Lê Duẩn (7 April 1907 – 10 July 1986) was a Vietnamese communist politician. He rose in the party hierarchy in the late 1950s, and was elected General Secretary of the Central Committee of the Communist Party of Vietnam at the 3rd Party Congress. Le Duan continued Hồ Chí Minh's policy of ruling through collective leadership. From 1958 until his death in 1986, Le Duan was the top decision-maker in Vietnam.

Born into a lower class family in Quảng Trị province, French Indochina, little is known about Le Duan's family and childhood; his birthname remains unknown. He first came in contact with Marxist literature in the 1920s through his work as a railway clerk. Le Duan was a founding member of the Indochina Communist Party (the future Communist Party of Vietnam) in 1930, but was arrested the following year, in 1931. He spent six years in jail until he was released in 1937. From 1937 to 1939 he worked himself up the party ladder; but he was rearrested in 1939, this time for fomenting an uprising in the South. Le Duan was released from jail following the successful communist-led August Revolution.

During the First Indochina War, Le Duan was active in a communist cadre in the South. He headed the Central Office of South Vietnam, a Communist Party organ, from 1951 until 1954. During the 1950s Le Duan became increasingly aggressive towards the South and called for reunification through war. By the mid-to-late 1950s Le Duan had become the second-most powerful policy-maker within the Communist Party, eclipsing former party First Secretary Trường Chinh. By 1960, at the 3rd Party Congress, Le Duan had become General Secretary and, because of his office, officially become the second-most powerful party member, after Hồ Chí Minh, the party Chairman. Throughout the 1960s Hồ's health began to decline, and Le Duan took over more of his responsibilities. On 2 September 1969, Hồ died and Le Duan became the most powerful decision-maker in Vietnam.

Throughout the Vietnam War, Le Duan had held an aggressive posture against the Americans. Attack, rather than a defensive strategy, was to be the key to victory. When Vietnam finally won the war in 1975, Le Duan and his associates were overly optimistic about the future. The Second Five-Year Plan (1976–1980) was a failure, and after it the Vietnamese economy was in dire crisis. To make matters worse, Vietnam was headed by a gerontocracy (in which the rulers are much older than the population average). Vietnam became internationally isolated during Le Duan's rule; the country had invaded Cambodia and ousted Pol Pot from power (which was internationally condemned), engaged in a short war with China and had become dependent on Soviet economic aid. Le Duan died in 1986 and was succeeded by Trường in July 1986; Trường was in turn succeeded by Nguyễn Văn Linh in December later that year.

Early life and career[link]

Le Duan was born in Quảng Trị province on 7 April 1907^[1] (although some sources cite 1908).^[2] Little is known about Le Duan's family and youth. His birthname is unknown; Le Duan is a pseudonym.^[2] The son of a railway clerk^[3], he became active in revolutionary politics early in his life. Le Duan received a French colonial education before he began working as a clerk for the Vietnam Railway Company in Hanoi during the 1920s.^[2] Through his job, Duẩn came into contact with several communists.^[4] It was in this period he became an keen supporter of Marxism.^[5]

Le Duan became a member of the Vietnamese Revolutionary Youth League in 1928.^[6] He was one of the cofounders of the Indochina Communist Party, which was established in 1930. His activities in the newly-established communist party did not last long; Le Duan was arrested in 1931. He was released six years later, in 1937. From 1937 to 1939 he worked his way up the party ladder, and at the Second Congress of the Indochina Communist Party, he was elected to its Central Committee.^[7] He was arrested the following year for trying to foment an uprising in South Vietnam, but was released shortly after the 1945 August Revolution, the event in which the Indochinese Communist Party took power. Following his release from jail, he became a trusted associate of Hồ Chí Minh, a leading Vietnamese communist.^[8]

During the First Indochina War Le Duan served as the Secretary of the Regional Committee of South Vietnam. At first in Cochin China in 1946, but he was appointed to be responsible for the Central Office of South Vietnam from 1951 until 1954. The Viet Minh's stance in the South became increasingly tenuous by the early-to-mid 1950s, and in 1953 Le Duan was replaced by his deputy Lê Đức Thọ, and returned to North Vietnam. In the aftermath of the 1954 Geneva Accords, which indirectly decided to split Vietnam, into North and South Vietnam, Le Duan was responsible for reorganising the combatants who had fought in South and Central Vietnam.^[8] In 1956, Le Duan wrote a thesis called "The Road to the South", which called for a violent revolution in South Vietnam against the United States to achieve reunification. The thesis was accepted as a blueprint for action by the Vietnamese Central Committee at its 11th Plenum in 1956. Although "The Road to the South" was formally implemented, in practice its implementation was postponed to 1959.^[9]

Throughout 1956, the party had been split by factional rivalry between party boss Trường Chinh and President Hồ, who was supported by Võ Nguyên Giáp. This rivalry focused on the issue of land reform in North Vietnam. As Le Duan was identified with neither of these factions, neither objected when he began performing the duties of First Secretary (head of the communist party) on behalf of Hồ in late 1956. At the May Day parade in 1957, Trường Chinh was still seated as the second most powerful figure within the communist system. Le Duan was gradually able to place his supporters, notably Lê Ðức Thọ, in top positions and outmaneuver his rivals. He visited Moscow in November 1957 and received the green light for his war plans regarding the South.^[10] By 1958, Le Duan was ranked as second only to Hồ in the party hierarchy, although Chinh remained powerful in the government bureaucracy. Le Duan was a party man, and throughout his life, he would never hold a governmental post.^[11]

In December 1957, Hồ told the 13th Plenary Session of a "dual revolution"; Chinh became responsible for the socialist transformation of North Vietnam, while Le Duan focused on planning the offensive in South Vietnam.^[11] Le Duan was ordered by the Politburo, in August 1956, to guide the revolutionary struggle in South Vietnam. The same month he travelled from U Minh to Ben Tre, and instructed the South Vietnamese communists to stop fighting in the name of religious sects. He entrusted Sau Dương to write an ideological thesis on the proper conduct of military propaganda.^[9] Le Duan made a brief, and secret visit to South Vietnam in 1958, and wrote the report The Path to Revolution in the South, in which he stated that the North Vietnamese had to do more to assist the southern communists against the South Vietnamese government.^[12] The Central Committee decided to initiate the revolution in South Vietnam in January 1959.^[13]

Shortly after writing "The Road to the South", Le Duan was appointed to the Secretariat in 1956, and in 1957, he was given a seat in the Politburo. Le Duan was informally chosen as the party's First Secretary (later known as the General Secretary) by Hồ in 1959, at the January plenum of the Central Committee, and was elected to the post de jure at the 3rd Party Congress.^[8] Le Duan was not Hồ's original choice for First Secretary according to Bui Tin; his preferred candidate was Võ Nguyên Giáp, but since Le Duan was supported by the influential Lê Đức Thọ, the Head of the Party Organisational Department, Le Duan was picked for the post. Le Duan was considered a safe choice because of his time in prison during French rule, his thesis "The Road to the South" and his strong belief in Vietnamese reunification.^[14] Hoàng Văn Hoan claimed, after being sent into exile, that the 3rd Congress, which elected Le Duan as First Secretary, purged several party members; this may be true, three former ambassadors lost their seats in the Central Committee at the Congress.^[15]

