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Amsterdam
Amsterdam (; Dutch ) is the capital and largest city of the Netherlands, with an urban population of 1,364,422 and a metropolitan population of 2,158,372. The city is located in the province of North Holland in the west of the country. It comprises the northern part of the Randstad, the sixth-largest metropolitan area in Europe, with a population of approximately 6.7 million.
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Boston
Boston (pronounced ) is the capital and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. Boston city proper had a 2009 estimated population of 645,169, making it the twentieth largest in the country. Boston is also the anchor of a substantially larger metropolitan area called Greater Boston, home to 4.5 million people and the tenth-largest metropolitan area in the country. Greater Boston as a commuting region includes six Massachusetts counties, Essex, Middlesex, Norfolk, Suffolk, Plymouth, and Worcester, all of Rhode Island and parts of New Hampshire; it is home to 7.5 million people, making it the fifth-largest Combined Statistical Area in the United States.
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Clarens, Switzerland
Clarens is a small village in the municipality of Montreux, in the canton of Vaud, in Switzerland.
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France
{{Infobox Country
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Harvard
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Harvard University
Harvard University is a private Ivy League university located in Cambridge, Massachusetts, established in 1636 by the Massachusetts legislature. Harvard is the oldest institution of higher learning in the United States and the first corporation (officially The President and Fellows of Harvard College) chartered in the country.
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Hollywood Bowl
The Hollywood Bowl is a modern amphitheater in the Hollywood area of Los Angeles, California, United States that is used primarily for music performances. It has a seating capacity of 17,376.
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IRCAM
IRCAM (Institut de Recherche et Coordination Acoustique/Musique) is a European institute for science about music and sound and avant garde electro-acoustical art music. It is situated next to, and is organizationally linked with, the Centre Pompidou in Paris. The extension of the building has been designed by Renzo Piano and Richard Rogers.
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Isola di San Michele
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east.
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Israel
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Jumeirah Essex House
The Jumeirah Essex House, formerly known as the Essex House, is a luxury hotel located on 160 Central Park South in Manhattan. Built in 1931 as the Park Tower Hotel, it is situated across the street from the southern border of Central Park and is convenient to both the stylish shops on Fifth Avenue and the nightlife of both Broadway and the Upper West Side. The 43-story hotel has 515 Art Deco style rooms and an in-house spa, and it is immediately recognizable by its original red neon rooftop sign.
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Leningrad
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Los Angeles
Los Angeles ( ; , Spanish for "The Angels") is the second most populous city in the United States, the most populous city in the state of California and the western United States, with a population of 3.83 million within its administrative limits on a land area of . The urban area of Los Angeles extends beyond the administrative city limits with a population of over 14.8 million and it is the 14th largest urban area in the world, affording it megacity status. The metropolitan statistical area (MSA) is home to nearly 12.9 million residents while the broader Los Angeles-Long Beach-Riverside combined statistical area (CSA) contains nearly 17.8 million people. Los Angeles is also the seat of Los Angeles County, the most populated and one of the most multicultural counties in the United States. The city's inhabitants are referred to as "Angelenos" ().
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Mariinsky Theatre
The Mariinsky Theatre (, Mariinskiy Teatr, also spelled Maryinsky, Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. The Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as its general director.
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Moscow
Moscow ( or ; ; see also ) is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, religious, financial, educational, and transportation centre of Russia and the world, a global city. Moscow is the most populous city on the continent of Europe and the seventh largest city proper in the world, a megacity. The population of Moscow (as of 1 January 2010) is 10,563,038.
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New York
New York (; locally or ) is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east. The state has a maritime border with Rhode Island east of Long Island, as well as an international border with the Canadian provinces of Ontario to the north and west, and Quebec to the north. New York is often referred to as New York State to distinguish it from New York City.
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Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text (called a libretto) and musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.
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Russia
Russia (; ), also officially known as the Russian Federation (), is a state in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects. From northwest to southeast, Russia shares borders with Norway, Finland, Estonia, Latvia, Lithuania and Poland (both via Kaliningrad Oblast), Belarus, Ukraine, Georgia, Azerbaijan, Kazakhstan, the People's Republic of China, Mongolia, and North Korea. It also has maritime borders with Japan by the Sea of Okhotsk and the United States by the Bering Strait. At , Russia is the largest country in the world, covering more than a ninth of the Earth's land area. Russia is also the ninth most populous nation with 142 million people. It extends across the whole of northern Asia and 40% of Europe, spanning 9 time zones and incorporating a wide range of environments and landforms. Russia has the world's largest reserves of mineral and energy resources. It has the world's largest forest reserves and its lakes contain approximately one-quarter of the world's fresh water.
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Saint Petersburg
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Switzerland
Switzerland (, , , ), officially the Swiss Confederation (Confoederatio Helvetica in Latin, hence its ISO country codes CH and CHE), is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe where it is bordered by Germany to the north, France to the west, Italy to the south, and Austria and Liechtenstein to the east.
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United States
The United States of America (also referred to as the United States, the U.S., the USA, or America) is a federal constitutional republic comprising fifty states and a federal district. The country is situated mostly in central North America, where its forty-eight contiguous states and Washington, D.C., the capital district, lie between the Pacific and Atlantic Oceans, bordered by Canada to the north and Mexico to the south. The state of Alaska is in the northwest of the continent, with Canada to the east and Russia to the west across the Bering Strait. The state of Hawaii is an archipelago in the mid-Pacific. The country also possesses several territories in the Caribbean and Pacific.
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USSR
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Venice
Venice ( , Venetian: Venesia) is a city in northern Italy known both for tourism and for industry, and is the capital of the region Veneto, with a population of about 272,000 (census estimate 1 January 2004). Together with Padua, the city is included in the Padua-Venice Metropolitan Area (population 1,600,000).
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West Hollywood
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Aaron Copland
Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer of concert and film music. Instrumental in forging a distinctly American style of composition, he was widely known as "the dean of American composers." Copland's music achieved a balance between modern music and American folk styles. The open, slowly changing harmonies of many of his works are said to evoke the vast American landscape.
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Aldous Huxley
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Alexander Glazunov
http://wn.com/Alexander_Glazunov -
Alexis Roland-Manuel
Alexis Roland-Manuel (22 March 18912 November 1966) was a French composer and critic, though he is remembered mainly for his work in the latter area.
http://wn.com/Alexis_Roland-Manuel -
Alfred Brendel
Alfred Brendel KBE (born 5 January 1931) is an Austrian pianist, born in Czechoslovakia and a resident of the United Kingdom. He is also a poet and author of the surreal.
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András Schiff
http://wn.com/András_Schiff -
André Gide
http://wn.com/André_Gide -
Andrés Segovia
http://wn.com/Andrés_Segovia -
Anne-Sophie Mutter
Anne-Sophie Mutter (born June 29, 1963) is a German violin virtuoso.
http://wn.com/Anne-Sophie_Mutter -
Aram Khachaturian
Aram Ilyich Khachaturian (; ; ) (June 6, 1903 – May 1, 1978) (born in Tiflis, Georgia, Russian Empire) was a Soviet-Armenian composer whose works were often influenced by Armenian folk music.
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Arnold Schoenberg
http://wn.com/Arnold_Schoenberg -
Arthur Rubinstein
http://wn.com/Arthur_Rubinstein -
Arvo Pärt
http://wn.com/Arvo_Pärt -
Benito Mussolini
http://wn.com/Benito_Mussolini -
Benjamin Britten
http://wn.com/Benjamin_Britten -
Bernard Holland
Bernard Holland (born 1933) is an internationally recognized American music critic. He served on the staff of the The New York Times from 1981 until 2008 and held the post of chief music critic from 1995, contributing 4,575 articles to the newspaper.
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Birgit Nilsson
Birgit Nilsson (May 17, 1918 – December 25, 2005) was a celebrated Swedish dramatic soprano who specialized in operatic and symphonic works. Her voice was noted for its overwhelming force, bountiful reserves of power and the gleaming brilliance and clarity in the upper register.
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Carlo Gesualdo
:This article is about the composer; for the Italian town see Gesualdo (town).
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Cecilia Bartoli
Cecilia Bartoli (; born June 4, 1966 in Rome) is an Italian mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartoli's coloratura skill has earned her the title the Queen of Agility.
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Charles Hazlewood
Charles Matthew Egerton Hazlewood (born 14 November 1966) is a British conductor and advocate for broadening access to orchestral music. Renowned for his widespread presence across the BBC, he conducts orchestras around the world, recently making his debut with the Royal Concertgebouw in Amsterdam and the Orchestra of the Age of Enlightenment in London. Hazlewood lives on a farm in Somerset from where he hosts his own music festival 'Play the Field'.
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Cipriano de Rore
http://wn.com/Cipriano_de_Rore -
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (; 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, and singer.
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Coco Chanel
http://wn.com/Coco_Chanel -
Constant Lambert
Leonard Constant Lambert (23 August 190521 August 1951) was a British composer and conductor.
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Daniel Barenboim
Daniel Barenboim (born 15 November 1942) is an Argentine-born Israeli pianist and conductor. He is also known for his work with the West-Eastern Divan Orchestra, a Sevilla-based orchestra of young Arab and Jewish musicians.
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David Carson Berry
Ambox
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David Dubal
David Dubal is an American pianist, teacher, author, broadcaster and painter.
http://wn.com/David_Dubal -
Dmitri Shostakovich
http://wn.com/Dmitri_Shostakovich -
Dylan Thomas
http://wn.com/Dylan_Thomas -
Ekaterina Furtseva
http://wn.com/Ekaterina_Furtseva -
Elie Siegmeister
Elie Siegmeister (b. January 15, 1909, New York City – March 10, 1991, Manhasset, New York) was an American composer, educator and author.
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Erik Satie
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Ernest Ansermet
Ernest Alexandre Ansermet (11 November 1883, Vevey, Vaud – 20 February 1969) was a Swiss conductor.
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (3 February 18094 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
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Frank Zappa
http://wn.com/Frank_Zappa -
Franz Schubert
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Franz Werfel
Franz Werfel (September 10, 1890 – August 26, 1945) was an Austrian-Bohemian novelist, playwright, and poet.
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Fyodor Stravinsky
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George Balanchine
George Balanchine (January 22, 1904 – April 30, 1983), born Georgi Melitonovitch Balanchivadze () in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's foremost choreographers, a pioneer of ballet in the United States, co-founder and balletmaster of New York City Ballet: his work created modern ballet, based on his deep knowledge of classical forms and techniques. He was a choreographer known for his musicality; he did not illustrate music but expressed it in dance and worked extensively with Igor Stravinsky.
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Gertrude Stein
Gertrude Stein (February 3, 1874 – July 27, 1946) was an American writer and thinker who spent most of her life in France. She was well known due to her writing, art collection and the many people (some of whom were, or became, famous) who visited her Paris salon.
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Gidon Kremer
Gidon Kremer () (born February 27, 1947) is a Latvian violinist and conductor. In 1980 he left the USSR and settled in Germany.
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Giovanni de Macque
http://wn.com/Giovanni_de_Macque -
György Kurtág
http://wn.com/György_Kurtág -
György Ligeti
http://wn.com/György_Ligeti -
Heinz Holliger
Heinz Holliger (born ) is a Swiss oboist, composer and conductor.
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Henri Bergson
http://wn.com/Henri_Bergson -
Hildegard Behrens
Hildegard Behrens (9 February 1937 in Varel, Germany18 August 2009 in Tokyo, Japan) was a German soprano with a wide repertory including Wagner, Weber, Mozart, Richard Strauss, and Alban Berg roles.
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Igor Stravinsky
http://wn.com/Igor_Stravinsky -
Isaac Stern
http://wn.com/Isaac_Stern -
Janet Baker
Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer.
http://wn.com/Janet_Baker -
Jean Cocteau
http://wn.com/Jean_Cocteau -
Jean-Pierre Rampal
http://wn.com/Jean-Pierre_Rampal -
John Eliot Gardiner
http://wn.com/John_Eliot_Gardiner -
Jonah Lehrer
Jonah Lehrer is an American author who writes on the topics of psychology, neuroscience, and the relationship between science and the humanities.
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Jordi Savall
Jordi Savall i Bernadet (born 1941, in Igualada, Catalonia, Spain) is a Spanish Catalan viol player, conductor, and composer. He has been one of the major figures in the field of early music since the 1970s, largely responsible for bringing the viol (viola da gamba) back to life on the stage. His characteristic repertory ranges from Medieval to Renaissance and Baroque music, though he has occasionally ventured into the classical or even the romantic period.
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Keith Jarrett
Keith Jarrett (born May 8, 1945, in Allentown, Pennsylvania) is an American pianist/composer who has performed in both jazz and classical music.
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Krystian Zimerman
Krystian Zimerman (born December 5, 1956) is a Polish classical pianist who is widely regarded as one of the finest pianists alive.
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Leonard Bernstein
Leonard Bernstein (, ; August 25, 1918 – October 14, 1990) was an American conductor, composer, author, music lecturer and pianist. He was among the first conductors born and educated in the United States of America to receive worldwide acclaim. He was probably best known to the public as the longtime music director of the New York Philharmonic, for conducting concerts by many of the world's leading orchestras, and for writing the music for West Side Story, Candide, Wonderful Town, and On the Town. Bernstein was the first classical music conductor to make numerous television appearances between 1954 and 1989. He had a formidable piano technique and as a composer also wrote symphonies and other concert music. According to The New York Times, he was "one of the most prodigiously talented and successful musicians in American history."
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Léon Bakst
http://wn.com/Léon_Bakst -
Marc Blitzstein
http://wn.com/Marc_Blitzstein -
Marie-Claire Alain
Marie-Claire Alain (born August 10, 1926) is a French organist and organ teacher best known for her prolific recording career. She is particularly known for her ability to perform substantial works entirely from memory.
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Michala Petri
Michala Petri (born 7 July 1958 in Copenhagen, Denmark) is a Danish recorder player. Petri is sought after as a soloist with many noted orchestras, including the Academy of St. Martin in the Fields. She has released 34 recordings, toured extensively over four continents, and has had dozens of pieces written for her. Her debut as a soloist was in 1969.
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Miles Davis
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Modris Eksteins
Modris Eksteins (born 1943 in Latvia) is a Canadian historian with a special interest in German history and modern culture. His works include Rites of Spring: The Great War and the Birth of the Modern Age (1989), which won the Ferguson Prize and the Trillium Book Award, and Walking Since Daybreak: A Story of Eastern Europe, World War II and the Heart of Our Century (1999), which juxtaposes the history of World War II and Latvia with personal memoir, and won the Pearson Writers' Trust Non-Fiction Prize.
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Mogens Wöldike
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Nicolas Slonimsky
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Nikita Khrushchev
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Nikolaus Harnoncourt
Nikolaus Harnoncourt ('''Count Nikolaus de la Fontaine und d'Harnoncourt-Unverzagt''') (born 6 December 1929) is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier.
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Olivier Messiaen
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Orlande de Lassus
Orlande de Lassus (also Orlandus Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) – 14 June 1594) was a Franco-Flemish composer of the late Renaissance. He is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish school, and one of the two most famous and influential musicians in Europe at the end of the 16th century (the other being Palestrina).
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Pablo Picasso
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Paul Morand
Paul Morand (March 13, 1888, Paris - July 24, 1976) was a French diplomat, novelist, playwright and poet, considered an early Modernist.
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Per Nørgård
http://wn.com/Per_Nørgård -
Peter Schreier
Peter Schreier (born July 29, 1935) is a German tenor and conductor.
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Philip Glass
Philip Morris Glass (born January 31, 1937) is an American music composer. He is considered one of the most influential composers of the late 20th century and is widely acknowledged as a composer who has brought art music to the public (along with precursors such as Richard Strauss, Kurt Weill and Leonard Bernstein).
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Pierre Boulez
Pierre Boulez () (born March 26, 1925) is a French composer of contemporary classical music and a conductor.
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Pyotr Suvchinsky
http://wn.com/Pyotr_Suvchinsky -
Rafael Kubelík
http://wn.com/Rafael_Kubelík -
Richard Taruskin
Richard Taruskin (born 1945) is an American-Russian musicologist, music historian, and critic who has written about the theory of performance, Russian music, fifteenth-century music, twentieth-century music, nationalism, the theory of modernism, and analysis. As a choral conductor he directed the Columbia University Collegium Musicum. He played the viola da gamba with the Aulos Ensemble from the late seventies to the late eighties. He received various awards for his scholarship, including the Noah Greenberg Prize (1978) from the American Musicological Society, the Alfred Einstein Award (1980), the Dent Medal (1987), the ASCAP-Deems Taylor Award (1988) and the 1997 and 2006 Kinkeldey Prizes from the American Musicological Society. On the faculty of Columbia University until 1986, he is now professor of musicology at the University of California, Berkeley, holding the Class of 1955 Chair.
http://wn.com/Richard_Taruskin -
Robert Craft
Robert Lawson Craft (born October 20, 1923) is an American conductor and writer. He is best known for his intimate working friendship with Igor Stravinsky, a relationship which resulted in a number of recordings and books.
http://wn.com/Robert_Craft -
Serge Sudeikin
Sergey Yurievich Sudeikin, also known as Serge Soudeikine (1882-1946), was a Russian artist and set-designer associated with the Ballets Russes and the Metropolitan Opera.
http://wn.com/Serge_Sudeikin -
Sergei Diaghilev
Sergei Pavlovich Diaghilev ( / Sergei Pavlovich Dyagilev ) (31 March 187219 August 1929), usually referred to outside of Russia as Serge, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes from which many famous dancers and choreographers would later arise.
http://wn.com/Sergei_Diaghilev -
Sergei Prokofiev
Sergei Sergeyevich Prokofiev () (5 March 1953) was a Russian composer, pianist and conductor who mastered numerous musical genres and came to be admired as one of the greatest composers of the 20th century.
http://wn.com/Sergei_Prokofiev -
Sergiu Celibidache
http://wn.com/Sergiu_Celibidache -
Sofia Gubaidulina
Sofia Asgatovna Gubaidulina, (, ) (born October 24, 1931) is a Russian composer of half Russian, half Tatar ethnicity.
http://wn.com/Sofia_Gubaidulina -
Soulima Stravinsky
Sviatoslav Soulima Stravinsky (23 September 191028 November 1994) was a Swiss-American pianist, composer and musicologist of Russian and Ukrainian descent. As a pianist, he was considered an important interpreter of the works of his father, Igor Stravinsky, but as a composer he was overshadowed by his father.
http://wn.com/Soulima_Stravinsky -
Stanley Sadie
Stanley Sadie CBE (30 October 1930 – 21 March 2005) was a leading British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of the New Grove Dictionary of Music and Musicians.
http://wn.com/Stanley_Sadie -
Steve Reich
http://wn.com/Steve_Reich -
Sviatoslav Richter
http://wn.com/Sviatoslav_Richter -
T. S. Eliot
Thomas Stearns Eliot OM (September 26, 1888 – January 4, 1965) was an American-born English poet, playwright, and literary critic, arguably the most important English-language poet of the 20th century. The poem that made his name, The Love Song of J. Alfred Prufrock—started in 1910 and published in Chicago in 1915—is regarded as a masterpiece of the modernist movement, and was followed by some of the best-known poems in the English language, including Gerontion (1920), The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930), and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948.
http://wn.com/T_S_Eliot -
Theodor W. Adorno
http://wn.com/Theodor_W_Adorno -
Thomas Mann
Thomas Mann (6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and 1929 Nobel Prize laureate, known for his series of highly symbolic and ironic epic novels and novellas, noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized German and Biblical stories, as well as the ideas of Goethe, Nietzsche, and Schopenhauer. His older brother was the radical writer Heinrich Mann, and three of his six children, Erika Mann, Klaus Mann and Golo Mann, also became important German writers. When Hitler came to power in 1933, the anti-fascist Mann fled to Switzerland. When World War II broke out in 1939, he emigrated to the United States, from where he returned to Switzerland in 1952. Thomas Mann is one of the most known exponents of the so called Exilliteratur.
http://wn.com/Thomas_Mann -
Vera de Bosset
Vera de Bosset Stravinsky (January 7, 1888–September 17, 1982) was a Russian born, American dancer and artist. She is better known as the mistress and, ultimately, second wife of the Russian composer Igor Stravinsky who married her in 1940.
http://wn.com/Vera_de_Bosset -
Vic Schoen
http://wn.com/Vic_Schoen -
W. H. Auden
http://wn.com/W_H_Auden -
Walter Nouvel
http://wn.com/Walter_Nouvel -
William Hogarth
William Hogarth (10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic and editorial cartoonist who has been credited with pioneering western sequential art. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects". Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian."
http://wn.com/William_Hogarth -
Witold Lutosławski
http://wn.com/Witold_Lutosławski -
World War I
World War I was a military conflict centered on Europe that began in the summer of 1914. The fighting ended in late 1918. This conflict involved all of the world's great powers, assembled in two opposing alliances: the Allies (centred around the Triple Entente) and the Central Powers. More than 70 million military personnel, including 60 million Europeans, were mobilized in one of the largest wars in history. More than 9 million combatants were killed, due largely to great technological advances in firepower without corresponding ones in mobility. It was the second deadliest conflict in history.
http://wn.com/World_War_I -
Yehudi Menuhin
http://wn.com/Yehudi_Menuhin -
Yo-Yo Ma
Yo-Yo Ma (; born October 7, 1955) is an American cellist, virtuoso, orchestral composer and winner of multiple Grammy Awards. He is one of the most famous cellists of the modern age.
http://wn.com/Yo-Yo_Ma
Stravinsky, Igor Filmography
- The Firebird (2011)
- Tender Buttons (2011)
- The Soldier's Tale (2010)
- Paris: The Luminous Years (2010)
- Huxley on Huxley (2009)
- For Art's Sake: The Story of Ballets Russes (2009)
- La mémoire des anges (2008)
- The Life Class (2008)
- Chris & Don. A Love Story (2007)
- Le rossignol (2005)
- Igor Stravinsky: Composer (2005)
- Minotauromaquia (2004)
- 4 keizers en 1 nachtegaal (2002)
- Kerstmatinee 2001 (2001)
- La flauta de Bartolo (1997)
- Max Ernst: Mein Vagabundieren - Meine Unruhe (1991)
- Dans l'ombre du passé (1991)
- Hamburg - Bilder aus einer großen Stadt (1987)
- The Flood (1987)
- Poemi asolani (1985)
- Igor: The Paris Years (1982)
- Stravinsky: Once at a Border... (1982)
- Violonconcerto (1974)
- Die Bettwurst (1971)
- A Stravinsky Portrait (1966)
- Le rossignol (1965)
- Stravinsky (1965)
- The Balcony (1963)
- Young People's Concerts: Happy Birthday, Igor Stravinsky (1962)
- The Flood (1962)
- The Royal Ballet (1960)
- The Creative Performer (1960)
- Petroushka (1956)
- Ballett und Pantomime (1954)
- Studie III (1953)
- 1941 (1941)
Matching books:
An Autobiography
RELEASE
ALBUMS
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Stravinsky: Suites, Symphonies & Concertos (feat. violin: Mazim Vengerov, conductors: Simon Rattle, Mstislav Rostropovich, Sit Neville Marriner, Seiji Ozawa, and Franz Welser-Möst)
Released 2011
Released 2011
- Two Suites, Suite No. 1: I. Andante
- Two Suites, Suite No. 1: II. Napolitana
- Two Suites, Suite No. 1: III. Española
- Two Suites, Suite No. 1: IV. Balalaïka
- Symphony in Three Movements: I. [crotchet] = 160
- Symphony in Three Movements: II. Andante ([quaver] = 76) - Interlude (L'istesso tempo)
- Symphony in Three Movements: III. Con moto ([crotchet] = 180)
- Concerto for Violin and Orchestra in D: I. Toccata
- Concerto for Violin and Orchestra in D: II. Aria I
- Concerto for Violin and Orchestra in D: III. Aria II
- Concerto for Violin and Orchestra in D: IV. Capriccio
- Symphonies of Wind Instruments
- Danses Concertantes: I. Marche
- Danses Concertantes: II. Pas d'action
- Danses Concertantes: III. Thème varié
- Danses Concertantes: IV. Pas de deux
- Danses Concertantes: V. Marche
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Rite Of The Spring / Petrushka (Bergen Philharmonic Orchestra feat. conductor: Andrew Litton)
Released 2011
Released 2011
- Pétrouchka - Premier tableau
- Pétrouchka - Second tableau
- Pétrouchka - Troisième tableau
- Pétrouchka - Quatrième tableau
- Le Sacre du printemps - Première Partie: L’Adoration de la terre
- Le Sacre du printemps - Seconde Partie: Le Sacrifice
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BBC Music, Volume 19, Number 9: The Firebird (BBC Scottish Symphony Orchestra feat. conductor: Ilan Volkov)
Released 2011
Released 2011
- The Firebird: I. Introduction: Kashchei's enchanted garden
- The Firebird: II. Appearance of the Firebird, pursued by Prince Ivan
- The Firebird: III. Dance of the Firebird; Prince Ivan captures her; she begs to be freed
- The Firebird: IV. Appearance of the 13 enchanted Princesses
- The Firebird: V. Game with the golden apples; Prince Ivan makes a sudden entrance
- The Firebird: VI. Khorovod (Round Dance) of the Princesses
- The Firebird: VII. Daybreak
- The Firebird: VIII. Magic carillion, entrance of Kashchei's retinue under the Firebird's spell
- The Firebird: IX. Appearance of the Firebird; dance of Kashchei's guardian monster and Prince Ivan's capture
- The Firebird: X. Infernal Dance of all Kashchei's subjects
- The Firebird: XI. Lullaby of the Firebird; Kashchei awakens; his death; profound darkness
- The Firebird: XII. Disappearance of the Kashchei's palace and his spell; return to life of the petrified prisoners; general rejoicing
- Tamara (symphonic poem)
- 3 Movements from Petrushka transcribed for piano: Danse russe. Allegro giusto
- 3 Movements from Petrushka transcribed for piano: Chez Pétrouchka
- 3 Movements from Petrushka transcribed for piano: La Semaine grasse. Con moto - Allegretto - Tempo giusto - Agitato
- Sonata for keyboard in E major, K. 380 "Cortège"
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Thema. Non troppo presto
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 1
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 2
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 3
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 4
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 5
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 6
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 7
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 8
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 9
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 10
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 11
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 12
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 1
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 2
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 5
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 6
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 7
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 8
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 10
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 11
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 12
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 13
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 3
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 4
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 13
- Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 14
- Sonata for keyboard in F minor, K. 466
- La Valse
- Ebony Concerto
- Three Pieces for Clarinet solo
- Concertino for String Quartet
- Eight Instrumental Miniatures for 15 players
- Concerto in E-flat major "Dumbarton Oaks": I. Tempo giusto
- Concerto in E-flat major "Dumbarton Oaks": II. Allegretto
- Concerto in E-flat major "Dumbarton Oaks": III. Con moto
- Elegíe for Viola solo
- Epitaphium for Flute, Clarinet and Harp
- Double Canon for String Quartet
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Stravinsky: Rite of Spring / Revueltas: La noche de los mayas (Simón Bolívar Youth Orchestra of Venezuela feat. conductor: Gustavo Dudamel)
Released 2010
Released 2010
- L'Adoration de la Terre: Introduction
- L'Adoration de la Terre: Les Augures printaniers (Danses des adolescentes)
- L'Adoration de la Terre: Jeu du rapt
- L'Adoration de la Terre: Rondes printanieres
- L'Adoration de la Terre: Jeux des citiés rivales
- L'Adoration de la Terre: Cortege de sage
- L'Adoration de la Terre: Adoration de la terre
- L'Adoration de la Terre: Danse de la terre
- Il Le Sacrifice: Introduction
- Il Le Sacrifice: Cercles mystérieux des adolescentes
- Il Le Sacrifice: Glorification de l'élue
- Il Le Sacrifice: Evocation des ancetres
- Il Le Sacrifice: Action rituelle des ancetres
- Il Le Sacrifice: Danse sacrale (L'élue)
- La noche de los mayas: Molto sostenuto
- La noche de los mayas: Noche de jaranas
- La noche de los mayas: Noche de Yucatan
- La noche de los mayas: Noche de encantamiento
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Complete Music for Violin & Piano (feat violin: Anthony Marwood, piano: Thomas Adès)
Released 2010
Released 2010
- Introductione
- Serenata
- Tarantella
- Gavotta Con Due Variazioni
- Minuetto E Finale
- Pastorale
- Airs Du Rossignol Et Marche Chinoise1932, Arranged From the Opera the Nightingale
- Airs Du Rossignol
- Marche Chinoise Duo Concertant1931-2
- Cantilene
- Bl Eglogue I
- Bm Eglogue II
- Bn Gigue
- Bo Dithyrambe
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L'oiseau de feu - Le sacre du printemps (Symphonieorchester des Bayerischen Rundfunks feat. cunductor: Lorin Maazel)
Released 2009
Released 2009
- L'oiseau de feu (Suite in der Fassung von 1919): I. Introduction
- L'oiseau de feu (Suite in der Fassung von 1919): II. L'oiseau de feu et sa danse
- L'oiseau de feu (Suite in der Fassung von 1919): III. Variation de l'oiseau de feu
- L'oiseau de feu (Suite in der Fassung von 1919): IV. Ronde des princesses
- L'oiseau de feu (Suite in der Fassung von 1919): V. Danse infernale du roi Kastchei
- L'oiseau de feu (Suite in der Fassung von 1919): VI. Berceuse
- L'oiseau de feu (Suite in der Fassung von 1919): VII. Final
- Le sacre du printemps: I. L'adoration dela terre
- Le sacre du printemps: II. Le sacrifice
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Stravinsky - The Firebird, Petrouchka (Seiji Osawa cond. Boston Symphony Orchestra)
Released 2009
Released 2009
- Suite from "The Firebird" (1919) - I. Introduction
- Suite from "The Firebird" (1919) - II.The Firebird and Its Dance
- Suite from "The Firebird" (1919) - III. Varietion of the Firebird
- Suite from "The Firebird" (1919) - IV. The Round of the Princesses
- Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei
- Suite from "The Firebird" (1919) - VI. Lullaby
- Suite from "The Firebird" (1919) - VII. Finale
- Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace
- Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick
- Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance
- Petrouchka (1947) - Scene II: Petrouchka's Cell
- Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo
- Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina
- Petrouchka (1947) - Scene III: The Moor's Cell - Waltz
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka)
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka
- Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost
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The Rite of Spring / The Firebird Ballet Suite 1945 (The Royal Philharmonic Orchestra feat. conductor: Yuri Simonov)
Released 2009
Released 2009
- The Rite of Spring: Part I: Adoration of the Earth: I. Introduction
- The Rite of Spring: Part I: Adoration of the Earth: II. The Augurs of Spring (Dances of the Young Girls)
- The Rite of Spring: Part I: Adoration of the Earth: III. Ritual of Abduction
- The Rite of Spring: Part I: Adoration of the Earth: IV. Spring Rounds
- The Rite of Spring: Part I: Adoration of the Earth: V. Ritual of the Rival Tribes
- The Rite of Spring: Part I: Adoration of the Earth: VI. Procession of the Sage
- The Rite of Spring: Part I: Adoration of the Earth: VII. The Sage
- The Rite of Spring: Part I: Adoration of the Earth: VIII. Dance of the Earth
- The Rite of Spring: Part II: The Sacrifice: I. Introduction
- The Rite of Spring: Part II: The Sacrifice: II. Magic Circles of the Young Girls
- The Rite of Spring: Part II: The Sacrifice: III. Glorification of the Chosen One
- The Rite of Spring: Part II: The Sacrifice: IV. Evocation of the Ancestors
- The Rite of Spring: Part II: The Sacrifice: V. Ritual Action of the Ancestors
- The Rite of Spring: Part II: The Sacrifice: VI. Sacrificial Dance (The Chosen One)
- The Firebird Ballet Suite 1945: I: Introduction
- The Firebird Ballet Suite 1945: II: Prelude and Dance
- The Firebird Ballet Suite 1945: III: Variations
- The Firebird Ballet Suite 1945: IV: Pantomime I
- The Firebird Ballet Suite 1945: V: Pas de deux
- The Firebird Ballet Suite 1945: VI: Pantomime II
- The Firebird Ballet Suite 1945: VII: Scherzo
- The Firebird Ballet Suite 1945: VIII: Pantomime III, Rondo
- The Firebird Ballet Suite 1945: IX: Infernal Dance
- The Firebird Ballet Suite 1945: X: Lullaby
- The Firebird Ballet Suite 1945: XI: Final Hymn
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BBC Music, Volume 17, Number 3: 20th-Century French Classics
Released 2008
Released 2008
- Gloria: I. Gloria
- Gloria: II. Laudamus Te
- Gloria: III. Domine Deus
- Gloria: IV. Domine Fili unigenite
- Gloria: V. Domine Deus, Agnus Dei
- Gloria: VI. Qui sedes ad dexteram Patris
- L'Ascension: I. Majesté du Christ demandant sa gloire à son Père
- L'Ascension: II. Alléluias sereins e'une âme qui désire le ciel#
- L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale
- L'Ascension: IV. Prière du Christ montant vers son Père
- Symphony of Psalms: I. Psalm 38: 13-14 Exaudi orationem meam, Domine
- Symphony of Psalms: II. Psalm 39: 2-4 Exspectans exspectavi Dominum
- Symphony of Psalms: III. Psalm 150 Alleluia, laudate Dominum
- Marche de soldat
- Petits Airs au bord du ruisseau
- Pastorale
- Marche royale
- Petit concert
- Trois Danses (Tango-Valse-Ragtime)
- Danse du Diable
- Grand Choral
- Marche triomphale du Diable
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Symphony of Psalms / Symphony in C / Symphony in Three Movements (Berliner Philharmoniker feat. conductor: Simon Rattle)
Released 2008
Released 2008
- Symphony in Three Movements: I. Overture - Allegro
- Symphony in Three Movements: II. Andante
- Symphony in Three Movements: III. Con moto
- Symphony of Psalms: I. Exaudi orationem meam
- Symphony of Psalms: II. Expectans expectavi Dominum
- Symphony of Psalms: III. Alleluia. Laudate Dominum
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
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Strawinsky: Le Sacre du printemps / Bartók: Konzert für Orchester (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 2007
Released 2007
- Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction
- Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes)
- Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt
- Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières
- Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales
- Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage
- Le Sacre du printemps: I. L'Adoration de la terre: VII. Adoration de la terre
- Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre
- Le Sacre du printemps: II. Le Sacrifice: I. Introduction
- Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes
- Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue
- Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres
- Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres
- Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'Elue)
- Concerto for Orchestra: I. Introduzione: Andante non troppo - Allegro vivace
- Concerto for Orchestra: II. Giuoco delle coppie: Allegretto scherzando
- Concerto for Orchestra: III. Elegia: Andante, non troppo
- Concerto for Orchestra: IV. Intermezzo interrotto: Allegretto
- Concerto for Orchestra: V. Finale: Presnate - Presto
- The Firebird: Introduction
- The Firebird: Scene 1. Kaschei's Enchanted Garden
- The Firebird: Scene 1. The Firebird Appears, Pursued by Ivan Tsarevitch
- The Firebird: Scene 1. Dance of the Firebird
- The Firebird: Scene 1. Ivan Tsarevitch Captures the Firebird
- The Firebird: Scene 1. The Firebird's Entreaty
- The Firebird: Scene 1. The Appearance of the Thirteen Enchanted Princesses
- The Firebird: Scene 1. The Princesses' Game With Apples of Gold (Scherzo)
- The Firebird: Scene 1. The Sudden Appearance of Ivan Tsarevitch
- The Firebird: Scene 1. The Princesses' Round
- The Firebird: Scene 1. Dawn (Ivan Tsarevitch Enters Kashchei's Palace)
- The Firebird: Scene 1. The Sound of Enchanted Bells - Monsters Appear, Kaschei's Guards, and Take Ivan Tsarevitch Prisoner
- The Firebird: Scene 1. The Arrival of Kashchei the Immortal
- The Firebird: Scene 1. Kashchei's Dialogue With Ivan Tsarevitch
- The Firebird: Scene 1. The Princesses' Intercede
- The Firebird: Scene 1. The Appearance of the Firebird
- The Firebird: Scene 1. Kashchei's Followers Dance Under the Firebird's Spell
- The Firebird: Scene 1. Infernal Dance of Kashchei's Subjects
- The Firebird: Scene 1. Lullaby (The Firebird)
- The Firebird: Scene 1. Kashchei Awakes
- The Firebird: Scene 1. Death of Kashchei - Profound Darkness
- The Firebird: Scene 2. Kashchei's Spells Are Broken; His Palace Disappears, the Stone Knights Return to Life, Joy Reigns
- Scherzo à la Russe
- Scherzo fantastique
- Fireworks
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Symphony of Psalms / Three Russian Sacred Choruses / Mass / Cantata / Babel (Orchestra of St. Luke's, The Simon Joly Chorale, The Gregg Smith Singers, Philharmonia Orchestra feat. conductor: Robert Craft
Released 2006
Released 2006
- Three Russian Sacred Choruses: I. Otche Nash (Pater Noster) (feat. The Greg Smith Singers)
- Three Russian Sacred Choruses: II. Ave Maria (feat. The Greg Smith Singers)
- Three Russian Sacred Choruses: III. Credo (feat. The Greg Smith Singers)
- Mass: I. Kyrie (feat. The Gregg Smith Singers, Orchestra of St. Luke's)
- Mass: II. Gloria (feat. The Gregg Smith Singers, Orchestra of St. Luke's)
- Mass: III. Credo (feat. The Gregg Smith Singers, Orchestra of St. Luke's)
- Mass: IV. Sanctus (feat. The Gregg Smith Singers, Orchestra of St. Luke's)
- Mass: V. Agnus Dei (feat. The Gregg Smith Singers, Orchestra of St. Luke's)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: I. A Lyke-Wake Dirge (Versus I; Prelude) (feat. cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: II. Ricercar I: "The Maidens Came" (feat. mezzo-soprano: Mary Ann Hart, cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: III. A Lyke-Wake Dirge (Versus II; 1st Interlude) (feat. cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: IV. Ricercar II: "Tomorrow Shall Be" (feat. tenor: Thomas Bogdan, cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: V. A Lyke-Wake Dirge (Versus III; 2nd Interlude) (feat. cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: VI. Westron Wind (feat. mezzo-soprano: Mary Ann Hart, tenor: Thomas Bogdan, cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Cantata for 5 instruments, female chorus, mezzo-soprano and tenor: VII. A Lyke-Wake Dirge (Versus IV; Postlude) (feat. cello: Fred Sherry, oboe: Stephen Taylor, cor anglais: Melanie Field, flute: Michael Parloff, Bart Feller, The Gregg Smith Singers)
- Babel (feat. narrator: David Wilson-Johnson, Simon Joly Chorale, Philharmonia Orchestra)
- Symphony of Psalms: I. Psalm 38, verses 13 and 14 (feat. Simon Joly Chorale, Philharmonia Orchestra)
- Symphony of Psalms: II. Psalm 39, verses 1 to 5 (feat. Simon Joly Chorale, Philharmonia Orchestra)
- Symphony of Psalms: III. Psalm 150 (entire) (feat. Simon Joly Chorale, Philharmonia Orchestra)
- Petrushka: Scene I. The Shrove-tide Fair
- Petrushka: Scene I. The Charlatan's Booth (Rehersal no. 58)
- Petrushka: Scene I. Russian Dance
- Petrushka: Scene II. Petrushka's Room
- Petrushka: Scene III. The Moor's Room
- Petrushka: Scene III. Dance of the Ballerina (Rehersal no. 134)
- Petrushka: Scene III. Waltz. The Ballerina and Moor (Rehersal no. 140)
- Petrushka: Scene IV. The Shrove-tide Fair (towards evening)
- Petrushka: Scene IV. Dance of the Wet Nurses
- Petrushka: Scene IV. The Bear and the Peasant
- Petrushka: Scene IV. The Jovial Merchant with Two Gypsy Girls
- Petrushka: Scene IV. Dance of the Coachmen and Grooms
- Petrushka: Scene IV. The Masqueraders
- Petrushka: Scene IV. The Fight: The Moor and Petrushka
- Petrushka: Scene IV. Death of Petrushka
- Petrushka: Scene IV. The Police and the Charlatan
- Petrushka: Scene IV. Apparition of Petrushka's Double
- Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet
- Pulcinella Suite for Chamber Orchestra: I. Sinfonia (Overture). Allegro moderato
- Pulcinella Suite for Chamber Orchestra: II. Serenata. Larghetto
- Pulcinella Suite for Chamber Orchestra: III.a) Scherzino
- Pulcinella Suite for Chamber Orchestra: III.b) Allegro
- Pulcinella Suite for Chamber Orchestra: III.c) Andantino
- Pulcinella Suite for Chamber Orchestra: IV. Tarantella
- Pulcinella Suite for Chamber Orchestra: V. Toccata. Allegro
- Pulcinella Suite for Chamber Orchestra: VI. Gavotta (con due variazioni). Allegro moderato
- Pulcinella Suite for Chamber Orchestra: VI. Variazione I. Allegretto
- Pulcinella Suite for Chamber Orchestra: VI. Variazione II. Allegro più tosto moderato
- Pulcinella Suite for Chamber Orchestra: VII. Vivo (Duetto)
- Pulcinella Suite for Chamber Orchestra: VIII.a) Minuetto. Molto moderato
- Pulcinella Suite for Chamber Orchestra: VIII.b) Finale. Allegro assai
- Les Noces: Part 1, Scene 1 - The Bride's Chamber
- Les Noces: Part 1, Scene 2 - At the Briderooms
- Les Noces: Part 1, Scene 3 - The Bride's Departure
- Les Noces: Part 2, Scene 4 - The Wedding Feast
- Mass - Kyrie
- Mass - Gloria
- Mass - Credo
- Mass - Sanctus
- Mass - Agnus Dei
- Cantata: Versus 1
- Cantata: Ricercar 1
- Cantata: Versus 2
- Cantata: Ricercar 2
- Cantata: Versus 3
- Cantata: Westron Wind
- Cantata: Versus 4
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Le Sacre du printemps (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen)
Released 2006
Released 2006
- “Night On Bald Mountain” - Modest Mussorgsky
- “The Miraculous Mandarin”, Op. 19, Sz. 73 - Béla Bartók
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Introduction” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Les Augures Printaniers – Danses Des Adolescentes” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Jeu Du Rapt” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Rondes Printanières” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Jeux Des Cités Rivales” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Cortège Du Sage – Adoration De La Terre” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Le Sage” - Igor Stravinsky
- “Le Sacre Du Printemps”: 1. “L'Adoration De La Terre”. “Danse De La Terre” - Igor Stravinsky
- “Le Sacre Du Printemps”: 2. “Le Sacrifice”. “Introduction” - Igor Stravinsky
- “Le Sacre Du Printemps”: 2. “Le Sacrifice”. “Cercles Mystérieux Des Adolescentes” - Igor Stravinsky
- “Le Sacre Du Printemps”: 2. “Le Sacrifice”. “Glorification De L'Élue” - Igor Stravinsky
- “Le Sacre Du Printemps”: 2. “Le Sacrifice”. “Evocation Des Ancêtres” - Igor Stravinsky
- “Le Sacre Du Printemps”: 2. “Le Sacrifice”. “Action Rituelle Des Ancêtres” - Igor Stravinsky
- “Le Sacre Du Printemps”: 2. “Le Sacrifice”. “Danse Sacrale (L'Élue)” - Igor Stravinsky
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Introduction
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Les Augurs printaniers - Danses des adolescentes
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Jeu du rapt
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Rondes printaniès
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Jeux des cités rivales
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Cortège du Sage
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Adoration de la terre - Le Sage
- Le Sacre du Printemps: Première partie "L'Adoration de la terre": Danse de la terre
- Le Sacre du Printemps: Seconde partie "Le Sacrifice": Introduction
- Le Sacre du Printemps: Seconde partie "Le Sacrifice": Cercles mystérieux des adolescentes
- Le Sacre du Printemps: Seconde partie "Le Sacrifice": Glorification de l'Elue
- Le Sacre du Printemps: Seconde partie "Le Sacrifice": Evocation des ancêtres
- Le Sacre du Printemps: Seconde partie "Le Sacrifice": Action rituelle des ancêtres
- Le Sacre du Printemps: Seconde partie "Le Sacrifice": Danse sacrale (L'Elue)
- Pétrouchka: Fête populaire de la semaine grasse
