[link]

• Georgia (1988 film), Australian thriller
• Georgia (1995 film), American independent drama
• Georgia (2010 film), U.S.–Georgian drama about Georgia's conflict with Russia
• "Georgia" (Field Mob and Ludacris song), 2005 song by Field Mob and Ludacris
• "Georgia" (Cee Lo Green song), 2010 song by Cee Lo Green
• "Georgia" (Carolyn Dawn Johnson song), 2000 song by Carolyn Dawn Johnson
• "Georgia" (Elton John song), 1978 song by Elton John
• "Georgia", a song by Boz Scaggs on his 1976 album Silk Degrees
• "Georgia on My Mind", 1930 song by Hoagy Carmichael
• "Georgia," 2007 song by Hanson, on the album The Walk
• "Marching Through Georgia," the popular 1860s marching tune and song by Henry Clay Work
• State of Georgia (TV series), 2011 TV series

Ships[link]

• CSS Georgia (battery), floating battery, commissioned 1863
• CSS Georgia (cruiser), merchantman, commissioned 1863
• SS Georgia, oil tanker, commissioned 1908
• USS Georgia (BB-15), battleship, commissioned 1906
• USS Georgia (SSGN-729), submarine, commissioned 1984

Other uses[link]

• 359 Georgia, an asteroid
• Georgia (drink)
• Georgia (name), female given name
• Georgia (typeface)
• Georgia-Pacific, an American pulp and paper company
• University of Georgia, a major public research university in the U.S. state
• Georgia Bulldogs, the athletic program of the University of Georgia
• Georgia State University, a public university in the U.S. state

See also[link]

• All pages beginning with "Georgia"
• Georgian (disambiguation)
• George (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Ray Charles
Ray Charles in 1990
Background information
Birth name	Ray Charles
Born	(1930-09-23)September 23, 1930 Albany, Georgia, United States
Origin	Greenville, Florida, United States
Died	June 10, 2004(2004-06-10) (aged 73) Beverly Hills, California, United States
Genres	Rhythm and blues, soul, blues, soul blues, rock and roll, jazz, vocal jazz, country, pop, gospel
Occupations	Composer, musician, arranger, bandleader
Instruments	Vocals, piano, keyboards, alto saxophone, trombone
Years active	1947–2004
Labels	Atlantic, ABC, Warner Bros., Swing Time, Concord, Columbia, Flashback
Associated acts	The Raelettes, Quincy Jones, Betty Carter, Marvin Gaye, Billy Joel, James Brown, Little Richard
Website	Official website

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records.^[1][2][3] He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums.^[4][5][6] While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company.^[2] Frank Sinatra called Charles “the only true genius in show business.”

The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.

Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004,^[7] and number two on their November 2008 list of "100 Greatest Singers of All Time".^[8] In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"^[9]

Early life: 1930–1945[link]

Ray Charles Robinson was the son of Aretha Robinson, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman.^[10] Aretha Robinson was a devout Christian and the family attended the New Shiloh Baptist Church.^[11] When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit's Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray's brother, so as to take the burden off Williams. However, George drowned in the Williams' bath tub when he was four years old.^{[citation needed]} After witnessing the death of his brother, Ray would feel an overwhelming sense of guilt later on in life.

Charles started to lose his sight at the age of five. He went completely blind by the age of seven, apparently due to glaucoma.^[12][13] He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945,^[14] where he developed his musical talent.^[12] During this time he performed on WFOY radio in St. Augustine. His father died when he was 10 and his mother died five years after.

In school, Charles was taught only classical music, but he wanted to play the jazz and blues he heard on the family radio.^[14] While at school, he became the school's premier musician. On Fridays, the South Campus Literary Society held assemblies where Charles would play piano and sing popular songs. On Halloween and Washington's birthday, the Colored Department of the school had socials where Charles would play. It was here he established "RC Robinson and the Shop Boys" and sang his own arrangement of "Jingle Bell Boogie."^[15] He spent his first Christmas at the school, but later the staff pitched in so that Charles could return to Greenville, as he did each summer.

Henry and Alice Johnson, who owned a store not unlike Mr. Pit's store in Greenville, moved to the French town section of Tallahassee, just west of Greenville; and they, as well as Freddy and Margaret Bryant, took Charles in. He worked the register in the Bryants' store under the direction of Lucille Bryant, their daughter. It's said he loved Tallahassee and often used the drug store delivery boy's motorbike to run up and down hills using the exhaust sound of a friend's bike to guide him. Charles found Tallahassee musically exciting too and sat in with the Florida A&M University student band. He played with the Adderley brothers, Nat and Cannonball, and began playing gigs with Lawyer Smith and his Band in 1943 at the Red Bird Club and Deluxe Clubs in Frenchtown and roadhouse theaters around Tallahassee, as well as the Governor's Ball.^[16]

Career[link]

Early career: 1946–1952[link]

After his mother died in 1946, Charles was 15 years old and didn't return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Then he moved to Orlando, and later Tampa, where he played with a southern band called The Florida Playboys. This is where he began his habit of always wearing sunglasses, made by designer Billy Stickles.^[17]

Charles had always played for other people, but he wanted his own band. He decided to leave Florida for a large city, but Chicago and New York City were too big. After asking a friend to look in a map and note the city in the United States that was farthest from Florida, he moved to Seattle in 1947^[12] (where he first met and befriended, under the tutelage of Robert Blackwell, a 14-year-old Quincy Jones)^[18][19] and soon started recording, first for the Down Beat label as the Maxin Trio with guitarist G.D. McKee and bassist Milton Garrett, achieving his first hit with "Confession Blues" in 1949. The song soared to No. 2 on the R&B charts. He joined Swing Time Records and under his own name ("Ray Charles" to avoid being confused with boxer Sugar Ray Robinson)^[10] recorded two more R&B hits, "Baby, Let Me Hold Your Hand" (No. 5) in 1951 and "Kissa Me Baby" (No. 8) in 1952. The following year, Swing Time folded and Ahmet Ertegün signed him to Atlantic Records.^[12]

Atlantic Records: 1953–1958[link]

Charles laid low from recording until early 1953 as Atlantic executives cleared out Charles' contract with Swingtime. Charles began recording jump blues and boogie-woogie style recordings as well as slower blues ballads where he continued to show the vocal influences of Nat "King" Cole and Charles Brown. "Mess Around" became Charles' first Atlantic hit in 1953 and he later had hits the following year with "It Should Have Been Me" and "Don't You Know". He also recorded the songs, "Midnight Hour" and "Sinner's Prayer". Some elements of his own vocal style showed up in "Sinner's Prayer", "Mess Around" and "Don't You Know".

