Variety is an American weekly entertainment-trade magazine founded in New York City, in 1905 by Sime Silverman. With the rise of the importance of the motion-picture industry, Daily Variety, a daily edition based in Los Angeles, was founded by Silverman in 1933. In 1998, the Daily Variety Gotham edition, based in New York City was added. All three have been in continual operation since. Now delivered to 60 countries, Variety presents in-depth news, exclusive reports, trend stories, box office information and reviews.

Variety.com is a paid site and has all the latest news and reviews from the industry, and also offers searchable archives, interactive box office charting, international box office grosses, a credits database, film and television production charts, an in-depth industry calendar and reviews dating back to 1914.

Variety Events target every aspect of the entertainment industry. These events include the Variety Screening Series, held in both NYC and LA showcasing award contenders and Variety's philanthropic "Power of" events, including Power of Youth, Power of Women, Power of Comedy, and Power of Music. Variety also delivers content-driven conferences that provide platforms for industry leaders to discuss and debate the future of the entertainment industry.

The magazine is owned by Reed Business Information, a division of Reed Elsevier.

History[link]

Variety has been published since December 16, 1905,^[1] when it was launched by Silverman as a weekly periodical covering vaudeville with its headquarters in New York City. In 1933, Silverman launched Daily Variety, based in Hollywood.

Silverman was the editor of the Variety Inc. publications until selecting Abel Green as his replacement in 1931; he remained as publisher until his death in 1933 soon after launching the daily. His son Sidne Silverman (1901–1950), known as "Skigie", succeeded him as publisher of both publications. Both Sidne and his wife, stage actress Marie Saxon (1905–1942), died of tuberculosis. Their only son Syd Silverman, born 1932, was the sole heir to what was then Variety Inc. Young Syd's legal guardian Harold Erichs oversaw Variety Inc. until 1956. From then Syd took over and managed the company until 1987, when he sold it to Cahners Publishing (later absorbed by Reed Elsevier) for US$64 million.^{[citation needed]}

For twenty years its editor-in-chief was Peter Bart, who worked previously at Paramount Pictures and The New York Times. In April 2009, it was announced that Bart was moving to the position of "vice president and editorial director", characterised online as "Boffo No More: Bart Up and Out at Variety". The current editor is Timothy M. Gray.^[2][3]

Circulation[link]

Paid circulation is currently 61,144 across Daily Variety, weekly Variety, and Variety.com, representing 41,554 individuals (some of whom subscribe to more than one of these) (BPA Worldwide, September 2011).

Editions[link]

• Variety (started in 1905) is a glossy tabloid edition with a broad coverage of movies, television, theater, music and technology, written for entertainment executives. It is published weekly and delivered internationally.
• Daily Variety (started in 1933) is the name of the Los Angeles-based Hollywood and Broadway daily edition.
• Daily Variety Gotham, (started in 1998) is the name of the New York City-based edition which gives a priority focus to East Coast show-business news and is produced earlier in the evening than the Los Angeles edition so it can be delivered to New York City offices the following morning.
• Variety.com (launched in 1998) is the internet version of Variety. It was one of the first online newspapers to charge for access when it launched. While the publication did briefly provide free access, it brought back its paywall in December 2009. At the same time, Variety introduced a new type of subscription; now subscribers receive Variety.com, Digital Variety, Daily Variety and Weekly Variety for one price.
• Variety On-The-Go Variety is also available as an app on the iPad, iPhone, Android, Blackberry and Windows phone. This app is an interactive content-driven platform providing entertainment industry updates on the go.

^[4]

Variety Foundation[link]

The Variety Foundation focuses on charitable causes in the entertainment space, and facilitates the raising and donating of funds to these charities via the "Power Of" franchise and various other projects. The Foundation uses its position in the entertainment industry to increase public awareness and encourage people from all walks of life to get involved and give back.

Variety's Power of Youth is an initiative that celebrates top young talent and their involvement with philanthropic and humanitarian causes, and encourages their fans around the world to get involved and give back too. The event, now in its fourth year, is an invitation-only afternoon full of fun and festivities, with live performances, interactive games, activities, food, photo opportunities and a special presentation. 2010 honorees include Justin Bieber, David Henrie, Victoria Justice, Shailene Woodley and Bow Wow, each of whom, through their efforts, have made a significant difference to their chosen causes.

Past Variety's Power of Youth supporters/honorees include: AnnaLynne McCord, Corbin Bleu, Keke Palmer, Jesse McCartney, Abigail Breslin, The Jonas Brothers, Miranda Cosgrove, Hilary Duff, Dakota Fanning, Selena Gomez, Taylor Lautner, Miley Cyrus and many more.

Variety hosts an exclusive event celebrating the Power of Women and their impact on philanthropic and charitable causes. Variety honors a select group of women in entertainment who, through their efforts, have made a significant difference to their chosen causes. 400 invite-only guests made up of Hollywood insiders and A-list talent come to celebrate, support and pay tribute to the philanthropic efforts of these amazing women. Variety's philanthropy bizarre provides an interactive area for guests to engage with the participating brand sponsors and the featured charities. The goal of Variety's Power of Women is to inspire and encourage people from all walks of life to get involved, give back and make a difference.

Variety's Power of Comedy is an annual stand-up comedy and improv show that benefits the Noreen Fraser Foundation, an organization focused on funding women's cancer research and raising awareness of the importance of early detection for the prevention of women's cancer. This event attests that using humor is cornerstone to the mission of many philanthropic organizations, as humor serves to break the ice on important subjects that can be uncomfortable to discuss and reminds people of the healing power of laughter.

Variety plans to add the Power of Music event to their philanthropic line-up in 2012.

Culture[link]

For much of its existence, Variety's writers and columnists have used a jargon called slanguage or varietyese (a form of headlinese) that refers especially to the movie industry, and has largely been adopted and imitated by other writers in the industry. Such terms as "boffo box-office biz", "sitcom", "sex appeal", "payola", and even "striptease" are attributed to the influence of the magazine,^[5] although its attempt to popularize "infobahn" as a synonym for "information superhighway" never caught on. Its most famous headline was from October 1929, when the stock market crashed: "Wall St. Lays An Egg". Another favorite, "Sticks nix hick pix",^[6][7] was made popular—although the movie-prop version renders it as "Stix nix hix pix!" in Yankee Doodle Dandy (1942), Michael Curtiz's musical-biographical film about George M. Cohan starring James Cagney; translated, it means that rural audiences were not attending rural-themed films. Television series are referred to as "skeins", and heads of companies or corporate teams are called "toppers". In addition, more-common English words and phrases are shortened; "audience members" becomes simply "auds", "performance" becomes "perf", and "network" becomes "net", for example.

Facts and figures[link]

• On January 19, 1907, Variety published what is considered the first film review in history.
• On December 7, 1988, Bart's predecessor, Roger Watkins, proposed and oversaw the transition to four-color print. Upon its launch, the new-look Variety measured one inch shorter with a washed-out color on the front. The old front-page box advertisement was replaced by a strip advertisement, along with the first photos published in Variety since Sime gave up using them in the old format in 1920: they depicted Sime, Abel and Syd. (www.simesite.net/roger.asp, 7th paragraph).

