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A television program (usually television programme outside North America), also called television show, is a segment of content intended for broadcast on television. It may be a one-time production or part of a periodically recurring series. A single program in a series is called an episode.

A television series that is intended to comprise a limited number of episodes is usually called a miniseries or serial. Series without a fixed length are usually divided into seasons or series, yearly or biannual installments of new episodes. While there is no defined length, US industry practice tends to favor longer seasons than those of some other countries.

A one-time broadcast may be called a "special", or particularly in the UK a "special episode". A television movie ("made-for-TV movie" or television film), is a film that is initially broadcast on television rather than released in cinemas or direct-to-video, although many successful TV movies are later released on DVD.

A program can be either recorded—as on video tape or other various electronic media forms—or considered live television.

Program content[link]

Television programming may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television movies), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.

A drama program usually features a set of actors in a somewhat familiar setting. The program follows their lives and their adventures. With the exception of soap operas, many shows especially before the 1980s, remained static without story arcs, the main characters and the premise changed little. If some change happened to the characters lives during the episode, it was usually undone by the end. (Because of this, the episodes could be broadcast in any order.) Since the 1980s, there are many series that feature progressive change to the plot, the characters, or both.

Common television program periods include regular broadcasts (like news), series (usually seasonal and ongoing with a duration of only a few episodes to many seasons), or miniseries, which is an extended film, usually with a small predetermined number of episodes and a set plot and timeline. Miniseries usually range from about 3 to 10 hours in length. In the UK, the term "miniseries" is only usually used in reference to imported programmes, and such short-run series are usually called "serials".

Older American television shows began with a title sequence showing opening credits at the bottom lower third of the screen during the beginning, and included closing credits at the end of the show. However, beginning in the 1990s some shows began with a "cold open", followed by a title sequence and a commercial break. Many serial-type shows begin with a "Previously on..." (such as the series 24) introduction before the new episode. And, to save time, some shows omit the title sequence altogether, folding the names normally featured there into the opening credits. The title sequence has not been completely eliminated, however, as many major television series still use them.

While television series appearing on TV networks are usually commissioned by the networks themselves, their producers earn greater revenue when the program is sold into syndication. With the rise of the DVD home video format, box sets containing entire seasons or the complete run of a program have become a significant revenue source as well. Many of the prime-time comedy shows and Saturday morning cartoons were digitally remastered for United States television around mid-May 2008, as there are more original and reissued DVD sets of television programs containing either entire seasons or complete series to come. Typically, a DVD of a series or TV movie may contain extended or additional scenes not shown during the broadcast, scenes not allowed for broadcast (due to censorship rule), or additional background information/documentaries.

Television has changed throughout the years, from wholesome family sitcoms and dramas of years ago, to the reality shows of today. When watching television became popular in the mid-20th century, the whole family watched one set together. Also, many channels have deviated from their original programming focus throughout the years because of channel drift.

Most television networks throughout the world are 'commercial', dependent on selling advertising time or acquiring sponsors, broadcasting executives' main concern over their programming is on audience size or eyeballs. Once the number of 'free to air' stations was restricted by the availability of channel frequencies, but cable TV (outside the USA, satellite television) technology has allowed an expansion in the number of channels available to viewers (sometimes at premium rates) in a much more competitive environment.

Genres[link]

Scripted entertainment[link]

• Animated
• Award shows (partially scripted)
• Drama—which includes:
  • Action-adventure or Thriller
  • Comedy-drama
  • Family drama
  • Legal drama
  • Medical drama
  • Police procedural
  • Political drama
  • Science-fiction / Fantasy / Horror / Supernatural drama
  • Serial drama
  • Soap opera
  • Teen drama
• Miniseries and Television movies
• Comedy
  • Mockumentary
  • Satire
  • Sitcom
  • Sketch comedy

Unscripted entertainment[link]

• Game shows
• Reality
• Talk shows

Informational[link]

• Infomercials—paid advertising spots that are up to an hour long
• News programs
• Documentaries
• News magazines—dealing with current affairs

Development[link]

United States[link]

When a person or company decides to create a new series, they develop the show's elements, consisting of the concept, the characters, the crew, and cast. Then they offer ("pitch") it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.

