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Quincy Jones | |
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Quincy Jones attending an after-party of a tribute to his work at Life Restaurant, Los Angeles, CA on October 1, 2008 |
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Background information | |
Birth name | Quincy Delightt Jones, Jr. |
Also known as | Leigh Warren |
Born | (1933-03-14) March 14, 1933 (age 79) Chicago, Illinois, United States |
Genres | Rhythm and blues, funk, soul, big band, swing, bossa nova, jazz, hip hop, rock and roll |
Occupations | Musician, conductor, producer, arranger, composer, film composer |
Instruments | Trumpet, French horn, drums, vocals, piano synthesizer |
Years active | 1951–present |
Labels | Columbia, Mercury, Qwest |
Associated acts | Lionel Hampton, Dizzy Gillespie, Toots Thielemans, Sarah Vaughn, Aaliyah,[1] Michael Jackson, Rod Temperton, The Brothers Johnson, Frank Sinatra, Eddie Van Halen, Dinah Washington, Dean Martin, 2Pac, Patti Austin, Tevin Campbell, Marvin Gaye, Stevie Wonder, Will Smith, Trey Songz |
Website | quincyjones.com |
Quincy Delight Jones, Jr. (born March 14, 1933) is an American record producer, conductor, arranger, film composer, television producer, and trumpeter. His career spans five decades in the entertainment industry and a record 79 Grammy Award nominations,[2] 27 Grammys,[2] including a Grammy Legend Award in 1991. He is particularly recognized as the producer of the album Thriller, by pop icon Michael Jackson, which has sold more than 110 million copies worldwide,[3] and as the producer and conductor of the charity song “We Are the World”.
In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song "The Eyes of Love" from the Universal Pictures film Banning. That same year, he became the first African American to be nominated twice within the same year when he was nominated for Best Original Score for his work on the music of the 1967 film In Cold Blood. In 1971, Jones would receive the honor of becoming the first African American to be named musical director/conductor of the Academy Awards ceremony. He was the first African American to win the Academy's Jean Hersholt Humanitarian Award, in 1995. He is tied with sound designer Willie D. Burton as the most Oscar-nominated African American, each of them having seven nominations. At the 2008 BET Awards, Quincy Jones was presented with the Humanitarian Award. He was played by Larenz Tate in the 2004 biopic about Ray Charles, Ray.
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Jones was born in Chicago, the oldest son of Sarah Frances (née Wells), an apartment complex manager and bank executive who suffered from schizophrenia, and Quincy Delight Jones, Sr., a semi-professional baseball player and carpenter.[4] He sometimes ate rat as a child[5][6] Jones discovered music in grade school at Raymond Elementary School on Chicago's South Side and took up the trumpet. When he was 10, his family moved to Bremerton, Washington and he attended Seattle's Garfield High School. It was in Seattle that Jones, 14, first met a 17-year-old Ray Charles[7] and developed musically under the tutelage of Robert Blackwell.
His brother, Richard Jones, is a federal district court judge in Seattle, and has presided over several very high-profile cases, including the notorious Green River Killer Gary Ridgway. [8]
In 1951, Jones won a scholarship to the Schillinger House (now Berklee College of Music) in Boston, Massachusetts. However, he abandoned his studies when he received an offer to tour as a trumpeter with the bandleader Lionel Hampton. While Jones was on the road with Hampton, he displayed a gift for arranging songs. Jones relocated to New York City, where he received a number of freelance commissions arranging songs for artists like Sarah Vaughan, Dinah Washington, Count Basie, Duke Ellington, Gene Krupa, and his close friend Ray Charles.
In 1956, Jones toured again as a trumpeter and musical director of the Dizzy Gillespie Band on a tour of the Middle East and South America sponsored by the United States Information Agency. Upon his return to the United States, Jones got a contract from ABC-Paramount Records and commenced his recording career as the leader of his own band.
In 1957, Quincy settled in Paris where he studied composition and theory with Nadia Boulanger and Olivier Messiaen. He also performed at the Paris Olympia. Jones became music director at Barclay Disques, the French distributor for Mercury Records.
During the 1950s, Jones successfully toured throughout Europe with a number of jazz orchestras. As musical director of Harold Arlen's jazz musical Free and Easy, Quincy Jones took to the road again. A European tour closed in Paris in February 1960. With musicians from the Arlen show, Jones formed his own big band, called The Jones Boys, with 18 artists—plus their families—in tow. The band included jazz greats Eddie Jones and fellow trumpeter Reunald Jones, and organized a tour of North America and Europe. Though the European and American concerts met enthusiastic audiences and sparkling reviews, concert earnings could not support a band of this size, and poor budget planning made it an economic disaster; the band dissolved and the fallout left Jones in a financial crisis. Quoted in Musician magazine, Jones said about his ordeal, "We had the best jazz band in the planet, and yet we were literally starving. That's when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two." Irving Green, head of Mercury Records, got Jones back on his feet with a personal loan and a new job as the musical director of the company's New York division, where he worked with Doug Moody, who would later go on to form Mystic Records.
In 1964, Jones was promoted to vice-president of the company, thus becoming the first African American to hold such an executive position in a white-owned record company.[9] In that same year, Quincy Jones turned his attention to another musical arena that had long been closed to blacks—the world of film scores. At the invitation of director Sidney Lumet, he composed the music for The Pawnbroker. It was the first of his 33 major motion picture scores.
Following the success of The Pawnbroker, Jones left Mercury Records and moved to Los Angeles. After his score for The Slender Thread, starring Sidney Poitier, he was in constant demand as a composer. His film credits in the next five years included Walk, Don't Run, In Cold Blood, In the Heat of the Night, A Dandy in Aspic, Mackenna's Gold, The Italian Job, Bob & Carol & Ted & Alice, The Lost Man, Cactus Flower, and The Getaway. In addition, he also composed "The Streetbeater," which became familiar as the theme music for the television sitcom Sanford and Son, starring close friend Redd Foxx.
In the 1960s, Jones worked as an arranger for some of the most important artists of the era, including Billy Eckstine, Sarah Vaughn, Frank Sinatra, Ella Fitzgerald, Peggy Lee, and Dinah Washington. Jones's solo recordings also garnered acclaim, including Walking in Space, Gula Matari, Smackwater Jack, You've Got It Bad, Girl, Body Heat, Mellow Madness, and I Heard That!!.
He is well known for his 1962 tune "Soul Bossa Nova", which originated on the Big Band Bossa Nova album. "Soul Bossa Nova" was a theme for the 1998 World Cup, the Canadian game show Definition, the Woody Allen film Take the Money and Run and the Mike Myers movie Austin Powers in Goldmember, and was sampled by Canadian hip hop group Dream Warriors for their song, "My Definition of a Boombastic Jazz Style".
Jones was also responsible for producing all four million-selling singles for Lesley Gore during the early and mid-sixties, including "It's My Party" (UK #8; US #1), "Judy's Turn To Cry" (US #5), "She's A Fool" (also a US #5) in 1963, and "You Don't Own Me" (US #2 for four weeks in 1964). He continued to produce for Lesley until 1966, including the Greenwich/ Barry hit "Look of Love" (US #27) in 1965.
