Dr. Seuss
Theodor Seuss Geisel surrounded by his literary works. He holds one of his most popular, The Cat in the Hat.
Born	Theodor Seuss Geisel (1904-03-02)March 2, 1904 Springfield, Massachusetts, U.S.
Died	September 24, 1991(1991-09-24) (aged 87) La Jolla, California, U.S.[1]
Pen name	Dr. Seuss, Theo LeSieg, Rosetta Stone, Theophrastus Seuss
Occupation	Writer, cartoonist, animator, book publisher, artist
Nationality	American
Genres	Children's literature
Notable work(s)	Horton Hears a Who! (1954) The Cat in the Hat (1957) How the Grinch Stole Christmas! (1957) Green Eggs and Ham (1960) The Lorax (1971)
Spouse(s)	Helen Palmer Geisel (1927–1967) Audrey Stone Dimond (1968–1991)
Signature
www.seussville.com

Theodor Seuss Geisel ( /ˈɡaɪzəl/; March 2, 1904 – September 24, 1991) was an American writer, poet, and cartoonist most widely known for his children's books written under the pen names Dr. Seuss, Theo LeSieg and, in one case, Rosetta Stone.^[2]

He published 46 children's books, which were often characterized by imaginative characters, rhyme, and frequent use of anapestic meter. His most celebrated books include the bestselling Green Eggs and Ham, The Cat in the Hat, One Fish Two Fish Red Fish Blue Fish, Horton Hatches the Egg, Horton Hears a Who!, and How the Grinch Stole Christmas!. Numerous adaptations of his work have been created, including 11 television specials, four feature films, a Broadway musical and four television series. He won the Lewis Carroll Shelf Award in 1958 for Horton Hatches the Egg and again in 1961 for And to Think That I Saw It on Mulberry Street.

Geisel also worked as an illustrator for advertising campaigns, most notably for Flit and Standard Oil, and as a political cartoonist for PM, a New York City newspaper. During World War II, he worked in an animation department of the United States Army, where he wrote Design for Death, a film that later won the 1947 Academy Award for Documentary Feature.

Geisel's birthday, March 2, has been adopted as the annual date for National Read Across America Day, an initiative on reading created by the National Education Association.

Life and career[link]

Theodor Seuss Geisel was born in Springfield, Massachusetts, to Theodor Robert and Henrietta (Seuss) Geisel.^[3][4] All of his grandparents were German immigrants.^[5] His father managed the family brewery and later supervised Springfield's public park system after the brewery closed due to Prohibition.^[6] Mulberry Street in Springfield, made famous in Dr. Seuss' first children's book And to Think That I Saw It on Mulberry Street!, is less than a mile southwest of his boyhood home on Fairfield Street. Geisel was raised a Lutheran.^[7]

College[link]

Geisel attended Dartmouth College as a member of the Class of 1925.^[8] At Dartmouth, he joined the Sigma Phi Epsilon fraternity^[3] and the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief.^[3]

While at Dartmouth, Geisel was caught drinking gin with nine friends in his room.^[9] As a result, Dean Craven Laycock insisted that he resign from all extracurricular activities, including the college humor magazine.^[10] To continue work on the Jack-O-Lantern without the administration's knowledge, Geisel began signing his work with the pen name "Seuss". His first work signed as "Dr. Seuss" appeared after he graduated, six months into his work for The Judge where his weekly feature Birdsies and Beasties appeared.^[11] Geisel was encouraged in his writing by professor of rhetoric W. Benfield Pressey, whom he described as his "big inspiration for writing" at Dartmouth.^[12]

After Dartmouth, he entered Lincoln College, Oxford, intending to earn a Doctor of Philosophy in English literature.^[13] At Oxford, he met his future wife, Helen Palmer; he married her in 1927, and returned to the United States without earning a degree.^[3]

Earliest post-college publications[link]

He began submitting humorous articles and illustrations to Judge, Life, Vanity Fair, and Liberty. One notable "Technocracy Number" made fun of the technocracy movement and featured satirical rhymes at the expense of Frederick Soddy.^[14] The July 16, 1927, issue of the The Saturday Evening Post published his first cartoon under the name Seuss.^[15] He became nationally famous from his advertisements for Flit, a common insecticide at the time. His slogan, "Quick, Henry, the Flit!" became a popular catchphrase. Geisel supported himself and his wife through the Great Depression by drawing advertising for General Electric, NBC, Standard Oil, Narragansett Brewing Company and many other companies. In 1935, he wrote and drew a short-lived comic strip called Hejji.^[11]

In 1937, while Geisel was returning from an ocean voyage to Europe, the rhythm of the ship's engines inspired the poem that became his first book, And to Think That I Saw It on Mulberry Street.^[16] It was rejected 27 times (numbers will vary).^[17] Geisel wrote three more children's books before the US entered World War II, including Horton Hatches the Egg in 1940, two of which are, atypically for him, in prose.

