Child playing with bubbles

Play is a term employed in psychology and ethology to describe a range of voluntary, intrinsically motivated activities normally associated with recreational pleasure and enjoyment.^[1] Play is most commonly associated with children and their juvenile-level activities, but play can also be a useful adult activity, and occurs among higher-functioning animals as well.

Many of the most prominent researchers in the field of psychology (including Jean Piaget, William James, Sigmund Freud, Carl Jung and Lev Vygotsky) have viewed play as endemic to the human species; indeed, the attributes projected upon an imaginary friend by children are key to understanding the construction of human spirituality and its pantheon(s) of deification (and demonization).^{[citation needed]}

Play is often interpreted as frivolous; yet the player can be intently focused on his or her objective, particularly when play is structured and goal-oriented, as in a game. Accordingly, play can range from relaxed, free-spirited and spontaneous through frivolous to planned or even compulsive. ^[2]

Definition[link]

The seminal text in the field of play studies is Homo Ludens by Johan Huizinga. Huizinga defines play as follows^[2]:

"Summing up the formal characteristic of play, we might call it a free activity standing quite consciously outside 'ordinary' life as being 'not serious' but at the same time absorbing the player intensely and utterly. It is an activity connected with no material interest, and no profit can be gained by it. It proceeds within its own proper boundaries of time and space according to fixed rules and in an orderly manner. It promotes the formation of social groupings that tend to surround themselves with secrecy and to stress the difference from the common world by disguise or other means."

This definition of play as constituting a separate and independent sphere of human activity is sometimes referred to as the "magic circle" notion of play, a phrase also attributed to Huizinga.^[2]

Forms of play[link]

Play can take the form of improvisation or pretend, performance, mimicry, games, sports, and thrill-seeking, such as extreme or dangerous sports (sky-diving, high-speed racing, etc.). Researchers Roger Caillois (Man, Play and Games) and Stephen Nachmanovitch ^[3] expand on these concepts in their works.

Structured play has clearly defined goals and rules; when this is the case, such play is called a "game". Other play is unstructured, without rules. Both types of play promote adaptive behaviors and mental states of happiness.

Often play with rules will take place within specific play spaces, such as sports fields where, for example, players kick a ball in a certain direction and push opponents out of their way as they do so. While appropriate within the play space, these same behaviors might be inappropriate or even illegal outside the playfield.^[2]

The National Institute for Play describes seven play types^[4]:

1. Attunement, which establishes a connection, such as between newborn and mother.
2. Body, in which an infant explores the ways in which his or her body works and interacts with the world, such as making funny sounds or discovering what happens in a fall.
3. Object, such as playing with toys, banging pots and pans, handling physical things in ways that use curiosity.
4. Social, play which involves others in activities such as tumbling, making faces, and building connections with another child or group of children.
5. Imaginative (also called "pretend" or "fantasy"), in which a child invents scenarios from his or her imagination and acts within them as a form of play, such as princess or pirate play.
6. Narrative (or storytelling), the play of learning and language that develops intellect, such as a parent reading aloud to a child, or a child retelling the story in his or her own words.
7. Transformative (or integrative), by which one plays with imagination to transcend what is known in the current state, to create a higher state. For example, a person might experiment to find a new way to use a musical instrument, thereby taking that form of music to a higher plane; or, as Einstein was known to do, a person might wonder about things which are not yet known and play with unproven ideas as a bridge to the discovery of new knowledge.

Separate from self-initiated play, play therapy is used as a clinical application of play aimed at treating children who suffer from trauma, emotional issues and other problems. ^[5]

Play and children[link]

In young children, play is frequently associated with cognitive development and socialization. Play that promotes learning and recreation often incorporates toys, props, tools or other playmates. Play can consist of an amusing, pretend or imaginary activity alone or with another. Some forms of play are rehearsals or trials for later life events, such as "play fighting", pretend social encounters (such as parties with dolls), or flirting.^[6] Modern findings in neuroscience suggest that play promotes flexibility of mind, including adaptive practices such as discovering multiple ways to achieve a desired result, or creative ways to improve or reorganize a given situation.