General Secretaryship[link]

Political infighting and power[link]

Le Duan was officially named party leader in 1960, leaving Hồ a public figure for the Vietnamese rather than actually governing the country. Hồ maintained much influence in the government: Le Duan, Tố Hữu, Trường Chinh, and Phạm Văn Đồng would often share dinner with him. Later, throughout and after the war, all of them remained key figures in Vietnam. In 1963, Hồ purportedly corresponded with South Vietnamese President Diệm in the hope of achieving a negotiated peace.^[16] Together with Lê Đức Thọ, Head of the Party Organisational Department, and Nguyễn Chí Thanh, a military general, Le Duan tried to monopolise the decision-making process – this became even more evident following Hồ's death.^[17] Beginning in 1964, Hồ's health began to fail and Le Duan, as Hồ's second-man, took on more day-to-day decision-making responsibilities.^[18] There are some who claim that by 1965, Hồ and Le Duan were enemies, and that "for all intents and purposes" Le Duan had managed to sideline Hồ.^[19] Le Duan, Lê Đức Thọ and Phạm Hùng "progressively tried to neutralise Hồ Chí Minh" and Phạm Văn Đồng.^[19]

By the late-1960s, Hồ's position within the Vietnamese leadership had been considerably weakened due to his declining health. While Hồ was still consulted on important decisions, it was Le Duan who was the dominant driving force within the party. When Hồ died on 2 September 1969, the collective leadership he had espoused continued, but Le Duan became its first amongst equals.^[20] The first resolution from the Central Committee, in response to Hồ's death, pledged to uphold the collective leadership. Le Duan chaired the committee responsible for Hồ's funeral. At the funeral, Le Duan gave the last tribute speech to Hồ.^[21]

The party leadership had, from the beginning, been split into factions; one pro-Soviet, one pro-Chinese and one moderate.^[22] Under Hồ the party had followed a policy of neutrality between the Soviet Union and the People's Republic of China, in the aftermath of the Sino-Soviet split. This line was kept until 1975, when the war ended. In the aftermath of the war, a power struggle began between the pro-Soviet and pro-Chinese factions; the pro-Soviet led by Le Duan won. Le Duan and Lê Đức Thọ, former rivals, formed a coalition within the Party leadership; together they initiated a purge against the pro-Chinese faction, the first two victims being Hoàng Văn Hoan Chu Văn Tấn. While the Politburo was a collective decision-making organ, which decided on issues through the support of a majority, Le Duan, through his post as General Secretary, was the most powerful figure within the Politburo. Le Duan was able to amass such power due to his alliance with Lê Đức Thọ, Trần Quốc Hoàn and Võ Nguyên Giáp.^[23] Together with Lê Đức Thọ, Le Duan controlled personnel appointment in the Ministry of Internal Affairs, the State Planning Commission, the Ministry of Foreign Affairs, the General Political Directorate of the Vietnam People's Army (VPA), the General Logistics Department of the VPA and the Ministry of Transport.^[24]

To strengthened their hold on power, Le Duan and Lê Đức Thọ followed a policy of nepotism, where favor was granted to relatives regardless of merit. For instance Lê Đức Thọ's brother Đinh Đức Thiện was appointed Minister of Communications and Transport; in April 1982 Đồng Sỹ Nguyên, a protege of Le Duan, became Minister of Transport.^[25] Mai Chí Thọ, another brother of Lê Đức Thọ, was Chairman of the People's Committee of Hồ Chí Minh City (equivalent to a Mayor) from 1978 to 1985. Several people, related to Le Duan by blood, were appointed to the propaganda and cultural sector of the state. However, most of the leadership were not relatives of Le Duan or Lê Đức Thọ, for instance Phạm Hùng held the post of Minister of Home Affairs.^[26]

Vietnam War[link]

At the 3rd Congress, held in 1960, Le Duan called for the establishment of a South Vietnamese people's front.^[27] The Central Committee responded to Le Duan's call in September 1960, and supported the establishment of the front. In a statement the Central Committee said, "The common task of the Vietnamese revolution at present is to accelerate the socialist revolution in North Vietnam whilst at the same time stepping up the National People's Democratic Revolution in South Vietnam."^[28] On 20 December 1960, three months later, the National Front for the Liberation of the South, better known as Viet Cong, was established. Le Duan claimed that the Viet Cong would "rally 'all patriotic forces' to overthrow the Diem Government [in the South] and thus ensure 'conditions for the peaceful reunification of the Fatherland'".^[28]

After the Sino–Soviet split, the Vietnamese communist leadership became divided into two factions, pro-China and pro-Soviet; Le Duan (at the beginning) was labelled pro-China, because of his hawkish policies towards South Vietnam. It should be noted that he was later referred to as pro-Soviet when he ruled Vietnam. In the period 1956-1963, Le Duan played a moderating role between the two factions, but with the death of the South Vietnamese leader Ngô Đình Diệm and the Gulf of Tonkin incident, he became considerably more radical, more so than the Chinese liked.^[18] The Chinese continued to support them throughout the war, with Liu Shaoqi, the Chairman of the People's Republic of China, stating in 1965 that "it is our policy that we will do our best to support you."^[29] Unlike Hồ, who wanted a peaceful resolution to the conflict, Le Duan was much more aggressive. He wanted, in his own words, "final victory". He dismissed Hồ's position, as did the majority of the Politburo members. Le Duan dismissed Hồ for being "naive".^[30] When Hồ called for the establishment of a neutral South Vietnamese state in 1963, Le Duan responded by making overtures to the Chinese, who rejected the Soviet position of peaceful coexistence.^[31]

With the increased involvement of the United States military in the Vietnam War in 1965, the strategy against the South Vietnamese Government was forced to change. As Le Duan noted in a letter to Nguyễn Chí Thanh, the war would become "fiercer and longer".^[32] He believed, however, that the fundamentals of the conflict had not changed; the South Vietnamese regime's unpopularity remained its "Achilles heel".^[32] Le Duan still believed that victory could be achieved through a combination of uprising against the South Vietnamese regime and a communist offensive against it. The communist commanders in the South had to remain passive, and should restrict their forces to attacking already demoralised units of the Army of the Republic of South Vietnam (ARSV). The military had to keep the initiative in the conflict; Le Duan believed this to be a key to victory. He dismissed the possibility of an attack against North Vietnam by American forces, claiming that an attack on North Vietnam would be an attack on the socialist camp.^[32]

By July 1974, the Vietnamese leadership had decided to set the victory year to 1975, instead of 1976 as originally planned, because they believed an earlier Vietnamese unification would put Vietnam in a stronger position against Chinese and Soviet influence in the region.^[33] In his victory speech, Le Duan stated, "Our party is the unique and single leader that organised, controlled, and governed the entire struggle of the Vietnamese people from the first day of the revolution."^[34] In his speech he congratulated the Provisional Revolutionary Government of the Republic of South Vietnam (PRGRSV), the underground South Vietnamese government established in 1969, of liberating South Vietnam from imperialism. PRGRSV-ruled South Vietnam did not last long however, and in 1976 Vietnam was reunified and the Socialist Republic of Vietnam was established.^[35] Le Duan instituted a purge of South Vietnamese who had collaborated with the Americans during the war; up to 400,000 people were consigned to prison camps.^[36]

