2:27
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Jake Bugg - Taste It
'Taste It', the new single from Jake Bugg, released 15th July on iTunes. Jake Bugg...
published: 09 Jul 2012
Author: JakeBuggVEVO
Jake Bugg - Taste It
'Taste It', the new single from Jake Bugg, released 15th July on iTunes. Jake Bugg's debut album is out 15th October 2012. Available to pre-order now on: Amazon: amzn.to Play.com: bit.ly www.facebook.com www.twitter.com www.youtube.com thejakebugg.tumblr.com soundcloud.com Music video by Jake Bugg performing Taste It. (C) 2012 Mercury Records, a division of Universal Music Operations Limited
3:35
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Rory Gallagher (Taste)- Gambling Blues ( Live-isle of wight)
Isle of Wight 1970 Rory Gallagher Playing on his Fender Telecaster...
published: 25 May 2006
Author: Metalrik
Rory Gallagher (Taste)- Gambling Blues ( Live-isle of wight)
Isle of Wight 1970 Rory Gallagher Playing on his Fender Telecaster
3:33
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Taste 1970 Beat Club Morning Sun
Rory Gallagher and Taste perform "Morning Sun" (Beat Club 1970)...
published: 24 Aug 2009
Author: bony618
Taste 1970 Beat Club Morning Sun
Rory Gallagher and Taste perform "Morning Sun" (Beat Club 1970)
4:32
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Josh Abbott Band - Taste
Well its late tonight, and i see the look in your eyes. They light you up like a burning f...
published: 12 Nov 2009
Author: soxy709
Josh Abbott Band - Taste
Well its late tonight, and i see the look in your eyes. They light you up like a burning fire full of desire. And I touch your face, and you move with grace. And our lips collide in a burning ride with a warm embrace. I wanna taste your skin; I wanna be let in. I wanna hold you and feel you like youve never been. I wanna touch you there; I wanna kiss you here. And maybe by the sunrise well both cometo our senses. Well I close my eyes and I open my heart as the heat of the moment slowly tears our clothes apart. And we begin to move as I slowly surrender to the beauty and seduction that embodies you.
2:22
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Jake Bugg - Taste It - Zane Lowe 'Hottest Record' BBC Radio 1
'Taste It', the new single from Jake Bugg, released 15th July on iTunes. Jake Bugg...
published: 22 Jun 2012
Author: TheJakeBugg
Jake Bugg - Taste It - Zane Lowe 'Hottest Record' BBC Radio 1
'Taste It', the new single from Jake Bugg, released 15th July on iTunes. Jake Bugg's debut album is out 15th October 2012. Available to pre-order now on: Amazon: amzn.to Play.com: bit.ly Download "Saffron" free from Jake's Facebook page: on.fb.me www.facebook.com www.twitter.com www.youtube.com thejakebugg.tumblr.com soundcloud.com
3:54
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Animal Collective - Taste
Animal Collective - Merriweather Post Pavilion - Track 08...
published: 12 Feb 2009
Author: darksettler
Animal Collective - Taste
Animal Collective - Merriweather Post Pavilion - Track 08
2:34
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Taste | David Mitchell's Soapbox
David Mitchell gives his personal opinion on personal tastes. LIKE David Mitchell on Faceb...
published: 23 Aug 2012
Author: davidmitchellsoapbox
Taste | David Mitchell's Soapbox
David Mitchell gives his personal opinion on personal tastes. LIKE David Mitchell on Facebook @ on.fb.me David Mitchell's Soapbox DVD @ amzn.to ABOUT DAVID MITCHELL'S SOAPBOX: David Mitchell, star of UK TV favourites Peep Show and That Mitchell and Webb Look, brings us his unique perspective on the issues facing men of the world today.
2:49
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Taste-What's going on
Temazo de los Taste....
published: 19 Jun 2009
Author: Ricardo Fernández
Taste-What's going on
Temazo de los Taste.
4:28
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Magik Markers - Taste
☺☻...
published: 09 Jul 2008
Author: PBLongstocking
Magik Markers - Taste
☺☻
3:34
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Taste The Waste - Trailer
Trailer for Film project, see also: www.tastethewaste.com Taste the Waste A film by Valent...
published: 11 Feb 2010
Author: foodwastetv
Taste The Waste - Trailer
Trailer for Film project, see also: www.tastethewaste.com Taste the Waste A film by Valentin Thurn, in production, will be broadcasted in october 2010 Between plough and plate we waste almost as much food as we eat. Lettuce is thrown away every second, for example. Reducing waste would help combat climate change and hunger. This situation has to change, and change quickly. Taste the Waste is a television documentary linked to an international campaign via the internet that will allow us to monitor events across the globe. While the website covers the globe, the film will take us into the personal world of the people who are desperately trying to stop this: Tristram Stuart, pig farmer and well-known author from Britain, or Hanna Poddig, eco-activist from Berlin, offer us small-scale examples of the greater struggle.
4:08
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Halestorm - Familiar Taste of Poison [Official Video]
The official video for Halestorm's "Familiar Taste of Poison". Visit www.hal...
published: 10 Aug 2010
Author: HalestormRocks
Halestorm - Familiar Taste of Poison [Official Video]
The official video for Halestorm's "Familiar Taste of Poison". Visit www.halestormrocks.com for more information. Lyrics: www.halestormrocks.com To purchase the record: store.atlanticrecords.com
3:37
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The Taste Of Ink - The Used
Music video....
published: 12 May 2009
Author: TheRavenOf666
The Taste Of Ink - The Used
Music video.
