2:40
Komeda - Riot (1969) OST - "100 Years" by Bill Medley
Main Theme from the last movie with Christopher Komeda's (born 1931, died 1969) music ...
published: 08 Feb 2009
Author: SKROLSZ
Komeda - Riot (1969) OST - "100 Years" by Bill Medley
Main Theme from the last movie with Christopher Komeda's (born 1931, died 1969) music - RIOT, directed by Buzz Kulik, produced in 1968, world premiere in 1969. "One Hundred Years" sung by Bill Medley. Lyrics by Robert Wells: #1 It never seen a man like I was going to be But now Im doing time and time is killing me But somehow in the night I cross all bridges of my mind To sleep beside that soft, warm woman that I left behind. #2 My lonely world is filled with silences that blame With strangers for my friends with empty as that stay But somehow when it rains I swim the rivers of her tears To tell her that Ill only be here for 100 years
9:32
Stonewall Riots
The Stonewall Riots in New York...
published: 12 May 2008
Author: govbruce
Stonewall Riots
The Stonewall Riots in New York
3:43
Stonewall Riots 1969 40 Years On
Each year in June gays and lesbians prance and parade to celebrate Gay Pride Month. The hi...
published: 25 Apr 2010
Author: scottdylanuk
Stonewall Riots 1969 40 Years On
Each year in June gays and lesbians prance and parade to celebrate Gay Pride Month. The history of Gay Pride Celebrations began in 1969 in Greenwich Village, New York City at the Stonewall Inn. At the time, it was common all over the United States for police to raid gay and lesbian bars. While they were purportedly looking for liquor law or other violations, patrons were arrested and dragged off to jail with no legitimate charges. The names of those arrested were often published in the papers and many of those people were fired from their jobs as a result. In 1969 bars were about the only places gays and lesbians could gather in public. Most times, when the police would raid a bar, the gay and lesbian clientele would try to slip out the back or cower in the corners. The Stonewall Riots But on the night of June 27th, 1969 something different happened. When police raided the Stonewall Inn, the butch lesbians and drag queens fought back. The bar patrons threw bottles and rocks at the police. They chanted, Gay Power! For several nights crowds grew outside the Stonewall Inn. Word quickly spread around the country about the gay people who fought back against the police. The event became known as the Stonewall Rebellion or Stonewall Riots. Although there was a small gay rights movement around the country prior to Stonewall, after 1969 the movement changed. The 1960s was a time of revolution. The Civil Rights Movement was in full swing and people took to the streets to protest <b>...</b>
3:27
The Stonewall Riots 1969 and the Gay Rights Movement
The signs might be easier to read if you watch on full screen. I forgot to site the song i...
published: 18 May 2010
Author: grapevinefires11
The Stonewall Riots 1969 and the Gay Rights Movement
The signs might be easier to read if you watch on full screen. I forgot to site the song in the video. It's Lament by Balmorhea.
8:52
Stonewall Riots 1969
stonewall...
published: 09 May 2010
Author: jmdemes
Stonewall Riots 1969
stonewall
11:00
Ballymurphy 1969 & 1970
Riots in Ballymurphy April & June 1970...
published: 04 May 2010
Author: freeballymurphy
Ballymurphy 1969 & 1970
Riots in Ballymurphy April & June 1970
9:16
AARP TV: Stonewall 40 Years Later
Original footage of the Stonewall riots and interviews with gay and lesbian leaders. Have ...
published: 25 Jun 2009
Author: AARPMedia
AARP TV: Stonewall 40 Years Later
Original footage of the Stonewall riots and interviews with gay and lesbian leaders. Have gay rights progressed since Stonewall? The rest of our coverage is here: www.aarp.org
1:55
Stonewall Riots of 1969
Collected pictures of the Stonewall Riots of 1969 in New York City. (For educational purpo...
published: 12 Apr 2010
Author: MISSMJO123
Stonewall Riots of 1969
Collected pictures of the Stonewall Riots of 1969 in New York City. (For educational purposes) - Not in violation of copyright laws.
7:14
Riot: The Story of Altamont 1969
this is somewhat the not funny version of me. This was a school project and i had to uploa...
published: 22 May 2010
Author: sabutna4evur
Riot: The Story of Altamont 1969
this is somewhat the not funny version of me. This was a school project and i had to upload it here. There was no other way. Its not wrestling related. Enjoy!!! I dont own any right s of the songs in the video or the video clip shown. They all go to their respected owners
6:28
1969 was Fine - Right to Riot
Welcome Ladies and Germs to the Grand Nightmare of Social Upheaval and Contemporary Wester...
published: 22 Jan 2011
Author: skhooll
1969 was Fine - Right to Riot
Welcome Ladies and Germs to the Grand Nightmare of Social Upheaval and Contemporary Western Goodness!!! Featuring 1969 Was Fine! Saddle Up and Ride
37:00
Belfast 1969 : The Dawn of the Troubles ( Shankill / Falls R
This is a video clip from various places of Belfast in September 1969 at the dawn of the t...