Economy[link]

Having won the war, and defeated South Vietnam, the mood in April 1975 could not have been more optimistic. As one Central Committee member put it, "Now nothing more can happen. The problems we face now are trifles compared to those in the past."^[37] Le Duan promised the Vietnamese people in 1976 that each family would own a radio set, refrigerator and TV within ten years; he seemed to believe he could easily integrate the South Vietnamese consumer society with industrial North Vietnam.^[38] The 4th Party Congress, held in December 1976, announced that Vietnam would complete its socialist transformation in 20 years. Their optimism would prove unfounded; in the next decades Vietnam staggered from one financial crisis to another. Vietnam had developed little during the war years; industry was nearly non-existent in both North and South, and both countries were dependent on foreign charity. To make matters worse, agriculture had been the main economic activity before the war, and its infrastructure had been badly damaged.^[39] The rude awakening began when the Soviet Union reduced its economic aid to Vietnam, when the United States refused give Vietnam a promised three million dollars, and the extent of war damage became apparent. In the South there were 20,000 bomb craters, 10 million refugees, 362,000 war invalids, 1 million widows, 880,000 orphans, 250,000 drug addicts, 300,000 prostitutes, and 3 million unemployed – Vietnam needed nothing short of an economic miracle to recover. About this time a split occurred in the Communist Party between those favoring the existing system of state control and a central planned economy, and those who wanted to reform the system.^[40]

Until the 6th plenum of the Central Committee of the 4th Party Congress, the conservative approach to economics prevailed. The plenum condemned the conservative way of ruling, and claimed that from then on the economy should be governed by "objective laws". The role of the plan and the market was openly discussed for the first time, and the roles of the family and the private economy were enhanced, and certain market prices were officially supported by the Party. At the beginning these changes had little practical effect on the economy; it may have been due to opposition by the conservatives and the general confusion amongst lower level cadres. In the years 1981–84 agricultural production grew substantially, but the government did not use this opportunity to increase production of crucial farm inputs such as fertilizers, pesticides and fuel, and of consumer goods. By the end of Le Duan's rule, in the years 1985–86, inflation had reached a level where rational economic policy-making was impossible.^[41]

The main goals of the Second Five-Year Plan (1976–1980), which was initiated at the 4th Party Congress, were as follows;^[42]

1. "Concentrate the forces of the whole country to achieve a leap forward in agriculture; vigorously develop light industry"
2. "turn to full account existing heavy industry capacity and build many new industrial installations, especially in the machine industry, so as to support primary agriculture and light industry"
3. "virtually complete socialist transformation in the South."

The Vietnamese leadership expected to reach these targets with economic aid from the Council for Mutual Economic Assistance (Comecon) and loans from international agencies of the capitalist world. The 4th Party Congress made it clear that agriculture would be socialised; however, during the Second Five-Year Plan the socialisation measures went so badly that Võ Chí Công, a Politburo member and Chairman of the Committee for the Socialist Transformation of Agriculture, claimed it would be impossible to meet the targets set by the plan by 1980. An estimated 10,000 out of 13,246 socialist cooperatives, established during the plan, had collapsed in the South by 1980.^[43] Lê Thanh Nghị, a member of the Politburo, accused lower-level cadres for the failure of the socialist transformation of agriculture—ironic since it was the party leadership which had led the country into such a mess. The collectivisation process led to an abrupt drop in food production in 1977 and 1978 and, because of it, the 6th Plenum of the Central Committee decided to overhaul the Party's agricultural policies completely.^[44]

With regard to heavy industry, the leadership's position was muddled. In his Fourth Political Report Le Duan stated that, during the transitional period to socialism, priority would be given to heavy industry "on the basis of developing agriculture and light industry". In another section of the report, Le Duan stated that light industry would be prioritised ahead of heavy industry. The position of Phạm Văn Đồng, the Chairman of the Council of Ministers (the head of government), was just as muddled as Le Duan’s.^[44] In practice heavy industry was always prioritised under Le Duan, the percentage of state investment in heavy industry was 21.4 in the Second Five-Year Plan and 29.7 percent in the Third Five-Year Plan (1981–1985), in contrast to light industry, which only received 10.5 and 11.5 respectively. From 1976 to 1978 industry grew, but from 1979 to 1980 industrial production fell substantially because of the Party's policy of socialist transformation and other factors, such as poor management. During the Second Five-Year Plan industry grew only a meager 0.1 percent. The 6th Plenum of the Central Committee criticised the policy that the state had to own everything.^[45] Heavy industry would be prioritized throughout Le Duan's rule, with him stating that the country had to get a "firm grip on socialist industrialisation", and claiming it was the principal task of the transitional period.^[46]

In 1976, Le Duan promised the Vietnamese people an improved standard of living in the next five to ten years. This, as history would prove, did not happen. In 1976 per capita income stood at US$101; it decreased to US$91 in 1980, and then increased to US$99 by 1982, according to figures by the United Nations. Phạm Văn Đồng admitted the failure of the Vietnamese leadership, and said that per capita income "had not increased compared to what it was ten years ago". Physical health declined, and malnutrition increased, under Le Duan according to the Ministry of Health.^[47] According to the International Herald Tribune issue of 14 April 1981, an estimated 6 million Vietnamese suffered from malnutrition. Shortly after, the Vietnamese government asked for aid from the United Nations Food and Agriculture Organization.^[48] The policies of Le Duan's regime led to an abrupt decline in the standard of living; monthly per capita income in the North had declined from $US81.6 in 1976 to $US57.8 in 1980 – the drop might have been larger in the South.^[49]

Before the 5th Plenum of the Central Committee, Le Duan believed that Vietnam was in a perilous position, although no talk of reforms occurred at that plenum.^[50] Beginning in 1979, Le Duan acknowledged that mistakes had been made by the national Party and State leadership in the economic sphere.^[51] The reforms enacted by the 6th Plenum of the Central Committee was given the official support of Le Duan at the 5th Party Congress (held in 1982). Le Duan talked about the need to strengthened both the central planned economy and the local economy at once.^[52] In his report to the 5th Party Congress, Le Duan admitted that the Second Five-Year Plan had been a failure economically.^[53]

Foreign relations[link]

Relations with the Eastern Bloc[link]

Le Duan visited the Soviet Union October 1975. The result of the visit was an official communique, which stated that the Soviets would sent qualified experts to the country to educate and train economic, scientific, technical and cultural personnel. The Soviet Union gave Vietnam economic assistance, and supported several national economic projects. Vietnam was given money by the Soviet Union on the most favoured terms for its part in socialist construction. The communique also stated cooperation between Vietnam within the "frameworks of multilateral cooperation of socialist countries." Such a statement would normally have meant membership in the Council of Mutual Economic Assistance (Comecon), but Vietnam was still not a member. Before becoming one of the Soviet Union's satellite states, the Vietnamese leadership tried to uphold their sovereignty; this they did by not becoming a member of COMECON immediately. Phạm Văn Đồng snubbed the Soviet ambassor to Vietnam during the anniversary of the October Revolution and rejected several key Soviet foreign policy views and goals.^[54] Despite the continued pressure from the Soviets, who sent Mikhail Suslov as an attendee to the 4th Party Congress, to become a member of the COMECON, Vietnam stood firm on sovereignty.^[54] Immediately after the end of the Vietnam War, the Vietnam became a member of the International Monetary Fund and the World Bank, a move the Soviet Union opposed.^[55]

