This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (October 2009)

Jon Lord
Jon Lord, 2007.
Background information
Birth name	Jonathan Douglas Lord
Born	(1941-06-09) 9 June 1941 (age 71) Leicester, England
Genres	Hard rock, heavy metal, blues-rock, progressive rock, classical, jazz-fusion
Occupations	Musician, songwriter
Instruments	Keyboards, organ, piano, synthesizer, vocals
Years active	1956–present
Labels	Purple, EMI, Harvest
Associated acts	Deep Purple, Whitesnake, Paice, Ashton & Lord, The Artwoods, The Flower Pot Men

Jonathan Douglas "Jon" Lord D.M. (born 9 June 1941) is an English composer, pianist and Hammond organ player known for his pioneering work in fusing rock and classical or baroque forms, especially with Deep Purple, besides Whitesnake, Paice, Ashton & Lord, The Artwoods and Flower Pot Men.

In 1968, Lord founded Deep Purple, where he was virtually the leader of the band until 1970. In addition, Lord wrote the organ riff on "Child in Time". He and drummer Ian Paice were the only constant band members during the band's existence from 1968 to 1976 and from when they reformed in 1984 until Lord's retirement from Deep Purple in 2002. On 11 November 2010, Lord was made an Honorary Fellow of Stevenson College, Edinburgh. On 15 July 2011, he was granted an honorary Doctor of Music degree by his home town's University of Leicester.

Early life[link]

Jon Lord was born in Leicester on 9 June 1941 to his parents Miriam (1912–1995, née Hudson) and Reg. He studied classical piano from the age of five, and those influences are a recurring trademark in his work. His influences range from Bach (a constant connection in his music and his keyboard improvisation) to Medieval popular music and the English tradition of Edward Elgar.

Simultaneously, Lord absorbed the blues sounds that played a key part in his rock career, principally the raw sounds of the great American blues organists Jimmy Smith, Jimmy McGriff and "Brother" Jack McDuff ("Rock Candy"), as well as the stage showmanship of Jerry Lee Lewis. The jazz-blues organ sounds coming from those musicians in the 1950s and 1960s, using the trademark blues-organ sound of the Hammond organ (B3 and C3 models) and combining it with the Leslie speaker system (the well-known Hammond-Leslie speaker combo), were seminal influences. Lord has also stated that he was heavily influenced by the organ-based progressive rock played by Vanilla Fudge after seeing that band perform in the UK in 1967.^[1] Keyboard contemporaries in the 1970s Keith Emerson and Rick Wakeman generally steered away from the blues or only showcased it as a novelty, but Lord embraced it fully into his style.

Lord moved to London in 1959/60, intent on an acting career and enrolling at the Central School of Speech and Drama, in London's Swiss Cottage. Small parts followed and Lord continued playing piano and organ in clubs and as a session musician to make ends meet.

He started his London band career in 1960 with jazz ensemble the Bill Ashton Combo. Ashton, now an MBE, became a key figure in jazz education in the UK, creating what later became the National Youth Jazz Orchestra. Between 1960 and 1963, Lord (along with Ashton) moved onto Red Bludd's Bluesicians (also known as The Don Wilson's Quartet), the latter of which featured singer Arthur "Art" Wood. Wood had previously sung with Alexis Korner's Blues Incorporated and was a junior figure in the British blues movement. In this period, Lord's session credits included playing keyboards on You Really Got Me (The Kinks 1964 classic).

Following the break-up of Redd Bludd's Bluesicians in late 1963, Wood, Lord and drummer Red Dunnage put together a new band. The Art Wood Combo also included Derek Griffiths (guitar) and Malcolm Pool (bass). Dunnage left in December 1964 to be replaced by Keef Hartley, who had previously replaced Ringo Starr in Rory Storm and the Hurricanes.

The Artwoods, as the band came to be known, focused on the organ as the bluesy, rhythmic core of their sound, in common with contemporaries the Spencer Davis Group (Steve Winwood on organ) and the Animals (with Alan Price). They made appearances on TV shows such as Ready Steady Go!, performed abroad and appeared on the first Ready Steady Goes Live, promoting their first single "Sweet Mary", but significant commercial success eluded them. Their only chart single was "I Take What I Want", which reached #28 on 8 May 1966.

The band regrouped in 1967 as St Valentine's Day Massacre, in an attempt to cash in on the 1930s gangster craze triggered by the film Bonnie and Clyde. Hartley left in 1967 to join John Mayall's Bluesbreakers.

Lord then created Santa Barbara Machine Head (featuring Art's brother, the young Ronnie Wood), writing and recording three powerful keyboard-driven instrumental tracks, giving a preview of the seminal Deep Purple style to come in the future. Soon after, he went on to cover for keyboard player Billy Day in The Flower Pot Men, where he met bassist Nick Simper. Lord and Simper toured with the band in 1967 to support their "Let's Go To San Francisco" hit single, but they never recorded with them.

In early 1967, through his roommate Chris Curtis of The Searchers, Lord met businessman Tony Edwards who was looking to invest in the music business. Ritchie Blackmore was called in and met Lord for the first time. But Chris Curtis' erratic behavior led the trio nowhere. Edwards was impressed enough by Jon Lord to ask him to form a band after Curtis faded out. Simper was contacted, and Blackmore recalled from Hamburg. Top English drummer Bobby Woodman was the initial choice for the drums, but during the auditions for a singer, Rod Evans of the Maze came in with his drummer, Ian Paice. Blackmore, who had been impressed by Paice's drumming when he'd met him in 1967, quickly ensured an audition for Paice as well. The band was initially called Roundabout, which by March 1968 had morphed into the "Mark 1" lineup of Deep Purple: Lord, Simper, Blackmore, Paice and Evans.

Lord also helped form Boz, which did some recordings produced by Derek Lawrence, featuring Boz Burrell (later of Bad Company), session guitarist Ritchie Blackmore, drummer Ian Paice, and bassist Chas Hodges (later of 'Cockney' pop group Chas & Dave).

Personal life[link]

Jon Lord is married to Vickie Lord, the twin sister of Ian Paice's wife, Jackie. The twin girls were the daughters of Frank Gibbs, owner of the Oakley House Country Club, Brewood, Staffs. They both live in the United Kingdom. He has two daughters, Amy (with Vickie) and Sara (with his first wife Judith Feldman whom he was married to from 1969 to 1981).

Lord was recently diagnosed as suffering from pancreatic cancer, a normally swiftly developing and deadly form of cancer. He is currently undergoing special treatment in Israel hoping to recover and get back to music. According to drummer Ian Paice the cancer was discovered in its "early, early stage" so there is hope for recovery. ^[2]

Deep Purple, 1968–1976[link]

It is in this period that Lord's trademark keyboard sound emerged. Ignoring the emergence of the Moog synthesizer as pioneered in rock by players like Keith Emerson, he began experimenting with a keyboard sound centred on the Hammond organ but heavier than a blues sound and often featuring distortion.^[3] This delivered a rhythmic foundation to complement Blackmore's speed and virtuosity on lead guitar. Lord also loved the sound of an RMI 368 Electra-Piano and Harpsichord, which he used on songs like "Demon's Eye", and "Space Truckin'". In 1973, Lord's original Hammond C3 gave out, and he purchased another from Christine McVie of Fleetwood Mac. Around this same time, Lord and his keyboard technician, Mike Phillips, combined his Hammond C3 Organ with the RMI.^[3] (Lord kept this particular Hammond C3 until his retirement from the band in 2002.)