To create the pilot, the structure and team of the whole series must be put together. If the network likes the pilot, they pick up the show to air it the next season (usually Fall). Sometimes they save it for mid-season, or request rewrites and further review (known in the industry as Development hell). Other times, they pass entirely, forcing the show's creator to "shop it around" to other networks. Many shows never make it past the pilot stage.

If the show is picked up, the network orders a "run" of episodes—usually only 13 episodes at first, though a season typically consists of at least 22 episodes. (The last nine episodes are sometimes called the "back nine"—borrowing the colloquial golf term).

The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc. When all the writers have been used, episode assignment starts again with the first writer. On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show's creator, who folds them together into a script and rewrites them.

United Kingdom[link]

In contrast to the US model illustrated above, the UK procedure is operated on a sometimes similar, but much smaller scale.

The method of "team writing" is employed on some longer dramatic series (usually running up to a maximum of around 13 episodes). The idea for such a programme may be generated "in-house" by one of the networks; it could originate from an independent production company; it sometimes is a product of both. For example, the BBC's long-running soap opera EastEnders is wholly a BBC production, whereas its popular drama Life on Mars was developed by Kudos in association with the broadcaster.

However, there are still a significant number of programmes (usually sitcoms) that are built around just one or two writers and a small, close-knit production team. These are "pitched" in the traditional way, but since the creator(s) handle all the writing requirements, there is a run of six or seven episodes per series once approval has been given. Many of the most popular British comedies have been made this way, including Monty Python's Flying Circus (albeit with an exclusive team of six writer-performers), Fawlty Towers, Blackadder and The Office.

Production[link]

The executive producer, often the show's creator, is in charge of running the show. They pick the crew and help cast the actors, approve and sometimes write series plots (some even write or direct major episodes). Various other producers help to ensure that the show runs smoothly.

As with filmmaking or other electronic media production, production of an individual episode can be divided into three parts. These are:

Pre-production[link]

Pre-production begins when a script is approved. A director is chosen to plan the episode's final look.

Pre-production tasks include storyboarding, construction of sets, props, and costumes, casting guest stars, budgeting, acquiring resources like lighting, special effects, stunts, etc. Once the show is planned, it must then be scheduled; scenes are often filmed out of sequence, guest actors or even regulars may only be available at certain times. Sometimes the principal photography of different episodes must be done at the same time, complicating the schedule (a guest star might shoot scenes from two episodes on the same afternoon). Complex scenes are translated from storyboard to animatics to further clarify the action. Scripts are adjusted to meet altering requirements.

Some shows have a small stable of directors, but also usually rely on outside directors. Given the time constraints of broadcasting, a single show might have two or three episodes in pre-production, one or two episodes in principal photography, and a few more in various stages of post-production. The task of directing is complex enough that a single director can usually not work on more than one episode or show at a time, hence the need for multiple directors.

Principal photography[link]

Principal photography is the actual filming of the episode. Director, actors and crew gather at a television studio or on location for filming or videoing a scene. A scene is further divided into shots, which should be planned during pre-production. Depending on scheduling, a scene may be shot in non-sequential order of the story. Conversations may be filmed twice from different camera angles, often using stand-ins, so one actor might perform all their lines in one set of shots, and then the other side of the conversation is filmed from the opposite perspective. To complete a production on time, a second unit may be filming a different scene on another set or location at the same time, using a different set of actors, an assistant director, and a second unit crew. A director of photography supervises the lighting of each shot to ensure consistency.

Post production[link]

Once principal photography is complete, producers coordinate tasks to begin the video editing. Visual and digital video effects are added to the film; this is often outsourced to companies specializing in these areas. Often music is performed with the conductor using the film as a time reference (other musical elements may be previously recorded). An editor cuts the various pieces of film together, adds the musical score and effects, determines scene transitions, and assembles the completed show.