A significant portion of Variety's revenue comes during the movie-award season leading up to the Academy Awards. During this time, large numbers of colorful, full-page "For Your Consideration" advertisements inflate the size of Variety to double or triple its usual page count. These advertisements are Hollywood's attempt to reach other Hollywood professionals who will be voting in the many awards given out in the early part of the year.

Location[link]

The Variety Building in December 2008.

In late 2008, Variety moved its Los Angeles offices to a high-rise office building on Wilshire Boulevard in the heart of the Miracle Mile area. The building was dubbed the Variety Building because a red, illuminated "Variety" sign graced the top north and south sides of the building. The 31-story tower can be seen from any direction in Los Angeles, and has totally unobstructed, 360-degree views of the city. The city welcomed the new landmark with a lighting ceremony in December 2008

Reprints of film reviews[link]

This is the short list of English-language periodicals with 10,000 or more film reviews reprinted in book form:

• Variety as Variety Film Reviews (1907–1996) in 24 volumes.
• New York Times as New York Times Film Reviews (1913–2000) in 22 volumes.
• Harrison's Reports as Harrison's Reports and Film Reviews (1919–1962) in 15 volumes.

Film reviews in Variety continued after the dates of the last reprints.

Reprints of obituaries[link]

The complete text of approximately 100,000 entertainment-related obituaries (1905–1986) were reprinted as Variety Obituaries, an 11-volume set, including alphabetical index. Four additional bi-annual reprints were published (for 1987–1994) before the reprint series was discontinued.

Film trailer charts[link]

In 2009, Variety launched a chart showcasing the top performing film trailers ahead of theatrical release in partnership with media measurement firm Visible Measures. An example of these charts can be found here.

See also[link]

	United States portal
	Journalism portal

• The Hollywood Reporter
• Paidcontent.org
• Tubefilter

References[link]

External links[link]

Look up Appendix:Words from Variety in Wiktionary, the free dictionary.

• Variety.com website
• description by the Parisian Bibliothèque du film
• article from Le Monde about Variety's 100th anniversary

v t e Reed Elsevier Elsevier Imprints Academic Press Anderson Architectural Press Bailliere Tindall Butterworth–Heinemann Cell Press Churchill Livingstone Current Opinion Focal Press Gulf Professional Publishers Hanley & Belfus Masson Morgan Kaufmann Mosby Newness Pergamon Saunders Syngress Urban & Fischer William Andrew Selected journals Biochimica et Biophysica Acta Cell The Journal of Allergy and Clinical Immunology The Lancet Tetrahedron Trends Other Embase ScienceDirect Scirus Scopus LexisNexis Butterworths CaseMap JurisClasseur Martindale-Hubbell Matthew Bender Quicklaw Shepard's Citations Zap Reed Business Information Australia HotFrog Germany DETAIL Netherlands AllAboutFeed Beleggers Belangen Bizz Boerderij Elsevier Meat International Pig Progress World Poultry United Kingdom Airline Business Bankersalmanac Caterer and Hotelkeeper Commercial Motor Community Care Crops Dairy Update Electronics Weekly Employers' Law Estates Gazette Farmers Weekly Farmland Market Flight International Hairdressers Journal International Health & Beauty Salon ICIS Irish Medical Times Kellysearch Kemps Film and TV Production Services Handbook MIMS Ireland Motor Transport New Scientist Occupational Health Optician Personnel Today Poultry World Totaljobs Training & Coaching Today Truck and Driver Utility Week XpertHR Zibb United States 411 Publishing BuyerZone MarketCast Reed Construction Data RSMeans Variety Category

Joe Escalante
Escalante performing with The Vandals on the 2004 Warped Tour in Noblesville, Indiana.
Background information
Birth name	Joseph Patrick Escalante
Born	(1963-01-30) January 30, 1963 (age 49)
Origin	Long Beach, California
Genres	Punk rock
Occupations	Bassist, record label owner, film director, music video director, radio show host; formerly a drummer, entertainment lawyer, and television executive
Instruments	Bass guitar, drum kit
Years active	1980–present
Labels	Epitaph, National Trust, Restless, Triple X, Nitro, Kung Fu
Associated acts	The Vandals, Sweet and Tender Hooligans
Website	www.joeescalante.com

Joseph Patrick "Joe" Escalante (born January 30, 1963) is an American musician, record label owner, radio host, film and music video director, and amateur matador, as well as a former television executive and entertainment lawyer. He is most widely known as the bassist for the punk rock band The Vandals, the owner of their record label Kung Fu Records, and the host of Barely Legal Radio on the Los Angeles/Orange County radio station Indie 103.1 FM.

Biography[link]

Escalante was born in Long Beach, California to a Mexican father and Irish mother and grew up in Rossmoor, California, an unincorporated area of Orange County. As a teenager he learned to play drums and began performing in local garage bands.

Education[link]

After graduating from Los Alamitos High School in Orange County, Escalante received his Bachelor of Arts degree from UCLA where he specialized in Old Norse.^{[citation needed]} After doing graduate work at the University of Iceland in Reykjavík, he entered Loyola Law School^[1] in Los Angeles and received his Juris Doctor.

Career with The Vandals[link]

In 1980, at age 17, Escalante joined the punk rock band The Vandals, becoming their first permanent drummer. He would remain the sole constant member of the band throughout the rest of their career. They released their debut EP Peace Thru Vandalism in 1982 through Epitaph Records. In 1984 Escalante and the other band members appeared in the Penelope Spheeris film Suburbia and released their first album When in Rome Do as the Vandals. In 1987 they appeared in another Spheeris film, Dudes. By 1989 Escalante had moved from the drums into the bass guitar position, and fluctuations in the band's membership had left him as the only member remaining from the original recording lineup. In order to continue the band, he and vocalist Dave Quackenbush set about finding new members, recruiting guitarist Warren Fitzgerald and drummer Josh Freese. In 1990 this lineup released the album Fear of a Punk Planet, establishing themselves amongst an emerging new crop of southern California punk rock bands. This lineup would remain consistent throughout the rest of the band's career and would release numerous albums, tour extensively, and form their own record label.

Television career[link]

After graduating law school in 1992, Escalante worked as a talent and program negotiator in the department of business affairs for CBS. He used money from his job to finance The Vandals and his television connections to allow them to play on late-night rock shows. He hosted a number of music programs during his time with the network and negotiated contracts with acting talent. After four years he left CBS to tour full-time with The Vandals and to operate his record label Kung Fu Records.

Marriage[link]

Escalante married in 1996. His wife, Sandra Escalante, appeared briefly in the 2005 film Cake Boy which he directed (as a member of the counseling group). The two now live together in Signal Hill, California.

Kung Fu Records and legal practice[link]

In 1995 the Vandals signed a record deal with Nitro Records and released the album Live Fast, Diarrhea. The album brought increased attention to the band and Escalante toured with them internationally. He directed their music video for "I Have a Date," and would continue to direct the band's videos throughout the rest of their career. The band released 3 more albums on Nitro over the next 5 years, with Escalante participating on all of them.

In 1996 Escalante and Warren Fitzgerald started the record label Kung Fu Records, initially in order to release a debut album by the Assorted Jelly Beans. Escalante named the label after his study of Kung Fu San Soo. Over the next several years Escalante took over operations of the label, signing acts such as The Ataris, Ozma, and Tsunami Bomb, as well as re-releasing some of The Vandals' more obscure records. He funded the label by opening a law practice and using his industry contacts to build a roster of music clients. Kung Fu grew in size, establishing contracts with other American labels to distribute and promote their releases in Europe and Japan. In 2000 The Vandals moved their operations fully from Nitro to Kung Fu.