Lord pushed the Hammond-Leslie sound through Marshall amplification, creating a growling, heavy, mechanical sound that gave a rhythmic counterpoint to Blackmore's lead playing. It also allowed Lord to compete with Blackmore as a soloist, with an organ that sounded as heavy as a lead guitar. Said one reviewer, "many have tried to imitate [Lord's] style, and all failed."^[4] Said Lord himself, "There's a way of playing a Hammond [that's] different. A lot of people make the mistake of thinking that you can play a Hammond with a piano technique. Well, you can, but it sounds like you are playing a Hammond with a piano technique. Really, you have to learn how to play an organ. It's a legato technique; it’s a technique to achieve legato on a non-legato instrument."^[5]

In early Deep Purple recordings, Lord had appeared to be the leader of the band, though it never made chart success in the UK until the Concerto for Group and Orchestra album (1970). For example, the band's first hit song, a cover of Joe South's "Hush", features an extended organ solo and no guitar solo. Later, Lord's willingness to play many of the key rhythm parts gave the guitarist the freedom to let loose both live and on record.

On Deep Purple's second and third albums, Lord began indulging his ambition to fuse rock with classical music. An early example of this is the song "Anthem" from the album The Book of Taliesyn (1968), but a more prominent example is the song "April" from the band's self-titled third album (1969). The song is recorded in three parts: (1) Lord and Blackmore only, on keyboards and acoustic guitar, respectively; (2) an orchestral arrangement complete with strings; and (3) the full rock band with vocals. This enhanced Lord's reputation among fellow musicians, but caused tension within the group.

Blackmore agreed to go along with Lord's experimentation, provided he was given his head on the next band album.^[4] The resulting Concerto For Group and Orchestra (in 1969) was one of rock's earliest attempts to fuse two distinct musical idioms. Performed live at the Royal Albert Hall on 24 September 1969 (with new band members Ian Gillan and Roger Glover, Evans and Simper having been fired), recorded by the BBC and later released as an album, the Concerto gave Deep Purple their first highly-publicised taste of mainstream fame and gave Lord the confidence to believe that his experiment and his compositional skill had a future. The Concerto also gave Lord the chance to work with established classical figures, like conductor Malcolm Arnold (knighted in 1993), who brought his technical skills to bear by helping Lord score the work and to protect him from the inevitable disdain of the older members of the orchestra.

Classical dalliance over, Purple began work on In Rock, released by their new label EMI in 1970 and now recognised as one of hard rock's key early works. Lord and Blackmore competed to out-dazzle each other, often in classical-style, mid-section 'call and answer' improvisation (on tracks like "Speed King"), something they employed to great effect live. Similarly, "Child in Time" features Lord's playing to maximum tonal effect. The organ riff on "Child in Time" was written by Lord,^[6] although it is similar to It's a Beautiful Day's 1969 psychedelic hit song "Bombay Calling".^[7] Lord's experimental solo on "Hard Lovin' Man" (complete with police-siren interpolation) on the album is his personal favourite among his Deep Purple studio performances.

Deep Purple released a sequence of albums between 1971's Fireball and 1975's Come Taste the Band. Gillan and Glover left in 1973 and Blackmore in 1975, and the band disintegrated in 1976. The highlights of Lord's Purple work in the period include the 1972 album Machine Head (featuring his rhythmic underpinnings on "Smoke on the Water" and "Space Truckin'", plus the organ solos on "Highway Star" and "Lazy"), the sonic bombast of the Made in Japan live album (1972), an extended, effect-laden solo on "Rat Bat Blue" from the Who Do We Think We Are album (1973), and his overall playing on the Burn album from 1974.

Roger Glover later described Lord as a true "Zen-archer soloist", someone whose best keyboard improvisation often came at the first attempt. Lord's strict reliance on the Hammond C3 organ sound, as opposed to the synthesizer experimentation of his contemporaries, places him firmly in the jazz-blues category as a band musician and far from the progressive-rock sound of Keith Emerson and Rick Wakeman. Lord himself would rarely venture into the synthesizer territory on Purple albums, often limiting his experimentation to the use of the ring modulator with the Hammond, to give live performances on tracks like Space Truckin' a distinctive 'spacey' sound. Rare instances of his Deep Purple synthesizer use (later including the MiniMoog and other Moog synthesizers) include "'A' 200", the final track from Burn, and "Love Child" on the Come Taste the Band album.

In early 1973 Lord stated:

(NME, March 1973^[8])

Composing career[link]

Lord continued to focus on his classical aspirations alongside his Deep Purple career. The BBC, buoyed by the success of the Concerto, commissioned him to do another work and the resulting Gemini Suite was performed by Deep Purple and the Light Music Society under Malcolm Arnold at the Royal Festival Hall in September 1970 and then in Munich with the Kammerorchester conducted by Eberhard Schoener in January 1972. It then became the basis for Lord's first solo album, Gemini Suite, released in November 1972, with vocals by Yvonne Elliman and Tony Ashton and with the London Symphony Orchestra backing a band that included Albert Lee on guitar.

Lord's collaboration with the highly experimental and supportive Schoener resulted in a second live performance of the Suite in late 1973 and a new Lord album with Eberhard Schoener, entitled Windows, in 1974. It proved to be Lord's most experimental work and was released to mixed reactions. However, the dalliances with Bach on Windows and the pleasure of collaborating with Schoener resulted in perhaps Lord's most confident solo work and perhaps his strongest orchestral album, Sarabande, recorded in Germany in September 1975 with the Philharmonia Hungarica conducted by Schoener.

Composed of eight pieces (from the opening sweep of Fantasia to the Finale), at least five pieces form the typical construction of a baroque dance suite. The key pieces (Sarabande, Gigue, Bouree, Pavane and Caprice) feature rich orchestration complemented sometimes by the interpolation of rock themes, played by a session band comprising Pete York, Mark Nauseef and Andy Summers, with organ and synthesizers played by Lord.

In March 1974, Lord and Paice had collaborated with friend Tony Ashton on First of the Big Bands, credited to 'Ashton & Lord' and featuring a rich array of session talent, including Carmine Appice, Ian Paice, Peter Frampton and Pink Floyd saxophonist/sessioner, Dick Parry. They performed much of the set live at the London Palladium in September 1974.

This formed the basis of Lord's first post-Deep Purple project Paice, Ashton & Lord, which lasted only a year and spawned a single album, Malice in Wonderland in 1977. He created an informal group of friends and collaborators including Ashton, Paice, Bernie Marsden, Boz Burrell and later, Bad Company's Mick Ralphs, Simon Kirke and others. Over the same period, Lord guested on albums by Maggie Bell, Nazareth and even Richard Digance. Eager to pay off a huge tax bill upon his return the UK in the late-1970s (Purple's excesses included their own tour jet and a home Lord rented in Hollywood from actress Ann-Margret), Lord joined former Deep Purple band member David Coverdale's new band, Whitesnake in August 1978 (Paice joined them in 1980 and stayed till 1982). Whitesnake was a continuation of the musical style introduced in Paice, Ashton & Lord and was inspired in name and cover art from Lord's 1975 album Sarabande.