Late in 1954, Charles recorded his own composition, "I Got a Woman" and the song became Charles' first number-one R&B hit in 1955 and brought him to national prominence.^[20] The elements of "I Got a Woman" included a mixture of gospel, jazz and blues elements that would later prove to be seminal in the development of rock 'n' roll and soul music. He repeated this pattern throughout 1955 continuing through 1958 with records such as "This Little Girl of Mine", "Drown in My Own Tears", "Lonely Avenue", "A Fool For You" and "The Night Time (Is the Right Time)".

However, Charles didn't stop his ambitions of jazz recording a couple of instrumental jazz albums with vibraphonist Milt Jackson while also promoting his R&B career. By 1958, Charles was not only headlining black venues such as The Apollo Theater and The Uptown Theater but also bigger venues such as The Newport Jazz Festival. It was at the Newport festival where he cut his first live album. In 1956, Charles recruited a young all-female singing group named the Cookies, and reshaped them as The Raelettes. Before then, Charles had used his wife and other musicians to back him up on recordings such as "This Little Girl of Mine" and "Drown In My Own Tears". The Raelettes' first recording session with Charles was on the bluesy-gospel inflected "Leave My Woman Alone".

Crossover success: 1959–1967[link]

Charles in 1971. Photo: Heinrich Klaffs.

Charles reached the pinnacle of his success at Atlantic with the release of "What'd I Say", a complex song that combined gospel, jazz, blues and Latin music and a song that Charles would later say he composed spontaneously as he was performing in clubs and dances with his small band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became a crossover top ten pop record, Charles' first record to do so.^[21] Later in 1959, Charles recorded and released his first country song, a cover of Hank Snow's "Movin' On", and had recorded three more albums for the label including a jazz record (later released in 1961 as The Genius After Hours), a blues record (released in 1961 as The Genius Sings the Blues) and a traditional pop/big band record (The Genius of Ray Charles). The Genius of Ray Charles provided his first top 40 album entry where it peaked at #17 and was later held as a landmark record in Charles' career but Charles saw a bigger opportunity following his Atlantic contract expiring in the fall of 1959 when several big labels offered him record deals.

Choosing not to renegotiate his contract with Atlantic, Ray Charles signed with ABC-Paramount Records in November 1959, obtaining a much more liberal contract than other artists had at the time.^[22] Following the success of "What'd I Say" and The Genius of Ray Charles, ABC offered Charles a $ 50,000 annual advance, higher royalties than previously offered and eventual ownership of his masters — a very valuable and lucrative deal at the time.^[23] During his Atlantic years, Charles was heralded for his own inventive compositions, however, by the time of the release of the instrumental jazz LP Genius + Soul = Jazz (1960) for ABC's subsidiary label Impulse!, Charles had virtually given up on writing original material and had begun to follow his eclectic impulses as an interpreter.^[21]

With his first hit single for ABC-Paramount, Charles received national acclaim and a Grammy Award for the Sid Feller-produced "Georgia on My Mind", originally written by composers Stuart Gorrell and Hoagy Carmichael, released as a single by Charles in 1960.^[21][24] The song served as Charles's first work with Feller, who arranged and conducted the recording. Charles also earned another Grammy for the follow-up "Hit the Road Jack", written by R&B singer Percy Mayfield.^[25] By late 1961, Charles had expanded his small road ensemble to a full-scale big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to crossover into mainstream pop with such a level of creative control.^[21][26] This success, however, came to a momentary halt in November 1961, as a police search of Charles's hotel room in Indianapolis, Indiana during a concert tour led to the discovery of heroin in his medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned his focus on music and recording.^[26]

The 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. His version of the Don Gibson song, I Can't Stop Loving You topped the Pop chart for five weeks and stayed at No. 1 R&B for ten weeks in 1962. It also gave him his only number one record in the UK. In 1962, he founded his own record label, Tangerine Records, which ABC-Paramount promoted and distributed.^[27][28] He also had major pop hits in 1963 with "Busted" (US No. 4) and Take These Chains From My Heart (US No. 8). With the rise of younger soul performers such as James Brown, Otis Redding and Motown singers such as Smokey Robinson, Marvin Gaye and its own blind artist, Stevie Wonder, Charles' successes on the pop and R&B charts peaked after 1964 though he remained a huge concert draw.

Later years: 1967-2004[link]

1972 meeting of President Nixon and Ray Charles taken by Oliver F. Atkins

By 1967, Charles' commercial success had begun peaking on both pop and R&B charts though he would remain a concert draw both in the states and overseas. In 1965, Charles' career after being arrested for a third time for heroin halted after he agreed to go to rehab to avoid jail time. Charles kicked his habit at a clinic in Los Angeles. After spending a year on parole, Charles reemerged on the charts in 1966 with a series of hits composed with the fledgling team of Ashford & Simpson including the dance number, "I Don't Need No Doctor" (later covered in a hard rock style by British supergroup Humble Pie), "Let's Go Get Stoned", which became his first #1 R&B hit in several years, and "Crying Time", which reached #6 on the pop chart and later helped Charles win a Grammy Award the following March.

In 1967, he had a top twenty hit with another ballad, "Here We Go Again".^[29] Charles' renewed chart success, however, proved to be short lived and by the late 1960s his music was rarely played on radio stations partly due to the rise of psychedelic rock and harder forms of rock and R&B music and also due to Charles choosing to record pop standards and covers of then-modern day rock and soul hits as he had no desire to write due to him earning masters. Most of his recordings between 1966 and 1973 were either received well or poorly.^[12] Nonetheless, Charles continued to have an active recording career. Charles' 1972 album, Message from the People, included his unique gospel-influenced version of "America the Beautiful". In 1974, he left ABC Records and recorded several albums on his own Crossover Records label. His 1975 recording of Stevie Wonder's hit, "Living for the City" later helped Charles win another Grammy.