Directing and producing[link]

Using his experience in the television industry, Escalante formed Kung Fu Films in 2000 as an offshoot of the record label, and produced and starred in the independent film That Darn Punk. He also continued to produce and direct music videos for The Vandals and for other acts on the Kung Fu label. In 2002 he launched the DVD live concert series The Show Must Go Off! He directed the independent film Cake Boy in 2005 and is presently in pre-production to direct a documentary of the band Social Distortion.

Bullfighting[link]

In the late 1990s Escalante took an interest in the sport of bullfighting, taking lessons in Mexico and performing as an amateur. This led to matador-themed artwork on The Vandals' 2000 album Look What I Almost Stepped In.... Escalante continues to take lessons and participate in the sport and is considered an amateur torero.^{[citation needed]}

Legal controversies[link]

In 2003 ex-Vandals members Steven Jensen, Jan Nils Ackermann, Chalmer Lumary, and Steve Pfauter initiated legal actions against Escalante, alleging that he had mismanaged the band's back catalogue and had withheld royalties that were owed them. Jensen and Ackermann asserted that most of the songs on Peace Thru Vandalism, which had since been reissued with the credit "all songs by Joe Escalante,"^[2] had been written before he joined the group. Escalante stated that Epitaph Records had relinquished the copyrights and master tapes to him, and that the older members had relinquished control of the band's name and rights in exchange for permission to play an "original Vandals" reunion show. The others, however, denied that this agreement took place. They claimed that Escalante had misappropriated their intellectual property and had not paid them royalties due from the licensing of several early Vandals songs for use in commercials and films, in which the songs had been credited only to Escalante.^[3][4][5][6] Lawsuits ensued, resulting in an undisclosed settlement which allowed Escalante to continue licensing the band's back catalogue. A subsequent licensing of the song "Urban Struggle" for the movie Jackass Number Two credited the group as a whole.^[7] Legal processes regarding the issue, however, are ongoing.

Sweet and Tender Hooligans[link]

In 2004 Escalante joined the Sweet and Tender Hooligans, a Smiths/Morrissey tribute band composed primarily of Latino members. In 2006 he traveled with them to the United Kingdom to celebrate the 20th anniversary of the Smiths album The Queen Is Dead.

Radio hosting[link]

In June 2005 Escalante retired from legal practice after 12 years in the profession. During this time he also began hosting the call-in show "Barely Legal Radio" on the Los Angeles/Orange County radio station Indie 103.1 FM, where he dispensed entertainment and legal advice to aspiring musicians.^[8] In May 2006 he became the host of the station's morning drive-time program The Last of the Famous International Morning Shows, replacing former Mighty Mighty Bosstones singer Dicky Barrett.^[9]

Escalante's morning show included daily appearances by film director David Lynch, who served as weatherman, and actor Timothy Olyphant, who served as a sports commentator. The show also featured a weekly wine tasting and education hour called "Wino Wednesday", and hosted a number of celebrity guests including Crispin Glover, Christina Ricci, Pat Buchanan, Will Ferrell, Maynard James Keenan, and Andy Dick. The show was endorsed by companies and products such as iPod, iTunes, and AT&T.

Escalante left the show in November 2008, stating:

Indie asked me if I would keep the Barely Legal Radio program on Indie but stop doing mornings. I said yes. I loved doing the morning show for 2½ years but I am also looking forward to not getting up at 4 am any more. If you've ever had a morning job like this, you probably know the relief I feel, but I will still miss seeing Liz and Jose every day, having David Lynch as my weatherman, and talking to Timothy Olyphant about sports each morning. These will always rank with the coolest things I’ve ever been fortunate enough to do in my entire life.^[10]

Escalante remained with his Barely Legal program, which expanded into a two hour format. When Indie 103.1 converted to an internet-only station in January 2009, the show transferred to the new format along with the station.^[11]

Religious and political views[link]

Escalante is a Catholic and attends church.^[12] He has been labeled by some contemporaries in the music community as a political and moral conservative.

Escalante is a contributor to the center-right socio-political website Ricochet. In June 2011, he opined about his heritage: "I favor a high wall and a wide gate. As a Mexican with many ties to the old country, I want what's best for Mexico, not what's best for Mexican-American politicians, or white politicians, or any politicians... Despite the problems with cartel violence and corruption at all levels of everything imaginable, it is still a place of joy."^[13]

He is currently a candidate for judge of the Superior Court of Los Angeles County.^[14]

Discography[link]

Studio albums

• 1984: When in Rome Do as the Vandals
• 1989: Slippery When Ill
• 1990: Fear of a Punk Planet
• 1995: Live Fast, Diarrhea
• 1996: The Quickening
• 1996: Oi to the World!
• 1998: Hitler Bad, Vandals Good
• 2000: Look What I Almost Stepped In...
• 2002: Internet Dating Superstuds
• 2004: Hollywood Potato Chip

Filmography[link]

Acting[link]

^ I Esclante's scenes in Punk Rock Holocaust were deleted from the final version of the film.

Direction and production[link]

References[link]

External links[link]

• Barely Legal Radio
• Professional website
• IMDB profile

Tim Minchin
Birth name	Timothy David Minchin
Born	(1975-10-07) 7 October 1975 (age 36) Northampton, England, UK[1]
Nationality	Australian, British
Years active	2002–present
Genres	Comedy music
Spouse	Sarah Minchin 2001–present (2 children)
Website	timminchin.com

Timothy David "Tim" Minchin^[2] (born 7 October 1975 in Northampton, England)^[1] is an Australian-British comedian, actor, and musician.

Tim Minchin is best known for his musical comedy, which has featured in six CDs, three DVDs and a number of live comedy shows which he has performed internationally. He has also appeared on television in Australia, Britain and the United States. After growing up in Perth, Western Australia, he attended the University of Western Australia and WAAPA before moving to Melbourne in 2002. His breakout show, "Dark Side", launched him into the public eye, achieving critical success at the 2005 Melbourne International Comedy Festival and the 2005 Edinburgh Festival Fringe.^[3]

Minchin has a background in theatre and has appeared in various stage productions, in addition to some small acting roles on Australian TV. A documentary film about Minchin, Rock N Roll Nerd (directed by Rhian Skirving), was released theatrically in 2008 ^[4] and broadcast by ABC1 in 2009.^[5] He is the co-writer of the Olivier Award winning hit musical Matilda the Musical, based on the Roald Dahl book Matilda.

Personal life[link]

Minchin was born in Northampton, UK, to Australian parents^[1] and raised in Perth, Western Australia.^[6] He was educated at the private Christ Church Grammar School and started learning piano at the age of eight, but gave it up after three years because he did not enjoy the discipline. He redeveloped an interest in the instrument after he started writing music with his brother Dan Minchin, a guitarist, but still describes himself as a "hack pianist... a 'more you practise, the better you get' kind of guy".^[7] Minchin graduated from the University of Western Australia in 1995 with a Bachelor of Arts in English and Theatre, and in 1998 completed an Advanced Diploma in Contemporary Music at the Western Australian Academy of Performing Arts.^[8]

He currently lives in London with his wife, Sarah.^[9] They have two children: a daughter, Violet, and a son, Caspar.^[10] Minchin often refers to his relationships in his songs and stand-up routines.

