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The Option key may be labeled Alt, or Option, or both, and sometimes the symbol.

The Option key is a modifier key present on Apple keyboards. It is located between the Control key and Command key on a typical Mac keyboard. There are two option keys on modern Mac desktop and notebook keyboards, one on each side of the space bar.

Apple commonly uses the symbol ⌥ (U+2325, "OPTION KEY") to represent the Option key. From 1980 to 1984, on the Apple II family, this key was known as the closed apple key, and had a black line drawing of a filled-in apple on it. (See command key for information about the history and the "open apple".)

Since the 1990s, "alt" typically appears on the key, as well, for use as an Alt key with non-Mac software, such as Unix and Windows programs. However, the Option key in a Mac operating system functions differently from the Alt key under other Unix-like systems or Microsoft Windows. Most notably, it is not used to access menus or hotkeys, but is instead used as a modifier for other command codes, and also to provide easier access to various accents and symbols. In this regard, it is akin to the AltGr key, found on some IBM-compatible PC keyboards.

Use of the Option key[link]

Alternative keyboard input[link]

The use of the Option key is similar to that of the AltGr key on European keyboards of IBM-compatible PCs, in the sense that it can be used to type additional characters, symbols and diacritical marks. The options available differ depending on the keyboard input locale that the user has selected. For example, in the U.S. English keyboard input, Option+a produces the "å" character, and Option+4 produces the cent sign "¢".

The Option key can also provide access to dead key functionality. For example, holding down option while pressing ` will create a highlighted grave accent which will be added to the next letter if possible – so if an e is then pressed, the resultant character is è. If an r is pressed instead, the two characters are not compatible so the result is `r.

The highlighted orange keys show the accents available from the combination of the ⌥ Option key and the keyboard characters e ` i n u. The accent then can be applied to associated letters both lower and uppercase. The additional characters a Mac will produce are a combination of both the ⌥ Option key and the ⇧ Shift key pressed down together. With this combination pressed the keyboard will now produce a different set or an uppercase version of the previous set in some cases.

The Option key is often used in conjunction with special keys like tab, delete, and return to provide alternate functions. For example, Option+Return typically produces a line break that is not interpreted as a paragraph break.^{[citation needed]}

Alternative buttons and menu items[link]

The key is also used to provide for alternative menu items and buttons when pressed down. Examples:

• Safari, Finder - the Option key causes the "Close Window" menu item to switch to "Close All Windows" when pressed down. Consequently, clicking a window's close box with the option key depressed invokes "close all" as well. This functionality is a de facto Macintosh standard and available in numerous other programs.
• Dock - the Option key causes the "Hide" and "Quit" menu items in the context menu of a Dock icon to switch to "Hide Others" and "Force Quit."
• iTunes - the Create Playlist button switches to a Create Smart Playlist button. Holding Option and clicking the green Window Zoom (+) button at the top-left forces the iTunes window into fullscreen view, rather than switching between the user-set window size and the iTunes Mini Player.
• iPhoto - the rotate image button toggles between a "rotate right" and a "rotate left."
• Menu bar items - the Sound icon will show Audio Device input / output settings instead of the volume control slider, the battery item will show the condition of the battery, the MobileMe sync item will show the last sync date/time of individual synced items and will offer additional menu items such as Sync Diagnostics, and the Wireless icon will show extended wireless network information and, in Mac OS X Lion, offer an item for launching a Wi-Fi diagnostic application (when AirPort is connected).

The iPhoto example is an example of a control whose behavior is governed by a preference which is temporarily inverted by holding down the Option key. The preference in this case is which way to rotate the image: If the user changes the default rotation direction in the Preferences to clockwise, holding down Option will make the button rotate counterclockwise instead, and vice versa. It is common for such controls — that is, those whose behavior is governed by a preference — to be invertible in this way.

Common keyboard navigations[link]

In text areas, the Option key can be used for quick keyboard navigation.

• Option-Left/Right - navigate to the previous/next word.
  • Windows equivalent: Ctrl-Left/Right
• Option-Up/Down - navigate to the head/end of current paragraph.
  • Terminal equivalent: Shift-Home/End
  • Windows equivalent: Home/End
• Option-Page up/Page down - navigate caret up/down a page. Without the Option key, the Page up/Page down keys let the page view scroll up/down a page without moving the caret.
  • Windows equivalent: Page up/Page down

Alternative mouse actions[link]

When keeping the Option key pressed when using the mouse, the mouse action can change behaviour

• option-mouse clicking an application other than the current one, automatically hides the current application and switches to the clicked application.
• When dragging an item (file in the Finder, or layer in Adobe Photoshop, for instance), keeping Option pressed will make sure you Duplicate something instead of moving it.

File downloads[link]

In browsers such as Safari and SeaMonkey, the option key can be used to download a file. Pressing down the option key when hitting return in the address bar causes the URL-specified file to be downloaded. Also, pressing the option key when clicking a hyperlink causes the link target to be downloaded. Besides the option key methods, other ways of downloading includes right-clicking a hyperlink to bring up a context menu, then selecting the appropriate download command, or pasting a URL directly into Safari's Downloads window.