- Pétrouchka: Le tour de passe-passe -- Danse russe
- Pétrouchka: Chez Pétrouchka
- Pétrouchka: Chez le Maure - Danse de la Ballerine
- Pétrouchka: Valse: La Ballerine et le Maure
- Pétrouchka: Fête populaire de la semaine grasse (ver le soir)
- Pétrouchka: Danse des nounous
- Pétrouchka: L'ours et un paysan
- Pétrouchka: Un marchand fètard avec deus tziganes
- Pétrouchka: Danse des cochers et des palefreniers
- Pétrouchka: Les déguisés
- The Firebird Scene 1: Introduction
- The Firebird Scene 1: Night. Kastchei's Enchanted Garden
- The Firebird Scene 1: The Firebird Enters, pursued by Ivan Tsarevich
- The Firebird Scene 1: The Firebird's Dance
- The Firebird Scene 1: Ivan Tsarevich captures the Firebird
- The Firebird Scene 1: The Firebird begs to be Released
- The Firebird Scene 1: Entrance of the Thirteen Enchanted Princesses
- The Firebird Scene 1: The Princesses play with the golden apples (Scherzo)
- The Firebird Scene 1: Ivan Tsarevich appears
- The Firebird Scene 1: The Princesses' Khorovod (Round Dance)
- The Firebird Scene 1: Daybreak
- The Firebird Scene 1: Ivan Tsarevich, entering Kastchei's palace, sets off it's Magic Carillon, alertings Kastchei's Monster-Guardians, who capture him
- The Firebird Scene 1: The entrance of Kastchei the Immortal
- The Firebird Scene 1: Dialogue between Kastchei and Ivan Tsarevich
- The Firebird Scene 1: The Princesses plead for mercy
- The Firebird Scene 1: The Firebird enters
- The Firebird Scene 1: Dance of Kastchei's retinue under the Firebird's magic spell
- The Firebird Scene 1: Infernal Dance of Kastchei and his subjects under the Firebird's magic spell
- The Firebird Scene 1: The Firebird's Lullaby
- The Firebird Scene 1: Kastchei awakens
- The Firebird Scene 1: Kastchei's death
- The Firebird Scene 2: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving. The Marriage and Coronation of Prince Ivan as Tsar and of the Princess of Unearthly Beauty as Tsarina
- Petrushka First Tableau: The Shrove-Tide Fair
- Petrushka First Tableau: The Mountebank (Flute solo)
- Petrushka First Tableau: Russian Dance
- Petrushka Second Tableau: In Petrushka's Cell. [Impetuoso]
- Petrushka Third Tableau: The Blackamoor
- Petrushka Third Tableau: The Ballerina (Cornet Solo)
- Petrushka Third Tableau, Valse: Ballerina and Blackamoor. [Lento cantabile]
- Petrushka Fourth Tableau: The Shrove-Tide Fair
- Petrushka Fourth Tableau: The Dance of the Wet-Nurses
- Petrushka Fourth Tableau: Peasant with Bear (Tuba solo)
- Petrushka Fourth Tableau: Gypsies and a Rake Vendor
- Petrushka Fourth Tableau: Dance of the Coachmen
- Petrushka Fourth Tableau: Masqueraders
- Petrushka Fourth Tableau, The Scuffle: Blackamoor and Petrushka
- Petrushka Fourth Tableau: Death of Petrushka
- Petrushka Fourth Tableau: Police and the Juggler
- Petrushka Fourth Tableau: Vociferation of Petrushka's Ghost
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The Rite Of Spring - The Firebird Suite - Petrushka Suite (Riccardo Muti - Leopold Stokowski)
Released 2005
Released 2005
- Part I: A Kiss of the Earth, Introduction
- Part I: A Kiss of the Earth, The Augurs of Spring - Dances of the Young Girls
- Part I: A Kiss of the Earth, Ritual of Abduction
- Part I: A Kiss of the Earth, Spring Rounds
- Part I: A Kiss of the Earth, Ritual of the Two Rival Tribes
- Part I: A Kiss of the Earth, Procession of the Oldest and Wisest One
- Part I: A Kiss of the Earth, The Kiss of the Earth (The Oldest and Wisest One) [(The Sage)]
- Part II: The Exalted Sacrifice: Introduction
- Part II: The Exalted Sacrifice, Mystic Circles of the Young Girls
- Part II: The Exalted Sacrifice, Glorification of the Chosen One
- Part II: The Exalted Sacrifice, Evocation of the Ancestors
- Part II: The Exalted Sacrifice, Ritual Action of the Ancestors
- Part II: The Exalted Sacrifice, Sacrificial Dance (The Chosen One)
- The Firebird Suite
- Petrushka - Suite
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The Rite of Spring (The Cleveland Orchestra feat. conductor: Lorin Maazel)
Released 2005
Released 2005
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Introduction
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Les Augures printaniers - Danse des adolescentes
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Jeu du rapt
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Les Rondes printanières
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Jeu des cités rivals
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Cortège du sage
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Le Sage
- Le Sacre du printemps : Première partie, Le Baiser à la terre : Danse de la terre
- Le Sacre du printemps : Deuxième partie, Le Grand Sacrifice : Introduction
- Le Sacre du printemps : Deuxième partie, Le Grand Sacrifice : Cercle mystérieux des adolescentes
- Le Sacre du printemps : Deuxième partie, Le Grand Sacrifice : Glorification de l'élue
- Le Sacre du printemps : Deuxième partie, Le Grand Sacrifice : Evocation des ancêtres
- Le Sacre du printemps : Deuxième partie, Le Grand Sacrifice : Action rituelle des ancêtres
- Le Sacre du printemps : Deuxième partie, Le Grand Sacrifice : Danse sacrale (de l'élue)
- Suite du ballet « L'Oiseau de feu » : Introduction
- Suite du ballet « L'Oiseau de feu » : Prélude et danse
- Suite du ballet « L'Oiseau de feu » : Variations
- Suite du ballet « L'Oiseau de feu » : Pantomime I
- Suite du ballet « L'Oiseau de feu » : Pas de deux
- Suite du ballet « L'Oiseau de feu » : Pantomime II
- Suite du ballet « L'Oiseau de feu » : Scherzo
- Suite du ballet « L'Oiseau de feu » : Pantomime III - Rondo
- Suite du ballet « L'Oiseau de feu » : Danse infernale
- Suite du ballet « L'Oiseau de feu » : Berceuse
- Suite du ballet « L'Oiseau de feu » : Finale
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Oedipus Rex / Les Noces (Philharmonia Orchestra of London feat. conductor: Robert Craft)
Released 2005
Released 2005
- Oedipus Rex: Prologue
- Oedipus Rex: Introducing Creon
- Oedipus Rex: Introducing Tiresias
- Oedipus Rex: Introducing Joacasta
- Oedipus Rex: Introducing the Messenger
- Oedipus Rex: Epilogue
- Les Noces: Scene 1. The Tresses (At the Bride's House)
- Les Noces: Scene 2. At the Bridegroom's House
- Les Noces: Scene 3. The Departure of the Bride
- Les Noces: Scene 4. The Wedding Feast
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BBC Music, Volume 13, Number 3: Symphonic Works (BBC Scottish SO feat. conductor: Ilan Volkov)
Released 2004
Released 2004
- The Song of the Nightingale
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - tempo giusto, alla breve
- Symphony in 3 Movements: I. Overture:Allegro
- Symphony in 3 Movements: II. Andante - interlude: L'istesso tempo
- Symphony in 3 Movements: III. Con moto
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Stravinsky: The Rite of Spring / Nielsen: Symphony No. 5, Op. 50
Released 2004
Released 2004
- The Rite of Spring, Part I: Adoration of the Earth: I. Introduction
- The Rite of Spring, Part I: Adoration of the Earth: II. The Harbingers of Spring / Dances of the Young Girls
- The Rite of Spring, Part I: Adoration of the Earth: III. Game of Abduction
- The Rite of Spring, Part I: Adoration of the Earth: IV. Spring Rounds
- The Rite of Spring, Part I: Adoration of the Earth: V. Games of Rival Tribes
- The Rite of Spring, Part I: Adoration of the Earth: VI. Procession of the Sage
- The Rite of Spring, Part I: Adoration of the Earth: VII. The Sage
- The Rite of Spring, Part I: Adoration of the Earth: VIII. Dance of the Earth
- The Rite of Spring, Part II: The Sacrifice: I. Introduction
- The Rite of Spring, Part II: The Sacrifice: II. Mystic Circles of the Young Girls
- The Rite of Spring, Part II: The Sacrifice: III. Glorification of the Choosen One
- The Rite of Spring, Part II: The Sacrifice: IV. Evocation of the Elders
- The Rite of Spring, Part II: The Sacrifice: V. Ritual Action of the Elders
- The Rite of Spring, Part II: The Sacrifice: VI. Sacrificial Dance - The Chosen One
- Symphony No. 5, Op. 50: I. Tempo giusto
- Symphony No. 5, Op. 50: I. Adagion non troppo
- Symphony No. 5, Op. 50: II. Allegro
- Symphony No. 5, Op. 50: II. Presto
- Symphony No. 5, Op. 50: II. Andante un poco tranquillo
- Symphony No. 5, Op. 50: II. Allegro
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Suite from "L'Histoire du soldat" / Concerto in E-flat "Dumbarton Oaks" / Concerto en ré / Suite No. 1 / Suite No. 2
Released 2003
Released 2003
- Suite from "L'Histoire du soldat": Marche du soldat
- Suite from "L'Histoire du soldat": Petit airs au bord du ruisseau
- Suite from "L'Histoire du soldat": Pastorale
- Suite from "L'Histoire du soldat": Marche royale
- Suite from "L'Histoire du soldat": Petit concert
- Suite from "L'Histoire du soldat": Trois danses: I. Tango
- Suite from "L'Histoire du soldat": Trois danses: II. Valse
- Suite from "L'Histoire du soldat": Trois danses: III. Ragtime
- Suite from "L'Histoire du soldat": Danse du diable
- Suite from "L'Histoire du soldat": Grand choral
- Suite from "L'Histoire du soldat": Marche triomphale du diable
- Ragtime for eleven instruments
- "L'histoire du soldat": Petit choral
- Concerto in E-flat "Dumbarton Oaks": I. Tempo giusto
- Concerto in E-flat "Dumbarton Oaks": II. Allegretto
- Concerto in E-flat "Dumbarton Oaks": III. Con moto
- Concerto en ré for string orchestra: I. Vivace
- Concerto en ré for string orchestra: II. Arioso - Andantino
- Concerto en ré for string orchestra: III. Rondo - Allegro
- Suite no. 1 for small orchestra: I. Andante
- Suite no. 1 for small orchestra: II. Napolitana
- Suite no. 1 for small orchestra: III. Española
- Suite no. 1 for small orchestra: IV. Balalaïka
- Suite no. 2 for small orchestra: I. Marche
- Suite no. 2 for small orchestra: II. Valse
- Suite no. 2 for small orchestra: III. Polka
- Suite no. 2 for small orchestra: IV. Galop
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Igor Stravisky Conducts Stravinsky: The Complete Ballets (disc 1)
Released 2003
Released 2003
- The Firebird: Introduction
- The Firebird: Scene 1. Kaschei's Enchanted Garden
- The Firebird: Scene 1. The Firebird Appears, Pursued by Ivan Tsarevitch
- The Firebird: Scene 1. Dance of the Firebird
- The Firebird: Scene 1. Ivan Tsarevitch Captures the Firebird
- The Firebird: Scene 1. The Firebird's Entreaty
- The Firebird: Scene 1. The Appearance of the Thirteen Enchanted Princesses
- The Firebird: Scene 1. The Princesses' Game With Apples of Gold (Scherzo)
- The Firebird: Scene 1. The Sudden Appearance of Ivan Tsarevitch
- The Firebird: Scene 1. The Princesses' Round
- The Firebird: Scene 1. Dawn (Ivan Tsarevitch Enters Kashchei's Palace)
- The Firebird: Scene 1. The Sound of Enchanted Bells - Monsters Appear, Kaschei's Guards, and Take Ivan Tsarevitch Prisoner
- The Firebird: Scene 1. The Arrival of Kashchei the Immortal
- The Firebird: Scene 1. Kashchei's Dialogue With Ivan Tsarevitch
- The Firebird: Scene 1. The Princesses' Intercede
- The Firebird: Scene 1. The Appearance of the Firebird
- The Firebird: Scene 1. Kashchei's Followers Dance Under the Firebird's Spell
- The Firebird: Scene 1. Infernal Dance of Kashchei's Subjects
- The Firebird: Scene 1. Lullaby (The Firebird)
- The Firebird: Scene 1. Kashchei Awakes
- The Firebird: Scene 1. Death of Kashchei - Profound Darkness
- The Firebird: Scene 2. Kashchei's Spells Are Broken; His Palace Disappears, the Stone Knights Return to Life, Joy Reigns
- Scherzo à la russe
- Scherzo fantastique
- Fireworks
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The Firebird . Petrushka (City of Birmingham Symphony Orchestra feat. conductor: Sir Simon Rattle)
Released 2003
Released 2003
- Ballet "The Firebird": Introduction
- Ballet "The Firebird": Dance of the Firebird
- Ballet "The Firebird": The pricesses' game with the golden apples
- allet "The Firebird": Sudden appearance of Ivan Tsarevich
- Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell
- Ballet "The Firebird": Lullaby
- Ballet "The Firebird": Disappearance of the palace
- Scherzo à la Russe (for jazz band)
- Four Studies (1952 version): Danse
- Four Studies (1952 version): Excentrique
- Four Studies (1952 version): Cantique
- Four Studies (1952 version): Madrid
- Scherzo à la Russe
- Feu d'artifice, Op. 4
- L'Oiseau de feu: "Danse infernale de Kachtcheï et de ses sujets"
- L'Oiseau de feu: "Berceuse (l'Oiseau de feu)"
- L'Oiseau de feu: "Réveil de Kachtcheï"
- L'Oiseau de feu: "Mort de Kachtcheï" - "Ténèbres"
- L'Oiseau de feu: "Écroulement du palais de Kachtcheï et dissolution des enchantements"
- Petrushka: Scene I. Opening
- Petrushka: Scene I. "The Shrovetide Fair"
- Petrushka: Scene I. "The Charlatan's Booth"
- Petrushka: Scene I. "Russian Dance"
- Petrushka: Scene II. "Petrushka's Room"
- Le Sacre du printemps: Part I. Introduction
- Le Sacre du printemps: Part I. "Augures printaniers" - "Danses des adolescentes"
- Le Sacre du printemps: Part I. "Jeu du rapt"
- Le Sacre du printemps: Part I. "Rondes printanlères"
- Le Sacre du printemps: Part I. "Jeu des cités rivales"
- Le Sacre du printemps: Part I. "Cortège du Sage"
- Le Sacre du printemps: Part I. "L'Adoration de la terre (Le Sage)"
- Le Sacre du printemps: Part I. "Danse de la terre"
- Suite No. 1 for Chamber Orchestra: I. Andante
- Suite No. 1 for Chamber Orchestra: II. Napolitana
- Suite No. 1 for Chamber Orchestra: III. Española
- Suite No. 1 for Chamber Orchestra: IV. Balalaika
- Ragtime for 11 Players
- Histoire du Soldat: "Marche royale"
- Histoire du Soldat: "Petit concert"
- Piano Rag Music
- Pulcinella: Sinfonia (Ouverture)
- Pulcinella: Gavotta con due variazioni
- Octet for Winds: I. Sinfonia
- Concerto for Piano and Wind Instruments: III. Allegro
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Scriabin: Prometheus / Rachmaninov: Piano Concerto No. 4 / Stravinsky: Concerto for piano and wind instruments
Released 2002
Released 2002
- Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace
- Piano Concerto No. 4 in G minor, Op. 40: II. Largo
- Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace
- Concerto for piano and wind instruments: I. Largo - Allegro
- Concerto for piano and wind instruments: II. Largo
- Concerto for piano and wind instruments:III. Allegro
- Prometheus - Le Poème du Feu, Op. 60
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Introduction
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Le jardin enchanté de Kachtcheï
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Danse de l'Oiseau de feu
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Capture de L'Oiseau de feu par Ivan Tsarévitch
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Supplications de L'Oiseau de feu - apparition des treize princesses enchantées
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Jeu des princesses avec les pommes d'or
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Brusque apparition d'Ivan Tsarévitch
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Khorovod (ronde) des princesses
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Lever de jour - Ivan Tsarévitch pénètre dans le palais de Katchtcheï
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Carillon féerique - apparition des monstres-gardiens de Kachtcheï - capture d'Ivan Tsarévitch - int
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Danse de la suite de Kachtcheï enchantée par L'Oiseau de feu
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Danse infernale de tous les sujets de Kachtcheï
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Berceuse (L'Oiseau de feu) - réveil de Kachtcheï - mort de Kachtcheï - profonds ténèbres
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Disparition du palais et des sortilèges de Kachtcheï - animation des chevaliers pétrifiés - allégre
- Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra La fête au palais de l'Empereur
- Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra Les deux rossignols
- Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra Maladie et guérison de l'Empereur de Chine
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Le sacre du printemps (Cleveland orchestra) / L'oiseau de feu (Chicago symphony orchestra) (feat. conductor : Pierre Boulez)
Released 2002
Released 2002
- Le sacre du printemps: I. L'adoration de la terre: 1. Introduction
- Le sacre du printemps: I. L'adoration de la terre: 2. Les augures printaniers - danses des adolescentes
- Le sacre du printemps: I. L'adoration de la terre: 2. Jeu du rapt
- Le sacre du printemps: I. L'adoration de la terre: 3. Rondes printanières
- Le sacre du printemps: I. L'adoration de la terre: 4. Jeux des cités rivales
- Le sacre du printemps: I. L'adoration de la terre: 5. Cortège du sage - adoration de la terre - le sage
- Le sacre du printemps: I. L'adoration de la terre: 6. Danse de la terre
- Le sacre du printemps: II. Le sacrifice: 1. Introduction
- Le sacre du printemps: II. Le sacrifice: 2. Cercles mystérieux des adolescentes
- Le sacre du printemps: II. Le sacrifice: 3. Glorification de l'élue
- Le sacre du printemps: II. Le sacrifice: 4. Evocation des ancetres
- Le sacre du printemps: II. Le sacrifice: 5. Action rituelle des ancetres
- Le sacre du printemps: II. Le sacrifice: 6. Danse sacrale (L'élue)
- L'oiseau de feu: I. Introduction
- L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï
- L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch
- L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu
- L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch
- L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées
- L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo)
- L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch
- L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses
- L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï
- L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu
- L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu
- L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï
- L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres
- L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale
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The Essential Stravinsky (Orchestre de la Suisse Romande, feat. conductor: Neeme Järvi)
Released 2002
Released 2002
- Symphony in E flat, Op. 1: I. Allegro mederato
- Symphony in E flat, Op. 1: II. Scherzo. Allegretto
- Symphony in E flat, Op. 1: III. Largo
- Symphony in E flat, Op. 1: IV. Finale. Allegro Molto
- Violin Concerto: I. Toccata
- Violin Concerto: II. Aria l
- Violin Concerto: III. Aria ll
- Violin Concerto: IV. Capraccio
- Symphony of Psalms: I. Exaudi orationem meam, Domine
- Symphony of Psalms: II. Expectans expectavi Dominum
- Symphony of Psalms: III. Alleluja, laudate Dominum
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Le Sacre du printemps, Four-Hand Piano Version (feat. piano: Fazil Say)
Released 2001
Released 2001
- Le Sacre du printemps, for piano, four hands: I. L'adoration de la terre: Introduction
- Le Sacre du printemps, for piano, four hands: II. L'adoration de la terre: Les augures printaniers / Danses des adolescentes
- Le Sacre du printemps, for piano, four hands: III. L'adoration de la terre: Jeu de rapt
- Le Sacre du printemps, for piano, four hands: IV. L'adoration de la terre: Rondes printanières
- Le Sacre du printemps, for piano, four hands: V. L'adoration de la terre: Jeux des cités rivales
- Le Sacre du printemps, for piano, four hands: VI. L'adoration de la terre: Cortège du Sage
- Le Sacre du printemps, for piano, four hands: VII. L'adoration de la terre: Le Sage
- Le Sacre du printemps, for piano, four hands: VIII. L'adoration de la terre: Danse de la terre
- Le Sacre du printemps, for piano, four hands: IX. Le Sacrifice: Introduction
- Le Sacre du printemps, for piano, four hands: X. Le Sacrifice: Cercles mystérieux des adolescentes
- Le Sacre du printemps, for piano, four hands: XI. Le Sacrifice: Glorification de l'élue
- Le Sacre du printemps, for piano, four hands: XII. Le Sacrifice: Evocation des ancêtres
- Le Sacre du printemps, for piano, four hands: XIII. Le Sacrifice: Action rituelle des ancêtres
- Le Sacre du printemps, for piano, four hands: XIV. Le Sacrifice: Dance sacrale (L'élue)
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Le Chant du Rossignol · L'Histoire du Soldat (Suite) · Scherzo fantastique · Le Roi des Étoiles (The Cleveland Orchestra feat. conductor: Pierre Boulez)
Released 2001
Released 2001
- Scherzo Fantastique, Op.3: Con moto - Moderato assai - Più mosso - Tempo I
- Le Roi des Étoiles (Zvezdolíkiy)
- Le Chant du Rossignol: I. Presto - Andantino - Tempo I
- Le Chant du Rossignol: II. Marche chinoise: 72 - Poco più mosso - Tempo giusto
- Le Chant du Rossignol: III. Chant du rossignol: Cadenza - Adagio - Presto - Vivace
- Le Chant du Rossignol: IV. Jeu du rossignol mécanique: Moderato - Larghetto - Molto ritmico - Maestoso et piano - Pianissimo - Tranquillo
- L'Histoire du Soldat, Suite: 1. Marche de soldat
- L'Histoire du Soldat, Suite: 2. Petits Airs au bord du ruisseau
- L'Histoire du Soldat, Suite: 3. Pastorale
- L'Histoire du Soldat, Suite: 4. Marche royale
- L'Histoire du Soldat, Suite: 5. Petit concert
- L'Histoire du Soldat, Suite: 6. Trois Danses (Tango - Valse - Ragtime)
- L'Histoire du Soldat, Suite: 7. Danse du Diable
- L'Histoire du Soldat, Suite: 8. Grand Choral
- L'Histoire du Soldat, Suite: 9. Marche triomphale du Diable
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The Rite of Spring (Le Sacre du Printemps) / The Firebird Suite (1919 version) (Oregon Symphony feat. conductor: James DePriest)
Released 2001
Released 2001
- Le Sacre du Printemps: Introduction
- Le Sacre du Printemps: The Augurs of Spring
- Le Sacre du Printemps: Ritual of Abduction
- Le Sacre du Printemps: Spring Rounds
- Le Sacre du Printemps: Ritual of the Two Tribes
- Le Sacre du Printemps: Procession of the Oldest and Wisest One
- Le Sacre du Printemps: The Kiss of the Earth
- Le Sacre du Printemps: The Dancing Out of the Earth
- Le Sacre du Printemps: Introduction (part 2)
- Le Sacre du Printemps: The Mystic Circle of the Young Girls
- Le Sacre du Printemps: The Naming and Honoring of the Chosen One
- Le Sacre du Printemps: Evocation of the Ancestors
- Le Sacre du Printemps: Ritual Action of the Ancestors
- Le Sacre du Printemps: Sacrificial Dance
- The Firebird Suite (1919 version): Introduction
- The Firebird Suite (1919 version): Khorovode
- The Firebird Suite (1919 version): Infernal Dance
- The Firebird Suite (1919 version): Berceuse
- The Firebird Suite (1919 version): Finale
- The Rite of Spring: Part I (The Adoration of the Earth). Introduction
- The Rite of Spring: Part I (The Adoration of the Earth). The Augurs of Spring (Dances of the Young Girls)
- The Rite of Spring: Part I (The Adoration of the Earth). Ritual of Abduction
- The Rite of Spring: Part I (The Adoration of the Earth). Spring Rounds (Round Dance)
- The Rite of Spring: Part I (The Adoration of the Earth). Ritual of the Rival Tribes
- The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Sage
- The Rite of Spring: Part I (The Adoration of the Earth). The Sage (Adoration of the Earth)
- The Rite of Spring: Part I (The Adoration of the Earth). Dance of the Earth
- The Rite of Spring: Part II (The Sacrifice). Introduction
- The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls
- The Rite of Spring: Part II (The Sacrifice). The Glorification of the Chosen One
- The Rite of Spring: Part II (The Sacrifice). Evocation of the Ancestors
- The Rite of Spring: Part II (The Sacrifice). Ritual Action of the Ancestors
- The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (The Chosen One)
- Symphony No. 4 in C major, Op. 54 "Poem of Ecstasy"
- Concerto for Violin and Orchestra in D major, Op. 77: I. Allegro non troppo
- Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio
- Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
- Violin Concerto in D major: I. Toccata
- Violin Concerto in D major: II. Aria I
- Violin Concerto in D major: III. Aria II
- Violin Concerto in D major: IV. Capriccio
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Shadow Dances: Stravinsky Miniatures (Orpheus Chamber Orchestra)
Released 2000
Released 2000
- Tango
- Suite No. 1: I. Andante
- Suite No. 1: II. Napolitana
- Suite No. 1: III. Espanola
- Suite No. 1: IV. Balalaika
- Suite No. 2: I. Marche
- Suite No. 2: II. Valse
- Suite No. 2: III. Polka
- Suite No. 2: IV. Galop
- Concerto in D major for String Orchestra: I. Vivace
- Concerto in D major for String Orchestra: II. Arioso
- Concerto in D major for String Orchestra: III. Rondo
- Concertino
- Octet: I. Sinfonia. Lento - Allegro moderato
- Octet: II. Tema con variazioni
- Octet: III. Finale
- Three Pieces for String Quartet: I. Danse
- Three Pieces for String Quartet: II. Excentrique
- Three Pieces for String Quartet: III. Cantique
- Praeludium for Jazz Ensemble
- Ragtime
- Duet for Bassoons
- Fanfare for a new theatre
- Scherzo à la Russe for Jazz Orchestra
- Violin Concerto in D: I. Toccata
- Violin Concerto in D: II. Aria I
- Violin Concerto in D: III. Aria II
- Violin Concerto in D: IV. Capriccio
- Violin Concerto No.2, BB 117: I. Allegro non troppo
- Violin Concerto No.2, BB 117: II. Andante tranquillo
- Violin Concerto No.2, BB 117: III. Allegro molto
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Ansermet Conducts Stravinsky (London Philharmonic Orchestra feat. conductor Ernest Amerset)
Released 2000
Released 2000
- Petrouchka Ballet Suite: The Shrovetide Fair
- Petrouchka Ballet Suite: Magic Trick
- Petrouchka Ballet Suite: Russian Dance
- Petrouchka Ballet Suite: Petrouchka's Room
- Petrouchka Ballet Suite: The Moor's Room
- Petrouchka Ballet Suite: Dance of the Ballerina
- Petrouchka Ballet Suite: Waltz
- Petrouchka Ballet Suite: Petrouchka Appears
- Petrouchka Ballet Suite: The Shrovetide Fair (Evening)
- Petrouchka Ballet Suite: Dance of the Nursemaids
- Petrouchka Ballet Suite: The Peasant and the Bear
- Petrouchka Ballet Suite: Dance of the Coachmen
- Petrouchka Ballet Suite: The Mummers
- Petrouchka Ballet Suite: Death of Petrouchka
- The Firebird Suite: Introduction
- The Firebird Suite: Dance of the Firebird
- The Firebird Suite: Dance of the Princess
- The Firebird Suite: Infernal Dance of King Kasschei
- The Firebird Suite: Lullaby (Berceuse)
- The Firebird Suite: Finale
- The Firebird Suite: Scherzo - Dance of the Princess With the Golden Apples (From the original Ballet)
- Symphony of Psalms: Exaudi Orationem Meam, Domine
- Symphony of Psalms: Expectans Expectavi Dominum
- Symphony of Psalms: Alleluja, Laudate Dominum
- Symphonies of Wind Instruments
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
- L'oiseau de feu
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Stravinsky: Le Sacre du printemps / Honegger: Symphonie No. 3 "Liturgique"
Released 1999
Released 1999
- Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction: Lento - Più mosso - Tempo I
- Le Sacre du printemps: I. L'Adoration de la terre: II. Les augures printaniers (Danses des adolescentes): Tempo giusto
- Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt: Presto
- Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières: Tranquillo - Sostenuto e pesante - Vivo - Tranquillo
- Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales: Molto allegro
- Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage: Molto allegro
- Le Sacre du printemps: I. L'Adoration de la terre: VII. Adoration de la terre (Le Sage): Lento
- Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre: Prestissimo
- Le Sacre du printemps: II. Le Sacrifice: I. Introduction: Largo
- Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes: Andante con moto - Più mosso - Tempo I
- Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'élue: Vivo
- Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres
- Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres: Lento
- Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'élue)
- Symphonie No. 3 "Liturgique": I. Dies irae. Allegro marcato
- Symphonie No. 3 "Liturgique": II. De profundis clamavi. Adagio
- Symphonie No. 3 "Liturgique": III. Dona nobis pacem. Andante
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Stravinsky Conducts - The Firebird Suite - Petrushka Ballet Suite
Released 1999
Released 1999
- L'Oiseau de Feu - Introduction
- L'Oiseau de Feu - Prelude and Dance of the Firebird
- L'Oiseau de Feu - Variations - Firebird
- L'Oiseau de Feu - Pantomime I
- L'Oiseau de Feu - Pas de deux. Firebird and Ivan Tsarevitch
- L'Oiseau de Feu - Pantomime II
- L'Oiseau de Feu - Scherzo - Dance of the Princesses
- L'Oiseau de Feu - Pantomime III
- L'Oiseau de Feu - Rondo - Corovod
- L'Oiseau de Feu - Infernal Dance
- L'Oiseau de Feu - Lullabye - Firebird
- L'Oiseau de Feu - Final Hymn
- Petrushka Ballet Suite
- Petrushka Ballet Suite - The Shrove-tide Fair
- Petrushka Ballet Suite - The Crowds
- Petrushka Ballet Suite - The Charlatans Booth
- Petrushka Ballet Suite - The Russian Dance
- Petrushka Ballet Suite - Petrushkas Room
- Petrushka Ballet Suite - Grand Carnival
- Petrushka Ballet Suite - Dance of the Wet Nurses
- Petrushka Ballet Suite - Dance of the Peasant and Bear
- Petrushka Ballet Suite - Dance of the Gypsy Girls
- Petrushka Ballet Suite - Dance of the Coachmen
- Petrushka Ballet Suite - The Masqueraders
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Stravinsky Symphonies (Chicago Symphony Orchestra feat. conductor: Sir Georg Solti)
Released 1999
Released 1999
- Symphony in Three Movements: I. Overture
- Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo
- Symphony in Three Movements: III. Con moto
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
- Symphony of Psalms (Rev. Version 1948): Part I
- Symphony of Psalms (Rev. Version 1948): Part II
- Symphony of Psalms (Rev. Version 1948): Part III
- The Soldier's Tale: The Soldier's March
- The Soldier's Tale: "Phew... this isn't a bad sort of spot..." (Soldier)
- The Soldier's Tale: Airs by a stream
- The Soldier's Tale: He is a little old man
- The Soldier's Tale: The Soldier's March (reprise)
- The Soldier's Tale: "Hurray, here we are!" (Soldier)
- The Soldier's Tale: Pastorale
- The Soldier's Tale: "In the Market Place..." (Narrator)
- The Soldier's Tale: Pastorale
- The Soldier's Tale: "He took out the book and began to read" (Narrator)
- The Soldier's Tale: Airs by a stream (reprise)
- The Soldier's Tale: "They have nothing - and yet they have it all." (Soldier)
- The Soldier's Tale: Airs by a stream (reprise)
- The Soldier's Tale: The Soldier's March (reprise)
- The Soldier's Tale: "Now he comes to another land" (Soldier)
- The Soldier's Tale: The Royal March
- The Soldier's Tale: "They gave the word for the band to play" (Narrator)
- The Soldier's Tale: The Little Concert
- The Soldier's Tale: "The Princess is lying on her bed" (Narrator)
- The Soldier's Tale: Tango
- The Soldier's Tale: Valse
- The Soldier's Tale: Ragtime
- The Soldier's Tale: "The Soldier and the Princess are in each other's arms" (Soldier)
- The Soldier's Tale: The Devil's Dance
- The Soldier's Tale: "The Devil falls exhausted" (Narrator)
- The Soldier's Tale: Little Chorale
- The Soldier's Tale: The Devil's Song
- The Soldier's Tale: Great Chorale
- The Soldier's Tale: "Suppose, suppose we went there!" (Narrator)
- The Soldier's Tale: Triumphal March of the Devil
- Dumbartion Oaks: I. Tempo giusto
- Dumbarton Oaks: II. Allegretto
- Dumbarton Oaks: III. Con moto
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Symphony of Psalms / Symphony in Three Movements / Symphonies of Wind Instruments (Berliner Philharmoniker feat. conductor: Pierre Boulez)
Released 1999
Released 1999
- Symphonies of Wind Instruments
- Symphony of Psalms: I. Exaudi orationem meam, Domine
- Symphony of Psalms: II. Expectans expectavi Dominum
- Symphony of Psalms: III. Alleluia, laudate Dominum
- Symphony in Three Movements: I. Crotchet = 160
- Symphony in Three Movements: II. Andante - Interlude (L'istesso tempo)
- Symphony in Three Movements: III. Con moto
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The Rake's Progress (The Monteverdi Choir & London Symphony Orchestra feat. conductor: John Eliot Gardiner)
Released 1999
Released 1999
- The Rake's Progress: Prelude
- The Rake's Progress: Act I, Scene 1. "The woods are green"
- The Rake's Progress: Act I, Scene 1. "Anne, my dear"
- The Rake's Progress: Act I, Scene 1. "Here I stand" / "Since it is not by merit"
- The Rake's Progress: Act I, Scene 1. "Tom Rakewell?"
- The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once"
- The Rake's Progress: Act I, Scene 1. "I'll call the coachman, sir"
- The Rake's Progress: Act I, Scene 1. "Farewell for now"
- The Rake's Progress: Act I, Scene 1. "All is ready, sir"
- The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light"
- The Rake's Progress: Act I, Scene 2. "With air commanding and weapon handy"
- The Rake's Progress: Act I, Scene 2. "Come, Tom"
- The Rake's Progress: Act I, Scene 2. "Soon dawn will glitter"
- The Rake's Progress: Act I, Scene 2. "Sisters of Venus, Brothers of Mars"
- The Rake's Progress: Act I, Scene 2. "Love, too frequently betrayed"
- The Rake's Progress: Act I, Scene 2. "How sad a song"
- The Rake's Progress: Act I, Scene 2. "The sun is bright, the grass is green"
- The Rake's Progress: Act I, Scene 2. "No word from Tom"
- The Rake's Progress: Act I, Scene 2. "Quietly, night"
- The Rake's Progress: Act I, Scene 2. "My father! Can I desert him"
- The Rake's Progress: Act I, Scene 2. "I go, I go to him"
- The Rake's Progress: Act II, Scene 1. "Vary the song, O London"
- The Rake's Progress: Act II, Scene 1. "O Nature, green unnatural mother"
- The Rake's Progress: Act II, Scene 1. "Always the quarry that I stalk"
- The Rake's Progress: Act II, Scene 1. "Master, are you alone?"
- The Rake's Progress: Act II, Scene 1. "Come, master, observe the host of mankind"
- The Rake's Progress: Act II, Scene 1. "In youth the panting slave pursues"
- The Rake's Progress: Act II, Scene 1. "My tale shall be told"
- The Rake's Progress: Act II, Scene 2. Introduction
- The Rake's Progress: Act II, Scene 2. "How strange!" / "O heart be stronger"
- The Rake's Progress: Act II, Scene 2. "Anne! here!"
- The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?"
- The Rake's Progress: Act II, Scene 2. "Could it then have been known"
- The Rake's Progress: Act II, Scene 2. "I have not run away"
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L'Oiseau de feu / Le Sacre du printemps / Perséphone (San Francisco Symphony feat. conductor: Michael Tilson Thomas)
Released 1999
Released 1999
- The Firebird: Introduction
- The Firebird: The Enchanted Garden of Kashchei
- The Firebird: Apparition of the Firebird followed by Ivan Tsarevitch
- The Firebird: Dance of the Firebird
- The Firebird: Capture of the Firebird by Ivan Tsarevitch
- The Firebird: Plea of the Firebird / Apparition of the Thirteen Enchanted Princesses
- The Firebird: Play of the Princesses With the Golden Apples
- The Firebird: Sudden Apparition of Ivan Tsarevitch
- The Firebird: Chorovod (Round) Of the Princesses
- The Firebird: Sunrise / Ivan Tsarevitch Penetrates the Palace of Kashchei
- The Firebird: Magical Chimes / Apparition of the Monsters / Guards of Kashchei and Capture of Ivan Tsarevitch
- The Firebird: Dance of the Suite of Kashchei Enchanted by the Firebird
- The Firebird: Infernal Dance of All the Subjects of Kashchei
- The Firebird: Disappearance of the Palace and of the Magic Spells of Kashchei / Animation of the Petrified Knights / All Rejoice
- Petrouchka: Scene I (The Shrovetide Fair). Vivace
- Petrouchka: Scene I (The Shrovetide Fair). The Magic Trick
- Petrouchka: Scene I (The Shrovetide Fair). Russian Dance
- Petrouchka: Scene II (Petrouchka's Cell)
- Petrouchka: Scene III (The Moor's Cell). L'istesso tempo
- Petrouchka: Scene III (The Moor's Cell). Dance of the Ballerina
- Petrouchka: Scene III (The Moor's Cell). Waltz
- Petrouchka: Scene IV (The Fair [Toward Evening]). Tempo giusto
- Petrouchka: Scene IV (The Fair [Toward Evening]). Wet Nurses' Dance
- Petrouchka: Scene IV (The Fair [Toward Evening]). Peasant with Bear
- Petrouchka: Scene IV (The Fair [Toward Evening]). Gypsies and a Rake Vendor
- Petrouchka: Scene IV (The Fair [Toward Evening]). Dance of the Coachmen
- Petrouchka: Scene IV (The Fair [Toward Evening]). Masqueraders
- Petrouchka: Scene IV (The Fair [Toward Evening]). The Scuffle (Moor and Petrouchka)
- Petrouchka: Scene IV (The Fair [Toward Evening]). Death of Petrouchka
- Petrouchka: Scene IV (The Fair [Toward Evening]). Appearance of Petrouchka's Ghost
- The Rite of Spring: Part I (The Adoration of the Earth). Introduction
- The Rite of Spring: Part I (The Adoration of the Earth). Harbingers of Spring (Dances of the Young Girls)
- The Rite of Spring: Part I (The Adoration of the Earth). Mock Abduction
- The Rite of Spring: Part I (The Adoration of the Earth). Spring Khorovod (Round Dances)
- The Rite of Spring: Part I (The Adoration of the Earth). Games of the Rival Tribes
- The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Wise Elder
- The Rite of Spring: Part I (The Adoration of The Earth). Adoration of the Earth (Wise Elder) / Dance of the Earth
- The Rite of Spring: Part II (The Sacrifice). Introduction
- The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls
- The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim
- The Rite of Spring: Part II (The Sacrifice). Summoning of the Ancestors
- The Rite of Spring: Part II (The Sacrifice). Ritual of the Ancestors
- The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One)
- Fireworks, Op. 4
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Britten: Variations on a Theme by Frank Bridge / Vaughan Williams: Fantasia on a Theme by Thomas Tallis / Stravinsky: Jeu de cartes
Released 1998
Released 1998
- Variations on a Theme by Frank Bridge, Op. 10: Introduction & Theme. Lento maestoso
- Variations on a Theme by Frank Bridge, Op. 10: Adagio
- Variations on a Theme by Frank Bridge, Op. 10: March. Presto alla marcia
- Variations on a Theme by Frank Bridge, Op. 10: Romance. Allegretto grazioso
- Variations on a Theme by Frank Bridge, Op. 10: Aria italiana. Allegro brillante
- Variations on a Theme by Frank Bridge, Op. 10: Bourrée classique. Allegro e pesante
- Variations on a Theme by Frank Bridge, Op. 10: Wiener Walzer. Lento - Vivace
- Variations on a Theme by Frank Bridge, Op. 10: Moto perpetuo. Allegro molto
- Variations on a Theme by Frank Bridge, Op. 10: Funeral March. Andante ritmico
- Variations on a Theme by Frank Bridge, Op. 10: Chant. Lento
- Variations on a Theme by Frank Bridge, Op. 10: Fugue and Finale. Allegro molto vivace - Lento e solenne
- Fantasia on a Theme by Thomas Tallis
- Jeu de cartes: Première donne
- Jeu de cartes: Deuxième donne
- Jeu de cartes: Troisième donne
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Stravinsky the Composer, Volume XI: Violin Concerto, Ebony Concerto, The Flood
Released 1998
Released 1998
- Concerto in D for Violin and Orchestra: I. Toccata
- Concerto in D for Violin and Orchestra: II. Aria I
- Concerto in D for Violin and Orchestra: III. Aria II
- Concerto in D for Violin and Orchestra: IV. Capriccio
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: II. Andante
- Ebony Concerto: III. Moderato - Vivo - Coda
- Tango
- Movements: I. First Movement
- Movements: II. First Interlude and Second Movement
- Movements: III. Second Interlude and Third Movement
- Movements: IV. Third Interlude and Fourth Movement
- Movements: V. Fourth Interlude and Fifth Movement
- Two Poems of Konstantin Balmont: I. Nezabudochka-Tsvetochek / The Flower
- Two Poems of Konstantin Balmont: II. Golub / The Dove
- Three Japanese Lyrics: I. Akahito
- Three Japanese Lyrics: II. Mazatsumi
- Three Japanese Lyrics: III. Tsaraiuki
- Sektanskaya
- The Flood: I. Prelude. Representation of Chaos
- The Flood: II. Te Deum, Sanctus (Chorus)
- The Flood: III. Genesis (Narrator)
- The Flood: IV. Voices of God (2 Basses)
- The Flood: V. Lucifer / Satan (Tenor)
- The Flood: VI. Melodrama (voices of Eve and Satan impersonated by Noah and his Wife)
- The Flood: VII. Voices of God, Noah
- The Flood: VIII. The Building of the Ark (Orchestra)
- The Flood: IX. The Catalog of the Animals
- The Flood: X. The Comedy
- The Flood: XI. The Flood (Orchestra)
- The Flood: XII. The Covenant of the Rainbow - God, Noah
- The Flood: XIII. Reprise of Prelude
- The Flood: XIV. Satan (Tenor and 4 Flutes)
- The Flood: XV. Sanctus, Te Deum (Chorus)
- The Rite Of Spring (Part One) - Introduction. Lento
- The Rite Of Spring (Part One) - The Spring Divinations: Dances of the Young Girls
- The Rite Of Spring (Part One) - Mock Abduction
- The Rite Of Spring (Part One) - Spring Round Dances
- The Rite Of Spring (Part One) - Games of the Rival Tribes
- The Rite Of Spring (Part One) - Procession of the Wise Elder
- The Rite Of Spring (Part One) - Dance of the Earth
- The Rite Of Spring (Part Two) - Introduction. Largo
- The Rite Of Spring (Part Two) - Mystical Circles of the Young Girls
- The Rite Of Spring (Part Two) - Glorification of the Chosen Victim
- The Rite Of Spring (Part Two) - Summoning of the Ancestors
- The Rite Of Spring (Part Two) - Ritual of the Ancestors
- The Rite Of Spring (Part Two) - Sacrificial Dance (The Chosen Victim)
- Suite From 'The Firebird' - Introduction
- Suite From 'The Firebird' - The Firebird and its Dance
- Suite From 'The Firebird' - Variation of the Firebird
- Suite From 'The Firebird' - The Princesses' Round
- Suite From 'The Firebird' - Infernal Dance of King Kashchei
- Suite From 'The Firebird' - Lullaby
- Suite From 'The Firebird' - Finale
- Part I (Adoration of the Earth): Introduction
- Part I (Adoration of the Earth): The Augurs of Spring / Dances of the Young Girls
- Part I (Adoration of the Earth): Ritual of Abduction
- Part I (Adoration of the Earth): Spring Rounds
- Part I (Adoration of the Earth): Ritual of the Rival Tribes
- Part I (Adoration of the Earth): Dance of the Earth
- Part II (The Sacrifice): Introduction
- Part II (The Sacrifice): Mystic Circles of the Young Girls
- Part II (The Sacrifice): Glorification of the Chosen One
- Part II (The Sacrifice): Evocation of the Ancestors
- Part II (The Sacrifice): Ritual Action of the Ancestors
- Part II (The Sacrifice): Sacrificial Dance
- Scene 1 (The Forest at Dawn): Introduction
- Scene 1 (The Forest at Dawn): Fisherman
- Scene 1 (The Forest at Dawn): Nightingale's Aria
- Scene 1 (The Forest at Dawn): Chamberlain, Bonze, Cook, Courtiers
- Scene 1 (The Forest at Dawn): Second Entrance of the Nightingale
- Scene 1 (The Forest at Dawn): Chamberlain and Bonze
- Scene 1 (The Forest at Dawn): Nightingale's Second Aria
- Scene 1 (The Forest at Dawn): Chamberlain and Bonze
- Scene 1 (The Forest at Dawn): Fisherman
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Prelude: Chorus and Orchestra
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Cook
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Reprise of the Prelude
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Chinese March
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Chamberlain
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Song of the Nightingale
- Scene 2 (The Porcelain Palace of the Chinese Emperor): The Japanese Envoys
- Scene 2 (The Porcelain Palace of the Chinese Emperor): The Mechanical Nightingale
- Scene 2 (The Porcelain Palace of the Chinese Emperor): The Emperor, Chamberlain, Courtiers
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Reprise of the Chinese March
- Scene 2 (The Porcelain Palace of the Chinese Emperor): Fisherman
- Scene 3 (The Emperor's Bedchamber): Prelude
- Scene 3 (The Emperor's Bedchamber): Chorus of Ghosts, Emperor
- Scene 3 (The Emperor's Bedchamber): Nightingale
- Scene 3 (The Emperor's Bedchamber): Death and the Nightingale
- Scene 3 (The Emperor's Bedchamber): The Nightingale's Aria
- Scene 3 (The Emperor's Bedchamber): Emperor and Nightingale
- Scene 3 (The Emperor's Bedchamber): Funeral Procession
- Scene 3 (The Emperor's Bedchamber): Fisherman
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Stravinsky Conducts Stravinsky: The Mono Years 1952-1955 (Cleveland Orchestra feat. conductor: Igor Stravinsky)
Released 1998
Released 1998
- Pulcinella: Overture: Allegro mederato
- Pulcinella: Serenata: Larghetto
- Pulcinella: Scherzino: Allegro
- Pulcinella: Più vivo - Allegro
- Pulcinella: Andantino
- Pulcinella: Allegro
- Pulcinella: Ancora poco meno "Contento forse"
- Pulcinella: Allegro assai
- Pulcinella: Allegro - Alla breve "Con queste"
- Pulcinella: Andante "Sento dire"
- Pulcinella: Allegro "Ncè sta"
- Pulcinella: Presto "Una te fallan"
- Pulcinella: Allegro - Alla breve
- Pulcinella: Tarantella
- Pulcinella: Andantino "Se tu m'ami"
- Pulcinella: Allegro
- Pulcinella: Gavotta: Allegro moderato
- Pulcinella: Variation Ia: Allegretto.
- Pulcinella: Variation IIa: Allegro più tosto moderato
- Pulcinella: Vivo
- Pulcinella: Tempo di minuetto "Pupillette"
- Pulcinella: Allegro assai
- L'Histoire du Soldat: The Soldier's March
- L'Histoire du Soldat: Soldier at the Brook
- L'Histoire du Soldat: Pastorale
- L'Histoire du Soldat: The Royal March
- L'Histoire du Soldat: The Little Concerto
- L'Histoire du Soldat: Three dances: Tango
- L'Histoire du Soldat: Three dances: Waltz
- L'Histoire du Soldat: Three dances: Ragtime
- L'Histoire du Soldat: The Devil's Dance
- L'Histoire du Soldat: Chorale
- L'Histoire du Soldat: Triumphal March of the Devil
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema con variazioni: Tema
- Octet for Wind Instruments: II. Tema con variazioni: Variazione A
- Octet for Wind Instruments: II. Tema con variazioni: Variazione B
- Octet for Wind Instruments: II. Tema con variazioni: Variazione A
- Octet for Wind Instruments: II. Tema con variazioni: Variazione C
- Octet for Wind Instruments: II. Tema con variazioni: Variazione D
- Octet for Wind Instruments: II. Tema con variazioni: Variazione A
- Octet for Wind Instruments: II. Tema con variazioni: Variazione E
- Octet for Wind Instruments: II. Tema con variazioni: Finale: Tempo giusto
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Symphony in C / Symphony in Three Movements / Symphonies of Wind Instruments (New Zealand Symphony Orchestra, feat. conductor: En Shao)
Released 1997
Released 1997
- Symphony in C: I. Moderato alla brave
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
- Symphony in Three Movements: I. ♩=160
- Symphony in Three Movements: II. Andante
- Symphony in Three Movements: III. Con moto
- Symphony of Wind Instruments (Original 1920 version)
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Apollon musagète / Pulcinella / Concerto en Re (London Festival Orchestra feat. conductor: Ross Pople)
Released 1997
Released 1997
- Apollon musagète: Naissance d'Apollon
- Apollon musagète: Variation d'Apollon
- Apollon musagète: Pas d'Action
- Apollon musagète: Variation Calliope
- Apollon musagète: Variation de Polymnie
- Apollon musagète: Variation Terpsichore
- Apollon musagète: Variation d'Apollon
- Apollon musagète: Pas de deux
- Apollon musagète: Coda
- Apollon musagète: Apothéose
- Pulcinella suite: Sinfonia
- Pulcinella Suite: Serenata
- Pulcinella Suite: Scherzino
- Pulcinella Suite: Tarantella
- Pulcinella Suite: Toccata
- Pulcinella Suite: Gavotte
- Pulcinella Suite: Vivo
- Pulcinella Suite: Minuetto
- Pulcinella Suite: Finale
- Concerto en Re majeur: Vivace
- Concerto en Re majeur: Arioso
- Concerto en Re majeur: Rondo
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Works for Chamber Orchestra (Tritonus Wimares feat. conductor: Walter Hilgers)
Released 1997
Released 1997
- Suite No. 2 for Chamber Orchestra: I. Marche
- Suite No. 2 for Chamber Orchestra: II. Valse
- Suite No. 2 for Chamber Orchestra: II. Valse
- Suite No. 2 for Chamber Orchestra: IV. Galop / Trio / Galop da capo
- Suite No. 1 for Chamber Orchestra: I. Andante
- Suite No. 1 for Chamber Orchestra: II. Napolitana
- Suite No. 1 for Chamber Orchestra: III. Espanola
- Suite No. 1 for Chamber Orchestra: IV. Balalaika
- Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": I. La petite pie
- Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": II. Le Corbeau
- Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": III. Tchitcher-Latcher
- Pastorale. Chant sans paroles: Moderato
- Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): I. Akahito
- Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): II. Mazatsumi
- Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): III. Tsaraiuki
- Two Poems of Balmont for Voice and Chamber Orchestra: I. The Flower
- Two Poems of Balmont for Voice and Chamber Orchestra: II. The Dove
- Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": I. Tempo giusto
- Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": II. Allegretto
- Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": III. Con Moto
- Pulcinella, Suite for Orchestra: I. Sinf (Ov)
- Pulcinella, Suite for Orchestra: II. Serenata
- Pulcinella, Suite for Orchestra: III. Scherzino: Allegro - Andantino
- Pulcinella, Suite for Orchestra: IV. Tarantella
- Pulcinella, Suite for Orchestra: V. Toccata: Allegro
- Pulcinella, Suite for Orchestra: VI. Gavotta con due variazioni / Var. 1 / Var. 2
- Pulcinella, Suite for Orchestra: VII. Vivo
- Pulcinella, Suite for Orchestra: VIII. Minuetto / Finale
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Prokofiev, Shostakovich: Cello Sonatas / Stravinsky: Suite italienne
Released 1997
Released 1997
- Cello Sonata No. 2 in D minor, Op. 40: I. Allegro non troppo
- Cello Sonata No. 2 in D minor, Op. 40: II. Allegro
- Cello Sonata No. 2 in D minor, Op. 40: III. Largo
- Cello Sonata No. 2 in D minor, Op. 40: IV. Allegro
- Suite Italienne for Cello & Piano: I. Introduzione
- Suite Italienne for Cello & Piano: II. Serenata
- Suite Italienne for Cello & Piano: III. Aria
- Suite Italienne for Cello & Piano: IV. Tarantella
- Suite Italienne for Cello & Piano: V. Minuetto e finale
- Cello Sonata in C major, Op. 119: I. Andante grave
- Cello Sonata in C major, Op. 119: II. Moderato
- Cello Sonata in C major, Op. 119: III. Allegro non troppo
- Le Sacre du Printemps, Part 1: Introduction
- Le Sacre du Printemps, Part 1: Les Augures printaniers - Danses des adolescentes
- Le Sacre du Printemps, Part 1: Jeu du rapt
- Le Sacre du Printemps, Part 1: Rondes printanieres
- Le Sacre du Printemps, Part 1: Jeu des cites rivales - Cortege du Sage - Ador...