Musical comedy[link]

Minchin playing the piano on stage

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; his songs, he says, "just happen to be funny."^[11] His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno."^[12]

He draws on his background in theatre for his distinctive onstage appearance and persona.^[6] In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience.^[7] Much of his look and persona, he says, are about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure."^[13] The eccentric appearance removes Minchin from reality somewhat, allowing him to make outrageous statements onstage "without annoying (most) people." ^[14]

The shows consist largely of Minchin's comedic songs and poetry, with subjects ranging from social satire to inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines.^[11] Several of his songs deal with religion, a subject with which Minchin—an atheist and a fan of Richard Dawkins—says he is "a bit obsessed."^[15] He argues that as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict.^[16] In October 2010 he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly.^[17] A prime example of this is the song "Prejudice" which parodies the power awarded to something as simple as a word.

Early career (1998–2007)[link]

After completing an Advanced Diploma in Contemporary Music in 1998, Minchin started out composing music for documentaries and theatre. In 2000 he wrote and starred in the musical Pop at the Blue Room Theatre in Perth.^[18] He released a CD titled Sit with his band Timmy the Dog in 2001, but achieved little success.^[19] In 2002, after only one professional acting job, he moved from Perth to Melbourne to pursue work.^[20] Minchin struggled initially; he could not get an agent for a year and had been unable to find any acting work.^[19] While several record companies gave him positive feedback, they were not sure how his music—a mixture of satirical songs and more serious pop songs—could be marketed. He decided to compile all of his humorous songs into a single live show to "get the comedy stuff off [his] chest" before going back to more serious music.^[21]

Minchin says he entered into comedy "naively", having never even attended a live comedy gig before performing one himself.^[15] His break-out show, Darkside (co-produced by Laughing Stock Productions), achieved critical success at the 2005 Melbourne International Comedy Festival, where it won the inaugural Festival Directors' Award and attracted the notice of Karen Koren, the manager of the well-known Gilded Balloon venues.^[22] Koren backed the show's run at the Edinburgh Festival Fringe, where Minchin received the Perrier Comedy Award for Best Newcomer.^[6][23] His 2006 show, So Rock, was nominated for the Melbourne International Comedy Festival's top prize, the Barry Award, and in 2007 he was given the award for Best Alternative Comedian at the HBO US Comedy Arts Festival.^[11][24]

Live recordings of his 2005 and 2006 shows, Darkside and So Rock, have been released as CDs. In 2007, he released a DVD entitled So Live, featuring a live recording in the Sydney Opera House Studio with material from both of his previous shows.^[13] As this DVD was only released in Australia, he released a DVD in 2008 entitled So F**king Rock Live in the UK, containing largely the same material as So Live.

[edit] Ready for This? (2008–2010)

In August 2008 Minchin debuted his third solo show, Ready for This?, at the Edinburgh Fringe and subsequently took it on tour across the UK. During the Edinburgh run, he contributed to The Guardian newspaper's podcasts,^[25] despite his new show containing a song about a Guardian critic who once gave his show a negative review.^[26][27]

A recording of this show, recorded live at Queen Elizabeth Hall in London was released as an album for download via iTunes on 20 July 2009. An Australian recording was released on DVD, solely in Australia on 9 September 2009^[28] and a UK release in the second half of 2010.^[29]

In December 2009, the track "White Wine in the Sun" was released as a downloadable single online. Fans on Minchin's official forum launched a campaign to get this festive track into the UK Christmas charts by purchasing it from various online download retailers.^[30] A Facebook group was also launched to support the campaign^[31] as well as a drive on Twitter in which celebrities were contacted about the campaign and a succession of e-mails to radio DJs in a bid to get them to play the song. It was later announced that 50% of the December profits from the song would be donated to The National Autistic Society.^[32] The bid was ultimately unsuccessful.^[33]

It was announced at the end of 2009 that one of Minchin's beat poems, Storm, was to be made into a short animated movie to be released in 2010.^{[dated info][34]} A blog was launched to accompany the film-making process and a short trailer was released on 8 January 2010.^[35] The full movie was launched on YouTube on 7 April 2011.^[36]

He performed Ready for This? for what he envisages as the final time on 27 February 2010 in Sydney.^[37] He did however perform a set at The Big Libel Gig on 14 March 2010 in protest at Britain's libel laws, along with other performers including Dara Ó Briain, Marcus Brigstocke, Shappi Khorsandi, Robin Ince and Ed Byrne. As well as this, he performed at Camp Bestival as part of the Jestival Sessions in July 2010.^[38]

Minchin was the subject of the winning entry in the 2010 Archibald Prize, Australia's most important portraiture competition. The winning entry was painted by Sam Leach.^[39][40]

[edit] Tim Minchin and the Heritage Orchestra (2010–2011)

Minchin embarked on a new arena tour starting with Birmingham on Wednesday 8 December 2010. A departure from the structure of his previous live shows, his act has been scaled up to be performed with the Heritage Orchestra. It contains a mixture of material: there are new songs on the subject of prayer and of rationality — themes which often appear in his previous work. Minchin has stated that the aim of incorporating the orchestra into his act is to create a comedy show that would not be ruined by being performed in arenas, as stated in the special features of the DVD and Blu-ray. The show is touring the UK and Australia. It was filmed at the Royal Albert Hall in London for a Blu-ray and DVD that was released in November 2011.^[41]

Television and radio[link]

Tim Minchin has made appearances on Australian TV shows, including the ABC's Spicks and Specks,^[42] and The Sideshow,^[43]. He has also made appearances on Network Ten's panel shows Good News Week (February 2010)^[44] and Talkin' 'Bout Your Generation (March 2010).^[45]

Minchin has also appeared on various British radio and television shows, including the BBC's Never Mind the Buzzcocks (four times, once as guest host),^[46] BBC Radio 4's Mark Watson Makes the World Substantially Better^[47] and two specials on BBC Radio 2. He often performs on his TV appearances, such as his spots on Friday Night with Jonathan Ross in October 2009 and July 2010.^[48] He performed a specially-written song entitled "Five Poofs and Two Pianos", a parody of the show's house band, 4 Poofs and a Piano. Minchin also appeared as a special guest on the 2009 edition of The Big Fat Quiz of the Year performing a song written for the show ("It's Like 1984") in reference to a question regarding Google Street View.^[49] On Saturday 13 August 2011 Minchin hosted Prom 40: the first BBC Comedy Promenade Concert at the Royal Albert Hall. He appeared on Desert Island Discs on 6 May 2012.^[50]

A heavily cut-down version of the show released on DVD as So F**king Rock Live has aired several times on British TV channel E4, first on 23 July 2009.^[51] It aired at the turn of 2011, forming E4's New Year's coverage.^[52]

On 8 May 2010, Minchin's musical sitcom pilot Strings was broadcast on BBC Radio 2. Minchin plays the protagonist Jonny, who leaves Australia to live in the UK.^[53] Well received as it was by Radio 2, he decided against creating a full series. ^[54]

In January 2011, Minchin made his American television debut on TBS's Conan, where he performed "Inflatable You".^[55] On 12 May 2011, he performed "If I Didn't Have You" on the Late Late Show with Craig Ferguson, and on 7 June 2011 Minchin made his second appearance on Conan, singing "Prejudice".^[56] Minchin made his third appearance on Conan on 9 April 2012, singing his "3-Minute Song".