Jones's 1981 album The Dude yielded multiple hit singles, including "Ai No Corrida" (a remake of a song by Chaz Jankel), "Just Once" and "One Hundred Ways", the latter two featuring James Ingram on lead vocals and marking Ingram's first hits.
In 1985, Jones scored the Steven Spielberg film adaptation of The Color Purple. He and Jerry Goldsmith (from Twilight Zone: The Movie) are the only composers besides John Williams to have scored a Spielberg theatrical film. After the 1985 American Music Awards ceremony, Jones used his influence to draw most of the major American recording artists of the day into a studio to record the song "We Are the World" to raise money for the victims of Ethiopia's famine. When people marveled at his ability to make the collaboration work, Jones explained that he'd taped a simple sign on the entrance: "Check Your Ego At The Door".
Starting in the late 1970s, Jones tried to convince Miles Davis to re-perform the music he had played on several classic albums that had been arranged by Gil Evans in the 1960s. Davis had always refused, citing a desire not to revisit the past. In 1991, Davis, then suffering from pneumonia, relented and agreed to perform the music at a concert at the Montreux Jazz Festival. The resulting album from the recording, Miles & Quincy Live at Montreux, was Davis' last released album (he died several months afterward) and is considered an artistic triumph.[10]
In 1993, Jones collaborated with David Salzman to produce the concert extravaganza An American Reunion, a celebration of Bill Clinton's inauguration as president of the United States. In 1994, Salzman and Jones formed the company Quincy Jones/David Salzman Entertainment (QDE) with Time/Warner Inc. QDE is a diverse company which produces media technology, motion pictures, television programs (In the House, The Fresh Prince of Bel-Air, and MADtv), and magazines (Vibe and Spin).
In 2001, he published his autobiography, Q: The Autobiography of Quincy Jones. On July 31, 2007, Jones partnered with Wizzard Media to launch the Quincy Jones Video Podcast.[11] In each episode, Jones shares his knowledge and experience in the music industry. The first episode features Jones in the studio, producing "I Knew I Loved you" for Celine Dion, which is featured on the Ennio Morricone tribute album, We All Love Ennio Morricone. Jones is also noted for helping produce Anita Hall's CD, Send Love, which was released in 2009.
While working on the film The Wiz, Michael Jackson asked Jones to recommend some producers for Jackson's upcoming solo record. Jones offered some names, but eventually asked Jackson if he would like for him to produce the record. Jackson replied that he would, and the result, Off The Wall, has sold approximately 20 million copies and made Jones the most powerful record producer in the industry. Jones's and Jackson's next collaboration Thriller has sold a reputed 110 million copies and has become the highest-selling album of all time.[12] Jones also worked on Michael Jackson's album Bad, which has sold 45 million copies. Bad was the last time the pair would work together in the studio, although an audio interview with Jones features on the 2001 special editions of 'Off The Wall, Thriller and Bad.
In a 2002 interview, when Jackson was asked if he would ever work with Jones again he replied, "The door is always open".[citation needed] However, in 2007, when NME.COM asked Jones a similar question, he said "Man, please! We already did that. I have talked to him about working with him again but I've got too much to do. I've got 900 products, I'm 74 years old."[13]
Following Jackson's death on June 25, 2009, Jones said:
“ | I am absolutely devastated at this tragic and unexpected news. For Michael to be taken away from us so suddenly at such a young age, I just don't have the words. Divinity brought our souls together on The Wiz and allowed us to do what we were able to throughout the '80s. To this day, the music we created together on Off The Wall, Thriller and Bad is played in every corner of the world and the reason for that is because he had it all...talent, grace, professionalism and dedication. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I've lost my little brother today, and part of my soul has gone with him.[14] | ” |
Jones first worked with Frank Sinatra when he was invited by Princess Grace to arrange a benefit concert at the Monaco Sporting Club in 1958.[15] Six years later, Sinatra hired him to arrange and conduct Sinatra's second album with Count Basie, It Might as Well Be Swing (1964). Jones conducted and arranged 1966's live album with the Basie Band, Sinatra at the Sands.[16] Jones was also the arranger/conductor when Sinatra, Sammy Davis, Jr., Dean Martin, and Johnny Carson performed with the Basie orchestra in St. Louis, Missouri, in a benefit for Dismas House in June 1965. The fund-raiser was broadcast to a number of other theaters around the country and eventually released on DVD.[17] Later that year, Jones was also the arranger/conductor when Sinatra and Basie appeared on The Hollywood Palace TV show on October 16, 1965.[18] Nineteen years later, Sinatra and Jones teamed up for 1984's L.A. Is My Lady, after a joint Sinatra-Lena Horne project was abandoned.[19]
Jones is a great admirer of Brazilian culture and a film on Brazil's Carnival is among his recent plans: "one of the most spectacular spiritual events on the planet";[20] Simone, whom he cites as "one of the world´s greatest singers",[21] Ivan Lins,[22] Milton Nascimento and Gilson Peranzzetta, "one of the five biggest arrangement producers of the world"[23] stand as close friends and partners in his recent works.
Jones had a brief appearance in the 1990 video for The Time song "Jerk Out". Jones was a guest star on an episode of The Boondocks in which he and the main character, Huey Freeman, co-produced a Christmas play for Huey's elementary school. He appeared with Ray Charles in the music video of their song 'One Mint Julep' and also with Ray Charles and Chaka Khan in the music video of their song "I'll Be Good to You".
Quincy Jones hosted an episode of the long-running NBC sketch comedy show Saturday Night Live on February 10, 1990 (during SNL's 15th season [the 1989–1990 season]). The episode was notable for having 10 musical guests[24] (the most any SNL episode has ever had in its 30-plus years on the air): Tevin Campbell, Andrae Crouch, Sandra Crouch, rappers Kool Moe Dee and Big Daddy Kane, Melle Mel, Quincy D III, Siedah Garrett, Al Jarreau, and Take 6, and for a performance of Dizzy Gillespie's "Manteca" by The SNL Band (conducted by Quincy Jones himself).[24] Jones also impersonated Marion Barry in the then-recurring sketch, "The Bob Waltman Special". Quincy Jones would later be producer for his own sketch comedy show, FOX's MADtv.
Jones appeared in the Walt Disney Pictures film Fantasia 2000, introducing the set piece of George Gershwin's Rhapsody in Blue. Two years later he made a cameo appearance as himself in the film Austin Powers in Goldmember.
On February 10, 2008, Jones presented at the Grammy Awards. With Usher he presented Album of The Year to Herbie Hancock.