- Le Sacre du Printemps, Part 1: Danse de la terre
- Le Sacre du Printemps, Part 2: Introduction
- Le Sacre du Printemps, Part 2: Cercles mysterieuse des adolescentes
- Le Sacre du Printemps, Part 2: Glorification de l'Elue - Evocation des ancetres
- Le Sacre du Printemps, Part 2: Action rituell des ancetres
- Le Sacre du Printemps, Part 2: Danse sacrale (L'Elue)
- L'Oiseau de feu: Introduction - L'Oiseau de feu et sa danse
- L'Oiseau de feu: Variation de l'Oiseau de feu
- L'Oiseau de feu: Ronde des Princesses
- L'Oiseau de feu: Danse infernale du roi Kachtchei
- L'Oiseau de feu: Berceuse
- L'Oiseau de feu: Final
- Jeu de cartes: Premiere donne
- Jeu de cartes: Deuxieme donne
- Jeu de cartes: Troisieme donne
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Stravinsky the Composer, Volume IX: The Firebird (feat. conductor: Robert Craft)
Released 1997
Released 1997
- Fireworks (1908)
- The Firebird (1910): Introduction
- The Firebird (1910): Scene I: Kastchei's Enchanted Garden
- The Firebird (1910): The Firebird enters, pusued by Ivan Tsarevich
- The Firebird (1910): The Firebird's Dance
- The Firebird (1910): Ivan Tsarevich captures the Firebird
- The Firebird (1910): The Firebird begs to be released
- The Firebird (1910): Entrance of the Thirteen Enchanted Princesses
- The Firebird (1910): The Princesses play with the golden apples (Scherzo)
- The Firebird (1910): Ivan Tsarevich appears
- The Firebird (1910): The Princesses' Khorovod (Round Dance)
- The Firebird (1910): Daybreak
- The Firebird (1910): Ivan Tsarevich, entering Kastchei's palace, sets off its Magic Carillion, thereby alerting Kastchei's Monster-Guardians, who capture him
- The Firebird (1910): The entrance of Kastchei the Immortal
- The Firebird (1910): Dialogue between Kastchei and Ivan Tsarevich
- The Firebird (1910): The Princesses plead for mercy
- The Firebird (1910): The Firebird enters
- The Firebird (1910): Dance of Kastchei's retinue under the Firebird's magic spell
- The Firebird (1910): Infernal Dance of Kastchei and his subjects under the Firebird's magic spell
- The Firebird (1910): The Firebird's Lullaby
- The Firebird (1910): Kastchei awakens
- The Firebird (1910): Kastchei's death
- The Firebird (1910): Scene II: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving. The marriage and coronation of Prince Ivan as Tsar and of the Princess of Unearthly Beauty as Tsarina
- Canon for Orchestra on a Russian Popular Tune (1965)
- Four Etudes for Orchestra (1914): I. Dance
- Four Etudes for Orchestra (1914): II. Eccentric
- Four Etudes for Orchestra (1914): III. Canticle
- Four Etudes for Orchestra (1914): IV. Madrid
- Variations (1964)
- Concerto for Strings in D (1946): I. Vivace
- Concerto for Strings in D (1946): II. Arioso Andantino
- Concerto for Strings in D (1946): III. Rondo Allegro
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The Rite of Spring / Firebird (BRT Philharmonic Orchestra, Brussels feat. conductor: Alexander Rahbari)
Released 1997
Released 1997
- Firebird Suite: Introduction
- Firebird Suite: L'oiseau de feu et sa danse
- Firebird Suite: Variations de l'oiseau de feu
- Firebird Suite: Ronde des Princesses
- Firebird Suite: Danse infernale du roi Kastchei
- Firebird Suite: Berceuse
- Firebird Suite: Finale
- The Rite of Spring, Part 1: Adoration of the Earth
- The Rite of Spring, Part 2: Sacrifice
- Pulcinella, 1st scene: Ouverture
- Pulcinella, 2nd scene: Scherzino
- Pulcinella, 3rd scene: Allegro
- Pulcinella, 4th scene: Andantino
- Pulcinella, 5th scene: Allegro
- L'Oiseau de feu (The Firebird): Round of the Princesses
- L'Oiseau de feu (The Firebird): King Kastchei's Infernal Dance
- L'Oiseau de feu (The Firebird): Berceuse
- L'Oiseau de feu (The Firebird): Finale
- L'Histoire du Soldat (The Soldier's Tale): March Royale
- L'Histoire du Soldat (The Soldier's Tale): Trois danses - 1) Tang
- L'Histoire du Soldat (The Soldier's Tale): Trois danses - 2) Vals
- L'Histoire du Soldat (The Soldier's Tale): Trois Danses - 3) Ragtime
- Petrushka: The Shrove-tide Fair
- Petrushka: Russian Dance
- Petrushka: Petrushka
- Petrushka: The Blackamoor
- Le Sacre du Printemps (The Rite of Spring), part 2: The Sacrifice
- A consagração da primavera: 1a. parte: A adoração da terra. Introdução. Os augúrios da primavera. Danças dos adolescentes. Cerimônia do rapto. Bailes da primavera. Cerimônia das tribos rivais. Cortejo do Sacerdote. Adoração da terra (O sábio). Dança da terra.
- A consagração da primavera: 2a. parte: O sacrifício. Introdução. Círculos misteriosos dos adolescentes. Glorificação da escolhida. Evocação dos espíritos ancestrais. Ação ritual dos velhos. Dança sagra. A escolhida.
- Petruchka: Cena I. A semana de Carnaval
- Petruchka: Cena I. Danças russas
- Petruchka: Cena II. A casa de Petruchka
- Petruchka: Cena III. A casa do Mouro
- Petruchka: Cena III. Valsa
- Petruchka: Cena IV. Festa de Carnaval
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Music for Four Hands (feat. piano: Benjamin Frith, Peter Hill)
Released 1996
Released 1996
- Sonata for Two Pianos: I. Moderato
- Sonata for Two Pianos: II. Theme With Variations
- Sonata for Two Pianos: III. Variation 1
- Sonata for Two Pianos: IV. Variation 2
- Sonata for Two Pianos: V. Variation 3
- Sonata for Two Pianos: VI. Variation 4
- Sonata for Two Pianos: VII. Allegretto
- Concerto for Two Pianos: I. Con Motto
- Concerto for Two Pianos: II. Notturno
- Concerto for Two Pianos: III. Variation 1
- Concerto for Two Pianos: IV. Variation 2
- Concerto for Two Pianos: V. Variation 3
- Concerto for Two Pianos: VI. Variation 4
- Concerto for Two Pianos: VII. Preludio E Fuga
- The Rite of Spring, Part 1: "The Adoration of the Earth": I. Introduction
- The Rite of Spring, Part 1: "The Adoration of the Earth": II. Auguries of Spring (Dances of the Young Girls)
- The Rite of Spring, Part 1: "The Adoration of the Earth": III. Ritual of Abduction
- The Rite of Spring, Part 1: "The Adoration of the Earth": IV. Spring Rounds
- The Rite of Spring, Part 1: "The Adoration of the Earth": V. Games of the Rival Tribes
- The Rite of Spring, Part 1: "The Adoration of the Earth": VI. Procession of the Wise Elder
- The Rite of Spring, Part 1: "The Adoration of the Earth": VII. The Sage
- The Rite of Spring, Part 1: "The Adoration of the Earth": VIII. Dance of the Earth
- The Rite of Spring, Part 2: "The Sacrifice": I. Introduction
- The Rite of Spring, Part 2: "The Sacrifice": II. Mystic Circles of the Young Girls
- The Rite of Spring, Part 2: "The Sacrifice": III. Glorification of the Chosen One
- The Rite of Spring, Part 2: "The Sacrifice": IV. Evocation of the Ancestors
- The Rite of Spring, Part 2: "The Sacrifice": V. Ritual Action of the Ancestors
- The Rite of Spring, Part 2: "The Sacrifice": VI. Sacrificial Dance
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Le Sacre du Printemps / Perséphone (London Philharmonic, feat. conductor: Kent Nagano)
Released 1996
Released 1996
- Le sacre du printemps, première partie "L'Adoration de la Terre": I. Introduction
- Le sacre du printemps, première partie "L'Adoration de la Terre": II. Les Augures printaniers - Danse des adolsecentes
- Le sacre du printemps, première partie "L'Adoration de la Terre": III. Jeu du rapt
- Le sacre du printemps, première partie "L'Adoration de la Terre": IV. Rondes printanières
- Le sacre du printemps, première partie "L'Adoration de la Terre": V. Jeux dex cités rivales
- Le sacre du printemps, première partie "L'Adoration de la Terre": VI. Cortège du sage
- Le sacre du printemps, première partie "L'Adoration de la Terre": VII. Le Sage
- Le sacre du printemps, première partie "L'Adoration de la Terre": VIII. Danse de la terre
- Le sacre du printemps, seconde partie "Le Sacrifice": I. Introduction
- Le sacre du printemps, seconde partie "Le Sacrifice": II. Cercles mystérieux des adolescentes
- Le sacre du printemps, seconde partie "Le Sacrifice": III. Glorification de l'élue
- Le sacre du printemps, seconde partie "Le Sacrifice": IV. Evocation des ancêtres
- Le sacre du printemps, seconde partie "Le Sacrifice": V. Action rituelle des ancêtres
- Le sacre du printemps, seconde partie "Le Sacrifice": VI. Danse sacrale (L'Élue)
- Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto
- Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda)
- Violin Concerto in D: I. Toccata
- Violin Concerto in D: II. Aria I
- Violin Concerto in D: III. Aria II
- Violin Concerto in D: IV. Capriccio
- Tzigane (Rapsodie de concert pour violon et orchestre)
- Der Jahrmarkt (1. Bild)
- Russischer Tanz
- Petruschka (2. Bild)
- Bei den Mohren (3. Bild)
- Walzer (4. Bild)
- Der Jahrmarkt
- Tanz der Ammen
- Bauer und Tanzbär
- Zigeuner und Händler
- Tanz der Kutscher
- Maskerade
- Mohr und Petruschka
- Petruschkas Tod
- Polizei und Gaukler
- Erscheinung von Petruschkas Geist
- Teil 1: Einleitung. Lento
- Teil 1: Verheißung des Frühlings, Tanz der Mädchen
- Teil 1: Tanz der Jünglinge, Entführungsspiele
- Teil 1: Frühlingsreigen
- Teil 1: Stammeswettspiele
- Teil 1: Auftritt der Weisen
- Teil 1: Anbetung der Erde
- Teil 1: Tanz der Erde
- Teil 2: Einleitung. Largo
- Teil 2: Mystischer Reigen der Mädchen
- Teil 2: Verherrlichung der Auserwählten
- Teil 2: Anrufung der Ahnen
- Teil 2: Ahnenfeier
- Teil 2: Opfertanz der Auserwählten
- Apollon Musagèt, Premier tableau: Naissance d'Apollon
- Apollon Musagèt, Deuxième tableau: Variation d'Apollon
- Apollon Musagèt: Pas d'action
- Apollon Musagèt: Variation de Calliope
- Apollon Musagèt: Variation de Polymnie
- Apollon Musagèt: Variation de Terpsichore
- Apollon Musagèt: Variation d'Apollon
- Apollon Musagèt: Pas de deux
- Apollon Musagèt: Coda
- Apollon Musagèt: Apothéose
- L'Histoire du Soldat Suite: I. Part One - The Soldier's March
- L'Histoire du Soldat Suite: II. Music to Scene I
- L'Histoire du Soldat Suite: III. Music to Scene II (Pastorale)
- L'Histoire du Soldat Suite: IV. Part 2 - The Royal March (Pasodoble)
- L'Histoire du Soldat Suite: V. Little Concert
- L'Histoire du Soldat Suite: VI. Three Dances. Tango
- L'Histoire du Soldat Suite: VII. Waltz
- L'Histoire du Soldat Suite: VIII. Ragtime
- L'Histoire du Soldat Suite: IX. The Devil's Dance
- L'Histoire du Soldat Suite: X. Short Chorale
- L'Histoire du Soldat Suite: XI. Full Chorale
- L'Histoire du Soldat Suite: XII. Triumphant March of the Devil
- La Marseillaise
- Waltz for Children
- Two Sketches for a Sonata: No. 1
- Two Sketches for a Sonata: No. 2
- Pribaoukti: I. Kornilo / L'oncle Armand
- Pribaoukti: II. Natashka / Le Four
- Pribaoukti: III. The Colonel / Le Colonel
- Pribaoukti: IV. The Old Man and the Hare / Le Vieux et le Lièvre
- Berceuses du chat: I. Sur le Poèle / I On the Hearth
- Berceuses du chat: II. Interieur / At Home
- Berceuses du chat: III. Dodo
- Berceuses du chat: IV. Ce Qu'il a, le Chat
- Monumentum pro Gesualdo di Venosa ad CD Annum: I
- Monumentum pro Gesualdo di Venosa ad CD Annum: II
- Monumentum pro Gesualdo di Venosa ad CD Annum: III
- Mass: I. Kyrie
- Mass: II. Gloria
- Mass: III. Credo
- Mass: IV. Sanctus
- Mass: V. Agnus Dei
- The Dove Descending
- Canticum Sacrum: I. Dedicatio
- Canticum Sacrum: II. Euntes in Mundum
- Canticum Sacrum: III. Surge, aquilo
- Canticum Sacrum: IV. Ad Tres Virtutes Hortationes
- Canticum Sacrum: V. Brevis Motus Cantilenae
- Canticum Sacrum: VI. Illi Autem Profecti
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Petrushka / Pulcinella (Royal Concertgebouw Orchestra feat. conductor: Riccardo Chailly)
Released 1995
Released 1995
- Petrushka: Part I, No. 1a. "The Shrove-tide Fair"
- Petrushka: Part I, No. 1b. "The Crowds"
- Petrushka: Part I, No. 1c. "The Charlatan's Booth"
- Petrushka: Part I, No. 1d. "Russian Dance"
- Petrushka: Part II, No. 2. "Petrushka's Room"
- Petrushka: Part III, No. 3a. "The Moor's Room"
- Petrushka: Part III, No. 3b. "Dance of the Ballerina"
- Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor)
- Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening)
- Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses"
- Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear"
- Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls"
- Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms"
- Petrushka: Part IV, No. 4f. "The Masqueraders"
- Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death)
- Pulcinella: Ouverture: Allegro moderato
- Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor)
- Pulcinella: Scherzino: Allegro
- Pulcinella: Allegro
- Pulcinella: Andantino
- Pulcinella: Allegro
- Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano)
- Pulcinella: Allegro assai
- Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass)
- Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass)
- Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor)
- Pulcinella: Presto: "Una te fa la zemprece" (tenor)
- Pulcinella: Allegro - Alla breve
- Pulcinella: Tarantella
- Pulcinella: Andantino: "Se tu m'ami" (soprano)
- Pulcinella: Allegro
- Pulcinella: Gavotta con due variazioni
- Pulcinella: Vivo
- Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass)
- Pulcinella: Allegro assai
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Pétrouchka / Le Sacre du printemps (feat. conductor: Pierre Boulez)
Released 1995
Released 1995
- Pétrouchka: Premier tableau. I. Fête populaire de la Semaine Grasse
- Pétrouchka: Premier tableau. II. La Baraque du Charlatan
- Pétrouchka: Premier tableau. III. Danse russe
- Pétrouchka: Deuxième tableau. IV. Chez Pétrouchka
- Pétrouchka: Troisième tableau. V. Chez le Maure
- Pétrouchka: Troisième tableau. VI. Danse de la Ballerine
- Pétrouchka: Troisième tableau. VII. Valse. La Ballerine et le Maure
- Pétrouchka: Quatrième tableau. VIII. Fête populaire de la Semaine Grasse (vers le soir) - Danse des Nounous
- Pétrouchka: Quatrième tableau. IX. L'Ours et un paysan
- Pétrouchka: Quatrième tableau. X. Un Marchand fêtard avec deux Tziganes
- Pétrouchka: Quatrième tableau. XI. Danse des cochers et des palefreniers
- Pétrouchka: Quatrième tableau. XII. Les Déguisés
- Pétrouchka: Quatrième tableau. XIII. La Rixe: Le Maure et Pétrouchka
- Pétrouchka: Quatrième tableau. XIV. Mort de Pétrouchka
- Pétrouchka: Quatrième tableau. XV. La Police et le Charlatan - Apparition du double de Pétrouchka
- Le Sacre du printemps: Première partie. I. Introduction. Lento
- Le Sacre du printemps: Première partie. II. Les Augures printaniers (Danses des adolescentes)
- Le Sacre du printemps: Première partie. III. Jeu du rapt
- Le Sacre du printemps: Première partie. IV. Rondes printanières
- Le Sacre du printemps: Première partie. V. Jeux des cités rivales
- Le Sacre du printemps: Première partie. VI. Cortège du sage
- Le Sacre du printemps: Première partie. VII. Adoration de la terre (Le Sage)
- Le Sacre du printemps: Première partie. VIII. Danse de la terre
- Le Sacre du printemps: Deuxième partie. IX. Introduction. Largo
- Le Sacre du printemps: Deuxième partie. X. Cercles mystérieux des adolescentes
- Le Sacre du printemps: Deuxième partie. XI. Glorification de l'Élue
- Le Sacre du printemps: Deuxième partie. XII. Évocation des ancêtres
- Le Sacre du printemps: Deuxième partie. XIII. Action rituelle des ancêtres
- Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue)
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Bernstein Conducts Stravinsky (Israel Philharmonic Orchestra)
Released 1995
Released 1995
- Le Sacre du printemps: Partie I. Introduction
- Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)
- Le Sacre du printemps: Partie I. Jeu du rapt
- Le Sacre du printemps: Partie I. Rondes printanières
- Le Sacre du printemps: Partie I. Jeux des cités rivales
- Le Sacre du printemps: Partie I. Cortège du Sage
- Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)
- Le Sacre du printemps: Partie I. Danse de la Terre
- Le Sacre du printemps: Partie II. Introduction
- Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes
- Le Sacre du printemps: Partie II. Glorification de l'élue
- Le Sacre du printemps: Partie II. Évocation des ancêtres
- Le Sacre du printemps: Partie II. Action rituelle des ancêtres
- Le Sacre du printemps: Partie II. Danse sacrale (L'élue)
- Petrouchka: Tableau I. Fête populaire de la semaine grasse
- Petrouchka: Tableau I. Le tour de passe-passe – Danse russe
- Petrouchka: Tableau II. Chez Petrouchka
- Petrouchka: Tableau III. Chez le Maure – Danse de la Ballerine
- Petrouchka: Tableau III. Valse: La Ballerine et le Maure
- Petrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
- Petrouchka: Tableau IV. Danse des nounous
- Petrouchka: Tableau IV. L'ours et un paysan
- Petrouchka: Tableau IV. Un marchand fêtard avec deux tziganes
- Petrouchka: Tableau IV. Danse des cochers et des palefreniers
- Petrouchka: Tableau IV. Les désguisés
- Petrouchka: Tableau IV. La rixe: Le Maure et Petrouchka
- Petrouchka: Tableau IV. Mort de Petrouchka
- Petrouchka: Tableau IV. La police et le charlatan
- Petrouchka: Tableau IV. Apparition du double de Petrouchka
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Berg: Chamber Concerto / Stravinsky: Ebony Concerto, Dumbarton Oaks, 8 Miniatures (Ensemble InterContemporain feat. conductor: Pierre Boulez)
Released 1995
Released 1995
- Chamber Concerto for Piano and Violin With 13 Wind Instruments: I. Thema scherzoso con variazioni
- Chamber Concerto for Piano and Violin With 13 Wind Instruments: II. Adagio
- Chamber Concerto for Piano and Violin With 13 Wind Instruments: III. Rondo ritmico con introduzione
- Concerto in E-flat major for Chamber Orchestra: I. Tempo giusto
- Concerto in E-flat major for Chamber Orchestra: II. Allegretto
- Concerto in E-flat major for Chamber Orchestra: III. Con moto
- 8 Instrumental Miniatures for Fifteen Players: I. Andantino / II. Vivace / III. Lento / IV. Allegretto / V. Moderato / VI. Tempo di marcia / VII. Larghetto / VIII. Tempo di tango
- Ebony Concerto: Allegro moderato - Andante - Moderato - Con moto - Moderato - Vivo
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BBC Music, Volume 3, Number 11: Stravinsky: Rite of Spring / Britten: Four Sea Interludes (BBC National Orchestra of Wales feat. conductor: David Atherton)
Released 1995
Released 1995
- Portsmouth Point Overture
- Four Sea Interludes From Peter Grimes: I. Dawn
- Four Sea Interludes From Peter Grimes: II. Sunday Morning
- Four Sea Interludes From Peter Grimes: III. Moonlight
- Four Sea Interludes From Peter Grimes: IV. Storm
- Prelude to Khovanshchina
- Kikimora
- The Rite of Spring: I. Adoration of the Earth
- The Rite of Spring: II. The Sacrifice
- The Rite of Spring (excerpts)
- Petrushka (excerpts) Scene I
- Petrushka (excerpts) Scene II
- The Firebird (excerpts) - Infernal Dance
- The Firebird (excerpts) - Berceuse
- The Firebird (excerpts) - Finale
- Pulcinella (excerpts) - Overture
- Pulcinella (excerpts) - Tarantella
- Pulcinella (excerpts) - Allegro
- Pulcinella (excerpts) - Vivo
- Tempo di minuetto, Allegro assai
- Scherzo a la Russe
- Ragtime for 11 Instruments
- Suite No. 2 for Small Orchestra - I. Marche
- Suite No. 2 for Small Orchestra - II. Valse
- Suite No. 2 for Small Orchestra - III. Polka
- Suite No. 2 for Small Orchestra - IV. Galop
- The Royal March from The Soldier's Tale
- Pastorale
- Gloria from Oedipus Rex (Act II)
- Fireworks, Op. 43
- Prelude
- Act I, Scene I: Duet and Trio "The woods are green"
- Recitative: " Anne, my dear..."
- Recetative: "Here I stand"
- Aria: "Since it is not by merit"
- Recitative: "Tom Rakewell ... ?"
- Recitative: "Fair Lady..."
- Quartet: "I wished but once"
- Recitative: "I'll call the coachman, sir..."
- Duettino: "Farewll, farewell"
- Recitative: "All is ready, sir..."
- Arioso: "Dear Father Trulove"
- Terzettino: "Laughter and light"
- Act I, Scene II; Chorus: "With air commanding"
- Recitative and Scene: "Come, Tom, I would fain have our hostess..."
- Chorus: "Soon dawn will glitter"
- Recitative: "Brothers of Mars..."
- Cavatina: "Love, too frequently betrayed"
- Chorus: "How sad a song"
- Chorus: "The sun is bright"
- Act I Scene iii
- Recitative: "No word from Tom..."
- Aria: "Quietly, night"
- Recitative: "My Father!"
- Cabaletta: "I go, I go to him"
- Act II, Scente I
- Aria: "Vary the song"
- Recitative: "O Nature, green, unnatural mother..."
- Aria: "Always the quarry"
- Recitative: "Master, are tou alone?"
- Aria: "In youth the panting slave"
- Duet-Finale: "My tale shall be told"
- Act II Scene ii
- Recitative and ariosos: "How strange ..."
- Duet: "Anne! Here!"
- Recitative: "My love, an I to remain in here forever?"
- Trio: "Could it then"
- Finale: "I have not run away"
- Act II, Scene III, Aria: "As I was saying"
- Baba's Song
- Aria: "Scorned! Abused! Neglected!"
- Recitative: "My heart is cold"
- Pantomime
- Recitative: "Awake...?"
- Duet: "Thanks to this excelent device"
- Recitative: "Forgive me, master..."
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Oedipus Rex (Saito Kinen Orchestra feat. conductor: Seiji Ozawa)
Released 1994
Released 1994
- Oedipus Rex: Prologue. "Spectateurs…"
- Oedipus Rex: Act I. "Caedit nos pestis"
- Oedipus Rex: Act I. "Liberi, vos liberabo"
- Oedipus Rex: Act I. "Voici créon"
- Oedipus Rex: Act I. "Respondit deus"
- Oedipus Rex: Act I. "Non reperias vetus scelus"
- Oedipus Rex: Act I. "Œdipe innterroge la fontaine"
- Oedipus Rex: Act I. "Delie exspectamus"
- Oedipus Rex: Act I. "Dicere non possum"
- Oedipus Rex: Act I. "Invidia fortunam odit"
- Oedipus Rex: Act I. "Gloria!"
- Oedipus Rex: Act II. "La dispute des princes"
- Oedipus Rex: Act II. "Gloria!"
- Oedipus Rex: Act II. "Nonn' erubescite, Reges"
- Oedipus Rex: Act II. "Trivium, trivium…"
- Oedipus Rex: Act II. "Le témoin de meurtre sort"
- Oedipus Rex: Act II. "Adest omniscius pastor"
- Oedipus Rex: Act II. "In monte reppertus est"
- Oedipus Rex: Act II. "Et maintenant"
- Oedipus Rex: Act II. "Divum jocastae"
- Oedipus Rex: Act II. "Ecce! Regem Oedipoda"
- L'histoire du Soldat : Introduction : The soldier's march
- L'histoire du Soldat : Little tunes beside the brook
- L'histoire du Soldat : Tango, waltz & Ragtime
- L'histoire du Soldat : Petit concert
- Trois mouvements de Petrouchka : Danse russe
- Trois mouvements de Petrouchka : Chez petrouchka
- Trois mouvements de Petrouchka : La semaine grasse
- Apollon Musagete : Premiere Tableau : Prologue
- Apollon Musagete : Second Tableau : Variation d'apollon
- Apollon Musagete : Pas d'action
- Apollon Musagete : Variation de calliope
- Apollon Musagete : Variation de polyhymnie
- Apollon Musagete : Variation de terpsichore
- Apollon Musagete : Variation d'apollon
- Apollon Musagete : Pas de deux
- Apollon Musagete : Coda
- Apollon Musagete : Apotheose
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Petrushka / The Rite of Spring (New York Philharmonic & Cleveland Orchestra feat. conductor: Pierre Boulez)
Released 1994
Released 1994
- Petrushka, Scene I: I. The Shrove-tide Fair
- Petrushka, Scene I: II. The Charlatan's Booth
- Petrushka, Scene I: III. Russian Dance
- Petrushka, Scene II: I. Petrushka's Room
- Petrushka, Scene III: I. The Moor's Room
- Petrushka, Scene III: II. Dance of the Ballerina
- Petrushka, Scene III: III. Waltz: The Ballerina and the Moor
- Petrushka, Scene IV: I. The Shrove-tide Fair (towards evening) - Dance of the Wet-Nurses
- Petrushka, Scene IV: II. The Bear and the Peasant
- Petrushka, Scene IV: III. The Jovial Merchant with Two Gipsy Girls
- Petrushka, Scene IV: IV. Dance of the Coachmen and Grooms
- Petrushka, Scene IV: V. The Masqueraders
- Petrushka, Scene IV: VI. The Fight: The Moor and Petrushka
- Petrushka, Scene IV: VII. Death of Petrushka
- Petrushka, Scene IV: VIII. The Police and the Charlatan - Apparition of Petrushka's Double
- The Rite of Spring, Part I: Adoration of the Earth: I. Introduction
- The Rite of Spring, Part I: Adoration of the Earth: II. The Augurs of Spring (Dances of the Young Girls)
- The Rite of Spring, Part I: Adoration of the Earth: III. Mock Abduction
- The Rite of Spring, Part I: Adoration of the Earth: IV. Spring Round Dances
- The Rite of Spring, Part I: Adoration of the Earth: V. Games of the Rival Tribes
- The Rite of Spring, Part I: Adoration of the Earth: VI. Procession of the Wise Elder
- The Rite of Spring, Part I: Adoration of the Earth: VII. Adoration of the Earth (The Wise Elder)
- The Rite of Spring, Part I: Adoration of the Earth: VIII. Dance of the Earth
- The Rite of Spring, Part II: The Sacrifice: I. Introduction
- The Rite of Spring, Part II: The Sacrifice: II. Mystical Circles of the Young Girls
- The Rite of Spring, Part II: The Sacrifice: III. Glorification of the Chosen Victim
- The Rite of Spring, Part II: The Sacrifice: IV. Summoning of the Ancestors
- The Rite of Spring, Part II: The Sacrifice: V. Ritual of the Ancestors
- The Rite of Spring, Part II: The Sacrifice: VI. Sacrificial Dance (The Chosen Victim)
- Greeting Prelude
- The Star-Spangled Banner
- Dumbarton Oaks Concerto: I. Tempo Giusto
- Dumbarton Oaks Concerto: II. Allegretto
- Dumbarton Oaks Concerto: III. Con Moto
- Eight Instrumental Miniatures: I. Andantino
- Eight Instrumental Miniatures: II. Vivace
- Eight Instrumental Miniatures: III. Lento
- Eight Instrumental Miniatures: IV. Allegretto
- Eight Instrumental Miniatures: V. Moderato
- Eight Instrumental Miniatures: VI. Tempo di Marcia
- Eight Instrumental Miniatures: VII. Larghetto
- Eight Instrumental Miniatures: VIII. Tempo di Tango
- Circus Polka
- Scherzo à la Russe
- Scènes du Ballet: I. Introduction
- Scènes du Ballet: II. Dance. Corps de Ballet
- Scènes du Ballet: III. Variation. Ballerina
- Scènes du Ballet: IV. Pantomime. Lento
- Scènes du Ballet: V. Pas de Deux. Adagio
- Scènes du Ballet: VI. Pantomime. Agitato
- Scènes du Ballet: VII. Variation. Male dancer
- Scènes du Ballet: VIII. Variation. Ballerina
- Scènes du Ballet: IX. Pantomime. Andantino
- Scènes du Ballet: X. Dance. Corps de Ballet
- Scènes du Ballet: XI. Apotheosis
- Balanchine-Stravinsky Chorale
- Agon: I. Pas-de-Quatre
- Agon: II. Double Pas-de-Quatre
- Agon: III. Triple Pas-de-Quatre
- Agon: IV. Prelude
- Agon: V. First Pas-de-Trois. Saraband-Step
- Agon: VI. Gaillarde
- Agon: VII. Coda
- Agon: VIII. Interlude
- Agon: IX. Second Pas-de-Trois. Bransle Simple
- Agon: X. Bransle Gay
- Agon: XI. Bransle de Poitou
- Agon: XII. Interlude
- Agon: XIII. Pas-de-Deux
- Agon: XIV. Coda
- Agon: XV. Four Duos
- Agon: XVI. Four Trios
- Vom Himmel Hoch: I. Chorale
- Vom Himmel Hoch: II. Variation 1
- Vom Himmel Hoch: III. Variation 2
- Vom Himmel Hoch: IV. Variation 3
- Vom Himmel Hoch: V. Variation 4
- Vom Himmel Hoch: VI. Variation 5
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Introduction. Lento
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Jeu du rapt
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Rondes printanières
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Jeux des cités rivales
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Cortèges du Sage
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Adoration de la terre (Sage)
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Les augures printaniers (Danses des adolescentes)
- Le Sacre du Printemps, première partie: L'Adoration de la terre: Danse de la terre
- Le Sacre du Printemps, seconde partie: Le Sacrifice: Introduction. Largo
- Le Sacre du Printemps, seconde partie: Le Sacrifice: Cercles mystérieux des adolescentes
- Le Sacre du Printemps, seconde partie: Le Sacrifice: Cercles mystérieux des adolescentes
- Le Sacre du Printemps, seconde partie: Le Sacrifice: Évocation des ancêtres
- Le Sacre du Printemps, seconde partie: Le Sacrifice: Action rituelle des ancêtres
- Le Sacre du Printemps, seconde partie: Le Sacrifice: Danse sacrale (L'Élue)
- Pétrouchka, premier tableau: Fête populaire de la Semaine Grasse
- Pétrouchka, premier tableau: Lento. (chiffre 58) La baraque du charlatan
- Pétrouchka, premier tableau: Danse russe
- Pétrouchka, second tableau: Chez Pétrouchka
- Pétrouchka, troisième tableau: Chez le Maure
- Pétrouchka, troisième tableau: Allegro (chiffre 134) Danse de la Ballerine
- Pétrouchka, troisième tableau: Valse. Lento cantabile (chiffre 140)
- Pétrouchka, quatrième tableau: Fête populaire de la Semaine Grasse (vers le soir)
- Pétrouchka, quatrième tableau: Danse des Nounouns
- Pétrouchka, quatrième tableau: L'Ours et un Paysan
- Pétrouchka, quatrième tableau: Un Marchand fêtard avec deux Tziganes
- Pétrouchka, quatrième tableau: Danse des Cochers et des Palefreniers
- Pétrouchka, quatrième tableau: Les Déguisés
- Pétrouchka, quatrième tableau: La rixe: Le Maure et Pétrouchka
- Pétrouchka, quatrième tableau: Mort de Pétrouchka
- Pétrouchka, quatrième tableau: La Police et le Charlatan
- Pétrouchka, quatrième tableau: Apparition du Double de Pétrouchka
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The Firebird / 4 Etudes for Orchestra (Chicago Symphony Orchestra feat. conductor: Pierre Boulez)
Released 1993
Released 1993
- The Firebird - Introduction
- The Firebird, First Tableau - Kashchie's magic garden
- The Firebird, First Tableau - Appearance of the Firebird, pursued by Ivan-Tsarevich
- The Firebird, First Tableau - Dance of the Firebird
- The Firebird, First Tableau - Ivan-Tsarevich captures the Firebird
- The Firebird, First Tableau - The Firebird's entreaties - Appearance of the thirteen enchanted princesses
- The Firebird, First Tableau - The princesses' game with the golden apples (Scherzo)
- The Firebird, First Tableau - Sudden appearance of Ivan-Tsarevich
- The Firebird, First Tableau - The princesses' khorovod (round dance)
- The Firebird, First Tableau - Daybreak - Ivan-Tsarevich enters Kashchei's palace
- The Firebird, First Tableau - Magic carillon, appearance of Kashchei's guardian monsters
- The Firebird, First Tableau - Dance of Kashchei's retinue, under the Firebird's spell
- The Firebird, First Tableau - Infernal dance of all of Kashchei's subjects
- The Firebird, First Tableau - Lullaby (The Firebird) - Kashchei wakes up - Death of Kashchei - Deep shadows
- The Firebird, Second Tableau - Disappearance of the palace and dissolution of Kashchei's enchantments, animation of the petrifi
- Fireworks, Orchestral Fantasy Op. 4
- Four Studies - 1. Dance (Con moto)
- Four Studies - 2. Eccentric (Moderato)
- Four Studies - 3. Canticle (Largo)
- Four Studies - 4. Madrid (Allegro con moto)
- The Soldier's Tale: Part I: Introduction. The Soldier's March
- The Soldier's Tale: Part I: "Phew... this isn't a bad sort of spot"
- The Soldier's Tale: Part I, Scene I: Airs by a Stream
- The Soldier's Tale: Part I, Scene I: "Give me your fiddle."
- The Soldier's Tale: Part I, Scene I: "Well, there you are then, that's the way."
- The Soldier's Tale: Part I, Scene I: The Soldier's March
- The Soldier's Tale: Part I, Scene I: "Hurray, here we are! We're home at last."
- The Soldier's Tale: Part I, Scene II: Pastorale
- The Soldier's Tale: Part I, Scene II: "Ah! You dirty cheat, it's you!
- The Soldier's Tale: Part I, Scene II: Pastorale
- The Soldier's Tale: Part I, Scene II: Airs by a Stream
- The Soldier's Tale: Part I, Scene II: "They have nothing - and yet, they have it all."
- The Soldier's Tale: Part I, Scene II: "I have been proud and envied"
- The Soldier's Tale: Part I, Scene III: Airs by a Stream
- The Soldier's Tale: Part II: The Soldier's March
- The Soldier's Tale: Part II: "Now he comes to another land"
- The Soldier's Tale: Part II: The Royal March
- The Soldier's Tale: Part II: "They gave the word for the band to play"
- The Soldier's Tale: Part II: The Little Concert
- The Soldier's Tale: Part II: Tango
- The Soldier's Tale: Part II: Valse
- The Soldier's Tale: Part II: Ragtime
- The Soldier's Tale: Part II: The Devil's Dance
- The Soldier's Tale: Part II: Little Chorale
- The Soldier's Tale: Part II: The Devil's Song
- The Soldier's Tale: Part II: Great Chorale
- The Soldier's Tale: Part II: "Suppose, suppose we went there!"'