Whitesnake, 1978–1984[link]

Lord's job in Whitesnake was largely limited to adding colour (or, in his own words, a 'halo') to round out a blues-rock sound that already accommodated two lead guitarists, Bernie Marsden and Micky Moody. He added a Yamaha Electric Grand piano to his set-up and finally a huge bank of synthesizers onstage courtesy of Moog (MiniMoog, Opus, PolyMoog) so he could play the 12-bar blues the band often required and recreate string section and other effects. Such varied work is evident on tracks like "Here I Go Again", "Wine, Women and Song", "She's a Woman" and "Till the Day I Die". A number of singles entered the UK charts, taking the now 40-something Lord onto Top of the Pops with regularity between 1980 and 1983. He later expressed frustration that he was a poorly-paid hired-hand. His dissatisfaction (and Coverdale's eagerness to revamp the band's line-up and lower the average age to help crack the US market) smoothed the way for the reformation of Deep Purple Mk II in 1984.

Jon Lord's last Whitesnake concert took place in the Swedish TV programme Mandagsborsen in 16 April 1984.

During his tenure in Whitesnake, Lord did have a chance to do two distinctly different solo albums. 1982s Before I Forget featured a largely conventional eight-song line-up, no orchestra and with the bulk of the songs being either mainstream rock tracks ("Hollywood Rock And Roll", "Chance on a Feeling"), or — specifically on Side Two — a series of very English classical piano ballads sung by mother and daughter duo, Vicki Brown and Sam Brown (wife and daughter of entertainer Joe Brown) and vocalist Elmer Gantry. The album also boasted the cream of British rock talent, including prolific session drummer (and National Youth Jazz Orchestra alumnus) Simon Phillips, Cozy Powell, Neil Murray, Simon Kirke, Boz Burrell and Mick Ralphs. Lord used synthesizers more than ever before, principally to retain an intimacy with the material and to create a jam atmosphere with old friends like Tony Ashton.

Additionally, Lord was commissioned by producer Patrick Gamble for Central Television to write the soundtrack for their 1984 TV series, Country Diary of an Edwardian Lady, based on the book by Edith Holden, with an orchestra conducted by Alfred Ralston and with a distinctly gentle, pastoral series of themes composed by Lord. Lord, now firmly established as a member of UK rock/Oxfordshire mansion aristocracy (in Lord's case, a home called Burntwood, complete with hand-painted Challen baby grand piano, previous owner, Shirley Bassey), was asked to guest on albums by friends George Harrison (Gone Troppo from 1982) and Pink Floyd's David Gilmour (1983's About Face), Cozy Powell (Octopus in 1983) and to play on an adaptation of Kenneth Grahame's classic, Wind in the Willows. He composed and produced the score for White Fire (1984), which consisted largely of two songs performed by Limelight.

In the 1980s he was also a member of an all-star band called Olympic Rock & Blues Circus fronted by Pete York and featuring a rotating line-up of the likes of Miller Anderson, Tony Ashton, Brian Auger, Zoot Money, Colin Hodgkinson, Chris Farlowe and many others. Olympic Rock & Blues Circus toured primarily in Germany between 1981 and 1989. Some musicians, including Lord, took part in York's TV musical extravaganza Superdrumming between 1987 and 1989.

1984–present[link]

Lord's re-emergence with Deep Purple in 1984 resulted in huge audiences for the reformed Mk II line-up, including 1985s second largest grossing tour in the US and an appearance in front of 70,000 rain-soaked fans headlining Knebworth on 22 June 1985, all to support the Perfect Strangers album. Playing with a rejuvenated Mk. II Purple line-up (including spells at a health farm to get the band including Lord into shape) and being onstage and in the studio with Blackmore, gave Lord the chance to push himself once again. His 'rubato' classical opening sequence to the album's opener, "Knocking at Your Back Door" (complete with F-Minor to G polychordal harmony sequence), gave Lord the chance to do his most powerful work for years, including the song "Perfect Strangers". Further Deep Purple albums followed, often of varying quality, and by the late-1990s, Lord was clearly keen to explore where to take his career next.

Jon Lord performing at the Sunflower Jam, London, 2007

In 1997, he created perhaps his most personal work to date, Pictured Within, released in 1998 with a European tour to support it. Lord's mother Miriam had died in August 1995 and the album is a deeply affecting piece, inflected at all stages by Lord's sense of grief. Recorded largely in Lord's home away from home, the city of Cologne, the album's themes are Elgarian and alpine in equal measure. Lord signed to Virgin Classics to release it, and perhaps saw it as the first stage in his eventual departure from Purple to embark on a low-key and altogether more gentle solo career. One song from Pictured Within, entitled "Wait A While" was later covered by Norwegian singer Sissel Kyrkjebø on her 2003/2004 album My Heart. Lord finally retired from Deep Purple amicably in 2002, preceded by a knee injury that eventually resolved itself without surgery. He said subsequently, "Leaving Deep Purple was just as traumatic as I had always suspected it would be and more so -- if you see what I mean". He even dedicated a song to it on 2004's solo effort, Beyond the Notes, called "De Profundis". The album was recorded in Bonn with producer, Mario Argandoña between June and July 2004.

Tony Ashton with Jon Lord, a gig at the Hotel Post, March 1990.

Pictured Within and Beyond the Notes provide the most personal work by Lord, and together, have what his earlier solo work perhaps lacks, a very clear musical voice that is quintessentially his. Together, both albums are uniquely crafted, mature pieces from a man in touch with himself and his spirituality. Lord has slowly built a small, but distinct position and fan base for himself in Europe, collaborating with former ABBA superstar and family friend, Frida (Anni-Frid Lyngstad), on the 2004 track, "The Sun Will Shine Again" (with lyrics by Sam Brown) and performing with her across Europe and subsequently, doing concerts also to première the 2007-scheduled Boom of the Tingling Strings orchestral piece.

In 2003, he also returned to his beloved R-n-B/blues heritage to record an album of standards in Sydney, with Australia's Jimmy Barnes, entitled Live in the Basement, by Jon Lord and the Hoochie Coochie Men. He remains one of British rock music's most eclectic and talented instrumentalists. Lord is also happy to support the Sam Buxton Sunflower Jam Healing Trust and in September 2006, performed at a star-studded event to support the charity led by Ian Paice's wife, Jacky (twin sister of Lord's wife Vicky). Featured artists on stage with Lord included Paul Weller, Robert Plant, Phil Manzanera, Ian Paice and Bernie Marsden.

Two Lord compositions, "Boom of the Tingling Strings" and "Disguises (Suite for String Orchestra)", were recorded in Denmark in 2006 and released in April 2008 on EMI Classics. Both feature the Odense Symfoniorkester, conducted by Paul Mann. Additionally, a second Hoochie Coochie Men album was recorded in July 2006 in London. This album, Danger - White Men Dancing, was released in October 2007.