In 1977, he reunited with Ahmet Ertegun and Jerry Wexler and re-signed to Atlantic Records where he recorded the album, True to Life. However, the label had now begun focusing on rock acts and some of the label's prominent soul artists such as Aretha Franklin were starting to be neglected. Charles stayed with his old label until 1980. In November 1977 he appeared as the host of NBC's Saturday Night Live.^[30] In April of 1979, Charles' version of "Georgia On My Mind" was proclaimed the state song of Georgia. An emotional Charles performed the song on the floor of the state legislature.^[12] Though he notably supported the civil rights movement and Martin Luther King, Jr. in 1960s, Charles would be criticized for performing at South Africa's Sun City resort in 1981 during an international boycott of its apartheid policy.^[12] In 1983, Charles signed a contract with Columbia Records and recorded a string of country albums. Charles also began having a string of country hits often with duet singers such as George Jones, Chet Atkins, B.J. Thomas, Mickey Gilley, Hank Williams, Jr. and lifelong friend Willie Nelson, for which he recorded the #1 country duet, "Seven Spanish Angels". After 1987, his Columbia contract ended and Charles returned to recording pop music after signing with Warner Bros. Records. Prior to the release of his first Warner release, Would You Believe, Charles made a return on the R&B charts with a cover of The Brothers Johnson's "I'll Be Good to You", a duet with his lifelong buddy Quincy Jones and singer Chaka Khan. The song hit number-one on the R&B charts in 1990 and won Charles and Khan a Grammy for their dual work. Prior to this, Charles returned on the pop charts in another duet, with singer Billy Joel on the song, "Baby Grand" and in 1989, recorded a cover of the Southern All Stars' "Itoshi no Ellie", releasing it as "Ellie My Love" for a Japanese TV ad for Suntory releasing it in Japan where it reached #3 on its Oricon chart.^[31] Charles' 1993 album, My World became his first album in some time to reach the Billboard 200 and his cover of Leon Russell's "A Song for You" gave him a charted hit on the adult contemporary chart as well as his twelfth and final Grammy he would receive in his lifetime.

By the beginning of the 1980s, Charles would reach younger audiences by appearances in various films and TV shows. In 1980, he made a cameo on the film, The Blues Brothers. While he never appeared on the show, Charles' version of "Night Time is the Right Time" was played during the popular "Cosby Show" episode, "Happy Anniversary". In 1985, he appeared among a slew of other popular musicians in the USA for Africa charity recording, "We Are the World". Charles' popularity increased among younger audiences in 1991 after he appeared where he popularized the catchphrase "You Got the Right One, Baby" The catchphrase came from a song that was composed by Kenny Ascher, Joseph C. Caro and Helary Jay Lipsitz.^[32]

Charles with President Ronald Reagan and First Lady Nancy Reagan in 1984.

Charles also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 for Bill Clinton's first.^[33] In the late 1980s/early 1990s, Charles made appearances on the Super Dave Osbourne TV show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. During the sixth season of Designing Women, Charles sang "Georgia on My Mind", instead of the song being rendered instrumentally by other musicians as in the previous five seasons. He also appeared in 4 episodes of the popular TV comedy The Nanny in Seasons 4 & 5 (1997 & 1998) as 'Sammy', in one episode singing "My Yiddish Mamma" to December romance and later fiancee of character Gramma Yetta, played by veteran actress Ann Guilbert. From 2001-2002, Charles appeared in commercials for the New Jersey Lottery to promote its "For every dream, there's a jackpot" campaign.

In 2003, Ray Charles headlined the White House Correspondents Dinner in Washington, D.C. where the President, First Lady, Colin Powell and Condoleezza Rice attended. He also presented one of his greatest admirers, Van Morrison, with his award upon being inducted in the Songwriters Hall of Fame and the two sang Morrison's song "Crazy Love". This performance appears on Morrison's 2007 album, The Best of Van Morrison Volume 3. In 2003 Charles performed "Georgia On My Mind" and "America the Beautiful" at a televised annual electronic media journalist banquet held in Washington, D.C. His final public appearance came on April 30, 2004, at the dedication of his music studio as a historic landmark in the city of Los Angeles.^[12]

Personal life[link]

Family[link]

Charles was married twice and had 12 children with nine different women.^[34][35] His first marriage to Eileen Williams was brief: July 31, 1951 to 1952. He had three children from his second marriage, to Della Beatrice Howard Robinson from April 5, 1955 to April 26, 1977. His long term girlfriend and partner at the time of his death was Norma Pinella. His first child, Evelyn, was born in 1950 to girlfriend Louise Mitchell. His three children with Della, Ray Charles, Jr., David and Robert, were born in 1955, 1958 and 1960 respectively. Another son, Charles Wayne, was born in 1959 during his six-year long affair with original Raelettes vocalist Margie Hendricks. In 1961, a daughter, Raenee, was born during an affair with Mae Mosely Lyles. Two years later, in 1963, Charles and Sandra Jean Betts welcomed daughter Sheila Raye Charles Robinson.^[36] In 1966, a daughter named Alicia was born by a woman who remains unidentified to this day, followed by another daughter, Alexandra, born to a woman named Chantal Bertrand. Charles' next child, Vincent, came from a relationship with Arlette Kotchounian following his divorce from Della Howard in 1977. A year later, daughter Robyn was born to a woman named Gloria Moffett. Charles' youngest child, son Ryan Corey, was born in 1987 to Mary Anne den Bok.

Charles gave 10 of his 12 children checks for one million USD in December 2002 at a family luncheon, while the other two could not make it.^[37]

Substance abuse and legal issues[link]

On November 14, 1961, Charles was arrested on a narcotics charge in an Indiana hotel room, where he waited to perform. The detectives seized heroin, marijuana, and other items. Charles, then 31, stated that he had been a drug addict since the age of 16. While the case was dismissed because of the manner in which the evidence was obtained,^[38] Charles's situation did not improve until a few years later. Individuals such as Quincy Jones and Reverend Henry Griffin felt that those around Charles were responsible for his drug use.

By 1964 Charles' drug addiction caught up with him and he was arrested for possession of marijuana and heroin. Following a self-imposed stay^[38] at St. Francis Hospital in Lynwood, California, Charles received five years' probation. Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor", "Let's Go Get Stoned", and the release of his first album since having kicked his heroin addiction in 1966, Crying Time.^[39][40]

Other interests[link]

Charles played chess using a special board with holes for the pieces and raised squares.^[41] Charles referred to Willie Nelson as "my chess partner" in a 1991 concert.^[42] In 2002, he played and lost to American Grandmaster and former U.S. Champion Larry Evans.^[43]

Death[link]

Charles died on June 10, 2004 at 11:35 a.m. of liver disease at his home in Beverly Hills, California, surrounded by family and friends.^[44][45] He was 73 years old. His body was interred in the Inglewood Park Cemetery.

Star on Hollywood Walk of Fame at 6777 Hollywood Blvd.

His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis. The album won eight Grammy Awards, including five for Ray Charles for Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals for "Here We Go Again" with Norah Jones, and Best Gospel Performance for "Heaven Help Us All" with Gladys Knight; he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen's "Over the Rainbow", sung as a duet by Charles and Johnny Mathis; this record was played at his memorial service.^[46]

Two more posthumous albums, Genius & Friends (2005) and Ray Sings, Basie Swings (2006), were released. Genius & Friends consisted of duets recorded from 1997 to 2005 with his choice of artists. Ray Sings, Basie Swings consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles's vocals recorded from the concert mixing board were added to new accompaniments to create a "fantasy concert" recording.