- The Soldier's Tale: Part II: Triumphal March of the Devil
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BBC Music, Volume 1, Number 7: The Isle of the Dead / Petrushka (BBC Scottish Symphony Orchestra feat. conductor: Jerzy Maksymiuk)
Released 1993
Released 1993
- The Isle of the Dead, Op. 29
- Petruska: The Shrove-Tide Fair
- Petruska: Dance Russe
- Petruska: Petrushka
- Petruska: The Blackamoor
- Petruska: Valse
- Petruska: The Shrove-tide Fair
- Petruska: Wet-Nurses' Dance
- Petruska: Peasant With Bear
- Petruska: Gypsies and a Rake Vendor
- Petruska: Dance of the Coachmen
- Petruska: Masqueraders
- Petruska: The Scuffle
- Petruska: Death of Petrushka
- Petruska: Police and the Juggler
- Petruska: Apparition of Petrushka's Double
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Petrouchka / Orpheus (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen)
Released 1993
Released 1993
- Petrouchka: Scene I. The Shrovetide Fair
- Petrouchka: Scene I. Russian Dance
- Petrouchka: Scene II. Petrushka
- Petrouchka: Scene III. The Blackamoor
- Petrouchka: Scene III. Waltz
- Petrouchka: Scene IV. The Shrovetide Fair (Towards Evening)
- Petrouchka: Scene IV. Wet-Nurses' Dance
- Petrouchka: Scene IV. Peasant with Bear
- Petrouchka: Scene IV. Gypsies and a Rake Vendor
- Petrouchka: Scene IV. Dance of the Coachmen
- Petrouchka: Scene IV. Masqueraders
- Petrouchka: Scene IV. The Scuffle
- Petrouchka: Scene IV. Death of Petrushka
- Petrouchka: Scene IV. Police and the Juggler
- Petrouchka: Scene IV. Apparition of Petrushka's Double
- Orpheus: Scene I. Orpheus
- Orpheus: Scene I. Air de danse
- Orpheus: Scene I. Dance of the Angel of Death
- Orpheus: Scene I. Interlude
- Orpheus: Scene II. Dance of the Furies
- Orpheus: Scene II. Air de danse
- Orpheus: Scene II. Interlude
- Orpheus: Scene II. Air de danse
- Orpheus: Scene II. Pas d'action
- Orpheus: Scene II. Pas de deux
- Orpheus: Scene II. Interlude
- Orpheus: Scene II. Pas d'action
- Orpheus: Scene III. Orpheus' Apotheosis
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Concertos / Cappricio (Deutsches Symphonie-Orchester Berlin feat. conductor: Vladimir Ashkenazy, piano: Olli Mustonen)
Released 1993
Released 1993
- Concerto for Piano and Wind Instruments: I. Largo - Allegro
- Concerto for Piano and Wind Instruments: II. Largo
- Concerto for Piano and Wind Instruments: III. Allegro
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: II. Andante
- Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo
- Capriccio for Piano and Orchestra: I. Presto
- Capriccio for Piano and Orchestra: II. Andante rapsodico
- Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto
- Movements for Piano and Orchestra: I
- Movements for Piano and Orchestra: II
- Movements for Piano and Orchestra: III
- Movements for Piano and Orchestra: IV
- Movements for Piano and Orchestra: V
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The Rite of Spring / Petrushka (Oslo Philharmonic Orchestra feat. conductor: Mariss Jansons)
Released 1993
Released 1993
- The Rite of Spring, First Part: The Adoration of the Earth: Introduction
- The Rite of Spring, First Part: The Adoration of the Earth: The Augers of Spring: Dances of the Young Girls
- The Rite of Spring, First Part: The Adoration of the Earth: Ritual of Abduction
- The Rite of Spring, First Part: The Adoration of the Earth: Spring Rounds
- The Rite of Spring, First Part: The Adoration of the Earth: Ritual of Rival Tribes
- The Rite of Spring, First Part: The Adoration of the Earth: Procession of the Sage
- The Rite of Spring, First Part: The Adoration of the Earth: The Sage
- The Rite of Spring, First Part: The Adoration of the Earth: Dance of the Earth
- The Rite of Spring, Second Part: The Sacrifice: Introduction
- The Rite of Spring, Second Part: The Sacrifice: Mystic Circles of the Young Girls
- The Rite of Spring, Second Part: The Sacrifice: Glorification of the Chosen One
- The Rite of Spring, Second Part: The Sacrifice: Evocation of the Ancestors
- The Rite of Spring, Second Part: The Sacrifice: Ritual Action of the Ancestors
- The Rite of Spring, Second Part: The Sacrifice: Sacrificial Dances (The Chosen One)
- Petrushka, Part One: The Shrovetide Fair
- Petrushka, Part One: Danse Russe
- Petrushka, Part Two: In Petrushka's Room
- Petrushka, Part Three: In the Blackamoor's Room
- Petrushka, Part Three: Waltz
- Petrushka, Part Four: The Shrovetide Fair
- Petrushka, Part Four: Wet Nurse's Dance
- Petrushka, Part Four: Peasant With Bear
- Petrushka, Part Four: Gypsies and a Rake Vendor
- Petrushka, Part Four: Dance of the Coachman
- Petrushka, Part Four: Masqueraders
- Petrushka, Part Four: The Scuffle: Blackamoor and Petrushka
- Petrushka, Part Four: Death of Petrushka
- Petrushka, Part Four: Police and the Juggler
- Petrushka, Part Four: Apparition of Petrushka's Death
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The Rite of Spring / The Fairy's Kiss / The Firebird Suite (Chicago Symphony Orchestra feat. conductor: Seiji Ozawa)
Released 1993
Released 1993
- The Adoration of the Earth: Introduction
- The Adoration of the Earth: Young Girl's Dances
- The Adoration of the Earth: Mock Abduction
- The Adoration of the Earth: Round Dances
- The Adoration of the Earth: Games of Rival Tribes
- The Adoration of the Earth: Wies Elder's Procession
- The Adoration of the Earth: Adoration of the Earth
- The Adoration of the Earth: Dance of the Earth
- The Sacrifice: Introduction
- The Sacrifice: Mystic Circles
- The Sacrifice: Glorification
- The Sacrifice: Summoning the Ancients
- The Sacrifice: Ancients' Ritual
- The Sacrifice: Sacrificial Dance
- The Sacrifice: Fireworks
- The Fairy's Kiss: Pas dedeux
- The Firebird: Introduction
- The Firebird: Firebird's Dance
- The Firebird: Firebird's Variation
- The Firebird: Princessess'Round
- The Firebird: King Kastchei's Dance
- The Firebird: Lullaby
- The Firebird: Finale
- Petrushka: Tableau I, The Shrovetide Fair: The Crowds
- Petrushka: Tableau I, The Shrovetide Fair: The Mountbank's Booth
- Petrushka: Tableau I, The Shrovetide Fair: Russian Dance
- Petrushka: Tableau II, Petrushka's Room
- Petrushka: Tableau III: The Moor's Room
- Petrushka: Tableau III: Dance of the Ballerina
- Petrushka: Tableau III: Waltz
- Petrushka: Tableau IV: The Shrovetide Fair (evening)
- Petrushka: Tableau IV: Wet Nurses' Dance
- Petrushka: Tableau IV: Peasant and Bear
- Petrushka: Tableau IV: Dance of the Gypsy Girls
- Petrushka: Tableau IV: Dance of the Coachmen and Ostlers
- Petrushka: Tableau IV: The Masqueraders
- Petrushka: Tableau IV: Death of Petrushka
- Apollon Musagète: Tableau I: Birth of Apollo
- Apollon Musagète: Tableau II: Apollo's Variation
- Apollon Musagète: Tableau II: Pas d'action
- Apollon Musagète: Tableau II: Calliope's Variation - Allegretto
- Apollon Musagète: Tableau II: Polyhymna's Variation - Allegro
- Apollon Musagète: Tableau II: Terpsichore's Variation - Allegretto
- Apollon Musagète: Tableau II: Apollo's Variation - Lento
- Apollon Musagète: Tableau II: Pas de deux
- Apollon Musagète: Tableau II: Coda. Vivo - Tempo sostenuto - Agitato
- Apollon Musagète: Tableau II: Apotheose. Largo e tranquillo
- Circus Polka
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The Great Ballets (London Philharmonic Orchestra, London Symphony Orchestra feat. conductor: Bernard Haitink)
Released 1993
Released 1993
- The Firebird: Firebird: Introduction
- The Firebird: Kashchei's Enchanted Garden
- The Firebird: Appearance of the Firebird Pursued By Ivan Tsarevich
- The Firebird: Dance of the Firebird
- The Firebird: Ivan Tsarevich Captures the Firebird
- The Firebird: Supplication of the Firebird
- The Firebird: Games of the Princesses With the Golden Apples
- The Firebird: Sudden Appearance of Ivan Tsarevich
- The Firebird: Round Dance of the Princesses
- The Firebird: Daybreak
- The Firebird: Magic Carillon, Appearance of Kashchei's Guardian Monsters and Capture of Ivan Tsarevich
- The Firebird: Dance of Kashchei's Retinue Under the Firebird's Spell
- The Firebird: Infernal Dance of All Kashchei's Subjects
- The Firebird: Lullaby of the Firebird
- The Firebird: Collapse of Kashchei's Palace and Dissolution of All Enchantments / Reanimation of the Petrified Prisoners / General Rejoicing
- Apollon musagète: Prologue: Birth of Apollo
- Apollon musagète: I. Variation of Apollo
- Apollon musagète: II. Pas d'action
- Apollon musagète: III. Variation of Calliope
- Apollon musagète: IV. Variation of Polyhymnia
- Apollon musagète: V. Variation of Terpsichore
- Apollon musagète: VI. Variation of Apollo
- Apollon musagète: VII. Pas de deux
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Stravinsky the Composer, Volume III: Perséphone (feat. conductor: Robert Craft),
Released 1992
Released 1992
- Perséphone: I. Perséphone Ravie
- Perséphone: II. Perséphone aux Enfers
- Perséphone: III. Perséphone Renaissante
- Zvezdoliky (The King of the Stars)
- Symphonies of Wind Instruments
- Concertino for 12 Instruments
- Octet: I. Sinfonia
- Octet: II. Tema con Variazioni
- Octet: III. Finale
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Prokofiev: Romeo and Juliet (Excerpts) / Stravinsky: The Rite of Spring (New York Philharmonic feat. conductor Dimitri Mitropoulos / Zubin Metha)
Released 1992
Released 1992
- Suite No.1, Op. 64b "Romeo and Juliet", The Montagues and Capulets: Andante - Allegro Pesante - Moderato Tranquillo - Allegro Pesante
- Suite No.1, Op. 64a "Romeo and Juliet", Folk Dance: Allegro Giocoso
- Suite No.5, Op. 64a "Romeo and Juliet", Masks: Andante Marziale
- Suite No.6, Op. 64a "Romeo and Juliet", Romeo and Juliet: Larghetto - Andante
- Suite No.7, Op. 64a "Romeo and Juliet", Death of Tybalt: Precipitato - Presto - Adagio Drammatico
- Suite No.5, Op. 64b "Romeo and Juliet", Romeo at Juliet's before Parting: Lento - Andante - Adagio - Poco Più Animato - Adagio - Andante
- Suite No.4, Op. 64b "Romeo and Juliet", Friar Laurence: Andante Espressivo
- Suite No.7, Op. 64b "Romeo and Juliet", Romeo at Juliet's Grave: Adagio Funembre - Adagio
- The Rite of Spring - Adoration of the Earth, Introduction: Lento
- The Rite of Spring - Adoration of the Earth, The Augurs of Spring (Dance of the Young Girls)
- The Rite of Spring - Adoration of the Earth, Mock Abduction
- The Rite of Spring - Adoration of the Earth, Spring Round Dances
- The Rite of Spring - Adoration of the Earth, Games of the Rival Tribes
- The Rite of Spring - Adoration of the Earth, Procession of the Wise Elder
- The Rite of Spring - Adoration of the Earth, Adoration of the Earth (The Wise Elder)
- The Rite of Spring - Adoration of the Earth, Dance of the Earth
- The Rite of Spring - The Sacrifice, Introduction: Largo
- The Rite of Spring - The Sacrifice, Mystical Circles of the Young Girls
- The Rite of Spring - The Sacrifice, Glorification of the Chosen Victim
- The Rite of Spring - The Sacrifice, Summoning of the Ancestors
- The Rite of Spring - The Sacrifice, Ritual of the Ancestors
- The Rite of Spring - The Sacrifice, Sacrificial Dance (The Chosen Victim)
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Béla Bartók: Sonata for 2 Pianos and Percussion / Igor Stravinsky: Concerto for 2 Solo Pianos, Sonata for 2 Pianos (feat. piano: Alfons Kontarsky, piano: Aloys Kontarksy)
Released 1992
Released 1992
- Sonata for 2 Pianos and Percussion: I. Assai lento
- Sonata for 2 Pianos and Percussion: II. Lento, ma non troppo
- Sonata for 2 Pianos and Percussion: III. Allegro non troppo
- Concerto for 2 pianos: I. Con moto
- Concerto for 2 pianos: II. Notturno
- Concerto for 2 pianos: III. Quattro variazioni
- Concerto for 2 pianos: IV. Preludio e fuga
- Sonata for 2 pianos: I. Moderato
- Sonata for 2 pianos: II. Largo
- Sonata for 2 pianos: III. Allegretto
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Le Sacre du printemps / Petrouchka (London Philharmonic Orchestra feat. conductor: Bernard Haitink)
Released 1992
Released 1992
- Le Sacre du printemps: Part I. Introduction
- Le Sacre du printemps: Part I. "The Harbingers of Spring" - "Dance of the Adolescents"
- Le Sacre du printemps: Part I. "Mock Abduction"
- Le Sacre du printemps: Part I. "Spring Rounds"
- Le Sacre du printemps: Part I. "Games of the Rival Tribes"
- Le Sacre du printemps: Part I. "Procession of the Sage"
- Le Sacre du printemps: Part I. "Adoration of the Earth (The Sage)" - "Dance of the Earth"
- Le Sacre du printemps: Part II. Introduction
- Le Sacre du printemps: Part II. "Mystical Circle of the Adolescents"
- Le Sacre du printemps: Part II. "Glorification of the Chosen One"
- Le Sacre du printemps: Part II. "Evocation of the Ancestors"
- Le Sacre du printemps: Part II. "Ritual of the Ancestors"
- Le Sacre du printemps: Part II. "Sacrificial Dance (The Chosen One)"
- Petrouchka: Scene I. "The Shrovetide Fair" - "The Crowds" - "The Conjuring-Trick"
- Petrouchka: Scene I. "Russian Dance"
- Petrouchka: Scene II. "In Petrouchka's Booth"
- Petrouchka: Scene III. "In the Moor's Booth"
- Petrouchka: Scene III. "Waltz (The Ballernia and the Moor)"
- Petrouchka: Scene IV: "The Shrovetide Fair (Evening)" - "Dance of the Wet-Nurses" - "Dance of the Peasant and the Bear" - "Dance of the Gipsies" - "Dance of the Coachmen and the Grooms" - "The Masqueraders" - "Death of Petrouchka"
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The Soldier's Tale / Divertimento / Octet / Suites Nos. 1, 2 (London Sinfonietta feat. conductor: Riccardo Chailly)
Released 1992
Released 1992
- Divertimento on The Fairy's Kiss: I. Sinfonia
- Divertimento on The Fairy's Kiss: II. Danses Suisses
- Divertimento on The Fairy's Kiss: III. Scherzo
- Divertimento on The Fairy's Kiss: IV. Pas de Deux
- Suite for Small Orchestra No. 1: Andante - Napolitana - Espanola - Balalaika
- Suite for Small Orchestra No. 2: March - Waltz - Polka - Galop
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema Con Variazioni
- Octet for Wind Instruments: III. Finale
- The Soldier's Tale: I. The Soldier's March
- The Soldier's Tale: II. Music to Scene 1
- The Soldier's Tale: III. Music to Scene 2
- The Soldier's Tale: IV. Royal March
- The Soldier's Tale: V. The Little Concert
- The Soldier's Tale: VI. Tango - Waltz - Ragtime
- The Soldier's Tale: VII. The Devil's Dance
- The Soldier's Tale: VIII. Chorale
- The Soldier's Tale: IX. The Devil's Triumphal March
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Stravinsky the Composer, Volume II: Pulcinella, Symphony in C, Les Noces
Released 1992
Released 1992
- Pulcinella Suite: I. Sinfonia
- Pulcinella Suite: II. Serenata
- Pulcinella Suite: III. Scherzino
- Pulcinella Suite: IV. Più Vivo
- Pulcinella Suite: V. Allegro
- Pulcinella Suite: VI. Andantino
- Pulcinella Suite: VII. Tarantella
- Pulcinella Suite: VIII. Toccata
- Pulcinella Suite: IX. Gavotta
- Pulcinella Suite: X. Variation 1
- Pulcinella Suite: XI. Variation 2
- Pulcinella Suite: XII. Vivo (Duetto)
- Pulcinella Suite: XIII. Minuetto
- Pulcinella Suite: XIV. Finale
- Symphony in C: I. Moderato Alla Breve
- Symphony in C: II. Larghetto Concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo; Tempo Guisto, Alla Breve
- Russian Peasant Choruses: On Saints' Day
- Russian Peasant Choruses: Ovsen
- Russian Peasant Choruses: The Pike
- Russian Peasant Choruses: Master Portly
- Russian Sacred Choruses: Otche Nasch (Pater Noster)
- Russian Sacred Choruses: Bogoroditse Dievo (Ave Maria)
- Russian Sacred Choruses: Veruyu Va Yedinava Boga Attsa (Credo)
- Les Noces: I. The Tresses: At the Bride's House
- Les Noces: II. At the Bridegroom's House
- Les Noces: III. The Departure of The Bride
- Les Noces: IV. The Wedding Feast
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Oedipus Rex (Swedish Radio Symphony Orchestra feat. conductor: Esa-Pekka Salonen)
Released 1992
Released 1992
- Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator)
- Oedipus Rex: Act I. "Caedit nos pestis"
- Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator)
- Oedipus Rex: Act I. "Respondit deus" (Creon)
- Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus)
- Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator)
- Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus)
- Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus)
- Oedipus Rex: Act I. "Gloria!" (Narrator)
- Oedipus Rex: Act II. "La dispute des princes attire Jocaste" (Narrator)
- Oedipus Rex: Act II. "Gloria!"
- Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta)
- Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta)
- Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus)
- Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus)
- Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator)
- Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger)
- Oedipus Rex: Act II. "Oportebat tacere" (Shepherd)
- Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus)
- Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger)
- Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus)
- Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator)
- Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger)
- Oedipus Rex: Act II. "Ecce! Regem Oedipoda"
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Pétrouchka / Le Sacre du Printemps (The Cleveland Orchestra feat. conductor: Pierre Boulez)
Released 1992
Released 1992
- Pétrouchka (1911): First Tableau
- Pétrouchka (1911): Second Tableau
- Pétrouchka (1911): Third Tableau
- Pétrouchka (1911): Fourth Tableau
- The Rite of Spring: I. The Adoration of the Earth
- The Rite of Spring: II.The Sacrifice
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The Firebird / Petrushka / Fireworks (Baltimore Symphony Orchestra feat. conductor: David Zinman)
Released 1991
Released 1991
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Stravinsky the Composer, Volume I (feat. conductor: Robert Craft)
Released 1991
Released 1991
- Symphony in Three Movements: I. Allegro
- Symphony in Three Movements: II. Andante
- Symphony in Three Movements: III. Interlude - Finale
- Fanfare for a New Theater
- Fanfare for Three Trumpets
- Oedipus Rex, Act I: I. Prologue. Speaker - Chorus
- Oedipus Rex, Act I: II. Oedipus
- Oedipus Rex, Act I: III. Chorus - Oedipus
- Oedipus Rex, Act I: IV. Chorus - Speaker - Creon
- Oedipus Rex, Act I: V. Oedipus - Chorus
- Oedipus Rex, Act I: VI. Speaker - Chorus
- Oedipus Rex, Act I: VII. Tiresias - Oedipus - Chorus
- Oedipus Rex, Act II: I. Speaker - Jocasta - Chorus
- Oedipus Rex, Act II: II. Speaker - Chorus - Messenger
- Oedipus Rex, Act II: III. Shepherd - Oedipus - Chorus
- Oedipus Rex, Act II: IV. Speaker - Messenger - Chorus
- Le sacre du printemps: Part 1: L'adoration de la terre
- Le sacre du printemps: Part 2: Le sacrifice
- Jeu de Cartes: Premiere donne - Alla breve - Moderato assai - Tranquillo
- Jeu de Cartes: Deuxieme donne - Alla breve - Marcia - Variazoni I-V - Coda - Marcia
- Jeu de Cartes: Troisieme donne - Alla breve - Valse - Presto - Tempo del principio
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Apollon musagète / Concerto in D / Cantata (Stockholm Chamber Orchestra, London Sinfonietta feat. conductor: Esa-Pekka Salonen)
Released 1991
Released 1991
- Apollon musagète: Scene I. Prologue: Birth of Apollo
- Apollon musagète: Scene II. Variation of Apollo
- Apollon musagète: Scene II. Pas d'action
- Apollon musagète: Scene II. Variation of Calliope
- Apollon musagète: Scene II. Variation of Polyhymnia
- Apollon musagète: Scene II. Variation of Terpsichore
- Apollon musagète: Scene II. Variation of Apollo
- Apollon musagète: Scene II. Pas de deux
- Apollon musagète: Scene II. Coda
- Apollon musagète: Scene II. Apotheosis
- Concerto in D major for String Orchestra: I. Vivace
- Concerto in D major for String Orchestra: II. Arioso: Andantino
- Concerto in D major for String Orchestra: III. Rondo: Allegro
- Cantata: A Lyke-Wake Dirge. Versus I. Prelude
- Cantata: Ricercar I. The Maidens Came
- Cantata: A Lyke-Wake Dirge. Versus II. First Interlude
- Cantata: Ricercar II. Sacred History
- Cantata: A Lyke-Wake Dirge. Versus III. Second Interlude
- Cantata: Westron Wind
- Cantata: A Lyke-Wake Dirge. Versus IV. Postlude
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Sacred Choral Works (Westminster Cathedral Choir feat. conductor: James O'Donnell, City of London Sinfonia)
Released 1991
Released 1991
- Symphony of Psalms: I. Prelude "Psalm 38:13-14"
- Symphony of Psalms: II. Double Fugue "Psalm 39:2-4"
- Symphony of Psalms: III. Allegro symphonique "Psalm 150"
- Pater Noster
- Credo
- Ave Maria
- Mass: I. Kyrie
- Mass: II. Gloria (feat. treble: Oliver Harding, alto: Stephen Jeffs)
- Mass: III. Credo
- Mass: IV. Sanctus (feat. treble: Robin Schmidt, alto: Robert Lewis, tenor: Simon Davies, tenor: Nicholas Keay, bass: Adrian Peacock)
- Mass: V. Agnus Dei
- Canticum Sacrum: I. Dedicatio
- Canticum Sacrum: II. Euntes in mundum
- Canticum Sacrum: III. Surge, aquilo
- Canticum Sacrum: IV. Diliges Dominum
- Canticum Sacrum: V. Qui confidunt
- Canticum Sacrum: VI. Credidi, propter quod locutus sum
- Canticum Sacrum: VII. Jesus autem ait illi
- Canticum Sacrum: VIII. Illi autem profecti
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The Firebird Suite, Pulcinella Suite, Scherzo Fantastique, Suites Nos. 1 & 2 for Small Orchestra (Pierre Boulez conducts BBC Symphony Orchestra, New York Philharmonic, and Ensemble InterContemporain)
Released 1991
Released 1991
- The Firebird Suite: I. Introduction, The Enchanted Garden of Kashchei and Dance of the Firebird
- The Firebird Suite: II. The Firebird's Entreaties
- The Firebird Suite: III. The Princesses' Game with the Golden Apples
- The Firebird Suite: IV. The Princesses' Round
- The Firebird Suite: V. Infernal dance of Kaschchei's Subjects
- Pulcinella (Suite): I. Sinfonia (Overture)
- Pulcinella (Suite): II. Serenata
- Pulcinella (Suite): III. a) Scherzino
- Pulcinella (Suite): III. b) Allegro
- Pulcinella (Suite): III. c) Andantino
- Pulcinella (Suite): IV. Tarantella
- Pulcinella (Suite): V. Toccata
- Pulcinella (Suite): VI. Gavotta (con due variazioni)
- Pulcinella (Suite): VI. Variazione I. Allegretto
- Pulcinella (Suite): VI. Variazione II. Allegro piu tosto
- Pulcinella (Suite): VII. Vivo (Duetto)
- Pulcinella (Suite): VIII. a) Minuetto
- Pulcinella (Suite): VIII. b) Finale
- Scherzo fantastique
- Suite No.1 for Small Orchestra: I. Andante
- Suite No.1 for Small Orchestra: I. Napolitana
- Suite No.1 for Small Orchestra: III. Española
- Suite No.1 for Small Orchestra: IV. Balalaika
- Suite No.2 for Small Orchestra: I. Marche
- Suite No.2 for Small Orchestra: II. Valse
- Suite No.2 for Small Orchestra: III. Polka
- Suite No.2 for Small Orchestra: IV. Galop
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Petruschka / Symphonie in drei Sätzen (Philharmonia Slavonica feat. conductor: Hanspeter Gmür)
Released 1991
Released 1991
- Petrushka: Bild 1. Der Jahrmarkt - Fete populaire de la semaine grasse - Le tour de passe-passe
- Petrushka: Bild 1. Danse Russe
- Petrushka: Bild 2. Bei Petruschka - Chez Petrouchka
- Petrushka: Bild 3. Dei dem Mohren - Chez le maure - Danse de la ballerine
- Petrushka: Bild 3. Valse. La ballerine et le maure
- Petrushka: Bild 4. Jahrmarkt und Tod Petruschkas - Fete populaire de la semaine grasse (Vers le soir) - Danse nounous - Danse des cochers et des palefroniere - Le deguises
- Symphonie in drei Sätzen: I. Allegro
- Symphonie in drei Sätzen: II. Andante - attacca:
- Symphonie in drei Sätzen: II. Interludium - attacca:
- Symphonie in drei Sätzen: III. Con moto
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Pulcinella / Rag-Time / Renard / Wind Octet (London Sinfonietta feat. conductor: Esa-Pekka Salonen)
Released 1991
Released 1991
- Pulcinella: Overture: Allegro moderato
- Pulcinella: Serenata: Larghetto
- Pulcinella: Scherzino: Allegro
- Pulcinella: Ancora poco meno
- Pulcinella: Allegro assai
- Pulcinella: Allegro (alla breve)
- Pulcinella: Andante
- Pulcinella: Presto
- Pulcinella: Allegro - Alla breve
- Pulcinella: Tarantella
- Pulcinella: Andantino
- Pulcinella: Allegro
- Pulcinella: Gavotta con due variazioni: Allegro moderato
- Pulcinella: Vivo
- Pulcinella: Tempo di minuetto: Molto moderato
- Pulcinella: Allegro assai
- Ragtime
- Renard the Fox: Marche
- Renard the Fox: Allegro
- Renard the Fox: Meno mosso
- Renard the Fox: Salto mortale
- Renard the Fox: Con brio
- Renard the Fox: Meno mosso
- Renard the Fox: Salto mortale
- Renard the Fox: Moderato
- Renard the Fox: Scherzando
- Renard the Fox: Poco meno mosso
- Renard the Fox: Vivo
- Renard the Fox: Marche
- Wind Octet: I. Sinfonia: Lento - Allegro moderato
- Wind Octet: II. Tema con variazioni - Andantino
- Wind Octet: III. Finale: Tempo giusto
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The Firebird (London Symphony Orchestra feat. conductor: Antal Dorati)
Released 1991
Released 1991
- Fireworks, Fantasy for Orchestra
- The Firebird: I. Introduction
- The Firebird: Tableau I, The Enchanted Garden of Kastchei
- The Firebird: Appearance of the Firebird, Pursued by Prince Ivan
- The Firebird: Dance of the Firebird
- The Firebird: Capture of the Firebird by Prince Ivan
- The Firebird: Supplication of the Firebird
- The Firebird: Appearance of the Enchanted Princess
- The Firebird: The Princesses' Game with the Golden Apples (Scherzo)
- The Firebird: Sudden Appearance of Prince Ivan
- The Firebird: Khorovod (Round Dance) of the Princesses
- The Firebird: Daybreak
- The Firebird: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan
- The Firebird: Arrival of Kastchei the Immortal
- The Firebird: Dialogue of Kastchei and Prince Ivan
- The Firebird: Intercession of the Princesses
- The Firebird: Appearance of the Firebird
- The Firebird: Dance of Kastchei's Retinue, Enchanted by the Firebird
- The Firebird: Infernal Dance of All Kastchei's Subjects
- The Firebird: Lullaby (Firebird)
- The Firebird: Kastchei's Awakening
- The Firebird: Kastchei's Death; Profound Darkness
- The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing
- Tango
- Scherzo a la Russe
- The Song of the Nightingale (Symphonic Poem): I. Introduction
- The Song of the Nightingale (Symphonic Poem): II. Chinese March
- The Song of the Nightingale (Symphonic Poem): III. Song of the Nightingale
- The Song of the Nightingale (Symphonic Poem): IV. The Mechanical Nightingale's Game
- The Rite of Spring [Part I]: Introduction
- The Rite of Spring: Harbingers of Spring
- The Rite of Spring: Mock Abduction
- The Rite of Spring: Spring Rounds
- The Rite of Spring: Games of the Rival Tribes
- The Rite of Spring: Procession of the Wise Elder
- The Rite of Spring: Adoration of the Earth (Wise Elder)
- The Rite of Spring: Dance of the Earth
- The Rite of Spring [Part II]: Introduction
- The Rite of Spring: Mystic Circles of the Young Girls
- The Rite of Spring: Glorification of the Chosen One
- The Rite of Spring: Summoning of the Ancients
- The Rite of Spring: Ritual of the Ancients
- The Rite of Spring: Sacrificial Dance (Chosen One)
- Fireworks (Fantasy for Orchestra, Op. 4)
- The Firebird: Introduction
- The Firebird: The Firebird and Its Dance
- The Firebird: Variation of the Firebird
- The Firebird: Pas de Deux
- The Firebird: Scherzo (Dance of the Princesses)
- The Firebird: The Round of the Princesses
- The Firebird: Infernal Dance of King Kastchei
- The Firebird: Berceuse
- The Firebird: Finale
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Le Sacre du printemps / Pétrouchka (Israel Philharmonic Orchestra feat. conductor: Leonard Bernstein)
Released 1990
Released 1990
- Le Sacre du printemps: Partie I. Introduction
- Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)
- Le Sacre du printemps: Partie I. Jeu du rapt
- Le Sacre du printemps: Partie I. Rondes printanières
- Le Sacre du printemps: Partie I. Jeux des cités rivales
- Le Sacre du printemps: Partie I. Cortège du Sage
- Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)
- Le Sacre du printemps: Partie I. Danse de la Terre
- Le Sacre du printemps: Partie II. Introduction
- Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes
- Le Sacre du printemps: Partie II. Glorification de l'élue
- Le Sacre du printemps: Partie II. Évocation des ancêtres
- Le Sacre du printemps: Partie II. Action rituelle des ancêtres
- Le Sacre du printemps: Partie II. Danse sacrale (L'élue)
- Petrouchka: Tableau I. Fête populaire de la semaine grasse
- Petrouchka: Tableau I. Le tour de passe-passe – Danse russe
- Petrouchka: Tableau II. Chez Petrouchka
- Petrouchka: Tableau III. Chez le Maure – Danse de la Ballerine
- Petrouchka: Tableau III. Valse: La Ballerine et le Maure
- Petrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
- Petrouchka: Tableau IV. Danse des nounous
- Petrouchka: Tableau IV. L'ours et un paysan
- Petrouchka: Tableau IV. Un marchand fêtard avec deux tziganes
- Petrouchka: Tableau IV. Danse des cochers et des palefreniers
- Petrouchka: Tableau IV. Les désguisés
- Petrouchka: Tableau IV. La rixe: Le Maure et Petrouchka
- Petrouchka: Tableau IV. Mort de Petrouchka
- Petrouchka: Tableau IV. La police et le charlatan
- Petrouchka: Tableau IV. Apparition du double de Petrouchka
- Le Sacre du Printemps - The Rite of Spring 1
- Le Sacre du Printemps - The Rite of Spring 2
- Le Sacre du Printemps - The Rite of Spring 3
- Le Sacre du Printemps - The Rite of Spring 4
- Le Sacre du Printemps - The Rite of Spring 5
- Le Sacre du Printemps - The Rite of Spring 6
- Le Sacre du Printemps - The Rite of Spring 7
- Le Sacre du Printemps - The Rite of Spring 8
- Le Sacre du Printemps - The Rite of Spring 9
- Le Sacre du Printemps - The Rite of Spring 10
- Le Sacre du Printemps - The Rite of Spring 11
- Le Sacre du Printemps - The Rite of Spring 12
- Le Sacre du Printemps - The Rite of Spring 14
- Quatre Etudes pour orchestre - Rev. 1952 1
- Quatre Etudes pour orchestre - Rev. 1952 2
- Quatre Etudes pour orchestre - Rev. 1952 3
- Quatre Etudes pour orchestre - Rev. 1952 4
- Quatre Etudes pour orchestre - Rev. 1952 5
- Scherzo a la russe - Symphonic version 1944
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Pulcinella / Danses concertantes (City of London Sinfonia, feat. conductor: Richard Hickox)
Released 1990
Released 1990
- Pulcinella: I. Ouverture: Allegro moderato
- Pulcinella: II. Serenata. Larghetto "Mentra l'erbetta pasce l'agnella"
- Pulcinella: III. Scherzino. Allegro
- Pulcinella: IV. Allegro
- Pulcinella: V. Andantino
- Pulcinella: VI. Allegro
- Pulcinella: VII. Ancora poco meno "Contento forse vivere"
- Pulcinella: VIII. Allegro assai
- Pulcinella: IX. Allegro "Con queste paroline"
- Pulcinella: X. Andante "Sento dire no'nce pace"
- Pulcinella: XI. Presto "Una te fallan zemprecce"
- Pulcinella: XII. Allegro
- Pulcinella: XIII. Tarantella
- Pulcinella: XIV. Andantino "Se tu m'ami"
- Pulcinella: XV. Allegro
- Pulcinella: XIV. Gavotta con due variazioni
- Pulcinella: XVII. Vivo
- Pulcinella: XVIII. Tempo di minuetto "Pupillette fiammette d'amore"
- Pulcinella: XIX. Allegro assai
- Danses concertantes: I. Marche - Introduction
- Danses concertantes: II. Pas d'action
- Danses concertantes: III. Thème varié
- Danses concertantes: IV. Pas de deux
- Danses concertantes: V. Marche - Conclusion
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Apollon Musagete / Concerto in D (Guildhall String Ensemble)
Released 1990
Released 1990
- Concerto in D for String Orchestra: I. Vivace
- Concerto in D for String Orchestra: II. Arioso: Andantino
- Concerto in D for String Orchestra: III. Rondo: Allegro
- Double Canon ('Raoul Dufy in Memoriam')
- Three Pieces for String Quartet: No. 1
- Three Pieces for String Quartet: No. 2
- Three Pieces for String Quartet: No. 3
- Apollon Musagete: Premier Tableau: Naissance d'Apollon
- Apollon Musagete: Second Tableau: Variation d'Apollon (Apollon et les Muses)
- Apollon Musagete: Pas d'action (Apollon et les trois Muses: Calliope, Polymnie et Terpsichore)
- Apollon Musagete: Variation de Calliope (l'Alexandrin)
- Apollon Musagete: Variation de Polymnie
- Apollon Musagete: Variation de Terpsichore
- Apollon Musagete: Variation d'apollon
- Apollon Musagete: Pas de deux (Apollon et Terpsichore)
- Apollon Musagete: Coda (Apollon et les Muses)
- Apollon Musagete: Apotheose
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Oedipus Rex (London Philharmonic Orchestra & John Alldis Choir feat. conductor: Sir Georg Solti)
Released 1990
Released 1990
- Oedipus Rex: Prologue. "Ladies And Gentlemen" (Speaker)
- Oedipus Rex: Act I. "Caedit nos pestis" (Chorus)
- Oedipus Rex: Act I. "Liberi, vos liberabo" (Oedipus, Chorus)
- Oedipus Rex: Act I. "Creon, the brother-in-law of Oedipus" (Speaker)
- Oedipus Rex: Act I. "Respondit deus" (Creon)
- Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus, Chorus)
- Oedipus Rex: Act I. "Oedipus questions Tiresias" (Speaker)
- Oedipus Rex: Act I. "Delie, exspectamus Minerva filia lovis" (Chorus)
- Oedipus Rex: Act I. "Dicere non possum, dicere non licet" (Tiresius, Oedipus)
- Oedipus Rex: Act I. "Invidia fortunam odit" (Oedipus)
- Oedipus Rex: Act I. "Gloria, gloria, gloria!" (Chorus)
- Oedipus Rex: Act I. "The dispute of the princes summons Jocasta" (Speaker)
- Oedipus Rex: Act I. "Gloria, gloria, gloria!" (Chorus)
- Oedipus Rex: Act II. "Nonne erubscite, reges" (Jocasta)
- Oedipus Rex: Act II. "Trivium, trivium, trivium!" - "Pavesco subito, Jocasta" (Chorus, Oedipus, Jocasta)
- Oedipus Rex: Act II. "A messenger announces" (Speaker)
- Oedipus Rex: Act II. "Adest omniscius pastor" (Chorus, Messenger, Shephard)
- Oedipus Rex: Act II. "In monte reppertus est" (Shephard, Messenger, Oedipus)
- Oedipus Rex: Act II. "And now you will hear the messenger describe Jocaste's doom" (Speaker, Chorus)
- Oedipus Rex: Epilogue. "Divum Jocastae caput mortuum!" (Messenger, Chorus)
- Oedipus Rex: Epilogue. "Ecce! Regem Oedipoda" (Chours)
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Firebird / Petrushka / Suite No. 1 / Suite No. 2 (Belgian Radio and Television Philharmonic Orchestra feat. conductor: Alexander Rahbari)
Released 1990
Released 1990
- The Firebird: Introduction
- The Firebird: The Firebird
- The Firebird: Firebird Variation
- The Firebird: Round of the Princesses
- The Firebird: King Kastchel's Infernal Dance
- The Firebird: Lullaby
- The Firebird: Finale
- Petrushka: The Shrove-tide Fair
- Petrushka: Danse Russe
- Petrushka: Petrushka
- Petrushka: The Blackamoor
- Petrushka: Valse
- Petrushka: The Shrove - Tide Fair and Death of Petrushka
- Petrushka: Wet Nurses' Dance
- Petrushka: Peasant with Bear
- Petrushka: Gypsies and a Rake-vendor
- Petrushka: Dance of the Coachmen
- Petrushka: Masqueraders
- Suite No. 1: I. Andante
- Suite No. 1: II. Napolitana
- Suite No. 1: III. Española
- Suite No. 1: IV. Balalaika
- Suite No. 2: I. Marche
- Suite No. 2: II. Valse
- Suite No. 2: III. Polka
- Suite No. 2: IV. Galop
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Stravinsky: The Firebird / Lyadov: Baba-Yaga / Rimsky-Korsakov: Dubinushka
Released 1989
Released 1989
- The Firebird Ballet Suite: Introduction
- The Firebird Ballet Suite: Prelude and Dance of the Firebird
- The Firebird Ballet Suite: Variations (Firebird)
- The Firebird Ballet Suite: Pantomime I
- The Firebird Ballet Suite: Pas de deux (Firebird and Ivan Tsarevich)
- The Firebird Ballet Suite: Pantomime II
- The Firebird Ballet Suite: Scherzo (Dance of the Princess)
- The Firebird Ballet Suite: Pantomime III
- The Firebird Ballet Suite: Rondo (Khorovod)
- The Firebird Ballet Suite: Infernal Dance
- The Firebird Ballet Suite: Lullaby (Firebird)
- The Firebird Ballet Suite: Final Hymn
- Baba-Yaga, Op. 56
- Kikimora, Op. 63
- The Enchanted Lake, Op. 62
- Dubinushka, Op. 62
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Apollo / The Rite of Spring (City of Birmingham Symphony Orchestra feat. conductor: Sir Simon Rattle)
Released 1989
Released 1989
- Apollo: Naissance d'Apollon
- Apollo: Variation d'Apollon (Apollon et les muses)
- Apollo: Pas d'action
- Apollo: Variation de Calliope (L'Alexandrin)
- Apollo: Variation de Polymnie
- Apollo: Variation de Tepsichore
- Apollo: Variation d'Apollon
- Apollo: Pas de deux (Apollon et Terpsichore)
- Apollo: Coda (Apollon et les muses)
- Apollo: Apothéose
- The Rite of Spring, Part I (The Adoration of the Earth): Introduction, the Augurs of Spring, Dances of the Young Girls, Ritual of Abduction
- The Rite of Spring, Part I (The Adoration of the Earth): Spring Rounds, Ritual of the Rival Tribes, Procession of the Sage
- The Rite of Spring, Part I (The Adoration of the Earth): The Sage, Dance of the Earth
- The Rite of Spring, Part II (The Sacrifice): Introduction
- The Rite of Spring, Part II (The Sacrifice): Mystic Circles of the Young Girls
- The Rite of Spring, Part II (The Sacrifice): Glorification of the Chosen One, Evocation of the Ancestors, Ritual Action of the Ancestors
- The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance (The Chosen One)
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The Firebird (City of Birmingham Symphony Orchestra feat. conductor: Sir Simon Rattle)
Released 1989
Released 1989
- Ballet "The Firebird": Introduction
- Ballet "The Firebird": Dance of the Firebird
- Ballet "The Firebird": The pricesses' game with the golden apples
- Ballet "The Firebird": Sudden appearance of Ivan Tsarevich
- Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell
- Ballet "The Firebird": Lullaby
- Ballet "The Firebird": Disappearance of the palace
- Scherzo à la Russe (for jazz band)
- Four Studies (1952 version): I. Danse
- Four Studies (1952 version): II. Excentrique
- Four Studies (1952 version): III. Cantique
- Four Studies (1952 version): IV. Madrid
- Scherzo à la Russe
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The Soldier's Tale (The London Sinfonietta feat. Sting, Vanessa Redgrave, Ian McKellen, conductor: Kent Nagano)
Released 1988
Released 1988
- The Soldier's Tale: The Soldier's March - Always on Trek
- The Soldier's Tale: Airs by a Stream - A little old man approaches
- The Soldier's Tale: The Soldier's March (Reprise) - We're home at last
- The Soldier's Tale: Pastorale - Ah! You dirty cheat
- The Soldier's Tale: Pastorale (Reprise) - He took up the book
- The Soldier's Tale: Airs by a Stream (Reprise) - They have nothing
- The Soldier's Tale: Airs by a Stream (Reprise)
- The Soldier's Tale: The Soldier's March - Now he comes to another land
- The Soldier's Tale: The Royal March - They gave the word for the band to play
- The Soldier's Tale: The Little Concert
- The Soldier's Tale: Three Dances: Tango
- The Soldier's Tale: Three Dances: Waltz
- The Soldier's Tale: Three Dances: Ragtime
- The Soldier's Tale: The Devil's Dance
- The Soldier's Tale: Little Chorale
- The Soldier's Tale: The Devil's Song
- The Soldier's Tale: The Great Chorale - Suppose, suppose we went then
- The Soldier's Tale: Triumphal March of the Devil
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Symphony of Psalms, Symphony in C, Concerto in C (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 1988
Released 1988
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve - Poco meno mosso
- Symphonie de Psaumes - revised version, 1948: I. "Exaudi orationem meam"
- Symphonie de Psaumes - revised version, 1948: II. "Expectans expectavi Dominum"
- Symphonie de Psaumes - revised version, 1948: III. "Alleluia. Laudate Dominum in sanctis Ejus"
- Concerto in D for string orchestra (1946): I. Vivace
- Concerto in D for string orchestra (1946): II. Arioso. Adantino
- Concerto in D for string orchestra (1946): III. Rondo. Allegro
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The Rite of Spring / Fireworks, Op. 4 / Circus Polka / Greeting Prelude (London Philharmonic Orchestra, feat. conductor: Sir Charles Mackerras)
Released 1988
Released 1988
- The Rite of Spring: Part One, Adoration of the Earth: Introduction
- The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring - Dance of the Maidens
- The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction
- The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds
- The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes
- The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage
- The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth
- The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth
- The Rite of Spring: Part Two, The Sacrifice: Introduction
- The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens
- The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One
- The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors
- The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors
- The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One)
- Fireworks, Op. 4
- Circus Polka
- Greeting Prelude "Happy Birthday"
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Les Noces (Chœurs et solistes de l'Orchestre du Théâtre National de l'Opéra de Paris feat. conductor Pierre Boulez)
Released 1988
Released 1988
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The Rite of Spring / The Firebird Suite (feat. conductor: Simon Rattle, Antal Dorati)
Released 1988
Released 1988
- The Rite of Spring, Ballet (1913): Part I, The Adoration of the Earth: I. Introduction
- The Rite of Spring, Ballet (1913): Part I, The Adoration of the Earth: II. Dance of the Adolescents
- The Rite of Spring, Ballet (1913): Part I, The Adoration of the Earth: III. Games of Abduction
- The Rite of Spring, Ballet (1913): Part I, The Adoration of the Earth: IV. Spring Rounds
- The Rite of Spring, Ballet (1913): Part I, The Adoration of the Earth: V. Games of the Rival Cities
- The Rite of Spring, Ballet (1913): Part I,The Adoration of the Earth: VI. Procession of the Wise Man
- The Rite of Spring, Ballet (1913): Part I, The Adoration of the Earth: VII. Adoration of the Earth - Danse of the Earth
- The Rite of Spring, Ballet (1913): Part II, The Sacrifice: I. Introduction
- The Rite of Spring, Ballet (1913): Part II, The Sacrifice: II. Mysterious Rounds of the Adolescents
- The Rite of Spring, Ballet (1913): Part II, The Sacrifice: III. Glorification of the Chosen One
- The Rite of Spring, Ballet (1913): Part II, The Sacrifice: IV. Evocation of the Ancestors
- The Rite of Spring, Ballet (1913): Part II, The Sacrifice: V. Ritual of the Ancestors
- The Rite of Spring, Ballet (1913): Part II, The Sacrifice: VI. Sacrificial Dance of the Chosen One
- The Firebird, Ballet (1910):Introduction
- The Firebird, Ballet (1910): Scene I: Kashchei's Enchanted Garden
- The Firebird, Ballet (1910): Scene I: Appearance of the Firebird pursued by Ivan Tasrevich
- The Firebird, Ballet (1910): Scene I: Dance of the Firebird
- The Firebird, Ballet (1910): Scene I: Ivan Tsarevich captures the Firebird
- The Firebird, Ballet (1910): Scene I: Supplication of the Firebird
- The Firebird, Ballet (1910): Scene I: Appearance of the Thirteen Enchanted Princesses
- The Firebird, Ballet (1910): Scene I: Princesses' Game with the Golden Apples (Scherzo)
- The Firebird, Ballet (1910): Scene I: Sudden Appearance of Ivan Tsarevich
- The Firebird, Ballet (1910): Scene I: The Princesses' Khorovod (Round Dance)
- The Firebird, Ballet (1910): Scene I: Daybreak
- The Firebird, Ballet (1910): Scene I: Magic Carillon - Appearance of Kascheis's Guardian Monsters and Capture of Ivan Tsarevich
- The Firebird, Ballet (1910): Scene I: Arrival of Kaschei the Immortal
- The Firebird, Ballet (1910): Scene I: His Dialogue with Ivan Tsarevich
- The Firebird, Ballet (1910): Scene I: Intercession of the Princesses
- The Firebird, Ballet (1910): Scene I: Appearance of the Firebird
- The Firebird, Ballet (1910): Scene I: Dance of Kaschei's Retinue under the Firebird's
- The Firebird, Ballet (1910): Scene I: Infernal Dance of all Kaschei's Subjects
- The Firebird, Ballet (1910): Scene I: The Firebird's Lullaby
- The Firebird, Ballet (1910): Scene I: Kaschei's Awakening
- The Firebird, Ballet (1910): Scene I: Kaschei's Death - Eclipse
- The Firebird, Ballet (1910): Scene II: Disappearance of the Palace and Dissolution of Kaschei's Enchantments - Animation of the Petrified Warriors - General Thanksgiving
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The Firebird / Jeu De Cartes (The Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen)
Released 1988
Released 1988
- The Firebird: Introduction
- The Firebird: Kashchei's Enchanted Garden
- The Firebird: The Firebird Appears, Pursued by Prince Ivan
- The Firebird: Dance of the Firebird
- The Firebird: The Firebird Is Captured by Prince Ivan
- The Firebird: The Firebird's Pleading
- The Firebird: Appearance of the Thirteen Enchanted Princesses
- The Firebird: The Princesses Play With the Golden Apples
- The Firebird: Prince Ivan Suddenly Appears
- The Firebird: Khorovod (Round dance) Of the Princesses
- The Firebird: Daybreak
- The Firebird: Prince Ivan Enters Kashchei's Palace
- The Firebird: Arrival of Kashchei the Immortal
- The Firebird: Dialogue Between Kashchei and Prince Ivan
- The Firebird: The Princesses' Intercede
- The Firebird: The Firebird Appears
- The Firebird: Dance of Kashchei's Court
- Ithe Firebird: Infernal Dance of Kashchei's Subjects
- The Firebird: Lullaby (The Firebird)
- The Firebird: Kashchei Awakens
- The Firebird: Death of Kashchei
- The Firebird: The Palace and Creatures of Kashchei Disappear
- Jeu De Cartes: First Deal
- Jeu De Cartes: Second Deal
- Jeu De Cartes: Thrid Deal
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Petrouchka / The Firebird Suite (Radio Luxembourg Symphony Orchestra feat. conductor: Pierre Cao)
Released 1988
Released 1988
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Petrushka / The Rite of Spring (Royal Philharmonic Orchestra feat. conductor: Yuri Temirkanov)
Released 1988
Released 1988
- Petrushka, Scene I: The Shrove-tide Fair: I. Vivace
- Petrushka, Scene I: The Shrove-tide Fair: II. Russian Dance
- Petrushka, Scene II: Petrushka's Room
- Petrushka, Scene III: The Moor's Room: I. L'istesso tempo
- Petrushka, Scene III: The Moor's Room: II. Valse
- Petrushka, Scene IV: The Fair (towards evening): I. Tempo guisto
- Petrushka, Scene IV: The Fair (towards evening): II. Wet-Nurses' Dance
- Petrushka, Scene IV: The Fair (towards evening): III. Peasant with Bear
- Petrushka, Scene IV: The Fair (towards evening): IV. Gypsies and a Rake Vendor
- Petrushka, Scene IV: The Fair (towards evening): V. Dance of the Coachmen
- Petrushka, Scene IV: The Fair (towards evening): VI. Masqueraders
- Petrushka, Scene IV: The Fair (towards evening): VII. The Scuffle
- Petrushka, Scene IV: The Fair (towards evening): VIII. Death of Petrouchka
- Petrushka, Scene IV: The Fair (towards evening): IX. Police and the Juggler
- Petrushka, Scene IV: The Fair (towards evening): X. Apparition of Petrouchka's Double
- The Rite of Spring, Part I: Adoration of the Earth: I. Introduction
- The Rite of Spring, Part I: Adoration of the Earth: II. Harbingers of Spring (Dances of the Young Girls and Boys)
- The Rite of Spring, Part I: Adoration of the Earth: III. Mock Abduction
- The Rite of Spring, Part I: Adoration of the Earth: IV. Spring Rounds
- The Rite of Spring, Part I: Adoration of the Earth: V. Games of the Rival Tribes
- The Rite of Spring, Part I: Adoration of the Earth: VI. Procession of the Wise Elder
- The Rite of Spring, Part I: Adoration of the Earth: VII. Adoration of the Earth (Wise Elder)
- The Rite of Spring, Part I: Adoration of the Earth: VIII. Dance of the Earth
- The Rite of Spring, Part II: The Sacrifice: I. Introduction
- The Rite of Spring, Part II: The Sacrifice: II. Mystical Circles of the Young Girls
- The Rite of Spring, Part II: The Sacrifice: III. Glorification of the Chosen One
- The Rite of Spring, Part II: The Sacrifice: IV. Summoning of the Ancestors
- The Rite of Spring, Part II: The Sacrifice: V. Ritual of the Ancestors
- The Rite of Spring, Part II: The Sacrifice: VI. Sacrificial Dance (The Chosen One)
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Les Noces / Mass (Trinity Boys' Choir, English Bach Festival Chorus & Members of the English Bach Festival Orchestra feat. conductor: Leonard Bernstein)
Released 1988
Released 1988
- The Wedding: Part I, Scene 1. The Tresses
- The Wedding: Part I, Scene 2. At the Bridegroom's House
- The Wedding: Part I, Scene 3. The Departure of the Bride
- The Wedding: Part II, Scene 4. The Wedding Feast
- Mass: Kyrie
- Mass: Gloria
- Mass: Credo
- Mass: Sanctus
- Mass: Agnus Dei
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Petrushka, Les Noces (Czech Philharmonic Orchestra feat. conductor: Karel Ancerl)
Released 1987
Released 1987
- Petrushka: Carnival Night at the Admiralty Square
- Petrushka: Russian Dance
- Petrushka: Petrushka at Home
- Petrushka: The Moor at Home
- Petrushka: Waltz
- Petrushka: Shrovetide Fair, Towards Evening
- Petrushka: Dance of Nannies
- Petrushka: The Peasant with the Bear
- Petrushka: The Merchant and the Gypsies
- Petrushka - Dance of the Coachmen
- Petrushka: Masquerades
- Petrushka: Entrance of Petrushka followed by the Moor
- Petrushka: Petrushka's Death
- Petrushka: The Guard and the Juggler
- Petrushka: The Ghost of Petrushka
- Les Noces: The Braid
- Les Noces: The Bridegroom at Home
- Les Noces: Bridal Cortège
- Les Noces: The Wedding Feast
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Petrouchka - Firebird Suite (Orchestre National De Lille, Casadesus, cond.)