His Durham Concerto, commissioned by Durham University for its 175th anniversary celebrations, received its world premiere on 20 October 2007 in Durham Cathedral by the Royal Liverpool Philharmonic Orchestra, and featured soloists Lord on Hammond Organ, Kathryn Tickell on Northumbrian pipes, Matthew Barley on cello and Ruth Palmer on violin.

Lord was (almost) next-door neighbour to former Beatle, George Harrison, and played piano on Harrison's posthumously released Brainwashed album (2002). He was also a close friend of John Mortimer, whom he had accompanied on many occasions during Mortimer's performances of "Mortimer Miscellany".

Lord released his solo album To Notice Such Things on 29 March 2010.^[9] Titled after the main work — a six movement suite for solo flute, piano and string orchestra — the album was inspired by, and is dedicated to the memory of Jon's dear friend Sir John Mortimer, the English barrister, dramatist, screenwriter, author and creator of British television series "Rumpole of The Bailey", who died in January 2009. On its first day of release, the album entered Amazon’s Movers And Shakers index, nestling at no. 12 at the end of the day.^[10] Six days later it entered the UK's official classical chart at no. 4.^[10]

Among his many upcoming projects, Jon Lord has been commissioned to compose a concerto for Hammond organ and orchestra and with special parts for tympani. The piece will be premiered with the Oslo Philharmonic Orchestra with Tom Vissgren on tympani in Oslo, Norway in the Spring of 2012. With Vladimir Ashkenazy and Josef Suk, Lord is one of three artistic sponsors of Toccata Classics.

Jon Lord is working on material with recently formed rock supergroup WhoCares, also featuring singer Ian Gillan from Deep Purple, guitarist Tony Iommi from Black Sabbath, second guitarist Mikko Lindström from HIM, bassist Jason Newsted formerly from Metallica and drummer Nicko McBrain from Iron Maiden.^[11]

Discography[link]

Santa Barbara Machine Head[link]

• 1968 Blues Anytime Vol. 3 ("Porcupine Juice", "Albert", "Rubber Monkey")
• 1969 An Anthology of British Blues Vol. 2
• 2002 Pre-Purple People ("Porcupine Juice", "Albert", "Rubber Monkey")

Solo and orchestral works with Deep Purple[link]

• 1969 Concerto for Group and Orchestra (with Deep Purple)
• 1971 The Last Rebel (with Ashton, Gardner & Dyke) - motion picture soundtrack
• 1972 Gemini Suite
• 1974 First of the Big Bands (with Tony Ashton)
• 1974 Windows (with Eberhard Schoener)
• 1976 Sarabande
• 1982 Before I Forget
• 1984 Country Diary of an Edwardian Lady (with Alfred Ralston) - television series soundtrack
• 1993 Gemini Suite Live (with Deep Purple)
• 1993 First of the Big Bands - BBC Live in Concert 1974 (with Tony Ashton)
• 1998 Pictured Within
• 2000 In Concert with the London Symphony Orchestra (with Deep Purple)
• 2003 Jon Lord With Pictures (DVD documentary)
• 2004 Beyond The Notes
• 2004 Beyond The Notes Live (DVD)
• 2008 Boom of the Tingling Strings
• 2008 Durham Concerto
• 2010 To Notice Such Things ^[9]
• 2011 Jon Lord Blues Project Live
• 2011 Jon Lord Live (Bucharest 2009)

With The Hoochie Coochie Men[link]

• 2003 Live at the Basement
• 2007 Danger. White Men Dancing

Other credits[link]

• 1964 Kinks (The Kinks, "You Really Got Me")
• 1967 Sound & Movement (The Leading Figures)
• 1968 I Shall Be Released/Down in the Flood (Boz Burrell, SP)
• 1968 Sundragon (Sundragon)
• 1968 Madena/Standing Still (Anan, SP)
• 1972 What a Bloody Long Day It's Been (Ashton, Gardner & Dyke, "The Falling Song" - strings arr.)
• 1974 Rampant (Nazareth, "Glad When You're Gone", "Shanghai'd in Shanghai")
• 1976 Wizard's Convention (Eddie Hardin)
• 1978 More Than Meets the Eye (Joe Breen)
• 1979 Commercial Road (Richard Digance)
• 1979 And About Time Too (Bernie Marsden])
• 1980 Look at Me Now (Bernie Marsden)
• 1981 Line-Up (Graham Bonnett)
• 1982 Gone Troppo (George Harrison, "Circles")
• 1983 Octopuss (Cozy Powell)
• 1984 About Face (David Gilmour)
• 1985 Wind in the Willows (Eddie Hardin)
• 1986 Detroit Diesel (Alvin Lee, "Ordinary Man", "Let's Go")
• 1989 Super Drumming Folge 1 & 2 (Pete York)
• 1990 Rock Aid Armenia - The Earthquake Album ("Smoke on the Water '90")
• 1990 About Love and Life (Vicki Brown, "We Are One")
• 1990 April Moon (Sam Brown, "Contradictions")
• 1990 Pete York Presents Super Drumming Volume 3 ("I Got Rhythm", "Heavy Ravel", "Gemini - Voice", "Windows")
• 1992 Cherkazoo & Other Stories (Ian Gillan, archival recordings 1972-74)
• 1992 Wind in the Willows - A Rock Concert (Eddie Hardin, recorded live 1991, DVD 2003)
• 1992 The Drums Are Back (Cozy Powell, "The Rocket", "The Legend Of The Glass Mountain")
• 1992 Zoom (Alvin Lee, "Real Life Blues", "Wake Up Moma")
• 1994 Carnival of Light (Ride, "Moonlight Medicine")
• 1994 How Does It Feel to Feel (Ride, EP, "Journey to the End of Universe")
• 1995 Still a Few Pages Left (Hardin & York, "Stuck On You")
• 2002 Brainwashed (George Harrison, "Brainwashed")
• 2003 Bluesheart (Miller Anderson, "Help Me", "Runnin' Blues")
• 2005 Legends of Rock - 50 Jahre Rock (CD/DVD, live for ZDF 2004)
• 2005 Min Jul (Maria Arredondo, arrangements)
• 2006 Gillan's Inn (Ian Gillan, "When A Blind Man Cries", "Demon's Eye", "Smoke On The Water")
• 2008 Army of One (Espen Lind, "Sweet Love", "The Music Takes You There")
• 2009 Endangered Species - Live At Abbey Road 2000 (Tony Ashton & Friends, CD/DVD)
• 2009 Childline Rocks 2009 (Ltd. Ed., "Pictured Within", "Child in Time", "You Keep On Moving")
• 2010 Stay Tuned (Bernhard Welz, "Child In Time")
• 2011 Dance (The Smith Quartet, writer of "Zarabanda Solitaria")
• 2011 Out of My Mind (WhoCares, charity CD single)
• 2011 The Odyssey, Live (David Bedford, archive performance from 1977)

Film & TV appearances[link]