In December 2011 Minchin performed a specially written song called "Woody Allen Jesus" ^[57] on The Jonathan Ross Show. However, despite the show's producers and ITV's lawyers approving the composition for broadcast it was removed at the last minute. Responding on his blog, Minchin stated:^[58] "[...] Someone got nervous and sent the tape to ITV's director of television, Peter Fincham. And Peter Fincham demanded that I be cut from the show. He did this because he's scared of the ranty, shit-stirring, right-wing press, and of the small minority of Brits who believe they have a right to go through life protected from anything that challenges them in any way."^[59]

Acting and theatre[link]

Minchin's background is in theatre and he has appeared in various stage productions. His most recent dramatic theatrical performance was in the title role for the 2006 Perth Theatre Company production of Amadeus, a fictional play about the downfall of Mozart at the hands of the reigning court composer.^[19] His other stage acting roles have included the title role in the 2004 Perth Theatre Company / Hoopla production of Hamlet, and The Writer in the original PTC production of Reg Cribb’s The Return. He has also acted for The Australian Shakespeare Company (Twelfth Night), the Black Swan Theatre Company (Cosi, One Destiny) and in various other plays, short films and TVC’s. Roles from his days in musical theatre include Don Quixote in Man of La Mancha and Pontius Pilate (and understudying Judas twice) in Jesus Christ Superstar. He has also appeared playing small parts on the ABC telemovie Loot and on the show Comedy Inc..^[60]

Minchin also plays the role of Tom, in the contemporary family drama Two Fists, One Heart,^[61] released 19 March 2009.^[62] He also wrote the song Drowned for the film's soundtrack.^[63]

He co-wrote an Olivier Award winning musical version of Roald Dahl's novel Matilda – entitled Matilda, A Musical – with Dennis Kelly and the Royal Shakespeare Company, which is produced by the RSC. It showed at The Courtyard Theatre in Stratford-upon-Avon running from 9 November 2010 to 30 January 2011^[64] and began its West End run at the Cambridge Theatre on 25 October 2011 to great critical acclaim.^[65][66]

Minchin has been cast to play Judas in the Summer 2012 UK tour of the musical Jesus Christ Superstar.^[67]

Atheism and skepticism[link]

In an interview with IIG member John Rael, Minchin explains that what upsets him most about paranormal beliefs is "special pleading" by people who say vague things such as "there is no harm in it". Minchin states that there is very little harm in something like reiki, but asks "where do you draw the line?" when it comes to needing real evidence if a therapy works or not. He states that he is an atheist as well as a skeptic, and cannot understand how someone can call themself a skeptic and still be religious. "If you apply doubt to anything...the whole religion thing is obviously a fantasy." ^[68]

In his beat poem, Storm, which centres on Minchin having an argument with a "hippie" who believes in various New Age alternatives in lieu of pharmaceutical medicine, he states: "Science adjusts its views based on what's observed. Faith is the denial of observation, so that belief can be preserved." ^[69]

Discography[link]

Albums[link]

• Sit (with band Timmy the Dog) (2001)
• Darkside (2005)
• So Rock (2006)
• Ready For This? (2009)
• Live at the O2 (2010)
• Tim Minchin and The Heritage Orchestra (2011)

Singles[link]

• "Drowned" (2008)
• "White Wine in the Sun" (2009)
• "The Pope Song" (2010) - As a free download from his website^[70]
• "The Fence" (2011)

Compilations[link]

• Laugh-a-poolooza (featured artist) (2005)

DVD[link]

• So Live (2007) Australian DVD
• So F**king Rock Live (also known as So Fucking Rock Live)^[71] (11 October 2008)
• So F**king Rock Live (Special Edition) (also known as So Fucking Rock Live (Special Edition)) (5 October 2009)
• Ready For This? (29 November 2010)
• Tim Minchin and the Heritage Orchestra (14 November 2011)

Filmography[link]

Actor[link]

• 2008 – Two Fists, One Heart – Tom^[72]
• 2010 – The Lost Thing – The Boy (Voice)^[73]
• 2013 - Californication - Coked-up Rock Star(Guest)^[74]

Awards[link]

• 2005 Melbourne International Comedy Festival Directors' Choice Award for Dark Side^[75]
• 2005 Edinburgh Festival Fringe Perrier Comedy Award, Best Newcomer^[23]
• 2005 Melbourne International Comedy Festival, The Groggy Squirrel Critics' Award^[76]
• 2007 U.S. Comedy Arts Festival, Best Alternative Act^[77]
• 2009 Helpmann Award for Best Comedy Performer ^[78]
• 2009 Green Room Awards, Cabaret: Best Original Songs^[79]
• 2009 Green Room Awards, Cabaret: Best Artiste^[79]
• 2010 Chortle Awards, Best Music or Variety Act ^[80]
• 2012 Olivier Awards: Best New Musical for Matilda The Musical ^[81]

References[link]

External links[link]

Wikimedia Commons has media related to: Tim Minchin

• Official website
• Rock N Roll Nerd – The Tim Minchin Documentary website
• Tim Minchin's channel on YouTube
• Tim Minchin on Twitter
• Tim Minchin on Myspace
• YouTube Interview on Australian Sceptics vodcast, The TANK Vodcast, 2007
• Tim Minchin's song 'If I Didn't Have You' (Secret Policeman's Ball)
• Storm Movie Production Blog

Richie Sambora
Background information
Birth name	Richard Stephen Sambora
Born	(1959-07-11) July 11, 1959 (age 52) Perth Amboy, New Jersey, United States
Genres	Rock, hard rock, heavy metal, glam metal, blues
Occupations	Singer-songwriter, Producer, Multi-instrumentalist
Instruments	Guitar, vocals , Talkbox
Years active	1983-present
Labels	Mercury Records, Island Records, Mercury Nashville
Notable instruments
Kramer RS Signature Model ESP SA-2 Lennox Sambora signature model Martin signature acoustic Fender Stratocaster

Richard Stephen "Richie" Sambora (born July 11, 1959) is an American rock guitarist, producer, musician, singer, and songwriter who is the longtime lead guitarist of the rock band, Bon Jovi. He and frontman Jon Bon Jovi form the primary songwriting unit of the band. He has also released two solo albums: Stranger in This Town in 1991, and Undiscovered Soul in 1998.^[1]

Early life[link]

Sambora was born in Perth Amboy, New Jersey, the son of Joan, a secretary, and Adam, a factory foreman. Sambora is of Polish and Italian descent^[2] and was raised Catholic.^[3] He grew up in Woodbridge, New Jersey^[4] and attended Woodbridge High School there, graduating in 1977.^[5] He began playing the guitar at the age of 12 following the death of guitar legend Jimi Hendrix in 1970. From his early days Sambora was strongly influenced by blues and 60s rock 'n' roll. His most important influences were Eric Clapton, Jimi Hendrix, Jeff Beck, Stevie Ray Vaughan, Johnny Winter, Jimmy Page, Joe Perry, Joe Kmiecik, and George Harrison. He was also influenced by Spanish classical music and began a life long love of the Spanish guitar. Furthermore, he has stated that psychedelic soul singer Janis Joplin crept into his heart very early in the late 60s and early 70s, having a big influence on his musical style. Classical music directly inspired several of his songs, such as The Answer which was originally written on piano.^[6]