Released 1987
Released 1987
- Petroushka : Premièr tableau - The Shrovetide Fair; Russian Dance
- Petrouchka : Second tableau - Petrouchka's Cell
- Petrouchka: Troisième tableau - The Blackamoor; Waltz (The Ballerina and the Moor)
- Petrouchka : Quatrième tableau
- The Firebird (suite 1919): Introduction - The Firebird's Dance - Variation of the Firebird
- The Firebird (suite 1919): Round of the Princesses
- The Firebird (suite 1919): Katschel's Infernal dance - Lullaby - Finale
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Petrouchka / Le Chant du rossignol (Orchestre Symphonique de Montreal feat. conductor: Charles Dutoir)
Released 1987
Released 1987
- Pétrouchka: Tableau I. Fête populaire de la Semaine grasse
- Pétrouchka: Tableau II. Chez Pétrouchka
- Pétrouchka: Tableau III. Chez le Maure
- Pétrouchka: Tableau IV. Fête populaire de la Semaine grasse (vers le soir)
- Le Chant du rossignol: I. Presto
- Le Chant du rossignol: II. Marche chinoise
- Le Chant du rossignol: III. Jeu du rossignol mécanique
- Quatre études: I. Danse
- Quatre études: II. Excentrique
- Quatre études: III. Cantique
- Quatre études: IV. Madrid
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Le Sacre Du Printemps / L'Oiseau De Feu / Pétrouchka (piano 2 hands)
Released 1987
Released 1987
- Le Sacre Du Printemps: L'Adoration De La Terre (piano: Dag Achatz)
- Le Sacre Du Printemps: Le Sacrifice (piano: Dag Achatz)
- L'Oiseau De Feu: Danse De L'Oiseau De Feu (piano: Dag Achatz)
- L'Oiseau De Feu: Ronde De Princesses (piano: Dag Achatz)
- L'Oiseau De Feu: Danse Infernale (piano: Dag Achatz)
- L'Oiseau De Feu: Berceuse (piano: Dag Achatz)
- L'Oiseau De Feu: Finale (piano: Dag Achatz)
- 3 Mouvements De Pétrouchka: Danse Russe (piano: Roland Pöntinen)
- 3 Mouvements De Pétrouchka: Chez Pétrouchka (piano: Roland Pöntinen)
- 3 Mouvements De Pétrouchka: La Semaine Grasse (piano: Roland Pöntinen)
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The Firebird Suite / Le Sacre du Printemps (London Symphony Orchestra feat. conductor: Claudio Abbado)
Released 1987
Released 1987
- The Firebird Suite: Introduction
- The Firebird Suite: Variation of the Firebird
- The Firebird Suite: The Princesses' Round
- The Firebird Suite: Infernal Dance of King Kashchei
- The Firebird Suite: Lullaby
- The Firebird Suite: Finale
- Le Sacre du Printemps; Part I: Introduction
- Le Sacre du Printemps; Part I: Dance of the Young Girls
- Le Sacre du Printemps; Part I: Mock Abduction
- Le Sacre du Printemps; Part I: Spring Round Dances
- Le Sacre du Printemps; Part I: Games of the Rival Tribes
- Le Sacre du Printemps; Part I: Dance of the Earth
- Le Sacre du Printemps; Part II: Introduction (Largo) Part 2
- Le Sacre du Printemps; Part II: Mystical Circles of the Young Girls
- Le Sacre du Printemps; Part II: Glorification of the Chosen Victim
- Le Sacre du Printemps; Part II: Ritual of the Ancestors
- Le Sacre du Printemps; Part II: Sacrifical Dance. The Chosen Victim
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Le Sacre du printemps / Apollo (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 1986
Released 1986
- Le Sacre du printemps, Part I (L'Adoration de la terre): I. Introduction
- Le Sacre du printemps, Part I (L'Adoration de la terre): II. Les Augures printaniers (Danses des adolescentes)
- Le Sacre du printemps, Part I (L'Adoration de la terre): III. Jeu du rapt
- Le Sacre du printemps, Part I (L'Adoration de la terre): IV. Rondes printanières
- Le Sacre du printemps, Part I (L'Adoration de la terre): V. Jeu des cités rivales
- Le Sacre du printemps, Part I (L'Adoration de la terre): VI. Cortège du sage
- Le Sacre du printemps, Part I (L'Adoration de la terre): VII. Adoration de la serre (Le Sage)
- Le Sacre du printemps, Part I (L'Adoration de la terre): VIII. Danse de la terre
- Le Sacre du printemps, Part II (Le Sacrifice): I. Introduction
- Le Sacre du printemps, Part II (Le Sacrifice): II. Cercles mystérieux des adolescentes
- Le Sacre du printemps, Part II (Le Sacrifice): III. Glorification de l'élue
- Le Sacre du printemps, Part II (Le Sacrifice): IV. Évocation des ancêtres
- Le Sacre du printemps, Part II (Le Sacrifice): V. Action rituelle des ancêtres
- Le Sacre du printemps, Part II (Le Sacrifice): VI. Danse sacrale (L'Élue)
- Apollo (Apollon musagète), Part I (Prologue): Naissance d'Apollon
- Apollo (Apollon musagète), Part II: I. Variation d'Apollon (Apollon et les muses)
- Apollo (Apollon musagète), Part II: II. Pas d'action (Apollon et les trois muses: Calliope, Polymnie et Terpsichore)
- Apollo (Apollon musagète), Part II: III. Variation de Calliope (L'Alexandrin)
- Apollo (Apollon musagète), Part II: IV. Variation de Polymnie
- Apollo (Apollon musagète), Part II: V. Variation de Terpsichore
- Apollo (Apollon musagète), Part II: VI. Variation d'Apollon
- Apollo (Apollon musagète), Part II: VII. Pas de deux (Apollon et Terpsichore)
- Apollo (Apollon musagète), Part II: VIII. Coda (Apollon et les muses)
- Apollo (Apollon musagète), Part II: IX. Apothéose
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The Soldier's Tale (Scottish Chamber Orchestra feat. conductor: Lionel Friend, narrator: Christopher Lee)
Released 1986
Released 1986
- The Soldier's Tale: Part I. The Soldier's March
- The Soldier's Tale: Part I. By the Banks of a Stream
- The Soldier's Tale: Part I. Airs by a Stream...
- The Soldier's Tale: Part I. The Devil Enters...
- The Soldier's Tale: Part I. The Soldier's March
- The Soldier's Tale: Part I. The Soldier Returns to His Homeland
- The Soldier's Tale: Part I. Pastorale
- The Soldier's Tale: Part I. The Soldier Confronts the Devil
- The Soldier's Tale: Part I. Little Pastorale
- The Soldier's Tale: Part I. The Soldier Exploits His Acquisition Greedily but Soon Comes to Realise His Foolishness
- The Soldier's Tale: Part I. Airs by a Stream: The Soldier Reminisces
- The Soldier's Tale: Part I. He Regains His Violin...
- The Soldier's Tale: Part I. Little Airs by a Stream
- The Soldier's Tale: Part II. The Soldier's March
- The Soldier's Tale: Part II. The Soldier Travels Afar...
- The Soldier's Tale: Part II. Royal March
- The Soldier's Tale: Part II. The Soldier Visits the King
- The Soldier's Tale: Part II. The Soldier Plays Cards With the Devil
- The Soldier's Tale: Part II. Little Concert
- The Soldier's Tale: Part II. The Princess Dances: A Tango, a Waltz, a Ragtime
- The Soldier's Tale: Part II. The Devil's Dance
- The Soldier's Tale: Part II. Little Chorale and the Devil's Song
- The Soldier's Tale: Part II. Grand Chorales...
- The Soldier's Tale: Part II. The Devil's Triumphant March
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Firebird Suite / Pulcinella Suite (Israel Philharmonic Orchestra feat. conductor: Leonard Bernstein)
Released 1985
Released 1985
- Firebird - I. Introduction
- Firebird - II. L'oiseau de feu et sa danse
- Firebird - III. Variation de l'oiseau de feu
- Firebird - IV. Rondes des princesses
- Firebird - V. Danse infernale du roi Kastcheï
- Firebird - VI. Berceuse
- Firebird - VII. Final
- Pulcinella - I. Sinfonia (Ouverture): Allegro moderato
- Pulcinella - II. Serenata: Larghetto
- Pulcinella - III. a) Scherzino, b) Allegro, c) Andantino
- Pulcinella - IV. Tarantella (88 bpm)
- Pulcinella - V. Toccata: Allegro
- Pulcinella - VI. Gavotta: Allegro moderato, Variazione Ia: Allegretto, Variazione IIa: Allegro piú tosto moderato
- Pulcinella - VII. Vivo
- Pulcinella - VIII. a) Minuetto, b) Finale
- The Firebird - Introduction
- The Firebird and Its Dance
- Variations of the Firebird
- The Princesses' Round
- Infernal Dance of King Kashchei
- Lullaby
- Finale
- I. Symphony in Three Movements
- II. Andante
- Interlude: L'istesso tempo
- III. Con moto
- Scenes de Ballet - Introduction
- Danses (Corps de ballet)
- Variation (Ballerine)
- Pantomime
- Pas de deux
- Pantomime
- Variation (Danseur)
- Variation (Ballerine)
- Pantomime
- Danses (Corps de ballet)
- Apotheose
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Prokofiev - Lieutenant Kije Suite, Love for Three Oranges Suite / Stravinsky - Suites Nos. 1 and 2 for Small Orchestra (Dallas Symphony Orchestra feat. conductor: Eduardo Mata)
Released 1984
Released 1984
- Love for Three Oranges Suite, Op. 33-bis: I. The Eccentrics
- Love for Three Oranges Suite, Op. 33-bis: II. Infernal Scene
- Love for Three Oranges Suite, Op. 33-bis: III. March
- Love for Three Oranges Suite, Op. 33-bis: IV. Scerzo
- Love for Three Oranges Suite, Op. 33-bis: V. The Prince and the Princess
- Love for Three Oranges Suite, Op. 33-bis: VI. The Flight
- Lieutenant Kijé Suite, Op. 60: I. The Birth of Kijé
- Lieutenant Kijé Suite, Op. 60: II. Romance
- Lieutenant Kijé Suite, Op. 60: III. Kijé's Weeding
- Lieutenant Kijé Suite, Op. 60: IV. Troika
- Lieutenant Kijé Suite, Op. 60: V. The Burial of Kijé
- Suite No.1 for Small Orchestra: I. Andante
- Suite No.1 for Small Orchestra: II. Napolitana
- Suite No.1 for Small Orchestra: III. Espanola
- Suite No.1 for Small Orchestra: IV. Balalaika
- Suite No.2 for Small Orchestra: I. March
- Suite No.2 for Small Orchestra: II. Waltz
- Suite No.2 for Small Orchestra: III. Polka
- Suite No.2 for Small Orchestra: IV. Galop
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The Firebird (Detroit Symphony Orchestra, conductor: Antal Doráti)
Released 1984
Released 1984
- L'Oiseau de feu: Introduction
- L'Oiseau de feu: Tableau I: Le jardin enchanté de Kastchei
- L'Oiseau de feu: Tableau I: Apparition de l'oiseau de feu poursuivi par Ivan Tsarévitch
- L'Oiseau de feu: Tableau I: Danse de l'oiseau de feu
- L'Oiseau de feu: Tableau I: Capture de l'oiseau de feu par Ivan Tsarévitch
- L'Oiseau de feu: Tableau I: Supplications de l'oiseau de feu / Apparition des treize princesses enchantées
- L'Oiseau de feu: Tableau I: Jeu des princesses avec les pommes d'or (scherzo)
- L'Oiseau de feu: Tableau I: Brusque apparition d'Ivan Tsarévitch
- L'Oiseau de feu: Tableau I: Corovod (ronde) des princesses
- L'Oiseau de feu: Tableau I: Lever du jour (Ivan Tsarévitch pénètre dans le palais de Kastchei)
- L'Oiseau de feu: Tableau I: Carillon féerique / Apparition des monstres-gardiens de Kastchei / Capture d'Ivan Tsarévitch / Intercession des princesses
- L'Oiseau de feu: Tableau I: Danse de la suite de Kastchei enchantée par l'oiseau de feu
- L'Oiseau de feu: Tableau I: Danse infernale de tous les sujets de Kastchei
- L'Oiseau de feu: Tableau I: Berceuse (l'oiseau de feu) / Reveil de Kastchei / Mort de Kastchei (profonds ténèbres)
- L'Oiseau de feu: Tableau II: Disparition du palais et des sortilèges de Kastchei / Animation des chevaliers petrifiés / Allégresse générale
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Violin Concertos (Boston Symphony Orchestra feat. conductor: Seiji Ozawa, violin: Itzhak Perlman)
Released 1984
Released 1984
- Violin Concerto "To the Memory of an Angel": I. Andante - Allegro
- Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio
- Violin Concerto in D major: I. Toccata
- Violin Concerto in D major: II. Aria I
- Violin Concerto in D major: III. Aria II
- Violin Concerto in D major: IV. Capriccio
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Le Sacre de Printemps (Cleveland Orchestra feat. conductor: Pierre Boulez)
Released 1982
Released 1982
- Part 1, L'Adoration de la terre: Introduction
- Part 1, L'Adoration de la terre: Danses des adolescentes
- Part 1, L'Adoration de la terre: Jeu du rapt
- Part 1, L'Adoration de la terre: Rondes printanières
- Part 1, L'Adoration de la terre: Jeux des cités rivales
- Part 1, L'Adoration de la terre: Cortège du sage
- Part 1, L'Adoration de la terre: L'Adoration de la terre
- Part 1, L'Adoration de la terre: Danse de la terre
- Part 2, Le Sacrifice: Introduction
- Part 2, Le Sacrifice: Cercles mystérieux des adolescentes
- Part 2, Le Sacrifice: Glorifiaction de l'élue
- Part 2, Le Sacrifice: Evocation des ancêtres
- Part 2, Le Sacrifice: Action rituelle des ancêtres
- Part 2, Le Sacrifice: Danse sacrale—L'élue
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Bartok Music for Strings, Percussion, and Celesta / Stravinsky Apollo (Berlin Philharmonic Orchestra cond. Herbert von Karajan)
Released 1980
Released 1980
- Music for Strings, Percussion and Celesta - 1. Andante tranquillo
- Music for Strings, Percussion and Celesta - 2. Allegro
- Music for Strings, Percussion and Celesta - 3. Adagio
- Music for Strings, Percussion and Celesta - 4. Allegro Molto
- Apollo (Apollon Musagete)
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The Rite of Spring (The Philadelphia Orchestra feat. conductor: Riccardo Muti)
Released 1979
Released 1979
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Stravinsky: The Firebird / Borodin: Music from Prince Igor (Atlanta Symphony Orchestra & Chorus, feat. conductor Robert Shaw)
Released 1978
Released 1978
- The Firebird (Suite, 1919 Version): Introduction - The Firebird and Her Dance - Round Dance of the Princesses - Infernal Dance of King Kastchei - Berceuse - Finale
- Music from Prince Igor: Overture
- Music from Prince Igor: Polovetsian Dances (with chorus)
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The Rite of Spring / King of the Stars (Boston Symphony Orchestra Cond. Michael Tilson Thomas)
Released 1972
Released 1972
- King of the Stars
- The Rite of Spring - The Adoration of the Earth
- The Rite of Spring - The Sacrifice
- Night on the Bare Mountain
- Marche Slave, Op. 31.
- Firebird Suite: Introduction
- Firebird Suite: Dance of the Firebird
- Firebird Suite: Round Dance of the Princesses
- Firebird Suite: Dance Infernal of King Kastchei
- Firebird Suite: Lullaby
- Firebird Suite: Finale
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Violin Concertos (Concertgebouw Orchestra feat. conductor: Ernest Bour, Igor Markevitch, violin: Arthur Grumiaux)
- Concerto for Violin and Orchestra "To the Memory of an Angel": I. Andante - Allegro
- Concerto for Violin and Orchestra "To the Memory of an Angel": II. Allegro - Adagio
- Concerto for Violin and Orchestra in D: I. Toccata
- Concerto for Violin and Orchestra in D: II. Aria I
- Concerto for Violin and Orchestra in D: III. Aria II
- Concerto for Violin and Orchestra in D: IV. Capriccio
- Sonata in B minor
- I. Danse russe
- II. Chez Petrouchka
- III. La Semaine grasse
- Hungarian Rhapsody No. 2
- Fête Populaire de la Semaine Grasse - Dance Russe
- Deuxième Tableau
- Troisième Tableau
- QuatrièmeTableau
- Premiére Partie - L'Adoration de la Terre
- Second Partie - Le Sacrifice Danse Sacrale
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Bartok: Divertimento / Berg: Lyric Suite / Stravinsky: Apollon Musagète (Camarata Academica Salzburg feat. conductor: Sándor Végh)
- Divertimento SZ 113: I. Allegro non troppo
- Divertimento SZ 113: II. Molto Adagio
- Divertimento SZ 113: III. Allegro Assai
- Lyric Suite: I. Andante amoroso
- Lyric Suite: II. Allegro misterioso
- Lyric Suite: III. Adagio
- Apollon Musagète: I. Premier tableau: Naissance d'Appolon
- Apollon Musagète: II. Variation
- Apollon Musagète: III. Pas d'action
- Apollon Musagète: IV. Variation
- Apollon Musagète: V. Variation
- Apollon Musagète: VI. Variation
- Apollon Musagète: VII. Variation
- Apollon Musagète: VII. Pas de deux
- Apollon Musagète: IX. Coda
- Apollon Musagète: X. Apothéose
- Pétrouchka - Premier Tableau
- Pétrouchka - Deuxième Tableau
- Pétrouchka - Troisième Tableau
- Pétrouchka - Quatrième Tableau
- Le Chant du Rossignol - presto
- Le Chant du Rossignol - Marche chinoise
- Le Chant du Rossignol - Chant du Rossignol
- Le Chant du Rossignol - Jeu du Rossignol mécanique
- Feu d'artifice
- The Firebird Suite (1919) - Introduction: The Firebird and Its Dance
- The Firebird Suite (1919) - Variation of the Firebird
- The Firebird Suite (1919) - The Princesses' Round
- The Firebird Suite (1919) - Infernal Dance of King Kastchei
- The Firebird Suite (1919) - Lullaby
- The Firebird Suite (1919) - Finale
- Le Sacre du Printemps, Part I: The Adoration of the Earth - Introduction: Lento
- Le Sacre du Printemps, Part I: The Adoration of the Earth - The Augurs of Spring; Dance of the Young Girls
- Le Sacre du Printemps, Part I: The Adoration of the Earth - Mock Abduction
- Le Sacre du Printemps, Part I: The Adoration of the Earth - Spring Round Dances
- Le Sacre du Printemps, Part I: The Adoration of the Earth - Games of the Rival Tribes; Procession of the Wise Elder; Adoration
- Le Sacre du Printemps, Part I: The Adoration of the Earth - Dance of the Earth
- Le Sacre du Printemps, Part II: The Sacrifice - Introduction: Largo
- Le Sacre du Printemps, Part II: The Sacrifice - Mystical Circles of the Young Girls
- Le Sacre du Printemps, Part II: The Sacrifice - Glorification of the Chosen Victim; Summoning of the Ancestors
- Le Sacre du Printemps, Part II: The Sacrifice - Ritual of the Ancestors
- Le Sacre du Printemps, Part II: The Sacrifice - Sacrificial Dance: The Chosen Victim
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Stravinsky: Petrouchka - Concerto for 2 Pianos - 8 Easy Pieces (feat. Katia & Marielle Labeque, pianos)
- Concerto for Two Pianos - 1. Con moto
- Concerto for Two Pianos - 2. Notturno (Adagietto)
- Concerto for Two Pianos - 3. Quattro variazioni
- Concerto for Two Pianos - 4. Preludio e Fuga
- Three Movements from "Petrouchka" (for two pianos) - 1. Russian Dance
- Three Movements from "Petrouchka" (for two pianos) - 2. In Petrouchka's Booth
- Three Movements from "Petrouchka" (for two pianos) - 3. The Shrovetide Fair
- Five Easy Pieces for Piano Duet - 1. Andante
- Five Easy Pieces for Piano Duet - 2. Española
- Five Easy Pieces for Piano Duet - 3. Balalaïka
- Five Easy Pieces for Piano Duet - 4. Napolitana
- Five Easy Pieces for Piano Duet - 5. Galop
- Three Easy Pieces for Piano Duet - 1. March
- Three Easy Pieces for Piano Duet - 2. Waltz
- Three Easy Pieces for Piano Duet - 3. Polka
- Le Sacre du Printemps: Part I, Introduction
- Le Sacre du Printemps: Part I, Les Augures Printenieres Danses des adolescentes
- Le Sacre du Printemps: Part I, Jeu de Rapt
- Le Sacre du Printemps: Part I, Rondes Printanieres
- Le Sacre du Printemps: Part I, Jeux des Cites Rivales
- Le Sacre du Printemps: Part I, Cortege du Sage
- Le Sacre du Printemps: Part I, Adoration de la Terre Le Sage
- Le Sacre du Printemps: Part I, Danse de la Terre
- Le Sacre du Printemps: Part II, Introduction
- Le Sacre du Printemps: Part II, Cercles Mysterieux des Adolescentes
- Le Sacre du Printemps: Part II, Glorification de l' Elue
- Le Sacre du Printemps: Part II, Evocation de Ancetres
- Le Sacre du Printemps: Part II, Action Rituelle de Ancetres
- Le Sacre du Printemps: Part II, Danse Sacrale l'Elue
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The Firebird (Complete Ballet) / Scherzo à la russe (Berliner Philharmoniker feat. conductor Bernard Haitink)
- The Firebird: I. Introduction
- The Firebird: Tableau I, The Enchanted Garden of Kastchei
- The Firebird: Appearance of the Firebird, Pursued by Prince Ivan
- The Firebird: Dance of the Firebird
- The Firebird: Capture of the Firebird by Prince Ivan
- The Firebird: Supplication of the Firebird
- The Firebird: The Princesses' Game with the Golden Apples
- The Firebird: Sudden Appearance of Prince Ivan
- The Firebird: Khorovod (Round Dance) of the Princesses
- The Firebird: Daybreak
- The Firebird: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan
- The Firebird: Dance of Kastchei's Retinue, Enchanted by the Firebird
- The Firebird: Infernal Dance of All Kastchei's Subjects
- The Firebird: Lullaby
- The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing
- Scherzo à la russe
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The Rite of Spring / Petrushka / The Firebird / Apollo (City of Birmingham Symphony Orchestra feat. conductor: Sir Simon Rattle, piano: Peter Donohoe)
- The Firebird: Introduction
- The Firebird: Part 1: The Enchanted Garden of Kashchei
- The Firebird: Part 1: Appearance of the Firebird, Pursued by Prince Ivan
- The Firebird: Part 1: Dance of the Firebird
- The Firebird: Part 1: Capture of the Firebird by Prince Ivan
- The Firebird: Part 1: Supplication of the Firebird
- The Firebird: Part 1: Appearance of the Thirteen Enchanted Princesses
- The Firebird: Part 1: The Princesses' Game with the Golden Apples (Scherzo)
- The Firebird: Part 1: Sudden Appearance of Prince Ivan
- The Firebird: Part 1: Khorovod (Round Dance) of the Princesses
- The Firebird: Part 1: Daybreak
- The Firebird: Part 1: Ivan Tsarevich Enters Kashchey's Palace
- The Firebird: Part 1: Magic Carillon, Appearance of Kashchei's Monster Guardians, and Capture of Prince Ivan
- The Firebird: Part 1: Arrival of Kashchei, The Immortal
- The Firebird: Part 1: Dialogue of Kashchei and Prince Ivan
- The Firebird: Part 1: Intercession of the Princesses
- The Firebird: Part 1: Appearance of the Firebird
- The Firebird: Part 1: Dance of Kashchei's Retinue, Enchanted by the Firebird
- The Firebird: Part 1: Infernal Dance of All Kashchei's Subjects
- The Firebird: Part 1: Lullaby
- The Firebird: Part 1: Kashchei's Awakening
- The Firebird: Part 1: Kashchei's Death
- The Firebird: Part 1: Profound Darkness
- The Firebird: Part 2: Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing
- Apollo: Part 1: Prologue: The Birth of Apollo
- Apollo: Part 2: Apollo's Variation: Apollo and the Muses
- Apollo: Part 2: Pas d'action: Apollo and the Three Muses: (Calliope, Polyhymnia and Terpsichore)
- Apollo: Part 2: Variation of Calliope: Alexandrine
- Apollo: Part 2: Variation of Polyhymnia
- Apollo: Part 2: Variation of Terpsichore
- Apollo: Part 2: Variation of Apollo
- Apollo: Part 2: Pas de deux: Apollo and Terpsichore
- Apollo: Part 2: Coda Apollo and the Muses
- Apollo: Part 2: Apotheosis
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The Firebird Suite / The Song of the Nightingale / The Rite of Spring (Minnesota Orchestra feat. conductor: Eiji Oue)
- The Firebird Suite (1919 Revision)
- The Song of the Nightingale
- The Rite of Spring - Adoration of the Earth
- The Rite of Spring - The Sacrifice
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Le Sacre Du Printemps (New York Philharmonic feat. conductor: Zubin Mehta)
- Le Sacre Du Printemps: Part 1. The Adoration of the Earth
- Le Sacre Du Printemps: Part 2. The Sacrifice
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The Rite of Spring / Card Game / Concerto in D Major (BRT Philharmonic Orchestra)
- The Rite of Spring - Part I - The Adoration of the Earth
- The Rite of Spring - Part II - The Sacrifice
- Card Game - First Deal
- Card Game - Second Deal
- Card Game - Third Deal
- Concerto in D Major - 01 - Vivace
- Concerto in D Major - 02 - Arioso
- Concerto in D Major - 03 - Rondo
- Le Sacre du Printemps - L'adoration de la terre - Introduction
- Le Sacre du Printemps - L'adoration de la terre - Augures Printanniers - Danse des adolescentes
- Le Sacre du Printemps - L'adoration de la terre - Jeu du rapt
- Le Sacre du Printemps - L'adoration de la terre - Rondes printanières
- Le Sacre du Printemps - L'adoration de la terre - Jeu des cités rivales
- Le Sacre du Printemps - L'adoration de la terre - Cortège du sage
- Le Sacre du Printemps - L'adoration de la terre - Danse de la terre
- Le Sacre du Printemps - Le grand Sacrifice - Introduction
- Le Sacre du Printemps - Le grand Sacrifice - Cercle mystérieux des adolescentes
- Le Sacre du Printemps - Le grand Sacrifice - Glorification de l'élue
- Le Sacre du Printemps - Le grand Sacrifice - Évocation des ancêtres
- Le Sacre du Printemps - Le grand Sacrifice - Action rituelle des ancêtres
- Le Sacre du Printemps - Le grand Sacrifice - Danse sacrale
- Petrouchka - Tableau 1 - Introduction à la foire du Mardi-Gras
- Petrouchka - La cabine du charlatan
- Petrouchka - Danse Russe
- Petrouchka - Tableau 2 - Chez Petrouchka
- Petrouchka - Tableau 3 - Chez le Maure
- Petrouchka - Danse de la ballerine
- Petrouchka - Valse de la ballerine et du Maure
- Petrouchka - Tableau 4 - La foire du Mardi-Gras (la nuit)
- Petrouchka - Danse des infirmières humides
- Petrouchka - Le paysan et son ours dansant
- Petrouchka - Le joyeux négociant et deux Bohémiennes
- Petrouchka - Danse des personnalités et de leurs suivants
- Petrouchka - Les artistes de théâtre
- Petrouchka - Le combat entre le Maure et Petrouchka
- Petrouchka - Mort de petrouchka
- Petrouchka - Vision du fantôme de Petrouchka
- [applaudissements]
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Capriccio / Symphonies of Wind Instruments / Concerto / Movements (London Sinfonietta feat. conductor: Esa-Pekka Salonen, piano: Paul Crossley)
- Capriccio for Piano and Orchestra: I. Presto
- Capriccio for Piano and Orchestra: II. Andante rapsodico
- Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto
- Symphonies of Wind Instruments (1947 version)
- Concerto for Piano and Wind Instruments: I. Largo - Allegro
- Concerto for Piano and Wind Instruments: II. Largo
- Concerto for Piano and Wind Instruments: III. Allegro
- Movements for Piano and Orchestra: I
- Movements for Piano and Orchestra: II
- Movements for Piano and Orchestra: III
- Movements for Piano and Orchestra: IV
- Movements for Piano and Orchestra: V
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L'Oiseau de feu / Feu d'artifice / Quatre Etudes pour orchestre (Chicago Symphony Orchestra feat. conductor: Pierre Boulez)
- L'Oiseau de feu: Introduction
- L'Oiseau de feu, Premier Tableau: Le Jardin enchanté de Kachtcheï
- L'Oiseau de feu, Premier Tableau: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch
- L'Oiseau de feu, Premier Tableau: Danse de l'Oiseau de feu
- L'Oiseau de feu, Premier Tableau: Capture de l'Oiseau de feu par Ivan Tsarévitch
- L'Oiseau de feu, Premier Tableau: Supplications de l'Oiseau de feu / Apparition des treize princesses enchantées
- L'Oiseau de feu, Premier Tableau: Jeu des princesses avec les pommes d'or (Scherzo)
- L'Oiseau de feu, Premier Tableau: Brusque apparition d'Ivan Tsarévitch
- L'Oiseau de feu, Premier Tableau: Khorovode (Ronde) des princesses
- L'Oiseau de feu, Premier Tableau: Lever du jour / Ivan Tsarévitch pénètre dans le palais de Kachtcheï
- L'Oiseau de feu, Premier Tableau: Carillion Féerique, apparition des monstres-gardiens de Kachtcheï et capture d'Ivan Tsarévitch / Arrivée de Kachtcheï l'Immortel / Dialogue de Kachtcheï avec Ivan Tsarévitch / Intercession des princesses / Apparition ...
- L'Oiseau de feu, Premier Tableau: Danse de la suite de Kachtcheï, enchantée par l'Oiseau de feu
- L'Oiseau de feu, Premier Tableau: Danse infernale de tous les sujets de Kachtcheï
- L'Oiseau de feu, Premier Tableau: Berceuse (L'Oiseau de feu) / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres
- L'Oiseau de feu, Second Tableau: Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés, allégresse générale
- Feu d'artifice, Op. 4
- Quatre Etudes pour orchestre: I. Danse
- Quatre Etudes pour orchestre: II. Excentrique
- Quatre Etudes pour orchestre: III. Cantique
- Quatre Etudes pour orchestre: IV. Madrid
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Le Sacre du Printemps / Symphony in Three Movements (New York Philharmonic, feat. conductor: Zubin Mehta)
- Le Sacre du Printemps, L'Adoration De La Terre: I. Introduction
- Le Sacre du Printemps, L'Adoration De La Terre: II. Les augures printaniers / Danses des adolescentes
- Le Sacre du Printemps, L'Adoration De La Terre: III. Jeu de rapt
- Le Sacre du Printemps, L'Adoration De La Terre: IV. Rondes printanières
- Le Sacre du Printemps, L'Adoration De La Terre: V. Jeux des cités rivales
- Le Sacre du Printemps, L'Adoration De La Terre: VI. Cortège du sage
- Le Sacre du Printemps, L'Adoration De La Terre: VII. Adoration de la Terre (Le Sage)
- Le Sacre du Printemps, L'Adoration De La Terre: VIII. Danse de la terre
- Le Sacre du Printemps, Le Sacrifice: I. Introduction
- Le Sacre du Printemps, Le Sacrifice: II. Cercles mysterieux des adolescentes
- Le Sacre du Printemps, Le Sacrifice: III. Glorification de l'élue
- Le Sacre du Printemps, Le Sacrifice: IV. Evocation des ancêtres
- Le Sacre du Printemps, Le Sacrifice: V. Action rituelle des ancêtres
- Le Sacre du Printemps, Le Sacrifice: VI. Danse sacrale (L'élue)
- Symphony in Three Movements: I. [ ]
- Symphony in Three Movements: II. Andante
- Symphony in Three Movements: III. Con moto
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Orchestral Works (Stuttgart Chamber Orchestra feat. conductor: Dennis Russell Davies)
- Momentum pro Gesualdo di Venosa ad CD annum: Asciugate i begli occhi (Madrigal XIV, Libro quinto)
- Momentum pro Gesualdo di Venosa ad CD annum: Ma tu, cagion di quella (Madrigal XVIII, Libro quinto)
- Momentum pro Gesualdo di Venosa ad CD annum: Belta, poi che t'assenti (Madrigal II, Libro sesto)
- Danses Concertantes: I. Marche - Introduction
- Danses Concertantes: II. Pas d'action, con moto
- Danses Concertantes: III. Theme varie, Lento
- Danses Concertantes: Variation I: Allegretto
- Danses Concertantes: Variation II: Scherzando
- Danses Concertantes: Variation III: Andantino
- Danses Concertantes: Variation IV: Tempo giusto
- Danses Concertantes: IV. Pas de deux, Risoluto
- Danses Concertantes: V. Marche - Conclusion
- Concerto in D for String Orchestra: I. Vivace
- Concerto in D for String Orchestra: II. Arioso. Andantino
- Concerto in D for String Orchestra: III. Rondo. Allegro
- Apollon Musagete: Premiere Tableau (Prologue), Naissance
- Apollon Musagete: Second Tableau, I. Variation d'Apollon (Apollon et les Muses)
- Apollon Musagete: II. Pas d'action (Apollon et les trois Muses: Calliope, Polymnie et Terpsichore)
- Apollon Musagete: III. Variation de Calliope (l'Alexandrin): Que toujours dans vos vers le sens coupant les mots, Suspende l'hemistiche et marque le repos (Boileau)
- Apollon Musagete: IV. Variation de Polymnie
- Apollon Musagete: V. Variation de Teprsichore
- Apollon Musagete: VI. Variation d'Apollon
- Apollon Musagete: VII. Pas de deux (Apollon et Terpsichore)
- Apollon Musagete: VIII. Coda (Apollon et les Muses)
- Apollon Musagete: IX. Apotheose
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Sibelius: Symphony No. 2 / Borodin: In the Steppes of Central Asia / Stravinsky: Firebird Suite
- Symphony No. 2 in D major: I. Allegretto
- Symphony No. 2 in D major: II. Tempo andante, ma rubato
- Symphony No. 2 in D major: III. Vivacissimo
- Symphony No. 2 in D major: IV. Finale, Allegro Moderato
- In the Steppes of Central Asia
- Firebird Suite: I. Introduction
- Firebird Suite: II. Dance of the Firebird
- Firebird Suite: III. Dance of the Princesses
- Firebird Suite: IV. Infernal Dance of King Kastchei
- Firebird Suite: V. Berceuse
- Firebird Suite: VI. Finale
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Pulcinella / La Consagración de la Primavera (Orquesta Sinfónica de Londres feat. conductor: Claudio Abbado)
- Pulcinella: I. Obertura. Allegro moderato
- Pulcinella: II. Serenata. Larghetto
- Pulcinella: III. Scherzino. Allegro
- Pulcinella: IV. Poco più vivo
- Pulcinella: IV. Allegro
- Pulcinella: V. Andantino
- Pulcinella: VI. Allegro
- Pulcinella: VII. Allegretto
- Pulcinella: VIII. Allegro assai
- Pulcinella: IX. Allegro (alla breve)
- Pulcinella: X. Largo (trío)
- Pulcinella: XI. Allegro (alla breve)
- Pulcinella: XII. Tarantella
- Pulcinella: XIII. Andantino
- Pulcinella: XIV. Allegro
- Pulcinella: XV. Gavotta con due variazioni
- Pulcinella: XVI. Vivo
- Pulcinella: XVII. Tempo di minuetto
- Pulcinella: XVIII. Allegro assai
- La Consagración de la Primavera: 1. La Adoración de la Tierra - I. Introducción (Lento)
- La Consagración de la Primavera: 1. La Adoración de la Tierra - II. Los augurios primaverales - Danzas de las adolescentes
- La Consagración de la Primavera: 1. La Adoración de la Tierra - III. Juego del rapto
- La Consagración de la Primavera: 1. La Adoración de la Tierra - IV. Rondas primaverales
- La Consagración de la Primavera: 1. La Adoración de la Tierra - V. Juego de las tribus rivales
- La Consagración de la Primavera: 1. La Adoración de la Tierra - VI. Danza de la tierra
- La Consagración de la Primavera: 2. El Sacrificio - I. Introducción (Largo)
- La Consagración de la Primavera: 2. El Sacrificio - II. Círculos misteriosos de las adolescentes
- La Consagración de la Primavera: 2. El Sacrificio - III. Glorificación de la elegida
- La Consagración de la Primavera: 2. El Sacrificio - IV. Acción ritual de los ancestros
- La Consagración de la Primavera: 2. El Sacrificio - V. Danza sagrada (La elegida)
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Mussorgsky: Pictures at an Exhibition / Stravinsky: The Rite of Spring (The Philadelphia Orchestra feat. conductor: Riccardo Muti)
- Pictures at an Exhibition: Promenade - Gnomus - Promenade
- Pictures at an Exhibition: The Old Castle - Promenade
- Pictures at an Exhibition: Tuileries
- Pictures at an Exhibition: Bydlo - Promenade
- Pictures at an Exhibition: Ballet of the Unhatched Chicks
- Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
- Pictures at an Exhibition: Limoges, The Market
- Pictures at an Exhibition: The Catacombs (Sepulchrum Romanum)
- Pictures at an Exhibition: Cum mortuis in lingua mortua
- Pictures at an Exhibition: The Hut on Hen's Legs
- Pictures at an Exhibition: The Great Gate of Kiev
- The Rite of Spring, Part I "Adoration of the Earth": Introduction
- The Rite of Spring, Part I "Adoration of the Earth": The Augers of Spring - Dance of the Maidens
- The Rite of Spring, Part I "Adoration of the Earth": Ritual of Abduction
- The Rite of Spring, Part I "Adoration of the Earth": Spring Rounds
- The Rite of Spring, Part I "Adoration of the Earth": Ritual of the Rival Tribes
- The Rite of Spring, Part I "Adoration of the Earth": Procession of the Sage
- The Rite of Spring, Part I "Adoration of the Earth": The Sage - Dance of the Earth
- The Rite of Spring, Part II "The Sacrifice": Introduction
- The Rite of Spring, Part II "The Sacrifice": Mystic Circles of the Maidens
- The Rite of Spring, Part II "The Sacrifice": Glorification of the Chosen One
- The Rite of Spring, Part II "The Sacrifice": Evocation of the Ancestors
- The Rite of Spring, Part II "The Sacrifice": Ritual of the Ancestors
- The Rite of Spring, Part II "The Sacrifice": Sacrificial Dance (The Chosen One)
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Rudolf Albert Conducting The Cento Soli Orchestra of Paris - Stravinsky and Tchaikovsky
- The Rite of Spring: Introduction, Part One - The Adoration of the Earth
- The Rite of Spring: Harbingers of Spring / Dance of the Young Girls
- The Rite of Spring: Mock Abduction
- The Rite of Spring: Spring Round Dances
- The Rite of Spring: Games of the Rival Tribes
- The Rite of Spring: Procession of the Wise Elder
- The Rite of Spring: The Wise Elder / Dance of the Earth
- The Rite of Spring: Introduction, Part Two - The Sacrifice
- The Rite of Spring: Mystic Circles of the Young Girls
- The Rite of Spring: Glorification of the Young Girls
- The Rite of Spring: Summoning of the Ancestors
- The Rite of Spring: Ritual of the Ancestors
- The Rite of Spring: Sacrificial Dance
- Petrouchka: Scene One - The Shrovetide Fair
- Petrouchka: The Magic Trick / Russian Dance
- Petrouchka: Scene Two - Petrouchka's Cell
- Petrouchka: Scene Three - The Moor's Cell / Dance of the Ballerina
- Petrouchka: Waltz - The Ballerina and the Moor
- Petrouchka: Scene Four - The Shrovetide Fair / Toward Evening
- Petrouchka: Wet Nurses' Dance
- Petrouchka: Peasant With Bear
- Petrouchka: Gypsies and a Rake Vendor
- Petrouchka: Dance of the Coachmen
- Petrouchka: Masqueraders
- Petrouchka: The Scuffle - The Moor and Petrouchka
- Petrouchka: Death of Petrouchka
- Petrouchka: The Police and the Showman
- Petrouchka: Appearance of Petrouchka's Ghost
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The Three Symphonies and Ode (Scottish National Orchestra feat. conductor: Sir Alexander Gibson)
- Symphony in C: I. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I
- Symphony in C: II. Larghetto concertante - Doppio movimento - Doppio valore
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
- Symphony in Three Movements: I.
- Symphony in Three Movements: II. Andante
- Symphony in Three Movements: III. L'istesso tempo
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The Song of Nightingale / The Firebird Suite / The Rite of Spring (Minnesota Orchestra feat. conductor: Eiji Oue)
- The Firebird Suite, 1919 Revision: Introduction
- The Firebird Suite, 1919 Revision: The Firebird and Her Dance
- The Firebird Suite, 1919 Revision: Variation of the Firebird
- The Firebird Suite, 1919 Revision: Round Dance of the Princesses
- The Firebird Suite, 1919 Revision: Infernal Dance of King Kashchei
- The Firebird Suite, 1919 Revision: Berceuse
- The Firebird Suite, 1919 Revision: Finale
- The Song of the Nightingale: Presto
- The Song of the Nightingale: Chinese March
- The Song of the Nightingale: Song of the Nightingale
- The Song of the Nightingale: Game of the Mechanical Nightingale
- The Rite of Spring (Adoration of Earth): Introduction
- The Rite of Spring (Adoration of Earth): Auguries of Spring-Dance of the Adolescents
- The Rite of Spring (Adoration of Earth): Game of Abduction
- The Rite of Spring (Adoration of Earth): Sprint Rounds
- The Rite of Spring (Adoration of Earth): Games of the Rival Towns
- The Rite of Spring (Adoration of Earth): Procession of the Sage
- The Rite of Spring (Adoration of Earth): Adoration of the Earth (The Sage)
- The Rite of Spring (Adoration of Earth): Dance of the Earth
- The Rite of Spring (The Sacrifice): Introduction (The Pagan Night)
- The Rite of Spring (The Sacrifice): Mystic Circles of the Young Girls
- The Rite of Spring (The Sacrifice): Glorification of the Chosen One
- The Rite of Spring (The Sacrifice): Evocation of the Ancestors
- The Rite of Spring (The Sacrifice): Ritual Action of the Ancestors
- The Rite of Spring (The Sacrifice): Sacrificial Dance (The Chosen One)
- Pater Noster
- Selections from The Firebird Suite part 1
- Selections from The Firebird Suite part 2
- The Rite of Spring part 1
- The Rite of Spring part 2
- The Rite of Spring part 3
- The Rite of Spring part 4
- The Rite of Spring part 5
- The Rite of Spring part 6
- The Rite of Spring part 7
- The Rite of Spring part 8
- The Rite of Spring part 9
- The Rite of Spring part 10
- The Rite of Spring part 11
- The Rite of Spring part 12
- The Rite of Spring part 13
- The Rite of Spring part 14
- Rag-time for Eleven Instruments
- Allegro Capriccioso from Capriccio for Piano and Orchestra
- Circus Polka
- Sanctus from Mass for mixed chorus and double wind quintet
- Epitaph from Ode for Orchestra
- 'No word from Tom' and 'I go to him...' from The Rake's Progress part 1
- 'No word from Tom' and 'I go to him...' from The Rake's Progress part 2
- Agon (Ballet for Twelve Dancers) (excerpts) part 1
- Agon (Ballet for Twelve Dancers) (excerpts) part 2
- Agon (Ballet for Twelve Dancers) (excerpts) part 3
- Agon (Ballet for Twelve Dancers) (excerpts) part 4
- Agon (Ballet for Twelve Dancers) (excerpts) part 5
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The Rite of Spring (The Philharmonia Orchestra feat. conductor: Eliahu Inbal)
- The Rite of Spring, Part I: Adoration of the Earth: I. Introduction
- The Rite of Spring, Part I: Adoration of the Earth: II. The Augurs of Spring/Dances of the Young Girls
- The Rite of Spring, Part I: Adoration of the Earth: III. Ritual of Abduction
- The Rite of Spring, Part I: Adoration of the Earth: IV. Spring Rounds
- The Rite of Spring, Part I: Adoration of the Earth: V. Ritual of the Rival Tribes
- The Rite of Spring, Part I: Adoration of the Earth: VI. Procession of the Sage
- The Rite of Spring, Part I: Adoration of the Earth: VII. The Sage
- The Rite of Spring, Part I: Adoration of the Earth: VIII. Dance of the Earth
- The Rite of Spring, Part II: The Sacrifice: I. Introduction
- The Rite of Spring, Part II: The Sacrifice: II. Mystic Circles of the Young Girls
- The Rite of Spring, Part II: The Sacrifice: III. Glorification of the Chosen One
- The Rite of Spring, Part II: The Sacrifice: IV. Evocation of the Ancestors
- The Rite of Spring, Part II: The Sacrifice: V. Ritual Actions of the Ancestors
- The Rite of Spring, Part II: The Sacrifice: VI. Sacrificial Dance (The Chosen One)
- Quatre Études pour orchestre (Rev. 1952): I. Danse
- Quatre Études pour orchestre (Rev. 1952): II. Excentrique
- Quatre Études pour orchestre (Rev. 1952): III. Cantique
- Quatre Études pour orchestre (Rev. 1952): IV. Madrid
- Scherzo à la Russe (Symphonic version, 1944)
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Pétrouchka (version originale de 1911) (London Symphony Orchestra feat. piano: Leslie Howard, conductor: Claudio Abbado)
- Premier tableau: Fête populaire de la semaine grasse - Le tour de passe-passe
- Danse russe
- Second tableau: Chez Pétrouchka
- Troisième tableau: Chez le maure - Danse de la ballerine
- Valse. La ballerine et le maure
- Quatrième tableau: Fête populaire de la semaine grasse (Vers le soir)- Danse des nounous - Danse des cochers et des palefreniers - Les déguisés
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Scherzo a la russe / Concerto for 2 pianos / Sonata for 2 pianos / Le sacre du printemps
- Scherzo a la russe
- Concerto for 2 pianos: 1. Con moto
- Concerto for 2 pianos: 2. Notturno
- Concerto for 2 pianos: 3. Quattro variazioni
- Concerto for 2 pianos: 4. Preludio e fuga
- Sonata for 2 pianos: 1. Moderato
- Sonata for 2 pianos: 2. Largo
- Sonata for 2 pianos: 3. Allegretto
- Le Sacre du Printemps: Part I - The Adoration of the Earth
- Le Sacre du Printemps: The Augurs of Spring
- Le Sacre du Printemps: Ritual of Abduction
- Le Sacre du Printemps: Spring Rounds
- Le Sacre du Printemps: Ritual of the Rival Tribes
- Le Sacre du Printemps: Procession of the Sage
- Le Sacre du Printemps: Dance of the Earth
- Le Sacre du Printemps: Part II - The Sacrifice
- Le Sacre du Printemps: Mystic Circles of the Young Girls
- Le Sacre du Printemps: Glorification of the Choosen One
- Le Sacre du Printemps: Evocation of the Ancestors
- Le Sacre du Printemps: Ritual Action of the Ancestors
- Le Sacre du Printemps: Sacrificial Dance
- Prelude
- The woods are green
- Anne, my dear - Yes, Father
- Here I stand
- Since it is not by merit
- Tom Rakewell? - I...
- Fair lady, gracious gentlemen
- I wished but once
- I'll call the coachman, sir
- Farewell, farewell
- All is ready, sir
- Dear father Trulove
- Laughter and light
- With air commanding
- Come, Tom, I would fain
- Soon dawn will glitter
- Brothers of Mars
- Love, too grequently betrayed
- How sad a song
- The sun is bright
- Has love no voice?
- Quietly, night
- My father! Can I desert him
- I go, I go to him
- Vary the song, O London, change
- Nature, green unnatural mother
- Always the quarry that I stalk
- Master, are you alone?
- Come, master, observe the host of mankind
- In youth the panting slaves
- My tale shall be told
- Prelude
- How strange! Although the hear for love dare everything
- What can this mean?
- Anne! here!
- My Love, am I to remain in here for ever?
- Could it then have been known
- I have not run away, dear heart
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Pulcinella / Le Chant du rossignol (Ensemble Intercontemporain feat. conductor: Pierre Boulez)
- Pulcinella: Ouverture
- Pulcinella: Serenata; Scherzino
- Pulcinella: Tarantella
- Pulcinella: Gavotta con Due Varizioni
- Le Chant du rossignol: Marche Chinoise
- Le Chant du rossignol: Chant du Rossignol
- Le Chant du rossignol: Jeu du rossignol mécanique
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Stravinsky Edition, Volume IX: The Rake's Progress (Royal Philharmonic Orchestra)
- Act 2, Scene 3 - As I was saying
- You! O Nick, I've had the strangest dream
- Act 3, Scene 1 - What curious phenomena
- Aha!
- Sold! Annoyed! I've caught you! Thieving!
- I go to him
- Scene 2 - Prelude
- How dark and dreadful is this place
- Very well, then, my dear
- I burn! I freeze!