Budgets and revenues[link]

In the United States, the average broadcast network drama costs $3 million an episode to produce, while cable dramas cost $2 million on average.^[1] The pilot episode may be more expensive than a regular episode. In 2004, Lost's two-hour pilot cost $10–$14 million, in 2008 Fringe's two-hour pilot cost $10 million, and in 2010, Boardwalk Empire was $18 million for the first episode. In 2011, Game of Thrones was $5–$10 million, Pan Am cost an estimated $10 million, while Terra Nova's two-hour pilot was between $10 to $20 million.^[2][3]

Deficit financing is the term used to describe how many scripted network television shows in the Unites States are financed. A studio finances the production cost of a show and a network pays a license fee to the studio for the right to air the show. This license fee does not cover the show's production costs, leading to the deficit. Although the studio does not make its money back in the original airing of the show, it retains ownership of the show. This ownership retention allows the studio to make its money back and earn a profit through syndication and DVD and Blu-ray disc sales. This system places most of the financial risk on the studios, however a show that is a hit in the syndication and home video markets can more than make up for the misses. Although the deficit financing system places minimal financial risk on the networks, they lose out on the future profits of big hits, since they are only licensing the shows.^[4]

Costs are recouped mainly by advertising revenues for broadcast networks and some cable channels, while other cable channels depend on subscription revenues. In general, advertisers, and consequently networks that depend on advertising revenues, are more interested in the number of viewers within the 18–49 age range than the total number of viewers.^[5][6] Advertisers are willing to pay more to advertise on shows successful with young adults because they watch less television and are harder to reach than older adults.^[7] According to Advertising Age, during the 2007–08 season, Grey's Anatomy was able to charge $419,000 per commercial, compared to only $248,000 for a commercial during CSI, despite CSI having almost five million more viewers on average.^[8] Due to its strength in young demos, Friends was able to charge almost three times as much for a commercial as Murder, She Wrote, even though the two series had similar total viewer numbers during the seasons they were on the air together.^[5] Glee and The Office drew fewer total viewers than NCIS during the 2009–10 season, but earned an average of $272,694 and $213,617 respectively, compared to $150,708 for NCIS.^[9]

Distribution[link]

After production, the show is turned over to the television network, which sends it out to its affiliate stations, which broadcast it in the specified broadcast programming time slot. If the Nielsen ratings are good, the show is kept alive as long as possible. If not, the show is usually canceled. The show's creators are then left to shop around remaining episodes, and the possibility of future episodes, to other networks. On especially successful series, the producers sometimes call a halt to a series on their own like Seinfeld, The Cosby Show, Corner Gas, and M*A*S*H and end it with a concluding episode, which sometimes is a big series finale.

On rare occasions, a series that has not attracted particularly high ratings and has been canceled can be given a reprieve if DVD sales have been particularly strong. This has happened in the cases of Family Guy in the US and Peep Show in the UK.

If the show is popular or lucrative, and a number of episodes (usually 100 episodes or more) are made, it goes into broadcast syndication (in the USA) where broadcast to the program rights are then resold.

[edit] Seasons/series

The terminology used to define a set of episodes produced by a television series varies from country to country.

North American usage[link]

The term "series", in North American usage, refers to a connected set of television program episodes that run under the same title, possibly spanning many seasons. A new series is often ordered (funded) for just the first 10 to 13 episodes, to gauge the audience interest. If it is "picked up", the season is completed to the regular 20 to 26 episodes. The term "midseason replacement" usually refers to an inexpensive short-run (10–13 episode) show designed to take the place of an original series that failed to garner an audience and has not been picked up. The term "series finale" can lead to confusion outside of North America. A series finale is the last show of the series before the show is no longer produced. (In the UK, it means the end of a season.)

In North America the term "television season" is used inconsistently. A "full season" typically runs from September through May, with a hiatus between December and February. This broadcast programming schedule typically includes 20 to 26 episodes. A full season is sometimes split into two separate units (confusingly also termed seasons) with one before and one after the hiatus. These smaller "seasons" usually contain half the number of episodes (10–13).^{[citation needed]}

Since the 2000s, these shorter seasons have been referred to as ".5" or half seasons, where the run of shows between September and December is labeled "Season N", and the second run between February and May labeled "Season N.5". This is typically done to increase DVD sales of the show.^{[citation needed]} Distributors release the first half of the season in stores just before the second half first airs to increase interest in the season's second half.^{[citation needed]} Examples of this include the 2004 incarnation of Battlestar Galactica, ABC's FlashForward, and ABC Family's Make It or Break It.

UK and Australia usage[link]

In the United Kingdom and other countries, these sets of episodes are referred to as a "series". In Australia, the broadcasting may be different to North American usage, however, the terms "series" and "season" are the same. For example, Battlestar Galactica has an original series as well as a remake, both are considered different series with their own number of individual seasons. It helps to avoid much confusion when talking about a TV Series.