Legacy[link]

Charles possessed one of the most recognizable voices in American music. In the words of musicologist Henry Pleasants:

Sinatra, and Bing Crosby before him, had been masters of words. Ray Charles is a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm... It is either the singing of a man whose vocabulary is inadequate to express what is in his heart and mind or of one whose feelings are too intense for satisfactory verbal or conventionally melodic articulation. He can’t tell it to you. He can’t even sing it to you. He has to cry out to you, or shout to you, in tones eloquent of despair — or exaltation. The voice alone, with little assistance from the text or the notated music, conveys the message.

Ray Charles is usually described as a baritone, and his speaking voice would suggest as much, as would the difficulty he experiences in reaching and sustaining the baritone's high E and F in a popular ballad. But the voice undergoes some sort of transfiguration under stress, and in music of gospel or blues character he can and does sing for measures on end in the high tenor range of A, B flat, B, C and ev in full voice, sometimes in an ecstatic head voice, sometimes in falsetto. In falsetto he continues up to E and F above high C. On one extraordinary record, "I’m Going Down to the River’ . . . he hits an incredible B flat . . . giving him an overall range, including the falsetto extension, of at least three octaves.^[47]

In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state.^[48] Ray's version of "Georgia On My Mind" was made the official state song for Georgia.^[49] In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986.^[50] He received the Kennedy Center Honors in 1986.^[51]

In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1993, he was awarded the National Medal of Arts.^[52] In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame.^[53] The Grammy Awards of 2005 were dedicated to Charles.

On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano. Later that month, on December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame. He was also presented with the George and Ira Gershwin Award for Lifetime Musical Achievement, during the 1991 UCLA Spring Sing.^[54]

In 2003, Charles was awarded an honorary degree by Dillard University. Upon his death, he endowed a professorship of African-American culinary history at the school, which is the first such chair in the nation.^[55] A $20 million performing arts center at Morehouse College was named after Charles and was dedicated in September 2010.^[56]

The biopic Ray, released in October 2004, portrays his life and career between 1930 and 1979 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role.

Discography[link]

Filmography[link]

• Swingin' Along (1961)
• Ballad in Blue (1964)
• The Big T.N.T. Show (1966) (documentary)
• The Blues Brothers (1980)
• Who's The Boss (himself) 1987
• Limit Up (1989)
• Listen Up: The Lives of Quincy Jones (1990) (documentary)
• Love Affair (1994)
• Spy Hard (1996)
• The Nanny (1999) as Sammy
• The Extreme Adventures of Super Dave (2000)
• Blue's Big Musical Movie (2000)
• Ray (2004)

References[link]

Bibliography[link]

External links[link]

	Book: Ray Charles
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikiquote has a collection of quotations related to: Ray Charles

Wikimedia Commons has media related to: Ray Charles

• Official website
• Article from the St. Augustine Record noting Charles' being on WFOY.
• Ray Charles - Daily Telegraph obituary
• Ray Charles discography at MusicBrainz
• Ray Charles at RollingStone
• Ray Charles at Songwriters Hall of Fame
• Ray Charles at The Rock and Roll Hall of Fame
• Ray Charles at the Internet Movie Database
• Ray Charles at Allmusic
• Ray Charles discography at Discogs
• Ray Charles autobiography: The Early Years 1930–1960
• I Can't Stop Loving You: Ray Charles and Country Music - Past Exhibit at the Country Music Hall of Fame and Museum
• Ray Charles's oral history video excerpts at the National Visionary Leadership Project
• Ray Charles interviewed on the Pop Chronicles (1969).

John Mayer
Mayer at the Mile High Music Festival on July 20, 2008
Background information
Birth name	John Clayton Mayer
Born	(1977-10-16) October 16, 1977 (age 34) Bridgeport, Connecticut United States
Genres	Pop rock, blues rock, acoustic rock, blue-eyed soul
Occupations	Musician, songwriter, record producer, columnist, graphic designer, photographer, comedian, television host
Instruments	Guitar, vocals, omnichord, piano, vibraphone, harmonica, percussion, clarinet, violin
Years active	1998 (1998)–present
Labels	Arista, Aware, Columbia
Associated acts	John Mayer Trio, Fall Out Boy
Website	johnmayer.com
Notable instruments
Fender Stratocaster Martin Guitars Gibson Guitars

John Clayton Mayer ( /ˈmeɪ.ər/ MAY-ər;^[1] (born October 16, 1977) is an American pop and blues rock musician, singer-songwriter, recording artist, and music producer.^[2] Born in Bridgeport, Connecticut and raised in Fairfield, Connecticut, he attended Berklee College of Music in Boston. He moved to Atlanta in 1997, where he refined his skills and gained a following, and he now lives in New York City.^[3][4] His first two studio albums, Room for Squares and Heavier Things, did well commercially, achieving multi-platinum status. In 2003, he won a Grammy Award for Best Male Pop Vocal Performance for "Your Body Is a Wonderland."^[5]

Mayer began his career performing mainly acoustic rock, but gradually began a transition towards the blues genre in 2005 by collaborating with renowned blues artists such as B. B. King, Buddy Guy, and Eric Clapton, and by forming the John Mayer Trio. The blues influence can be heard throughout his 2005 live album Try! with the John Mayer Trio and his third studio album Continuum, released in September 2006. At the 49th Annual Grammy Awards in 2007 Mayer won Best Pop Vocal Album for Continuum and Best Male Pop Vocal Performance for "Waiting on the World to Change". He released his fourth studio album, Battle Studies, in November 2009. His fifth album, Born and Raised, was released on May 22, 2012. He has sold over 10 million albums in the U.S. and 20 million albums worldwide.