As children get older, they engage in board games, video games and computer play, and in this context the word gameplay is used to describe the concept and theory of play and its relationship to rules and game design. In their book, Rules of Play, researchers Katie Salen and Eric Zimmerman outline 18 schemas for games, using them to define "play", "interaction" and "design" formally for behaviorists.^[7] Similarly, in his book Half-Real: Video Games between Real Rules and Fictional Worlds, game researcher and theorist Jesper Juul explores the relationship between real rules and unreal scenarios in play, such as winning or losing a game in the real world when played together with real-world friends, but doing so by slaying a dragon in the fantasy world presented in the shared video game.^[8]

Playing in the surf is among the favorite activities of children at the beach

Children playing in community place sandbox

Learning through play has been long recognized as a critical aspect of childhood and child development. Some of the earliest studies of play started in the 1890s with G. Stanley Hall, the father of the child study movement that sparked an interest in the developmental, mental and behavioral world of babies and children. Play also promotes healthy development of parent-child bonds, establishing social, emotional and cognitive developmental milestones that help them relate to others, manage stress, and learn resiliency. ^[9][10]

Modern research in the field of affective neuroscience (the neural mechanisms of emotion) has uncovered important links between role play and neurogenesis in the brain.^[11] For example, researcher Roger Caillois used the word ilinx to describe the momentary disruption of perception that comes from forms of physical play that disorient the senses, especially balance.

In addition, evolutionary psychologists have begun to explore the phylogenetic relationship between higher intelligence in humans and its relationship to play, i.e., the relationship of play to the progress of whole evolutionary groups as opposed to the psychological implications of play to a specific individual.

Play is explicitly recognized in Article 31 of the Convention on the Rights of the Child (adopted by the General Assembly of the United Nations, November 29, 1989), which declares:

• Parties recognize the right of the child to rest and leisure, to engage in play and recreational activities appropriate to the age of the child and to participate freely in cultural life and the arts.
• Parties shall respect and promote the right of the child to participate fully in cultural and artistic life and shall encourage the provision of appropriate and equal opportunities for cultural, artistic, recreational and leisure activities.

History of Childhood Playtime[link]

Children's Games, 1560, Pieter Bruegel the Elder

American historian Howard Chudacoff has studied the interplay between parental control of toys and games and children's drive for freedom to play. In the colonial era, toys were makeshift and children taught each other very simple games with little adult supervision. The market economy of the 19th century enabled the modern concept of childhood as a distinct, happy life stage. Factory-made dolls and doll houses delighted young girls. Organized sports filtered down from adults and colleges, and boys learned to play with a bat, a ball and an impromptu playing field. In the 20th century, teenagers were increasingly organized into club sports supervised and coached by adults, with swimming taught at summer camps. Under the New Deal's WPA, thousands of local playgrounds and ball fields opened, promoting softball especially as a sport for all ages and both sexes. By the 21st century, Chudacoff notes, the old tension between parental controls and a child’s individual freedom was being played out in cyberspace.^[12]

Play and adults[link]

Although adults who engage in excessive amounts of play may find themselves described as "childish" or "young at heart" by less playful adults, play is actually an important activity, regardless of age. Creativity and happiness can result from adult play, where the objective can be more than fun alone, as in adult expression of the arts, or curiosity-driven science.^[13] Some adult “hobbies” are examples of such creative play. In creative professions, such as design, playfulness can remove more serious attitudes (such as shame or embarrassment) that impede brainstorming or artistic experimentation in design.^[13]

Imaginative play and role play may allow adult individuals to practice useful habits such as learned optimism, which is helpful in managing fear or terrors. Play also offers adults the opportunity to practice concepts that may not have been explicitly or formally taught (e.g. how to manage misinformation or deceit). Thus, even though play is just one of many tools used by effective adults, it remains a necessary one.^[14]

Play and animals[link]

A cat plays with an adder.

Although ethologists are now studying animal play, historically it has been given comparatively little attention by scientists. This may be due to the nature of such play, which does not have the central theoretical framework on which much scientific theory and study depend.