Essomarine[link]

Geisel gained a significant public profile through a program for motor boat lubricants produced by Standard Oil under the brand name Essomarine. He later recounted that Harry Bruno, Ted Cook, and Verne Carrier worked with him for exhibits at the National Motor Boat Show called the Seuss Navy.^[18] In 1934 Geisel produced a 30-page booklet Secrets of the Deep which was available by mail after June. At the January boat show for 1935, visitors filled out order cards to receive Secrets. Geisel drew up a Certificate of Commission for visitors in 1936. A mock ship deck called SS Essomarine provided the scene where photos of "Admirals" were taken. That summer Geisel released a second volume of Secrets. For the 1937 show, he sculpted Marine Muggs and designed a flag for the Seuss Navy. The following year featured "Little Dramas of the Deep", a six-act play with ten characters. According to Geisel’s sister, "He plans the whole show with scenery and action and then, standing in a realistic bridge, reels off a speech which combines advertising with humor." For 1939, exhibitors made available the Nuzzlepuss ashtray and illustrated tide-table calendars. On 11 January 1940, at the Waldorf-Astoria Hotel, a Seuss Navy Luncheon was held. At that year’s boat show, Geisel provided the Navigamarama exhibit and the Sea Lawyers Gazette. The final contribution to the Essomarine project, in 1941, was the mermaid Essie Neptune and her pet whale. The exhibit offered photos for a Happy Cruising passport.^[19]

World War II-era work[link]

'The Goldbrick', Private Snafu episode written by Geisel, 1943

As World War II began, Geisel turned to political cartoons, drawing over 400 in two years as editorial cartoonist for the left-leaning New York City daily newspaper, PM.^[20] Geisel's political cartoons, later published in Dr. Seuss Goes to War, denounced Hitler and Mussolini and were highly critical of non-interventionists ("isolationists"), most notably Charles Lindbergh, who opposed US entry into the war.^[21] One cartoon^[22] depicted all Japanese Americans as latent traitors or fifth-columnists, while at the same time other cartoons deplored the racism at home against Jews and blacks that harmed the war effort. His cartoons were strongly supportive of President Roosevelt's handling of the war, combining the usual exhortations to ration and contribute to the war effort with frequent attacks on Congress^[23] (especially the Republican Party^[24]), parts of the press (such as the New York Daily News, Chicago Tribune and Washington Times-Herald),^[25] and others for criticism of Roosevelt, criticism of aid to the Soviet Union,^[26][27] investigation of suspected Communists,^[28] and other offenses that he depicted as leading to disunity and helping the Nazis, intentionally or inadvertently.

In 1942, Geisel turned his energies to direct support of the U.S. war effort. First, he worked drawing posters for the Treasury Department and the War Production Board. Then, in 1943, he joined the Army as a Captain (OF-2) and was commander of the Animation Departmant of the First Motion Picture Unit of the United States Army Air Forces, where he wrote films that included Your Job in Germany, a 1945 propaganda film about peace in Europe after World War II; Our Job in Japan, and the Private Snafu series of adult army training films. While in the Army, he was awarded the Legion of Merit.^[29] Our Job in Japan became the basis for the commercially released film, Design for Death (1947), a study of Japanese culture that won the Academy Award for Documentary Feature.^[30] Gerald McBoing-Boing (1950), which was based on an original story by Seuss, won the Academy Award for Animated Short Film.

Later years[link]

After the war, Geisel and his wife moved to La Jolla, California. Returning to children's books, he wrote many works, including such favorites as If I Ran the Zoo, (1950), Horton Hears a Who! (1955), If I Ran the Circus (1956), The Cat in the Hat (1957), How the Grinch Stole Christmas (1957) and Green Eggs and Ham (1960). Although he received numerous awards throughout his career, Geisel won neither the Caldecott Medal nor the Newbery Medal. Three of his titles from this period were, however, chosen as Caldecott runners-up (now referred to as Caldecott Honor books): McElligot's Pool (1947), Bartholomew and the Oobleck (1949), and If I Ran the Zoo (1950). Dr Seuss also wrote the musical and fantasy film The 5,000 Fingers of Dr. T, which was released in 1953. The movie was a critical and financial failure, and Geisel never attempted another feature film. During the 1950s, he also published a number of illustrated short stories, mostly in Redbook Magazine. Some of these were later collected (in volumes such as The Sneetches and Other Stories or reworked into independent books (If I Ran the Zoo). A number have never been reprinted since their original appearances.

In May 1954, Life magazine published a report on illiteracy among school children, which concluded that children were not learning to read because their books were boring. Accordingly, William Ellsworth Spaulding, the director of the education division at Houghton Mifflin who later became its Chairman, compiled a list of 348 words he felt were important for first-graders to recognize and asked Geisel to cut the list to 250 words and write a book using only those words.^[31] Spaulding challenged Geisel to "bring back a book children can't put down." ^[32] Nine months later, Geisel, using 236 of the words given to him, completed The Cat in the Hat. It was described as a tour de force by some reviewers^[who?]—it retained the drawing style, verse rhythms, and all the imaginative power of Geisel's earlier works, but because of its simplified vocabulary, it could be read by beginning readers. The Cat in the Hat and subsequent books written for young children achieved significant international success and they remain very popular today. In 2009 Green Eggs and Ham sold 540,366 copies, The Cat in the Hat sold 452,258 copies, and One Fish Two Fish Red Fish Blue Fish (1960) sold 409,068 copies—outselling the majority of newly published children's books.^[33]

Geisel went on to write many other children's books, both in his new simplified-vocabulary manner (sold as Beginner Books) and in his older, more elaborate style. The Beginner Books were not easy for Geisel and reportedly^{[citation needed]} took him months to complete.

On October 23, 1967, suffering from a long struggle with illnesses including cancer—as well as emotional pain over her husband's affair with Audrey Stone Dimond—Geisel's wife, Helen Palmer Geisel, committed suicide.^[34] Geisel married Dimond on June 21, 1968. Though he devoted most of his life to writing children's books, Geisel had no children of his own. He would say, when asked about this, "You have 'em; I'll entertain 'em."