Miscellaneous[link]

Some applications make unique uses out of the option key:

• Terminal (including at least version 1.4.6 - no longer true as of 2.0.1, Cmd-L/R works.) - Option-L/R arrows navigates between open Terminal windows in a loop. Usually, programs use Cmd-` and Cmd-Shift-`, which are also supported for Terminal.

• Scroll bars (including at least OS X 10.3.x) - Option-clicking a scroll bar arrow can cause the view to jump to the next page instead of moving by a few lines. Option-clicking in the scroll bar can cause the view to jump to that position instead of jumping to the next page. This behavior can be reversed in System Preferences: Appearance.

• Startup Disk - Holding the Option Key at boot time activates a boot manager built in to the firmware, where the user may choose from which drive/partition to boot the computer from, including Mac OS and Mac OS X partitions or drives on PowerPC-based Macs, and Mac OS X and Microsoft Windows partitions or drives on Intel-based Macs (running Mac OS X 10.4.6 and later with Boot Camp from Apple Inc. installed). The built in bootloader can also boot other operating systems such as Linux; however, these are labeled as "Windows" in the bootloader.

External links[link]

• Unicode Character "OPTION KEY" at Fileformat.info

This article may require copy editing for grammar and tense. You can assist by editing it. (August 2011)

Today's practicality of green screen compositing is demonstrated by Iman Crosson in a self-produced YouTube video.
Top panel: A frame of Crosson in a full motion video that was shot in his own living room.
Bottom panel: The corresponding frame in the final version, in which Crosson, impersonating Barack Obama, "appears" in the White House's East Room.^[1]

Chroma key compositing, or chroma keying, is a special effects / post-production technique for compositing (layering) two images or video streams together, used heavily in many fields to remove a background from the subject of a photo or video - particularly the newscasting, motion picture and videogame industries. A color range in the top layer is made transparent, revealing another image behind. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as color keying, colour-separation overlay (CSO; primarily by the BBC^[2]), or by various terms for specific color-related variants such as green screen, and blue screen - chroma keying can be done with backgrounds of any color that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from most human skin colors and no part of the subject being filmed or photographed may duplicate a color used in the background.^[3] It is commonly used for weather forecast broadcasts, wherein the news presenter appears to be standing in front of a large map during live television newscasts, though in actuality it is a large blue or green background. When using a blue screen, different weather maps are added on the parts of the image where the color is blue. If the news presenter wears blue clothes, his clothes will also be replaced with the background video. A complementary system is used for green screens. Chroma keying is also used in the entertainment industry for special effects in movies and videogames. The advanced state of the technology and much commercially available computer software, such as Pinnacle Studio, Adobe Premiere, and dozens of other computer programs, makes it possible and relatively easy for the average home computer user to create videos using the "chromakey" function and easily affordable greenscreen or bluescreen kits.

History[link]

In filmmaking, a complex and time-consuming process known as "travelling matte" was used prior to the introduction of digital compositing. The blue screen and traveling matte method were developed in the 1930s at RKO Radio Pictures and other studios, and were used to create special effects for The Thief of Bagdad (1940). At RKO, Linwood Dunn used a travelling matte to create "wipes" – where there were transitions like a windshield wiper in films such as Flying Down to Rio (1933).

The development of the bluescreen is credited to Larry Butler, who won the Academy Award for special effects for The Thief of Bagdad.

In 1950, Warner Brothers employee and ex-Kodak researcher Arthur Widmer began working on an ultra violet travelling matte process. He also began developing bluescreen techniques: one of the first films to use them was the 1958 adaptation of the Ernest Hemingway novella, The Old Man and the Sea, starring Spencer Tracy.^[4]

The background footage is shot first and the actor or model is filmed carrying out their actions against a bluescreen. To simply place the foreground shot over the background shot would create a ghostly image over a blue-tinged background. The actor or model must be separated from the background and placed into a specially-made "hole" in the background footage. The bluescreen shot was first rephotographed through a blue filter so that only the background is exposed. A special film is used that creates a black and white negative image — a black background with a subject-shaped hole in the middle. This is called a 'female matte'. The bluescreen shot was then rephotographed again, this time through a red and green filter so that only the foreground image was cast on film, creating a black silhouette on an unexposed (clear) background. This is called a 'male matte'.

The background image is then rephotographed through the male matte, and the shot rephotographed through the female matte. An optical printer with two projectors, a film camera and a 'beam splitter' combines the images together one frame at a time. This part of the process must be very carefully controlled to ensure the absence of 'black lines'. During the 1980s, minicomputers were used to control the optical printer. For The Empire Strikes Back, Richard Edlund created a 'quad optical printer' that accelerated the process considerably and saved money. He received a special Academy Award for his innovation.

One drawback to the traditional traveling matte is that the cameras shooting the images to be composited can't be easily synchronized. For decades, such matte shots had to be done "locked-down" so that neither the matted subject nor the background could shift their camera perspective at all. Later, computer-timed motion control cameras alleviated this problem, as both the foreground and background could be filmed with the same camera moves.

