5:12
Master P "Make'em Say UGH"
See Music Videos www.bvmtv.com that you CAN'T See on You Tube! even some X RATED music...
published: 25 Dec 2008
Author: BVMUndergroundHipHop
Master P "Make'em Say UGH"
See Music Videos www.bvmtv.com that you CAN'T See on You Tube! even some X RATED music videos! +Live Chat and Embed video codes. Percy Miller (born April 29, 1969), better known as Master P (also known as P. Miller) is an American entertainer and entrepreneur. He is the founder and CEO of P. Miller Enterprises, an entertainment and financial conglomerate and Better Black TV. Master P has sold more than 75 million albums worldwide.
5:28
Master P "I Miss My Homies"
Uncensored & Unrestricted Music Videos you can't find on other Social Networks! bv...
published: 23 Jan 2008
Author: BVMUndergroundHipHop
Master P "I Miss My Homies"
Uncensored & Unrestricted Music Videos you can't find on other Social Networks! bvmtv.com - www.bvmundergroundhiphop.com Twitter #BVMTV - @JeffBVMTV facebook - www.facebook.com iTunes: itunes.apple.com Amazon: www.amazon.com Master P created a hip-hop empire without registering on any mainstream radar. For several years, he operated solely in the rap underground, eventually surfacing in the mid-'90s as a recording artist and producer who knew exactly what his audience wanted. And what they wanted was gangsta rap. With his independent label No Limit, Master P gave them gangsta rap at its most basic -- violent, vulgar lyrics, hard-edged beats, whiny synthesizers, and blunted bass. He wasn't a great rapper, nor was anyone on No Limit; occasionally, the No Limit rappers were even talentless and clumsy. But in a time when major labels were running away from the controversy that gangsta rap caused and Dr. Dre, the father of the genre, was proclaiming it dead, Master P stayed on course, delivering album after album of unadulterated gangsta. It was recorded cheaply and packaged cheaply, and almost all of the records on No Limit were interchangeable, but that didn't matter, because Master P kept making money and getting paid.
5:05
Master P ft. Lil' Romeo - I Need Dubs / I'm Alright
Subscribe Now & Add Us As A Friend www.MoTv1.com http SmokinOrJokin.com Allvideos rece...
published: 05 Jan 2007
Author: MoTv1
Master P ft. Lil' Romeo - I Need Dubs / I'm Alright
Subscribe Now & Add Us As A Friend www.MoTv1.com http SmokinOrJokin.com Allvideos received that are broad casted through the MoTV1 broadcasting arms ( internet, 3G Radio, and cable broadcasting ) have been received from the marketing and promotional department of the respective artists label. If you would like your video serviced through all of the MoTV1 incorporated broadcasting arms ( internet, 3G Radio, cable broad casting ) http MoTV1 presents the 1 World Hip Hop Championship, a rapper showdown where contestants with dreams of being the next big rap star showcase their talent in a 60-second free-style for a chance at the $1000000 prize. www.WorlHipHopChamp.com
3:46
Romeo Ft Master P - On A Bubble Official Video
Creative Dream Productions Presents Romeo Miller Ft Master P - On A Bubble Contact Creativ...
published: 28 Jun 2012
Author: CreativeDreamVideos
Romeo Ft Master P - On A Bubble Official Video
Creative Dream Productions Presents Romeo Miller Ft Master P - On A Bubble Contact Creative Dream Productions For Your Upcoming Videos at M.Dar@CreativeDreamProductions.com or Visit CreativeDreamProductions.com @RomeoMiller @MasterPMiller Produced By @MahadDar Directed By Corey Cruz Molina Label - No Limit Forever
4:50
Master P. Feat. Bengie B, TEC, Gansta, & Miss Chee "We Out Ch'here"
Directed by twitter.com/@chaazjwilliams Monstahh aka Master P. Feat. Bengie B, TEC, Gansta...