Vietnam became a member of the Comecon in 1978, because of the leadership had failed to get enough economic aid to fund the Second Five-Year Plan.^[56] In 1978 Le Duan and Phạm Văn Đồng^[57] signed a 25-year Treaty of Friendship and Mutual Cooperation with the Soviet Union.^[56] Under Soviet protection, Vietnam invaded Kampuchea, then led by Pol Pot. In reaction to Vietnam's invasion of Kampuchea, China invaded Vietnam. While the Soviet Union paid lip service to Vietnam, when it came to actual material support, they did almost nothing. Vietnam responded by leasing several bases to the Soviet Union, to protect their territory from China. The normalization of relations between the Soviet Union and China was a worst case scenario for the Vietnamese leadership; it was rumored that one of China's demands was the ending of Soviet assistance to Vietnam if normalization happened. In many ways Vietnam played the role of Asia's Cuba; it supported local revolutionary groups and was a national headquarters for Soviet communism. Vietnam supported the Soviet intervention in the Democratic Republic of Afghanistan, and received $US3 million a day in military aid to act as the Soviet Union's southern flank against China.^[58]

Le Duan's foreign policy was criticised by Hoàng Văn Hoan, who accused Le Duan of giving up Vietnam's sovereignty to the Soviet Union.^[59] A Soviet delegation led by Vitaly Vorotnikov, a member of the Soviet Politburo, visited Vietnam during its National Day, the holiday which celebrated the establishment of North Vietnam in the aftermath of the August Revolution, and met Le Duan personally.^[60] He^[who?] attended the 27th Congress of the Communist Party of the Soviet Union, and later met with Mikhail Gorbachev during his vacation in the Soviet Union in the aftermath of the 27th Party Congress.^[61] Nikolai Ryzhkov, the Chairman of the Council of Ministers, and Anatoly Dobrynin represented the Soviet Union at Le Duan's funeral.^[62]

Relations with China[link]

During the Vietnam War, the Chinese claimed that the Soviet Union would betray Vietnam. Zhou Enlai, the Premier of the People's Republic of China, told Le Duan that the Soviet Union would lie to Vietnam to improve its relationship with the United States. According to Zhou, this Soviet policy was first enacted following Alexei Kosygin's departure from Vietnam in 1965. Le Duan did not support such a view, and at the 23rd Congress of the Communist Party of the Soviet Union (CPSU) (which China boycotted) he referred to the Soviet Union as a "second motherland" to him. Because of his statement, China began to cut its aid to Vietnam immediately. According to the first secretary at the Soviet embassy to China, the Vietnamese saw the Chinese reprisals as an attack on them.^[63] At the 45th anniversary of the founding of the Communist Party of China (CPC), instead of a communique by Hồ Chí Minh, Phạm Văn Đồng and Le Duan as had happened at the 44th anniversary of the CPC, the Vietnamese Central Committee exchanged with the CPC Central Committee an official greeting but without any signatures from top-level officials.^[64]

Relations between the two countries further deteriorated during the rapprochement between China and the US. The Vietnamese, who were still fighting the Americans in South Vietnam, felt betrayed. At the Politburo meeting on 16 July 1971, the Vietnamese agreed that Chinese policy towards the United States was like a "torpedo" directed against Vietnam.^[65] Zhou Enlai was told by Phạm Văn Đồng and Le Duan that President of the United States Richard Nixon's, upcoming visit to China was "against the interests of Vietnam". Later, in November, Phạm asked the Chinese to rescind Nixon's visit; the Chinese refused. Because of China's policy towards the United States, the Vietnamese began to doubt China, and they tried to hide information about Vietnam's planned military offensive against South Vietnam. The Chinese–US rapprochement did not hurt Sino–Vietnamese relations in the long run, because the Soviet Union also had a rapprochement with the United States.^[66]

Both Chinese and Vietnamese documents state that relations between them took a turn for the worse in 1973–75. A Vietnamese Ministry of Foreign Affairs document claimed that China pursued a policy which aimed to hamper the eventual reunification of Vietnam, while Chinese documents stated that the source of the conflict was Vietnamese policy towards the Spratley and the Paracel Islands. However, the core issue for the Chinese was to stop, or at least reduce, Vietnam's cooperation with the Soviet Union. Because of increasing Soviet–Vietnamese cooperation, China became increasingly ambivalent about a quick reunification of Vietnam.^[67]

During Le Duan's visit to China in early June, 1973, Zhou told him that Vietnam should adhere to the Paris Peace Accords. Following the signing of the Paris Peace Accords, Lê Thanh Nghị stated that the direction of Vietnam's communism was directly linked to its relations with the Soviet Union. The Chinese opposed immediate reunification, and to that end, began making economic agreements with the Provisional Revolutionary (Communist) Government of South Vietnam. Nguyễn Hữu Thọ, in contrast to officials from North Vietnam, was treated well by the Chinese.^[68] In contrast to their actual goals, such a policy hurt relations between China and North Vietnam further. From then on, China and Vietnam were drifting further apart; even Chinese aid did not help improve relations between them.^[68]

Lê Thanh, a Deputy Chairman of the Council of Ministers and Chairman of the State Planning Commission, visited China in August 1975 to seek aid; the visit was unsuccessful. Later on, 22–28 September, Le Duan and Lê Thanh visited China in a second attempt to get economic assistance from China. During the visit the Vietnamese wanted to assure the Chinese they were interested in maintaining good relations with both China and the Soviet Union. Deng Xiaoping, a Chinese official, stated that both superpowers acted as imperialists and sought hegemony. Le Duan in a speech to the Chinese, while he did not mention the Soviet Union by name, noted that Vietnam won the war against South Vietnam because of help from other socialist countries. Other socialist countries were a reference to the Soviet-aligned bloc. Two agreements were signed between China and Vietnam, but no non-refundable aid agreement was made.^[69] The visit was a failure; no joint communique was issued, and Le Duan left China earlier than planned.^[70] According to scholar Anne Gilks, the Sino–Vietnamese alliance effectively ended with the Fall of Saigon on 30 April 1975.^[71] Relations with China further deteriorated in the aftermath of the 4th Party Congress; several leading pro-Chinese communists were purged from the party.^[15]

Le Duan visited China on 20–25 November 1977, after a visit to the Soviet Union to celebrate the 60th anniversary of the October Revolution. He visited China to seek aid. Hua Guofeng, the CPC Chairman, stated that Sino–Vietnamese relations had deteriorated because they held different principles. While Hua insisted that China could not help Vietnam because of its own economic difficulties, and differences in principals, Le Duan stated that the only difference between China and Vietnam was how they viewed the Soviet Union and the United States. Following his visit, China through Xinhua condemned COMECON, of which Vietnam was a member.^[72] China halted all economic development projects between May and July 1978.^[57] During this period total aid given by the Chinese to Vietnam amounted to US$300 million.^[73]

Relations with Kampuchea and the Sino–Vietnamese War[link]

Last years and death[link]