On January 6, 2009, Quincy Jones appeared on NBC's Last Call with Carson Daly to discuss various experiences within his prolific career. Also discussed was the informal notion of Jones becoming the first minister of culture for the United States — following the pending inauguration of the 44th U.S. President, Barack Obama. Carson Daly indicated the U.S. as being one of the only leading world countries, along with Germany, to exclude this position from the national government. This idea has also been subject to more in-depth discussion on NPR[25] and the Chronicle of Higher Education.[26]
On December 12, 2009, Jones performed at a private reception for USAA employees at the Alamo Dome, in San Antonio, TX.
On February 5, 2011 Quincy Jones appeared on CBS's Late night show with David Letterman.
Jones has been married three times and has seven children:
For the 2006 PBS television program African American Lives, Jones had his DNA tested; the results found that through his patrilineal line (Y DNA), he is of European ancestry, and through his matrilineal line (mt DNA) he is of West African/Central African ancestry of Tikar descent.[28] In a BBC interview, Jones said he had discovered that his father was half Welsh.[29] The series revealed that Jones' family hails from an area in Cameroon known for its music. On hearing the information, Jones said: "I would have never guessed." On his mother's side, Jones is a descendant of Betty Washington Lewis, president George Washington's sister.[30]
Jones has never learned to drive, citing an accident in which he was a passenger (at age 14) as the reason.[31]
Jones's social activism began in the 1960s with his support of Dr. Martin Luther King Jr. Jones is one of the founders of the Institute for Black American Music (IBAM), whose events aim to raise enough funds for the creation of a national library of African American art and music. Jones is also one of the founders of the Black Arts Festival in his hometown of Chicago. In the 1970s Jones formed The Quincy Jones Workshops. Meeting at the Los Angeles Landmark Variety Arts Center, the workshops educated and honed the skills of inner city youth in musicianship, acting and songwriting. Among its Alumni were Alton Mc Clain who had a hit song with Alton Mc Clain and Destiny, and Mark Wilkins who co-wrote the hit song "Havin' A Love Attack" with Mandrill and went on to become the National Promotion Director for Punk / Thrash record label Mystic Records. For many years, he has worked closely with Bono of U2 on a number of philanthropic endeavors. He is the founder of the Quincy Jones Listen Up Foundation, a nonprofit that connects youths with technology, education, culture and music. One of the organization's programs is an intercultural exchange between underprivileged youths from Los Angeles and South Africa.
In 2004, Jones helped launch the We Are the Future (WAF) project, which gives children in poor and conflict-ridden areas a chance to live their childhoods and develop a sense of hope. The program is the result of a strategic partnership between the Glocal Forum, the Quincy Jones Listen Up Foundation and Hani Masri, with the support of the World Bank, UN agencies and major companies. The project was launched with a concert in Rome, Italy, in front of an audience of half a million people.
Jones supports a number of other charities including the NAACP, GLAAD, Peace Games, AmfAR and The Maybach Foundation.[32] Jones serves on the Advisory Board of HealthCorps. On July 26, 2007, he announced his endorsement of Hillary Clinton for president. But with the election of Barack Obama, Quincy Jones said that his next conversation "with President Obama [will be] to beg for a secretary of arts,"[33] prompting the circulation of a petition on the Internet asking Obama to create such a Cabinet-level position in his administration.[34][35]
In 2001, he became an honorary member of the Board of Directors of The Jazz Foundation of America. Jones worked with The Jazz Foundation of America[36] to save the homes and the lives of America's elderly jazz and blues musicians including those who survived Hurricane Katrina.
Jones and his friend John Sie, founder of Starz Entertainment, worked together to create the Global Down Syndrome Foundation, the founding of which was inspired by Sie’s granddaughter, Sophia, who has Down syndrome.[37]
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Persondata | |
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Name | Jones, Quincy |
Alternative names | Jones, Quincy Delight, Jr. |
Short description | Musician, conductor, producer, arranger, composer, film composer |
Date of birth | 1933-3-14 |
Place of birth | Chicago, Illinois, U.S. |
Date of death | |
Place of death |
Don Rickles | |
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Rickles on stage at the Tropicana Hotel and Casino in Atlantic City on January 12, 2008 |
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Birth name | Donald Jay Rickles |
Born | (1926-05-08) May 8, 1926 (age 86) Queens, New York, U.S. |
Medium | Stand-up, Television, Film |
Nationality | American |
Years active | 1948–present |
Genres | Improvisational comedy, Observational comedy, Musical comedy, Insult comedy |
Subject(s) | United States culture, Racism, Self-deprecation, Everyday life, Religion, Current events |
Influences | Milton Berle |
Influenced | Jay Leno, David Letterman, Howard Stern, Russell Peters,[1] Dave Attell,[2] Lisa Lampanelli[3] Jerry Seinfeld, Norm Macdonald, Larry the Cable Guy |
Spouse | Barbara Sklar (1965–present) (2 children) |
Notable works and roles | Hello Dummy! Q M 1/C Ruby in Run Silent, Run Deep Sgt. Crapgame in Kelly's Heroes Billy Sherbert in Casino Mr. Potato Head in the Toy Story franchise |
Donald Jay "Don" Rickles (born May 8, 1926)[4] is an American stand-up comedian and actor. A frequent guest on The Tonight Show Starring Johnny Carson, Rickles has acted in comedic and dramatic roles, but is best known as an insult comic.
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Rickles was born in the New York City borough of Queens to Max Rickles, who had emigrated in 1902 with his parents Joseph and Frances Rickles from Kaunas, Lithuania[5] (then in the Russian Empire), and Etta (Feldman) Rickles, born in New York to immigrant parents from the Austrian Empire.[6][7][8][9] His family was Jewish and spoke Yiddish at home. Rickles grew up in the Jackson Heights area.[4]
After graduating from Newtown High School, Rickles enlisted in the U.S. Navy and served during World War II on the USS Cyrene as a seaman first class. He was honorably discharged in 1946. Two years later, he studied at the American Academy of Dramatic Arts and then played bit parts on television. Frustrated by a lack of acting work, Rickles began doing stand-up comedy. He became known as an insult comedian by responding to his hecklers. The audience enjoyed these insults more than his prepared material, and he incorporated them into his act. When he began his career in the early 1950s he started calling ill-mannered members of the audience a "hockey puck".[10] His style was similar to an older insult comic, "Mr. Warmth" Jack E. Leonard, though Rickles denies that Leonard influenced his style.[11]
While working in a Miami Beach nightclub known as "Murray Franklin's" early in his career, he spotted Frank Sinatra and remarked to him, "I just saw your movie, The Pride and the Passion and I want to tell you, the cannon's acting was great." He added, "Make yourself at home, Frank. Hit somebody!"[4][12] Sinatra, whose pet name for Rickles was "bullet-head", enjoyed Rickles so much that he encouraged other celebrities to see Rickles' act and be insulted by him. Sinatra's support helped Rickles become a popular headline performer in Las Vegas.[12]
Rickles earned the nicknames "The Merchant of Venom" and "Mr. Warmth" for his insult comedy, in which he pokes fun at people of all ethnicities and walks of life. When he is introduced to an audience or on a television talk show, Spanish matador music, "La Virgen de la Macarena", will usually be played, subtly foreshadowing that someone is about to be metaphorically gored. Rickles has said, "I always pictured myself facing the audience as the matador."[11]
In 1958, Rickles made his film debut in a serious part in Run Silent, Run Deep starring Clark Gable and Burt Lancaster. Throughout the 1960s, he appeared frequently on television in sitcoms and dramatic series. Rickles guest-starred in Get Smart as "Sid", an old war buddy of Max who comes to stay with him. In an episode of the 1960s drama series Run for Your Life, Rickles played a distressed comedian whose act culminates when he strangles a patron while imploring the patron to "Laugh!" Rickles took a dramatic turn in the Roger Corman film X: The Man with the X-Ray Eyes as a carnival barker out to exploit the title character.[citation needed]
Rickles also appeared in the popular Beach Party film series. He recalled in his memoirs that at a White House dinner, Barbara Bush teased him about his decision to appear in those films, and remarked "Was your career really going that badly?"[citation needed]. Rickles' agent, Jack Gilardi, was married to Annette Funicello when Rickles was cast in the Beach Party films.