- Scene 3 - Prepare yourselves, heroic shades
- There he is Have no fear He is not dangerous
- Gently, little boat (Lullaby)
- Where art thou, Venus
- Epilogue - Good people, just a moment
- The Rite of Spring - I. Adoration of the Earth
- Apollon Musagate - First Tableau (Prologue)
- Four Studies for Orchestra - Danse
- Four Studies for Orchestra - Excentrique
- Four Studies for Orchestra - Cantique
- Four Studies for Orchestra - Madrid
- Symphony in Three Movements - III. Con Moto
- Pulcinella - Overture
- Petrushka - Fourth Tableau
- Suite no. 2 for Small Orchestra - Galop
- The Firebird - Lullaby & Finale
- Chant du Rossignol: I. la Fete Au Palais de L'empereur de Chine
- Chant du rossignol: II. Les deux Rossignols
- Chant du rossignol: III. Maladie et guerison de l'empereur de Chine
- Serenade en La: I. Hymne
- Serenade en La: II. Romanza
- Serenade en La: III. Ronoletto
- Serenade en La: IV. Cadenza Finale
- L'oiseau de Feu: I. Danse Infernale du Roi Kastchei
- L'oiseau de Feu: II. Berceuse
- L'oiseau de Feu: III. Finale
- Symphonies D'instruments a Vent
- Tois Mouvements de Petrouchka: I. Danse Russe
- Tois Mouvements de Petrouchka: II. Chez Petrouchka
- Tois Mouvements de Petrouchka: III. La Semaine Grasse
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Igor Stravinsky 1882-1971: The Edition, Volume VI: Miniature Masterpieces
- Greeting Prelude
- Suite No. 1 for Small Orchestra: I. Andante
- Suite No. 1 for Small Orchestra: II. Napolitana
- Suite No. 1 for Small Orchestra: III. Española
- Suite No. 1 for Small Orchestra: IV. Balalaika
- Suite No. 2 for Small Orchestra: I. Marche
- Suite No. 2 for Small Orchestra: II. Valse
- Suite No. 2 for Small Orchestra: III. Polka
- Suite No. 2 for Small Orchestra: IV. Galop
- Concerto for Chamber Orchestra in E-flat major, "Dumbarton Oaks": I Tempo giusto
- Concerto for Chamber Orchestra in E-flat major, "Dumbarton Oaks": II. Allegretto
- Concerto for Chamber Orchestra in E-flat major, "Dumbarton Oaks": III. Con moto
- 4 Norwegian Moods: I. Intrada
- 4 Norwegian Moods: II. Song
- 4 Norwegian Moods: III. Wedding Dance
- 4 Norwegian Moods: IV. Cortege
- Circus Polka
- Concerto for String Orchestra in D major, "Basle Concerto": I. Vivace
- Concerto for String Orchestra in D major, "Basle Concerto": II. Ariosos. Andantino
- Concerto for String Orchestra in D major, "Basle Concerto": III. Rondo. Allegro
- 8 Instrumental Miniatures: I. Andantino
- 8 Instrumental Miniatures: II. Vivace
- 8 Instrumental Miniatures: III. Lento
- 8 Instrumental Miniatures: IV. Allegretto
- 8 Instrumental Miniatures: V. Moderato alla breve
- 8 Instrumental Miniatures: VI. Tempo di marcia
- 8 Instrumental Miniatures: VII. Larghetto
- 8 Instrumental Miniatures: VIII. Tempo di tango
- 4 Etudes for Orchestra: I. Danse
- 4 Etudes for Orchestra: II. Excentrique
- 4 Etudes for Orchestra: III. Cantique
- 4 Etudes for Orchestra: IV. Madrid
- Ragtime for 11 Players
- Octet for Wind Instruments: I. Sinfonia: Lento - Allegro Moderato
- Octet for Wind Instruments: II. Tema con Variazioni
- Octet for Wind Instruments: III. Finale
- 3 Pieces for clarinet solo: I.
- 3 Pieces for clarinet solo: II.
- 3 Pieces for clarinet solo: III.
- Histoire du Soldat: I. Marche du Soldat
- Histoire du Soldat: II. Le Violon du Soldat
- Histoire du Soldat: III. Petit Concert
- Histoire du Soldat: IV. Tango - Valse - Rag
- Histoire du Soldat: V. La Danse du Diable
- Pastorale for 5 Instruments
- Concertino for 12 Instruments
- Septet: I.
- Septet: II. Passacaglia
- Septet: III. Gigue
- Epitaphium
- Concerto for 2 Pianos: I. Con Moto
- Concerto for 2 Pianos: II. Notturno
- Concerto for 2 Pianos: III. Quattro Variazioni
- Concerto for 2 Pianos: IV. Preludio e Fuga
- Petrouchka, mov. 1
- Petrouchka, mov. 2
- Petrouchka, mov. 3
- Petrouchka, mov. 4
- Petrouchka, mov. 5
- Petrouchka, mov. 6
- Petrouchka, mov. 7
- Petrouchka, mov. 8
- Petrouchka, mov. 9
- Petrouchka, mov. 10
- Petrouchka, mov. 11
- Petrouchka, mov. 12
- Petrouchka, mov. 13
- Petrouchka, mov. 14
- Petrouchka, mov. 15
- Pulcinella, mov. 1
- Pulcinella, mov. 2
- Pulcinella, mov. 3
- Pulcinella, mov. 4
- Pulcinella, mov. 5
- Pulcinella, mov. 6
- Pulcinella, mov. 7
- Pulcinella, mov. 8
- Pulcinella, mov. 9
- Pulcinella, mov. 10
- Pulcinella, mov. 11
- Pulcinella, mov. 12
- L'Oiseu de feu - Suite, mov. 1
- L'Oiseu de feu - Suite, mov. 2
- L'Oiseu de feu - Suite, mov. 3
- L'Oiseu de feu - Suite, mov. 4
- L'Oiseu de feu - Suite, mov. 5
- L'Oiseu de feu - Suite, mov. 6
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Petrushka / Le Sacre du Printemps (Detroit Symphony Orchestra feat. conductor: Antal Dorati)
- Petrushka: Tableau I: The Shrovetide Fair
- Petrushka: Tableau II: In Petrushka's Room
- Petrushka: Tableau III: In the Moor's Room
- Petrushka: Tableau IV: The Shrovetide Fair (Evening)
- Le Sacre Du Printemps: Part I: The Adoration of the Earth
- Le Sacre Du Printemps: Part II: The Sacrifice
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Mussorgsky - Stokowski: Pictures at an Exhibition / Stravinsky: The Firebird Suite / Scriabin: Le Poéme de l'extase
- Pictures at an Exhibition: Promenade - Gnome
- Pictures at an Exhibition: Promenade - The Old Castle
- Pictures at an Exhibition: Bydło
- Pictures at an Exhibition: Promenade - Ballet of the Unhatched Chicks
- Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle
- Pictures at an Exhibition: Catacombs
- Pictures at an Exhibition: The Hut on Fowl's Legs
- Pictures at an Exhibition: The Great Gate of Kiev
- Le Poéme de l'extase, Op. 54
- Pastorale
- The Firebird Suite: Introduction
- The Firebird Suite: Dance of the Firebird
- The Firebird Suite: Round Dance of the Princesses
- The Firebird Suite: Infernal Dance of King Kastchei
- The Firebird Suite: Lullaby
- The Firebird Suite: Finale
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Le Sacre du Printemps / Symphony in Three Movements (Philharmonia Orchestra feat. conductor Esa-Pekka Salonen)
- Le Sacre du printemps: Introduction
- Le Sacre du printemps: The Augurs of Spring (Dances of the Young Girls)
- Le Sacre du printemps: Ritual of Abduction
- Le Sacre du printemps: Spring Khorovod (Round Dance)
- Le Sacre du printemps: Ritual of the Rival Tribes
- Le Sacre du printemps: Procession of the Sage
- Le Sacre du printemps: Adoration of the Earth (The Sage)
- Le Sacre du printemps: Dance of the Earth
- Le Sacre du printemps: Introduction
- Le Sacre du printemps: Mystic Circles of the Young Girls
- Le Sacre du printemps: Glorification of the Chosen One
- Le Sacre du printemps: Evocation of the Ancestors
- Le Sacre du printemps: Ritual Action of the Ancestors
- Le Sacre du printemps: Sacrificial Dance (The Chosen One)
- Symphony in Three Movements: I. 1/4=160
- Symphony in Three Movements: II. Andante
- Symphony in Three Movements: Interlude
- Symphony in Three Movements: III. Con moto
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A Symphony of Psalms / The Rite of Spring (Swedish Radio Symphony Orchestra; Swedish Radio Choir feat. conductor Sixten Ehrling)
- A Symphony of Psalms: Exaudi oratorionem mea, Domine
- A Symphony of Psalms: Expectans expectavi, Dominum
- A Symphony of Psalms: Laudate Dominum
- The Rite of Spring: The Adoration of the Earth
- The Rite of Spring: The Sacrifice
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Stravinsky Conducts Stravinsky: Symphony of Psalms / Symphony in 3 Movements (Columbia Symphony Orchestra feat. conductor Igor Stravinsky)
- Symphony in Three Movements: I. Overture.
- Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo
- Symphony in Three Movements: III. Con moto
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
- Symphony of Psalms (Rev. Version 1948): Part I
- Symphony of Psalms (Rev. Version 1948): Part II
- Symphony of Psalms (Rev. Version 1948): Part III
- Le Sacre du Printemps - I. L'adoration de la Terre
- Le Sacre du Printemps - II. Le Sacrifice
- Petrushka (1947 version) - Tableau 1: Fete populaire de la Semain Grasse
- Petrushka (1947 version) - Tableau 2: Chez Petrouchka
- Petrushka (1947 version) - Tableau 3: Chez le maure
- Petrushka (1947 version) - Tableau 4: Fete de la Semaine Grasse (vers le soir)
- Circus Polka
- Le Sacre du printemps, première partie: Introduction (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: Les Augures printaniers (Danses des adolescentes) (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: Jeu du rapt (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: Rondes printanières (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: Jeux des cités rivales (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: Cortège du sage (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: L'Adoration de la terre (Le Sage) (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, première partie: Danse de la terre (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, seconde partie: Introduction (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, seconde partie: Cercles mystérieux des adolescentes (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, seconde partie: Glorification de l'élue (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, seconde partie: Évocation des ancêtres (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, seconde partie: Action rituelle des ancêtres (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Le Sacre du printemps, seconde partie: Danse sacrale: L'Élue (Cleveland Orchestra feat. conductor: Pierre Boulez)
- Petrouchka: 1er tableau (New York Philharmonic feat. conductor: Pierre Boulez)
- Petrouchka: 2ème tableau (New York Philharmonic feat. conductor: Pierre Boulez)
- Petrouchka: 3ème tableau (New York Philharmonic feat. conductor: Pierre Boulez)
- Petrouchka: 4ème tableau (New York Philharmonic feat. conductor: Pierre Boulez)
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Pulcinella / Concerto in E flat "Dumbarton Oaks" / Petrouchka (DGG Panorama)
- Pulcincella - (a) Sinfonia. Allegro moderato
- Pulcincella - (b) Serenata. Larghetto
- Pulcincella - (c) Scherzino - Allegro - Andantino
- Pulcincella - (d) Tarantella
- Pulcincella - (e) Toccata. Allegro
- Pulcincella - (f) Gavotta. Allegro. moderato - Var I - Var II
- Pulcincella - (g) Vivo
- Pulcincella - (h) Minuetto. Molto moderato
- Pulcincella - (i) Finale. Allegro assai
- "Dumbarton Oaks" - (a) Tempo giusto
- "Dumbarton Oaks" - (b) Allegretto
- "Dumbarton Oaks" - (c) Con moto
- Petrouchka - (1a) Fete populaire de la semaine grasse
- Petrouchka - (1b) Le tour de passe-passe
- Petrouchka - (2a) Chez Petrouchka
- Petrouchka - (3a) Chez le maure - Danse de la ballerine
- Petrouchka - (3b) Valse. La ballerine et le maure
- Petrouchka - (4a) Fete populaire de la semaine grasse (vers le soir)
- Petrouchka - (4b) Danse des nounous
- Petrouchka - (4c) Danse du paysan et de l'ours
- Petrouchka - (4d) Bohemien et marchand malhonnete
- Petrouchka - (4e) Danse des cochers et des palefreniers
- Petrouchka - (4f) Les deguises
- Petrouchka - (4g) Le rixe: Le maure et Petrouchka
- Petrouchka - (4h) Mort de Petrouchka
- Petrouchka - (4i) La police et l'enchanteur
- Petrouchka - (4j) Vociferation du double de Petrouchka
- Circus Polka
- Violin Concerto No. 1 in D Op. 19: I. Andantino
- Violin Concerto No. 1 in D Op. 19: II. Scherzo. Vivacissimo
- Violin Concerto No. 1 in D Op. 19: III. Moderato
- Violin Concerto No. 2 in G minor Op. 63: I. Allegro moderato
- Violin Concerto No. 2 in G minor Op. 63: II. Andante assai
- Violin Concerto No. 2 in G minor Op. 63: III. Allegro, ben marcato
- Violin Concerto in D: I. Toccata
- Violin Concerto in D: II. Aria 1
- Violin Concerto in D: III. Aria 2
- Violin Concerto in D: IV. Capriccio
- Act I: Introduction
- Act I: Porte au vent, tombant au loin
- Act I: Ah! Ah! Ah!
- Act I: Voici l'endroit, pres de ces arbes
- Act I: Beau rossignol, incomparable oisea
- Act II: Des feux, des feux, bien vite
- Act II: March Chinoise- O Maitre Magnime
- Act II: Chanson du rossignol - Ah, Joe, emplis mon coer
- Act II: Au coucher du soleil
- Act II: Jeu du rossignol mecanique
- Act III: Vois-nous rassembles
- Act III: Ah, me voici, o prince magnanime
- Act III: Ah, j'aime a t'ecouter
- Act III: Cortege solennel
- Act III: Bonjour a tous
- Renard: Marche
- Renard: Ou ca, ou ca?
- Renard: Ah! mon Dieu! mon Dieu! Il me tir' par la queue
- Renard: Je suis sur mon baton
- Renard: Ah! mon Dieu! mon Dieu! Il m'a pris les ch'veux
- Renard: Ah, canaille, que les betes te mettent en morceaux
- Firebird Suite
- Petrushka Part I: The Shrove-Tide Fair
- Part II - Petrushka
- Part III - The Blackamoor
- Part IV - The Shrove-Tide Fair and the Death of Petrushka
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The Firebird / Scherzo fantastique / Feu d'artifice (Orchestre symphonique de Montreal feat. conductor: Charles Dutoit)
- The Firebird: Introduction
- The Firebird: Kashchey's Magic Garden
- The Firebird: Appearance of the Firebird, Pursued by Ivan Tsarevitch
- The Firebird: Dance of the Firebird
- The Firebird: Capture of the Firebird by Ivan Tsarevitch
- The Firebird: The Firebird's Entreaties
- The Firebird: The Princesses' Game With the Golden Apples
- The Firebird: Sudden Appearance of Ivan Tsarevitch
- The Firebird: Princesses' Khorovod
- The Firebird: Sunrise
- The Firebird: Magic Carillon
- The Firebird: Dance of Kashchey's Enchanted Retinue
- The Firebird: Infernal Dance of Kashchey's Subjects
- The Firebird: Cradle Song
- The Firebird: Disappearance of the Palace and of Kashchey's Spells
- Scherzo fantastique, Op. 3
- Feu d'artifice, Op.4
- The Firebird, Part a: Introduction: L'Oiseau de feu et sa danse
- The Firebird, Part b: Variation de l'oiseau de feu
- The Firebird, Part c: Rondes des princesses
- The Firebird, Part d: Danse infernale du roi Kastchei
- The Firebird, Part e: Berceuse
- The Firebird, Part f: Finale
- The Rite of Spring, Part a: Introduction
- The Rite of Spring, Part b: Les Augures printaniers
- The Rite of Spring, Part c: Jeu du rapt
- The Rite of Spring, Part d: Rondes printanières
- The Rite of Spring, Part e: Jeux des cités rivales
- The Rite of Spring, Part f: Cortège du sage
- The Rite of Spring, Part g: Adoration de la terre (Le Sage)
- The Rite of Spring, Part h: Danse de la terre
- The Rite of Spring, Part i: Second Part: Introduction
- The Rite of Spring, Part j: Cercles mysterieux des adolescentes
- The Rite of Spring, Part k: Glorification de l'élue
- The Rite of Spring, Part l: Évocation des ancêtres
- The Rite of Spring, Part m: Action rituelle des ancêtres
- The Rite of Spring, Part n: Danse sacrale
- Symphony of Psalms, Part a: Exaudi orationem meam, Domine
- Symphony of Psalms, Part b: Expectans expectavi, Dominum
- Symphony of Psalms: Alleluja, laudate Dominum
- The Rite of Spring - Adoration of the Earth - Introduction
- The Rite of Spring - Adoration of the Earth - The Augurs of Spring / Dances of the Young Girls
- The Rite of Spring - Adoration of the Earth - Ritual of Abduction
- The Rite of Spring - Adoration of the Earth Spring Rounds
- The Rite of Spring - Adoration of the Earth - Ritual of the Rival Tribes
- The Rite of Spring - Adoration of the Earth - Dance of the Earth
- The Rite of Spring - The Sacrifice - Introduction
- The Rite of Spring - The Sacrifice - Mystic Circles of the Young Girls
- The Rite of Spring - The Sacrifice - Glorification of the Chosen One
- The Rite of Spring - The Sacrifice - Evocation of the Ancestors
- The Rite of Spring - The Sacrifice - Ritual Action of the Ancestors
- The Rite of Spring - The Sacrifice - Sacrificial Dance
- Apollon Musagete - Prologue: Naissance d'Apollon
- Apollon Musagete - Variation d'Apollon
- Apollon Musagete - Pas d'Action
- Apollon Musagete - Variation de Calliope
- Apollon Musagete - Variation de Polymnie
- Apollon Musagete - Variation Terpsichore
- Apollon Musagete - Variation d'Apollon
- Apollon Musagete - Pas de deux
- Apollon Musagete - Coda
- Apollon Musagete - Apotheose
- L'Oiseau de feu: Introduction
- L'Oiseau de feu: Le jardin enchante de Kachtchei
- L'Oiseau de feu: Apparition de l'Oiseau de feu poursuivi par Ivan Tsarevitch
- L'Oiseau de feu: Danse de l'Oiseau de feu
- L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarevitch
- L'Oiseau de feu: Supplications de l'Oiseau de feu - apparition des treize princesses enchantees
- L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo)
- L'Oiseau de feu: Brusque apparition d'Ivan Tsarevitch
- L'Oiseau de feu: Khorovod (ronde) des princesses
- L'Oiseau de feu: Lever du jour - Ivan Tsarevitch penetre dans lepalais de Kachtchei
- L'Oiseau de feu: Carillon feerique - apparition des monster-gardiens de Kachtchei - capture d'Ivan..
- L'Oiseau de feu: Danse de la suite de Kachtchei enchantee par l'Oiseau de feu
- L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei
- L'Oiseau de feu: Berceuse (l'Oiseau de feu) - reveil de Kachtchei - mort de Kachtchei - profonds...
- L'Oiseau de feu: Disparition du palais et des sortileges de Kachtchei - animation des chevaliers...
- Le Sacre du Printemps: Part I: L'Adoration de la terre
- Le Sacre du Printemps: Part II: Le Sacrifice
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Le Sacre du Printemps / Petrushka - original version (The Cleveland Orchestra feat. conductor: Pierre Boulez)
- Petrushka (original 1911 version): Tableau I: The Shrove-tide Fair
- Petrushka (original 1911 version): Tableau II: In Petrushka's Cell
- Petrushka (original 1911 version): Tableau III: In the Blackamoor's Cell
- Petrushka (original 1911 version): Tableau IV: The Shrove-tide Fair (evening)
- Le Sacre du Printemps (The Rite of Spring) Part I: L'Adoration de la terre -- Introduction
- Le Sacre du Printemps (The Rite of Spring) Part I: Danses des adolescentes (Dances of the Young Girls)
- Le Sacre du Printemps (The Rite of Spring) Part I: Jeu du rapt (Mock Abduction)
- Le Sacre du Printemps (The Rite of Spring) Part I: Rondes Printanières (Spring Round Dance)
- Le Sacre du Printemps (The Rite of Spring) Part I: Jeux des cités rivales (Games of the Rival Tribes)
- Le Sacre du Printemps (The Rite of Spring) Part I: Cortège du sage (Procession of the Wise Elder)
- Le Sacre du Printemps (The Rite of Spring) Part I: L'Adoration de la terre (The Adoration of the Earth)
- Le Sacre du Printemps (The Rite of Spring) Part I: Danse de la terre (Dance of the Earth)
- Le Sacre du Printemps (The Rite of Spring) Part II: Le Sacrifice -- Introduction
- Le Sacre du Printemps (The Rite of Spring) Part II: Cercles mystérieux des adolescentes (Mysterious Circles of the Young Girls)
- Le Sacre du Printemps (The Rite of Spring) Part II: Glorification de l'élue (Glorification of the Chosen Victim)
- Le Sacre du Printemps (The Rite of Spring) Part II: Évocation des ancêtres (Summoning of the Ancients)
- Le Sacre du Printemps (The Rite of Spring) Part II: Action rituelle des ancêtres (Ritual of the Ancients)
- Le Sacre du Printemps (The Rite of Spring) Part II: Danse sacrale - L'Élue (Sacrificial Dance - The Chosen Victim)
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Le Sacre du Printemps / The Firebird (Israel Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- Le Sacre du printemps: Introduction (Lento)
- Le Sacre du printemps: Les augures printaniers. Danses des adolescentes
- Le Sacre du printemps: Jeu du rapt
- Le Sacre du printemps: Rondes printanières
- Le Sacre du printemps: Jeux des cités rivales
- Le Sacre du printemps: Cortège du Sage
- Le Sacre du printemps: Adoration de la terre
- Le Sacre du printemps: Danse de la terre
- Le Sacre du printemps: Introduction (Largo)
- Le Sacre du printemps: Cercles mystérieux des adolescentes
- Le Sacre du printemps: Glorification de l'Élue
- Le Sacre du printemps: Évocation des ancêtres
- Le Sacre du printemps: Action rituelle des ancêtres
- Le Sacre du printemps: Danse sacrale. L'Élue
- Der Feuervogel: Introduction
- Der Feuervogel: Der Feuervogel und sein Tanz
- Der Feuervogel: Variation: Der Feuervogel
- Der Feuervogel: Reigen der Prinzessinnen
- Der Feuervogel: Höllentanz des Königs Kaschtschei
- Der Feuervogel: Wiegenlied
- Der Feuervogel: Finale
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Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, Op. 27 / Boulez: Sonate No. 2
- Three Movements from "Pétrouchka": I. Danse russe. Allegro guisto
- Three Movements from "Pétrouchka": II. Chez Petrouchka
- Three Movements from "Pétrouchka": III. La semaine grasse. Con moto - Allegretto - Tempo giusto - Agitato
- Piano Sonata No. 7 in B-flat major, Op. 83: I. Allegro inquieto - Andantino
- Piano Sonata No. 7 in B-flat major, Op. 83: II. Andante caloroso
- Piano Sonata No. 7 in B-flat major, Op. 83: III. Precipitato
- Variations for Piano, Op. 27: I. Sehr mäßig
- Variations for Piano, Op. 27: II. Sehr schnell
- Variations for Piano, Op. 27: III. Ruhig fließend
- Second sonata for Piano: I. Extrêmement rapide
- Second sonata for Piano: II. Lent
- Second sonata for Piano: III. Modéré, presque vif
- Second sonata for Piano: IV. Vif
- Symphony of Psalms - Part I. Exaudi orationem meam
- Symphony of Psalms - Part II. Expectans expectavi Dominum
- Symphony of Psalms - Part III. Alleluja. Laudate Dominum
- Symphony in C - I. Moderato alla breve
- Symphony in C - II. Larghetto concertante
- Symphony in C - III. Allegretto
- Symphony in C - IV. Largo - Tempo giusto, alla breve
- Symphony in Three Movements - I. Overature. Allegro
- Symphony in Three Movements - II. Andante - Interlude: L'istesso tempo
- Symphony in Three Movements - III. Con moto
- The Soldiers March - Always on trek
- Airs by a Stream - A little old man approaches
- The Soldiers March - We're home at last
- Pastorale - Ah! You dirty cheat
- Pastorale - He took up the book
- Airs by a Stream - They have nothing
- Airs by a Stream
- The Soldiers March - Now he comes to another land
- The Royal March - They gave the word for the band to play
- The Little Concert
- Tango
- Waltz
- Ragtime
- The Devil's Dance
- Little Chorale
- The Devil's Song
- The Great Chorale - Suppose, suppose we went then
- Triumphal March of the Devil
Born: 1882-06-17
Died: 1971-04-06
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Stravinsky Conducts Firebird
- Order: Reorder
- Duration: 9:08
- Published: 12 Jul 2007
- Updated: 27 Aug 2012
One of those rare videos where the great Stravinsky conducts his own Firebird ..the Lullaby suite at the age of 82.
http://wn.com/Stravinsky_Conducts_Firebird
Igor Stravinsky "The Rite of Spring"
- Order: Reorder
- Duration: 4:42
- Published: 03 May 2008
- Updated: 26 Aug 2012
Ballet Choreography: Maurice Béjart Wikipedia Links: 1) Igor Stravinsky en.wikipedia.org 2) The Rite of Spring en.wikipedia.org 3) Maurice Béjart en.wikipedia.org
http://wn.com/Igor_Stravinsky_The_Rite_of_Spring
Igor Stravinsky - The Rite of Spring
- Order: Reorder
- Duration: 33:17
- Published: 28 Jun 2011
- Updated: 26 Aug 2012
Yoel Levi conducts the Atlanta Symphony Orchestra in this studio recording made in 1991. This specific recording of Stravinsky's Rite of Spring (aka Le Sacre du Printemps) is owned by Telarc. If you're interested in buying the CD, it is available at Arkivmusic: www.arkivmusic.com And at Amazon: www.amazon.com You can also find other numerous recordings at Arkivmusic: www.arkivmusic.com --------------------------------------------------------------------------- Here are the links to the images in this video (in order): One = www.publicdomainpictures.net Two = www.publicdomainpictures.net Three = www.publicdomainpictures.net Four = www.publicdomainpictures.net Five = www.publicdomainpictures.net Six = www.publicdomainpictures.net Seven = www.publicdomainpictures.net Eight = www.publicdomainpictures.net Nine = www.publicdomainpictures.net Ten = www.publicdomainpictures.net
http://wn.com/Igor_Stravinsky_The_Rite_of_Spring
Igor Stravinsky plays Stravinsky Piano Sonata (1924)
- Order: Reorder
- Duration: 10:42
- Published: 11 Jul 2008
- Updated: 22 Aug 2012
Igor Stravinsky - Piano Sonata (1924) 2. Adagietto 1. quarter note = 112 3. quarter note = 112
http://wn.com/Igor_Stravinsky_plays_Stravinsky_Piano_Sonata_1924
Stravinsky in rehearsal (vaimusic.com)
- Order: Reorder
- Duration: 2:35
- Published: 29 Jul 2009
- Updated: 14 Aug 2012
vaimusic.com Igor Stravinsky in rehearsal conducting "Scherzino" From: VAI DVD 4500 Stravinsky at 85 Igor Stravinsky is arguably the most important composer of the twentieth century. In this 1967 program from the Canadian Broadcasting Corporation, he is seen in rehearsal and performance segments, leading The Toronto Symphony in his Suite from the ballet Pulcinella. After the musical portion of the video, Stravinsky is presented with the Medal of the Canada Council for the Arts, Humanities and Social Sciences. With English subtitles. 57 min., Black & white, mono, 4:3, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691.
http://wn.com/Stravinsky_in_rehearsal_vaimusiccom
Stravinsky's Firebird Part 1 (Inferno Dance) MTT
- Order: Reorder
- Duration: 8:30
- Published: 12 Sep 2008
- Updated: 23 Aug 2012
The Sanfransisco Symphony under Michael Tilson Thomas play Stravinsky's "The Firebird". Inferno dance to the beginning of the finale.
http://wn.com/Stravinsky's_Firebird_Part_1_Inferno_Dance_MTT
Igor Stravinsky: Symphonies Of Wind Instruments (1920)
- Order: Reorder
- Duration: 9:59
- Published: 03 Jun 2007
- Updated: 21 Aug 2012
Netherlands Wind Ensemble, Reinbert De Leeuw, conductor Igor Stravinsky's "Symphonies of Wind for Instruments", a piece he composed in 1920 in memory of Claude Debussy. It is the last major work in his characteristic Russian style. He had just moved his family from Biarritz to Brittany, but spent much time in Paris composing. Gabrille Chanel let him use her house in the suburbs, and the Pleyel company let him use a studio in their piano warehouse. the famed conductor Serge Koussevitzky conducted one of the first performances of "Symphonies", rather disasterously, and Stravinsky later said "Koussevitzky executed the work, in firing-squad fashion". Igor Stravinsky (1882 - 1971): Symphonies of Wind Instruments at the end is a little clip of Robert Craft speaking of the letter he wrote to Stravinsky concerning "Symphonies"
http://wn.com/Igor_Stravinsky_Symphonies_Of_Wind_Instruments_1920
Coco Chanel and Igor Stravinsky - Trailer HD 2010 / added 6. April
- Order: Reorder
- Duration: 1:59
- Published: 05 Apr 2010
- Updated: 23 Aug 2012
Visit us on www.soapcom.de In theaters June 11th, 2010 Paris 1913. At the Theatre Des Champs—Elysées, Igor Stravinsky premieres his The Rite Of Spring. Coco Chanel attends the premiere and is mesmerizedBut the revolutionary work is too modern, too radical: the enraged audience boos and jeers. A near riot ensues. Stravinsky is inconsolable. Seven years later, now rich, respected and successful, Coco Chanel meets Stravinsky again — a penniless refugee living in exile in Paris after the Russian Revolution. The attraction between them is immediate and electric. Coco offers Stravinsky the use of her villa in Garches so that he will be able to work, and he moves in straight away, with his children and consumptive wife. And so a passionate, intense love affair between two creative giants begins... # Genre:Drama # Director:Jan Kounen # Cast:Mads Mikkelsen, Anna Mouglalis
http://wn.com/Coco_Chanel_and_Igor_Stravinsky_Trailer_HD_2010_added_6_April
Igor Stravinsky - Elegy for Solo Viola (1944)
- Order: Reorder
- Duration: 5:28
- Published: 12 May 2009
- Updated: 26 Aug 2012
Igor Stravinsky, Elegy for solo viola (1944) Played flawlessly by Miles Hoffman. (His channel is MilesHoffmanViola) This short 5-minute work remains to be Stravinsky's only contribution to viola literature. It has been said that world renowned violist William Primrose once proposed commissioning a viola concerto from Stravinsky, but Stravinsky was not interested in the project, so he went to Bartok instead who did agree to the offer. The Elegy was commissioned by Germain Prevost to honor the memory of Alphonse Onnou (1893-1940). Prevost, who was an extremely sentimental man, not only commissioned Stravinsky for this work, but also his friend Darius Milhaud, who wrote three works for viola and piano in memory of Onnou as well. Undoubtedly in the war torn year of 1944, in which this work was composed, there were many victims worthy of this somber token of remembrance. Thank you for 45000 views!
http://wn.com/Igor_Stravinsky_Elegy_for_Solo_Viola_1944
Bernstein conducts Stravinsky - The Song of the Nightingale (Le chant du rossignol) (1/2)
- Order: Reorder
- Duration: 8:40
- Published: 15 Sep 2010
- Updated: 24 Aug 2012
Le chant du rossignol (1917) The symphonic poem "Le chant du rossignol" is an adaptation of music from the opera "Le rossignol" (The Nightingale) by Russian composer Igor Stravinsky (1882-1971). It is based on a Hans Christian Andersen fairy tale about the Emperor of China and his love for the song of a certain nightingale. Later, when Japanies envoys give the Emperor a mechanical nightingale, which can also sing beautifully, the real nightingale flies away. The Emperor, pining after the song of the real bird, falls ill and is about to die, when the real nightingale appears in his window and convinces Death to spare the Emperor. This recording is from a December 1956 live performance in Carnegie Hall with Leonard Bernstein conducting the New York Philharmonic Orchestra.
http://wn.com/Bernstein_conducts_Stravinsky_The_Song_of_the_Nightingale_Le_chant_du_rossignol_1_2
Stravinsky Petrouchka (1/4)
- Order: Reorder
- Duration: 10:00
- Published: 28 Mar 2009
- Updated: 26 Aug 2012
Part 1: Igor Stravinsky: Petrouchka, Ballet in Four Parts -- Even the most stubborn Stravinsky-hater, just like me, will find it hard to resist Petrouchka. Comedy rarely found in too many ballets are found plenty here, and the primal music and the even-more-primal Petrouchka will make you roar with laughter. Or maybe its just me. Its not the best production, but since there was none on Youtube and personally, I find actually seeing the ballet much enjoyable than just listening to the music. The plot adds another deep layer of fun in it. As I said, there should be better ones, but hopefully you should be able to enjoy it at least. PS Make sure you pay attention to the Petrouchka chord. Similar elements can be found that is also found in Wagners operas. Might as well call this chord a sort of a leitmotif.
http://wn.com/Stravinsky_Petrouchka_1_4
Stravinsky Petrushka Russian Dance Bronfman Rec 1990
- Order: Reorder
- Duration: 2:30
- Published: 11 Oct 2008
- Updated: 28 Jul 2012
I recently Heard Yefim Bronfman give a magnificent performance of the Tchaikovsky First Piano Concerto with the Los Angeles Philharmonic Orchestra conducted by Esa-Pekka Salonen. Bronfman has recorded the complete Prokofiev Piano Sonatas and all five of Prokofiev's Piano Concertos. His discography also includes the three piano concertos of Bela Bartok. As did Harold Bauer and Ossip Gabrilowitsch before them,Yefim Bronfman and Emanuel Ax often present two-piano recitals. And like Bauer and Gabrilowitsch,both pianists often engage in performing chamber music.
http://wn.com/Stravinsky_Petrushka_Russian_Dance_Bronfman_Rec_1990
Igor Stravinsky conducts final of Firebird
- Order: Reorder
- Duration: 2:20
- Published: 21 Nov 2007
- Updated: 22 Aug 2012
Igor Stravinsky's visit to New Zealand in 1961, conducting the National Orchestra followed by Susan Maelki in rehearsal with the NZSO, 2006
http://wn.com/Igor_Stravinsky_conducts_final_of_Firebird
The Rite of Spring - Igor Stravinsky 1/4
- Order: Reorder
- Duration: 9:37
- Published: 11 Feb 2009
- Updated: 25 Aug 2012
The Rite of Spring - Le Sacre du Printemps Ballet for Orchestra by Igor Stravinsky and Nicolas Roerich George Hadjinikos conducts Orchestra Città Aperta 26/01/2003 en.wikipedia.org en.wikipedia.org www.roerich.org
http://wn.com/The_Rite_of_Spring_Igor_Stravinsky_1_4
A recording session with Igor Stravinsky (The Soldier's Tale)
- Order: Reorder
- Duration: 10:00
- Published: 29 Sep 2009
- Updated: 22 Aug 2012
Patched (from 2 parts), trimmed and cleaned up (visually and sonically) version of something I found elsewhere. Anything for a more substantial Stravinsky tribute here. Not that this is the first IS presence in my videos - that privilege belongs to the "rock band" version of Petruskha in "Anime Cafe" (Parts 1 & 2). 'Additional material' wise, I've also got an old 3 hour documentary on Igor - in my old Beta collection (and many LPs and CDs). This is nice to watch - Stravinsky''s smaller works avoid the excesses of his major ones. Though I'm a fan of at least the majority of his colossal output. Mind you, I'm still struck by the similarity of our surnames, letter-wise. My home: www.myspace.com
http://wn.com/A_recording_session_with_Igor_Stravinsky_The_Soldier's_Tale
Igor Stravinsky - Ebony Concerto
- Order: Reorder
- Duration: 8:55
- Published: 10 Nov 2010
- Updated: 25 Aug 2012
Ebony Concerto, for clarinet & jazz band (1945) Allegro moderato -- Andante -- Moderato -- Con moto -- Moderato -- Vivo Michel Arrignon, clarinet Ensemble InterContemporain Pierre Boulez Stravinsky wrote his Ebony Concerto for jazz bandleader Woody Herman, who premiered it with his ensemble the Thundering Herd in March 1946. It is modeled on the Baroque concerto grosso and obviously incorporates jazz styles popular during the wartime era. Cast in three very short movements -- the whole work lasting about nine minutes -- it is scored for clarinet and jazz band. Ebony Concerto opens with a lively Allegro moderato, where the themes are rhythmic and quite jerky in their unpredictability. Everything sounds Stravinskyan, though, the jazz elements fusing naturally with the composer's neo-Classical style. The most lyrical-sounding theme comes on clarinet and trombone, recalling a theme in ragtime from the composer's L'histoire du soldat. A reprise of the main material makes up the second half of the first movement. The middle panel is a bluesy Andante, an almost funereal piece in its lazy, dark mists and lower-range writing for the clarinet. The brief middle section is perky and playful, but the main theme returns in all its delicious gloom to close out the movement. The finale, marked Moderato -- Con moto -- Moderato -- Vivo, begins slowly and darkly then turns lively when a cool, bluesy theme is played by clarinet. The music from the opening returns before the playful Vivo <b>...</b>
http://wn.com/Igor_Stravinsky_Ebony_Concerto
Igor Stravinsky conducts The Firebird (L'Oiseau de Feu)
- Order: Reorder
- Duration: 3:05
- Published: 10 Jun 2008
- Updated: 25 Aug 2012
Watch the whole concert here: www.medici.tv Watch all our Igor Stravinsky videos here: www.medici.tv Igor Stravinsky the conductor conducts Stravinsky the composer, during a memorable farewell concert in London in 1965. In this video, an excerpt from The Firebird: Berceuse.
http://wn.com/Igor_Stravinsky_conducts_The_Firebird_L'Oiseau_de_Feu
Stravinsky: The Firebird Suite (1965) / Igor Stravinsky · New Philharmonia Orchestra
- Order: Reorder
- Duration: 31:18
- Published: 18 Jan 2011
- Updated: 27 Aug 2012
Probably, one of the greatest and most important recordings of all time: Igor Stravinsky with the New Philharmonia Orchestra playing The Firebird (1965 suite) for last time at Royal Festival Hall, in London. Probablemente, una de las más grandes e importantes grabaciones de todos los tiempos: Igor Stravinsky y la Nueva Orquesta Philharmonia interpretando El Pájaro de Fuego (suite de 1965) en el Royal Festival Hall, Londres. www.amazon.com (C) BBC / Opus Arte, Music Publishing Rights Collecting Society and ALL their respective owners. Not personal work here. If you feel this video violates some of your rights, please advice me and I'll fix it. PLEASE, don't delete it. It's a musical and cultural gift to the world!
http://wn.com/Stravinsky_The_Firebird_Suite_1965_Igor_Stravinsky_·_New_Philharmonia_Orchestra
Igor Stravinsky: Agon (1957)
- Order: Reorder
- Duration: 20:42
- Published: 30 May 2011
- Updated: 13 Aug 2012
Igor Stravinsky (1882-1971): Agon, balletto per dodici danzatori (1957) -- Boston Symphony Orchestra diretta da Erich Leinsdorf -- I. Pas de quatre II. Double pas de quatre III. Triple pas de quatre IV. Prelude First pas de trois V. Sarabande-step VI. Gailliarde VII. Coda VIII. Interlude Second pas de trois IX. Bransle simple X. Bransle gay XI. Bransle double XII. Interlude XIII. Pas de deux XIV. Four duos XV. Four trios ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
http://wn.com/Igor_Stravinsky_Agon_1957
Stravinsky - The Rite of Spring - Sacrificial Dance
- Order: Reorder
- Duration: 4:51
- Published: 23 Sep 2008
- Updated: 25 Aug 2012
Title :Igor Stravinsky ,The Rite of Spring - Sacrificial Dance From Wikipedia,The Rite of Spring, commonly referred to by its original French title, Le Sacre du Printemps (Russian: Весна священная, Vesna svjaščennaja) is a ballet with music by the Russian composer Igor Stravinsky, original choreography by Vaslav Nijinsky, and original set design and costumes by archaeologist and painter Nicholas Roerich, all under impressario Serge Diaghilev. The music is widely acknowledged as one of the greatest, most influential, and reproduced compositions in history. It is iconic for 20th century classical or avant garde European music, with innovative complex rhythmic structures, timbres, and use of dissonance. The scandal of a riot at its 1913 premier, caused by its innovative technique and content, made it one of the most internationally well known and controversial works in performance historyThe music for Le Sacre du Printemps is regarded as one of the pinnacles of human intellectual achievement. Composer and conductor Leonard Bernstein, in his Six Talks at Harvard, said of one passage, That page is sixty years old, but its never been topped for sophisticated handling of primitive rhythms, and of the work as a whole, its also got the best dissonances anyone ever thought up, and the best asymmetries and polytonalities and polyrhythms and whatever else you care to name.The Rite of Spring is a series of episodes depicting a wild pagan spring ritual: "... the wise elders are seated <b>...</b>
http://wn.com/Stravinsky_The_Rite_of_Spring_Sacrificial_Dance
Coco Chanel And Igor Stravinsky Clip2
- Order: Reorder
- Duration: 1:33
- Published: 11 Nov 2009
- Updated: 18 Aug 2012
A film by Jan Kounen.
http://wn.com/Coco_Chanel_And_Igor_Stravinsky_Clip2
Igor Stravinsky - Tango for Piano
- Order: Reorder
- Duration: 3:08
- Published: 12 May 2009
- Updated: 26 Aug 2012
Igor Stravinsky - Tango for Piano - Better Quality Sound. I don't know who the pianist is, so if anyone knows, please tell me so I can give credit to whom it is due. Audio owned by Koch Entertainment. Thanks very much for 55000 views!
http://wn.com/Igor_Stravinsky_Tango_for_Piano
Berceuse and Finale-Firebird Suite
- Order: Reorder
- Duration: 7:57
- Published: 11 Sep 2007
- Updated: 21 Aug 2012
My Blog: jakeorch.blogspot.com The Berceuse and Finale from Stravinsky's Firebird suite. Just a still photo video, enjoy the music.
http://wn.com/Berceuse_and_Finale-Firebird_Suite
Creative Commons / Robert Regassi
Creative Commons / George Grantham![In classical music, clarinets are part of standard orchestral instrumentation, which frequently includes two clarinetists playing individual parts — each player is usually equipped with a pair of standard clarinets in B♭ and A (see above) and clarinet parts commonly alternate between B♭ and A instruments several times over the course of a piece or even, less commonly, of a movement (e.g. 1st movement Brahms 3rd symphony).[39] Clarinet sections grew larger during the last few decades of the 19th](http://web.archive.org./web/20120828100905im_/http://cdn7.wn.com/pd/26/25/15126799cb5d48cf7f60c638300c_small.jpg "In classical music, clarinets are part of standard orchestral instrumentation, which frequently includes two clarinetists playing individual parts — each player is usually equipped with a pair of standard clarinets in B♭ and A (see above) and clarinet parts commonly alternate between B♭ and A instruments several times over the course of a piece or even, less commonly, of a movement (e.g. 1st movement Brahms 3rd symphony).[39] Clarinet sections grew larger during the last few decades of the 19th")
Creative Commons
Creative Commons
WN music poster
![In classical music, clarinets are part of standard orchestral instrumentation, which frequently includes two clarinetists playing individual parts — each player is usually equipped with a pair of standard clarinets in B♭ and A (see above) and clarinet parts commonly alternate between B♭ and A instruments several times over the course of a piece or even, less commonly, of a movement (e.g. 1st movement Brahms 3rd symphony).[39] Clarinet sections grew larger during the last few decades of the 19th](http://web.archive.org./web/20120828100905/http://cdn1.wn.com/pd/26/25/15126799cb5d48cf7f60c638300c_medium.jpg "In classical music, clarinets are part of standard orchestral instrumentation, which frequently includes two clarinetists playing individual parts — each player is usually equipped with a pair of standard clarinets in B♭ and A (see above) and clarinet parts commonly alternate between B♭ and A instruments several times over the course of a piece or even, less commonly, of a movement (e.g. 1st movement Brahms 3rd symphony).[39] Clarinet sections grew larger during the last few decades of the 19th")
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Related topics Elections 2012ObamaRomneyBidenAkingaffes by politicians Advertisement Everyone loves a good gaffe. They provide seemingly endless fodder for late-night television and give us something...
The Los Angeles Times
In the Getty's shiny large catalog for the Pacific Standard Time festival, Igor Stravinsky's name is a mere footnote. He is added to a list of émigré artists, and even there he comes after novelist Thomas Mann and philosopher-critic Theodor Adorno. He meant more. When Stravinsky arrived in...(size: 36.3Kb)
OU's Schools of Dance and Music Opera Theatre productions of Igor Stravinsky's "Mavra" and "Le ...
03 Mar 2011
The Oklahoman
FROM STAFF REPORTS Oklahoman Leave a comment...(size: 1.4Kb)
Harold Lloyd, Igor Stravinsky and Co.
20 Feb 2011
The Examiner
Back in the 1910s and 1920s, modernism and the cinema brushed up against one another. The surrealists, for example, loved Charlie Chaplin and championed his art. As did the early 20th century American poet Vachel Lindsay, who also had a special affection for Mary Pickford. The French composer...(size: 3.7Kb)
The Wedding by Igor Stravinsky listings
22 Nov 2010
Skiddle
Date: Wednesday 24th November 2010 Venue: Contact Theatre » Location: Manchester Doors: 20:00 til 21:00 Event short url: http://www.skiddle.com/events/11408555/ Share...(size: 1.1Kb)
The Examiner
Directed by Jan Kouen, Coco Chanel & Igor Stravinsky is a French biopic based on the true story of Coco Chanel and Igor Stravinsky. It is inspired by Chris Greenhalgh's novel Coco & Igor and he wrote the film's screenplay as well. In 2009, it was highly acclaimed at both the Cannes and...(size: 5.8Kb)
Review- Coco Chanel & Igor Stravinsky
19 Aug 2010
The Examiner
Coco Chanel & Igor Stravinsky is an odd case of a tale, at least as it is recounted in this film, that may have been best left as a historical footnote.The set up is certainly one that is loaded with promise. The film begins with the then controversial premiere of Stravinsky's The Rite of...(size: 4.7Kb)
Fashion on Film: Coco Chanel & Igor Stravinsky
10 Aug 2010
Amelias Magazine
A second biopic exploring the (love) life of saucy temptress Mademoiselle Coco Chanel hits the cinema this week. It's a feast for the eyes and a glorious romp through the fashion archives, unsurprisingly… Written by Matt Bramford Coco Chanel and Igor Stravinsky, illustrated by Naomi Law Plans to...(size: 8.7Kb)
Details Movie: Coco Chanel & Igor Stravinsky...
08 Aug 2010
Ohio
Details Movie: Coco Chanel & Igor Stravinsky Cast: Aurelie Le...(size: 0.4Kb)
Coco Chanel & Igor Stravinsky
08 Aug 2010
The Observer
Watch the trailer Link to this video There's a wonderful moment in Clint Eastwood's Bird, when Charlie Parker and Dizzy Gillespie make an expedition one night to the Los Angeles home of their idol, Igor Stravinsky. They ring the bell at the front garden gate and stand in the shadows, afraid to...(size: 11.2Kb)
Coco Chanel & Igor Stravinsky, Jan Kounen, 118 mins (15)Undertow, Javier Fuentes-Leon, 100 mins (15)
08 Aug 2010
The Independent
Almost precisely a year after Coco Before Chanel, here comes a second film about Gabrielle "Coco" Chanel. The poster even trumpets that it's "from the producer of Amélie", presumably in the hope that someone will make a subliminal connection to Audrey Tautou and imagine that they're watching an...(size: 5.6Kb)
This article is about the 20th century composer. For other uses, see Stravinsky (disambiguation).