Petro Vlahos was awarded an Academy Award for his development of these techniques. His technique exploits the fact that most objects in real-world scenes have a color whose blue color component is similar in intensity to their green color component. Zbigniew Rybczyński also contributed to bluescreen technology.

For Star Trek: The Next Generation, an ultraviolet light matting process was proposed by Don Lee of CIS and developed by Gary Hutzel and the staff of Image G. This involved a fluorescent orange backdrop which made it easier to generate a holdout matte, thus allowing the effects team to produce effects in a quarter of the time needed for other methods.^[5]

Some films make heavy use of chroma key to add backgrounds that are constructed entirely using computer-generated imagery (CGI). Performances from different takes can even be composited together, which allows actors to be filmed separately and then placed together in the same scene. Chroma key allows performers to appear to be in any location without even leaving the studio.

Computer development also made it easier to incorporate motion into composited shots, even when using handheld cameras. Reference-points can now be placed onto the colored background (usually as a painted grid, X's marked with tape, or equally spaced tennis balls attached to the wall). In post-production, a computer can use the references to adjust the position of the background, making it match the movement of the foreground perfectly. Modern advances in software and computational power have even eliminated the need to use grids or tracking marks – the software analyzes the relative motion of colored pixels against other colored pixels and solves the 'motion' to create a camera motion algorithm which can be used in compositing software to match the motion of composited elements to a moving background plate.

Weathermen often use a field monitor to the side of the screen to see where they are putting their hands. A newer technique is to project a faint image onto the screen.

Process[link]

Film set for The Spiderwick Chronicles, where a special effects scene using bluescreen chroma key is in preparation.

The principal subject is filmed or photographed against a background consisting of a single color or a relatively narrow range of colors, usually blue or green because these colors are considered to be the furthest away from skin tone.^[3] The portions of the video which match the preselected color are replaced by the alternate background video. This process is commonly known as "keying", "keying out" or simply a "key".

Green is currently used as a backdrop more than any other color because image sensors in digital video cameras are most sensitive to green, due to the bayer pattern allocating more pixels to the green channel, mimicking the human eye's increased sensitivity to green light.^[6] Therefore, the green camera channel contains the least "noise" and can produce the cleanest key/matte/mask. Additionally, less light is needed to illuminate green, again because of the higher sensitivity to green in image sensors.^[7] Bright green has also become favored as a blue background may match a subject's eye color or common items of clothing, such as jeans, or a dark-navy suit.

Blue was used before digital keying became commonplace because it was necessary for the optical process, but it needed more illumination than green. However, it is also further in the visual spectrum from red, the predominant color in human skin.

The most important factor for a key is the color separation of the foreground (the subject) and background (the screen) – a bluescreen will be used if the subject is predominately green (for example plants), despite the camera being more sensitive to green light.

In analog color TV, color is represented by the phase of the chroma subcarrier relative to a reference oscillator. Chroma key is achieved by comparing the phase of the video to the phase corresponding to the preselected color. In-phase portions of the video are replaced by the alternate background video.

In digital color TV, color is represented by three numbers (red, green, blue). Chroma key is achieved by a simple numerical comparison between the video and the preselected color. If the color at a particular point on the screen matches (either exactly, or in a range), then the video at that point is replaced by the alternate background video.

Clothing[link]

A chroma key subject must not wear clothing similar in color to the chroma key color(s) (unless intentional), because the clothing may be replaced with the background video. An example of intentional use of this is when an actor wears a blue covering over a part of his body to make it invisible in the final shot. This technique can be used to achieve an effect similar to that used in the Harry Potter films to create the effect of an invisibility cloak. The actor can also be filmed against a chroma key background and inserted into the background shot with a distortion effect in order to create a cloak that is marginally detectable.^[8]

Difficulties emerge with bluescreen when a costume in an effects shot must be blue, such as Superman's traditional blue outfit. In the 2002 film Spider-Man, in scenes where both Spider-Man and the Green Goblin are in the air, Spider-Man had to be shot in front of the greenscreen and the Green Goblin had to be shot in front of a bluescreen, because Spider-Man wears a costume which is red and blue in color and the goblin wears a costume which is entirely green in color. If both were shot in front of the same screen, one character would have been partially erased from the shot.

Background[link]

Demonstration of the creation of special effects techniques utilizing chroma key.

Blue is generally used for both weather maps and special effects because it is complementary to human skin tone. The use of blue is also tied to the fact that the blue emulsion layer of film has the finest crystals and thus good detail and minimal grain (in comparison to the red and green layers of the emulsion.) In the digital world, however, green has become the favored color because digital cameras retain more detail in the green channel and it requires less light than blue. Green not only has a higher luminance value than blue but also in early digital formats the green channel was sampled twice as often as the blue, making it easier to work with. The choice of color is up to the effects artists and the needs of the specific shot. In the past decade, the use of green has become dominant in film special effects. Also, the green background is favored over blue for outdoors filming where the blue sky might appear in the frame and could accidentally be replaced in the process. Although green and blue are the most common, any color can be used. Red is usually avoided due to its prevalence in normal human skin pigments, but can be often used for objects and scenes which do not involve people.