published: 07 Sep 2009
Author: thenewlodge
Belfast 1969 : The Dawn of the Troubles ( Shankill / Falls R
This is a video clip from various places of Belfast in September 1969 at the dawn of the troubles after a night of heavy riots, the first of its kind in Belfast Millfield Divis Street Nearly the first 12 minutes of the video are silent outtakes (11:39), then goes to resident interviews from residents of the catholic and protestant neibourhoods of Belfast, people being interviewed 01:22 Crocus Street 11:16 Shankill / Bombay Street / Falls Road 13:45 Ralls Road 16:39 Resident Interview 1/6 19:30 Resident Interview 2/6 25:00 Resident Interview 3/6 28:31 Resident Interview 4/6 31:36 Resident Interview 5/6 34:20 Resident Interview 6/6 Video Uploaded by TheNewlodge / www.thenewlodge.com
8:12
This is my May '69
41st anniversary of a dark day in political and ethnic relations of the country. This is m...
published: 13 May 2010
Author: malaysiakini
This is my May '69
41st anniversary of a dark day in political and ethnic relations of the country. This is my personal experience of May 13th 1969. Approaching my 15th birthday, I was not to know what it was all about nor what its implications were, then. Now of course we all know. But what it really means to me now, is that May 13, 1969 represents a watershed in the national ethnic landscape -- to me it was when the Malays abandoned their 'tidak apa', easy-going, ineffectual character for a rude and aggressive one. On May 13, 1969, the Malays fell onto Mahathir's laps. by Shufiyan Shukur
4:00
Stonewall Inn Riots-40 years later
The Stonewall Inn Riots in Greenwich Villiage~40 year anniversary...
published: 28 Jun 2009
Author: Debi Brown
Stonewall Inn Riots-40 years later
The Stonewall Inn Riots in Greenwich Villiage~40 year anniversary
4:05
Movietone News aug 1969
Derry Riots 12th Aug 1969...
published: 05 Dec 2008
Author: kelliefish2
Movietone News aug 1969
Derry Riots 12th Aug 1969
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this yearās OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanicās in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. Itās really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
āThe images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. Itās been a great opportunity for all of us to work together on a non-commercial project weāre passionate about and weāre so proud of the combined effort and final result.ā
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 daysā¦ So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yearās prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this yearās OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanicās in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. Itās really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 daysā¦ So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
5:36
Robots of Brixton
Brixton has degenerated into a disregarded area inhabited by London's new robot workforce ...
published: 14 Jun 2011
Author: Kibwe Tavares
Robots of Brixton
Brixton has degenerated into a disregarded area inhabited by London's new robot workforce - robots built and designed to carry out all of the tasks which humans are no longer inclined to do. The mechanical population of Brixton has rocketed, resulting in unplanned, cheap and quick additions to the skyline.
The film follows the trials and tribulations of young robots surviving at the sharp end of inner city life, living the predictable existence of a populous hemmed in by poverty, disillusionment and mass unemployment. When the Police invade the one space which the robots can call their own, the fierce and strained relationship between the two sides explodes into an outbreak of violence echoing that of 1981.
With Support from
Kibwe Tavares - Direction, animation, modeling, lighting, texturingetc...
David Hoffman - Photographer Brixton riots http://archive.hoffmanphotos.com/
Mourad Bennacer - Sound Designer http://designsonore.tumblr.com/
DJ Hiatus "The Great Insurrection" www.hiatusmusic.net
For more supercool projects
www.factoryfifteen.com
1:00
Lurpak - Lightest
Directed by Dougal Wilson.
Lurpak and Wieden+Kennedy are giving healthy food a bright and...
published: 13 Jan 2012
Author: Blink
Lurpak - Lightest
Directed by Dougal Wilson.
Lurpak and Wieden+Kennedy are giving healthy food a bright and cheerful makeover with their new campaign for LurpakĀ® Lightest Spreadable, and they wisely brought in Dougal to help them spread the word. Fresh from an incredible year rounded off by his immensely popular 'The Long Wait' for John Lewis, Dougal lends his uniquely charming touch to a good cause: getting people to eat more vegetables.
Celebrating cooking in its most vibrant form, we're reminded that healthy food doesn't have to be boring. In fact, with the help of past collaborators such as editor Joe Guest and art director Andy Kelly, Dougal makes it look downright spectacular. There's also a catchy little ditty that'll stay in your head all day, with the stars of the show providing not only a riot of colour but musical accompaniment as well.
Watch the video, sing along and get chopping! But watch your fingers...
Youtube results:
4:25
Start of riot 12.8.69.wmv
Riots break out in Derry on Aug 12th 1969....
published: 09 Dec 2008
Author: kelliefish2
Start of riot 12.8.69.wmv
Riots break out in Derry on Aug 12th 1969.
9:00
British troops are sent to Northern Ireland, August 1969
The Apprentice Boys' march and the subsequent Battle of the Bogside and its effect on ...
published: 13 Jan 2009
Author: SCBReturns
British troops are sent to Northern Ireland, August 1969
The Apprentice Boys' march and the subsequent Battle of the Bogside and its effect on Belfast put British troops on the streets of Northern Ireland until 2007.
2:03
Belfast Riots ~ RTE news footage
Belfast Riots, Hundreds fight the British Police...
published: 13 Jan 2009
Author: SCBReturns
Belfast Riots ~ RTE news footage
Belfast Riots, Hundreds fight the British Police
4:40
Public Disorder
I think most of the scenes are from the Garvaghy Road (Portadown), Ardoyne (north Belfast)...
published: 22 Jan 2007
Author: PaddyEireSaoirse
Public Disorder
I think most of the scenes are from the Garvaghy Road (Portadown), Ardoyne (north Belfast) and interface areas in east Belfast.