Career[link]

He was a guitarist for the band Message, and with that band he gave out a record, which was re-released in 1995 under the name "Message", and in 2000 under the name "Lessons". Bon Jovi added Sambora to replace original lead guitarist Dave Sabo.^[7] Sambora went to a show and, after being impressed by Bon Jovi, approached him and informed him that he thought they should work together. They immediately hit it off as friends, and Sambora was invited to a rehearsal. By the time Bon Jovi arrived, the band was sounding better than ever and Sambora was hired on the spot.^[8]

Sambora has occasionally taken over as lead vocalist on some Bon Jovi songs, most notably "I'll Be There for You"^{[citation needed]} and "These Days"^{[citation needed]} when played live on the Bounce, Have a Nice Day and Lost Highway tours, while on The Circle Tour he has been performing "Lay Your Hands On Me" and "Homebound Train." He has also performed his solo hit, "Stranger In This Town" during live performances. One of the live performances of "Stranger In This Town", recorded during the Keep the Faith Tour, was released on Bon Jovi's CD single "Dry County" in 1994.^{[citation needed]}

Recent ventures have seen him compose television theme songs for both Entertainment Tonight and The Insider. He (along with Jon Bon Jovi) is part of the Ownership Group of the Philadelphia Soul, an Arena Football League football team.^{[9][dated info]}

Sambora made a cameo appearance in The Sims Superstar.

Sambora is featured on the track "Baby Rock Remix", from LL Cool J's upcoming album "Exit 13".^[10]

His first solo outing was Stranger in This Town in 1991, a blues-influenced album that was received well by many critics although commercially a relative flop partially due to the more adult tone of the record that was not instantly appealing to Bon Jovi fans. Eric Clapton played the lead guitar track on the song Mr Bluesman, backed by Sambora on acoustic guitars. He did a short US tour in support of the album, featuring Tony Levin (bass), Dave Amato (guitar), Crystal Taliefero (percussion) and Bon Jovi bandmates Tico Torres (drums) and Dave Bryan (keyboards). Ballad of Youth was released in the UK in summer 1991 and despite plugs from The Friday Rock Show on BBC Radio 1 the song barely skimmed the top 75.

Undiscovered Soul was Sambora's second solo album, released in 1998. The album was produced by Don Was. In support of Undiscovered Soul, Sambora toured Japan, Australia and Europe in the summer of 1998. The band featured Richie Supa (guitar), Ron Wikso (drums), Kasim Sulton (bass), Tommy Mandel (keyboards), Everett Bradley (percussion - Japan only), Gioia Bruno (percussion - Australia only) and Crystal Taliefero (percussion - Europe only).

He made a special guest appearance^[11] on Bo Diddley's 1996 album A Man Amongst Men, playing guitar on the tracks "Can I Walk You Home" and "Oops! Bo Diddley".

In 1999, Sambora appeared as a guest vocalist on the Stuart Smith album Stuart Smith's Heaven & Earth, performing a cover of the Deep Purple song "When a Blind Man Cries". Also in 1999, Sambora played the guitar solo on the track "Why Don't You Love Me" on the album Tuesday's Child by Canadian singer Amanda Marshall.

Sambora played on a recently^[when?] released album called Lessons from a band called Message. The album was recorded in the early 1980s.

Sambora sings "Long Way Around" (background audio) during the final scene in the 1997 Steven Seagal action movie Fire Down Below and is featured on the movie's soundtrack.

Sambora also recorded the song "One Last Goodbye" on the soundtrack for the movie The Banger Sisters. He also covered Jimi Hendrix's "The Wind Cries Mary" for the soundtrack of The Adventures of Ford Fairlane, released in 1990.

His guitar work is also featured on the track "Misery" on Pink's 2001 album Missundaztood with Steven Tyler.

In 2004, Sanctuary Records released a self-titled album which had been recorded in 1978 by Shark Frenzy, documenting Sambora's first recorded material. The mix tapes had been damaged in a flood and it had taken band member Bruce Foster to remaster them for them to be released so many years later.

Sambora co-wrote several tracks and played guitar on Australian rock/pop artist Shannon Noll's third album, called Turn It Up. It was released in Australia September 15, 2007.

14 years after his previous solo album, Sambora announced via his Twitter page that recording had been completed and he was hoping the album would be released in July 2012. Photographs were published of Sambora working in a recording studio. The new album is produced by Luke Ebbin who produced Bon Jovi's 'Crush' and 'Bounce' albums.

Bon Jovi[link]

In October 1984, Bon Jovi supported the group Kiss at the Queens Hall in Leeds.

With the help of their new manager Doc McGhee, the band's debut album, Bon Jovi, was released on January 21, 1984. The album went gold in the US (sales of over 500,000). In 1985, Bon Jovi's second album 7800°Fahrenheit was released, but the response was poor. The turning point came when they brought in songwriter Desmond Child for their third album, Slippery When Wet. With Child co-writing many of their hits on this and future albums the band shot to super-stardom around the world with songs such as "You Give Love a Bad Name", "Livin' On A Prayer", and "Wanted Dead or Alive". The album has sold in excess of 28 million copies worldwide since its release in late 1986.^[12]

During their 1986-1987 tour, Jon's attempt to give it his all during live shows (plus the tour's exhausting schedule) greatly strained his vocal cords. In the band's Behind The Music special, he notes that his vocal cords were given steroids to help him sing. With the help of a vocal coach, he was able to continue doing the tour. Contrary to popular belief, Bon Jovi did not have voice damage during the New Jersey Syndicate Tour.

The next album from Bon Jovi was New Jersey released in 1988. The album was recorded very shortly after the tour for Slippery, because the band wanted to prove that they were not just a one hit wonder. The resulting album is a fan favorite and a mammoth commercial success, with hit songs such as "Bad Medicine", "Lay Your Hands on Me" and "I'll Be There for You", which are still nightly stalwarts in their live repertoire.

Despite the band achieving massive success, New Jersey almost led to the end of the band as they went straight back out on the road so soon after the heavy touring for their previous album. This constant living on the road almost destroyed the strong bond between the band members. Sambora is noted on the albums as co-writer for many songs, yet he resented the attention that was heaped on Jon alone. As mentioned in VH1's Behind the Music, the band members note that at the end of the tour, each band member went their separate way, even departing in separate jets after the tour ended in Guadalajara, Mexico in early 1990.

Between 1990 and 1992, members of Bon Jovi went their separate ways after the very rigorous two year New Jersey Tour, which exceeded 200 shows on 5 continents. This time off also helped them determine where Bon Jovi would fit within the rapidly changing music scene upon their return.

In 1992, the band returned with the album Keep the Faith. The album was released in November 1992. Produced by Bob Rock, the album signified an ending to their early metal roots in previous albums and introduced a more "rock n roll"-driven groove to the album. Much more complex, lyrically and musically, the album proved that Bon Jovi could still be a viable band in 90's, despite the industry's and audience's growing affinity for Grunge.