Occasionally, a magenta background is used, as in some software applications where the magenta or fuchsia key value #FF00FF is sometimes referred to as "magic pink".^[9]

With better imaging and hardware, many companies are avoiding the confusion often experienced by weather presenters, who must otherwise watch themselves on a monitor to see the image shown behind them, by lightly projecting a copy of the background image onto the blue/green screen. This allows the presenter to accurately point and look at the map without referring to monitors.

A newer technique is to use a retroreflective curtain in the background, along with a ring of bright LEDs around the camera lens. This requires no light to shine on the background other than the LEDs, which use an extremely small amount of power and space unlike big stage lights, and require no rigging. This advance was made possible by the invention of practical blue LEDs in the 1990s, which also allow for emerald green LEDs.

There is also a form of color keying that uses light spectrum invisible to human eye. Called Thermo-Key, it uses infrared as the key color, which would not be replaced by background image during postprocessing.^[10][11]

Even lighting[link]

The biggest challenge when setting up a bluescreen or greenscreen is even lighting and the avoidance of shadow, because it is best to have as narrow a color range as possible being replaced. A shadow would present itself as a darker color to the camera and might not register for replacement. This can sometimes be seen in low-budget or live broadcasts where the errors cannot be manually repaired. The material being used affects the quality and ease of having it evenly lit. Materials which are shiny will be far less successful than those that are not. A shiny surface will have areas that reflect the lights making them appear pale, while other areas may be darkened. A matte surface will diffuse the reflected light and have a more even color range. In order to get the cleanest key from shooting greenscreen it is necessary to create a value difference between the subject and the greenscreen. In order to differentiate the subject and screen a two-stop difference can be used, either by making the greenscreen two stops higher than the subject or vice versa.

Sometimes a shadow can be used to create a special effect. Areas of the bluescreen or greenscreen with a shadow on them can be replaced with a darker version of the desired background video image, making it look like the person casting the shadow is actually casting a shadow on the background image instead.

Another common, related, problem is lighting the subjects in a manner that is complementary to the scene being keyed in behind. Attention has to be paid to matching the direction of lighting and the color balance in the background. Any spill of the chroma key color will make the result look unnatural. Even a difference in the focal length of the lenses used can affect the success of chroma key.

Exposure[link]

Another challenge for bluescreen or greenscreen is proper camera exposure. Underexposing or overexposing a colored backdrop can lead to poor saturation levels. In the case of video and digital cinema cameras, underexposed images can contain high amounts of noise, as well. The background must be bright enough to allow the camera to create a bright and saturated image.

Programming[link]

There are several different quality- and speed-optimized techniques for implementing color keying in software.^[12]

In most versions, a function f(r, g, b) → α is applied to every pixel in the image. α (alpha) has a meaning similar to that in alpha compositing techniques. α ≤ 0 means the pixel is the green screen, α ≥ 1 means the pixel is in the foreground object. Values between 0 and 1 indicate a pixel that is partially covered by the foreground object. A usable green screen example, which matches how chroma key was done on an optical printer, is f(r, g, b) = K₀ * b − K₁ * g + K₂ (K_0..2 are user-adjustable constants, 1 is a good initial guess for all of them).

Often the software does screen spill removal from the colors as well as figure out the alpha. This may be a separate function g(r, g, b) → (r, g, b), a very simple green screen example is g(r, g, b) → (r, min(g, b), b). Or f is changed to return (r, g, b, a) all at once, this is useful if part of the calculation is shared.

Most keyers use far more complicated functions. A popular approach is to describe a closed 3D surface in RGB space and determine the signed distance the point (r, g, b) is from this surface, or to find the distance the point (r, g, b) is between two closed nested surfaces. It is also very common for f() to depend on more than just the current pixel's color, it may also use the (x, y) position, the values of nearby pixels, the value from reference images, and values from user-drawn masks.

A different class of algorithm tries to figure out a 2D path that separates the foreground from the background. This path can be the output, or the image can be drawn by filling the path with α = 1 as a final step. An example of such an algorithm is the use of active contour. Most research in recent years has been into these algorithms.

See also[link]

• Compositing
• Federal Standard 1037C
• Filmmaking
• Drew Carey's Green Screen Show
• Film production
• Front projection effect
• Live action
• Matte (filmmaking)
• Muslin
• Optical printer
• Primatte chromakey technology
• Rear projection effect
• Reverse bluescreen
• Schüfftan process
• Signal processing
• Sodium vapor process
• Special effects
• Video switcher
• Virtual set

References[link]

External links[link]

• Building a Chroma Key on a low budget (Google Knol)
• How Blue Screens Work
• Stargate Studios Virtual Backlot Reel 2012 -- An awesome demonstration of green screen work!!!