• 1991 Deep Purple - Heavy Metal Pioneers (Warner, interviewee)
• 1995 Rock Family Trees, ep. 'Deep Purple' (BBC, interviewee)
• 2002 Classic Albums, ep. 'Deep Purple - Machine Head' (ITV, interviewee)
• 2004 The South Bank Show, ep. 'Malcolm Arnold - Toward the Unknown Region' (ITV, interviewee)
• 2007 Ian Gillan - Highway Star: A Journey in Rock (interviewee)
• 2009 John Mortimer - A Life in Words (BBC, interviewee)
• 2009 Soul To Song, ep. 'Smoke On The Water' (Japanese TV, interviewee)
• 2010 Heavy Metal Britannia (BBC, interviewee)
• 2010 I'm in a Rock n' Roll Band, ep. 'The Other One' (BBC, interviewee)
• 2011 Metal Evolution (SkyArts, interviewee)
• 2011 How the Brits Rocked America (BBC, interviewee)

Music videos (with Whitesnake and Deep Purple)[link]

• 1968 Hush
• 1969 Hallelujah
• 1970 Black Night
• 1970 Speed King
• 1971 Into The Fire
• 1971 Fireball
• 1971 Demon's Eye
• 1971 No No No
• 1972 Highway Star
• 1980 Fool For Your Loving
• 1984 Slow & Easy
• 1984 Love Ain't No Stranger
• 1985 Perfect Strangers
• 1985 Knocking at Your Back Door
• 1985 Under the Gun
• 1985 Nobody's Home
• 1987 Bad Attitude
• 1987 Call of the Wild
• 1988 Hush '88
• 1991 King of Dreams
• 1991 Love Conquers All
• 1996 Sometimes I Feel Like Screaming

References[link]

Further reading[link]

• Deep Purple: Charlesworth, Chris (Omnibus Press, 1983)
• Deep Purple, Heavy Metal Photo Book: Welch, Chris with Hasebe, Koh (Omnibus Press, 1984)
• Deep Purple: Tomasz Szmajter, Roland Bury (In Rock, 1998, 2003, 2009)
• Deep Purple: Sailor, Michael (Hannibal Verlag, 2005)
• Smoke on the Water, The Deep Purple Story: Thompson, Dave (ECW Press, 2004)
• The Complete Deep Purple: Heatley, Michael (Reynolds & Hearn, 2005)
• The Gemini Man: an Introduction to the Orchestral Works of Jon Lord, Vincent Budd (Gnosis Press, 2003)

External links[link]

Wikimedia Commons has media related to: Jon Lord

• Jon Lord's Official Website
• Jon Lord interview in the Leicester Mercury

Joe Bonamassa
Bonamassa in Manchester, 2010
Background information
Born	(1977-05-08) May 8, 1977 (age 35) New Hartford, New York United States
Genres	Blues rock, hard rock, rock and roll
Occupations	Musician, singer-songwriter
Instruments	Vocals, guitar, theremin
Years active	1989–present
Labels	J&R Adventures, Provogue
Associated acts	Bloodline, Black Country Communion, Beth Hart
Website	Official website
Notable instruments
Gibson Les Paul Gibson ES335 Fender Stratocaster Fender Telecaster Gibson Flying V

Joe Bonamassa (born May 8, 1977) is an American blues rock guitarist and singer. He began his career playing guitar in the band Bloodline, which featured the offspring of several famous musicians (such as Miles Davis, Robby Krieger and Berry Oakley of The Allman Brothers Band)^[1]. He released his first solo album A New Day Yesterday in 2000, and has since released nine more solo studio albums, four live albums and three live DVDs, along with two albums with the band Black Country Communion and one album in collaboration with vocalist Beth Hart^[2]. He tours the world regularly, and has developed a large following in the U.K. especially. His most recent album, Driving Towards The Daylight, reached #2 on the U.K. Top 40 Albums Chart, and he completed an arena tour there in 2012. In 2009 he was the recipient of the Classic Rock Magazine "Breakthrough Artist of the Year" award^[3], and The Guardian said of him: "the 32-year-old from upstate New York has consolidated a reputation as the pre-eminent blues-rock guitarist of his generation"^[4].

Bonamassa has collaborated with numerous artists, including B.B. King, Eric Clapton, Beth Hart, Paul Rodgers, Leslie West, Jon Lord, Vince Gill, Sandi Thom and Glenn Hughes. He also plays with Hughes in Black Country Communion, along with Jason Bonham and Derek Sherinian^[5].

Joe Bonamassa's music contains a mix of several different genres: although it is primarily blues rock, since relocating to Santorini, Greece in 2009 to record the album Black Rock (named after the studios in which it was created), his music has gained eastern influences, with the addition of instruments such as the bouzouki and clarino (for instance, on Black Lung Heartache from Dust Bowl and Athens to Athens from Black Rock ^[6]). He has also covered songs by John Hiatt and Leonard Cohen^[7].

Early life[link]

Bonamassa was born and raised in New Hartford, New York. His parents owned and ran a guitar shop. He is a fourth-generation musician; with a great-grandfather and grandfather who both played trumpet, and a father who plays guitar, Bonamassa credits his parents with fostering an appreciation of music in his life as early as he can remember. When he was a young child, he would listen to his parents' large record collection. He recalls at age 7, sitting with his parents on Saturdays and listening to Guitar Slim, Bonnie Raitt, Crosby, Stills, Nash, and Young, Eric Clapton, and Jethro Tull. Thus, he sees his music as an amalgam of all the various rock and blues he heard as a child.^[8]

He received his first guitar from his father at the age of 4, and by age 7 he was playing Stevie Ray Vaughan and Jimi Hendrix tunes note for note. At the age of 11, during a short period of being mentored by Danny Gatton, he learned such styles as country and jazz as well as polka. During this time with Gatton, Bonamassa sat in with Gatton's band whenever they played in New York. He first opened for B. B. King at 12 years of age. At 14, he was invited to attend a Fender guitar event; during that trip to the West Coast he met Berry Oakley, Jr., with whom he founded the group Bloodline, along with Miles Davis' son Erin and Robby Krieger's son Waylon. They released one album which produced two chart singles — "Stone Cold Hearted", and "Dixie Peach." He has since played with Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker, Gregg Allman, Steve Winwood, Paul Jones, Steve Lukather, Ted Nugent, Warren Haynes, Eric Clapton, Derek Trucks, and Jack Bruce.

Influences[link]

Unlike other successful blues-rock guitarists, Bonamassa cited his influences as being British and Irish blues acts, rather than American artists. Within the blues genre, hearing the traditional blues players, as with Guitar Slim, Robert Johnson, Muddy Waters, and all the traditional American blues players, (with the exception of B.B. King), comparing the music in the United States to the "European" versions of the blues, Bonamassa found the English blues, fostered by the Jeff Beck Group, Eric Clapton and the Irish blues player Rory Gallagher, to be far more interesting to him than the original Delta blues players.^[8] In an interview in Guitarist magazine (issue 265), he cited the three albums that had the biggest influence on his playing: John Mayall & the Bluesbreakers with Eric Clapton (the Beano album), Rory Gallagher's Irish Tour and Goodbye by Cream. He also stated that Stevie Ray Vaughan's Texas Flood was a big influence at a young age.