By the time of the 5th Party Congress, the ruling elite had turned into a gerontocracy. The five most powerful Politburo members were all over the age of 70; Le Duan was 74, Trường Chinh was 75, Phạm Văn Đồng was 76, Phạm Hùng was 70 and Lê Đức Thọ was 72. Le Duan is believed to have been in bad health during this period; he had travelled to the Soviet Union on several occasions to receive medical treatment during the late-1970s and early 1980s. It was reported that Le Duan did not lead the party delegates of the 5th Congress to the Hồ Chí Minh Mausoleum because of his deteriorating health. At the 5th Congress Le Duan looked both feeble and old; he had problems reading his report to the Congress. It is said that Le Duan suffered a heart attack after the congress, and was flown to the Soviet Union for hospitalisation.^[74] Le Duan remained general secretary until his death on 10 July 1986. He died of natural causes in Hanoi at age 79 and was briefly succeeded by Trường Chinh. Chinh proved to be a temporary replacement, and at the 6th Party Congress (held in December 1986) he was deposed and replaced by Nguyễn Văn Linh.^[75]

Political beliefs[link]

In many ways Le Duan was a nationalist, and during the war, he claimed that the "nation and socialism were one".^[76] Since the Sino-Vietnamese War in 1979, Le Duan stressed the importance of building socialism politically, economically and culturally, and of defending the socialist fatherland itself.^[77] Ideologically he was often referred to as a pragmatist. He would often break with Marxism–Leninism and stress the uniqueness of Vietnam, as he did most notably in agriculture. Le Duan's own view of socialism was statist, highly centralised and managerial. In one of his own works, Le Duan talked about "the right of collective mastery", but in practice he opposed this. For instance, party cadres, who represented the peasants' demands for higher prices for their products at the National Congress, were criticised by Le Duan. Le Duan's idea of collective mastery was conceived in a hierarchical top-down manner; "Management by the state aims at ensuring the right of the masses to be the collective masters of the country. How then will the state manage its affairs so as to ensure this right of collective mastery?"^[76] His answer to this problem was both managerial and statist.^[78]

The concept "collective mastery", attributed to Le Duan, was featured in the 1980 Vietnamese Constitution and is the concept of "collective mastery" of society. The concept was Le Duan's version of popular sovereignty that advocated an active role for the people, so that they could become their own masters as well as masters of society, nature, and the nation. It stated that the people's collective mastery in all fields was assured by the state, and was implemented by permitting their participation in state affairs and in mass organisations. On paper, these organisations, to which almost all citizens belong, play an active role in government and have the right to introduce bills before the National Assembly.^[79]

According to orthodox thinking, there were only two alternatives in agriculture, collective or private ownership of the land. Le Duan said that these two differences entailed a "struggle between the two roads – collective production and private production; large-scale socialist production and small scattered production."^[80] This quote could easily have been taken as one from Joseph Stalin, Mao Zedong or Trường Chinh in his radical years. Such a view had a direct impact on Vietnam. Since collective ownership was the only alternative to capitalism, it was introduced without controversy by the country's leadership.^[80]

Subcontracting of cooperatives to peasants became the norm by the late-1970s, and was legalised in 1981. For the conservatives this policy was similar to that of the New Economic Policy (NEP), a temporary break from the hardline socialist developmental strategy, in Lenin's Russia, and later, the Soviet Union. However, those who supported these reforms, saw it as another way of implementing socialism in agriculture, which was justified by the ideological tenet of the "three interests". This was an important ideological innovation, and it broke with Le Duan's "two roads" theory, which said it was either collective or private ownership, and nothing in between.^[80]

Le Duan made a departure from the Marxism–Leninism rationale when it came to practical policy, and stated that the country had to "carry out agricultural cooperation immediately, even before having built large industry."^[81] While he acknowledged that his view was a break with that of Karl Marx, Friedrich Engels and Vladimir Lenin, Le Duan insisted that Vietnam was in a unique situation; "It seems that no country so far in history has been in a situation such as ours. We must lead the peasantry and agriculture immediately to socialism, without waiting for a developed industry, though we know very well that without the strong impact of industry, agriculture cannot achieve large-scale production and new relations of agriculture cannot be consolidated... To proceed from small-scale production to large-scale production is a new one."^[82] According to Le Duan the key to socialism was not mechanisation and industrialisation, but a new division of labour. He also believed that Cooperatives did not need to be autarkic, but rather "organically connected, through the process of production itself, with other cooperatives and with the state economic sector."^[82] Vietnam could achieve this through state intervention and control, according to Le Duan. He saw the economy as one whole directed by the state, and not many parts intertwined.^[82]

In his victory speech to the Vietnamese people in the aftermath of the 1976 parliamentary election, Le Duan talked about further perfecting the construction of socialism in the North by eliminating private ownership and the last vestiges of capitalism, and of the need to initiate a socialist transformation in the South. In the South the Party, according to Le Duan, would focus on abolishing the comprador bourgeoisie and the last "remnants of the feudal landlord classes. 'Comprador bourgeoisie' was a Vietnamese communist term for the bourgeois classes, which made a living by financial dealings and through business transactions with Westerners.^[83] Le Duan omitted to say that he was planning not only to remove the comprador bourgeoisie and the feudal landlord classes from the South, but also the national bourgeoisie as a whole.^[84]

See also[link]

• North Vietnam
• Vietnam War

References[link]

Bibliography[link]

External links[link]

• Article on Le Duan at the BBC
• Bibliography: Writings by and about Le Duan

Jay Chou
Chou on the red carpet at the MTV Asia Aid, Bangkok, Thailand, 2005
Chinese name	周杰倫 (Traditional)
Chinese name	周杰伦 (Simplified)
Pinyin	Zhōu Jiélún (Mandarin)
Origin	Taiwan
Born	(1979-01-18) 18 January 1979 (age 33) Linkou, Taipei County, Taiwan
Other name(s)	Director Chou (周董)
Occupation	Singer-songwriter, composer, record producer, rapper, DJ, music video director, film director, music arranger, model, screenwriter, actor
Genre(s)	Pop, rock, R&B, hip pop
Instrument(s)	Vocals, guitar, bass, piano, violin, cello, drums, guzheng, keyboards, pipa, erhu, harmonica
Voice type(s)	tenor
Label(s)	Sony Music Taiwan (2008–present) JVR Music (2007–present) Alfa Music (1999–2007)
Years active	2000–present
Parents	Father: Zhou Yaozhong (周耀中) Mother: Ye Huimei (葉惠美)
Influenced	Nan Quan Mama
Official Website	Jay Chou@JVR Music
Awards Hong Kong Film Awards Best New Performer 2006 Initial D Best Original Film Song 2007 "Chrysanthemum Terrace" (Curse of the Golden Flower) Golden Horse Awards Best Newcomer 2005 Initial D Outstanding Taiwanese Film of the Year 2007 Secret Best Original Song 2007 "The Secret That Cannot Be Told" (Secret) Golden Melody Awards Best Mandarin Album 2001 Jay 2002 Fantasy 2004 Ye Hui Mei 2011 The Era Best Music Video 2009 "Mr. Magic" (Capricorn) Best Song of the Year 2008 "Blue and White Porcelain" (On the Run) 2009 "Fragrant Rice" (Capricorn) Best Composer 2002 "Love Before A.D." (Fantasy)[1] 2008 "Blue and White Porcelain" (On the Run) Best Producer 2002 Fantasy Best Single Producer 2007 Fearless EP Best Male Mandarin Artist 2009 Capricorn 2011 The Era Best Composer (Instrumental Category) 2008 "Piano Room" (Secret) Best Producer (Instrumental Category) 2008 Secret Original Movie Soundtrack (Secret) MTV Asia Awards Favorite Artist, Taiwan 2002, 2005 Other awards World Music Awards Best-Selling Chinese-Speaking Artist 2004, 2006, 2007, 2008 Shanghai Film Critics Awards 2007 Best Actor (Curse of the Golden Flower)