Australian television does not follow "seasons" in the way that US television does. So there is no "Fall Season" or "Fall schedule", for example. For many years popular night time dramas in Australia would run much of the year, and would only go into recess over the summer period (December–February) where ratings are not taken. Therefore popular dramas would usually run February–November each year. This schedule was used in the 1970s for popular dramas including Number 96. Neighbours and other dramas continue this routine as of 2011. Australian situation comedy series usually have seasons of about 13 episodes, and might premiere at any month between February and November.

British shows have tended toward shorter series in recent years. For example, the first series of long-running science fiction show Doctor Who in 1963 featured forty-two 25-minute episodes, which had been reduced gradually to fourteen 25-minute episodes in 1989. The revival of Doctor Who has comprised thirteen 45-minute installments. However, there are some series in the UK that have a larger number of episodes, for example Waterloo Road started with 8–12 episodes but from series three onward, it increased to 20 episodes, and season seven will contain 30 episodes. Recently, American non-cable networks have also begun to experiment with shorter seasons for some programs, particularly reality shows such as Survivor. However, they often air two seasons per year, resulting in roughly the same number of episodes per year as a drama.

This is a reduction from the 1950s, in which many American shows (e.g., The Twilight Zone) had between 29 and 39 episodes per season. Actual storytelling time within a commercial television hour has also gradually reduced over the years, from 50 minutes out of every 60 to the current 44 (and even less on some networks), beginning in the early 21st century.

Japanese usage[link]

The Japanese have sometimes subdivided television series and dramas into kūru (クール^?), from the French term cours for course, which is a three-month period usually of 13 episodes. Each kūru generally has its own opening and ending image sequence and song, recordings of which are often sold. The number of episodes permitted per season ranges from three to 65. (See also Japanese television programs.)

[edit] Running time

In the United States, in general, dramas usually last 44 minutes (an hour with advertisements), while sitcoms last 22 (30 with advertisements). However, with the rise of cable networks, especially pay ones, series and episode lengths have been changing, with 55–60 minutes per episode, and shorter seasons overall.

See also[link]

• Category:Television schedules (by country and year)
• List of animated television series
• List of television programs by name in alphabetical order
• Lists of television programs
• Network programming (television)
• Radio programming
• Television advertisement

References[link]

External links[link]

• FCC

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Justin Bieber
Justin Bieber at the NRJ Music Awards in Cannes, France in 2012
Background information
Birth name	Justin Drew Bieber[1]
Born	(1994-03-01) March 1, 1994 (age 18)[2] London, Ontario, Canada
Origin	Stratford, Ontario, Canada
Genres	Pop, R&B, teen pop[3][4][5]
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, guitar, piano, percussion,[6] trumpet[7]
Years active	2008–present
Labels	Island, RBMG
Associated acts	Usher, Ludacris
Website	justinbiebermusic.com

Justin Drew Bieber ( /ˈbiːbər/ BEE-bər, born March 1, 1994)^[2] is a Canadian Pop/R&B singer-songwriter, musician, and actor.^[3][5] Bieber was discovered in 2008 by Scooter Braun,^[8] who came across Bieber's videos on YouTube and later became his manager. Braun arranged for him to meet with Usher in Atlanta, Georgia, and Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher,^[9] and then to a recording contract with Island Records offered by L.A. Reid.^[6][10] Bieber's debut single, "One Time", was released in 2009 and peaked in the top twenty in Canada and charted in the top thirty in several international markets. His debut album, the seven-track EP My World, followed in November 2009, and was soon certified platinum in the United States. He became the first artist to have seven songs from a debut album chart on the Billboard Hot 100.^[11]

Bieber's first full-length studio album, My World 2.0, was released in March 2010. It debuted at number one or within the top ten in several countries and was certified platinum in the United States. It was preceded by the worldwide top-ten single, "Baby". The music video of "Baby" is currently ranked as the most viewed and most discussed YouTube video.^[12] Bieber followed up the release of his debut album with his first headlining tour, the My World Tour, the remix albums My Worlds Acoustic and Never Say Never – The Remixes, and the 3D biopic-concert film Justin Bieber: Never Say Never, that nearly matched the record for the biggest opening weekend gross for a concert-film. Bieber released his second studio album, Under the Mistletoe, in November 2011, which debuted at number one on the Billboard 200. Bieber has received numerous awards, including Artist of the Year at the 2010 American Music Awards, and has been nominated for such awards as Best New Artist and Best Pop Vocal Album at the 53rd Grammy Awards. In 2012, Bieber was named Forbes 3rd most powerful celebrity in the world, earning $55 million. As of May 2012, Bieber has sold 15 million albums.^[13]