As his career progressed, Rickles began appearing more frequently on television talk shows, first appearing on The Tonight Show Starring Johnny Carson in 1965. He became a frequent guest and guest host, appearing more than 100 times on The Tonight Show during Carson's era. An early Carson-Rickles Tonight highlight occurred in 1968 when, while two Japanese women treated Carson to a bath and massage by foot, Rickles walked onto the set. At one point, he decided to play massage therapist to the prone and towel-clad Carson. Rickles leaned over and wrapped his arms around Carson, ad-libbing, "I'm so lonely, Johnny!" Carson broke into hysterical laughter, got up, grabbed Rickles, and tossed the suit-clad comedian into the bathtub. Rickles also made frequent appearances on The Dean Martin Show and became a fixture on The Dean Martin Celebrity Roasts specials, which continued until 1984.
In 1968, Rickles released a live comedy album, Hello, Dummy!, which reached #54 on Billboard's Hot 100.[13] The same year he starred in his own variety show on ABC, The Don Rickles Show, with comedy writer Pat McCormick as his sidekick. The show lasted one season. During the 1960s, Rickles made guest appearances on The Dick Van Dyke Show, The Munsters, The Addams Family, The Mothers -in- Law, Gilligan's Island, Get Smart, The Andy Griffith Show and I Dream of Jeannie.
This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2011) |
In 1970, Rickles had a notable role as the con man Sgt. Crapgame in the hit film Kelly's Heroes with Clint Eastwood. In 1972, he starred in the sitcom The Don Rickles Show which lasted for thirteen episodes. He also starred in a series of television specials. In his memoir, Rickles acknowledged that a scripted sitcom was not well-suited to his ad-lib style of performing. In 1973 Don Rickles was a popular comedian at The Dean Martin Roasts.
In 1976, he starred in the sitcom C.P.O. Sharkey, which lasted two seasons. The show is primarily remembered for the cigarette box incident when Johnny Carson visited during an episode's taping because he was "incensed" that Rickles broke his cigarette box while Bob Newhart was guest-hosting. The incident was often replayed in Tonight Show retrospectives and was considered a highlight of the 1970s era of the show.
Rickles occasionally appeared as a panelist on Hollywood Squares and was depicted in comic book form by Jack Kirby during his work on the Superman's Pal Jimmy Olsen series.
In the early 1980s, Rickles began performing with singer Steve Lawrence in concerts in Las Vegas. In 1983, the duo co-hosted the short-lived ABC-TV series Foul-Ups, Bleeps & Blunders, an imitation of NBC's TV's Bloopers & Practical Jokes.
In 1985, when Frank Sinatra was asked to perform at Ronald Reagan's Second Inaugural Ball, he stipulated he would not perform unless Rickles was allowed to perform with him. Rickles considers this performance the highlight of his career.[14]
In 1990, he appeared in the second season of Tales From the Crypt in the episode "The Ventriloquist's Dummy".
In 1992, he was cast in the film Innocent Blood, directed by John Landis. In his memoir, Rickles wrote that he recalled that Landis was once a "Production Assistant" to director Brian G. Hutton during the filming of Kelly's Heroes. During the filming of Innocent Blood, Rickles would kid Landis by ordering him to get coffee or to run other errands befitting his one-time "gofer" status.
In 1993, Rickles starred in another short-lived sitcom, Daddy Dearest, with comedian Richard Lewis. In 1995, he made a return to film in two high-profile projects: a dramatic role as Robert De Niro's trusted colleague in Martin Scorsese's Casino, and voicing Mr. Potato Head in the Pixar computer-animated film Toy Story. He reprises the latter role in Toy Story 2 and Toy Story 3. In 1998 he portrayed a movie theater manager in Dirty Work, starring Norm Macdonald and Artie Lange. Again in 1998, he was the voice of Cornwall, one of the heads of a two-headed dragon, in the movie "Quest for Camelot".
Rickles continued to be very active on the stand-up comedy scene, and is still a popular performer in Las Vegas.[15] He has no plans to retire as he recently said in an interview: "I'm in good health. I'm working better than I ever have. The audiences are great. Why should I retire? I'm like a fighter. The bell rings and you come out and fight. My energy comes alive. And I still enjoy it."[14]
In February 2007, Rickles made a cameo appearance as himself in a strange, recurring dream sequence that was woven through an episode titled "Sub Conscious" of the CBS dramatic series, The Unit.[16]
Rickles' memoir, titled Rickles' Book, was released on May 8, 2007 by Simon & Schuster. Mr. Warmth: The Don Rickles Project, a documentary about Rickles directed by John Landis, made its debut on HBO on December 2, 2007. Rickles won two Emmys for the documentary, including one for "Individual Performance" besting a number of notable comics, including David Letterman, Jon Stewart and Stephen Colbert. To this Rickles remarked, "Stephen Colbert's a funny man, but he's too young. He has got plenty of time to win awards, but this may be my last year and I think that I made it count. On second thought it was probably just a mercy award for an old man."[17]
Rickles reprised the role of Mr. Potato Head in the Toy Story Midway Mania! attraction at Disney California Adventure Park and Disney's Hollywood Studios.[18] He voiced the character again in Toy Story 3.
In 2009, Rickles appeared on Kathy Griffin: My Life on the D-List and met Griffin's mother, Maggie, to fulfill one item on Maggie's "bucket list".
In 2010, he appeared in a commercial during Super Bowl XLIV as a talking rose.
On June 27, 2010, he appeared on the 37th Annual Daytime Emmy Awards on CBS TV.
In 2011, Rickles joined Joe Pesci in a Snickers advertisement highlighting the actors known for their "short fuses."[19] Also in 2011, he made a surprise appearance as the late husband of Elka (Betty White) on the TV Land original comedy Hot in Cleveland -- a "surprise" because Rickles' character was thought to be dead.