Death and posthumous honors[link]

Geisel died of throat cancer on September 24, 1991, at his home in La Jolla at the age of 87.^[35][36] He was cremated and his ashes were scattered. On December 1, 1995, four years after his death, University of California, San Diego's University Library Building was renamed Geisel Library in honor of Geisel and Audrey for the generous contributions they made to the library and their devotion to improving literacy.^[37]

While Geisel was living in La Jolla, the United States Postal Service and others frequently confused him with another La Jolla resident, Dr. Hans Suess. Their names have been linked together posthumously: the personal papers of Hans Suess are housed in the Geisel Library.^[38]

In 2002, the Dr. Seuss National Memorial Sculpture Garden opened in his birthplace of Springfield, Massachusetts; it features sculptures of Geisel and of many of his characters. On May 28, 2008, California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced that Geisel would be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony took place December 15 and his widow Audrey accepted the honor in his place. On March 2, 2009, the web search engine Google temporarily changed its logo to commemorate Geisel's birthday (a practice it often follows for various holidays and events).^[39]

At his alma mater, Dartmouth, where over 90% of incoming first-year students participate in pre-registration Dartmouth Outing Club trips into the New Hampshire wilderness, it is traditional for students returning from the trips to overnight at Dartmouth's Moosilauke Ravine Lodge, where they are served green eggs and ham for breakfast in honor of Dr. Seuss. On April 4, 2012, the Dartmouth Medical School renamed itself the Audrey and Theodor Geisel School of Medicine in honor of their many years of generosity to the college.^[40]

Dr. Seuss's honors include two Academy awards, two Emmy awards, a Peabody award, the Laura Ingalls Wilder Medal, and the Pulitzer Prize.

Dr. Seuss has a star on the Hollywood Walk of Fame, at the 6500 block of Hollywood Boulevard.^[41]

Pen names and pronunciations[link]

Geisel's pen name is regularly pronounced /ˈsjuːs/ SEWSS, an anglicized pronunciation inconsistent with his German surname. He himself noted that it rhymed with "voice" (his own pronunciation being /ˈsɔɪs/ SOYSS) and Alexander Liang (his collaborator on the Dartmouth Jack-O-Lantern) wrote of him:

You’re wrong as the deuce

And you shouldn’t rejoice

If you’re calling him Seuss.

He pronounces it Soice^[42] (or Zoice^[43])

Geisel switched to the anglicized pronunciation because it "evoked a figure advantageous for an author of children’s books to be associated with—Mother Goose"^[32] and because most people used this pronunciation.

For books that Geisel wrote and others illustrated, he used the pen name "Theo LeSieg" ("LeSieg" is "Geisel" spelled backward).

Political views[link]

Geisel was a liberal Democrat and a supporter of President Franklin D. Roosevelt and the New Deal. His early political cartoons show a passionate opposition to fascism, and he urged to oppose it, both before and after the entry of the United States into World War II. His cartoons tended to regard the fear of communism as overstated, finding the greater threat in the Dies Committee and those who threatened to cut the US's "life line"^[27] to Stalin and the USSR, the ones carrying "our war load".^[26]

Geisel's cartoons also called attention to the early stages of the Holocaust and denounced discrimination in the USA against African Americans and Jews. Geisel himself experienced anti-Semitism: in his college days, he was mistaken for a Jew and denied entry into conservative social circles, although he was actually of German ancestry and a practising Christian.^{[citation needed]}

Geisel supported the Japanese American internment during World War II. His treatment of the Japanese and of Japanese Americans, between whom he often failed to differentiate, has struck many readers as a moral blind spot.^[44] On the issue of the Japanese, he is quoted as saying:

But right now, when the Japs are planting their hatchets in our skulls, it seems like a hell of a time for us to smile and warble: "Brothers!" It is a rather flabby battle cry. If we want to win, we’ve got to kill Japs, whether it depresses John Haynes Holmes or not. We can get palsy-walsy afterward with those that are left.

—Theodor Geisel, quoted in Dr. Seuss Goes to War by Richard H. Minear ^[45]

After the war, though, Geisel overcame his feelings of animosity, using his book Horton Hears a Who! (1954) as an allegory for the Hiroshima bombing and the American post-war occupation of Japan, as well as dedicating the book to a Japanese friend.^[46]

In 1948, after living and working in Hollywood for years, Geisel moved to La Jolla, California. It is said that when he went to register to vote in La Jolla, some Republican friends called him over to where they were registering voters, but Geisel said, "You, my friends, are over there, but I am going over here [to the Democratic registration]."^[47]

Shortly before the end of the 1972–1974 Watergate scandal, in which United States president Richard Nixon resigned, Geisel converted one of his famous children's books into a polemic. "Richard M. Nixon, Will You Please Go Now!" was published in major newspapers through the column of his friend Art Buchwald.^[48]

The line "A person's a person, no matter how small!!" from Horton Hears a Who! has grown, despite the objections of Geisel's widow, into widespread use on the pro-life side of the issue. While Geisel preferred to let his work speak for itself, in 1986 when the line first started being used by the pro-life movement, Geisel, who would speak out to protect his characters from exploitation, demanded a retraction and received one.^[49] In its original context, it is unrelated to abortion issues.^[50]

In his books[link]

Though Geisel made a point of not beginning the writing of his stories with a moral in mind, stating that "kids can see a moral coming a mile off," he was not against writing about issues; he said that "there's an inherent moral in any story,"^[51] and he remarked that he was "subversive as hell."^[52]