This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

Jay Chou; (born 18 January 1979)^[2] is a Taiwanese musician, singer-songwriter, music and film producer, actor and director. In 1998 he was discovered in a talent contest where he displayed his piano and song-writing skills. Over the next two years, he was hired to compose for popular Mandarin singers. Although he was trained in classical music, Chou combines Chinese and Western music styles to produce songs that fuse R&B, rock and pop genres. He composes all his own songs, as well as songs for other singers.

In 2000, Chou released his first album, titled Jay, under the record company Alfa Music. Since then he has released one album per year except in 2009, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, India, Singapore, Thailand, Vietnam and in overseas Asian communities. He has sold more than 28 million albums worldwide up to 2010.^[3] He debuted his acting career in Initial D (2005), for which he won Best Newcomer Actor in both the Hong Kong Film Awards and the Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in Curse of the Golden Flower (2006). He produced the theme song for the film Ocean Heaven starring Jet Li. His career now extends into directing and running his own record company JVR Music.

Career[link]

Jay Chou at the premiere of Secret in Seoul, South Korea, on 10 January 2008.

Jay Chou grew up in Linkou, Taipei County, Taiwan.^[4] Both his parents were secondary school teachers: his mother, Ye Hui Mei (Chinese: 葉惠美; pinyin: Yè Huìměi), taught fine arts, while his father, Zhou Yao Zhong (Chinese: 周耀中; pinyin: Zhōu Yàozhōng), was a biomedical researcher. His mother noticed his sensitivity to music and took him to piano lessons at the age of three.^[4] During his childhood, he was fascinated with capturing sounds and songs with his tape recorder, which he carried everywhere with him. In the third grade, he became interested in music theory and also started cello lessons. He is an only child and loved to play piano, imitate TV actors, and perform magic tricks. His favorite composer was, and still is to this day, Chopin. His parents divorced when he was 13, which caused him to become reclusive and introverted. Although he had friends, he often preferred to be alone, listening to music, contemplating and daydreaming. At Tamkang Senior High School, he majored in piano and minored in cello. He showed talent for improvisation, became fond of pop music and began to write songs.^[5][6]

Chou graduated from high school with inadequate grades for university, so he prepared for mandatory military service. However, a sports injury triggered by an unexplainable and severe back pain eventually led to the diagnosis of ankylosing spondylitis, a hereditary spine inflammation disease; as a result, he was exempted from conscription.^[7][8] Meanwhile, he found himself a job as a waiter. Without his knowing, his friend had entered both their names in a talent show called Super New Talent King. Chou played the piano accompaniment for his friend, whose singing was described as "lousy". Although they did not win, the show's host Jacky Wu—an influential character in Taiwan's entertainment business—happened to glance at Chou's music score and was impressed with its complexity. Wu hired him as a contract composer and paired him with the novice lyricist Vincent Fang.^[6]

Over the next two years he wrote songs for Mandarin pop artists, and also learned recording and sound mixing; his dedication was apparent as he even slept in the music studio. Wu's music studio was later sold to Alfa Music, and the new manager Yang Jun Rong asked him to release his own album. Chou already had an arsenal of songs he wrote for others but had been rejected, so among those he chose 10 for his debut CD Jay that was released in 2000. The album established his reputation as a musically gifted singer-songwriter whose style is a fusion of R&B, rap, classical music, and yet distinctly Chinese. His fame spread quickly in Chinese-speaking regions including countries throughout Southeast Asia.^[9][10][11] Since 2000, Chou has released one album per year, except the year 2009, each selling several million copies, and has been recognized with hundreds of awards.^[12] In 2003, he was the cover story of Time magazine (Asia version),^[6] acknowledging his influence on popular culture. He has held four world tours, "The One" (2002), "Incomparable" (2004), "Jay Chou The World Tours" (2007–2008) and "The Era" (2010–2011) performing in cities such as Taipei, Tokyo, Hong Kong, Beijing, Kuala Lumpur, Singapore, Las Vegas, Toronto and Vancouver. Unlike most singers, Chou has an enormous amount of creative control over his music.^[6] He is not only the songwriter but also the producer on all of his albums; since 2005 he is also the music director and also directs his own music videos.

Music[link]

Musical style[link]

	"Chrysanthemum Terrace" (菊花台) noicon An example of Chou using Chinese style music. "Nunchucks" (雙截棍) noicon A combination of Chinese style music and rap.
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Chou's compositions are loosely categorized as pop music. While many of his works fall into contemporary R&B, rap, and rock genres, the term "Chou Style" (Chinese: 周氏風格; pinyin: zhōu shì fēnggé)^[13][14] has been popularized to describe his trademark cross-cultural music and his insistence on singing with slurred enunciation. Taipei Times once described the meaning of "Chou Style": "In what has become the archetypal Chou style, Taiwan's favorite son blends pop, rap, blues and a smorgasbord of esthetic elements of world music to create his dream-like never-never land ..."^[15]

He regularly fuses traditional Chinese instruments and styles with R&B or rock to form a new genre called "Zhongguo feng" (simplified Chinese: 中国风; traditional Chinese: 中國風; pinyin: Zhōngguó fēng), which literally means "Chinese Style Music",^[a] some of which are written in the Pentatonic Scale as opposed to the more common seven-note scale (Diatonic Scale) to accentuate an oriental style. Besides his own culture, he also incorporated Spanish guitar in "Red Imitation" (Chinese: 紅模仿; pinyin: hóng mófǎng), American techno/electronica in "Herbalist's Manual" (Chinese: 本草綱目; pinyin: Běncǎo Gāngmù), rap with subtle classical music undertones in "Reverse Scales" (Chinese: 逆鱗; pinyin: nìlín), Blues style in "Free Tutorial Video" (Chinese: 免費教學錄影帶; pinyin: Mian Fei Jiao Xue Lu Ying Dai) and Bossanova style in "Rosemary" (Chinese: 迷迭香; pinyin: mídiéxiāng), to name a few. Sound effects from everyday life are frequently woven into his music, such as bouncing ping pong balls, touch tone phone dialing, helicopter blades, dripping rain, and radio static noise (concrete music).^[b]

His formal musical training is evident by the use of classical textures in his compositions. For example, counterpoint was used in "Perfection" (Chinese: 完美主義; pinyin: wánměizhǔyì) and "Sorry" (Chinese: 對不起; pinyin: duìbuqǐ), while polyphony can be found in "The Wound That Ends War" (Chinese: 止戰之殤; pinyin: zhǐ zhàn zhī shāng) and "Twilight's Chapter Seven" (Chinese: 夜的第七章; pinyin: yè de dì-qī zhāng).