It is well known that Rickles has nothing against the people that he insults during his routine, and that it is all just part of the act. Although sarcastically nicknamed "Mr. Warmth" due to his offensive and insensitive stage personality, in reality most know him to be actually quite genial and pleasant. It has been said that being insulted by Rickles is like "wearing a badge of honor".[20]
When asked by an interviewer if he ever worried that his insult comedy might ever become too offensive, Rickles replied, "You know, every night when I go out on stage to do my comedy routines, there's always one nagging fear in the back of my mind. I'm always afraid that somewhere out there, there is one person in the audience that I'm NOT going to offend!"[citation needed]
Rickles is known for lackadaisically saying the word "anyway" and "let me tell ya this", following most of his comedic insults, in order to appear nonchalant about the comic volley he had just thrown at an audience member, show host, etc. This is widely regarded as one of Rickles' classic comedic tactics that contribute to his impeccable sense of timing.[citation needed]
Rickles has been married for more than 45 years to his wife, Barbara, who was raised in Philadelphia. The couple had two children; a daughter Mindy, and a son, producer Larry Rickles, who died in December 2011 at the age of 41.[21] According to Rickles' memoir, his grandchildren, Ethan and Harrison Mann, are much more impressed by his role as "Mr. Potato Head" than by any of his other achievements. Rickles is a life-long Democrat. However, he performed at the inaugurations of Republican presidents Ronald Reagan and George H.W. Bush with his friend Frank Sinatra.[22]
Rickles considers comedian Bob Newhart to be his best friend. Rickles, Newhart, and their wives often vacation together. Rickles and Newhart appeared together on The Tonight Show with Jay Leno on January 24, 2005, the Monday following Johnny Carson's death, reminiscing about their many guest appearances on Carson's show, including footage of the "cigarette box incident".[citation needed]
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Persondata | |
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Name | Donald Jay Rickles |
Alternative names | Don Rickles |
Short description | American comedian, actor |
Date of birth | May 8, 1926 |
Place of birth | Queens, New York City, New York, United States of America |
Date of death | |
Place of death |
Don Adams | |
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File:DonAdams.jpg Don Adams as Maxwell Smart Agent 86 |
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Born | Donald James Yarmy (1923-04-13)April 13, 1923 New York City, New York, U.S. |
Died | September 25, 2005(2005-09-25) (aged 82) Los Angeles, California, U.S. |
Cause of death | Lung Infection |
Nationality | American |
Occupation | Actor, comedian, game show panelist, director, voice artist |
Years active | 1954–2005 |
Spouse |
Adelaide Efantis (m. 1947–1958) «start: (1947)–end+1: (1959)»"Marriage: Adelaide Efantis to Don Adams" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Don_Adams) |
Don Adams (April 13, 1923 – September 25, 2005) was an American actor, comedian and director. In his five decades on television, he was best known as Maxwell Smart (Agent 86) in the television situation comedy Get Smart (1965–1970, 1995), which he also sometimes directed and wrote. Adams won three consecutive Emmy Awards for his portrayal of Smart (1967–1969). He provided the voices for the animated series Tennessee Tuxedo and His Tales (1963–1966) and Inspector Gadget (1983–1986) as their title characters. He voiced Sid Pickles in all episodes of Spike & Mike (1993–1999), and two follow up films, Spike & Mike Movie and Spike and Mike: Got Hostaged.
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Adams was born Donald James Yarmy in Manhattan,[1] son of William Yarmy and his wife Consuelo Dieter. His father, a restaurant manager, was Hungarian and Jewish and his mother was Irish and Roman Catholic. Adams and his brother (actor Dick Yarmy) were each raised in the religion of one parent: Don in the Catholic faith of their mother, and Dick in the Jewish faith of their father.[2][3]
Dropping out of New York City's DeWitt Clinton High School, Adams worked as a theater usher.[4] He enlisted in the United States Marine Corps in 1941 together with his twin-brother cousins, William and Robert Karvelas.[1] The three were assigned to the Third Marines in Samoa until Adams was sent as a replacement to the Battle of Guadalcanal, where he was the only survivor of his platoon.[5] His survival, despite his company's near 90% fatality rate, was due to his contracting blackwater fever early in the campaign. He was evacuated to New Zealand and spent over a year there, in a Navy hospital in Wellington.[1][6] After his recovery, he served as a Marine drill instructor in the United States.[7][8]
Following his discharge, Adams held a series of jobs. During a Canadian television interview, he said that he had faked college credentials and an engineering background to be hired as an engineer designing underground sewers. His lack of training was not discovered for six months.[citation needed]
He later worked as a comic, taking the stage name of Adams after marrying singer Adelaide (Dell) Efantis, who performed as Adelaide Adams. They had four daughters, and Adams also worked as a commercial artist and restaurant cashier to help support his family. When they divorced, he kept Adams as his stage name because acting auditions were often held in alphabetical order.[1]
Adams' work on television began in 1954, when he won on Arthur Godfrey's Talent Scouts with a stand-up comedy act written by boyhood friend Bill Dana. In addition to appearing on numerous comedy, variety, and dramatic series, Adams had a role on the NBC sitcom The Bill Dana Show (1963–1965), as a bumbling hotel detective named Byron Glick — a character Adams created that was the precursor to the role he would play as "Maxwell Smart" on Get Smart. (The hotel manager was played by Jonathan Harris who later did a guest role on Get Smart in 1970.)[citation needed]
Creators Mel Brooks and Buck Henry, prompted by producers Dan Melnick and David Susskind,[1] wrote Get Smart as the comedic answer to the successful 1960s spy television dramas such as The Man from U.N.C.L.E., The Avengers, I Spy and others. They were asked to write a spoof that combined elements from two of the most popular film series at the time: the James Bond and Pink Panther (Inspector Clouseau) movies.
Get Smart had been written for Tom Poston, to be piloted on CBS; when CBS turned it down, the show was picked up by NBC, which cast Adams in the role because he was already under contract.[1] When Get Smart debuted in 1965, it was an immediate hit. Barbara Feldon co-starred as Max's young and attractive partner (later wife), Agent 99, where she had a great chemistry with Adams, throughout the show's run, despite a 10-year age difference.
Adams gave the character a clipped, unique speaking style. Feldon said, "Part of the pop fervor for Agent 86, was because Don did such an extreme portrayal of the character that it made it easy to imitate."[citation needed] Adams created many popular catch-phrases (some of which were in his act prior to the show), including "Sorry about that, Chief", "Would you believe ...?", "Ahh ... the old [noun] in the [noun] trick. That's the [number]th time this [month/week]." (Sometimes the description of the trick was simply, "Ahh... the old [noun] trick."), and "Missed it by 'that much.'" These helped make the series a hit in over 100 countries.[citation needed]
In addition to acting, Adams also produced and directed several episodes of the show. Off the set, he occasionally feuded with Jay Sandrich, who served as writer. He was nominated for Emmys four seasons in a row, between 1966 and 1969, for Outstanding Continued Performance by an Actor in a Leading Role in a Comedy Series. He won the award three times. The show moved to CBS for its final season, with ratings declining as spy series went out of fashion. Get Smart was canceled in 1970, after 138 episodes.[citation needed]
Adams was happy about the show's cancellation, since he wanted to move on to other projects. His efforts after Get Smart were less successful, including the comedy series The Partners (1971–1972), a self-titled game show called Don Adams' Screen Test (1975–1976) and three attempts to revive the Get Smart series in the 1980s. Even his movie, The Nude Bomb, was a box-office failure. Adams had been typecast as Maxwell Smart and unable to escape the image, though he did have success as the voice of Inspector Gadget.