Many of Geisel's books express his views on a remarkable variety of social and political issues: The Lorax (1971), about environmentalism and anti-consumerism; "The Sneetches" (1961), about racial equality; The Butter Battle Book (1984), about the arms race; Yertle the Turtle (1958), about Hitler and anti-authoritarianism; How the Grinch Stole Christmas (1957), criticizing the materialism and consumerism of the Christmas season; and Horton Hears a Who! (1950), about anti-isolationism and internationalism.^[32][46]

Poetic meters[link]

Geisel wrote most of his books in anapestic tetrameter, a poetic meter employed by many poets of the English literary canon. This is often suggested as one of the reasons that Geisel's writing was so well-received.^[53][54]

Anapestic tetrameter consists of four rhythmic units, anapests, each composed of two weak syllables followed by one strong syllable (the beat); often, the first weak syllable is omitted, or an additional weak syllable is added at the end. An example of this meter can be found in Geisel's "Yertle the Turtle", from Yertle the Turtle and Other Stories:

"And today the Great Yertle, that Marvelous he

Is King of the Mud. That is all he can see."^[55]

Some books by Geisel that are written mainly in anapestic tetrameter also contain many lines written in amphibrachic tetrameter, such as these from If I Ran the Circus:

"All ready to put up the tents for my circus.

I think I will call it the Circus McGurkus.

"And NOW comes an act of Enormous Enormance!

No former performer's performed this performance!"

Geisel also wrote verse in trochaic tetrameter, an arrangement of a strong syllable followed by a weak syllable, with four units per line (for example, the title of One Fish Two Fish Red Fish Blue Fish). Traditionally, English trochaic meter permits the final weak position in the line to be omitted, which allows both masculine and feminine rhymes.

Geisel generally maintained trochaic meter for only brief passages, and for longer stretches typically mixed it with iambic tetrameter, which consists of a weak syllable followed by a strong, and is generally considered easier to write. Thus, for example, the magicians in Bartholomew and the Oobleck make their first appearance chanting in trochees (thus resembling the witches of Shakespeare's Macbeth):

"Shuffle, duffle, muzzle, muff"

then switch to iambs for the oobleck spell:

"Go make the Oobleck tumble down

On every street, in every town!"^[56]

Artwork[link]

At work on a drawing of The Grinch for How the Grinch Stole Christmas, in 1957

Geisel's earlier artwork often employed the shaded texture of pencil drawings or watercolors, but in children's books of the postwar period, he generally employed the starker medium of pen and ink, normally using just black, white, and one or two colors. Later books such as The Lorax used more colors.

Geisel's figures are often rounded and somewhat droopy. This is true, for instance, of the faces of the Grinch and of the Cat in the Hat. It is also true of virtually all buildings and machinery that Geisel drew; although these objects abound in straight lines in real life, for buildings, this could be accomplished in part through choice of architecture. For machines, for example, If I Ran the Circus includes a droopy hoisting crane and a droopy steam calliope.

Geisel evidently enjoyed drawing architecturally elaborate objects. His endlessly varied (but never rectilinear) palaces, ramps, platforms, and free-standing stairways are among his most evocative creations. Geisel also drew complex imaginary machines, such as the Audio-Telly-O-Tally-O-Count, from Dr. Seuss's Sleep Book, or the "most peculiar machine" of Sylvester McMonkey McBean in The Sneetches. Geisel also liked drawing outlandish arrangements of feathers or fur, for example, the 500th hat of Bartholomew Cubbins, the tail of Gertrude McFuzz, and the pet for girls who like to brush and comb, in One Fish Two Fish.

Geisel's images often convey motion vividly. He was fond of a sort of voilà gesture, in which the hand flips outward, spreading the fingers slightly backward with the thumb up; this is done by Ish, for instance, in One Fish Two Fish when he creates fish (who perform the gesture themselves with their fins), in the introduction of the various acts of If I Ran the Circus, and in the introduction of the Little Cats in The Cat in the Hat Comes Back. He was also fond of drawing hands with interlocked fingers, which looked as though the characters were twiddling their thumbs.

Geisel also follows the cartoon tradition of showing motion with lines, for instance in the sweeping lines that accompany Sneelock's final dive in If I Ran the Circus. Cartoonists' lines are also used to illustrate the action of the senses (sight, smell, and hearing) in The Big Brag and even of thought, as in the moment when the Grinch conceives his awful idea.

Recurring images[link]

Geisel's early work in advertising and editorial cartooning produced sketches that received more perfect realization later in the children's books. Often, the expressive use to which Geisel put an image later on was quite different from the original.^[57]