Bonamassa performing in Stafford, Texas, 2007

He elaborated further on his influences in his interview:

"You know, my heroes were the Columbine guys – Paul Kossoff, Peter Green, Eric Clapton. There’s so many - there’s Gary Moore, Rory Gallagher – another Irish musician who played the same things, but don’t tell him that. But those guys were my guys – Jeff Beck, Jimmy Page. There’s a certain sophistication to their approach to the blues that I really like, more so than the American blues that I was listening to. B. B. King’s a big influence – he’s probably my biggest traditional influence. I love Muddy Waters, Robert Johnson and T-Bone Walker and stuff like that, but I couldn’t sit down… I was always forcing myself to listen to whole records by them, where I’d rather listen to Humble Pie do "I'm Ready" than Muddy Waters, you know? I think, the English interpretation of the blues just hit me a lot better, you know?"

And in his October 2008 interview with Express & Star:

“When I heard Kossoff playing "Mr. Big" and when I heard Clapton playing "Crossroads" and when I heard Rory Gallagher playing "Cradle Rock", I was like, 'This is way cooler'.... "British blues are my thing. When I heard Rod Stewart and the Jeff Beck Group singing "Let Me Love You", it changed my life. I knew exactly what I wanted to do. Those are my influences".

These influences are evident in his music, but Bonamassa has been influenced by other artists; notable examples include B.B. King, Robert Johnson, Danny Gatton, Eric Johnson, Albert Collins, Stevie Ray Vaughan and Buddy Guy. Bonamassa's style of playing incorporates rock, blues-rock, Delta blues, electric blues, jazz, country - and even prog rock as evidenced by Yes's "Heart of the Sunrise" and the "Würm" section of "Starship Trooper" being regular features of live performances.

Solo career[link]

Bonamassa's solo début, in 2000, was his Top 10 Blues disc A New Day Yesterday, named after the 1969 Jethro Tull classic that Bonamassa makes his own with what allmusic.com called “a jaw-dropping performance”. Produced by the late Tom Dowd, the album featured guest shots by Gregg Allman, Rick Derringer and Leslie West. "Miss You, Hate You" remains a cornerstone of Bonamassa's repertoire, as does "Cradle Rock". Bonamassa followed it up in 2002 with "So, It's Like That", which included "Pain And Sorrow". The album was his first to hit #1 on Billboard's Blues Chart.

Joe Bonamassa performing at the Manchester Apollo, October 2010

In 2003 – designated "Year Of The Blues" by Congress – Bonamassa returned with Blues Deluxe. In the liner notes, Harris Cohen observed that Bonamassa, "never loses touch with the raw emotion that makes the blues what it is." Reviewing "Blues Deluxe", former Creem editor Jaan Uhelszki added, "New York guitar phenom walks tall in the blues tradition…jettisoning fiery riffs inspired by John Lee Hooker, B.B. King, Elmore James, and Albert Collins into the future with furious playing, a hard-rock sensibility, and a grizzled voice that owes a debt to Gregg Allman. Equally inspired by the Delta blues and the mid-'60s British blues boom, the young firebrand … is able to fuse those two schools together, creating edgy blues rock." Had To Cry Today followed in 2004.

In 2006, Bonamassa released his fifth full-length studio album, You & Me. This album also reached #1 on the Billboard Blues Album Chart. For the recording of this album, he enlisted Jason Bonham, while "Your Funeral And My Trial", featured harmonica player L.D. Miller, and the bassist Carmine Rojas. The title of the album was taken from the Django Reinhardt song "Vous et Moi" (1942). The violin introduction of that song inspired Bonamassa to write "Django", the seventh track on the album. Longer live versions would later appear on Live From Nowhere in Particular in 2009, and at the Royal Albert Hall Concert (Live DVD). For this tour, Bonamassa used former Johnny Winter Bassist Mark Epstein and former Kenny Wayne Shepherd drummer Bogie Bowles.

Bonamassa performing on a double necked guitar in Madrid, Spain on June 2, 2009

Sloe Gin was released in August 2007, and spent several weeks at the top of the Billboard Blues Chart. Bonamassa's touring band underwent another change for this album's tour; bassist Carmine Rojas replaced Mark Epstein, and keyboardist Rick Melick was added. Both of the new band members took part in the recordings of You & Me and Sloe Gin, and toured on select dates during promotion of You & Me.

Bonamassa presented his first live show as a DJ on the UK radio station Planet Rock on November 9, 2008, playing tracks from B.B. King, Muddy Waters, Rory Gallagher and Eric Clapton.

In November 2008, Bonamassa announced he would be playing at the Royal Albert Hall in London on May 4, 2009. Tickets for the concert sold out in less than a week. Bonamassa described the event to the Express & Star as "the complete culmination of 20 years of work for me."^{[citation needed]}

At the Royal Albert Hall concert, Bonamassa mentioned that the first song that he learned to play was "Further on Up the Road" and he then introduced Eric Clapton and together they performed the song. Later Bonamassa paid tribute to the Paul Jones Radio Hour on BBC Radio for playing his material on the air, then introduced Paul Jones who played the harmonica on a Sonny Boy Williamson II song, "Your Funeral, My Trial."

In March 2010, Bonamassa released his tenth full-length solo album Black Rock^[9] which debuted at #1 on the Billboard Blues Charts and #38 on the Billboard 200.

In May 2010, Ian Anderson guested at his concert at London's Hammersmith Apollo, and they played "A New Day Yesterday" along with "Locomotive Breath". At the end of 2010, Bowles announced his departure and Tal Bergman took over as touring drummer.

The Bonamassa, Glenn Hughes, Jason Bonham, Derek Sherinian supergroup is now called Black Country Communion. The band were forced to add 'Communion' to their original name Black Country after another band with the same name raised an objection.

In March 2011, Bonamassa released his eleventh full-length solo album, Dust Bowl, followed in September of the same year by a collaboration with Beth Hart called "Don't Explain".

In early 2012, Bonamassa completed the recording of his twelfth studio album. The title was confirmed by Bonamassa in a post on his official Facebook page on March 12 2012 as Driving Towards The Daylight^[10]. Bonamassa debuted the title track during his UK Tour in the same month^[11]

Discography[link]

DVDs[link]

Live at the Rockpalast was released in 2005, and recorded at the Burg Satzvey in Mechernich, Germany.^[12]

A live DVD titled A New Day Yesterday, Live was given away for a short period of time with So, It's Like That. This concert was later re-released as a full CD and DVD.

An instructional DVD, Signature Sounds, Styles and Techniques, was released in 2006.

A live DVD, Joe Bonamassa: Live From Royal Albert Hall was released in September 2009, featuring Eric Clapton as a guest performer.

Bonamassa's performance with pedal-steel guitarist Robert Randolph, Randolph's Family Band and Pino Daniele at the 2010 edition of Crossroads Guitar Festival appears on the Crossroads 2010 DVD. The song they played is Going Down.

A live DVD, "Joe Bonamassa Live from New York Beacon Theatre" was released in 2012.