Evolutionary psychologists believe that there must be an important benefit of play, since there are so many reasons to avoid it. Animals are often injured during play, become distracted from predators, and expend valuable energy. In rare cases, play has even been observed between different species that are natural enemies such as a polar bear and a dog.^[15] Yet play seems to be a normal activity with animals who occupy the higher strata of their own hierarchy of needs. Animals on the lower strata, e.g. stressed and starving animals, generally do not play.^[14]

One theory – "play as preparation" – was inspired by the observation that play often mimics adult themes of survival. Predators such as lions and bears play by chasing, pouncing, pawing, wrestling, and biting, as they learn to stalk and kill prey. Prey animals such as deer and zebras play by running and leaping as they acquire speed and agility. Hoofed mammals also practice kicking their hind legs to learn to ward off attacks. While mimicking adult behavior, attacking actions such as kicking and biting are not completely fulfilled, so playmates do not generally injure each other. In social animals, playing might also help to establish dominance rankings among the young to avoid conflicts as adults.^[14]

John Byers, a zoologist at the University of Idaho, discovered that the amount of time spent at play for many mammals (e.g. rats and cats) peaks around puberty, and then drops off. This corresponds to the development of the cerebellum, suggesting that play is not so much about practicing exact behaviors, as much as building general connections in the brain. Sergio Pellis and colleagues at the University of Lethbridge in Alberta, Canada, discovered that play may shape the brain in other ways, too. Young mammals have an overabundance of brain cells in their cerebrum (the outer areas of the brain – part of what distinguishes mammals). There is evidence that play helps the brain clean up this excess of cells, resulting in a more efficient cerebrum at maturity.^[14]

Marc Bekoff (a University of Colorado evolutionary biologist) proposes a "flexibility" hypothesis that attempts to incorporate these newer neurological findings. It argues that play helps animals learn to switch and improvise all behaviors more effectively, to be prepared for the unexpected. There may, however, be other ways to acquire even these benefits of play: the concept of equifinality. The idea is that the social benefits of play for many animals, for example, could instead be garnered by grooming. Patrick Bateson maintains that equifinality is exactly what play teaches. In accordance with the flexibility hypothesis, play may teach animals to avoid "false endpoints". In other words, they will harness the childlike tendency to keep playing with something that works "well enough", eventually allowing them to come up with something that might work better, if only in some situations. This also allows mammals to build up various skills that could come in handy in entirely novel situations.^[14]

See also[link]

• Toy
• Behavioral cusp
• Imaginary friend
• Ludens (disambiguation) (Ludens means "playing" in Latin
• Play therapy
• Play value
• Playground
• Playspace
• Playwork
• Playing the system

References[link]

Further reading[link]

Sports and games portal

Please expand this article. Some suggested sources are given hereafter. More information might be found in a section of the talk page. (February 2012)

• Caillois, R. (2001). Man, play, and games. Urbana and Chicago, University of Illinois Press (originally published in 1958; translated from the French by Meyer Barash).
• Huizinga, J. (1955). Homo ludens; a study of the play-element in culture. Boston,, Beacon Press.
• Jenkinson, Sally (2001). The Genius of Play. Hawthorn Press
• Sutton-Smith, B. (1997). The ambiguity of play. Cambridge, Mass., Harvard University Press.
• The Genesis of Animal Play: Testing the Limits Gordon M. Burghardt [1]
• Wenner, M. (2009). "The Serious Need for Play" – Free, imaginative play is crucial for normal social, emotional and cognitive development. It makes us better adjusted, smarter and less stressed, Scientific American.
• Gray, P. (2008–2009). "Social Play and the Genesis of Democracy", "The Value of Play I: The Definition of Play Provides Clues to Its Purposes", "The Value of Play II: How Play Promotes Reasoning in Children and Adults", "The Value of Play III: Children Use Play to Confront, not Avoid, Life's Challenges and Even Life's Horrors", "The Value of Play IV: Play is Nature's Way of Teaching Us New Skills", "How to Ruin Children's Play: Supervise, Praise, Intervene", Psychology Today.

External links[link]

Wikimedia Commons has media related to: play

• The National Institute for Play
• The Play Foundation
• IPA World Home (International Play Association: Promoting the Child's Right to Play)
• Creative Play
• Brown, Stuart (2008) Why play is vital – no matter your age, TEDtalks, TED.com

Jason Hall
Born	(1971-05-20) May 20, 1971 (age 41) Buffalo, New York
Nationality	American
Other names	Jace
Occupation	artist, producer, writer, gamer

Jason "Jace" Hall (born May 20, 1971 in Buffalo, New York) is an American film, television and video game producer, best known for being founder and Chief Executive Officer of Monolith Productions Inc^[1] and President of HDFILMS, INC^[2].