In 1994, Bon Jovi released a "greatest hits" album titled Cross Road, which also contained two new tracks: the hit singles "Always" and "Someday I'll Be Saturday Night". Always spent six months on the Top 10 of the Billboard Hot 100 and became one of Bon Jovi's all-time biggest hits. The song peaked at #4 on the U.S. charts and at #1 in countries across Europe, Asia and in Australia. The single sold very well, going platinum in the U.S. That same year, bassist Alec John Such left the band, the first and only lineup change since Bon Jovi began. Hugh McDonald, who was the bassist on "Runaway", unofficially replaced Such as bassist.

Their sixth studio album These Days was released in June 1995 to the most critical acclaim that the band had ever received. With the album These Days, Bon Jovi took the mature rock sound they had developed on Keep the Faith further. The record as a whole was darker and more downbeat than the usual Bon Jovi fare. By 1996, Bon Jovi had established themselves as a force"in the music industry, proving much more durable than most of their 80's glam peers.

After another lengthy hiatus of nearly three years, during which several band members worked on independent projects, Bon Jovi regrouped in 1999 to begin work on their next studio album. Their 2000 release, Crush, enjoyed overwhelming success all around the world, thanks in part to the smash-hit single "It's My Life", co-written by famous Swedish producer Max Martin. Crush, which also produced such hits as "Say It Isn't So", and helped introduce Bon Jovi to a new, younger fan base.

In late 2002, Bounce, the band's follow-up to Crush, hit stores. Though Bounce did not enjoy the level of success of its predecessor, the album did produce hit singles such as "Everyday" and the title track.

Bon Jovi's ninth studio album, Have a Nice Day, was released in September 2005. "Have A Nice Day" was the first single off the new album and the second single from the album "Who Says You Can't Go Home", was released in the U.S. in the spring of 2006. In the U.S. a duet version of "Who Says You Can't Go Home" with country singer Jennifer Nettles of the band Sugarland was released, and in May 2006, Bon Jovi made history by becoming the first Rock & Roll Band to have a #1 hit on Billboard's Hot Country Chart. On February 11, 2007, Bon Jovi also won a Grammy Award, for "Best Country Collaboration with Vocals" for "Who Says You Can't Go Home".

In June 2007, Bon Jovi released their studio album, Lost Highway. The album debuted at number #1 on the Billboard charts, the first time that Bon Jovi have had a number one album on the US charts since the release of New Jersey in 1988. Thanks to the band's new country music fanbase, the album sold 292,000 copies in its first week on sale in the U.S., and became Bon Jovi's third US number one album.

On April 6, 2009, it was announced that the Tribeca Film Festival will screen a Bon Jovi documentary called When We Were Beautiful. The film follows the band on the Lost Highway Tour during 2008. The film is directed by Phil Griffin and will be the centerpiece of the festival and is considered a work-in-progress.In November 2009, Bon Jovi released their latest studio album The Circle.

Instruments and equipment[link]

Sambora has been known to use a wide variety of equipment throughout his career. He has an extensive guitar collection, featuring more than 120 instruments.

1980s[link]

In the 80s, Sambora mostly played Kramer, Jackson, Charvel and Hamer superstrats as well as modified and custom Les Paul models, such as his Rod Schoepfer model. In early-mid 1987, Kramer put out a Richie Sambora signature model with three humbuckers, pointy drooped headstock, gold hardware, star-shaped fingerboard inlays and a Floyd Rose Original locking tremolo, which quit production in 1989. Today it has been reissued by MusicYo, and is named "Jersey Star", no longer carrying Sambora's actual name. He had also used several other Kramer models, including a variety of custom ones ("one-offs"). His two most notable guitars from the Slippery When Wet album/tour were his Kramer Richie Sambora signature and a custom white Jackson with gold hardware and a Floyd Rose tremolo, HSS pickup configuration and a reversed Strat-like headstock and a star on the body and headstock. There is also another of his very famous guitars from Kramer, which is a Jersey Star signature double neck used on "Lay Your Hands On Me".

During the following years Sambora played various guitars, most notably a custom black Jackson, which featured only a single humbucking pickup in the bridge position, Floyd Rose tremolo system and a maple neck and fretboard with a reversed Strat-like headstock, along with vintage Fenders and Gibsons.

Sambora with a Fender Stratocaster

1990s[link]

In 1991, Fender issued a Richie Sambora signature Stratocaster model which featured an original Floyd Rose tremolo system and an HSS combination of DiMarzio PAF Pro humbucking and 2 Fender Texas Special single-coil pickups. This guitar came in two versions; American and later in 1996, Japanese. US-made Sambora model featured an alder body with ash veneers and was available in Cherry Sunburst and Olympic White, while the Japanese version had an alder body with black paisley graphics (ltd) and a Snow White Finish. Other features included a one-piece maple neck/fingerboard with 22 frets and star-shaped position markers, as well as a 25dB active mid-boost circuit (US version only) with TBX (US & Japanese) tone controls and an active/passive push-button switch.

In the 1995 video Live from London, Sambora uses a custom orange burst double neck Fender Stratocaster featuring a traditional maple neck with star inlays and a locking tremolo (on the lower neck). He uses this guitar on the song 'Lay Your Hands On Me' on the London DVD.

There was also a Mexican-made standard version of the instrument, featuring a DiMarzio PAF humbucking pickup in the bridge position and two standard single-coils in the neck and middle positions. The guitar also sported a rosewood fingerboard with 21 frets and white dot inlays, as well as a Floyd Rose II locking bridge. Both the US and Mexican-made Sambora models were discontinued in 2002, though now there is a Fender Standard Series Stratocaster HSS Locking Tremolo with about the same specs as Sambora's own guitar, but its only available through Guitar Center.

Sambora has used Ovation acoustic-electric guitars from the early 1980s until today. He played a custom-made doubleneck designed by his longtime guitar technician Gary "Gaz" Douglas which is featured on many "unplugged" versions of Bon Jovi songs such as "Wanted Dead Or Alive" and a variety of other Ovations, such as the Adamas hybrid wood/graphite model.

2000-present[link]

This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (May 2011)

In 2000, Taylor started the production of a Richie Sambora signature model, a 6-string acoustic made of koa wood, called the RSSM. Only 100 were made all in the year of 2000. All of his double neck acoustics feature a 6 string neck on top and a 12 string neck on bottom, opposite of the normal manufacturing standard.

Since Sambora has been known to use his favourite Martin acoustic, among others, on a lot of recordings, Martin guitars put out two of Sambora's signature models in 2006, a 6-string and a 12-strings, based on his mentioned favourite 1930 Martin OM-45. He has also been seen using a Yamaha double neck acoustic at specific live shows.

Sambora in 2009 at the premiere of When We Were Beautiful

He still plays a variety of Fenders, apparently over 40 Stratocasters (mostly vintage, American Deluxe and Custom Shop models), such as the Telecaster doubleneck used on "Have a Nice Day." Sambora also has a '59 ash-body Telecaster used for These Days and Someday I'll Be Saturday Night.