Early life[link]

Bieber was born on March 1, 1994, in London, Ontario in St Joseph's Hospital,^[14][15] and was raised in Stratford, Ontario.^[16] Bieber's mother, Patricia Lynn "Pattie" Mallette, was 18 years old when she became pregnant. Mallette, originally from Stratford, raised her son with the help of her parents, Bruce and Diane.^[17] Mallette worked a series of low-paying office jobs, raising Bieber as a single mother in low-income housing. Bieber has maintained contact with his father, Jeremy Jack Bieber, who married another woman and had two children.^[18][19][20] Bieber's great-grandfather was from Germany.^[21] Bieber's mother's ancestry is French Canadian.^[22] Bieber attended a French immersion elementary school in Stratford called Jeanne Sauvé Catholic School.^[17]

During his childhood, Bieber was interested in hockey, soccer, and chess; he often kept his musical aspirations to himself.^[18] As he grew up, Bieber taught himself to play the piano, drums, guitar, and trumpet.^[16][23] In early 2007, when he was twelve, Bieber sang Ne-Yo's "So Sick" for a local singing competition in Stratford and was placed second.^[6][23] Mallette posted a video of the performance on YouTube for their family and friends to see. She continued to upload videos of Bieber singing covers of various R&B songs, and Bieber's popularity on the site grew.^[10] Chris Hicks, Bieber's A&R at Island/Def Jam, explained the young artist's huge online following to HitQuarters by saying:

"He was doing something different. He was an attractive white kid singing very soulful R&B hits. That set him apart immediately from anyone in his range because no one was covering or singing these kind of records. But equally important was that you believed in these songs – it was real. And you wanted to hear more."^[24]

Career[link]

[edit] 2008–09: Discovery and My World

While searching for videos of a different singer, Scooter Braun, a former marketing executive of So So Def, clicked on one of Bieber's 2007 videos by accident.^[18] Impressed, Braun tracked down the theater Bieber was performing in, located Bieber's school, and finally contacted Mallette. Mallette was reluctant because of Braun's Jewish religion; she remembered praying, "God, I gave him to you. You could send me a Christian man, a Christian label! ... you don’t want this Jewish kid to be Justin’s man, do you?"^[18] However, after praying with her church elders and receiving their encouragement, she permitted Braun to fly Bieber, then 13,^[10] to Atlanta, Georgia, to record demo tapes.^[18] A week after arriving, Bieber sang for R&B singer/songwriter Usher.^[25] Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher.^[9] Justin Timberlake was also reportedly in the running to sign Bieber, but lost the bidding war to Usher.^[9][26] Usher then sought assistance in finding a label home for the artist from then manager Chris Hicks, who helped engineer an audition with his contact Antonio L.A. Reid of Island Def Jam Music Group.^[24] Reid signed Bieber to Island Records in October 2008 (resulting in a joint venture between RBMG and Island Records) and appointed Hicks as executive Vice-President of Def Jam where he would be able manage Bieber's career at the label.^{[6][9][10][24]} At that point, Bieber and his mother moved to Atlanta temporarily, also the home of Usher and Braun, to record and get counseling from Braun.^[9] Braun became Bieber's manager.^[10]

Bieber in September 2009 at the Nintendo World Store

Bieber's first single, "One Time", was released to radio while Bieber was still recording his debut album.^[27] The song reached number 12 on the Canadian Hot 100 during its first week of release in July 2009,^[10] and later peaked at number 17 on the Billboard Hot 100. During fall 2009 it had success in international markets.^[28] The song was certified Platinum in Canada and the US and Gold in Australia and New Zealand.^[29][30][31] Bieber's first release, an extended play entitled My World, was released on November 17, 2009. The album's second single, "One Less Lonely Girl", and two promo singles, "Love Me", and "Favorite Girl", were released exclusively on the iTunes store and charted within the top forty of the Billboard Hot 100.^[28] "One Less Lonely Girl" was later also released to radio and peaked within the top fifteen in Canada and the US, being certified Gold in the latter.^[28] My World was eventually certified Platinum in the US and Double Platinum in both Canada and the UK.^[31][32][33] To promote the album, Bieber performed on several live shows such as mtvU's VMA 09 Tour, European program The Dome, YTV's The Next Star, The Today Show,^[34][35] The Wendy Williams Show, Lopez Tonight, The Ellen DeGeneres Show, It's On with Alexa Chung, Good Morning America, Chelsea Lately, and BET's 106 & Park with Rihanna. Bieber also guest starred in an episode of True Jackson, VP in late 2009.^[36]