He earned most of his income from his work on stage and in nightclubs. As Adams had chosen a low salary combined with a one-third ownership stake in Get Smart during the show's production, he received a regular income for many years due to the show's popularity in reruns.[1]
Don Adams' Screen Test was a syndicated game show which lasted 26 episodes during the 1975–1976 season. The show was done in two 15-minute segments, in each of which a randomly selected audience member would 'act' to re-create a scene from a Hollywood movie as accurately as possible. Such moments as the bar scene from The Lost Weekend, the duel scene from The Prisoner of Zenda or the beach scene from From Here to Eternity were used, with Adams directing and a celebrity guest playing the other lead in the scene. Hokey effects, bad timing, forgotten lines, prop failures and the celebrity's "ad libs" were maximized for comic effect as the audience watched "bloopers" and "outtakes" as they happened. At the end of the program, the final, serious, fully edited version of the "screen test" of each of the two contestants would be played, with audience reaction determining the winner, who would receive a trip to Hollywood and a real screen test for a motion picture.
Adams was the voice of the title character in Tennessee Tuxedo and His Tales (1963–1966), but he was more famous as the voice of Inspector Gadget in the initial run of that television series (1983–1986) and the Christmas special, as well as in later reprises; he even voiced himself in animated form for a guest shot in an episode of Hanna-Barbera's The New Scooby-Doo Movies, "The Exterminator," which first aired on CBS October 6, 1973.
Starting in 1982, Adams resurrected the Maxwell Smart character for a series of television commercials for Savemart, a retail chain that sold audio and video equipment.[9]
He attempted a situation-comedy comeback in Canada with Check it Out! in 1985; the show ran for three years in Canada, but it was not successful in the United States. The show also starred Gordon Clapp, an unknown star at the time, who developed a rapport with Adams. In an A&E Biography[citation needed], Adams said that he made more money working on the series, better than on Get Smart. He reprised his Maxwell Smart role on Get Smart for Fox in 1995, which co-starred Barbara Feldon and rising star Andy Dick as Max's & 99's only son. Unlike the original version, this show did not appeal to younger viewers and it was canceled after only seven episodes. He later went on to voice the character of Principal Hickley in the late-1990s/early-2000s Disney cartoon, Pepper Ann.
In 2003, Adams joined a Get Smart tribute at the Museum of Television and Radio. Also appearing at the convention were surviving stars of Get Smart: Barbara Feldon, Bernie Kopell and Dick Gautier.[citation needed]
Adams stated in interviews that his famous "clippy" voice characterization was an exaggeration of the speaking style of actor William Powell. Occasionally, he also enjoyed doing a more explicit impersonation of Ronald Colman.
Adams was the voice of Brain the Dog in the end credits for the film version of Inspector Gadget in 1999.
Adams was married: to Adelaide Efantis Adams, Dorothy Bracken Adams and Judy Luciano.[6] His brother, Richard Paul Yarmy, also known as Dick Yarmy (February 14, 1932 – May 5, 1992), was an actor. His sister, Gloria (Yarmy) Burton, was a writer.[10]
Adams was an avid gambler; according to his longtime friend Bill Dana, "He could be very devoted to his family if you reminded him about it, [but] Don's whole life was focused around gambling."[11]
Don Adams died on September 27, 2005 at Cedars-Sinai Medical Center in Los Angeles, California from a lung infection.[6] Before he died, he joked about not wanting a mournful funeral, preferring, he said, to have his friends get together "and bring me back to life."[12] Among his eulogists were his decades-long friends Barbara Feldon, Don Rickles, James Caan, and Bill Dana, and his son-in-law, actor Jim Beaver (widower of Adams's actress-daughter Cecily Adams). Although Adams had expressed a desire to be buried with military rites at Arlington National Cemetery, he was instead interred in Hollywood Forever Cemetery in Hollywood, California.[13] His non-military funeral mass was held at the Church of the Good Shepherd in Beverly Hills. Adams was survived by three of his four daughters from his first marriage, two children from his second marriage, and a daughter from his third marriage;[6] he was also survived by five grandchildren and three great-grandchildren.[1]
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Persondata | |
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Name | Adams, Don |
Alternative names | Yarmy, Donald James |
Short description | American actor, comedian and film director |
Date of birth | 1923-04-13 |
Place of birth | New York, New York, United States |
Date of death | 2005-09-25 |
Place of death | Los Angeles, California, United States |
Elaine Stritch | |
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Elaine Stritch, in 2009 |
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Born | Elaine Stritch (1925-02-02) February 2, 1925 (age 87) Detroit, Michigan |
Occupation | Actress/Vocalist |
Years active | 1944–present |
Spouse | John Bay (m.1973-1982; his death) |
Elaine Stritch (born February 2, 1925) [1] is an American actress and vocalist. She has appeared in numerous stage plays and musicals, feature films, and many television programs. She is known for her performance of "The Ladies Who Lunch" in Stephen Sondheim's 1970 musical Company, her 2001 one-woman show, Elaine Stritch at Liberty, and recently for her role as Jack Donaghy's mother Colleen on NBC's 30 Rock. She has been nominated for the Tony Award five times in various categories, and won once, for Elaine Stritch at Liberty. Stritch is also a three-time Emmy Award winner.
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Elaine Stritch was born in 1925[2] in Detroit, Michigan to Mildred (née Jobe; 1893-1987), a homemaker, and George Joseph Stritch (1892-1987), an executive with B.F. Goodrich.[3] Her family was wealthy and devoutly Roman Catholic.[4][5] Stritch's father was of Irish descent and her mother was of Welsh descent. Samuel Cardinal Stritch, former Archbishop of Chicago, was one of her uncles.[6]
Stritch trained at the Dramatic Workshop of The New School in New York City under Erwin Piscator;[7] other students at the Dramatic Workshop at this time included Marlon Brando and Bea Arthur.[8]
Stritch made her stage debut in 1944. However, her Broadway debut was in Loco in 1947, directed by Jed Harris,[9] followed soon after by Made in Heaven (as a replacement) [10]and then the revue Angel in the Wings (1947) in which she performed comedy sketches and the song "Civilization".[11]
Stritch understudied Ethel Merman for Call Me Madam, and, at the same time, appeared in the 1952 revival of Pal Joey, singing "Zip".[11] Stritch later starred in the national tour of Call Me Madam, and appeared in a supporting role in the original Broadway production of William Inge's play Bus Stop. She was the lead in Goldilocks.