Igor Fyodorovich Stravinsky (sometimes spelled Strawinsky or Stravinskii; Russian: Игорь Фёдорович Стравинский, transliterated: Igorʹ Fëdorovič Stravinskij; Russian pronunciation: [ˌiɡərʲ ˌfʲjodɐrɐvʲɪtɕ strɐˈvʲinskʲɪj]; 17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian, and later French and American composer, pianist and conductor. He is acknowledged by many as one of the most important and influential composers of the 20th century.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913). The Rite of Spring, which provoked a riot during its premiere, transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His so-called Russian phase was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue and symphony). They frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form, of instrumentation and of utterance.
Contents |
Life and career[link]
Early life in Russia[link]
Stravinsky was born on 17 June 1882 in the Russian resort town of Oranienbaum[1] and was brought up in Saint Petersburg.[2] His parents were Fyodor Stravinsky, a bass singer at the Mariinsky Theatre in Saint Petersburg, and Anna Kholodovsky.[3] He recalled his schooldays as being lonely, later saying that "I never came across anyone who had any real attraction for me".[4] During his boyhood, Stravinsky began piano lessons, studied music theory and attempted some composition. In 1890, he was mesmerised by his first exposure to an orchestra, when he saw a performance of Tchaikovsky's ballet The Sleeping Beauty at the Mariinsky Theatre: by the age of fifteen, he had mastered Mendelssohn's Piano Concerto in G minor and finished a piano reduction of a string quartet by Glazunov, who considered the young Stravinsky to be unmusical and thought little of his composition skills.[5]
Despite his enthusiasm for music, his parents expected him to become a lawyer. Stravinsky enrolled to study law at the University of Saint Petersburg in 1901, but he attended fewer than fifty class sessions during his four years of study.[6] In the summer of 1902 Stravinsky stayed with the composer Nikolai Rimsky-Korsakov and his family in the German city of Heidelberg, where Rimsky-Korsakov, arguably the leading Russian composer at that time, suggested to Stravinsky that he should not enter the Saint Petersburg Conservatoire, but instead study composing by taking private lessons, in large part because of his age.[7] Stravinsksy's father died of cancer that year, by which time his son had already begun spending more time on his musical studies than on law.[8] The university was closed for two months in the spring of 1905 in the aftermath of Bloody Sunday:[9] Stravinsky was prevented from taking his final law examinations and later received a half-course diploma in April 1906.[3] Thereafter, he concentrated on studying music. In 1905, he began to take twice-weekly private lessons from Rimsky-Korsakov, whom he came to regard as a second father.[6] These lessons continued until Rimsky-Korsakov's death in 1908.[10]
In 1905 he was betrothed to his cousin Katerina (Catherine) Gabrielovna Nossenko, whom he had known since early childhood.[11] In spite of the Orthodox Church's opposition to marriage between first cousins, the couple married on 23 January 1906: their first two children, Fyodor (Theodore) and Ludmilla, were born in 1907 and 1908.[12]
In February 1909, two orchestral works, the Scherzo fantastique and Feu d'artifice (Fireworks) were performed at a concert in Saint Petersburg, where they were heard by Sergei Diaghilev, who was at that time involved in planning to present Russian opera and ballet in Paris. Diaghilev was sufficiently impressed by Fireworks to commission Stravinsky to carry out some orchestrations and then to compose a full-length ballet score, The Firebird.[13]
Life in Switzerland[link]
Stravinsky travelled to Paris in 1910 to attend the final rehearsals and the premiere of The Firebird. His family joined him before the end of the ballet season that year and they decided to remain in the West for a time, as his wife was expecting their third child. They moved to Switzerland, living in Clarens and then Lausanne where, in September 1910, their second son Siatoslav Soulima was born.[14] A second daughter, Maria Milena, was born in 1913. While pregnant with Maria Milena, Catherine was found to have tuberculosis and she was placed in a Swiss sanatorium in Leysin for her confinement.[15]
Over the next four years Stravinsky and his family lived in Russia during the summer months and spent each winter in Switzerland, which became a second home to them.[16] During this period Stravinsky composed three further works for the Ballets Russes—Petrushka, a ballet in four scenes (1911), the two-part ballet The Rite of Spring (1913) and his 'ballet with song' in one act, Pulcinella (1920).[17] He briefly travelled to Russia in July 1914 to collect research materials for his dance cantata Les noces before returning to Switzerland, just before the national borders closed following the outbreak of World War I.[18] He was not to return to his homeland for nearly fifty years.
The family struggled financially during this period. Russia (and its successor the USSR) did not adhere to the Berne convention and this created problems for Stravinsky when collecting royalties for the performances of all his Ballet Russes compositions.[19] Stravinsky blamed Diaghilev for his finanical troubles, whom he accused of failing to live up to the terms of a contract they had signed.[8] He approached the Swiss philanthropist Werner Reinhart for financial assistance during the time he was writing Histoire du soldat (The Soldier's Tale). Reinhart sponsored and largely underwrote its first performance, which was conducted by Ernest Ansermet on 28 September 1918 at the Theatre Municipal de Lausanne.[20] In gratitude, Stravinsky dedicated the work to Reinhart and gave him the original manuscript.[21] Reinhart supported Stravinsky further when he funded a series of concerts of his chamber music in 1919: Included was a suite from Histoire du soldat arranged for violin, piano and clarinet,[22] which was first performed on 8 November 1919, in Lausanne.[23] In gratitude to his benefactor, Stravinsky also dedicated his Three Pieces for Clarinet (October–November 1918) to Reinhart, who was an excellent amateur clarinettist.[24]
Life in France[link]
File:Igor Stravinsky as drawn by Pablo Picasso 31 Dec 1920 - Gallica.jpg
Stravinsky as drawn by Picasso in Paris on 31 December 1920
Stravinsky moved with his family to France in 1920,[25] He formed a business and musical relationship with the French piano manufacturing company Pleyel. Pleyel essentially acted as his agent in collecting mechanical royalties for his works and provided him with a monthly income and a studio space at its headquarters in which he could work and entertain friends and business acquaintances.[26] Under the terms of his contract with the company, Stravinsky agreed to arrange (and to some extent re-compose) many of his early works for the Pleyela, Pleyel's brand of player piano.[27] He did so in a way that made full use of all of the piano's eighty-eight notes, without regard for human fingers or hands. The rolls were not recorded, but were instead marked up from a combination of manuscript fragments and handwritten notes by the French musician Jacques Larmanjat, the musical director of Pleyel's roll department. Among the compositions that were issued on the Pleyela piano rolls are The Rite of Spring, Petrushka, The Firebird and Song of the Nightingale. During the 1920s, Stravinsky recorded Duo-Art rolls for the Aeolian Company in both London and New York, not all of which have survived.[28]
Patronage was never far away. In the early 1920s, Leopold Stokowski gave Stravinsky regular support through a pseudonymous 'benefactor'.[29] The composer was also able to attract commissions: most of his work from The Firebird onwards was written for specific occasions and was paid for generously.[citation needed]
Stravinsky met Vera de Bosset in Paris in February 1921,[30] when she was married to the painter and stage designer Serge Sudeikin, and they began an affair which led to Vera leaving her husband.[31] From then until his wife's death in 1939, Stravinsky led a double life, spending some of his time with his first family and the rest with Vera.[32] Catherine bore her husband's infidelity "with a mixture of magnaminity, bitterness, and compassion", passively accepting it as inevitable and permanent.[33]
After living near Paris for a short while, the Stravinsky family moved to the south of France, becoming French citizens in 1934 and returning to Paris that year, to live at the rue du Faubourg Saint-Honoré.[34] Stravinsky later remembered this last European address as his unhappiest, as his wife's tuberculosis infected both himself and his eldest daughter Ludmila. Ludmila died in 1938 and Catherine, to whom he had been married for 33 years, died of tubercolosis a year later.[35] Stravinsky himself spent five months in hospital, during which time his mother died.[36]
During his later years in Paris, Stravinsky had developed professional relationships with key people in the United States: he was already working on his Symphony in C for the Chicago Symphony Orchestra[37] and he had agreed to deliver lectures at Harvard during 1939.[38] A few months after World War II broke out in September 1939, Stravinsky moved to the United States. Vera followed him the following year and they were married in Bedford, Massachusetts on 9 March 1940.[39]
Life in America[link]
Stravinsky settled in Los Angeles, living at 1260 North Wetherly Drive, West Hollywood.[40] He spent more time living in Los Angeles than in any other city.[41] He became a naturalized United States citizen in 1945.[42]
Stravinsky had adapted to life in France, but moving to America at the age of 58 was a very different prospect. For a while, he maintained a circle of contacts and emigré friends from Russia, but he eventually found that this did not sustain his intellectual and professional life. He was drawn to the growing cultural life of Los Angeles, especially during World War II, when so many writers, musicians, composers and conductors settled in the area: these included Otto Klemperer, Thomas Mann, Franz Werfel, George Balanchine and Arthur Rubinstein. He lived near to Arnold Schoenberg, though he did not have a close relationship with him. Bernard Holland notes that he was especially fond of British writers, who often visited him in Beverly Hills, "like W. H. Auden, Christopher Isherwood, Dylan Thomas. They shared the composer's taste for hard spirits - especially Aldous Huxley, with whom Stravinsky spoke in French".[43] Stravinsky sometimes conducted concerts with the Los Angeles Philharmonic at the famous Hollywood Bowl and he conducted other orchestras throughout the United States. His plans to write an opera with W. H. Auden coincided with a meeting with the musicologist Robert Craft, who became Stravinsky's interpreter, chronicler, assistant conductor and factotum for countless musical and social tasks, living with him until his death.
Stravinsky's unconventional major seventh chord in his arrangement of "The Star-Spangled Banner" led to an incident with the Boston police on 15 January 1944, but he was only warned that the authorities could impose a $100 fine upon any "rearrangement of the national anthem in whole or in part".[44][45][46] The incident soon established itself as a myth, in which Stravinsky was supposedly arrested for playing the music.[47]
Stravinsky was on the lot of Paramount Pictures during the recording of the musical score to the 1956 film The Court Jester. The red 'recording in progress' light was illuminated to prevent interruptions and Vic Schoen, the composer of the score, had started to conduct a cue, but at that moment he saw that the entire orchestra had turned to look at Stravinsky, who had just walked into the studio. Schoen said, "The entire room was astonished to see this short little man with a big chest walk in and listen to our session. I later talked with him after we were done recording. We went and got a cup of coffee together. After listening to my music Stravinsky told me, "You have broken all the rules". At the time I didn't understand his comment, because I had been self-taught. It took me years to figure out what he had meant".[cite this quote]
Stravinsky's professional life encompassed most of the 20th century, including many of its modern classical music styles, and he influenced composers both during and after his lifetime. In 1959, he was awarded the Sonning Award, Denmark's highest musical honour. In 1962, he accepted an invitation to return to Leningrad for a series of concerts. During his stay in the USSR, he visited Moscow and met several leading Soviet composers, including Dmitri Shostakovich and Aram Khachaturian.[48]
In 1969, Stravinsky moved to the Essex House in New York, where he lived until his death in 1971 at the age of 88. He was buried in Venice on the cemetery island of San Michele, close to the tomb of his long-time collaborator Diaghilev.
He has a star on the Hollywood Walk of Fame and in 1987 he was posthumously awarded the Grammy Award for Lifetime Achievement. He was inducted into the National Museum of Dance C.V. Whitney Hall of Fame in 2004.[citation needed]
Personality[link]
File:Stravinsky picasso.png
Stravinsky and Pablo Picasso collaborated on Pulcinella in 1920. Picasso took the opportunity to make several sketches of the composer.
Stravinsky displayed an inexhaustible desire to explore and learn about art, literature and life, which manifested itself in several of his Paris collaborations. Not only was he the principal composer for Diaghilev's Ballets Russes, but he also collaborated with Picasso (Pulcinella, 1920), Jean Cocteau (Oedipus Rex, 1927) and George Balanchine (Apollon musagète, 1928). His taste in literature was wide and reflected his constant desire for new discoveries. The texts and literary sources for his work began with a period of interest in Russian folklore, which progressed to classical authors and the Latin liturgy and moved on to contemporary France (André Gide, in Persephone) and eventually English literature, including Auden, T. S. Eliot and medieval English verse.
According to Robert Craft, Stravinsky remained a confirmed monarchist throughout his life and loathed the Bolsheviks from the very beginning.[49] In 1930, he remarked, "I don't believe that anyone venerates Mussolini more than I... I know many exalted personages, and my artist's mind does not shrink from political and social issues. Well, after having seen so many events and so many more or less representative men, I have an overpowering urge to render homage to your Duce. He is the saviour of Italy and – let us hope – Europe". Later, after a private audience with Mussolini, he added, "Unless my ears deceive me, the voice of Rome is the voice of Il Duce. I told him that I felt like a fascist myself... In spite of being extremely busy, Mussolini did me the great honour of conversing with me for three-quarters of an hour. We talked about music, art and politics".[50] When the Nazis placed Stravinsky's works on the list of "Entartete Musik", he lodged a formal appeal to establish his Russian genealogy and declared, "I loathe all communism, Marxism, the execrable Soviet monster, and also all liberalism, democratism, atheism, etc.."[51] Towards the end of his life, at Craft's behest, Stravinsky made a return visit to his native country and composed a cantata in Hebrew, travelling to Israel for its performance.[49][page needed]
Stravinsky proved adept at playing the part of a 'man of the world', acquiring a keen instinct for business matters and appearing relaxed and comfortable in public. His successful career as a pianist and conductor took him to many of the world's major cities, including Paris, Venice, Berlin, London, Amsterdam and New York and he was known for his polite, courteous and helpful manner.
Stravinsky was reputed to have been a philanderer and was rumoured to have had affairs with high-profile partners such as Coco Chanel. He never referred to it himself, but Chanel spoke about their affair at length to her biographer Paul Morand in 1946 and their conversation was published thirty years later.[52] The accuracy of Chanel's claims has been disputed by both Stravinsky's widow Vera and by his amanuensis Craft.[53] The Chanel fashion house has stated that there was never proof that an affair between Coco and Igor Stravinsky ever existed.[54] A fictionalization of the supposed affair formed the basis of the 2002 novel Coco and Igor and a 2009 film, Coco Chanel & Igor Stravinsky. Despite these supposed liaisons, it is known that Stravinsky was a family man who devoted considerable amounts of his time and money to his children.[55]
Faith[link]
Stravinsky was a devout member of the Russian Orthodox Church during most of his life, remarking at one time that, "Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament".[56]
Although Stravinsky was not outspoken about his faith, he was a deeply religious man throughout some periods of his life. As a child, he was brought up by his parents in the Russian Orthodox Church. Baptized at birth, he later rebelled against the Church and abandoned it by the time he was fourteen or fifteen.[57] Throughout the rise of his career he was estranged from Christianity and it was not until he reached his early forties that he experienced a spiritual crisis. After befriending a Russian priest named Father Nicolas after his move to Nice in 1924, he reconnected with his faith. He rejoined the Russian Orthodox Church and afterwards remained a committed Christian.[58] Robert Craft noted that Stravinsky prayed daily, before and after composing, and also prayed when facing difficulty.[59] Towards the end of his life, he was no longer able to attend Russian Orthodox services.
In in his late seventies, Stravinsky said:
I cannot now evaluate the events that, at the end of those thirty years, made me discover the necessity of religious belief. I was not reasoned into my disposition. Though I admire the structured thought of theology (Anselm's proof in the Fides Quaerens Intellectum, for instance) it is to religion no more than counterpoint exercises are to music. I do not believe in bridges of reason or, indeed, in any form of extrapolation in religious matters. ... I can say, however, that for some years before my actual "conversion," a mood of acceptance had been cultivated in me by a reading of the Gospels and by other religious literature. ...[60]
Music[link]
Further information: List of compositions by Igor Stravinsky
Stravinsky's career as a composer may be divided roughly into three stylistic periods:
Russian period (from about 1908 to 1919)[link]
Stravinsky's first period (which excludes some of his early minor works) began with Feu d'artifice (Fireworks) and included the three ballets he composed for Diaghilev. These three works have several characteristics in common: they are scored for an extremely large orchestra; they use Russian folk themes and motifs; and they were influenced by Rimsky-Korsakov's imaginative scoring and instrumentation. They also exhibit considerable stylistic development, from The Firebird, which emphasizes certain tendencies in Rimsky-Korsakov and features pandiatonicism in a conspicuous way in the third movement, to the use of polytonality in Petrushka and the intentionally brutal polyrhythms and dissonances of The Rite of Spring.
The first of his ballets, The Firebird, is noted for its imaginative orchestration. This is evident from the outset, as heard in the introduction, which exploits the double bass's low register. Petrushka, the first of Stravinsky's ballets to draw on folk mythology, is also distinctively scored. In The Rite of Spring, the composer attempts to depict the brutality of pagan Russia in his music, the inspiration of the violent motifs that recur throughout the work.
If Stravinsky's stated intention was "to send them all to hell",[61] then he may have rated the 1913 premiere of The Rite of Spring as a success: it is a famous classical music riot and Stravinsky referred to it on several occasions in his autobiography as a "scandale".[62] There were reports of fistfights among the audience and the need for a police presence during the second act. The real extent of the tumult is open to debate and the reports may be apocryphal.[63]
Other pieces from the Russian period include: Le Rossignol (The Nightingale); Renard (1916); Histoire du soldat (1918); and Les noces (The Wedding) (1923).
Neoclassical period (from about 1920 to 1954)[link]
The next phase of Stravinsky's compositional style extends from the opera Mavra (1921–22), which is regarded as the start of his neo-classical period, until 1952, when he turned to serialism.[3] Pulcinella (1920) and the Octet for wind instruments (1923) are the first of his compositions to feature his re-examination of the classical music of Mozart, J. S. Bach and their contemporaries.[citation needed] Works such as Oedipus Rex (1927), Apollon musagète (1928) and the Dumbarton Oaks Concerto (1937–38) continued his re-thinking of eighteenth-century musical styles.
Other works from this period include the three symphonies: the Symphonie des Psaumes (Symphony of Psalms, 1930), Symphony in C (1940) and the Symphony in Three Movements (1945). Apollon, Persephone (1933) and Orpheus (1947) exemplify not only Stravinsky's return to the music of the Classical period, but also his exploration of themes from the ancient Classical world such as Greek mythology.
In 1951 he completed his last neo-classical work, the opera The Rake's Progress, to a libretto by W. H. Auden that was based on the etchings of William Hogarth. It premiered in Venice that year and was produced around Europe the following year, before being staged in the New York Metropolitan Opera in 1953.[64] It was staged by the Santa Fe Opera in a 1962 Stravinsky Festival, in honour of the composer's 80th birthday.[65] The music is direct but quirky and borrows from classic tonal harmony, but also interjects surprising dissonances. It features Stravinsky's trademark off-rhythms and harks back to the operas and themes of Monteverdi, Gluck and Mozart. It was revived by the Metropolitan Opera in 1997.
Serial period (from 1954 to 1968)[link]
In the 1950s, Stravinsky began using serial compositional techniques such as dodecaphony, the twelve-tone technique originally devised by Arnold Schoenberg.[66]
He first experimented with non-twelve-tone serial techniques in small-scale vocal and chamber works such as the Cantata (1952), the Septet (1953) and Three Songs from Shakespeare (1953). The first of his compositions to be fully based on such techniques was In Memoriam Dylan Thomas (1954). Agon (1954–57) was the first of his works to include a twelve-tone series and Canticum Sacrum (1955) was the first piece to contain a movement entirely based on a tone row.[67] Stravinsky later expanded his use of dodecaphony in works such as Threni (1958), A Sermon, a Narrative, and a Prayer (1961) and The Flood (1962), which are based on biblical texts.
Agon is choreographed for twelve ballet dancers. It forms an important transition between Stravinsky's neo-classical period and his serial style. Parts of Agon are reminiscent of the 'white-note' tonality of his neo-classic period, while others (for example Bransle Gay) display his re-interpretation of serial methods.
Innovation and influence[link]
Stravinsky is known as "one of music's truly epochal innovators".[68] The most important aspect of Stravinsky's work, aside from his technical innovations (including in rhythm and harmony), is the 'changing face' of his compositional style while always 'retaining a distinctive, essential identity'.[68] He himself was inspired by different cultures, languages and literatures. As a consequence, his influence on composers both during his lifetime and after his death was, and remains, considerable.
Stravinsky's use of motivic development (the use of musical figures that are repeated in different guises throughout a composition or section of a composition) included additive motivic development. This is where notes are subtracted or added to a motif without regard to the consequent changes in metre. A similar technique can be found as early as the sixteenth century, for example in the music of Cipriano de Rore, Orlandus Lassus, Carlo Gesualdo and Giovanni de Macque, music with which Stravinsky exhibited considerable familiarity.[69]
The Rite of Spring is notable for its relentless use of ostinati, for example in the eighth note ostinato on strings accented by eight horns in the section Augurs of Spring (Dances of the Young Girls). The work also contains passages where several ostinati clash against one another.
Stravinsky was noted for his distinctive use of rhythm, especially in The Rite of Spring.[70] According to the composer Philip Glass, "the idea of pushing the rhythms across the bar lines [...] led the way [...]. The rhythmic structure of music became much more fluid and in a certain way spontaneous".[71] Glass mentions Stravinsky's "primitive, offbeat rhythmic drive".[72] According to Andrew J. Browne, "Stravinsky is perhaps the only composer who has raised rhythm in itself to the dignity of art".[73] Stravinsky's rhythm and vitality greatly influenced the composer Aaron Copland.[74]
Stravinsky's first neo-classical works were the ballet Pulcinella of 1920 and the stripped-down and delicately scored Octet for Wind Instruments (1923). He may have been preceded in his use of neoclassical devices by composers such as Prokofiev and Erik Satie. By the late 1920s and 1930s, the use by composers of neoclassicism had become widespread.[citation needed]
Stravinsky composed pieces that elaborated on individual works by earlier composers, a tradition that goes back at least to the fifteenth century quodlibet and parody mass. An early example is his Pulcinella of 1920, where he used music then attributed to Giovanni Pergolesi. His source material was at times quoted directly and at other times reinvented. He developed this technique further in the ballet The Fairy's Kiss (1928), which was based on music by Tchaikovsky. Later examples of comparable musical transformations include Stravinsky's use of Schubert's Marche Militaire No. 1 in his Circus Polka (1942) and "Happy Birthday to You" in Greeting Prelude (1955).
In The Rite of Spring, Stravinsky stripped folk themes to their most basic melodic outlines, often contorting them beyond recognition using added notes, inversion and diminution.[citation needed]
Use of the orchestra[link]
As with many late romantic composers, Stravinsky often called for huge orchestral forces, especially in his early ballets. The Firebird proved him to be the equal of Nikolai Rimsky-Korsakov and lit the "fuse under the instrumental make-up of the 19th century orchestra". In The Firebird he took the orchestra apart and analysed it.[75] Aaron Copland characterized The Rite of Spring as the foremost orchestral achievement of the 20th century.[76]
Stravinsky wrote for unique combinations of instruments in smaller ensembles, chosen for their precise tone colours. For example, Histoire du soldat is scored for clarinet, bassoon, cornet, trombone, violin, double bass and percussion, a strikingly unusual combination for 1918.
Stravinsky occasionally exploits the extreme ranges of instruments, most famously at the opening of The Rite of Spring, where he uses the extreme upper reaches of the bassoon to simulate the symbolic 'awakening' of a spring morning.
Reception[link]
Stravinsky is acknowledged as one of the most important and influential composers of the 20th century.[77][78][79] He was named by Time magazine as one of the 100 most influential people of the century.[72] He became a naturalized French citizen in 1934 and a naturalized United States citizen in 1945. In addition to the recognition he received for his compositions, he achieved fame as a pianist and a conductor, often at the premieres of his works.
In 1923, Erik Satie wrote an article about Igor Stravinsky in Vanity Fair.[80] Satie had met Stravinsky for the first time in 1910. His attitude towards the Russian composer is marked by deference, as can also be seen from the letters he wrote to him in 1922, in preparation for the Vanity Fair article. With a touch of irony, he concluded in one of these letters, "I admire you: are you not the Great Stravinsky? I am but little Erik Satie".[citation needed] In the published article, Satie argued that measuring the 'greatness' of an artist by comparing him to other artists, as if speaking about some 'truth', is illusory and that every piece of music should be judged on its own merits and not by comparing it to the standards of other composers. That was exactly what Jean Cocteau did when he commented deprecatingly on Stravinsky in his 1918 book Le Coq et l'Arlequin.[81]
According to The Musical Times in 1923:
All the signs indicate a strong reaction against the nightmare of noise and eccentricity that was one of the legacies of the war.... What has become of the works that made up the program of the Stravinsky concert which created such a stir a few years ago? Practically the whole lot are already on the shelf, and they will remain there until a few jaded neurotics once more feel a desire to eat ashes and fill their belly with the east wind.[82]
In 1935, the American composer Marc Blitzstein compared Stravinsky to Jacopo Peri and C.P.E. Bach, conceding that, "there is no denying the greatness of Stravinsky. It is just that he is not great enough".[83] Blitzstein's Marxist position was that Stravinsky's wish to "divorce music from other streams of life", which is "symptomatic of an escape from reality", resulted in a "loss of stamina", naming specifically Apollo, the Capriccio, and Le Baiser de la fée.[84]
The composer Constant Lambert described pieces such as Histoire du soldat as containing "essentially cold-blooded abstraction".[85] Lambert continued, "melodic fragments in Histoire du Soldat are completely meaningless themselves. They are merely successions of notes that can conveniently be divided into groups of three, five, and seven and set against other mathematical groups" and he described the cadenza for solo drums as "musical purity...achieved by a species of musical castration". He compared Stravinsky's choice of "the drabbest and least significant phrases" to Gertrude Stein's: "Everyday they were gay there, they were regularly gay there everyday" ("Helen Furr and Georgine Skeene", 1922), "whose effect would be equally appreciated by someone with no knowledge of English whatsoever".[86]
In his 1949 book Philosophy of Modern Music, Theodor W. Adorno described Stravinsky as an acrobat and spoke of hebephrenic and psychotic traits in several of Stravinsky's works. Contrary to a common misconception, Adorno didn't think that the hebephrenic and psychotic imitations that the music was supposed to contain were its main fault, as he pointed out in a postscriptum that he added later to his book. Adorno's criticism of Stravinsky is more concerned with the 'transition to positivity' that he found in the his neoclassical works.[87] Part of the composer's error, in Adorno's view, was his neo-classicism,[88] but of greater importantance was his music's "pseudomorphism of painting", playing off le temps espace (time-space) rather than le temps durée (time-duration) of Henri Bergson.[89] According to Adorno, "one trick characterizes all of Stravinsky's formal endeavors: the effort of his music to portray time as in a circus tableau and to present time complexes as though they were spatial. This trick, however, soon exhausts itself".[90] Adorno maintained that the "rhythmic procedures closely resemble the schema of catatonic conditions. In certain schizophrenics, the process by which the motor apparatus becomes independent leads to infinite repetition of gestures or words, following the decay of the ego".[91]
Stravinsky's reputation in Russia and the USSR rose and fell. Performances of his music were banned from around 1933 until 1962, the year Nikita Khrushchev invited him to the USSR for an official state visit. In 1972, an official proclamation by the Soviet Minister of Culture, Ekaterina Furtseva, ordered Soviet musicians to "study and admire" Stravinsky's music and she made hostility toward it a potential offence.[92]
While Stravinsky's music has been criticized for its range of styles[according to whom?], scholars had "gradually begun to perceive unifying elements in Stravinsky's music" by the 1980s.[citation needed] Earlier writers, such as Aaron Copland, Elliott Carter, Boris de Schloezer and Virgil Thomson, writing in Modern Music (a quarterly review published between 1925 and 1946), could find only a common " 'seriousness' of 'tone' or of 'purpose', 'the exact correlation between the goal and the means', or a dry 'ant-like neatness' ".[93]
From the mid-1960s onwards Stravinsky's music influenced the work of musicians such as Steve Reich and Philip Glass[citation needed].
He was honoured in 1982 by the United States Postal Service with a 2¢ Great Americans series postage stamp.
Awards[link]
- 1959: Léonie Sonning Music Prize
- Grammy Awards
- 1962: Best Classical Composition by Contemporary Composer (The Flood)[94]
- 1962: Best Classical Performance – Orchestra (The Firebird, Igor Stravinsky conducting Columbia Symphony Orchestra)[94]
- 1962: Best Classical Performance – Instrumental Soloist (with orchestra) (Violin Concerto in D, Isaac Stern; Igor Stravinsky conducting Columbia Symphony Orchestra)[94]
- 1987: Lifetime Achievement (posthumous)
Recordings and publications[link]
Further information: Igor Stravinsky discography
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Igor Stravinsky found recordings a practical and useful tool in preserving his thoughts on the interpretation of his music. As a conductor of his own music, he recorded primarily for Columbia Records, beginning in 1928 with a performance of the original suite from The Firebird and concluding in 1967 with the 1945 suite from the same ballet.[95] In the late 1940s he made several recordings for RCA Victor at the Republic Studios in Los Angeles. Although most of his recordings were made with studio musicians, he also worked with the Chicago Symphony Orchestra, the Cleveland Orchestra, the CBC Symphony Orchestra, the New York Philharmonic Orchestra, the Royal Philharmonic Orchestra and the Bavarian Broadcasting Symphony Orchestra.
During his lifetime, Stravinsky appeared on several telecasts, including the 1962 world premiere of The Flood on CBS television. Although he made an appearance, the actual performance was conducted by Robert Craft.[96] Numerous films and videos of the composer have been preserved.
Stravinsky published a number of books throughout his career, almost always with the aid of a (sometimes uncredited) collaborator. In his 1936 autobiography, Chronicles of My Life, which was written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all".[97] With Alexis Roland-Manuel and Pierre Souvtchinsky, he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and first collected under the title Poétique musicale in 1942 and then translated in 1947 as Poetics of Music.[98] In 1959, several interviews between the composer and Robert Craft were published as Conversations with Igor Stravinsky,[99] which was followed by a further five volumes over the following decade.
References[link]
- ^ Greene 1985, 1101.
- ^ White 1979, 4.
- ^ a b c Walsh 2001.
- ^ Stravinsky 1962, 8.
- ^ Dubal 2001, 564.
- ^ a b Dubal 2001, 565.
- ^ White 1979, 8.
- ^ a b Palmer 1982.
- ^ Walsh 2000, 83.
- ^ Stravinsky 1962, 24.
- ^ White 1979, 5.
- ^ White 1979, 11–12.
- ^ White 1979, 15–16.
- ^ White 1979, 18.
- ^ White 1979, 29.
- ^ White 1979, 33.
- ^ Oliver 1995, 221.
- ^ Oliver 1995, 74.
- ^ White 1979, 85.
- ^ White 1979, 47-48.
- ^ Keller 2011, 456.
- ^ Stravinsky 1962, 83.
- ^ White 1979, 50.
- ^ "Stravinsky: Histoire Du Soldat Suite (further information)". Naxosdirect.com. http://www.naxosdirect.com/title/8.557505. Retrieved 9 March 2010.
- ^ Stravinsky 1962, 84-86.
- ^ Compositions for Pianola - Igor Stravinsky pianola.org. Retrieved 3 March 2012.
- ^ White 1979, 573.
- ^ Lawson 1986, 298-301.
- ^ See "Stravinsky, Stokowski and Madame Incognito", Craft 1992, 73–81.
- ^ Walsh 2000, 336.
- ^ VERA de Bosset Sudeikina (Vera Stravinsky) bbc.co.uk. Retrieved 3 March 2012.
- ^ Cooper 2000, 306.
- ^ Joseph 2001, 73.
- ^ White 1979, 77; 84.
- ^ White 1979, 90.
- ^ Stravinsky; Craft 1960, 18.
- ^ Joseph 2001, 279.
- ^ Walsh 2006, 595.
- ^ White 1979, 93.
- ^ "3 June 1957, The Daily Mirror, Stravinsky turns 75". Latimesblogs.latimes.com. 3 June 2007. http://latimesblogs.latimes.com/thedailymirror/2007/06/stravinsky_turn.html. Retrieved 9 March 2010.
- ^ Holland 2001.
- ^ White 1979, 390.
- ^ Holland 2001
- ^ Anonymous 1944.
- ^ "Mass. Gen. Laws ch. 249, § 9". http://www.mass.gov/legis/laws/mgl/264-9.htm.
- ^ According to Michael Steinberg's liner notes to Stravinsky in America, RCA 09026-68865-2, p. 7, the police "removed the parts from Symphony Hall", quoted in Thom 2007, 50.
- ^ Walsh 2006, 152.
- ^ White 1979, 146–48.
- ^ a b Craft 1982,[page needed].
- ^ Sachs 1987, 168.
- ^ Taruskin and Craft 1989.
- ^ Morand 1976, 121–24.
- ^ Davis 2006, 439.
- ^ Fact-or-fiction Chanel-Stravinsky affair curtains Cannes. Expatica.com, Swiss News, 25 May 2009. Retrieved 28 Dec 2010.
- ^ T. Strawinsky and D. Strawinsky 2004,[page needed].
- ^ "Stravinsky's quotations". Brainyquote.com. 6 April 1971. http://www.brainyquote.com/quotes/authors/i/igor_stravinsky.html. Retrieved 9 March 2010.
- ^ Stravinsky and Craft 1969, 198.
- ^ Stravinsky and Craft 1960, 51.
- ^ Stravinsky and Craft 1966 172–75
- ^ Copeland 1982, 565, quoting Stravinsky and Craft 1962, 63–64.
- ^ Wenborn 1985, 17, alludes to this comment, without giving a specific source.
- ^ Stravinsky 1936[citation needed]
- ^ See Eksteins 1989, 10–16, for an overview of contradictory reportage of the event by participants and the press.
- ^ Griffiths, Stravinsky, Craft, and Josipovici 1982, 49–50.
- ^ Anonymous 1962.
- ^ Craft 1982.
- ^ Straus 2001, 4.
- ^ a b AMG (2008). "Igor Stravinsky" biography, AllMusic.
- ^ Stravinsky and Craft 1960, 116–17.
- ^ Simon 2007.
- ^ Simeone, Craft, and Glass 1999.
- ^ a b Glass 1998.
- ^ Browne 1930, 360.
- ^ BBC Radio 3 programme, "Discovering Music" near 33:30.[Full citation needed]
- ^ Hazlewood 2003.
- ^ Copland 1952, 37
- ^ Page 2006; Théodore and Denise Stravinsky 2004, vii.
- ^ Anonymous 1940.
- ^ Cohen 2004, 30.
- ^ Satie 1923.
- ^ Volta 1989, first pages of chapter on contemporaries.[page needed]
- ^ The Musical Times, October 1923.
- ^ Blitzstein 1935, 330.
- ^ Blitzstein 1935, 346–47.
- ^ Lambert 1936, 94.
- ^ Lambert 1936, 101–105.
- ^ Adorno 2006, 167.
- ^ Adorno 1973, 206–9.
- ^ Adorno 1973, 191–93.
- ^ Adorno 1973, 195.
- ^ Adorno 1973, 178.
- ^ Karlinsky 1985, 282.
- ^ Pasler 1983, 608.
- ^ a b c "1962 Grammy Awards". Infoplease. 5 March 2012. http://www.infoplease.com/ipa/A0150544.html. Retrieved 15 March 2012.
- ^ "Miniature masterpieces". Fondation Igor Stravinsky. http://www.fondation-igor-stravinsky.org/web/en/miniatures.html. Retrieved 2 November 2011.
- ^ "Igor Stravinsky - Flood - Opera". Boosey.com. http://www.boosey.com/pages/opera/moreDetails.asp?musicID=7635. Retrieved 2 November 2011.
- ^ Stravinsky 1936, 91–92.
- ^ The names of uncredited collaborators are given in Walsh (2001).
- ^ Stravinsky and Craft 1959.
Bibliography[link]
- Adorno, Theodor. 1973. Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Continuum. ISBN 0-8264-0138-4 Original German edition, as Philosophie der neuen Musik. Tübingen: J. C. B. Mohr, 1949.
- Adorno, Theodor W. 2006. Philosophy of New Music, translated, edited, and with an introduction by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. ISBN 0-8166-3666-4.
- Anonymous. 1940. "Musical Count". Time Magazine (Monday, 11 March).
- Anonymous. 1944. "Stravinsky Liable to Fine". The New York Times (16 January) (Accessed 22 June 2010).
- Anonymous. 1962. "Life Guide: Salutes to Stravinsky on His 80th; A Funny Faulkner, Farm Tours", Life Magazine (8 June): 17.
- Berry, David Carson. 2006. "Stravinsky, Igor." Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire, editors-in-chief John Merriman and Jay Winter, 4:2261–63. Detroit: Charles Scribner's Sons.
- Berry, David Carson. 2008. "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare.'" Gamut 1/1.
- Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". The Musical Quarterly 21, no. 3 (July): 330–47. Reprinted 1991, The Musical Quarterly 75, no. 4 (Winter): 51–69.
- Browne, Andrew J. 1930. "Aspects of Stravinsky's Work". Music & Letters 11, no. 4 (October): 360–66. Online link accessed 19 November 2007 (subscription access).
- Cocteau, Jean. 1918. Le Coq et l'arlequin: notes de la musique. Paris: Éditions de la Sirène. Reprinted 1979, with a preface by Georges Auric. Paris: Stock. ISBN 2-234-01081-0 English edition, as Cock and Harlequin: Notes Concerning Music, translated by Rollo H. Myers, London: Egoist Press, 1921.
- Cohen, Allen. 2004. Howard Hanson in Theory and Practice. Westport, Conn.: Praeger Publishers. ISBN 0-313-32135-3.
- Cooper, John Xiros (editor). 2000. T. S. Elliot's Orchestra: Critical Essays on Poetry and Music. New York: Garland. ISBN 0-8153-2577-0.
- Copland, Aaron. 1952. Music and Imagination. Cambridge, Massachusetts: Harvard University Press.
- Copeland, Robert M. 1982. "The Christian Message of Igor Stravinsky". The Musical Quarterly 68, no. 4 (October): 563–79.
- Craft, Robert. 1982. "Assisting Stravinsky: On a Misunderstood Collaboration". The Atlantic Monthly 250, no. 6 (December): 64–74.
- Craft, Robert. 1992. Stravinsky: Glimpses of a Life. London: Lime Tree; New York: St Martins Press. ISBN 0-413-45461-4 (Lime Tree); ISBN 0-312-08896-5 (St.Martins).
- Craft, Robert. 1994. Stravinsky: Chronicle of a Friendship, revised and expanded edition. Nashville: Vanderbilt University Press. ISBN 0-8265-1258-5.
- Davis, Mary. 2006. "Chanel, Stravinsky, and Musical Chic". Fashion Theory 10, no. 4 (December): 431–60.
- Dubal, David. 2001. The Essential Canon of Classical Music. New York: North Point Press.
- Eksteins, Modris. 1989. Rites of Spring: The Great War and the Modern Era. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2. Reprinted 1990, New York: Anchor Books ISBN 0-385-41202-9; reprinted 2000, Boston: Mariner Books ISBN 0-395-93758-2.
- Glass, Philip. 1998. "The Classical Musician Igor Stravinsky" Time (Monday, 8 June).
- Greene, David Mason. 1985. Biographical Encyclopaedia of Composers. New York: Doubleday. Griffiths, Paul, Igor Stravinsky, Robert Craft, and Gabriel Josipovici. 1982. Igor Stravinsky: the Rake's Progress. Cambridge Opera Handbooks. Cambridge. London, New York, New Rochelle, Melbourne, and Sydney: Cambridge University Press. ISBN 0-521-23746-7 (cloth); ISBN 0-521-28199-7 (pbk).
- Hazlewood, Charles. 2003. "Stravinsky—The Firebird Suite". On Discovering Music. BBC Radio 3 (20 December). Archived at Discovering Music: Listening Library, Programmes.
- Holland, Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", The New York Times (11 March).
- Joseph, Charles M.. 2001. Stravinsky Inside Out. New Haven: Yale University Press. ISBN 978-0-300-07537-3.
- Karlinsky, Simon. 1985. "Searching for Stravinskii's Essence". Russian Review 44, no. 3 (July): 281–87.
- Lambert, Constant. 1936. Music Ho! A Study of Music in Decline. New York: Charles Scribner's Sons.
- Lawson, Rex. 1986. Stravinsky and the Pianola, in Confronting Stravinsky, edited by Jann Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2.
- Lehrer, Jonah. 2007. Igor Stravinsky and the Source of Music, in his Proust Was a Neuroscientist. Boston: Houghton Mifflin Co. ISBN 0-618-62010-9.
- Morand, Paul. 1976. L'Allure de Chanel. Paris: Hermann. Nouv. éd. du texte original, Paris: Hermann, 1996. ISBN 2-7056-6316-9. Reprinted, [Paris]: Gallimard, 2009; ISBN 978-2-07-039655-9 English as The Allure of Chanel, translated by Euan Cameron. London: Pushkin Press, 2008. ISBN 978-1-901285-98-7 (pbk). Special illustrated ed. London: Pushkin, 2009. ISBN 978-1-906548-10-0 (pbk.).
- Oliver, Michael. 1995. Igor Stravinsky. London: Phaidon Press. ISBN 0-7148-3158-1.
- Page, Tim. 2006. "Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario". Washington Post (Sunday, 30 July): BW13.
- Palmer, Tony. 1982. Stravinsky: Once at a Border.... (TV documentary film). [UK]: Isolde Films. Issued on DVD, [N.p.]: Kultur Video, 2008. [Full citation needed]
- Pasler, Jann. 1983. "Stravinsky and His Craft: Trends in Stravinsky Criticism and Research". The Musical Times 124, no. 1688 ("Russian Music", October): 605–609.
- Robinson, Lisa. 2004. "Opera Double Bill Offers Insight into Stravinsky's Evolution". The Juilliard Journal Online 19, no. 7 (April). (No longer accessible as of March 2008.)
- Sachs, Harvey. 1987. Music in Fascist Italy. New York: W. W. Norton.
- Satie, Erik. 1923. "Igor Stravinsky: A Tribute to the Great Russian Composer by an Eminent French Confrère". Vanity Fair (February): 39 & 88.
- Siegmeister, Elie (ed.). 1943. The Music Lover's Handbook. New York: William Morrow and Company.
- Simeone, Lisa, with Robert Craft and Philip Glass. 1999. "Igor Stravinsky" NPR's Performance Today: Milestones of the Millennium (16 April). Washington, DC: National Public Radio. Archive (edited) at NPR Online.
- Simon, Scott. 2007. The Primitive Pulse of Stravinsky's 'Rite of Spring'. With an interview with Marin Alsop recorded on Friday 23 March 2007. NPR Weekend Edition. (Saturday 24 March). Washington, DC: National Public Radio.
- Slim, H. Colin. 2006. "Stravinsky's Four Star-Spangled Banners and His 1941 Christmas Card". The Musical Quarterly 89, nos. 2 and 3 ([northern] Summer–Fall): 321–447.
- Slonimsky, Nicolas. 1953. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. New York: Coleman-Ross. Second edition, New York: Coleman-Ross, 1965, reprinted Washington Paperbacks WP-52, Seattle: University of Washington Press, 1969, reprinted again Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9, and New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
- Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2 (pbk)
- Stravinsky, Igor. 1947. Poetics of Music in the Form of Six Lessons. Cambridge, MA: Harvard University Press. OCLC 155726113.
- Stravinsky, Igor. 1962. An Autobiography. New York: W. W. Norton & Company. ISBN 0-393-00161-X; OCLC 311867794. Originally published in French as Chroniques de ma vie, 2 vols. (Paris: Denoël et Steele, 1935), subsequently translated (anonymously) as Chronicle of My Life. London: Gollancz, 1936. OCLC 1354065. This edition reprinted as Igor Stravinsky An Autobiography, with a preface by Eric Walter White (London: Calder and Boyars, 1975) ISBN 0-7145-1063-7 (cloth); ISBN 0-7145-1082-3 (pbk.). Reprinted again as An Autobiography (1903–1934) (London: Boyars, 1990) ISBN 0-7145-1063-7 (cased); ISBN 0-7145-1082-3 (pbk). Also published as Igor Stravinsky An Autobiography (New York: M. & J. Steuer, 1958).
- Stravinsky, Igor, and Robert Craft. 1959. " Conversations with Igor Stravinsky. Garden City, NY: Doubleday. OCLC 896750 Reprinted Berkeley: University of California Press, 1980. ISBN 0-520-04040-6
- Stravinsky, Igor, and Robert Craft. 1960. Memories and Commentaries. Garden City, N.Y.: Doubleday. Reprinted 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 Reprinted 2002, London: Faber and Faber. ISBN 0-571-21242-5.
- Stravinsky, Igor, and Robert Craft. 1962. Expositions and Developments. London: Faber & Faber. Reprinted, Berkeley and Los Angeles: University of California Press, 1981. ISBN 0-520-04403-7.
- Stravinsky, Igor, and Robert Craft. 1966. Themes and Episodes. New York: A. A. Knopf.
- Stravinsky, Igor, and Robert Craft. 1969. Retrospectives and Conclusions. New York: A. A. Knopf.
- Strawinsky, Théodore, and Denise Strawinsky. 2004. Catherine and Igor Stravinsky: A Family Chronicle 1906–1940. New York: Schirmer Trade Books; London: Schirmer Books. ISBN 0-8256-7290-2.
- Taruskin, Richard, reply by Robert Craft. 1989. "'Jews and Geniuses': An Exchange". New York Review of Books (15 June).
- Taruskin, Richard. 1996. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Vol. 1 and Vol. 2. Berkeley: University of California Press. ISBN 0-520-07099-2.
- Thom, Paul. 2007. The Musician as Interpreter. Studies of the Greater Philadelphia Philosophy Consortium 4. University Park: Pennsylvania State University Press. ISBN 0-271-03198-0.
- Volta, Ornella. 1989. Satie Seen through His Letters. London: Boyars. ISBN 0-7145-2980-X.
- Wallace, Helen. 2007. Boosey & Hawkes, The Publishing Story. London: Boosey & Hawkes. ISBN 978-0-85162-514-0.
- Walsh, Stephen. 2000. Stravinsky. A Creative Spring: Russia and France 1882–1934. London: Jonathan Cape.
- Walsh, Stephen. 2001. "Stravinsky, Igor." New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: MacMillan Publishers.
- Walsh, Stephen. 2006. Stravinsky: The Second Exile: France and America, 1934–1971. New York: Alfred A. Knopf. ISBN 0-375-40752-9 (cloth); London: Jonathan Cape. ISBN 0-224-06078-3 (cloth); Berkeley: University of California Press. ISBN 978-0-520-25615-6 (pbk).
- Walsh, Stephen. 2007. "The Composer, the Antiquarian and the Go-between: Stravinsky and the Rosenthals". The Musical Times 148, no. 1898 (Spring): 19–34.
- Wenborn, Neil. 1985. Stravinsky. London: Omnibus Press. ISBN 0-7119-7651-1.
- White, Eric Walter. 1979. Stravinsky: The Composer and His Works, second edition. Berkeley and Los Angeles: University of California Press. ISBN 0-520-03983-1 (cloth) ISBN 0-520-03985-8 (pbk).