• An editorial cartoon of July 16, 1941,^[58] depicts a whale resting on the top of a mountain, as a parody of American isolationists, especially Charles Lindbergh. This was later rendered (with no apparent political content) as the Wumbus of On Beyond Zebra (1955). Seussian whales (cheerful and balloon-shaped, with long eyelashes) also occur in McElligot's Pool, If I Ran the Circus, and other books.
• Another editorial cartoon from 1941^[59] shows a long cow with many legs and udders, representing the conquered nations of Europe being milked by Adolf Hitler. This later became the Umbus of On Beyond Zebra.
• The tower of turtles in a 1942 editorial cartoon^[60] prefigures a similar tower in Yertle the Turtle. This theme also appeared in a Judge cartoon as one letter of a hieroglyphic message, and in Geisel's short-lived comic strip Hejji. Geisel once stated that Yertle the Turtle was Adolf Hitler.^[61]
• Little cats A B and C (as well as the rest of the alphabet) who spring from each others hats appeared in a Ford ad.
• The connected beards in Did I Ever Tell You How Lucky You Are? appear frequently in Geisel's work, most notably in Hejji, which featured two goats joined at the beard, The 5000 Fingers of Dr. T, which featured two roller-skating guards joined at the beard, and a political cartoon in which Nazism and the America First movement are portrayed as "the men with the Siamese Beard."
• Geisel's earliest elephants were for advertising and had somewhat wrinkly ears, much as real elephants do.^[62] With And to Think That I Saw It on Mulberry Street! (1937) and Horton Hatches the Egg (1940), the ears became more stylized, somewhat like angel wings and thus appropriate to the saintly Horton. During World War II, the elephant image appeared as an emblem for India in four editorial cartoons.^[63] Horton and similar elephants appear frequently in the postwar children's books.
• While drawing advertisements for Flit, Geisel became adept at drawing insects with huge stingers,^[64] shaped like a gentle S-curve and with a sharp end that included a rearward-pointing barb on its lower side. Their facial expressions depict gleeful malevolence. These insects were later rendered in an editorial cartoon as a swarm of Allied aircraft^[65] (1942), and again as the Sneedle of On Beyond Zebra, and yet again as the Skritz in I Had Trouble in Getting to Solla Sollew.
• There are many examples of creatures who arrange themselves in repeating patterns, such as the "Two and fro walkers, who march in five layers", and the Through-Horns Jumping Deer in If I Ran the Circus, and the arrangement of birds which the protagonist of Oh, the Places You'll Go! walks through, as the narrator admonishes him to "...always be dexterous and deft, and never mix up your right foot with your left."

Publications[link]

Over the course of his long career, Geisel wrote over 60 books. Though most were published under his well-known pseudonym, Dr. Seuss, he also authored over a dozen books as Theo LeSieg and one as Rosetta Stone. His books have topped many bestseller lists, sold over 222 million copies, and been translated into more than 15 languages.^[66] In 2000, Publishers Weekly compiled a list of the best-selling children's books of all time; of the top 100 hardcover books, 16 were written by Geisel, including Green Eggs and Ham, at number 4, The Cat in the Hat, at number 9, and One Fish Two Fish Red Fish Blue Fish, at number 13.^[67] In the years after his death in 1991, two additional books were published based on his sketches and notes: Hooray for Diffendoofer Day! and Daisy-Head Mayzie. My Many Colored Days, originally written in 1973, was posthumously published in 1996. Most recently, seven stories originally published in magazines during 1950 and 1951 were released in a collection entitled The Bippolo Seed and Other Lost Stories in September 2011.

At various times, Geisel also wrote books for adults that used the same style of verse and pictures: The Seven Lady Godivas (1939; reprinted 1987), which included nude depictions; You're Only Old Once! (written in 1986 when Geisel was 82) which chronicles an old man's journey through a clinic, a satire of the inefficiency of clinics. His last book, written a year before his death, was Oh, the Places You'll Go!, a popular gift for graduating students.

Adaptations[link]

Seuss Landing at Islands of Adventure in Orlando

For most of his career, Geisel was reluctant to have his characters marketed in contexts outside of his own books. However, he did allow for the creation of several animated cartoons, an art form in which he himself had gained experience during the Second World War, and gradually relaxed his policy as he aged.

The first adaptation of one of Geisel's works was a cartoon version of Horton Hatches the Egg, animated at Warner Bros. in 1942. Directed by Robert Clampett, it was presented as part of the Looney Tunes series, and included a number of gags not present in the original narrative, including a fish committing suicide and a Katharine Hepburn imitation by Maisie.

In 1959, Geisel authorized Revell, the well-known plastic-model-making company, to make a series of "animals" that snapped together rather than being glued together, and could be assembled, disassembled and re-assembled "in thousands" of ways. The series was called the "Dr. Seuss Zoo" and included Gowdy the Dowdy Grackle, Norval the Bashful Blinket, Tingo the Noodle Topped Stroodle and Roscoe the Many Footed Lion. The basic body parts were the same and all were interchangeable, and so it was possible for children to combine parts from various characters in essentially unlimited ways in creating their own animal characters (Revell encouraged this by selling Gowdy, Norval and Tingo together in a "Gift Set" as well as individually). Revell also made a conventional glue-together "beginner's kit" of The Cat in the Hat.

In 1966, Geisel authorized the eminent cartoon artist Chuck Jones – his friend and former colleague from the war – to make a cartoon version of How the Grinch Stole Christmas!; Geisel was credited as a co-producer, along with Jones, under his real name, "Ted Geisel." The cartoon, narrated by Boris Karloff, who also provided the voice of the Grinch, was very faithful to the original book, and is considered a classic by many to this day; it is often broadcast as an annual Christmas television special. Jones directed an adaptation of Horton Hears a Who! in 1970, and produced an adaptation of The Cat in the Hat in 1971.

From 1972 to 1983, Geisel wrote six animated specials, which were produced by DePatie-Freleng: The Lorax (1972); Dr. Seuss on the Loose (1973); The Hoober-Bloob Highway (1975); Halloween Is Grinch Night (1977); Pontoffel Pock, Where Are You? (1980); and The Grinch Grinches the Cat in the Hat (1982). Several of the specials were nominated for and won multiple Emmy Awards.