References[link]

External links[link]

Wikimedia Commons has media related to: Joe Bonamassa

• Official website
• Joe Bonamassa Experience official website
• Joe Bonamassa Official Fan Website
• European Joe Bonamassa Website

Rick Wakeman
Rick Wakeman in 2003.
Background information
Birth name	Richard Christopher Wakeman
Born	(1949-05-18) 18 May 1949 (age 63) Perivale, London, England
Genres	Rock, progressive rock, pop, electronica, jazz fusion, classical, Christian music
Occupations	Musician, songwriter
Instruments	Keyboards, piano, synthesiser
Years active	1969–present
Labels	A&M, Charisma, President Records, Voiceprint, Griffin, EMI, Music Fusion, Hot Productions, Studio T
Associated acts	Yes, Strawbs, ABWH, David Bowie, Warhorse, Black Sabbath, Cat Stevens
Website	www.rwcc.com

Richard Christopher Wakeman (born 18 May 1949) is an English keyboard player, composer and songwriter best known for being the former keyboardist in the progressive rock band Yes. He is also known for his solo albums, contributing to the BBC comedy series Grumpy Old Men and for Rick's Place, his former radio show on Planet Rock that aired until December 2010.

Wakeman was born in West London. He purchased his first electronic keyboard at 12 years of age. In 1968, he studied the piano, clarinet, orchestration and modern music at the Royal College of Music before leaving after a year in favour of session music work. He went on to feature on songs by artists including Black Sabbath,^[1] David Bowie, T. Rex, Elton John and Cat Stevens. Wakeman joined the folk group Strawbs in 1969 and played on three of their albums. He first joined Yes in 1971 to replace Tony Kaye, and left the group in 1974 to work on his solo career. He returned in 1976 before leaving with lead vocalist Jon Anderson in 1980. Wakeman was part of the side project Anderson Bruford Wakeman Howe, a group of ex-Yes members formed in 1989, and the eight-member Yes line-up that followed until his third departure in 1992. He returned for two years in 1995 and once more in 2002, where he was part of the band's 35th anniversary tour until its end in 2004.

Wakeman began his solo career during his first run with Yes. His perhaps most known records being his first three, The Six Wives of Henry VIII (1973), Journey to the Centre of the Earth (1974) and The Myths and Legends of King Arthur and the Knights of the Round Table (1975). He has produced over 100 solo albums that have sold more than 50 million copies.^[2] In November 2010, Wakeman was awarded the Spirit of Prog award at the annual Marshall Classic Rock Roll of Honour Awards.^[3]

Early life[link]

Rick Wakeman was born on 18 May 1949 in the west London suburb of Northolt to Cyril Frank and Mildred Helen Wakeman.^[4][5] He attended Wood End Infants School in 1954, followed by Drayton Manor Grammar School in 1959.^[6] He started playing the piano at the age of 5 and purchased his first electronic keyboard at the age of 12.^[7] In 1968, Wakeman secured a place at the Royal College of Music, where he studied piano, clarinet, orchestration and modern music. He left a year later in favour of session music work.

Music career[link]

Rick Wakeman photographic portrait by Augusto De Luca

Session work and the Strawbs (1969–1971)[link]

Wakeman became an active session musician. In June 1969, he played Mellotron on David Bowie's single "Space Oddity" for a session fee of £9.^[8] He went on to play piano for Bowie's "Life on Mars?", "Changes" and "Oh! You Pretty Things" in April 1971 and "Absolute Beginners" in 1985. He also played the piano on the Cat Stevens' hit "Morning Has Broken". In 1971 he acquired an early Minimoog synthesiser, purchasing it at half price from actor Jack Wild who believed that it was defective because it only played one note at a time.^[7][9]

In 1970 and 1971, Wakeman was part of the folk rock group Strawbs. His first appearance on an album sleeve was on Dragonfly, the group's second studio album released in February 1970. The band held a concert at the Queen Elizabeth Hall in London on 11 July 1970 where Wakeman performed a solo piano piece named "Temparament of Mind". He received a standing ovation for his performance, and the track appeared on the band's live record released that year, Just a Collection of Antiques and Curios.^[10] Wakeman appeared on the front page of Melody Maker soon after, which called him "Tomorrow's Superstar",^[11] and composed the theme music to the television show Ask Aspel.^[12] He remained in the Strawbs for a third album, From the Witchwood, but left the group in mid-1971.

Joining Yes and start of solo career (1971–1975)[link]

In 1971, Wakeman joined the progressive rock band Yes, replacing their organist Tony Kaye. His first concert with the group took place in Leicester on 30 September 1971.^[13] He worked on the group's fourth, fifth and sixth studio albums – Fragile (1971), Close to the Edge (1972), and Tales from Topographic Oceans (1973). Wakeman, however, felt Tales from Topographic Oceans was pretentious and – despite its ambition – insubstantial. He disliked performing the album on tour, feeling the length of the songs prevented the band from playing their more popular tracks. Following the tour, as the band began work on what would become Relayer (1974), Wakeman felt further alienated from the group. Disenchanted with the direction in which Yes was going, and already into a successful solo career, he left.^{[citation needed]}

Wakeman produced his first three solo albums during his first run with Yes. On 23 January 1973,^[14] he released The Six Wives of Henry VIII, an instrumental concept album based on his interpretations of the musical characteristics of the wives of Henry VIII, using keyboard instruments. The album was overall well received by critics. TIME magazine named the record one of the best pop albums of 1973.^[15] In October 1975, the album was certified Gold.^[16]

On 18 January 1974, Wakeman performed Journey to the Centre of the Earth, a forty-minute piece based on the Jules Verne novel of the same name, at the Royal Festival Hall in London. Combining rock with an orchestra and choir, the concert was recorded and released on 18 May, where it topped the UK album charts on entry for one week. The record became a multi-million dollar seller in six weeks.^[17] The album was certified Gold in September 1974.^[16]

In May 1975, Wakeman released The Myths and Legends of King Arthur and the Knights of the Round Table, with the album was performed live at the Empire Pool on ice. The show was well received but expensive to produce, consuming much of the income from sales of the album.^[7][18] The album was also a worldwide success, reaching No.21 in the United States while going Gold (the third time a Wakeman record had achieved this) in Brazil, Japan and Australia.^[19] The album has sold 12 million copies.^[20]

In 1975, Wakeman produced the first of two soundtracks for films by Ken Russell, that being Lisztomania; Wakeman would go on to create the soundtrack for Crimes of Passion in 1984. In 1976, Wakeman produced and created the album No Earthly Connection in France.

Rejoining Yes (1976–1980)[link]

Wakeman returned to Yes for their 1977 album Going for the One. He remained until their next album, Tormato, a year later. He is reputed to have given the album its name by throwing a tomato at a showing of the art used for the album's cover.^[21][22]

Anderson Bruford Wakeman Howe and Yes (1989–1992)[link]

In 1989, he joined with three fellow ex-Yes members to form Anderson Bruford Wakeman Howe ("ABWH"). After ABWH's first album, some of the completed tracks for a planned second album were merged with tracks from an in-progress Yes album to create the album Union. Wakeman, along with the combined members of both bands then joined to form a Yes supergroup (made up of past and present members of Yes) for the subsequent tour in 1991. When the tour ended a year later, Wakeman left again.

Fourth run with Yes (1995–1997)[link]

He then returned in 1996 for the Keys to Ascension albums but left before the band could tour.

Fifth run with Yes and Hampton Court (2002–2009)[link]

In 2002, he rejoined Yes and stayed with the band until their 2008 In The Present Tour. For the group's 40th anniversary tour, Wakeman was replaced by his son, Oliver Wakeman.

In 2008, Wakeman toured with a solo show named Rick Wakeman's Grumpy Old Picture Show, featuring an evening of music and stories.