- Zappa, Frank, and Peter Occhiogrosso. 1989. The Real Frank Zappa Book. New York: Poseidon Press. ISBN 0-671-63870-X (reprinted twice in 1990, New York: Fireside Books, ISBN 0-671-70572-5 and New York: Picador Books ISBN 0-330-31625-7).
Further reading[link]
- Cross, Jonathan. 1999. The Stravinsky Legacy. Cambridge and New York: Cambridge University Press. ISBN 978-0-521-56365-9.
- Joseph, Charles M. 2001. Stravinsky Inside Out. New Haven and London: Yale University Press. ISBN 0-300-07537-5.
- Joseph, Charles M. 2002. Stravinsky and Balanchine, A Journey of Invention. New Haven and London: Yale University Press. ISBN 0-300-08712-8.
- Kohl, Jerome. 1979–80. "Exposition in Stravinsky's Orchestral Variations". Perspectives of New Music 18, nos. 1 and 2 (Fall-Winter/Spring Summer): 391–405. doi:10.2307/832991 JSTOR 832991 (subscription access).
- Kundera, Milan 1995. Testaments Betrayed: An Essay in Nine Parts, translated by Linda Asher. New York: HarperCollins. ISBN 0-06-017145-6.
- Kuster, Andrew T. 2005. Stravinsky's Topology. D.M.A. dissertation, University of Colorado at Boulder. Morrisville, NC: Lulu.com. ISBN 1-4116-6458-2.
- McFarland, Mark. 2011. "Igor Stravinsky." In Oxford Bibliographies Online: Music, edited by Bruce Gustavson. New York: Oxford University Press.
- van den Toorn, Pieter C. 1987. Stravinsky and the Rite of Spring
External links[link]
 |
Book: Igor Stravinsky |
| Wikipedia books are collections of articles that can be downloaded or ordered in print. | |
 |
Wikimedia Commons has media related to: Igor Stravinsky |
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Wikiquote has a collection of quotations related to: Igor Stravinsky |
- Free scores by Igor Stravinsky at the International Music Score Library Project
- Igor Stravinsky @ Boosey & Hawkes
- The Stravinsky Foundation website
- NY Times obituary by Donal Henahan, 7 April 1971 (subscription required to view article)
- 'Compositions for the Pianola - Igor Stravinsky', at the Pianola Institute website
- A Riotous Premiere, an interactive website about The Rite of Spring from the Keeping Score series by the San Francisco Symphony
- Stravinsky A to Z, a BBC Radio 3 reference page containing links to information about Stravinsky
- An audio recording made by William Malloch of Stravinsky rehearsing his Symphonies of Wind Instruments in Memory of Debussy (a 1947 recording, first broadcast in 1961)
- An archive recording of a radio program by William Malloch that includes a discussion of how attitudes toward Stravinsky’s music changed through the years. Included are excepts from the The Firebird, Petrouchka and The Rite of Spring recorded from the 1930s to the 1950s by a variety of conductors, including the composer himself.
- (French) A biography of Igor Stravinsky, from IRCAM's website.
- Excerpts from sound archives of Stravinsky's works from the Contemporary Music Portal
- Jews and Geniuses On Stravinsky being a Jew or not and about his antisemitism. See also another response and the original media review by Robert Craft.
- Works by or about Igor Stravinsky in libraries (WorldCat catalog)
| Persondata | |
|---|---|
| Name | Stavinsky, Igor Fyodorovich |
| Alternative names | Stravinskij, Igor Fëdorovič |
| Short description | Russian composer |
| Date of birth | Spring 17 June 1882 |
| Place of birth | Lomonosov, Russia, Russia |
| Date of death | 6 April 1971 |
| Place of death | New York City, New York, United States |
http://wn.com/Igor_Stravinsky
Related pages:
http://it.wn.com/Igor' Fëdorovič Stravinskij
http://es.wn.com/Ígor Stravinski
http://ru.wn.com/Стравинский, Игорь Фёдорович
http://fr.wn.com/Igor Stravinsky
http://de.wn.com/Igor Fjodorowitsch Strawinski
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This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
For the 2008 television film, see Coco Chanel (film).
| Coco Chanel | |
|---|---|
| File:Chanel.JPG Coco Chanel, 1920 |
|
| Born | Gabrielle Bonheur Chanel (1883-08-19)19 August 1883 Saumur, France |
| Died | 10 January 1971(1971-01-10) (aged 87) Paris, France |
| Nationality | French |
| Education | Catholic Monastery in Aubazine |
| Occupation | Fashion designer |
| Awards | Neiman Marcus Fashion Award, 1957 |
| Labels | Chanel |
Gabrielle "Coco" Bonheur Chanel (19 August 1883 – 10 January 1971)[1] was an influential French fashion designer, founder of the famous brand Chanel, whose modernist thought, practical design, and pursuit of expensive simplicity made her an important and influential figure in 20th-century fashion. She was the only fashion designer to be named on Time 100: The Most Important People of the Century.[2]
Contents |
Early life[link]
Gabrielle Chanel was born to an unwed mother, Jeanne Devolle, a laundrywoman, in "the charity hospital run by the Sisters of Providence"[3] in Saumur, France. She was Devolle's second daughter. The father, Albert Chanel was an itinerant street peddler who lived a nomadic life, traveling to and from market towns, the family residing in rundown lodgings. He married Jeanne Devolle several years after Chanel was born, in 1884,[4] after Jeanne's family "united, effectively, to pay Albert to marry her".[5] At birth Chanel’s name was entered into the official registry as “Chasnel.” Jeanne was too unwell to attend the registration and Albert was registered as "travelling".[3] With both parents absent, Gabrielle's last name was misspelt, probably due to a clerical error. The couple eventually had five other children: Julia-Berthe, (1882–1912), Antoinette (born 1887) and three brothers, Alphonse (born 1885 died 2001), Lucien (born 1889) and Augustin (born and died 1814).
In 1895, when Gabrielle was twelve years old, her mother died of bronchitis.[6] She was only thirty-one years old.[6] Gabrielle's father sent his two sons out to work as farm laborers and his three daughters to the Corrèze, in central France to the convent of Aubazine, whose religious order, the Congregation of the Sacred Heart of Mary, was "founded to care for the poor and rejected, including running homes for abandoned and orphaned girls".[7] It was a stark, frugal life demanding strict discipline. At age eighteen, Chanel, now too old to remain at Aubazine, went to live in a boarding house set aside for Catholic girls in the town of Moulins.[8]
Having learned the sewing arts during her six years at Aubazine, Chanel was able to find employment as a seamstress. When not plying her trade with a needle, she sang in a cabaret frequented by cavalry officers. It was at this time that Gabrielle acquired the name “Coco,” a name possibly derived from a popular song she sang, or an allusion to the French word for kept woman: cocotte.[8] As cafe entertainer, Chanel broadcast a juvenile allure and suggestion of a mysterious androgyny, tantalizing the military habitués of the cabaret.[8]
Later in life, she concocted an elaborate, fabricated history to cover up her humble beginnings with a more compelling light. Of the various stories told about Coco Chanel, a great number were of her own invention. These legends were to be the undoing of the earliest of her biographies. These were ghosted memoirs commissioned by Chanel herself, but never published, always aborted before fruition, as she realized that the facts exposed a personage less laudatory than the mythic Chanel she had self-invented. Chanel would steadfastly claim that when her mother died, her father sailed for America to seek his fortune and she was sent to live with two cold-hearted spinster aunts. She even claimed to have been born in 1893 as opposed to 1883, and that her mother had died when Coco was two instead of twelve.[9]
Personal life and early career[link]
File:Chanel & Balsan 2.jpg
Chanel and Étienne Balsan at Balsan's chateau, Royallieu.
It was at Moulins that Chanel met a young, French, ex-cavalry officer, and wealthy textile heir Étienne Balsan. At age twenty-three, Chanel became Balsan’s mistress and for the next three years lived with him in his chateau Royallieu near Compiègne, an area known for its wooded equestrian paths and the hunting life.[10] It was a life style of self-indulgence, Balsan’s wealth and leisure allowing the cultivation of a social set who reveled in partying and the gratification of human appetites with all the implied accompanying decadence. Balsan lavished Chanel with the beauties of "the rich life"— diamonds, dresses, and pearls. It was while living with Balsan that Chanel began designing hats, initially as a diversion that evolved into a commercial enterprise. Biographer Justine Picardie, in her 2010 study Coco Chanel: The Legend and the Life (Harper Collins), suggests that the fashion designer's nephew, André Palasse, supposedly the only child of her sister Julia- Berthe who had committed suicide, actually was Chanel's child by Balsan.
In 1908 Chanel began an affair with one of Balsan's friends, Captain Arthur Edward 'Boy' Capel.[11] In later years Chanel reminisced of this time in her life: “...two gentlemen were outbidding for my hot little body.” [12] Capel, a wealthy member of the English upper-class, installed Chanel in an apartment in Paris [13] and financed Chanel's first shops. It is said Capel's own sartorial style influenced the conception of the Chanel look. The bottle design for Chanel No. 5 had two probable origins, both attributable to the sophisticated design sensibilities of Capel. It is believed Chanel adapted the rectangular, beveled lines of the Charvet toilery bottles he carried in his leather traveling case [14] or it was the design of the whiskey decanter Capel used, and Chanel so admired that she wished to reproduce it in “exquisite, expensive, delicate glass.” [15] The couple spent time together at fashionable resorts such as Deauville, but he was never faithful to Chanel.[16] The affair lasted nine years, but even after Capel married an aristocratic English beauty in 1918, he did not completely break off with Chanel. His death in a car accident, in late 1919, was the single most devastating event in Chanel's life.[17] She commissioned the placement of a roadside memorial at the site of the accident, which she visited in later years to lay flowers in remembrance.[18] Twenty-five years after the event, Chanel then residing in Switzerland, confided to her friend Paul Morand: "His death was a terrible blow to me. In losing Capel, I lost everything. What followed was not a life of happiness I have to say." [19]
Chanel became a licensed modiste (hat maker) in 1910 and opened a boutique at 21 rue Cambon, Paris named Chanel Modes.[20] Chanel's modiste career bloomed once theatre actress Gabrielle Dorziat modelled her hats in the F Noziere's play Bel Ami in 1912 (Subsequently, Dorziat modelled her hats again in Les Modes).[20] In 1913, she established a boutique in Deauville, where she introduced luxe casual clothes that were suitable for leisure and sport.[20] Chanel launched her career as fashion designer when she opened her next boutique, titled Chanel-Biarritz, in 1915,[20] catering to the wealthy Spanish clientele who holidayed in Biarritz and were less affected by the war.[21] Fashionable like Deauville, Chanel created loose casual clothes made out of jersey, a material typically used for men's underwear.[20] By 1919, Chanel was registered as a couturiere and established her maison de couture at 31 rue Cambon.[20]
File:Coco Chanel, 1920.jpg
Coco Chanel, 1920.
In 1920, she was introduced by ballet impresario Sergei Diaghilev to Igor Stravinsky. Now a notable patron of the arts, Chanel guaranteed the production of the ballet Le Sacre du Printemps (“The Rite of Spring”) against financial loss, and provided her new home Bel Respiro, located in a Paris suburb, as a residence for composer Stravinsky and his family. [22] In addition to turning out her couture collections, Chanel threw her prodigious energies into designing dance costumes for the cutting-edge Ballet Russe. Between the years 1923-1937, she collaborated on productions choreographed by Diaghilev and dancer Vaslav Nijinsky, notably Le Train bleu, a dance-opera, Orphée and Oedipe Roi. [23]
In 1924, Chanel made an agreement with the Wertheimer brothers, Pierre and Paul, directors of the eminent perfume house Bourgeois since 1917, creating a corporate entity, "Parfums Chanel." The Wertheimers agreed to provide full financing for production, marketing and distribution of Chanel No. 5. For ten percent of the stock, Chanel licensed her name to "Parfums Chanel" and removed herself from involvement in all business operations.[24] Displeased with the arrangement, Chanel worked for more than twenty years to gain full control of "Parfums Chanel."[24] She proclaimed that Pierre Wertheimer was “the bandit who screwed me.”[25]
One of Chanel’s longest and enduring associations was with Misia Sert, a notorious member of the Parisian, bohemian elite and wife of Spanish painter José-Maria Sert. It is said that theirs was an immediate bond of like souls, and Misia was attracted to Chanel by “her genius, lethal wit, sarcasm and maniacal destructiveness, which intrigued and appalled everyone.” [26] Both women, convent bred, maintained a friendship of shared interests, confidences and drug use. By 1935, Chanel had become a habitual drug user, injecting herself with morphine on a daily basis until the end of her life.[27] According to Chandler Burr's The Emperor of Scent, Luca Turin related an apocryphal story in circulation that Chanel was "called Coco because she threw the most fabulous cocaine parties in Paris" [28]
In 1923, Vera Bate Lombardi, born Sarah Gertrude Arkwright,[29] reputedly the illegitimate daughter of the Marquess of Cambridge,[29] afforded Chanel entry into the highest levels of British aristocracy. It was an elite group of associations revolving around such personages as Winston Churchill, aristocrats such as the Duke of Westminster and royals such as Edward, Prince of Wales. It was in Monte Carlo in 1923, at age forty-two that Chanel was introduced by Lombardi to the vastly wealthy Duke of Westminster, Hugh Richard Arthur Grosvenor, known to his intimates as “Bendor”. The Duke of Westminster lavished Chanel with extravagant jewels, costly art, and a home in Mayfair. In 1929, he gifted her with a parcel of land he had purchased near Monte Carlo where Chanel built an opulent villa, La Pausa.[30] His affair with Chanel lasted ten years.[31] The Duke, an outspoken anti-Semite, intensified Chanel’s inherent antipathy toward Jews and shared with her an expressed homophobia. In 1946, Chanel is quoted by her friend and confidante, Paul Morand: “Homosexuals? ...I have seen young women ruined by these awful queers: drugs, divorce, scandal. They will use any means to destroy a competitor and to wreak vengeance on a woman. The queers want to be women—but they are lousy women. They are charming!” [32] Coinciding with her introduction to the Duke, was her introduction, again through Lombardi, to Lombardi's cousin, the Prince of Wales, Edward VIII. The Prince became smitten with Chanel and pursued her in spite of her involvement with the Duke of Westminster. It is said that he visited Chanel in her apartment and requested that she call him “David,” a privilege reserved only for his closest friends and family. Years later, Diana Vreeland, editor of Vogue, would insist: “the passionate, focused and fiercely independent Chanel, a virtual tour de force,” and the Prince, “had a great romantic moment together.” [33]
It was in 1931 while in Monte Carlo that Chanel made the acquaintance of Samuel Goldwyn. The introduction was made through a mutual friend, the Grand Duke Dmitri Pavlovich, cousin to the last czar of Russia, Nicolas II. Goldwyn offered Chanel a tantalizing proposition. For the sum of a million dollars (approximately seventy-five million today), he would bring her to Hollywood twice a year to design costumes for MGM stars. Chanel accepted the offer. En route to California from New York traveling in a white train car, which had been luxuriously outfitted specifically for her use, she was interviewed by Colliers magazine in 1932. Chanel said she had agreed to the arrangement to "see what the pictures have to offer me and what I have to offer the pictures."[34] This enterprise with the film industry left Chanel with a dislike for the business of movie making and distaste for the Hollywood culture itself, which she denounced as “infantile.” [35] Chanel's verdict was that: "Hollywood is the capital of bad taste...and it is vulgar."[36] Ultimately, her design aesthetic did not translate well to film. The New Yorker speculated that Chanel had left Hollywood because "they told her her dresses weren't sensational enough. She made a lady look like a lady. Hollywood wants a lady to look like two ladies."[37] Chanel went on to design the costumes for several French films, including Jean Renoir's 1939 film La Règle du jeu where she was credited as La Maison Chanel. Left-wing Renoir was a friend of Chanel's – it was Chanel who introduced him to Luchino Visconti. Knowing that the shy Italian count wanted to work in film, Chanel introduced him to Renoir, who liked him and had him work with him on his next film.[38]
Chanel was the mistress of some of the most influential men of her time, but she never married. She had affairs with the poet Pierre Reverdy, and illustrator and designer, Paul Iribe. After her romance with Reverdy ended in 1926, they still maintained a friendship which lasted some forty years.[39] Her involvement with Iribe was a deep one until his sudden death in 1935. Iribe and Chanel shared the same reactionary politics, Chanel financing Iribe's monthly, ultra-nationalist and anti-republican newsletter, Le Témoin, which fueled an irrational fear of foreigners and preached anti-Semitism.[40][41] One year after Le Témoin stopped publication, however, in 1936, Chanel also financed Pierre Lestringuez's radical left-wing magazine Futur[42].
When asked why she did not marry the The Duke of Westminster, she stated: "There have been several Duchesses of Westminster. There is only one Chanel."[43]
Chanel was, "the first [designer] to show black dresses to be worn at any time." [44]
As the 1930s progressed, Chanel’s place on the throne of haute couture came under threat. The boyish look and the short skirts of the 1920s flapper seemed to disappear overnight. Chanel’s designs for film stars in Hollywood had met with failure, and had not aggrandized her reputation as expected. More significantly, Chanel’s star had been eclipsed by her premier rival, the designer, Elsa Schiaparelli. Schiaparelli’s innovative design, replete with playful references to Surrealism was creating much enthusiasm and excitement in the fashion world. Feeling she was losing her avant-garde edge, Chanel proceeded to collaborate with Jean Cocteau on his theatre piece, Oedipe Rex. The costumes she designed were mocked and critically lambasted: “Wrapped in bandages the actors looked like ambulant mummies or victims of some terrible accident.” [45]
World War II[link]
In 1939, at the beginning of World War II, Chanel closed her shops, maintaining her apartment situated above the couture house at 31 rue Cambon. She claimed that it was not a time for fashion.[21] Three thousand female employees lost their jobs.[46] The advent of war had given Chanel the opportunity to retaliate against those workers who, lobbying for fair wages and work hours, had closed down her business operation during the general labor strike in France in 1936. In closing her couture house, Chanel made a definitive statement of her political views. Her violent loathing of Jews, inculcated by her convent years and sharpened by her association with society elites had solidified her beliefs. She shared with most of her circle the conviction that Jews were a Bolshevik threat to Europe.[46] During the German occupation Chanel resided at the Hotel Ritz, which was also noteworthy for being the preferred place of residence for upper echelon German military staff. Her romantic liaison with Hans Günther von Dincklage, a German officer who had been an operative in military intelligence since 1920,[47] facilitated her arrangement to reside at the Ritz.[48]
World War II, specifically the Nazi seizure of all Jewish-owned property and business enterprises, provided Chanel with the opportunity to gain the full monetary fortune generated by "Parfums Chanel" and its most profitable product, Chanel No. 5. The directors of "Parfums Chanel," the Wertheimers, were Jewish, and Chanel used her position as an “Aryan” to petition German officials to legalize her claim to sole ownership. On May 5, 1941, she wrote to the government administrator charged with ruling on the disposition of Jewish financial assets. Her grounds for proprietary ownership were based on the claim that “Parfums Chanel “is still the property of Jews”...and had been legally “abandoned” by the owners.[49] “I have,” she wrote, “an indisputable right of priority...the profits that I have received from my creations since the foundation of this business...are disproportionate...[and] you can help to repair in part the prejudices I have suffered in the course of these seventeen years.”[50] Chanel was not aware that the Wertheimers, anticipating the forthcoming Nazi mandates against Jews had, in May 1940, legally turned control of “Parfums Chanel” over to a Christian, French businessman and industrialist, Felix Amiot.[49]
Ultimately, the Wertheimers and Chanel came to a mutual accommodation, re-negotiating the original 1924 contract. On May 17, 1947, Chanel received wartime profits from the sale of Chanel No. 5, in an amount equivalent to some nine million dollars in twenty-first century valuation. Further, her future share would be two percent of all Chanel No. 5 sales worldwide. The financial benefit to her would be enormous. Her earnings would be in the vicinity of twenty-five million dollars a year, making her at the time one of the richest women in the world. In addition, Pierre Wertheimer agreed to an unusual stipulation proposed by Chanel herself. Wertheimer agreed to pay all of Chanel’s living expenses— from the trivial to the large— for the rest of her life.[51][52]
Activity as Nazi agent[link]
Archival documents unearthed by Hal Vaughan reveal that the French Préfecture de Police had a document on Chanel in which she was described as 'Couturier and perfumer. Pseudonym: Westminster. Agent reference: F 7124. Signalled as suspect in the file" (Pseudonyme: Westminster. Indicatif d'agent: F 7124. Signalée come suspecte au fichier").[53] Vaughan concludes from this that Chanel acted as a Nazi spy, although this has been the subject of controversy.[54] Anti-Nazi activist Serge Klarsfeld thus declared that "It is not because Chanel had a spy number that she was necessarily personally implicated. Some informers had numbers without being aware of it." ("Ce n'est pas parce Coco Chanel avait un numéro d'espion qu'elle était nécessairement impliquée personnellement. Certains indicateurs avaient des numéros sans le savoir").[55] Vaughan believes that Chanel committed herself to the German cause as early as 1941 and worked for General Walter Schellenberg, chief of SS intelligence.[56] At war’s end, Schellenberg was tried by the Nuremberg Military Tribunal, and sentenced to six years imprisonment for war crimes. He was released in 1951 due to incurable liver disease, and took refuge in Italy. Chanel paid for Schellenberg’s medical care and living expenses for himself, wife and family until his death in 1952 (She also paid for his funeral).[57]
“Operation Modellhut”[link]
In 1943, Chanel traveled to Berlin with Dinklage to meet with SS Reichsführer, Heinrich Himmler to formulate strategy.[56] In late 1943 or early 1944, Chanel and her SS master, Schellenberg, devised a plan to press England to end hostilities with Germany. When interrogated by British intelligence at war’s end, Schellenberg maintained that Chanel was “a person who knew Churchill sufficiently to undertake political negotiations with him.” [58] For this mission, named “Operation Modellhut,” (“Model Hat”) they recruited Vera Lombardi. Count Joseph von Ledebur-Wicheln, a Nazi agent, who defected to the British Secret Service in 1944, recalled a meeting he had with Dinklage in early 1943. Dinklage proposed an inducement that would tantalize Chanel. He informed von Ledebur that Chanel's participation in the operation would be ensured if Lombardi was included: “The Abwehr had first to bring to France a young Italian woman [Lombardi] Coco Chanel was attached to because of her lesbian vices...”[59] Unaware of the machinations of Schellenberg and her old friend Chanel, Lombardi played the part of their unwitting dupe, led to believe that the forthcoming journey to Spain would be a business trip exploring the possibilities of establishing the Chanel couture in Madrid. Lombardi's role was to act as intermediary, delivering a letter penned by Chanel to Winston Churchill, and forwarded to him via the British embassy in Madrid.[60] Schellenberg’s SS laison officer, Captain Walter Kutcschmann, acted as bagman, “told to deliver a large sum of money to Chanel in Madrid.”[61] Ultimately, the mission proved a failure. British intelligence files reveal that all collapsed, as Lombardi, on arrival, proceeded to denounce Chanel and others as Nazi spies.[62]
Protection from prosecution[link]
In September 1944, Chanel was called in to be interrogated by the Free French Purge Committee, the épuration. The committee, which had no documented evidence of her collaboration activity, was obliged to release her. According to Chanel’s grand-niece, Gabrielle Palasse Labrunie, when Chanel returned home she said, “Churchill had me freed”. [63]
The extent of Winston Churchill’s intervention can only be speculated upon. However, Chanel’s escape from prosecution certainly speaks of layers of conspiracy, protection at the highest levels. It was feared that if Chanel were ever made to testify at trial, the pro-Nazi sympathies and activities of top-level British officials, members of the society elite and those of the royal family itself would be exposed. It is believed that Churchill instructed Duff Cooper, British ambassador to the French provisional government, to “protect Chanel”. [64]
Finally induced to appear in Paris before investigators in 1949, Chanel left her retreat in Switzerland to confront testimony given against her at the war crime trial of Baron Louis de Vaufreland, a French traitor and highly placed German intelligence agent. Chanel denied all accusations brought against her. She offered the presiding judge, Leclercq, a character reference: “I could arrange for a declaration to come from Mr. Duff Cooper.” [65]
Chanel’s friend and biographer Marcel Haedrich provided a telling estimation of her wartime interaction with the Nazi regime: “If one took seriously the few disclosures that Mademoiselle Chanel allowed herself to make about those black years of the occupation, one’s teeth would be set on edge.”[66]
Post-war life and career[link]
In 1945, she moved to Switzerland, eventually returning to Paris in 1954, the same year she returned to the fashion world.[21] The re-establishment of her couture house in 1954 was fully financed by Chanel’s old nemesis in the perfume battle, Pierre Wertheimer. [67] Her new collection was not received well by Parisians whose memory of Chanel's treasonous collaboration with the Nazis still resonated in the public mind. However, her return to couture was applauded by the British and Americans, who became her faithful customers.[68]
Death[link]
In early 1971 Chanel, then 87-years old, was tired and ailing but continued to adhere to her usual schedule, overseeing the preparation of the spring collection. She died on Sunday, January, 10th at the Hotel Ritz where she had resided for more than thirty years.[69] She had gone for a long drive that afternoon and, not feeling well, had retired early to bed.[70]
Legacy as design revolutionary[link]
As early as 1915, Harper's Bazaar raved over Chanel’s designs: “The woman who hasn’t at least one Chanel is hopelessly out of fashion...This season the name Chanel is on the lips of every buyer.” [71] Chanel’s ascendancy as a fashion avatar was the official deathblow to the corseted female silhouette. The frills, fuss, and constraints endured by earlier generations of women were now passé. Her genius redefined the fashionable woman for the post WW I era. The Chanel trademark was a look of youthful ease, a liberated physicality, and unencumbered sportive confidence.
The horse culture and penchant for hunting so passionately pursued by the elites, especially the British, fired Chanel’s imagination. Her own enthusiastic indulgence in the sporting life led to clothing designs informed by those activities. From her excursions on water with the yachting world, she appropriated the clothing associated with nautical pursuits: the horizontal striped shirt, bell bottom pants, crewneck sweaters, and espadrille shoes—all traditionally worn by sailors and fishermen.[72]
Ethnic influence[link]
Designers such as Paul Poiret and Fortuny introduced ethnic references into haute couture in the 1900s and early 1910s.[73] Chanel continued this trend with Slav-inspired designs in the early 1920s. The beading and embroidery on her garments at this time was exclusively executed by Kitmir, an embroidery house founded by an exiled Russian aristocrat, the Grand Duchess Maria Pavlovna, the sister of her erstwhile lover, Grand Duke Dmitri Pavlovich.[74][75] Kitmir's fusion of oriental stitching with stylised folk motifs was highlighted in Chanel's early collections.[75] One 1922 evening dress came with a matching embroidered 'babushka' headscarf.[75] In addition to the headscarf, Chanel clothing from this period featured square-necked tunic tops and elbow length sleeves alluding to Russian peasant attire, with chenille cloche hats for day wear. Evening designs were often embroidered with sparkling crystal and black jet embroidery.[76]
The Chanel suit[link]
Her initial triumph was the innovative use of jersey fabric, a material traditionally relegated to the manufacture of undergarments. Her wool jersey traveling suit consisted of a cardigan jacket, and pleated skirt, paired with a low-belted pullover top. This ensemble, worn with low-heeled shoes, became the casual look in expensive women’s wear.[77]
The "little black dress"[link]
The concept of the “little black dress,” is often cited as a Chanel contribution to the fashion lexicon and as an article of clothing survives to this day. Its first incarnation was executed in thin silk, crèpe de chine, and had long sleeves.[78] Upon its conception, it was lauded as a fashion-forward look—a spare sexiness that resonated with the young, fashionable woman of the 1920s.[citation needed] An unadorned garment of this cut also served as the perfect foil for accessories—belts and particularly ropes of pearls, and jewelry worn in dramatic arrays.[citation needed]
Costume jewelry[link]
Ever the canny innovator, Chanel turned unenviable costume jewelry into a coveted accessory—especially when worn in excess displays, as did Chanel herself. Originally inspired by the opulent, costly jewels and pearls gifted to her by her aristocratic lovers, Chanel raided her own jewel vault and partnered with Duke Fulco di Verdura to launch a House of Chanel jewelry line. The fashionable and wealthy loved the creations and made it wildly successful. Ever the oracle for the modern, society elite, Chanel put forth her own disingenuous PR statement delivered in the inevitable dictatorial manner: “It’s disgusting to walk around with millions around the neck because one happens to be rich. I only like fake jewelry...because it’s provocative.”[79]
Film depictions[link]
The first film about Chanel was Chanel Solitaire (1981), directed by George Kaczender and starring Marie-France Pisier, Timothy Dalton, and Rutger Hauer.
The American television movie Coco Chanel debuted on 13 September 2008 on Lifetime Television, starring Shirley MacLaine as a 70-year-old Chanel. Directed by Christian Duguay, the film also starred Barbora Bobulova as the young Chanel, Olivier Sitruk as Boy Capel, and Malcolm McDowell. The movie substantially rewrote Chanel's personal history, such as its portrayal of her status as a professional mistress as instead a series of "love stories," and glossing over both her Nazi collaboration and her use of British Royal connections to avoid post-war trial as a collaborator.
A film starring Audrey Tautou as the young Coco, titled Coco avant Chanel (Coco Before Chanel), was released on 22 April 2009. Audrey Tautou is the new spokeswoman of Chanel S.A.
The film Coco Chanel & Igor Stravinsky, directed by Jan Kounen and starring Anna Mouglalis and Mads Mikkelsen, concerns the purported affair between Chanel and Igor Stravinsky. The film is based on the 2002 novel Coco & Igor by Chris Greenhalgh, and was chosen to close the Cannes Film Festival of 2009.[80] Two more projects are said to be in the works, including one directed by Daniele Thompson.[81]
Literary depictions[link]
Coco & Igor is a novel, written by Chris Greenhalgh, which depicts the affair between Chanel and Igor Stravinsky and the creative achievements that this affair inspired. The novel was first published in 2003.
In 2008 a children's book entitled Different like Coco was published. It depicted the humble childhood of Coco Chanel and chronicled how she made drastic changes to the fashion industry.
The Gospel According to Coco Chanel: Life Lessons from the World's Most Elegant Woman is a novel written by Karen Karbo. Published in 2009, it chronicles the humble beginnings and legendary achievements of Coco Chanel while providing insight and advice on everything from embracing the moment to living life on your own terms.
Stage depictions[link]
The Broadway musical Coco, music by Andre Previn, book and lyrics by Alan Jay Lerner, opened 18 December 1969 and closed 3 October 1970. It is set in 1953–1954 at the time that Chanel was reestablishing her couture house. Chanel was played by Katharine Hepburn for the first eight months, and by Danielle Darrieux for the rest of its run.
References[link]
Footnotes[link]
- ^ "Madamoiselle Chanel: The Perennially Fashionable". Chanel. http://um.chanel.com/coco.php?la=en-us&lo=us&re=chanelcom. Retrieved 13 October 2006.
- ^ Horton, Ros; Simmons, Sally (2007). Women Who Changed the World. Quercus. p. 103. ISBN 978-1-84724-026-2. http://books.google.com/?id=7LYLOj2APSsC&pg=PA103&dq=Coco+Chanel+only+couturier+Time+100+influential. Retrieved 8 March 2011.
- ^ a b Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 14. ISBN 9781905490363.
- ^ Chaney, p. 16
- ^ Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 16. ISBN 9781905490363.
- ^ a b Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 18. ISBN 9781905490363.
- ^ Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 27. ISBN 9781905490363.
- ^ a b c Vaughan, p. 5
- ^ Picardie, Justine (22 October 2011). "Coco Chanel: Five books about the fashion designer: review". The Daily Telegraph (London). http://www.telegraph.co.uk/culture/books/bookreviews/8838863/Coco-Chanel-Five-books-about-the-fashion-designer-review.html.
- ^ Vaughan, p. 5-6
- ^ Hirst, Gwendoline. "Chanel 1883–1971 (Part One)". BA Fashion. http://www.ba-education.com/for/fashion/chanel.html. Retrieved 8 March 2011. "At this time in 1909, at the age of 26, she became friendly with an Englishman Arthur Capel, nicknamed “Boy”, who was one of Etienne [Balsan]’s friends..."
- ^ Wallach, Janet, “Chanel: Her style and her life,” Nan A. Talese, 1998, p. 19
- ^ Vaughan, p. 7
- ^ Bollon, Patrice (2002) (in French). Esprit d'époque: essai sur l'âme contemporaine et le conformisme naturel de nos sociétés. Le Seuil. p. 57. ISBN 978-2-02-013367-8. "L'adaptation d'un flacon d'eau de toilette pour hommes datant de l'avant-guerre du chemisier Charvet"
- ^ Mazzeo, Tilar J., The Secret of Chanel No. 5, HarperCollins, 2010, p. 103
- ^ "That year was to prove a difficult one for Gabrielle as Arthur Capel decided that the time had come for him to marry into the English aristocracy. Arthur Capel was a very successful businessman and a keen polo player. Gabrielle hoped to settle down with him, but he was often away on business and was often seen in the company of other women...."[1]
- ^ "Even though he was married Capel still sought out Gabrielle when he was in Paris. But all this was to come to an abrupt end. On 21 December 1919 Arthur Capel was driving to Cannes for Christmas when he was involved in a fatal accident."
- ^ "Puget-sur-Argens Coco Chanel : le drame de sa vie au bord d'une route varoise" (in French). varmatin.com. 3 June 2009. http://www.varmatin.com/ta/puget-sur-argens/192577/puget-sur-argens-coco-chanel-le-drame-de-sa-vie-au-bord-d-une-route-varoise. Retrieved 8 March 2011. "The memorial consists of a cross, raised on three steps and railed around, and bears the inscription "A la mémoire du capitaine Arthur Capel, légion d'Honneur de l'armée britane, mort accidentellement en cet endroit le 22 décembre 1919". Allegedly it was Chanel who had it placed there."
- ^ Vaughan, p. 9
- ^ a b c d e f Mackrell, Alice (2005). Art and Fahion. Sterling Publishing. p. 133. ISBN 978-0-7134-8873-9. http://books.google.com/books?id=pEpPMIWdhh8C&pg=PA133&dq=%22Coco+Chanel%22+%22career%22. Retrieved 8 March 2011.
- ^ a b c Sabatini, Adelia (2010). "The House that Dreams Built". Glass Magazine (2): 66–71. ISSN 2041-6318. http://www.theglassmagazine.com.
- ^ Vaughan, Hal, "Sleeping With The Enemy, Coco Chanel's Secret War," Alfred A. Knopf, 2011, p. 22
- ^ Vaughan, Hal, "Sleeping With The Enemy, Coco Chanel's Secret War," Alfred A. Knopf, 2011, p. 31-32
- ^ a b Mazzeo, p. 95
- ^ Mazzeo, p. 153.
- ^ Vaughan, p. 13
- ^ Vaughan, p. 80-81
- ^ Burr, Chandler (2002). The Emperor of Scent: A true story of perfume and obsession. Random House Inc.. p. 43. ISBN 0-375-75981-6.
- ^ a b "Sarah Vera Gertrude Arkwright Bate Lombardi – Person Page 15929". thePeerage.com. 12 August 2010. http://thepeerage.com/p15929.htm#i159285. Retrieved 8 March 2011.
- ^ Vaughan, p. 48-49
- ^ Vaughan, p. 36-37
- ^ Vaughan, p. 41
- ^ Vaughan, p. 38
- ^ Mazzeo, p. 127.
- ^ Vaughan, p. 68
- ^ Vaughan, p. 62
- ^ Madsen, Axel (1991). Chanel: A Woman of Her Own. p. 194.
- ^ Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 306. ISBN 9781905490363.
- ^ Vaughan, p. 23
- ^ Vaughan, p. 78-79
- ^ Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 300. ISBN 9781905490363.
- ^ Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. p. 313. ISBN 9781905490363.
- ^ "Coco Chanel Biography". Inoutstar.com. http://www.inoutstar.com/news/Coco-Chanel-510.html. Retrieved 8 March 2011.
- ^ Lisa Chaney, "Coco Chanel An Intimate Life" London: Penguin Group, 2011. p. 234
- ^ Vaughan, Hal, "Sleeping With The Enemy, Coco Chanel's Secret War," Alfred A. Knopf, 2011, p. 96
- ^ a b Vaughan, p. 101
- ^ Vaughan, p. 57
- ^ Vaughan, chapter 11.
- ^ a b Mazzeo, p. 150.
- ^ Mazzeo, p. 152-53
- ^ Mazzeo, pp. 176–177.
- ^ Muir, Kate (4 April 2009). "Chanel and the Nazis: what Coco Avant Chanel and other films don't tell you". The Times (London). http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article6027932.ece. Retrieved 8 March 2011.
- ^ Vaughan, p. 140
- ^ Warner, Judith. "Was Coco Chanel a Nazi Agent?". The New York Times. http://www.nytimes.com/2011/09/04/books/review/sleeping-with-the-enemy-coco-chanels-secret-war-by-hal-vaughan-book-review.html.
- ^ "Arrêt sur images - Chanel antisémite, tabou médiatique en France ?". Arretsurimages.net. http://www.arretsurimages.net/contenu.php?id=4247. Retrieved 2012-05-23.
- ^ a b Vaughan, p. xix
- ^ Vaughan, p. 205-207
- ^ Vaughan, p. 169
- ^ Vaughan, Hal, "Sleeping With the Enemy, Coco Chanel's Secret War," Alfred A. Knopf, 2011, p. 163-164
- ^ Vaughan, p. 169-71
- ^ Vaughan, p. 174
- ^ Vaughan, p. 174-75
- ^ Vaughan, p. 186-87
- ^ Vaughan, p. 187
- ^ Vaughan, p. 199
- ^ Mazzeo, p. 175.
- ^ Mazzeo, Tilar J., "The Secret of Chanel No. 5," HarperCollins, 2010, p. 176-77
- ^ Shihaan, Larif M.. "Chanel Cuff Bracelet-Gabrielle Coco Chanel-Fine Jewelry-Reference Database". Internet Stones.com. http://www.internetstones.com/chanel-cuff-bracelet-gabrielle-cocol-fine-jewelry-artistic-collection-hautecouture-accessories.html. Retrieved 8 March 2011.
- ^ "On This Day: Chanel, the Couturier, Dead in Paris". The New York Times. 11 January 1971. http://www.nytimes.com/learning/general/onthisday/bday/0819.html. Retrieved 8 March 2011.
- ^ Mazzeo, p. 196.
- ^ Vaughan, p. 14
- ^ Vaughan, p. 47, 79
- ^ "Introduction to 20th Century Fashion, V&A". Vam.ac.uk. http://www.vam.ac.uk/content/articles/i/introduction-to-20th-century-fashion/. Retrieved 2012-05-23.
- ^ 1922 evening dress embroidered by Kitmir in the Victoria & Albert Museum collections
- ^ a b c The Metropolitan Museum of Art Bulletin, New Series, Vol. 63, No. 2 (Fall, 2005) p.39. (for a PDF file showing relevant page, see here [2]. An image of dress with headscarf in situ may be seen on the Metropolitan database here [3]
- ^ Vaughan, Hal, "Sleeping With The Enemy, Coco Chanel Secret War," Alfred A. Knopf, 2011, p. 25-26
- ^ Vaughan, p. 13, 47
- ^ Vaughan, p. 47
- ^ Vaughan, p. 74
- ^ "Festival de Cannes: Coco Chanel & Igor Stravinsky". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/10904957/year/2009.html. Retrieved 8 March 2011.
- ^ ""2009: The Year of Coco Chanel" 21 February 2010". Lightscamerahistory.wordpress.com. http://lightscamerahistory.wordpress.com/2009/01/19/2009-the-year-of-coco-chanel/. Retrieved 22 February 2010.
Works cited[link]
- Chaney, Lisa (2011). Chanel: An Intimate Life. London: Fig Tree. ISBN 9781905490363.
- Vaughan, Hal (2011). Sleeping with the enemy : Coco Chanel's secret war. New York: Knopf. ISBN 978-0-307-59263-7.
- Mazzeo, Tilar J. (2010). The Secret of Chanel No. 5. HarperCollins. ISBN 978-0-06-179101-7.
Further reading[link]
- Chaney, Lisa (2011). Chanel: An Intimate Life. Fig Tree. ISBN 9781905490363.
- Charles-Roux, Edmonde (2005). The World of Coco Chanel: Friends, Fashion, Fame. Thames & Hudson. ISBN 978-0-500-51216-6.
- Davis, Mary (December 2006). "Chanel, Stravinsky, and Musical Chic". Fashion Theory 10 (4): 431–60. DOI:10.2752/136270406778664986.
- Fiemeyer, Isabelle (2011). Intimate Chanel. Flammarion. ISBN 978-2-080-30162-8.
- Madsen, Axel (2009). Coco Chanel: A Biography. Bloomsbury Publishing PLC. ISBN 978-1408805817.
- Morand, Paul (2009). The Allure of Chanel. Pushkin Press. ISBN 978-1-901285-98-7.
- Picardie, Justine (2010). Coco Chanel: The Legend and the Life. HarperCollins. ISBN 978-0-06-196385-8.
- Simon, Linda (2011). Coco Chanel. Reaktion Books. ISBN 978-1-86189-859-3. (Reviewed in The Montreal Review)
External links[link]
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Wikimedia Commons has media related to: Coco Chanel |
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Wikiquote has a collection of quotations related to: Coco Chanel |
- Official Site of Chanel
- Coco Chanel in the 1920s
- Coco Chanel designer profile at Fashion Model Directory
- Coco Chanel in the Art Deco Era
- Sewing patterns by Chanel
- Coco Chanel, Boy Capel and the Monsignor
- Interactive timeline of couture houses and couturier biographies Victoria and Albert Museum
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| Persondata | |
|---|---|
| Name | Chanel, Coco |
| Alternative names | |
| Short description | |
| Date of birth | 19 August 1883 |
| Place of birth | Saumur, France |
| Date of death | 10 January 1971 |
| Place of death | Paris, France |
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This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
10:00
A recording session with Igor Stravinsky (The Soldier's Tale)
avs002
A recording session with Igor Stravinsky (The Soldier's Tale)
Patched (from 2 parts), trimmed and cleaned up (visually and sonically) version of something I found elsewhere. Anything for a more substantial Stravinsky tribute here. Not that this is the first IS presence in my videos - that privilege belongs to the "rock band" version of Petruskha in "Anime Cafe" (Parts 1 & 2). 'Additional material' wise, I've also got an old 3 hour documentary on Igor - in my old Beta collection (and many LPs and CDs). This is nice to watch - Stravinsky''s smaller works avoid the excesses of his major ones. Though I'm a fan of at least the majority of his colossal output. Mind you, I'm still struck by the similarity of our surnames, letter-wise. My home: www.myspace.com
8:55
Igor Stravinsky - Ebony Concerto
pelodelperro
Igor Stravinsky - Ebony Concerto
Ebony Concerto, for clarinet & jazz band (1945) Allegro moderato -- Andante -- Moderato -- Con moto -- Moderato -- Vivo Michel Arrignon, clarinet Ensemble InterContemporain Pierre Boulez Stravinsky wrote his Ebony Concerto for jazz bandleader Woody Herman, who premiered it with his ensemble the Thundering Herd in March 1946. It is modeled on the Baroque concerto grosso and obviously incorporates jazz styles popular during the wartime era. Cast in three very short movements -- the whole work lasting about nine minutes -- it is scored for clarinet and jazz band. Ebony Concerto opens with a lively Allegro moderato, where the themes are rhythmic and quite jerky in their unpredictability. Everything sounds Stravinskyan, though, the jazz elements fusing naturally with the composer's neo-Classical style. The most lyrical-sounding theme comes on clarinet and trombone, recalling a theme in ragtime from the composer's L'histoire du soldat. A reprise of the main material makes up the second half of the first movement. The middle panel is a bluesy Andante, an almost funereal piece in its lazy, dark mists and lower-range writing for the clarinet. The brief middle section is perky and playful, but the main theme returns in all its delicious gloom to close out the movement. The finale, marked Moderato -- Con moto -- Moderato -- Vivo, begins slowly and darkly then turns lively when a cool, bluesy theme is played by clarinet. The music from the opening returns before the playful Vivo <b>...</b>
3:05
Igor Stravinsky conducts The Firebird (L'Oiseau de Feu)
medicitv
Igor Stravinsky conducts The Firebird (L'Oiseau de Feu)
Watch the whole concert here: www.medici.tv Watch all our Igor Stravinsky videos here: www.medici.tv Igor Stravinsky the conductor conducts Stravinsky the composer, during a memorable farewell concert in London in 1965. In this video, an excerpt from The Firebird: Berceuse.
31:18
Stravinsky: The Firebird Suite (1965) / Igor Stravinsky · New Philharmonia Orchestra
Josep489
Stravinsky: The Firebird Suite (1965) / Igor Stravinsky · New Philharmonia Orchestra
Probably, one of the greatest and most important recordings of all time: Igor Stravinsky with the New Philharmonia Orchestra playing The Firebird (1965 suite) for last time at Royal Festival Hall, in London. Probablemente, una de las más grandes e importantes grabaciones de todos los tiempos: Igor Stravinsky y la Nueva Orquesta Philharmonia interpretando El Pájaro de Fuego (suite de 1965) en el Royal Festival Hall, Londres. www.amazon.com (C) BBC / Opus Arte, Music Publishing Rights Collecting Society and ALL their respective owners. Not personal work here. If you feel this video violates some of your rights, please advice me and I'll fix it. PLEASE, don't delete it. It's a musical and cultural gift to the world!
20:42
Igor Stravinsky: Agon (1957)
TheWelleszCompany
Igor Stravinsky: Agon (1957)
Igor Stravinsky (1882-1971): Agon, balletto per dodici danzatori (1957) -- Boston Symphony Orchestra diretta da Erich Leinsdorf -- I. Pas de quatre II. Double pas de quatre III. Triple pas de quatre IV. Prelude First pas de trois V. Sarabande-step VI. Gailliarde VII. Coda VIII. Interlude Second pas de trois IX. Bransle simple X. Bransle gay XI. Bransle double XII. Interlude XIII. Pas de deux XIV. Four duos XV. Four trios ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
4:51
Stravinsky - The Rite of Spring - Sacrificial Dance
ClassicalMusicOnly
Stravinsky - The Rite of Spring - Sacrificial Dance
Title :Igor Stravinsky ,The Rite of Spring - Sacrificial Dance From Wikipedia,The Rite of Spring, commonly referred to by its original French title, Le Sacre du Printemps (Russian: Весна священная, Vesna svjaščennaja) is a ballet with music by the Russian composer Igor Stravinsky, original choreography by Vaslav Nijinsky, and original set design and costumes by archaeologist and painter Nicholas Roerich, all under impressario Serge Diaghilev. The music is widely acknowledged as one of the greatest, most influential, and reproduced compositions in history. It is iconic for 20th century classical or avant garde European music, with innovative complex rhythmic structures, timbres, and use of dissonance. The scandal of a riot at its 1913 premier, caused by its innovative technique and content, made it one of the most internationally well known and controversial works in performance historyThe music for Le Sacre du Printemps is regarded as one of the pinnacles of human intellectual achievement. Composer and conductor Leonard Bernstein, in his Six Talks at Harvard, said of one passage, That page is sixty years old, but its never been topped for sophisticated handling of primitive rhythms, and of the work as a whole, its also got the best dissonances anyone ever thought up, and the best asymmetries and polytonalities and polyrhythms and whatever else you care to name.The Rite of Spring is a series of episodes depicting a wild pagan spring ritual: "... the wise elders are seated <b>...</b>
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