Chou's albums have been noted for the lack of change compared to his earlier works, yet he firmly stated that he will not alter his style: "They say I've been standing still ... but this is the music I want, and I don't see what I want by moving ahead."^[16] To demonstrate his point, he named his 2006 album Still Fantasy after his 2001 album Fantasy. His use of relaxed enunciation has been criticized as "mumbling"^[17] which he also insisted will not change;^[18] however, recently he has adopted clearer pronunciation for certain songs, particularly more traditional Chinese style songs, such as "Faraway" (Chinese: 千里之外; pinyin: qiānlǐ zhīwài) which features Fei Yu-ching and "Chrysanthemum Terrace" (Chinese: 菊花台; pinyin: júhuā tái).^[19]

Lyrics[link]

Chou is more often a singer-composer than a lyricist. Several "regulars" write the lyrics for most of his music, but the content and style is unified with his own personality and image, covering a diverse range of topics and ideas. Vincent Fang accounts for more than half of the lyrics in his albums, helping to establish an important element in Chou's music: the use of meaningful, imagery- and emotionally rich lyrics, sometimes written in the form of ancient Chinese poetry with reference to Chinese history or folklore.^[c] In addition to writing romantic hits,^[d] he also touches on war, the Bible, sports, and martial arts.^[e] Vivian Hsu is a singer herself and has helped with Chou's earlier hits,^[f] while Huang Jun Lang (Chinese: 黃俊郎; pinyin: Huáng Jùnláng) is noted for his work surrounding unusual themes (such as a detective story and chess game).^[g]

Chou himself has written lyrics for many ballads,^[h] but has also discussed societal ills such as drug addiction in "Coward" (Chinese: 懦夫; pinyin: nuòfū) and loss of the rural countryside to urbanization in "Terrace fields" (Chinese: 梯田; pinyin: tītián). Domestic violence discussed in "Dad, I am back" (Chinese: 爸,我回來了; pinyin: bà, wǒ huílai le) received a great deal of commotion since he was the first to bring up this taboo subject in Sanscript music,^[20] which helped solidify his status as a pioneer and a unique pop singer capable of approaching serious issues. In the songs "Maternal grandmother" (Chinese: 外婆; pinyin: wàipó) and "Listen to Mother" (Chinese: 聽媽媽的話; pinyin: tīng māma de huà), he voiced his high regard for family values. He addressed personal issues about his failure to enter university in "Split" (Chinese: 分裂; pinyin: fēnliè), his resentment towards the paparazzi in "Besieged From All Sides" (Chinese: 四面楚歌; pinyin: sìmiànchǔgē), "Rice Fragrance" (Chinese: 稻香; pinyin: dào xiāng), a song from his 9th album Capricorn encourages people not to give up their dreams even when facing difficulties in life, the sadness of becoming a clown in "Uncle Joker"(Chinese: 喬克叔叔; pinyin: Qiao Ke Shu Shu) and highlighted the importance of individuality in "Popular Imitation" (Chinese: 紅模仿; pinyin: hóng mófǎng).

Collaborations[link]

Chou began as a songwriter for other singers and continued this area of work even after he debuted his own career in singing. He has composed frequently for Jolin Tsai, Landy Wen, and occasionally for other Taiwanese singers such as Coco Lee, S.H.E, Vivian Hsu, Leehom Wang, Will Liu, Valen Hsu, and Hong Kong pop stars Edmond Leung, Gigi Leung, Jordan Chan, Edison Chen, Karen Mok, Leo Ku, Eason Chan, and Joey Yung, as well as a one-time collaboration with Howard Su. He has also written for singers outside of his generation—over one dozen songs for his mentor Jacky Wu, later also for Taiwanese singer Jody Chiang, and Hong Kong singers Jacky Cheung, Andy Lau, Aaron Kwok, and Kenny Bee.^{[21][22][23][24]}

He initiated the band Nan Quan Mama in 2004, selecting band members and overseeing their album production. The group has been noted for sounding too similar to their mentor;^[25] as a result, Chou has reduced his involvement in the band,^[26] but continues to help increase their exposure to mass audiences by inviting them as guests performers for his own concerts and music videos.^{[27][28][29][30]}

He has performed live duets with Landy Wen,^[28] Jolin Tsai,^[31] and former girlfriend news anchor Patty Hou,^[32] but only two studio recordings of duets have been formally placed in his own albums: "Coral Sea" (Chinese: 珊瑚海; pinyin: shānhú hǎi) in 2005 with Lara Veronin (of Nan Quan Mama)^[33] and "Faraway" (Chinese: 千里之外; pinyin: qiānlǐ zhīwài) in 2006 features Fei Yu-Ching, who began his career in the 1970s.^[34]

Besides working with singers, Chou's longest-running collaboration is with lyricist Vincent Fang, as they both started their careers in the music field in 1998. The compilation album Partners (Chinese: 拍檔; pinyin: pāi dàng) featured 12 songs, each consisting of Chou's musical and Fang's lyrical compositions.^[35] Fang has written the words to more than 40 of Chou's songs, was the chief editor of Chou's book Grandeur de D Major (Chinese: D調的華麗; pinyin: D diào de huálì), and is now Chou's business partner (together with Chou's manager JR Yang) for the record company JVR Music.^[36][37]

Jay Chou was also featured in Cindy Yen's (袁詠琳) song "Sand Painting" (畫沙) released in October 2009.

Jay Chou collaborated with Kobe Bryant on "The Heaven and Earth Challenge"(天地一鬥) in order to "promote youth creativity, as well as an upcoming slam-dunk competition in China." The song was released at a press conference before the NBA All-Star Game on 20 February 2011.^[38]

World tours[link]

Jay Chou's 3D enhanced stage at his Singapore concert in 2010, as part of his The Era World Tour

Jay held his first series of five solo concerts, titled Fantasy Concert (范特西演唱會), with the first stop on 11 January 2001 at Taoyuan Arena, Taiwan. Followed by two shows at the Hong Kong Coliseum, one in Malaysia and ended in Singapore on 10 February 2002. His second concert tour, The One Concert (The One 演唱會) commenced on 28 September 2002 at Taipei Municipal Stadium, followed by 11 stops and ended at Shenzhen Stadium, China on 3 January 2004.

Two more series of world tours followed: Incomparable Concert (無與倫比演唱會) in 2004 and Jay Chou 2007 World Tours (2007世界巡迴演唱會), with stops in cities such as Taipei, Tokyo, Hong Kong, Beijing, Kuala Lumpur, Singapore, Las Vegas, Toronto and Vancouver. In 2010, to celebrate Jay's 10 year career in the entertainment industry, he embarked on his fifth series of concert tour titled, New Era World Tour (超時代演唱會), with the first stop of three concerts from 11 to 13 June 2010 at Taipei Arena, followed by 24 stops ending in Malaysia on 5 March 2011.