Early life[link]

John Clayton Mayer was born on October 16, 1977 in Bridgeport, Connecticut to Margaret, an English teacher, and Richard, a high school principal.^[6] He grew up in Fairfield, Connecticut, the second of three children.^[7] His father is Jewish, and Mayer has said that he "relat[es] to Judaism".^[8] He attended Fairfield High School in Fairfield^[9] although he was enrolled in the Center for Global Studies at Brien McMahon High School in Norwalk for his junior year (then known as the Center for Japanese Studies Abroad, it is a magnet program for students wanting to learn Japanese).^[10]

After watching Michael J. Fox's guitar performance as Marty McFly in Back to the Future, Mayer became fascinated with the instrument, and when he turned 13, his father rented one for him.^[11][12] A neighbor gave Mayer a Stevie Ray Vaughan cassette, which cultivated Mayer's love of blues music.^[13]a[›] Mayer started taking lessons from a local guitar-shop owner, Al Ferrante, and soon became consumed with playing the instrument.^[3][14] His singular focus concerned his parents, and they took him twice to see a psychiatrist—but Mayer was determined to be fine.^[3][14] Mayer says that the contentious nature of his parents' marriage led him to "disappear and create my own world I could believe in".^[3] After two years of practice, he started playing at blues bars and other venues in the area, while he was still in high school.^[10][12] In addition to performing solo, he was a member of a band called Villanova Junction (named for a Jimi Hendrix song) with Tim Procaccini, Joe Beleznay, and Rich Wolf.^[3][15] Mayer considered skipping college to pursue his music, but the disapproval of his parents dissuaded him from doing so.^[3]

When Mayer was seventeen, he was stricken with cardiac dysrhythmia and was hospitalized for a weekend. Reflecting on the incident, Mayer said, "That was the moment the songwriter in me was born," and he penned his first lyrics the night he got home from the hospital.^[4] Shortly thereafter, he began suffering from panic attacks, and lived with the fear of having to enter a mental institution.^[3] He continues to manage such episodes with Xanax, an anti-anxiety drug.^[4][16] After graduation, he worked for fifteen months at a gas station until he saved enough money to buy a 1996 Stevie Ray Vaughan signature Stratocaster.^[17]

Career[link]

Early career[link]

Mayer enrolled in the Berklee College of Music in Boston, Massachusetts, aged 19.^[7] However, at the urging of his college friend an Atlanta, Georgia native, Clay Cook, he left school after two semesters and moved with Cook to Atlanta.^[18] In Atlanta they formed a two-man band called LoFi Masters and began performing in local coffee houses and club venues such as Eddie's Attic.^[12] According to Cook, they began to experience musical differences due to Mayer’s desire to move more towards pop music.^[19] As a result, the two parted ways, and Mayer embarked on a solo career.^[18]

With the help of local producer and engineer Glenn Matullo, Mayer recorded the independent EP Inside Wants Out. Cook co-wrote many of the songs from the EP including Mayer's first commercial single release, "No Such Thing".^[19] The EP includes eight songs with Mayer on lead vocals and guitars. However, Cook's only contribution was backing vocals on the song "Comfortable". For the opening track, "Back To You", a full band was enlisted, including the EP’s co-producer David "DeLa" LaBruyere on bass guitars.^[20] Mayer and LaBruyere then began to perform throughout Georgia and nearby states.

Major label success[link]

	"City Love" excerpt noicon From the album Room for Squares.
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Mayer’s reputation began to build, and a March 2000 appearance at South by Southwest brought him to the attention of "launch" label, Aware Records.^[14][21][22] After including him in the Aware Festival concerts and having his songs included on Aware compilations, in early 2001, Aware released Mayer's internet-only album titled, Room for Squares. During this time, Aware inked a deal with Columbia Records that gave Columbia first pick in signing Aware artists, and so in September of the same year, Columbia remixed and re-released Room for Squares.^[23] As part of the major label "debut", the album's artwork was updated, and the track "3x5" was added. The re-release also included reworked studio versions of the first four songs from his indie album, Inside Wants Out.^[24]

By the end of 2002, Room for Squares had spawned several radio hits, including "No Such Thing," "Your Body Is a Wonderland", and ultimately, "Why Georgia". In 2003, Mayer won a Grammy for Best Male Pop Vocal Performance for "Your Body Is a Wonderland." In his acceptance speech he remarked, "This is very, very fast, and I promise to catch up."^[25] He also figuratively referred to himself as being sixteen, a remark that many mistook to mean that he was only sixteen years old at the time.^[26]

In 2003, Mayer released a live CD and DVD of a concert in Birmingham, Alabama titled Any Given Thursday. The concert featured songs previously not recorded, such as "Man on the Side" (co-written with Cook) and "Something's Missing", which later appeared on Heavier Things. The concert also included "Covered In Rain". According to the accompanying DVD documentary, this song is "part two" of the song "City Love", which features the line "covered in rain". Commercially, the album quickly peaked at number seventeen on the Billboard 200 chart. The CD/DVD received conservative, although consistent, praise, with critics torn between his pop-idol image, and (at the time) emerging guitar prowess. Erik Crawford (of Allmusic) asked "Is he the consummate guitar hero exemplified when he plays a cover of Stevie Ray Vaughan's 'Lenny', or is he the teen idol that the pubescent girls shriek for after he plays 'Your Body Is a Wonderland?'"^[27][28]

Heavier Things, Mayer's second album, was released in 2003 to generally favorable reviews. Rolling Stone, Allmusic and Blender all gave positive, although reserved, feedback. PopMatters said that it "doesn't have as many drawbacks as one might assume".^[29] The album was commercially successful, and while it did not sell as well as Room for Squares, it peaked at number one on the US Billboard 200 chart. Mayer earned his first number one single with the song "Daughters" as well as a 2005 Grammy for Song of the Year, beating out fellow contenders Alicia Keys and Kanye West. He dedicated the award to his grandmother, Annie Hoffman, who died in May 2004. He also won Best Male Pop Vocal Performance, beating Elvis Costello, Prince, and Seal for the award. In a February 9, 2009 interview on The Ellen DeGeneres Show, Mayer said that he thought he should not have won the Grammy for Song of the year because he thought that Alicia Keys' If I Ain't Got You was the better song. Because of this, he removed the top half of the Grammy and gave it to Keys, and kept the bottom part for himself. At the 37th Annual Songwriters Hall of Fame Induction Ceremony in 2006, Mayer was honored with the Hal David Starlight Award.^[30]

Mayer again recorded live concerts across seven nights of his U.S. tour in 2004. These recordings were released to the iTunes Store under the title As/Is, indicating that the errors were included along with the good moments. A few months later, a "best of" CD was compiled from the As/Is nights. The album included a previously unreleased cover of Marvin Gaye's song "Inner City Blues (Make Me Wanna Holler)", featuring a solo from Mayer's support act, jazz and blues turntablist DJ Logic. All the album covers of the As/Is releases feature drawings of anthropomorphic bunnies.^[31]

January 2005, left to right: David Ryan Harris, John Mayer and Steve Jobs at Macworld 11, SF Moscone Center.