A Soviet paint-on-glass-animated short film called Welcome (an adaptation of Thidwick the Big-Hearted Moose) was made in 1986. The last adaptation of Geisel's works before he died was The Butter Battle Book, a television special based on the book of the same name, directed by adult animation legend Ralph Bakshi. Geisel himself called the special "the most faithful adaptation of his work."^{[citation needed]}

A television film titled In Search of Dr. Seuss, released in 1994, adapted many of Seuss's stories. It uses both live-action versions and animated versions of the characters and stories featured; however, the animated portions were merely edited (and, in some cases, re-dubbed as well) versions of previous animated television specials.

After Geisel died of cancer at the age of 87 in 1991, his widow Audrey Geisel was placed in charge of all licensing matters. She approved a live-action feature-film version of How the Grinch Stole Christmas starring Jim Carrey, as well as a Seuss-themed Broadway musical called Seussical, and both premiered in 2000. The Grinch has had limited engagement runs on Broadway during the Christmas season, after premiering in 1998 (under the title How the Grinch Stole Christmas) at the Old Globe Theatre in San Diego, where it has become a Christmas tradition. In 2003, another live-action film was released, this time an adaptation of The Cat in the Hat that featured Mike Myers as the title character. Audrey Geisel was vocal in her dislike of the film, especially the casting of Myers as the Cat in the Hat, and stated that there would be no further live-action adaptations of Geisel's books.^[68] However, an animated CGI feature film adaptation of Horton Hears a Who! was approved, and was eventually released on March 14, 2008, to critical acclaim. A CGI-animated feature film adaptation of The Lorax was released by Universal on March 2, 2012 (on what would have been the 108th birthday of Seuss).

Four television series have been adapted from Geisel's work. The first, Gerald McBoing-Boing, was an animated television adaptation of Geisel's 1951 cartoon of the same name and lasted three months between 1956 and 1957. The second, The Wubbulous World of Dr. Seuss, was a mix of live-action and puppetry by Jim Henson Television, the producers of The Muppets. It aired for one season on Nickelodeon in the United States, from 1996 to 1997. The third, Gerald McBoing-Boing, is a remake of the 1956 series.^[69] Produced in Canada by Cookie Jar Entertainment, it ran from 2005 to 2007. The fourth, The Cat in the Hat Knows a Lot About That!, produced by Portfolio Entertainment Inc., began on August 7, 2010 in Canada and September 6, 2010 in the United States and is currently still showing.

Geisel's books and characters are also featured in Seuss Landing, one of many islands at the Islands of Adventure theme park in Orlando, Florida. In an attempt to match Geisel's visual style, there are reportedly "no straight lines" in Seuss Landing.^[70]

The Hollywood Reporter has reported that Johnny Depp has agreed to produce and possibly star in a film based on Geisel's life. The film will be written by Keith Bunin, produced by Depp's Infinitum Nihil production company alongside Illumination Entertainment and distributed by Universal Pictures.^[71]

References[link]

Further reading[link]

• Cohen, Charles (2004). The Seuss, the Whole Seuss and Nothing But the Seuss: A Visual Biography of Theodor Seuss Geisel. Random House Books for Young Readers. ISBN 0-375-82248-8. OCLC 53075980. 
• Fensch, Thomas (ed.) (1997). Of Sneetches and Whos and the Good Dr. Seuss: Essays on the Writings and Life of Theodor Geisel. McFarland & Company. ISBN 0-7864-0388-8. 
• Geisel, Audrey (1995). The Secret Art of Dr. Seuss. Random House. ISBN 0-679-43448-8. 
• Geisel, Theodor (1987). Dr. Seuss from Then to Now: A Catalogue of the Retrospective Exhibition. Random House. ISBN 0-394-89268-2. 
• Geisel, Theodor; Richard Minnear (ed.) (2001). Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel. New Press. ISBN 1-56584-704-0. 
• Geisel, Theodor (2005). Theodor Seuss Geisel: The Early Works, Volume 1. Checker Book Publishing. ISBN 1-933160-01-2. 
• Geisel, Theodor; Richard Marschall (ed.) (1987). The Tough Coughs as He Ploughs the Dough: Early Writings and Cartoons by Dr. Seuss. New York: Morrow/Remco Worldservice Books. ISBN 0-688-06548-1. 
• Lamothe, Ron (2004). The Political Dr. Seuss (DVD). Terra Incognita Films. http://www.tifilms.com/dr_seuss/seuss.htm.  Documentary aired on the Public Television System.
• MacDonald, Ruth K. (1988). Dr. Seuss. Twayne Publishers. ISBN 0-8057-7524-2. 
• Morgan, Judith; Neil Morgan (1995). Dr. Seuss & Mr. Geisel. Random House. ISBN 0-679-41686-2. 
• Nel, Philip (2007). The Annotated Cat: Under the Hats of Seuss and His Cats. Random House. ISBN 978-0-375-83369-4. 
• Nel, Philip (2004). Dr. Seuss: American Icon. Continuum Publishing. ISBN 0-8264-1434-6. 
• Pease, Donald E. (2010). Theodor Seuss Geisel. Oxford University Press. ISBN 978-0-19-532302-3. 
• Weidt, Maryann; Kerry Maguire (1994). Oh, the Places He Went. Carolrhoda Books. ISBN 0-87614-627-2. 