Bieber performed Stevie Wonder's "Someday at Christmas" for U.S. President Barack Obama and first lady Michelle Obama at the White House for Christmas in Washington, which was broadcast on December 20, 2009, on U.S. television broadcaster TNT.^[37] Bieber was also one of the performers at Dick Clark's New Year's Rockin' Eve with Ryan Seacrest on December 31, 2009.^[38] Bieber was a presenter at the 52nd Grammy Awards on January 31, 2010. He was invited to be a vocalist for the remake of We Are The World (a song written by Michael Jackson and Lionel Richie) for its 25th anniversary to benefit Haiti after the earthquake. Bieber sings the opening line, which was sung by Lionel Richie in the original version.^[39] On March 12, 2010, a version of K'naan's "Wavin' Flag" recorded by a collective of Canadian musicians known as Young Artists for Haiti was released. Bieber is featured in the song, performing the closing lines.

[edit] 2010–11: My World 2.0 and Never Say Never film

"Baby", the lead single from his debut album, My World 2.0, which features Ludacris, was released in January 2010 and became his biggest hit thus far, charting at number five in the U.S. and reaching the top ten in seven other countries.^[28] Two promo singles "Never Let You Go", and "U Smile" were top thirty hits on the U.S. Hot 100, and top twenty hits in Canada.^[28] According to review aggregator Metacritic, the album has received "generally favorable reviews".^[40] It debuted at number one on the U.S. Billboard 200, making Bieber the youngest solo male act to top the chart since Stevie Wonder in 1963.^[41] My World 2.0 also debuted at number one on the Canadian Albums Chart, Irish Albums Chart, Australian Albums Chart, and the New Zealand Albums Chart^[28] and reached the top ten of fifteen other countries.^[42][43] To promote the album, Bieber appeared on several live programs including The View, the 2010 Kids Choice Awards, Nightline, The Late Show with David Letterman, The Dome and 106 and Park.^[44] Bieber collaborated with Sean Kingston on his single "Eenie Meenie" which also appeared on Bieber's debut album. The song reached the top ten in the United Kingdom and Australia, and the top-twenty of most other markets.

Bieber performing at the Conseco Fieldhouse, in August 2010

On April 10, 2010, Bieber was the musical guest on Saturday Night Live.^[45] On July 4, 2010, Bieber performed at the Macy's Fourth of July Fireworks Spectacular in New York City.^[46] The second single from My World 2.0, "Somebody to Love", was released in April 2010, and a remix was released featuring Bieber's mentor Usher. The single reached number ten in Canada, number fifteen in the United States, and the top twenty in multiple international countries.

On June 23, 2010, Bieber went on his first official headlining tour, the My World Tour, starting in Hartford, Connecticut, to promote My World and My World 2.0.^[47] In July 2010, it was reported that Bieber was the most searched for celebrity on the Internet.^[48] That same month his music video, "Baby", surpassed Lady Gaga's "Bad Romance" to become the most viewed, and most disliked YouTube video ever.^[49] In September 2010, it was reported that Bieber accounted for three percent of all traffic on Twitter, according to an employee of the social-networking site.^[50]

Bieber began recording his second album in July 2010 in New York City.^[51] At this point, because of puberty, his voice was deeper than it was when he recorded his first album. In April 2010, the singer discussing his vocals remarked, "It cracks. Like every teenage boy, I'm dealing with it and I have the best vocal coach in the world. [...] Some of the notes I hit on "Baby" I can't hit anymore. We have to lower the key when I sing live."^[52]

Bieber performing in Jakarta during his My World Tour.