Alan Grayson
Member of the U.S. House of Representatives from Florida's 8th district
In office January 3, 2009 – January 3, 2011
Preceded by	Ric Keller
Succeeded by	Daniel Webster
Personal details
Born	Alan Mark Grayson (1958-03-13) March 13, 1958 (age 54) The Bronx, New York City, New York, U.S.
Political party	Democratic Party
Spouse(s)	Lolita Grayson
Children	5
Residence	Orlando, Florida, U.S.
Alma mater	Harvard University
Profession	Attorney
Religion	Judaism[1][2]
Website	Grayson for Congress

Alan Mark Grayson (born March 13, 1958) is a former U.S. Representative for Florida's 8th congressional district, serving from 2009 until 2011. He is a member of the Democratic Party. The district Grayson represented lies in central Florida and includes portions of Orange Lake, Marion, and Osceola Counties. Most of Orlando is in the district, including Walt Disney World. Grayson was defeated for re-election in 2010 by Republican Daniel Webster.^[3]

Early life and education[link]

Grayson was born in the Bronx, New York City, New York, United States, to a Jewish family, the son of Dorothy Ann (née Sabin) and Daniel Franklin Grayson.^[4][5] He graduated from Bronx High School of Science in 1975 and worked his way through Harvard College as a janitor and nightwatchman, graduating in 1978 in the top two percent of his class, summa cum laude and Phi Beta Kappa with an A.B. in economics.^[6][7] After working two years as an economist, he returned to Harvard for graduate studies.^[2] In 1983, he earned a J.D. magna cum laude from Harvard Law School and a Masters of Public Policy from the John F. Kennedy School of Government. Additionally, he completed the course work and passed the general exams for a PhD in government.^[6][8]

Grayson wrote his masters thesis on gerontology and in 1986, he helped found the non-profit Alliance for Aging Research (AAR) in Washington, D.C., and served as an officer of the organization for more than twenty years.^[9]

Law career[link]

Grayson was employed as a law clerk at the Colorado Supreme Court in 1983,^[10] and at the D.C. Circuit Court of Appeals from 1984 to 1985, where he worked with two judges who later joined the U.S. Supreme Court: Ruth Bader Ginsburg and Antonin Scalia.^[2] He was an associate at the Washington D.C. firm of Fried, Frank, Harris, Shriver & Jacobson for five years, where he specialized in contract law.

In 1991 he founded the law firm Grayson, Kubli which concentrated on government contract law. He was a lecturer at the George Washington University government contracts program and a frequent speaker on the topic.^[8] In the 2000s, he worked as a plaintiffs' attorney specializing in whistleblower fraud cases aimed at Iraq war contractors. One contractor, Custer Battles, employed individuals who were found guilty of making fraudulent statements and submitting fraudulent invoices on two contracts the company had with the Coalition Provisional Authority in Iraq.^[11][12] On behalf of his clients, Grayson filed suit under the False Claims Act and its qui tam provisions.^[11] The jury verdict was more than $13 million, which was upheld on appeal in April 2009. The case remains the only successful prosecution of those who profited illegally from the war in Iraq. The Iraq war contractor fraud case brought Grayson his first national attention.^[13] In 2006, a Wall Street Journal reporter described Grayson as "waging a one-man war against contractor fraud in Iraq" and as a "fierce critic of the war in Iraq" whose car displayed bumper stickers such as "Bush lied, people died".^[14]

President of IDT Corp.[link]

Grayson made his fortune as the first president of IDT Corporation (International Discount Telecom), which pioneered competition and discount pricing in the long-distance telecommunications industry and became a $2-billion-a-year Fortune 1000 company.^[9][15]

U.S. House of Representatives[link]

Grayson is considered a progressive Democrat and he represented a district that was historically Republican. He supported Barack Obama in 2008. He was a member of the Congressional Progressive Caucus, of which he was vice-chairman.^[16]

Committee assignments[link]

• Committee on Financial Services
  • Subcommittee on Capital Markets, Insurance, and Government-Sponsored Enterprises
• Committee on Science and Technology
  • Subcommittee on Investigations and Oversight
  • Subcommittee on Space and Aeronautics

Legislation head sponsored by Grayson[link]

• Pay for Performance Act (H.R. 1664)
• Public Option Act (H.R. 4789)
• War Is Making You Poor Act (H.R. 5353)
• Shareholder Protection Act (H.R. 4790)
• Paid Vacation Act of 2009 (H.R. 2564)

Political positions[link]

Federal Reserve transparency[link]

During his first term in office, Grayson supported Ron Paul's Audit the Fed legislation.^[17] Grayson gained attention for exchanges with Federal Reserve System Vice Chairman Donald Kohn and Inspector General Elizabeth A. Coleman.^[18] The 5-minute examination of Coleman in the House Financial Services Committee was posted on the Grayson's official YouTube page. As of December 2010, it has been viewed more than 4 million times.^[19]

Following the AIG bonus payments controversy, Grayson joined with fellow freshman Democrat Jim Himes of Connecticut to introduce the Grayson-Himes Pay for Performance Act, legislation to require that all bonuses paid by companies that had received funds under the Emergency Economic Stabilization Act of 2008 be "based on performance".^[20] The bill was co-sponsored by eight other members of the House. On March 26, the bill was approved by the House Financial Services Committee by a vote of 38–22 and on April 1, the bill was passed by the full House of Representatives by a vote of 247–171.^[21]