External links[link]

	Biography portal
	Children's literature portal

Find more about Dr. Seuss on Wikipedia's sister projects:
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

• Seussville site Random House
• Dr. Seuss biography on Lambiek Comiclopedia
• Dr. Seuss Went to War: A Catalog of Political Cartoons by Dr. Seuss
• The Advertising Artwork of Dr. Seuss
• The Register of Dr. Seuss Collection UC San Diego
• Eugene Hotchkiss III (Spring 2004). "Dr. Seuss Keeps Me Guessing: A Commencement story by President Emeritus Eugene Hotchkiss III". lakeforest.edu. Archived from the original on August 14, 2004. http://web.archive.org/web/20040814030432/http://www.lakeforest.edu/alumni/spectrum/spring04/seuss.asp. Retrieved November 10, 2011. 
• Dr. Seuss / Theodor Geisel artwork can be viewed at American Art Archives web site
• Dr. Seuss at the Internet Movie Database
• A Tale of Two Cartoonists, Hugh Turley, Hyattsville Life and Times, April 2009

Zac Efron
Efron at the premiere of The Lucky One, Sydney, Australia, April 9, 2012
Born	Zachary David Alexander Efron (1987-10-18) October 18, 1987 (age 24) San Luis Obispo, California, U.S.
Occupation	Actor, singer
Years active	2002–present

Zachary David Alexander "Zac" Efron (born October 18, 1987) is an American actor and singer. He began acting professionally in the early 2000s and became known with his lead roles in the Disney Channel Original Movie High School Musical, the WB series Summerland, and the 2007 film version of the Broadway musical Hairspray.^[1][2] Efron has since starred in the films 17 Again, Me and Orson Welles, Charlie St. Cloud, New Year's Eve, and The Lucky One.

In 2007, Rolling Stone declared him the "poster boy for tweenyboppers" and featured him in their late August 2007 issue.^[3]

Early life and education[link]

Efron was born in San Luis Obispo, California,^[4] and later moved to Arroyo Grande, California. His father, David Efron, is an electrical engineer at a power station, and his mother, Starla Baskett, is a former secretary who worked at the same power plant.^[5][6] Efron has a younger brother, Dylan, and had, as he has described it, a "normal childhood" in a middle class family.^[1] He is an agnostic, having never been religious.^[3] His surname, "Efron", means "lark" in Hebrew (his paternal grandfather was Jewish).^[7][8][9]

Efron has said that he would "flip out" if he got a "B" and not an "A" in school, and has also described himself as having been a class clown.^[10] His father encouraged him to begin acting when he was 11 years old.^[5] Efron subsequently appeared in theater productions at his high school,^[11] worked in the theater The Great American Melodrama and Vaudeville,^[1] and began taking singing lessons.^[5] He performed in shows such as Gypsy; Peter Pan; or, The Boy Who Wouldn't Grow Up; Little Shop of Horrors; and The Music Man. He was recommended to an agent in Los Angeles by his drama teacher, Robyn Metchik (the mother of actors Aaron Michael Metchik and Asher Metchik).^[12][13] Efron was later signed to the Creative Artists Agency.^[14]

Efron graduated from Arroyo Grande High School in 2006^[15] and was then accepted into the University of Southern California, but has deferred his enrollment to work on film projects. He also attended Pacific Conservatory of the Performing Arts, a community college located in Santa Maria, California, which provided him with the opportunity to perform as a "young player" during the years of 2000 and 2001.^[16]

Career[link]

Early work[link]

Efron in June 2010

In 2002, Efron began to appear in guest roles on several television series, including Firefly, ER, and The Guardian. He portrayed Cameron Bale on the now-cancelled WB series Summerland. Originally introduced as a recurring character, Efron became a regular cast member on the show in the second season in 2004, starring opposite the likes of Kay Panabaker, Lori Loughlin and Jesse McCartney. Since appearing in Summerland, he has also had guest roles on the shows CSI: Miami, NCIS, The Suite Life of Zack & Cody and The Replacements. In 2003, Efron starred in the Lifetime original television movie Miracle Run. He played Steven Morgan, one of two autistic twins. For his performance, he was nominated for a Young Artist Award for Best Performance in a TV Movie, Mini-series or Special — Supporting Young Actor.^[17] In 2005, he played a main character in Hope Partlow's music video for her song "Sick Inside." Also in 2005, he played horse-loving Patrick McCardle in The Derby Stallion, where his character wants to beat the town bully at the steeple chase race.

Breakthrough[link]

In 2006, Efron starred in the Disney Channel original movie High School Musical as Troy Bolton, a popular student and captain of the basketball team. The film, which he initially made with "low expectations",^[1] helped Efron gain recognition among teenage audiences as both an actor and a singer, even though his singing voice was overdubbed. As a result, he placed as high as #4 on the IMDBPro's STARMeter for the week of January 29, 2006.^[18] In August 2006, Efron won a Teen Choice Award in the Breakout Star and the TV — Choice Chemistry categories, shared with Vanessa Hudgens. The film's cast, along with Efron, toured Sydney, Australia, London, England, and other locations to promote the film.

Shortly after High School Musical aired, on February 4, 2006, Efron debuted with two simultaneous charted songs on Billboard Hot 100 from the film: "Get'cha Head in the Game" and "Breaking Free", a duet with Hudgens. On the following week's chart, Efron had five simultaneous song credits from High School Musical: "Get'cha Head in the Game", "Start of Something New", "What I've Been Looking For: Reprise", "We're All in This Together" and "Breaking Free." "We're All in This Together" was credited to the whole High School Musical cast. "Breaking Free", at the time, made the fastest climb in the history of the Billboard charts, from #86 to #4 between the two weeks; the record was beaten by Beyoncé and Shakira's "Beautiful Liar".^[19] Efron also appeared in the 2006 Disney Channel Games as captain of the Red Team.