Bieber guest-starred in the season premiere of the CBS crime drama CSI: Crime Scene Investigation, which aired on September 23, 2010. He played a "troubled teen who is faced with a difficult decision regarding his only brother", who is also a serial bomber. Bieber was also in a subsequent episode which aired on February 17, 2011, in which his character is killed.^[53] Bieber performed a medley of "U Smile", "Baby", and "Somebody to Love" and briefly played the drums at the 2010 MTV Video Music Awards on September 12, 2010.^[54] Bieber announced in October 2010 that he would release an acoustic album, called My Worlds Acoustic.^[55] It was released on Black Friday in the United States and featured acoustic versions of songs from his previous albums, and accompanied the release of a completely new song titled "Pray".^[56]

A 3-D part-biopic, part-concert film starring Bieber entitled Justin Bieber: Never Say Never, was released on February 11, 2011, directed by Step Up 3D director Jon Chu. It topped the box office with an estimated gross of $12.4 million on its opening day from 3,105 theaters.^[57] It grossed $30.3 million for the weekend and was narrowly beaten by the romantic comedy Just Go With It, which grossed $31 million.^[58] Never Say Never is said to have exceeded industry expectations, nearly matching the $31.1 million grossed by Miley Cyrus's 2008 3-D concert film, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, which holds the record for the top debut for a music-documentary.^[59][60] Never Say Never grossed a total of $98,441,954 worldwide.^[61] The film is accompanied by his second remix album, Never Say Never – The Remixes, released February 14, 2011, and features remixes of songs from his debut album, with guest appearances from Miley Cyrus, Chris Brown, and Kanye West, among others.^[62]

[edit] 2011–present: Under The Mistletoe and Believe

On February 27, 2011, Bieber attended the 2011 Vanity Fair Oscar Party with American actress and singer Selena Gomez,^[63] confirming several months of media speculation about a romantic relationship between the pair.^{[64][65][66][67][68][69]}

In June 2011, Bieber was ranked number 2 on the Forbes list of Best-Paid Celebrities under 30. He is the youngest star and 1 of 7 musicians on the list raking in with $53 million earned in a 12 month period.^[70] On November 1, 2011, Bieber released Under the Mistletoe, his second studio album.^[71] It debuted at number one on the Billboard 200, selling 210,000 copies in its first week of release.^[72]

In late 2011, Bieber began recording his third studio album, entitled Believe. Kanye West and Drake are confirmed to be featured on the album.^[73] On February 22, 2012, Bieber announced via Twitter that the first single off Believe will be released in March 2012.^[74] The following week, Bieber appeared on The Ellen DeGeneres Show to announce that the first single will be called "Boyfriend" and was released on March 26, 2012.^[75] The song was co-written by Mike Posner.^[76] The second single, Die In Your Arms, was released on May 29th, 2012. ^[77]

Image[link]

Justin Bieber has a higher score on the Klout online "influence" scale than Barack Obama or The Dalai Lama.^[78] According to Jan Hoffman of The New York Times, part of Bieber's appeal stems from his YouTube channel. Long before he released his EP, My World, in mid-November, the YouTube videos attracted millions of views.^[18] Braun recognized the appeal. Prior to flying him to Atlanta, Braun wanted to "build him up more on YouTube first" and had Bieber record more home videos for the channel. "I said: 'Justin, sing like there’s no one in the room. But let's not use expensive cameras.' We'll give it to kids, let them do the work, so that they feel like it's theirs", recalled Braun.^[18] Bieber continues to upload videos to the same channel and has opened a Twitter account, from which he interacts with fans regularly;^[10] his account was reported in November 2010 to have over 6 million followers.^[79] Since then he has been consistently gaining followers at an average of 24,000 per day.^[80] The accounts also serve marketing purposes; for example, Bieber's music video for "One Time" only began selling quickly after it was uploaded to YouTube.^[81]

Bieber performing "Favorite Girl" in Zurich, Switzerland April 2011.