He is also the star, producer, and writer of the reality online series, The Jace Hall Show as well as the current Executive Producer of The Morning After (web series) and previously on ABC's new "V" Television series^[3].

Career[link]

After becoming the Senior Vice President and General Manager of Warner Bros. Interactive Entertainment (WBIE) in 2004, Hall produced and released video games including The Matrix Online, F.E.A.R., Condemned: Criminal Origins, 300: March to Glory, Justice League Heroes, Happy Feet, Harry Potter and the Goblet of Fire, Batman Begins and Friends: The One with All the Trivia video game. One of his most notable roles inside a video game is as the voice of Tchernobog in Blood and Blood II: The Chosen as well as The Voice, the BloodBath commentator.And the up and coming adventures of where's Waldo^[4].

In 2007, Hall founded HDFILMS INC., a production company that produces film, television, videogame and online content. The company is best known for its original reality show, The Jace Hall Show, which debuted on Crackle.com and reached over 4 million viewers. In 2010, the show switched to IGN and is currently in production on its 5th season.

HDFILMS also produces The Morning After^[5], a daily, pop culture online series appearing on Hulu's front page.

Hall is adding singer-songwriter to his resume with recent release of the new Mortal Kombat music video (over 18 million views)^[6] and his EP VIDEO GAMES AREN’T BAD FOR YOU^[7]

Hall is also the main author of the Jace Hall Show website^[8], one of Alexa.com's Top 100,000 sites^[9].

[edit] Video games credited (partial list of over 40 titles)^[10]

==Television credited==^[11]

• V The Series (2009–2010) (Warner Bros. Television) Executive Producer

Television series based on V (1983 miniseries) which premiered on NBC. Pilot in development with ABC and written by Scott Peters of The 4400.

• The Unforgettable (2011) – (Warner Bros.) Co-producer and Original Concept by

Original concept entitled Species X or Iniquity, created by Hall and Nathan Hendrickson, is the basis for the movie as well as the video game Condemned: Criminal Origins and Condemned 2: Bloodshot.

• Brothers in Arms (2009) – Executive Producer

Supposedly based on a true story, action is set at the end of WWII, when Gen. George S. Patton ordered up a top-secret mission to rescue his son-in-law from a POW camp 60 miles behind German lines. The brass said 3,000 men were needed for the job; Patton allotted 294 and a leader who wouldn’t quit, a 24-year-old captain named Abe Baum.

• PVC-1 (2008) – Producer

Film was an award-nominated entry in the Cannes International Film Festival in 2007. IFC Films announced the acquisition of the film in 2008 for its Festival Direct arm.

Online content credited[link]

• "The Morning After" (2011–Present) (HDFILMS, INC.) Executive Producer

Pop Culture, Daily Online-Series appearing on Hulu.com

• Chadam – Executive Producer^[12]

Animated series created by Alex Pardee and produced by HDFilms and Warner Bros. Television with Todd Roy to air online in 2009. The entire series was built using the Unreal Engine 3 - known as the engine behind the games Gears of War and Bioshock. Hall pushed the boundaries of traditional filmmaking by using a computer game engine in order to meet the challenge of animating Pardee's surreal work.^[13]

• The Jace Hall Show – Executive Producer

The Jace Hall Show is an online reality show co-created with Todd Roy, which airs on Microsoft's XBOX Live Marketplace, Sony's Crackle.com and Ign.^[14] The show covers video game news and personalities as well as interviews with film/TV/sports celebrities.

Sources[link]

• Jace Hall at the Internet Movie Database
• Moby Games Database
• GameSpy
• HD Films

External links[link]

• Jace Hall at the Internet Movie Database
• The Jace Hall Show
• HDFILMS, Inc.

References[link]

This article uses bare URLs for citations. Please consider adding full citations so that the article remains verifiable. Several templates and the Reflinks tool are available to assist in formatting. (Reflinks documentation) (March 2012)