With increased exposure, Mayer's talent came into demand in other areas. Steve Jobs invited Mayer to perform during the keynote address of Apple's annual Macworld Conference & Expo, in January 2004, as Jobs introduced the software application GarageBand.^[32] The gig led to Mayer becoming a fixture of the event. He rejoined Jobs on stage for a solo performance at Macworld 2007, following the announcement of the iPhone.^[33] Mayer has also done endorsements, such as a Volkswagen commercial for the Beetle's guitar outlet and for the BlackBerry Curve.^[34]

Change in musical direction[link]

Mayer began to collaborate extensively, often working with artists outside of his own genre. He appeared on Common's song "Go!" and on Kanye West's "Bittersweet Poetry".^b[›] Following these collaborations, Mayer received praise from rap heavyweights Jay-Z and Nelly.^[35] When asked about his presence in the hip hop community, Mayer said, "It's not music out there right now. That's why, to me, hip-hop is where rock used to be."^[36]

	"Go!" excerpt noicon From the album Be. In 2004, after the three saw the movie Ray together, Kanye West and Mayer joined Common back in the studio. Mayer came up with the song's concept—fantasies—and his vocals were sampled for the track.[37]
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It was around this time that Mayer began hinting a change in his musical interests, announcing that he was "closing up shop on acoustic sensitivity."^[36] In 2005, he began a string of collaborations with various blues artists, including Buddy Guy, B.B. King, Eric Clapton, as well as jazz artist John Scofield. He also went on tour with legendary jazz pianist Herbie Hancock, which included a show at the Bonnaroo Music Festival in Manchester, Tennessee. These collaborations led to recordings with several of these artists, namely, Clapton (Back Home, Crossroads Guitar Festival), Guy (Bring 'Em In), Scofield (That's What I Say), and King (80). Although Mayer has maintained a reputation for being a sensitive singer-songwriter, he has also gained distinction as an accomplished guitarist, influenced by the likes of the above artists, as well as Eric Johnson, Jimi Hendrix, Stevie Ray Vaughan, Eric Clapton, Robert Cray, and Freddie King.^[38]

John Mayer Trio[link]

	"Who Did You Think I Was?" noicon From the album Try! The first single, "Who Did You Think I Was?," lyrically underscores Mayer's decision to move away from acoustic pop music and towards blues, with lines such as, "Got a brand new blues that I can't explain."[39] This sample features an extended electric guitar solo.
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In the spring of 2005, Mayer formed the John Mayer Trio with bassist Pino Palladino and drummer Steve Jordan, both of whom he had met through previous studio sessions. The trio played a combination of blues and rock music. In October 2005, the Trio opened for The Rolling Stones during a sold-out club tour of their own,^[40] and that November, released a live album called Try! The band took a break in mid-2006. In September 2006, Mayer announced plans for the Trio to begin work on a future studio album.^[41]

[edit] Continuum

Mayer's third studio album, titled Continuum, was released on September 12, 2006, and was produced by Mayer and Steve Jordan. Mayer suggested the album was intended to combine his signature pop music with the feel, sound, groove, and sensibilities of the blues. In that vein, two of the tracks from his Trio release Try!—"Vultures" and "Gravity"—also were included on Continuum.^[7]

The first single from Continuum was "Waiting on the World to Change", which debuted on The Ron and Fez Show. The song was the third most downloaded song of the week on the iTunes Store following its release on July 11, 2006, and debuted at #25 on the Billboard Hot 100 Chart.

On August 23, 2006, Mayer debuted the entire album on the Los Angeles radio station Star 98.7, giving commentary on each track.^[42] A subsequent version was released the next day on the Clear Channel Music website as a streaming sneak preview. On September 21, 2006, Mayer appeared on CSI: Crime Scene Investigation, playing "Waiting on the World to Change" and "Slow Dancing in a Burning Room." The song "Gravity" was featured on the television series House, in the episode "Cane & Able", and Numb3rs. He recorded a session for the British program Live from Abbey Road at Abbey Road Studios on October 22, 2006.

On December 7, 2006, Mayer was nominated for five 2007 Grammy Awards, including Album of the Year. The John Mayer Trio also received a nomination for their album, Try!. He won two: Best Pop Song with Vocal for "Waiting on the World to Change" and Best Pop Album for Continuum. Mayer remixed an acoustic version of his single "Waiting on the World to Change" with vocal additions from fellow musician Ben Harper. In preparation for recording Continuum, Mayer had booked the Village Recorder in Los Angeles to record five demo acoustic versions of his songs with veteran musician Robbie McIntosh. These recordings became The Village Sessions, an EP released on December 12, 2006. As usual, Mayer oversaw the artwork of the release.^[43]

Mayer was featured on the cover of Rolling Stone (#1020) in February 2007, along with John Frusciante and Derek Trucks. He was named as one of the "New Guitar Gods," and the cover nicknamed him "Slowhand, Jr.," a reference to Eric Clapton.^[38] Additionally, he was selected by the editors of Time magazine as one of the 100 Most Influential People of 2007 and was listed among artists and entertainers.^[44]

On November 20, 2007, the re-issue of Continuum became available online and in stores. The release contains a bonus disc of six live songs from his 2007 tour: five from Continuum and a cover of the Ray Charles song "I Don't Need No Doctor".^[45] His new single, "Say", also became available through iTunes. On December 6, 2007, "Belief" was nominated for Best Male Pop Vocal for the 50th Annual Grammy Awards. He accompanied Alicia Keys on guitar on her song "No One" at the ceremony.

In February 2008, Mayer hosted a three-day Caribbean cruise event that included performances with various musicians including David Ryan Harris, Brett Dennen, Colbie Caillat and Dave Barnes, among others. The event was called "The Mayercraft Carrier" and was held aboard the cruise ship known as the Carnival Victory.^[46] A follow up cruise titled "Mayercraft Carrier 2" set sail from Long Beach, California from March 27–31, 2009 on the Carnival Splendor.

On July 1, 2008, Mayer released Where the Light Is, a live concert film of Mayer's performance at the Nokia Theatre L.A. Live on December 8, 2007. The film was directed by Danny Clinch. It features an acoustic set and a set with the John Mayer Trio, followed by a set with John's band from the Continuum album. The DVD and Blu-ray bonus material includes footage of Mayer backstage and playing outside on Mulholland Drive.^[47]

Australian artist Guy Sebastian invited Mayer to collaborate on three songs from his 2009 album Like It Like That.^[48] Mayer also played guitar on the title track of Crosby Loggins' debut LP, Time to Move, released on July 10, 2009.^[49]

On July 7, 2009, Mayer performed an instrumental guitar version of Michael Jackson's "Human Nature" at Jackson's televised memorial service.^[50]