World tours/Live (DVD) album releases

• 2001 – Fantasy Concert (范特西演唱會)
• 2002 – The One Concert (The One 演唱會) – Jay Chou The One Concert Live
• 2004 – Incomparable Concert (無與倫比演唱會) – Incomparable Jay Concert Live
• 2007 – Jay Chou World Tours (世界巡迴演唱會) – Jay Chou 2007 the World Tours Concert Live
• 2010 – New Era World Tour (超時代演唱會) – Jay Chou 2010 The Era World Tours Concert Live

Other works[link]

Movie career[link]

Chou formally entered the film industry in 2005 with the release of the movie Initial D (頭文字Ｄ). He has since acted in three other movies, directed one film and more than a dozen music videos. Chou, who once said "I live because of music",^[39] ventured into movies because he felt the need for a new challenge. As fans have grown concerned that movies will compromise his music career, Chou has repeatedly reassured that movies are a source of inspiration and not a distraction; at the same time, he realizes the need to balance both careers and maintain his place in the music field to garner the continued support of fans.^{[40][41][42][43]}

Acting[link]

Jay Chou at a promotional event for Kung Fu Dunk in January 2008

Entry into acting was an unexpected move for Chou.^[41] His high school English teacher thought he was capable of very few facial expressions,^[6] and the director of Hidden Track (2003, a movie in which Chou had a cameo role) said that his strong individualistic personality will not make him a good actor.^[44] In 2005, Chou's first role as the lead actor in Initial D served two purposes: to launch his acting debut, and to increase his exposure to Japanese audiences.^[45] This film is based on the Japanese comic Initial D, where Chou played Takumi Fujiwara, a gifted touge racer who is quiet and rarely shows expression. Some reviewers criticized his bland acting^[46] while others felt he performed naturally, but only because the character’s personality closely mirrored his own.^[47][48] His performance in Initial D won him Best Newcomer Actor in Golden Horse Awards and Hong Kong Film Awards.^[49][50] Chou’s second film was Curse of the Golden Flower (2006). As a supporting character, he drew much of the attention of Chinese reporters; Chou’s involvement in this movie was announced in its own press conference,^[51] separate from the meeting held for Chow Yun-fat, Gong Li, and the other actors. Chou portrayed Prince Jai, the ambitious second eldest prince and general of the Imperial army whose personality epitomizes Xiao (孝), the Chinese virtue of filial piety. In this internationally released film, North American audiences saw Chou for the first time. According to Chinese movie critics, comments about his acting ranged from "lacks complexity"^[52] to "acceptable,"^[53][54] but was critically praised by Western reviewers.^{[55][56][57][58][59]} His performance in Curse of the Golden Flower was nominated Best Supporting Actor in the Hong Kong Film Awards.^[60] In the 2008 film Kung Fu Dunk, Chou portrayed a kung fu student and dunking prodigy, and the film earned over ¥100 million (US$14.7 million).^[61] Chou portrayed Kato in The Green Hornet, directed by Michel Gondry and released in January 2011, after Hong Kong actor Stephen Chow withdrew from the project; the film grossed over $228 million worldwide.^[62] MTV Networks' NextMovie.com named him one of the 'Breakout Stars to Watch for in 2011'.^[63] In May 2011, Chou started filming for a new movie, The Viral Factor directed by Dante Lam and starred various well known artistes such as Nicholas Tse, Bai Bing and Lin Peng. The movie was released in theatres over Asia on 17 January 2012. With most of the scenes shot in the Middle Eastern and Southeast Asian countries, earlier filming process has been slightly disrupted due to political conflicts in the Middle East. In 2012, Jay Chou announced that he has started the filming process to the sequel of his directorial debut "不能说的秘密" (Secret/A Secret That Cannot Be Told), collaborating with his lifelong friend, 刘畊宏/Will Liu. It has been tentatively being named as "不能说的秘密2" (Secret 2/A Secret That Cannot Be Told 2) and is expected to be released in 2013.

Directing[link]

Chou acquired his first directing experience in 2004 through music videos. He initially experimented with a song by the group Nan Quan Mama titled "Home" (Chinese: 家; pinyin: jiā) where he was involved throughout the entire process from research to editing. After learning the difficulties of being a director, he refused to direct again even at the request of his record company.^[64] However, his interest resurfaced again as he directed music videos for 4 of the 12 songs in own album November's Chopin in 2005,^[65] and later television advertisements.^[66][67] By 2006, he had taken responsibility for the storyboard, directing, and editing of music videos for all his songs.^[40] It is unclear how the public appraises his work, since music videos are rarely the subject of critical review; however, director Zhang Yimou said that Chou's directing abilities may surpass his own in the future, after viewing several of Chou's music videos.^[51][68]

In February 2007, Chou finally directed his first movie Secret. The story he wrote is based loosely on his relationship with a high school girlfriend, with a plot focused on music, love, and family.^[69] He stars as the lead actor of the film with Kwai Lun-Mei‎ as the female lead, and Hong Kong veteran actor Anthony Wong as Chou’s father. Despite previous experience in filming music videos, Chou admits that movies are more challenging due to storyline and time constraints.^[69] This movie was released in July 2007.^[70]

In 2005, Jay Chou played the male lead in Initial D, and according to reports, he will be back to direct the sequel, while Andrew Lau, who was a co-director of the first Initial D, will take on the role of the producer.^[71]

[edit] Book: Grandeur de D Major

Chou published his first book titled Grandeur de D Major (simplified Chinese: D调的华丽; traditional Chinese: D調的華麗; pinyin: D diào de huálì) on 25 November 2004.^[k] This 200-page book features a prologue written by his family, friends, and co-workers; the main section is a compilation of his personal attitudes, philosophies, and recollections of childhood experiences along with pictures from his music videos, many of which have never been released; and lastly, a list of the artist's major awards, musical and lyrical compositions, and discography. For the usually low-profile singer, this book revealed his personality and convictions that has served as the basis of his musical and public image. He demonstrated a strong appreciation of family values with an especially deep connection with his mother and maternal grandmother. His confidence and dedication towards music is evident as he dedicated 2 out of 7 chapters to music: the current state of the industry, his composition methodology, and the importance of individualism to his success in music. This pride is contrasted against his modesty and self-assessed naivety about many aspects in life, particularly regarding relationships and marriage.

Endorsements[link]

Chou has been a spokesperson for popular brands such as Pepsi (2002–2007), Panasonic (2001–2005), Motorola (since 2006), M-Zone/China Mobile (since 2003), Levi's (2004–2005), Deerhui (sporting goods, since 2003), Metersbonwe Group (casual wear, since 2003), Colgate (2004–2005), popular computer game Warcraft III: Reign of Chaos (2002), and science and nature magazine National Geographic (2005).^[72][73] To maximize the celebrity branding effect, advertisements are nearly always linked to his music and TV commercials are occasionally directed by him.^[66][67] He acted as the tourism ambassador for Malaysia in 2003.^[74][75] In April 2008, Jay signed with Sprite and collaborated with artistes such as Angela Chang and JJ Lin in commercials. He also did a Sprite commercial with Kobe Bryant and specially wrote a song named "天地一斗 (Battle of the Incomparable)" featuring Kobe Bryant for the commercial. In June 2011, Jay expanded his area of endorsement into the field of technology, becoming the designer and spokesperson of the "N43SL Jay Chou Edition" laptop of ASUS Computers. The laptop is most notable for its lid design, sound system, start-up and shut-down tones, and a unique 'J' font for its key. All of which, except for the sound system, are designed and composed by Jay himself.