published: 15 Nov 2011
Author: LWMediaGroup
Master P. Feat. Bengie B, TEC, Gansta, & Miss Chee "We Out Ch'here"
Directed by twitter.com/@chaazjwilliams Monstahh aka Master P. Feat. Bengie B, TEC, Gansta, & Miss Chee "We Out Ch'here" King of the streets is back. NoLimitForeverRecords.com JOIN THE MOVEMENT you either with us or against but your not gonna stop us im startin all the way from the bottom ill be back on top in 72 days
3:16
Master P - Pass Me Da Green
No Limit Record 1997 Master P - Pass Me Da Green. Parental Discretion is advised....
published: 09 Jun 2009
Author: lilkang2007
Master P - Pass Me Da Green
No Limit Record 1997 Master P - Pass Me Da Green. Parental Discretion is advised.
5:55
THE A$AP MOB MEETS MASTER P AT COACHELLA
AT COACHELLA 2012 ASAPCAME OFF STAGE WEEK 1 AND SAID "IT WOULD BE SO DOPE IF I CAN BR...
published: 01 May 2012
Author: propistol
THE A$AP MOB MEETS MASTER P AT COACHELLA
AT COACHELLA 2012 ASAPCAME OFF STAGE WEEK 1 AND SAID "IT WOULD BE SO DOPE IF I CAN BRING MASTER P OUT ON GOLDIE" WEEK 2 GUESS WHO POPPED UP MASTER PERCY MILLER HIMSELF ALONG WITH THE NO LIMIT SOLDIERS
4:38
Master P - Ghetto D
Track 1 - Ghetto D - 1997...
published: 02 May 2008
Author: chiefshawn
Master P - Ghetto D
Track 1 - Ghetto D - 1997
4:27
"Duffle Bag of that Money" Master P, TEC & Drumma Boy
FREE DOWNLOAD + 30 NEW STREET SINGLES FROM MASTER P & NO LIMIT FOREVER : www.datpiff.c...
published: 13 Jul 2012
Author: nolimitforeverteam
"Duffle Bag of that Money" Master P, TEC & Drumma Boy
FREE DOWNLOAD + 30 NEW STREET SINGLES FROM MASTER P & NO LIMIT FOREVER : www.datpiff.com "Duffle Bag of that Money" Master P, TEC & Drumma Boy NO LIMIT FOREVER RECORDS www.NoLimitForever.com www.TruTankSoldiers.com www.Facebook.com/NoLimitForeverRecords Twitter: @MasterPMiller @NoLimit_Forever
1:50
Master P "Feeds The Hood" By Graciously Giving 100s of Turkey's in Baton Rouge
This is a teaser from "The Next 48 Hours With Master P", a 2 part web series whi...
published: 22 Nov 2011
Author: JUMPOFF
Master P "Feeds The Hood" By Graciously Giving 100s of Turkey's in Baton Rouge
This is a teaser from "The Next 48 Hours With Master P", a 2 part web series which goes behind the scenes during the relaunch of No Limit Forever. In this clip Master P is giving away Turkeys for Thanksgiving in his hometown Baton Rouge. The Next 48 Hours is an original AllHipHop, JumpOff.TV & Tantrum Production.
7:49
A$AP Rocky Brings Out Master P, Pays Tribute to Trayvon Martin at Coachella
A$AP Rocky performs his first single "Goldie" and brings out Master P and his No...
published: 22 Apr 2012
Author: 7000degreez
A$AP Rocky Brings Out Master P, Pays Tribute to Trayvon Martin at Coachella
A$AP Rocky performs his first single "Goldie" and brings out Master P and his No Limit family for "Make Em Say Uhh!" and "I Miss My Homies" (dedicated to Trayvon Martin) live at Coachella on April 21, 2012.