[edit] Battle Studies

On November 17, 2009, Mayer's fourth studio album, Battle Studies, was released and debuted at number one on the U.S. Billboard 200 album chart.^[51] The album consists of 11 tracks with a total time of 45 minutes. The first single from the album, "Who Says", was released on September 24, 2009 in advance of album, and was followed on October 19 by the single "Heartbreak Warfare" and the single "Half of My Heart" released on June 21, 2010. Despite the album's commercial success, critics were mixed with their praise; while some reviews were glowing, calling it his "most adventurous",^[52][53] others called the album "safe" and noted that "Mayer the singer-songwriter and Mayer the man about town sometimes seem disconnected, like they don’t even belong in the same body."^{[3][54][55][56]}

Mayer admitted to Rolling Stone that he thought Battle Studies was not his best album.^[57][58]

[edit] Born and Raised

Early reports indicated that the follow-up to Battle Studies would be called Born and Raised, and would be released in October 2011.^[59]

On September 16, 2011 Mayer posted on his blog that his new record, Born and Raised, was being delayed due to granulomas discovered in his throat. The granulomas were found next to the vocal cords and are treatable. Mayer described this as a "temporary setback" and that recording and mixing of "Born and Raised" was entirely finished except for a few remaining vocal tracks. He expects the album to be out in early 2012.^[60]

On October 20, 2011 Mayer updated his fans about the treatment of his throat granuloma, announcing that he "had surgery this afternoon to remove it and am now on complete vocal rest for a month or more", during which he plans to "travel the country, look, and listen."^[60]

The first single from Born and Raised, called "Shadow Days" was released on February 27, 2012

On February 28, 2012 John Mayer released the track listing for the album and announced that Born and Raised would be released on May 22, 2012.^[61]

On March 9, 2012 Mayer announced on his blog that due to the return of a serious throat condition, he has been forced to cancel his tour and refrain from all singing indefinitely.^[62]

Other projects[link]

Philanthropy and activism[link]

In 2002, Mayer began the "Back to You" Fund, a nonprofit organization that focuses on fundraising in the areas of health care, education, the arts, and talent development. The foundation raises funds through the auction of exclusive John Mayer items, such as guitar picks, T-shirts, and signed CDs, made available on Mayer's auction site. The auctions have been successful, with some tickets selling for more than seventeen times their face value.^[63][64]

Mayer participated at the East Rutherford, New Jersey location of the Live Earth project, a musical rally to support awareness for global warming held July 7, 2007.^[65] He converted his tour bus to bio-diesel fuel.^[66]

Mayer has performed at a number of benefits and telethons for charity throughout his career. In response to the Virginia Tech massacre, Mayer (along with Dave Matthews Band, Phil Vassar, and Nas) performed a free concert at Virginia Tech's Lane Stadium on September 6, 2007.^[67] On December 8, 2007, Mayer hosted the first annual Charity Revue, a tradition he has continued each year. Charities who have benefited from the concerts include Toys for Tots, Inner City Arts, and the Los Angeles Mission.^[68] Both CDs and DVDs of the first concert were released under the title Where the Light Is in July 2008. It has not been announced whether the DVD proceeds will go to charity or not.^[69] Mayer appeared on Songs for Tibet: The Art of Peace, a celebrity initiative to support Tibet and the 14th Dalai Lama, Tenzin Gyatso.^[70]

Design[link]

In a Rolling Stone interview, Mayer recalled that after former Columbia Records head, Don Ienner, panned Continuum, he briefly considered quitting music and studying design full time.^[4] In 2003, Martin Guitars gave Mayer his own signature model acoustic guitar called the OM-28 John Mayer.^[72] The guitar was limited to a run of only 404, an Atlanta area code.^[73] This model was followed by the release of two Fender signature Stratocaster electric guitars, beginning in 2005. A third Stratocaster, finished in charcoal frost metallic paint with a racing stripe, was also a limited-release, with only 100 guitars made. In January 2006, Martin Guitars released the Martin OMJM John Mayer acoustic guitar. The guitar was intended to have many of the attributes of the Martin OM-28 John Mayer but with a more affordable price tag.^[74] In August 2006, Fender started manufacturing SERIES II John Mayer Stratocasters. The new Olympic white with mint green pickguard and cream plastics replaced the shoreline gold model.^[75]

In January 2007, Two Rock collaborated with Mayer on custom-designed amps. Only 25 (all signed by Mayer himself) were made available to the public.^[76][77] June 2007 saw the release of the "album art" guitar, with the Continuum motif repeated on the face of the instrument,^[78] as well as a 500-run John Mayer signature Fender Stratocaster in Cypress-Mica, including the limited Cypress-Mica model was the INCSvsJM gig bag on which Mayer collaborated with Incase designs. In 2006, Mayer was estimated to have more than 200 guitars in his personal collection.^[4] In 2010, Fender announced a production model of Mayer's "The Black One" guitar.^[79]

Writing[link]

With the June 1, 2004, issue of Esquire, Mayer began a column called "Music Lessons with John Mayer". Each article featured a lesson and his (often humorous) take on various topics, both of personal and popular interest. In the August 2005 issue, he invited readers to create music for orphaned lyrics he had written.^[80] The winner was Tim Fagan of L.A., as announced in the following January's issue.^[81]

Mayer has been active online, and has maintained four blogs: a Myspace page, a blog at his official site, another at Honeyee.com, one at tumblr.com, and a photoblog at StunningNikon.com. He also is one of the most-followed persons on the micro-blogging site Twitter,^[82] reaching 3 million followers in January 2010. Although his posts often deal with career-related matters, they also contain jokes, videos, photos, his convictions, and his personal activities; they sometimes overlap in content. He is noted for writing the blogs himself, and not through a publicist.^[16][44] On January 23, 2008, he posted a graphic that read, "Done & Dusted & Self Conscious & Back to Work." on his official blog, followed by the quote "There is danger in theoretical speculation of battle, in prejudice, in false reasoning, in pride, in braggadocio. There is one safe resource, the return to nature..";^c[›] all the previous blog entries were deleted.^[83]

In the mid-2000s he did stand-up comedy sporadically^[82] making random appearances at the famed Comedy Cellar in New York and at other venues. He stated that it helped him write better but that increased media attention made him too careful in his technique.^[4]

He co-wrote "Worlds of Chance" with Demi Lovato for her second album Here We Go Again.

Television[link]

In 2004, Mayer hosted a one-shot, half-hour comedy special on VH1 titled John Mayer Has a TV Show, with antics including wearing a bear suit while anonymously teasing concertgoers in the parking lot outside one of his concerts. The American network CBS announced on January 14, 2009 that they were in negotiations with Mayer for a variety show; it may air as a special or as a regular series.^[84][85] In an interview with Rolling Stone, posted online on January 22, 2010, Mayer confirmed that the program, also called John Mayer Has a TV Show, was still in development, and that personnel were being hired. He described the concept as "a high quality music performance show, where I could also steer it a little bit. It's about there being a bastion of artists being made to look good and sound good.".^[86]

Mayer has made many appearances on talk shows and other television programs, most notably, on a Chappelle's Show comedy skit, Late Night with David Letterman and on the final episode of Late Night with Conan O'Brien. Mayer made an appearance with Rob Dyrdek in the MTV show Rob Dyrdek's Fantasy Factory.