In the period of 2003-2006, he played a wide variety guitars on stage, including custom "Sambora" guitars built by his guitar tech Chris "Lumpy" Hofschneider, Zemaitis Guitars, Floyd Rose guitars, Ovation, Taylor and Martin guitars, vintage and Custom Shop Gibson and Fender models, as well as guitars from his collection. One of the guitars built by his guitar tech features a fretboard made of both maple and rosewood, on an ash body with neck-through-body construction and a custom humbucking/single/single pickup layout. Currently, he mostly plays the custom black "Sambora" guitar (which is now a custom model called Sambora SA-2 for ESP), different models of Gibson Les Pauls and Fender Telecasters and Stratocasters (American Vintage, American Deluxe, Custom Shop and other models).

Sambora also used Gibson and Guild acoustics, particularly a Guild F-50 12-string, which he used on the song "Wanted Dead or Alive". He acquired this guitar directly from the Guild factory due to it having a finish flaw.

For most of the 80s and early-mid 90s, he used Marshall amplifiers, particularly the JCM800 models with 4x12" speaker cabinets and a variety of rack and pedal units (including effects). During his Stranger in This Town tour, Sambora used 2 Marshall JCM800 2203 heads and a Fender amp head (model not specified), with 3 4x12" Marshall cabinets. In 1995, Sambora started using Fender ToneMasters with Fender ToneMaster 4x12" speaker cabinets, following the These Days Tour. On tour, he used up to 12 cabinets on stage. For the studio sessions of his second solo album, Undiscovered Soul, he also used a Fender Bassman 4x10" combo and a Vox AC30. On the tour, he used Fender ToneMasters, a Marshall amp head, a Vox amp head and a VHT Pitbull in combination with Fender ToneMaster 4x12" and 2x12" speaker cabinets. In 2000, Sambora started using the Marshall JCM2000 DSL series (both on the tour and recording sessions of Crush). The song "It's My Life" was also recorded with a Mesa Boogie Dual Rectifier. He has also used the Marshall DSL series on the Bounce tour, as well as a Hughes & Kettner amp, occasionally. During their Have a Nice Day tour, Sambora used Diezel and Divided by 13 amplification and custom made 4x12" speaker cabinets. During the studio recording sessions of the Lost Highway album, he used Matchless, Bogner Ecstasy and Diezel Herbert amps. In 2007, he started appearing on stage with 2 halfstacks, again featuring Marshall JCM2000 DSL amplifiers and custom made 4x12" cabinets.

In late 2007, Sambora became an endorsee of The ESP Guitar Company, and a new Richie Sambora signature model, the LTD SA-2, is being debuted at the 2008 Winter NAMM show.

According to "Young Guitar" (Japanese magazine), Richie Sambora use (during the Tokyo shows in 2008) an A/B box, Framptone Talkbox, Jimi Hendrix Dunlop Wah, Keeley Sd-1, Stock SD-1, Roger Mayer Octavia (butane paintjob), Boss CH-1, EHX Electric Mistress Deluxe. He also uses a MIDI rig.

Now, from 2010/2011, Sambora is using a rack system. Some effects the rack includes are: Furman Power Conditioner, Lexicon and Eventide rack effects. Some of the pedals that Sambora is using on the Circle tour are: BOSS OD-1, Hermida Audio Zendrive, Tone Freak Effects Naked OD and Abunai 2, Klon Centaur, Analog Man Octron, EHX Micro POG,Tone Freak Effects MelloTremo, BBE Soul Vibe, Retro-Sonic Chorus, MXR EVH Flanger, MXR Phase 90, Maxon Auto Filter, EHX Deluxe Memory Man. These effects are all run by a MIDI Controller. The effects he has running from his guitar to his amp are: BOSS TU-2 Chromatic Tuner, Moollon Wah, and an Ernie Ball Volume Pedal.

Public service and recognition[link]

Over the years, Sambora has been an ardent fundraiser for many charities,^[13] such as Dream Street, the Steve Young Forever Young Foundation^{[citation needed]} and Michael J Fox's Parkinson's disease charity. He has donated money privately to various cancer charities since the death of his father, including both hospitals where his father was treated, Memorial Sloan Kettering Cancer Center and M D Anderson.^[14] Sambora's fundraising with the charity Stand Up For a Cure allowed for three mobile full service hospital units to be brought to the streets of New York, two of which were named after his parents, respectively.^[15]

In May 2004, Sambora was bestowed with an Honorary Doctorate of Letters by Kean University^[16] where he attended the awards ceremony and gave a speech of acceptance. He attended Kean University as a freshman, but then dropped out to pursue a career as a professional guitarist and session musician.^{[citation needed]}

Sambora and Jon Bon Jovi were inducted into the Songwriters Hall of Fame on June 18, 2009.^[17]

On November 24, 2009, Sambora launched the charitable effort You Can Go Home in his home town of Woodbridge, New Jersey, which unveiled a street renamed Richie Sambora Way. He also donated funds to renovate part of his alma mater Woodbridge High School, which opened a new weight room, the Adam Sambora Fitness Center, dedicated to Sambora's father.^[18]

On May 7th 2012, Sambora will be recognised by the Midnight Mission charity for his work, dedication, and support to their cause, with the Golden Heart Award.

Personal life[link]

Sambora married actress Heather Locklear in Paris on December 17, 1994.^[19] Daughter Ava Elizabeth Sambora was born October 4, 1997.^[20][21] Locklear filed for divorce in February 2006 citing irreconcilable differences.^[22] The divorce was finalized on April 11, 2007.^[23] Just nine days later, on April 20, Sambora's father Adam died of lung cancer.^[24] Sambora resides in Los Angeles and owns a beach house in Laguna Beach as well as other properties.

Substance problems[link]

On June 7, 2007, it was announced that Sambora was entering an "undisclosed rehab facility in Los Angeles" for treatment related to alcoholism.^[25][26] Following his release, he told an interviewer, "I was just drinking too much and I needed to get my life together. I'm still in therapy and stuff like that, but it's good. I'm great. I feel fine."^[27] In the Bon Jovi documentary "When We Were Beautiful", Sambora talks candidly about his addiction to painkillers following a slip in his bathroom. He credited his bandmates and mother with helping him through the difficult time.^[28][29]

On April 28, 2011, it was announced that Sambora had made the decision to enter rehab again. The date of entry into the facility has yet to be announced but the band made an official statement that it will result in his absence from some shows during the Bon Jovi Live tour.^[30][31] This is Sambora's second stint in rehab and was announced just a week after he finished probation for drunk driving charges.^[32] Sambora returned to join the band in June 2011 in Zagreb, Croatia for the start of the European leg of the tour.

Legal issues[link]

On March 26, 2008, Sambora was arrested for drunk driving in Laguna Beach, California.^[33][34] At the time, his ten-year-old daughter and her friend were both in his Hummer.^[33] He was pulled over at 10:52pm after an officer noticed his car "weaving on the road", but was "quiet and cooperative and didn't cause any problems."^[33][34] At his May 2008 arraignment, he pled no contest "to driving with a blood alcohol level of .08 or higher", was fined $390, placed on probation for three years, and was required to attend a drivers education course.^[35]

Discography[link]

Studio albums[link]

Solo singles[link]

Other album appearances[link]

[edit] With Shark Frenzy

• Shark Frenzy - 2004, Sanctuary

[edit] With Message

• Message - 1980, unknown label
• Message - 1995, Long Island Records
• Lessons - 2000, Escape Music
• Message Live - 2006, Two Sun Songs

With Cher[link]

• Cher (1987)

With Bon Jovi[link]