Grayson was a co-sponsor of the Federal Reserve Transparency Act of 2009, which would provide additional provisions to audit the Federal Reserve, including removing several key exemptions.^[22]

Economic stimulus[link]

Grayson made it a priority to increase the amount of federal money coming back to the 8th Congressional District. He often said that people in the 8th District have been "exporting taxes and importing debt." During his first year in office, the amount of federal grant dollars returning to the district nearly doubled (98 percent increase).^[23][24] Grayson established a grant notification system that notifies subscribers immediately when a federal grant opportunity in their areas of interest becomes available. He also hired a full-time grants coordinator who focused solely on helping people navigate the federal grants process.

Grayson twice broke ranks with Democratic leadership and joined Republicans to oppose the raising of the federal debt limit (Roll no. 46, 2/4/10, Roll no. 988 12/16/09). He said at the time of the February vote, "We need to live within our means. We need to eliminate wasteful spending. If we did those two simple things, we would not need to raise the debt limit."^[25]

Grayson supported the American Recovery and Reinvestment Act of 2009 and has been outspoken in favor of extending unemployment benefits for Americans who have lost their jobs. Grayson argues that the government has never cut off unemployment insurance when the unemployment rate was higher than eight percent. Grayson also voted for the FDA Oversight of Tobacco Products, which gives the FDA power to regulate tobacco products.

On a September 2009 Alex Jones Show segment, Grayson criticized Federal Reserve Chair Bernanke's senior adviser Linda Robertson, saying "Here I am the only member of Congress who actually worked as an economist, this lobbyist, this K-Street whore, is trying to teach me about economics!"^[26][27] Robertson had previously worked as a lobbyist for Enron.^[28] Grayson's language was widely criticized as inappropriate,^[29] and Grayson apologized.^[28]

Health care reform[link]

In response to Republican arguments that the Obama administration's preferred health care bill was too long and complicated, Grayson on March 9, 2010, introduced H.R. 4789, the Public Option Act (sometimes called the Medicare You Can Buy Into Act), a short four-page bill which would allow all citizens and permanent residents of the United States to buy into the public Medicare program at cost.^[30] The bill attracted 82 co-sponsors and was referred to the Ways and Means Committee.

Grayson later voted for the Patient Protection and Affordable Care Act^[31] and the Health Care and Education Reconciliation Act of 2010.^[32] He voted in support of Eliminating Adjustments of Medicare Rates of Payment. He also voted against Republican substitutes for the health care amendment and insurance law amendments.^[33]

Civil rights[link]

Grayson voted in support of the Hate Crimes Expansion Act, which expands the definition of hate crimes and strengthens enforcement of hate crime laws. He also voted for the Lilly Ledbetter Fair Pay Act. Grayson supported the Paycheck Fairness Act, a bill that allows victims of wage discrimination to sue for punitive damages.^[33]

Environment[link]

Grayson voted for the House's 2009 American Clean Energy and Security Act (also known as the Cap and Trade Bill). The bill would provide for a $50 million "Hurricane Research Center" in Central Florida, and Grayson claimed it would immediately generate new jobs.^[34] Grayson noted after the passage of the ACES Act his concern about our dependence on foreign oil, the need to promote green technologies and renewable energy sources, and the job creation from the bill (an estimated 95,000 jobs in Florida). "This bill unleashes American ingenuity to solve the energy crisis. It lets us solve our problems by being Americans and thinking our way out of it. We will become an international energy power," he said in a news release.

The BP Oil Spill in the Gulf of Mexico affected Florida's number one industry, which is tourism. The lack of a relief well prevented company officials from shutting down the leak immediately. Instead, it took months to drill a new relief well, while millions of gallons of oil gushed into the Gulf each week.^[35] In response, Grayson introduced the Emergency Relief Well Act (H.R. 5666). It requires that an emergency relief well be drilled at the same time as any new exploratory well.

Defense[link]

Grayson has been an outspoken critic of the wars in Iraq and Afghanistan. In May 2010, he introduced the "War Is Making You Poor Act" (H.R. 5353). The bill requires the President to fund the wars from the Department of Defense's FY '11 base budget of $550 billion. It uses the $159 billion in "supplemental funding" to eliminate federal income taxes for everyone's first $35,000 a year. The bill does not necessitate an end to the wars or mandate a cut-off date. In addition to the tax cuts, the bill cuts the federal deficit by $15.9 billion.^[36]

Grayson has tried to combat wasteful spending by government defense contractors by introducing his "Gold Plating Amendment." The amendment requires that cost or price account for half of the evaluation of bids for defense contracts. The law at the time allowed for cost to account for only one percent of the evaluation. The amendment passed as part of the National Defense Authorization Act (H.R. 2647) in June 2009. However, the language was stripped from the final bill during the conference committee between Senate and House leaders. Grayson worked successfully to get the amendment inserted into the IMPROVE Acquisition Act, which passed the U.S. House of Representatives on April 28, 2010.^[37]