She starred in Noël Coward's Sail Away on Broadway in 1961. Stritch started in the show in a "relatively minor role and was only promoted over the title and given virtually all the best songs when it was reckoned that the leading lady ... although excellent, was rather too operatic for a musical comedy."[12] During out-of-town tryouts in Boston, Coward was "unsure about the dramatic talents" of one of the leads, opera singer Jean Fenn.[13] "They were, after all, engaged for their voices and...it is madness to expect two singers to play subtle 'Noel Coward' love scenes with the right values and sing at the same time."[13] Joe Layton suggested "What would happen if ... we just eliminated [Fenn's] role and gave everything to Stritch? ... The show was very old-fashioned, and the thing that was working was Elaine Stritch ... every time she went on stage [she]was a sensation. The reconstructed 'Sail Away' ... opened in New York on 3 October."[13]. In 1966, she played Ruth Sherwood in the musical Wonderful Town at New York's City Center, and appeared in an Off Broadway revival of Private Lives in 1968.
Stritch became known as a singer with a brassy, powerful voice, most notably originating on Broadway the role of Joanne in Company (1970). After over a decade of successful runs in shows in New York, Stritch moved in 1972 to London, where she starred in the West End production of Company.
On tour and in stock, Stritch has appeared in such musicals as No No Nanette, The King and I, I Married an Angel, and both as Vera Charles (opposite Janet Blair) and Mame Dennis in Mame.
Her earliest television appearances were in The Growing Paynes (1949) and the Goodyear Television Playhouse (1953–55). She also appeared on episodes of The Ed Sullivan Show in 1954. She was the first and original Trixie Norton in the pilot for Honeymooners sketch with Jackie Gleason, Art Carney and Pert Kelton. The character was originally a burlesque dancer, but the role was rewritten and recast with Joyce Randolph playing the character as an ordinary housewife.[7]
Stritch's other television credits, include a number of dramatic programs in the 1950s and 1960s, including Studio One. In the 1960 television season, Stritch appeared in the role of writer Ruth Sherwood in the CBS sitcom My Sister Eileen, opposite Shirley Bonne as her younger sister, Eileen Sherwood, an aspiring actress. The sisters, natives of Ohio, live in a brownstone apartment in Greenwich Village.
In 1975, Stritch starred in the British LWT comedy series Two's Company opposite Donald Sinden. She played Dorothy McNab, an American writer living in London who was famous for her lurid and sensationalist thriller novels. Sinden played Robert, her English butler, who disapproved of practically everything Dorothy did and the series derived its comedy from the inevitable culture clash between Robert's very British stiff-upper-lip attitude and Dorothy's devil-may-care New York view of life. Two's Company was exceptionally well-received in Britain and ran for four seasons until 1979, despite being buried in the "graveyard slot" of Sundays at 10:30pm. In 1979, both Stritch and Sinden were nominated for a BAFTA TV Award for Two's Company, in the category "Best Light Entertainment Performance", losing out to Ronnie Barker. Stritch and Sinden also sang the theme tune to the programme.
Other British television appearances included Roald Dahl's Tales of the Unexpected. Although she appeared several times in different roles, perhaps her most memorable appearance was in the story "William and Mary", in which she played the wife of a man who has cheated death by having his brain preserved. In his introduction to the episode, Dahl observed that humor should always be used in horror stories, in order to provide light to the shade, and that was why Stritch had been cast, as "an actress who knows a lot about humor". Stritch became a darling of the British chat show circuit, appearing with Michael Parkinson and Terry Wogan many times, usually ending the appearance with a song. She appeared on BBC One's children's series, Jackanory, reading, among other stories, Charlie and the Chocolate Factory by Roald Dahl.
After returning to the U.S., she appeared on The Edge of Night as vinegary nanny Mrs. DeGroot, then was cast as a regular on the short-lived The Ellen Burstyn Show in 1986. She appeared as the stern schoolteacher Mrs. McGee on three episodes of The Cosby Show (1989–1990). She followed later with appearances on Law & Order (1992, 1997) as Lainie Steiglitz; as Judge Grace Lema on Oz (1998); and as Martha Albright (mother of Jane Curtin's character) on two episodes of 3rd Rock From the Sun (1997, 2001), alongside her Broadway co-star George Grizzard, who played George Albright (the names George and Martha were a play on the characters Stritch and Grizzard played in Who's Afraid of Virginia Woolf).
Stritch was reportedly considered for the role of Dorothy Zbornak on The Golden Girls but, as she related in her show Elaine Stritch at Liberty, she "blew her audition".[14] The role was subsequently cast with Bea Arthur (who had appeared with Stritch in 1956 in the television series Washington Square).
More recently, she was seen on One Life to Live (1993), replacing fellow stage legend Eileen Heckart as Wilma Bern. She has had recurring roles on Law & Order (1992, 1997) and 3rd Rock from the Sun (1997, 2001).[15] On April 26, 2007, she began guest appearances on the NBC sitcom 30 Rock as Colleen, the fearsome mother of Alec Baldwin's lead character, Jack Donaghy.[16] In 2008, Stritch appeared as herself in an episode during the second season of The Big Gay Sketch Show. She was spoofed during the first season as well as the second season.
While Stritch has made it clear she prefers working on the stage,[citation needed] she has in recent years appeared in more films than the early part of her career. In an interview in 1988, it was noted that "Making movies is challenging to Stritch since she considers herself a novice." She said: "I'm fascinated with it. And I want to do more of them." She was asked why she waited so long to make movies since she apparently enjoys it so much. "You do a movie for, like, three months and then you're finished. You do a part in a play and it's like going into a roomful of audiences for a year."[17]
Early in her career, she appeared in Three Violent People (1956) starring Charlton Heston, as the hotel proprietor pal of Anne Baxter,[18]and then co-starred opposite Rock Hudson and Jennifer Jones in the David O. Selznick remake of A Farewell to Arms (1957) as Hudson's nurse.[19] In The Perfect Furlough, she co-starred opposite Tony Curtis and Janet Leigh. She had a showy role as the lesbian proprietor of a bar in the cult film Who Killed Teddy Bear (1965) which starred Sal Mineo.[20] She played the role of the "tough-as-nails" nurse in the remake of The Spiral Staircase (1975)[21] and was praised for her performance[citation needed] in the comedy-drama Providence (1977).[22]
When she returned to the United States in the mid 1980's from London, Woody Allen cast her as the former movie star mother in his drama September (1987). People Magazine called her performance "acclaimed" and wrote "Though the movie has received mixed reviews, Stritch's roaring presence, like Godzilla in a stalled elevator, can't be ignored."[23] Allen later cast her in his comedy Small Time Crooks (2000) in which she played a "snobby socialite". Rex Reed wrote of her performance: "Elaine Stritch can still stop you in your tracks with a meaningless, drop-dead one-liner (which is all she gets here)."[24]
She joined the ensemble of Cocoon: The Return (1988) as the earthy waitress who helps widowed Jack Gilford get over his wife's death. Among her her co-stars were former Goldilocks co-star Don Ameche and Gwen Verdon.[17] She appeared in Out to Sea (1997) as Dyan Cannon's wise-cracking mother and "danced up a storm" with the other characters.[25] She played Winona Ryder's loving grandmother in the film Autumn in New York.[26] Stritch had a rare co-starring role in the comedy Screwed (2000) playing the nasty Miss Crock who becomes the intended victim of a kidnapping by her disgruntled butler (Norm Macdonald).[27]
In 1982, Stritch appeared on an edition of the long running BBC Radio comedy series Just a Minute alongside Kenneth Williams, Clement Freud and Barry Cryer. The show was described by long-time chairman Nicholas Parsons as being among the most memorable because of the way Stritch stretched the show's rules. It was on this occasion that Stritch famously described Kenneth Williams as being able to make "one word into a three-act play".[28] She also appeared as Martha in a radio adaptation of Edward Albee's Who's Afraid of Virginia Woolf? (she understudied Uta Hagen in the same role during the show's original Broadway run, performing during matinees before taking over the role entirely).