In May 2009, Wakeman performed The Six Wives of Henry VIII live at Hampton Court Palace for the first time, for two nights. The performance was recorded and released as The Six Wives of Henry VIII Live at Hampton Court Palace.

Instruments[link]

Wakeman performing at the Royal Albert Hall in aid of the Performing Right Society for Music Members' Benevolent Fund in 2009.

Although Wakeman is a noted player of the grand piano, electric piano, Hammond organ, Minimoog and many later models of synthesiser, he is well known as an exponent (for a time) of the Mellotron – an analogue electronic musical instrument that uses a bank of pre-recorded magnetic tape strips, each of which is activated by a separate key on its keyboard and lasts approximately 8 seconds. Wakeman featured playing this instrument, to varying degrees, on the David Bowie track "Space Oddity", the Yes albums Fragile, Close to the Edge and Tales From Topographic Oceans, as well as the solo albums The Six Wives of Henry VIII and White Rock. It proved too unwieldy and unreliable for regular touring, and he eventually doused the last Mellotron that he owned in petrol and set fire to it in a field.^[23] Undeterred, he worked with David Biro to develop the Birotron, which used the then popular 8-track cassette format rather than tape strips. Because of the advent of digital keyboards at that time, and also because the cassette tape format could not reproduce the attack and decay of musical notes (which the tape strips of the Mellotron could reproduce), the Birotron was never a commercial or technical success. Only 35 Birotrons were produced, and Wakeman eventually threw his across the stage after it broke down mid-concert, an action he now regrets as there are only six remaining examples.^[23]

Recent years[link]

Wakeman's track "Arthur" has been used as the theme tune to the BBC's Election Night Coverage since 1979, with the exception of 2001 and 2010. Wakeman's album Fields of Green '97 features the track "Election '97/Arthur" which was used by the BBC for their coverage of the 1997 General Election. The music was revamped for the BBC's 2005 general election night coverage.

His TV career was launched in 1982 when he hosted Gastank on Channel 4 in the United Kingdom. The show featured a mix of interviews with 1970s musicians and impromptu performances where the guest artist would join Wakeman and his house band in playing re-arranged versions of their classic songs or entirely new pieces created for the show. Wakeman hosted the ITV comedy show Live at Jongleurs for 8 years.

Wakeman is a contributor to the BBC Two show Grumpy Old Men. He has also appeared in a number of episodes of Countdown. He has also appeared on the satirical panel shows Never Mind the Buzzcocks (4 appearances) and Have I Got News For You. Between September 2005 and December 2010, Wakeman presented Rick's Place, a weekly radio show on Planet Rock with David 'Kid' Jensen. Wakeman appeared as himself in "Journey to the Centre of Rick Wakeman", the season two finale of Mitch Benn's Crimes Against Music, a BBC Radio 4 comedy programme. The episode detailed a fictional war between England and Wales in 2009 which only Wakeman could stop. Wakeman provided piano for Benn's 2008 single "Sing Like an Angel", which was released on iTunes. In December 2006, Wakeman was the guest host for an episode of The Personality Test on Radio 4. He also appeared on Top Gear and set a race track lap time of 1'55.26. Wakeman made his debut appearance on Just a Minute on Radio 4 on 7 February 2011.^[24]

In October 2007, Wakeman commenced a new tour 'Rick Wakeman's Grumpy Old Picture Show', where he accompanies video performers such as Gordon Giltrap and the English Rock Ensemble (Ashley Holt, Lee Pomeroy, Dave Colquhoun and Tony Fernandez). A Freemason, he is a member of Chelsea Lodge No. 3098, the membership of which is made up of entertainers.^[25] In 2009, Wakeman became a Patron of Tech Music Schools.

In 2011, Wakeman, alongside Fiaba's drummer Bruno Rubino, has been recording and arranging the debut full-length studio album of the Italian singer Valentina Blanca.^{[citation needed]}

In January 2012, Wakeman appeared as part of a group backing Jasper Carrott on BBC 1's The One Jasper Carrott.

Personal life[link]

On 28 March 1970, Wakeman married his first wife Rosaline Woolford at twenty years of age^[26] and had two sons, Oliver (b. 26 February 1972) and Adam (b. 11 March 1974). Rick and Rosaline divorced in 1977, and Wakeman married studio secretary Danielle Corminboeuf in January 1980 in the West Indies,^[27] with whom he had one son, Benjamin (b. 1978).^[28] He had a daughter, Jemma Kiera (b. 21 February 1983), with former Page 3 model Nina Carter^[29] and the two married in 1984 followed by the birth of their son, Oscar (b. 14 May 1986).^[30] He has had a renewal of his Christian faith,^[31] which began around the time of his marriage to Nina Carter.^[32] Nina and Rick divorced in December 2004.^[33]

Rick Wakeman had a daughter Manda (b. 9 May 1986) with his long time friend, designer and seamstress Denise Gandrup, whom he first met in 1972. Denise designed much of Wakeman's stage outfits including his famous capes.^[34][35]

In his twenties, Wakeman suffered three heart attacks.^[21] The first occurred after a performance of Journey to the Centre of the Earth at the Crystal Palace Bowl on 27 July 1974.

In 1980 he was mis-diagnosed as having rheumatoid arthritis in his hands. He only found out in 2008 that the pain he was suffering was just due to sudden overwork after a period of lack of keyboard practice.^[36]

A passionate football fan, Wakeman has supported Brentford F.C. since he was a child, and later on he also became a director of the West London club. After a disagreement with the board^{[citation needed]}, he moved on to Manchester City F.C. but maintained his allegiance to Brentford. He was involved in the ownership of the American soccer club Philadelphia Fury in the late '70s, along with other rock celebrities such as Peter Frampton and Paul Simon.

He is a strong supporter of the UK's Conservative Party, and performed a concert in September 2004 for the benefit of the party.^{[citation needed]}

Wakeman has been president of the show business charity The Heritage Foundation. The charity erects blue plaques on the homes and/or work-places of late entertainers and sportspeople. He is also Honorary President of the Classic Rock Society, a UK-based organisation helping to promote classic and progressive rock.

Discography[link]

Bibliography[link]

• Wakeman, Rick (1995). Say Yes! An Autobiography. Hodder & Stoughton. ISBN 978-0-340-62151-6. 
• Wakeman, Rick (2008). Grumpy Old Rockstar: and Other Wondrous Stories. Preface Publishing. ISBN 978-1-84809-004-0. 
• Wakeman, Rick (2010). Further Adventures of a Grumpy Old Rockstar. Arrow. ISBN 978-1-84809-176-4. 

References[link]

• Wooding, Dan (1979). Rick Wakeman: The Caped Crusader. Granada Publishing Limited. ISBN 978-0-586-04853-5. 
• Wakeman, Rick (1995). Say Yes! An Autobiography. Hodder & Stoughton. ISBN 978-0-340-62151-6. 
• Welch, Chris (2008). Close to the Edge - The Story of Yes. Music Sales. ISBN 978-1-84772-132-7. 

External links[link]

• Rick Wakeman's Communication Centre
• Rick Wakeman's Official Press Photos
• Rick Wakeman at the Internet Movie Database