4:56
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INXS : TASTE IT
INXS : TASTE IT uk_inxsfan@yahoo.co.uk...
published: 05 Mar 2011
Author: UKINXSFAN
INXS : TASTE IT
INXS : TASTE IT uk_inxsfan@yahoo.co.uk
4:45
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Wild Beasts - We Still Got The Taste Dancin' On Our Tongues (2010)
'Why should we feel bad for what we've done?' We Still Got The Taste Dancin On...
published: 09 Feb 2010
Author: DominoRecords
Wild Beasts - We Still Got The Taste Dancin' On Our Tongues (2010)
'Why should we feel bad for what we've done?' We Still Got The Taste Dancin On Our Tongues is a tale of insatiable lust, full of twisted bawdiness and louche adventures, in Wild Beasts unique, inimitable style. Video directed by Luke Seomore & Joseph Bull (Institute For Eyes) www.wild-beasts.co.uk www.dominorecordco.com Recording Company is an independent record label founded in 1993. Subscribe to Domino: goo.gl dominorecordco.com http twitter.com open.spotify.com
Vimeo results:
6:22
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OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
2:05
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Coffee Time
Every cup of coffee contains its own soul, extracted from your feeling today.every cup of ...
published: 08 May 2011
Author: wan-tzu
Coffee Time
Every cup of coffee contains its own soul, extracted from your feeling today.every cup of coffee is like a magic show containing different journey and bringing the unending imagination and surprises.With a sip of coffee, you not only taste your own story, but also change your perspective of the world.
------
it's my first time try to make a stop-motion animation.
I used to be a senior student majoring in commercial design who had no interest whatsoever in animation. However, last summer I saw a amazing work "SNASK" (http://vimeo.com/10435821) , which awakened in me a huge interest in Stop-Motion. This was also my very first encounter towards videos.
Indeed, "Coffee Time" was adapted from Mike Crozier's animation "SNASK", I used that as a template for my own first practice video made with stop-motion. I tried to recreate the effects from "SNASK" (http://vimeo.com/10435821) , and I learned so much from this process. At the end of the video, I mixed in an animation containing my personal favorite coffee elements.
It's not apply to any commercial act. It only served as my first practice of stop-motion, and I show great appreciation and respect for Mike Crozier. The original producer was notified prior to the publishing of the video. My initial intention was to humbly share my practicing result with relatives and friends. But now the consequence was totally out of my expectation. I am greatly honored by all the feedback and encouragement, which I am deeply appreciative of.
I hope that everyone can put more emphasis on the processing. For me, a heart-touching film is like a good mentor, exerting much influence. And "SNASK" is just like a mother to me, bearing the interests for stop-motion, and inspiring me with the motive of learning. All the praises and admiration the video has received undoubtedly belongs to Mike Crozier.
It took me one month for deliberation, production, prop preparation, almost two weeks of shooting, and 1,705 pieces of photos to finish the video.
---
Music by Les Filstool from Puberté des oreilles album (http://www.jamendo.com/en/album/70112)
6:22
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Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
3:56
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Ormie
Ormie is a Pig, in every sense of the word. Pig see cookie. Pig want cookie. But they are ...
published: 03 Aug 2011
Author: Ormie Pig
Ormie
Ormie is a Pig, in every sense of the word. Pig see cookie. Pig want cookie. But they are out of reach...or are they? See Ormie's attempts to gain the warm sweet taste that is his obsession.
Watch the short film that has film festival audiences laughing and cheering. Ormie has garnered 8 Festival Awards including Best Short Film (Savannah FF 2010, Palm Springs Int'l Shorts Fest 2010, Sprockets 2010, Seattle Int'l FF 2010) and the Audience Award (New York Int'l Children's FF 2011).
Youtube results:
3:24
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Taste Lab
A short comedy set in a chemistry lab. Production time: 5 months Software: Blender 2.5 Alp...
published: 20 Apr 2010
Author: ChrisIceBox
Taste Lab
A short comedy set in a chemistry lab. Production time: 5 months Software: Blender 2.5 Alpha 0 Budget: 0
10:46
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Comedians in Cars Getting Coffee - A Taste of Hell From on High
Jerry's special guest is Joel Hodgson in this episode of Comedians In Cars Getting Cof...
published: 24 Aug 2012
Author: Crackle
Comedians in Cars Getting Coffee - A Taste of Hell From on High
Jerry's special guest is Joel Hodgson in this episode of Comedians In Cars Getting Coffee. Next episode starting August 30th @ 9pm ET/6pm PT. Watch hundreds of free full-length streaming movies and TV shows on www.crackle.com. Crackle Twitter twitter.com Be a Facebook Fan! www.facebook.com
4:45
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Fiona Apple - The First Taste
rare video. better quality than what's already on here....
published: 02 Jun 2006
Author: superxero88
Fiona Apple - The First Taste
rare video. better quality than what's already on here.
3:58
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Placebo - Taste In Men
***Official Video*** +Lyrics+ Come back to me awhile Change your style again Come back to ...
published: 18 Oct 2009
Author: emeraldas79
Placebo - Taste In Men
***Official Video*** +Lyrics+ Come back to me awhile Change your style again Come back to me awhile Change your taste in men It's been this way since Christmas Day Dazzled, doused in gin Change your taste in men Come back to me awhile Change your style again Come back to me awhile Change your taste in men I'm killing time on Valentine's Waiting for the day to end Change your taste in men Come back to me awhile Change your style again Come back to me awhile Change your taste in men It's been this way since Christmas Day Dazzled, doused in gin Change your taste in men Change your taste in men Change your taste in men Change your taste in men Change your taste in men Change your taste in men Change your taste in men Change your taste in men Change your taste in men Change your taste in men =Copyright Placebo=