4:46
Master P - Ice Cream Man
Master P clip 1996 from the Classic album Ice Cream Man Up by da no limit family: nolimitf...
published: 03 Jul 2006
Author: Macn0lia
Master P - Ice Cream Man
Master P clip 1996 from the Classic album Ice Cream Man Up by da no limit family: nolimitfamily.franceserv.com
3:41
Romeo Feat. Master P - On A Bubble
@ROMEOMILLER - @MASTERPMILLER - @NOLIMIT_FOREVER www.NoLimitForever.com www.TruTankSoldier...
published: 31 May 2012
Author: romeomiller
Romeo Feat. Master P - On A Bubble
@ROMEOMILLER - @MASTERPMILLER - @NOLIMIT_FOREVER www.NoLimitForever.com www.TruTankSoldiers.com www.Facebook.com/NoLimitForeverRecords
4:17
master p - bourbons and lacs
i heard this from radio blog cLub.com , i hope you like it.. GB all,,^^_...
published: 07 Jun 2007
Author: pikaso989
master p - bourbons and lacs
i heard this from radio blog cLub.com , i hope you like it.. GB all,,^^_
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
1:49
Handmade
We were asked to create a film about bespoke tailoring for the Handmade issue of Wallpaper...
published: 24 Apr 2012
Author: Lernert & Sander
Handmade
We were asked to create a film about bespoke tailoring for the Handmade issue of Wallpaper*. They hooked us up with the famous italian tailors of Brioni. We came up with the idea that a hand would be the ultimate customer to prove the skills and craftmanship of a brand as Brioni.
Commissioned by Wallpaper*
Directors: Lernert & Sander
Produced at White Lodge
Executive Producer: Stephen Whelan
D.O.P.: Ram van Meel
Handmodels: Ashley Khoo, Jacques Drent
Styling: Ferry van der Nat
Carpenter set: Egbert Steenwinkel
Editor: Derek van Egmond
Assistant L&S;: David in den Bosch
Post production & sound: The Ambassadors
All pieces by Brioni Master Tailors
Fashion Director: Sébastien Clivaz, Wallpaper*
5:13
Lakai Fully Flared Intro (re-mastered in 720p HD)
Lakai Fully Flared Intro (re-mastered in 720p HD)
EXECUTIVE PRODUCERS
Kevin Dunlap
Brian ...
published: 13 Jan 2011
Author: skatefairy
Lakai Fully Flared Intro (re-mastered in 720p HD)
Lakai Fully Flared Intro (re-mastered in 720p HD)
EXECUTIVE PRODUCERS
Kevin Dunlap
Brian Dunlap
Tim Gavin
Rick Howard
Mike Carroll
Eric Koston
Megan Baltimore
Spike Jonze
DIRECTED BY
Spike Jonze
Ty Evans
Cory Weincheque
EDITED BY
Ty Evans
FILMED BY
Mark Williams
Spike Jonze
Ty Evans
PRODUCERS
Emma Wilcockson
ASSOCIATE PRODUCERS
Kelly Bird
Katie Molenaar
PODUCTION SUPERVISOR
Shannon Strange
1st AD
Matt Finish
PRODUCTION ASSISTANTS
Keith Balser
Todd Manes
Michael Balasco
Matt Silverman
Tony Oberstar
Patrick Strange
DIRECTOR OF PHOTOGRAPHY
Mark Williams
1st A.C.
Jeff Caples
2nd A.C.
Matt Williams
LOADERS
Chris Strauser
Daniel Pacifici
PHOTOSONICS TECH
Gary Anderton
KEY GRIP
Eric Zucker
SPFX SUPERVISOR
Marty Bresin
SET CONSTRUCTION
Brent Kronmueller
Audrey Napier
VISUAL EFFECTS
Ben Gibbs
TELECINE
Co. 3
Stefan Sonnenfeld
Ryan Greenberg
LAB SERVICES
Fotokem
LOCATION
The City of Los Angeles
EDITED WITH
APPLE COMPUTERS
FINAL CUT PRO
ADOBE AFTER EFFECTS
THANKS TO ALL THE
DISTRIBUTORS AND SHOPS
FOR ALL YOUR SUPPORT
Lakai Limited Footwear 2007
Girl Skateboard Films 2007
www.lakai.com
www.crailtap.com
www.skatefairy.com
Youtube results:
4:24
Master P ft Tru - I Always Feel Like Somebody's Watching Me
some old shit...