Mayer has written the theme song to the upcoming show Rollin' with Zach on the OWN network.

Touring[link]

Mayer has toured with many musical groups, including Maroon 5,^[87] Guster, Howie Day, Mat Kearney, Counting Crows,^[88] Ben Folds, The Wallflowers, Teitur,^[89] Brett Dennen, Sheryl Crow, Colbie Caillat, Train, Ellie Goulding, OneRepublic and Paramore. Crow and Mayer, who had just previously appeared on the Cars Soundtrack together, co-headlined a tour that ran from August to October 2006.^[90] In 2007, Mayer toured Europe, hoping to reach the popularity abroad that he enjoys in North America.^[91] The initial North American Continuum tour ended on February 28, 2007, with a show at Madison Square Garden, a performance which the New York Post described as "career-defining."^[92] In 2010, Mayer and Keith Urban performed at a CMT Crossroads concert which saw Mayer and Urban performing a medley of their own songs together and a rendition of George Michael's single, "Faith". This performance was led to Urban and Mayer teaming up again for future performances, including at the 2010 CMT Music Awards.

Mayer allows audio taping at most of his live performances, and he also allows for the non-commercial trading of those recordings. He does this to give fans the opportunity to recreate the live experience, and to encourage fan interaction.^[93]

Mayer often shows up at small venues unannounced (or with little advance notice) for surprise concerts—occasionally for free or without accepting the performance fee.^{[94][95][96][97]} He has made appearances throughout the Los Angeles, Atlanta and New York areas, including shows at The Laugh Factory,^[98] Eddie's Attic,^[99] and the Village Underground.^[97] His latest surprise appearance was on January 8, 2011 at Hotel Cafe where he played seven new unreleased songs. In 2004, after being asked for numerous past years, he performed for over 1000 students at the Pennsbury High School Senior Prom. Wonderland, a book written by Micheal Bamberger, describes the world- famous prom and John Mayer's performance.

Touring band members[link]

Current members

• David Ryan Harris – guitar, backing vocals (2003–present)
• Sean Hurley – bass, backing vocals (2008–present)
• Chuck Leavell - keyboards (2011–present)
• Aaron Sterling - drums (2011–present)

Former members

• Bob Reynolds – saxophones, flute (2006–2008, 2010)
• Robbie McIntosh – guitar, slide guitar, backing vocals (2006–2010)
• Pino Palladino - Bass (2010)
• Keith Carlock - drums, percussion (2010)
• David LaBruyere – bass (1999–2008)
• Nir Z - drums (2001)
• Matt Mangano - guitar (2001)
• Matt Johnson - drums (2002)
• Stephen Chopek – drums, percussion (2001–2002)
• Michael Chaves – guitar, keyboards, backing vocals (2001–2005)
• Kevin Lovejoy – keyboards (2003–2004)
• Erik Jekabsen – trumpet, flugelhorn (2003–2004)
• Chris Karlic – saxophone, flute (2003–2005)
• J.J. Johnson – drums (2003–2005, 2006–2008)
• Onree Gill – keyboards (2004–2005)
• Chuck McKinnon – trumpet, flugelhorn (2004–2005)
• Keith Carlock - drums, percussion (2010–2011)
• Ricky Peterson – keyboards, organ, backing vocals (2006–2007)
• Charlie Wilson – keyboards (2009–2011)
• Tim Bradshaw – keyboards, organ, lap steel guitar, backing vocals (2007–2008)
• Kenna Ramsey - backing vocals (2009–2010)
• Melanie Taylor - backing vocals (2009–2010)
• Steve Jordan – drums, percussion, backing vocals (2003, 2005–2006, 2009–2010)
• Brad Mason - trumpet, flugelhorn (2006–2008)

Personal life[link]

Mayer has a number of tattoos. These include: "Home" and "Life" (from the song title) on the back of his left and right arms respectively, "77" (his year of birth) on the left side of his chest, and a koi-like fish on his right shoulder. His entire left arm is covered in a sleeve tattoo that he acquired gradually, ending in April 2008; it includes: "SRV" (for his idol, Stevie Ray Vaughan) on his shoulder, a decorated rectangle on his biceps, a dragon-like figure on his inner arm, and various other floral designs. In 2003, he got a tattoo of three squares on his right forearm, which, he has explained, he will fill in gradually.^[100]

Mayer has followed the discipline of Krav Maga.^{[101][102][103]} He is an avid collector of watches and owns timepieces worth tens of thousands of dollars.^[104][105] Mayer also has an extensive collection of sneakers, estimated (in 2006^[update]) at more than 200 pairs.^[4][106]

Mayer's parents concluded an uncontested divorce on May 27, 2009.^[107] After the divorce, Mayer moved his (82-year-old) father to an assisted-living facility in Los Angeles.^[3]

In September 2011, according to a Rolling Stone magazine article, Mayer has granuloma in his throat which must be treated surgically – this has caused him to cancel various planned shows.^[108]

Mayer sold his home in the Los Angeles suburbs in 2011.^[3][4][109] He also recently sold his apartment in New York City's SoHo neighborhood and moved to Montana following his throat surgery where he has purchased a home.^[110]

[edit] Playboy interview controversy

In April 2010 Mayer gave a controversial interview to Playboy magazine, in which he made sexually explicit comments about former girlfriends Jessica Simpson and Jennifer Aniston. It was alleged that one remark he made in the interview was racist.^[111] He later apologized onstage for these statements.^[112]

Despite assertions that he would not be doing any more press,^[86] an interview with Playboy magazine (posted to their website on February 10, 2010) set off accusations in the media and on Twitter of his being a misogynist, kiss-and-tell ex-boyfriend, and racist.^[101][113] He apologized via Twitter for his use of the word "nigger," saying, "It was arrogant of me to think I could intellectualize...a word that is so emotionally charged."^[114] He also tearfully apologized to his band and fans at his concert in Nashville later that night.^[115] Mayer was dubbed an "accidental racist" by comedian, Kumail Nanjiani.^[116]

Solo discography[link]

• Room for Squares (2001)
• Heavier Things (2003)
• Continuum (2006)
• Battle Studies (2009)
• Born and Raised (2012)

Awards[link]

Grammy Awards[link]

Mayer has won seven awards from eighteen nominations.