- published: 04 Sep 2022
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The Aër (Greek: Ἀήρ, lit. the "air"; modern Greek: Αέρας; Slavonic: Воздýхъ, Vozdúkh) is the largest and outermost of the veils covering the Chalice and Diskos (paten) in the Eastern Orthodox Church and the Eastern Catholic Churches which follow the Byzantine Rite. It is rectangular in shape and corresponds to the veil used to cover the chalice and paten in the Latin Rite, but is larger. It is often made of the same material and color as the vestments of the officiating priest, and often has a fringe going all the way around its edge. Tassels may also be sewn at each of the corners.
It takes its name either from the lightness of the material of which it is made, or from the fact that during the Nicene Creed in the Divine Liturgy, the priest holds it high in the air and waves it slowly over the Chalice and Diskos. Its original use was to cover the Chalice and prevent anything from falling into it before the consecration. It symbolizes the swaddling clothes with which Christ was wrapped at his Nativity, and also the grave clothes in which he was wrapped at his burial (both themes are found in the text of the Liturgy of Preparation).
Ağrı, formerly known as Karaköse (Kurdish: Qerekose) from the early Turkish republican period until 1946, and before that as Karakilisa (also rendered as Karakilise) (Ottoman: قرهکلیسا), is the capital of Ağrı Province at the eastern end of Turkey, near the border with Iran.
In the Ottoman Empire era the area was called Şorbulak. The current town centre was founded around 1860 by a group of Armenian merchants from Bitlis with the name Karakilise ("the black church") that became known to the local population as Karakise and this version was turned officially to Karaköse at the beginning of the Republican era. This name was changed to Ağrı by 1946.
In the medieval period, the district's administrative centre was located at Alashkert, once an important town. The "kara kilise" that gave the town its name was a medieval Armenian church. In 1895 Lynch stayed in Karakilise and wrote that it had between 1500-2000 inhabitants, was nearly two-thirds Armenian, and that a barracks for a locally-recruited Kurdish Hamidiyeh regiment had been recently located in the town.
Çağrı is a unisex Turkish given name. In Turkish, "Çağrı" means "The Call", "Appellation", and/or "Distinction". It also means "Falcon". Notable people with the name include:
Allah-Rakha Rahman ( pronunciation , born A. S. Dileep Kumar on 6 January 1967) is an Indian composer, singer-songwriter, music producer, musician and philanthropist. Rahman's works are noted for integrating Eastern classical music with electronic music, world music and traditional orchestral arrangements. Among his awards are two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe, four National Film Awards, fifteen Filmfare Awards and thirteen Filmfare Awards South. Rahman's body of work for film and stage has given him the nickname of "the Mozart of Madras", and Tamil commentators and fans call him Isai Puyal (English: the Musical Storm).
In 2009, Time included Rahman on its list of the world's most influential people. The UK-based world-music magazine Songlines named him one of "Tomorrow's World Music Icons" in August 2011.
With an in-house studio (Panchathan Record Inn in Chennai) Rahman's film-scoring career began during the early 1990s with the Tamil film Roja. Working in India's film industries, international cinema and theatre, Rahman is one of the world's all-time best-selling recording artists. In a notable two-decade career, he has been acclaimed for redefining contemporary Indian film music and contributing to the success of several films. Rahman has become a notable humanitarian and philanthropist, donating and raising money for a number of causes and charities.
Aye may refer to:
Yes and no are one of several pairs of words used to express the affirmative and the negative, respectively, in several modern languages including English.
English originally used a four-form system up to and including Early Middle English but Modern English has reduced this to a two-form system consisting of just 'yes' and 'no'. Some languages do not answer yes–no questions with single words meaning 'yes' or 'no'. Welsh and Finnish are among several languages that typically employ echo answers (repeating the verb with either an affirmative or negative form) rather than using words for 'yes' and 'no', though both languages do also have words broadly similar to 'yes' and 'no'. Other languages have systems named two-form, three-form, and four-form systems, depending on how many words for yes and no they employ. Some languages, such as Latin, have no yes-no word systems.
The words yes and no are not easily classified into any of the eight conventional parts of speech. Although sometimes classified as interjections, they do not qualify as such, and they are not adverbs. They are sometimes classified as a part of speech in their own right, sentence words, word sentences, or pro-sentences, although that category contains more than yes and no and not all linguists include them in their lists of sentence words. Sentences consisting solely of one of these two words are classified as minor sentences.
"Aye" (pronounced ah yay) is a song by Nigerian recording artist Davido, released as the fourth single from his upcoming studio album. The song was produced by TSpize, a record producer affiliated with Runtown. It peaked at number 5 on MTV Base's Official Naija Top 10 chart from March 28 through April 3, 2014. The song was primarily released to celebrate Valentine's Day.
It was alleged that Davido bought the song from Runtown, an artist who featured him on "Gallardo".
Upon its release, the song was met with great reception. Micheal Abimboye of Premium Times commented on the song, stating that "over T-Spice's mid tempo beats, Davido sometimes mimics Wande Coal's rhyming style. The beat is reminiscent of that made popular by kegite clubs. The cool tempo makes the song enjoyable and reminds one of an old school video of a generation past slow-grooving to high-life in a jazz club."