published: 02 Dec 2007
Author: Vietnameze4Life
Master P ft Tru - I Always Feel Like Somebody's Watching Me
some old shit
5:14
Scarface, Master P & 2Pac - Homies And Thugs [Official Video HD]
Scarface Feat Master P & 2Pac - Homies And Thugs Link to the Official Old School Hip H...
published: 01 Jun 2012
Author: OldSchoolHipHopHD
Scarface, Master P & 2Pac - Homies And Thugs [Official Video HD]
Scarface Feat Master P & 2Pac - Homies And Thugs Link to the Official Old School Hip Hop page on facebook: www.facebook.com Brad Terrence Jordan (born November 9, 1970), better known by his stage name Scarface, is an African-American rapper and recording artist from Houston, Texas and a member of the Geto Boys. He is originally from South Park, Houston. Tupac Amaru Shakur (June 16, 1971 -- September 13, 1996), known by his stage names 2Pac, Pac, and Makaveli, was an American rapper and actor.[1] Shakur has sold over 75 million records worldwide as of 2010, making him one of the best-selling music artists in the world. Rolling Stone Magazine named him the 86th Greatest Artist of All Time. The themes of most of Tupac's songs are the violence and hardship in inner cities, racism, social problems, and conflicts with other rappers during the East Coast--West Coast hip hop rivalry. Shakur began his career as a roadie, backup dancer, and MC for the alternative hip hop group Digital Underground. Both of his parents and several other family members were members of the Black Panthers, and Tupac made reference to the organization in the song "Changes". Shakur was involved in a West-coast East-coast rivalry after a major feud with East-coast rappers, producers and record-label members of staff. On September 7, 1996, Shakur was shot four times in Las Vegas, Nevada. He was taken to the University Medical Center, where he died six days later. Percy Robert Miller (born April 29, 1967 <b>...</b>
5:50
Master P - I Miss My Homies (HD)
Uncensored & Unrestricted Music Videos you can't find on other Social Networks! bv...
published: 12 May 2012
Author: BVMUndergroundHipHop
Master P - I Miss My Homies (HD)
Uncensored & Unrestricted Music Videos you can't find on other Social Networks! bvmtv.com - www.bvmundergroundhiphop.com Twitter #BVMTV - @JeffBVMTV facebook - www.facebook.com iTunes: itunes.apple.com Amazon: www.amazon.com "I Miss My Homies" is the second single from American rapper Master P's 1997 studio album, Ghetto D, produced by Beats By The Pound. The single was released a month prior to the album's unveiling. The song featured Fiend, Mystikal, Silkk the Shocker, O'Dell, Sons of Funk, Mo B. Dick, Pimp C and Mercedes. This song was dedicated to Master P's late brother, Kevin Miller. Charts Chart (1997) Peak position US Billboard Hot 100 25 US Billboard Hot R&B/Hip-Hop Songs 16 US Billboard Hot Rap Tracks 2
7:53
AllHipHop Spotlight: Louie V Mob Featuring Master P
Master P performed in St. Louis for HOT 104 Super Jam. Master P comes on stage and introdu...
published: 29 Jun 2012
Author: allhiphopvideo
AllHipHop Spotlight: Louie V Mob Featuring Master P
Master P performed in St. Louis for HOT 104 Super Jam. Master P comes on stage and introduces the newest line up from No Limit Forever Records Louie V Mob. AllHipHop.com would like to reintroduce Romeo, Eastwood, Miss Chee, Bengie B, TEC and T-Bo also known as the Louie V Mob.