Grayson voted for the 2009–2010 Defense Appropriations, which authorizes $681 billion of appropriations for the Department of Defense.^[38] He also supported the 2009–2010 Department of Homeland Security Appropriations Authorizations, which provided $46.18 billion in appropriations for 2009–2010.^[39]

Combating federal waste, fraud, and abuse[link]

Grayson has worked to combat federal waste, fraud, and abuse. In the September 6, 2009 edition of The New York Times, columnist Gretchen Morgenson thanked Grayson for uncovering the fact that, due to the federal bailout of mortgage finance giant Fannie Mae, taxpayer money had been funding the legal defense fees for former top executives at the institution. Grayson requested information about these legal costs after a June 2009 hearing of the House Financial Services Committee. Grayson's work uncovered that, between September 6, 2008 and July 21, 2009, taxpayers spent $6.3 million defending Fannie Mae executives Franklin Raines, J. Timothy Howard, and Leanne Spencer. Taxpayers paid an additional $16.8 million to cover legal expenses of workers at the Office of Federal Housing Enterprise Oversight, Fannie’s former regulator.^[40]

In September 2009, Grayson used a parliamentary maneuver called an “extension of remarks” to provide crucial instruction on H.R. 3221, the Student Aid and Fiscal Responsibility Act of 2009, a bill that, among other things, included a provision that prohibited funding for ACORN (the Association of Community Organizations for Reform Now). Grayson’s extension of remarks directed that the legislation defund any organization that cheats the federal government, not just ACORN. The defunding measure passed the House with a final vote of 253–171.^[37] Grayson also encouraged the public to report companies covered by the bill and set up a method to report offending companies via his Congressional web site.^[41]

“Teach the Constitution Week”[link]

On September 14, 2009, the U.S. House of Representatives passed Grayson’s “Teach the Constitution Week” resolution (H.Res. 686). The bill urged high schools to spend one week each September teaching the United States Constitution to high school seniors and also encouraged students to petition the government on an issue of personal importance to them to demonstrate their understanding of their rights and responsibilities as citizens of the United States. The non-partisan resolution was passed by a voice vote and featured 222 co-sponsors.^[37][42][43]

New Frontier Congressional Gold Medal Act[link]

On the 40th anniversary of the historic Apollo 11 moon landing in 1969, the U.S. House of Representatives passed Grayson’s New Frontier Congressional Gold Medal Act of 2009 (H.R. 2245). The bill asked the President to present Congress’s highest civilian honor, the Congressional Gold Medal, to Apollo 11 astronauts Neil Armstrong, Edwin "Buzz" Aldrin Jr., and Michael Collins, as well as John Glenn, the first American to orbit the Earth. Only about 200 medals have ever been awarded in the country’s history. The New Frontier Congressional Gold Medal Act of 2009 passed the House unanimously on July 20, 2009.^[44][45]

Controversial public remarks[link]

Grayson quickly gained a reputation as an elected official who was "not shy about his opinions."^[46] He was unrestrained in his criticism of right-wing positions, politicians, and pundits, particularly those employed by and/or frequently appearing on Fox News Channel.^[13] His sharp characterizations in public remarks earned him national attention both positive and negative.

Health care[link]

In September 2009, during the debates leading to the passage of the Affordable Health Care for America Act by the House in November, Grayson summed up the "Republican health care plan" as "'Don't get sick, and if you do get sick, die quickly.'"^[47] His remarks were widely condemned by Republican politicians but, according to Grayson, were well received by his constituents. Grayson reported that his comments resulted in over 5,000 campaign contributions and that the positive emails he received outnumbered the negative ones by a four-to-one margin;^{[48][49][50][51]} the comments also generated funds from the Democratic National Committee towards his upcoming 2010 campaign race.^[51][52] Grayson raised $347,000 for his reelection campaign during the third quarter, much of it attributed to his remarks.^[53][54]

He defended his comment and in a House Floor speech stated, “I apologize to the dead and their families that we haven't voted sooner to end this holocaust in America." Grayson, who is Jewish, apologized to the Anti-defamation League for those offended by his generic use of "holocaust".^[55][56][57] He also maintained that Congressional Republicans have failed to offer a feasible plan.^[58][59] In October 2009 he launched www.NamesOfTheDead.com, a website to "memorialize Americans who die because they don’t have health insurance." He subsequently read stories of the dead submitted through the Names of the Dead site on the House floor.^[60]

Political campaigns[link]

Grayson is the second Democrat to represent this district since its formation after the 1970 census (it was the 5th District from 1973 to 1993 and has been the 8th District since 1993). The only other Democrat to represent this district, Bill Gunter, gave it up after only one term to run for the United States Senate in 1974.