A writer for Fuse stated that "Aye's melody and instrumental is charismatic. It has a way of making your head move even when the forces beyond human nature tries to deny it. From the pressing musical notes on the guitar we can agree that this is a song best enjoyed with a live band. Aye provides a sing along vibe that catches the lips of both old and young as they hold on to their Gele' (head gear) or do the Bata dance while singing happily...Aye is an evergreen song of our time that can be played alongside legendary hits from respected icons of the 70's and 80's."
Merhaba güzel insanlar. Bugün Türkiye turumuzda 75. şehir Ağrı'dan bildiriyoruz. Öncelikle Eleşkirt, Tutak, Patnos, Hamur, Taşlıçay, Diyadin, Doğubayazıt ve Ağrı'nın güzel insanlarına selamlar olsun. Ağrı gezilecek yerler arasında İshak Paşa Sarayı, Meteor Çukuru, Ağrı Dağı, Ahmedi Hani Türbesi, Urartu Kalesi, Eski Bayezid Cami ve Nuh'un Gemisi vardı. Zaman ve bütçemiz yettiği müddetçe gezmeye çalıştık. Umarız izlerken keyif alırsınız sevgiler. KATIL butonu çıkmayanlar için link: https://www.youtube.com/channel/UC6VMzRFLZy_aS24Y78dfleA/join Türkiye turumuzu bölge bölge izlemek ve nerelere gittiğimizi görmek isterseniz; Güneydoğu Anadolu Bölgesi https://www.youtube.com/watch?v=EiBZfiXGxzc&list;=PL_cOHt2AWxCdZBtHVd40TGdwI0lT0Um0Z Doğu Anadolu Bölgesi https://www.youtube.com/watch?v=ZD4dokd...
Geçmişin Gölgesinde’nin bu bölümünde, "efsaneler şehri" olarak da bilinen Ağrı’dayız. İşlerinin gereği olarak buz tutan gölün üzerinde halay çeken ve bir taraftan da şehrin soğuk iklimine karşı ayakta kalmaya çalışan balıkçıların gündelik hayatına konuk oluyoruz. Marco Polo’nun "Hiçbir zaman çıkılamayacak!" dediği Ağrı Dağı ile ülkemizin önemli turistik mekanlarından biri olan ve yapımı 99 yıl süren İshak Paşa Sarayı'nın destansı hikayesi, Geçmişin Gölgesinde ile TRT Belgesel’de! Yüzyıllar boyunca pek çok medeniyete ev sahipliği yapan ve zengin bir tarihi mirasa sahip olan Anadolu’da tarifsiz bir yolculuğa hazır mısınız? Ağrı'nın büyüleyici manzarası, geleneksel yemekleri, tarihi mimarisinden yansıyan destansı görüntüleri izlemek isteyenleri böyle alalım! youtu.be/oIxPlmp0IO0 #Geçmişi...
Ağrı şehir merkezindeyiz. İlkbahar geldi, karlar eridi, nehirler coştu gürledi. Ağrı tüm güzelliğiyle ilkbaharı karşıladı. Ben de buna kayıtsız kalamadım ve sizlerle paylaşmak için yeniden kamerayı aldım elime. İlkbaharda Ağrı'da gezilecek yerleri gelin hep birlikte görelim. İyi Seyirler Dilerim Anadolu Zamanı
#Ağrıİsyanları #AğrıCumhuriyeti Ağrı isyanları. 1926 yılında ağrıda başlayan ayaklanma sonucunda , isyancılar tarafından Ağrı cumhuriyeti kurularak tek taraflı bağımsızlık ilanında bulunmuş ve ardında isyan büyüyerek İran topraklarına kadar yayılmıştır. Türkiye Cumhuriyeti ordusu bu isyanları ancak 1930 yılında bastırabilmiş olsada , ayaklanmanın faturası 1929 dünya kriziylede birleşince Türkiye Cumhuriyeti için ekonomik açıdan oldukça ağır olmuştur. Peki isyanın nedenleri neydi ? yada ayrı bir cumhuriyet ilan etmekteki amaç neydi ? Bu soruların cevapları için videoyu sonuna kadar izlemeyi ve beğeni butonuna basmayı unutmayın… Kaynaklar: https://dergipark.org.tr/tr/download/article-file/55477 http://acikerisim.aku.edu.tr/xmlui/bitstream/handle/11630/3515/caglayan-polat-tez.pdf?sequence=...
The Aër (Greek: Ἀήρ, lit. the "air"; modern Greek: Αέρας; Slavonic: Воздýхъ, Vozdúkh) is the largest and outermost of the veils covering the Chalice and Diskos (paten) in the Eastern Orthodox Church and the Eastern Catholic Churches which follow the Byzantine Rite. It is rectangular in shape and corresponds to the veil used to cover the chalice and paten in the Latin Rite, but is larger. It is often made of the same material and color as the vestments of the officiating priest, and often has a fringe going all the way around its edge. Tassels may also be sewn at each of the corners.
It takes its name either from the lightness of the material of which it is made, or from the fact that during the Nicene Creed in the Divine Liturgy, the priest holds it high in the air and waves it slowly over the Chalice and Diskos. Its original use was to cover the Chalice and prevent anything from falling into it before the consecration. It symbolizes the swaddling clothes with which Christ was wrapped at his Nativity, and also the grave clothes in which he was wrapped at his burial (both themes are found in the text of the Liturgy of Preparation).