Usher comments that while he and Bieber were both signed at the same age, "I had the chance to ramp up my success, where this has happened to Bieber abruptly." As a result, Usher, Braun, Bieber's bodyguard Kenny, and other adults surrounding Bieber constantly coach him on handling fame and his public image.^[18] After signing Bieber, Usher appointed one of his former assistants, Ryan Good, to be Bieber's road manager and stylist. Good, once nicknamed Bieber's "swagger coach", created a "streetwise look" for the singer which consisted of baseball caps, hoodies, dog chains and flashy sneakers. Amy Kaufman of The Los Angeles Times comments, "Though a product of a middle-class suburban upbringing in Stratford, Ontario, Bieber's manner of dress and speech ("Wassup man, how you doin'?" or "It's like, you know, whateva' ") suggest he's mimicking his favorite rappers."^[82]

Bieber is often featured in teen magazines such as Tiger Beat,^[18] and has been labeled as a "teen heartthrob".^[83] Bieber has released a collection of nail varnishes to raise awareness for charity.^[84] Wax statues of Bieber are on display at Madame Tussauds wax museums in New York, Amsterdam and London.^[85] His change of hairstyle in 2010, and the consequent alterations to Bieber products, led to it being called 'the most expensive musical haircut of all time;^[86] one company spent $100,000 to fix its dolls for the 2011 Christmas season.^[87]

Bieber has been criticized for looking and sounding younger than his age, his teen-pop music, image, and frequent media attention.^[88] He has been a frequent target of Internet bloggers and message board posters, notably by users of Internet message board 4chan and users of YouTube.^[89] Nick Collins of The Daily Telegraph speculated that "Bieber's character also appears to strike a particularly sour note with his Internet critics, with many remarks commenting on his youthful appearance, his teen-pop songs, his image as a heart-throb to young teenage girls and his manner of speech".^[90]

Personal views and life[link]

Bieber is a Christian,^[91] and said he has a relationship with Jesus, talks to him and that "he's the reason I'm here".^[92]

Bieber's comments in a February 2011 profile in Rolling Stone sparked controversy.^[93] Asked about abstinence, Bieber responded, "I don't think you should have sex with anyone unless you love them." He said he does not "believe in abortion" and that it is "like killing a baby".^[94] He described sexual orientation as "everyone's own decision."^[95] Bieber has contributed to the It Gets Better Project,^[96] which aims to prevent suicide among LGBT youth.^[97]

Bieber has said he is not interested in obtaining United States citizenship and has criticized America's health care system. Praising Canada as being "the best country in the world", he cited its health care system as a model example.^[94]

In May 2012, Bieber purchased a 10,000 square-foot mansion on 1.3 acres of land, located in the community of Calabasas, California, a suburb of Los Angeles.^[98]

Twitter[link]

As of April 2012^[update], Bieber's Twitter account (@justinbieber) is the second most popular celebrity account behind that of Lady Gaga.^[99] By mid-April 2012, he had over 20 million followers.^[100][101] His follower acquisition is one new follower every other second.^[102][103] His popularity on Twitter at one point accounted for three percent of all Twitter related traffic, with a Twitter employee commenting that "racks of servers are dedicated" to Bieber.^{[103][104][105][106][107][108][109][110][111][112]} This resulted in over 180 million page views for the service each month.^[105] Bieber was frequently a trending topic on Twitter when the feature first launched^[105] because his fans frequently discussed him on the network. ^[113] and was named the top trending star on Twitter in 2010;^[114] Klout gave his account a score of 100.^[115][116]

The size of Bieber's and Gaga's follower bases are cited as a reason why marketers should pay attention to Twitter:^[117] with an ability to reach millions of people with a single tweet.^[117] 8.3% of tweets mentioning "bieber" were semi-automated and probably Twitter related spam.^[118] Research done about Twitter and the 2011 Egyptian revolution includes Bieber as he made tweets about the topic at a time when he had roughly 8 million followers. His multiple tweets resulted in 32,000 responses each, which made Bieber's Twitter account one of the single largest nodes for discussion about the uprising one of the largest on Twitter.^[119][120]

In March 2012, Bieber fans launched an unsuccessful attempt to unseat Lady Gaga as the most popular celebrity on Twitter. Neither Bieber nor Lady Gaga discussed their mutual fanbase's campaigns on Twitter.^[121]

Discography[link]

Justin Bieber portal

• My World 2.0 (2010)
• Under the Mistletoe (2011)
• Believe (2012)

Tours[link]

• 2009: Urban Behavior Tour
• 2010–2011: My World Tour
• 2012-2013: Believe Tour

Filmography[link]

Awards and nominations[link]

References[link]

Further reading[link]

External links[link]

Wikimedia Commons has media related to: Justin Bieber

Wikiquote has a collection of quotations related to: Justin Bieber

• Official website
• Justin Bieber at the Internet Movie Database
• Justin Bieber at the Open Directory Project
• Justin Bieber on Twitter