Efron's singing talents were disputed when it was revealed that Drew Seeley's voice was blended with his on the soundtrack of High School Musical.^[20] An August 23, 2007 interview in Rolling Stone magazine revealed that he had been cast in High School Musical after the songs were written, and the songs (written for a tenor) were somewhat out of his baritone vocal range.

2007–present[link]

Efron at the TIFF premiere of Me and Orson Welles, September 2008

On April 7, 2007, Efron appeared in an episode of Punk'd. Efron also starred in the music video for Vanessa Hudgens's single "Say OK", in which he played her love interest. The video aired on March 16, 2007 on the Disney Channel. That year, he was named one of People magazine's 100 Most Beautiful People in 2007. A picture and short profile of him was in the section "Coming of Age". In it, he related how he was always the shortest kid in school (as of August 2007, he was 5'8")^[6] and was teased for the "huge gap" in his teeth.^[21]

In 2006, Efron was cast as Link Larkin in a film version of Hairspray released on July 20, 2007. Efron performed all of his own vocals in the role,^[22] which was filmed in Toronto, Ontario, from September 5 to December 2, 2006. He cut and dyed his hair dark brown and gained about 15 pounds for the role.^[23] His performance and the film received positive reviews.^[12] Efron was not able to perform with his fellow castmates in High School Musical: The Concert because of commitments on the film Hairspray. Drew Seeley took over for him.

High School Musical 2 was released in August 2007. Additionally, Lycos reported searches for Efron surged by 81%.^[24] The film set a new record, becoming the most watched basic cable program in U.S. history, with 17.2 million viewers.^[25] Efron also appeared on the cover of the August 2007 edition of Rolling Stone.^[3] The article about him revealed that he hoped to someday play an action hero. Efron presented the 2007 Teen Choice Award for "Favorite Movie" along with Queen Latifah, and later that year, he co-hosted the Nickelodeon Australian Kids' Choice Awards with The Veronicas on October 10 in Sydney.^[26]

In early 2008, Efron was cast in the lead role in the film Me and Orson Welles. Based on Robert Kaplow's novel of the same name,^[27] the story, set in 1937 New York, tells of a teenager hired to star in Orson Welles' production of Julius Caesar, where he becomes attracted to a career-driven production assistant. The film was shot in the Isle of Man, London and New York, during February — April 2008. It was introduced to North America via the Toronto Film Festival on September 5, 6, and 11, 2008^[28] and was released in 2009. Efron was also scheduled to star in Paramount's musical remake of the film Footloose,^[29] and has said that he would like to add his "own little bit of flair" to the role originated by Kevin Bacon.^[6] In March 2009, he dropped out of the film.^[30] Efron was quoted as saying that while it was a promising gig, he left the project because he "was looking for a new challenge, and this was another musical."^[31]

Efron reprised his role in High School Musical 3: Senior Year, which was theatrically released on October 24, 2008. His next role was in 2009's 17 Again, a high school-set comedy-drama produced by Adam Shankman and based on a pitch by Jason Filardi;^[32] the plot involved an adult who is transformed into a 17-year old (played by Efron).^[33]

Efron at the Deauville Film Festival in 2010

On April 8, 2009, Efron's participation in a comedic short video entitled "Zac Efron's Pool Party" for the website Funny Or Die was released for public viewing.^[34] On April 11, 2009, Efron hosted an episode of Saturday Night Live.^[35] In early June 2009 it was confirmed that Efron would be making a guest appearance during the sixth season of HBO's comedy series Entourage.^[36] Efron starred in a series of advertisements, along with Kristen Bell and Sean Combs, promoting the 2010 MTV Movie Awards and the host, Aziz Ansari. In 2009, he signed on to play title character in the movie Charlie St. Cloud.^[37] The film was released on July 30, 2010.

Efron was second on People's 2011 Most Beautiful list.^[38] That year, he appeared in Garry Marshall's New Year's Eve, which did well on the box-office despite receiving many negative reviews from critics.^[39] In 2012, he voiced Teg Wiggins in The Lorax and starred in The Lucky One, a film adaptation of Nicholas Sparks' novel of the same name. He will co-star in The Paperboy alongside Nicole Kidman.

Upcoming roles[link]

Efron has been slated to star in the title role of the live-action adaptation of the Jonny Quest cartoons.^[40] Additional projects include Einstein Theory^[41] and an adaptation of Fire, by Image Comics. On February 11, 2011, it was reported that Efron will star in the action romance Charlie Countryman.^[42][43] He is also set to star in and produce the American remake of Swedish crime film Easy Money.^[44][45]

Personal life[link]

Efron with Vanessa Hudgens at the 81st Academy Awards, 2009

Efron was on the Forbes Celebrity 100 list in 2008 as number 92 with estimated earnings of $5.8 million from June 2007 to June 2008. As of April 5, 2009, his personal wealth equaled about $10 million.^[46] People magazine said in 2007 that Efron and Vanessa Hudgens began dating in 2005 during the filming of High School Musical,^[47][48][49] although Us magazine said, after the two broke up in December 2010, that they "met in 2005 while making the first High School Musical flick, and became a romantic item about two years later."^[50]

Filmography[link]

Other awards and nominations[link]

Discography[link]

Soundtracks[link]

• High School Musical (2006)
• Hairspray (2007)
• High School Musical 2 (2007)
• High School Musical 3: Senior Year (2008)

Charted songs[link]