2006[link]

In 2006, Grayson first entered into electoral politics, losing the 2006 Democratic primary for Florida's 8th Congressional District to Charlie Stuart, a prominent local businessman and center-right Democrat.^[61] Stuart went on to lose the general election to incumbent Republican Ric Keller.^[62] In late 2007, Grayson announced that he would run again for the 8th District seat, and again faced Stuart in the primary. During the primary, his campaign retained the services of Bill Hillsman.

2008[link]

In the August 26, 2008 Democratic primary, Grayson prevailed, receiving 48.5 percent of the vote. Stuart trailed with 27.5 percent, with three other candidates splitting the remaining 24 percent.^[63] During the general election campaign, Grayson maintained a consistent lead over Keller, who had barely eked out renomination in the Republican primary over attorney Todd Long. On Election Day, Grayson received 172,854 votes, or 52 percent, to Keller's 159,490 votes, or 48 percent.^[64] Although Keller won three out of four counties in the district, Grayson won by a margin of 55 percent to 45 percent in Orange County, home to Orlando and by far the largest county in the district. Grayson was also helped by a massive voter registration drive by the Democratic Party in the 8th District that gave Democrats a slight edge in registered voters.

2010[link]

Grayson was challenged by Republican nominee Daniel Webster, Florida TEA Party nominee Peg Dunmire, Independent candidate George Metcalfe, and write-in Florida Whig Party candidate Steve Gerritzen.^[65]

Grayson ran a September 2010, commercial calling Webster a "draft-dodger,"^[66] (Webster had received student deferments and a draft classification as medically unfit for service),^[67] and a later 30-second commercial calling Webster "Taliban Dan" and warning viewers that "Religious fanatics try to take away our freedom, in Afghanistan, in Iran and right here in Central Florida."^[68] Grayson's ads were criticized for editing video mid-sentence to make Webster appear to be saying things he did not say.^[69][70] Grayson released a toned-down version without the edited video or Taliban references in early October.^[71][72]

Grayson was targeted by conservatives and conservative groups in commercials and the media, and on the Internet. On Glenn Beck's radio show, Sarah Palin agreed with a co-host's remark, "It’s okay if the Republicans lose every seat in the Senate and the House except for one. As long as that one is Alan Grayson losing."^[73] Conservative Newsweek columnist George Will called Grayson "America's worst politician."^[74] Grayson was also heavily targeted in attack ads funded by groups such as the U.S. Chamber of Commerce and the 60 Plus Association.^[75] The Chamber of Commerce ads were in turn criticized by Grayson and his supporters as "deeply dishonest".^{[citation needed]}

Grayson was endorsed by 8th District resident, former Congresswoman Patricia Schroeder (D-CO), who characterized Webster as having "13th-century views" on women's issues.^[76] Former DNC Chair and Vermont governor Howard Dean called Grayson a "healthcare hero."^[77] Grayson received more votes for "progressive hero" from Democracy for America than any other candidate in the country.^[78] Moveon.org, in an appeal to its members, termed Grayson "a populist hero who's never afraid to call out the pernicious corporate influence in Washington."^{[citation needed]}

Grayson conceded the race on the evening of November 2 after Webster showed a clear lead.^[79] Election results were: Grayson 38 percent Webster 56 percent^[80]

2012[link]

On the evening of July 11, 2011, Grayson announced in an e-mail to supporters that he planned to run once again for Congress.^[81] Grayson was the only Democrat running in a newly-created Democratic-oriented District (renumbered as the 9th) in Central Florida as of February 2012. The district's voters are 42% Hispanic and could favor a Hispanic Democrat if one sought the party's nomination.^[82] The new District, one of two newly created due to population growth, was designed for the Hispanic population of Central Florida.^[83]

Personal life[link]

Grayson was ranked as the 11th-wealthiest member of Congress in 2010, based on financial disclosure forms with a minimum net worth of $31.41 million, according to Roll Call.^[84] Grayson disclosed that his attorney fees and costs for the war contractor case had exceeded $4 million.^[12][14]

While pursuing the whistleblower cases, Grayson worked from a home office in Orlando, where he lives with his wife and five children.^[13]

Grayson reportedly ran a red light on his way to a fundraiser in downtown Orlando on March 10, 2012, entering cross traffic and striking a Lynx bus. Three passengers on the bus were hospitalized with minor injuries and Grayson's 2009 Mercedes Benz was severely damaged, but he and his passenger were not hurt. Police issued a citation to Grayson, who said he did not know what color the light was when he entered the intersection.^[85][86]

References[link]

External links[link]

Find more about Alan Grayson on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote

• Alan Grayson for U.S. Congress official campaign site
• Biography at WhoRunsGov.com at The Washington Post
• Biography at the Biographical Directory of the United States Congress
• Voting record maintained by The Washington Post
• Biography, voting record, and interest group ratings at Project Vote Smart
• Congressional profile at GovTrack
• Issue positions and quotes at On the Issues
• Financial information at OpenSecrets.org
• Staff salaries, trips and personal finance at LegiStorm.com
• Campaign finance reports and data at the Federal Election Commission
• Appearances on C-SPAN programs
• Alan Grayson: "Bipartisanship Has Become Code Word for Appeasement" – video report by Democracy Now!