After John Bay's death from brain cancer in 1982,[29] Stritch returned to America. After a lull in her career and struggles with alcoholism, Stritch began performing again in the 1990s. She appeared in a one-night only concert of Company in 1993 and as Parthy in a Broadway revival of the musical Show Boat in 1994. In 1996 she played Claire in a revival of Edward Albee's A Delicate Balance, with Variety writing: "Equally marvelous is Stritch, with a meatier role than her recent foray as Parthy in 'Show Boat.' To watch her succumb to the vast amounts of alcohol Claire ingests, folding and refolding her legs, slipping -- no, oozing -- onto the floor, her face crumpling like a paper bag, is to witness a different but equally winning kind of thespian expertise. It's a master class up there."[30]
Her one-woman show, Elaine Stritch at Liberty, a summation of her life and career, premiered at New York's Public Theater, running from November 7 to December 30, 2001.[31] It then ran on Broadway at the Neil Simon Theatre from February 21 to May 27, 2002. Newsweek noted:
Now we see how At Liberty, the amazing one-woman show Stritch is moving to Broadway from the Public Theater this week, acquired the credit, "Constructed by John Lahr. Reconstructed by Elaine Stritch". "The reconstruction means I had the last say", she says. "Damn right I did." ... In case you didn't notice, Stritch is not the kind of woman who goes in for the sappy self-indulgence that pollutes most one-person shows. In fact, At Liberty is in a class by itself, a biting, hilarious and even touching tour-de-force tour of Stritch's career and life. Almost every nook and cranny of "At Liberty" holds a surprise. Turns out she dated Marlon Brando, Gig Young and Ben Gazzara, though she dropped Ben when Rock Hudson showed an interest in her. "And we all know what a bum decision that turned out to be", she says. And then there were the shows. A British writer recently called Stritch "Broadway's last first lady", and when you see her performing her signature numbers from Company and Pal Joey and hear her tell tales of working with Merman, Coward, Gloria Swanson and the rest, it's hard to argue. Especially since she does it all dressed in a long white shirt and form-fitting black tights. It's both a metaphor for her soul-baring musical and a sartorial kiss-my-rear gesture to anyone who thinks there isn't some life left in the 76-year-old [sic] diva. "Somebody said to me the other day, 'Is this the last thing you're going to do?'", says Stritch. "In your dreams! I can't wait to get back into an Yves Saint Laurent costume that isn't mine--but will be when the show is over.[32]
Elaine Stritch at Liberty played to British audiences in 2002-03. She reprised Elaine Stritch at Liberty at Hartford Stage in June 2008.
She appeared in the Broadway revival of the Sondheim-Wheeler musical A Little Night Music, from July 2010 to January 2011, succeeding Angela Lansbury in the role of Madame Armfeldt,[33][34] the wheelchair-bound mother who remembers her life as a courtesan in the song "Liaisons". The AP reviewer of the musical (with the two new leads) wrote "Devotees of Stritch, who earned her Sondheim stripes singing, memorably, "The Ladies Who Lunch" in Company 40 years ago, will revel in how the actress, who earned a huge ovation before her very first line at a recent preview, brings her famously salty, acerbic style to the role of Madame Armfeldt."[35] The theatre critic for The Toronto Star wrote:
"Stritch offers a sophisticated gloss on her by now patented, plain-talking woman who reveals all the home truths everyone ever wanted (or didn't) to hear about themselves. When Stritch tears into her big set-piece, 'Liaisons', about all the affairs in her life, it's not just a witty catalogue of indiscretions but a deeply moving fast-forward through a life filled equally with love, loss, joy and regret."[36]
Stritch has been performing a cabaret act at the Cafe Carlyle in New York City since 2005 (she is a resident of the Carlyle Hotel). Her first show at the Carlyle was titled "At Home at the Carlyle". The New York Times reviewer wrote
Amazingly, none of the 16 songs she performs have ever been in her repertory, and just as amazingly, you don't miss signature numbers... [L]etting them go has allowed her to venture into more sensitive emotional territory. Interpreting stark, talk-sing versions of Rodgers and Hart's "He Was Too Good to Me", "Fifty Percent" from the musical Ballroom, and Kurt Weill and Ogden Nash's "That's Him", she comes into her own as a dramatic ballad singer.[37]
Between musical numbers, Stritch told stories from the world of stage and screen, tales from her everyday life and personal glimpses of her private tragedies and triumphs. She most recently performed at the Cafe Carlyle in early 2010 and in fall 2011 in At Home at the Carlyle: Elaine Stritch Singin' Sondheim…One Song at a Time.[38]
Her late husband, John Bay, was part of the family that owns the Bay's English Muffins company, and Stritch sends English muffins as gifts to friends. Said John Kenley: "Every Christmas, she still sends me English muffins."[39][40] When she was based in London, instead of renting or buying a property Stritch and her husband lived at the Savoy Hotel.[7] She is good friends with gossip columnist Liz Smith, who shares the same birthday (February 2) as Stritch.[41]
Stritch has been candid about her struggles with alcohol. She took her first drink at 13, and began using it as a crutch prior to performances to vanquish her stage fright and insecurities. Her drinking worsened after Bay's death, and she sought help after experiencing issues with effects of alcoholism, as well as the onset of diabetes. Elaine Stritch at Liberty discusses the topic at length.[5]
Stritch's voice and vocal delivery are spoofed in the Forbidden Broadway songs "The Ladies Who Screech" and "Stritch," parodies of "The Ladies Who Lunch" and "Zip", songs she performed in the musicals Company and Pal Joey. In 2009, a parody by Bats Langley entitled "How the Stritch Stole Christmas" (loosely based on "How the Grinch Stole Christmas") appeared on YouTube. On The Big Gay Sketch Show, she was spoofed as a Wal-Mart greeter who's still a theater gal at heart. ("I'm heeere. I'm still heeeerrre." "Here's to the ladies who shop... at Wal-Mart!") This draws inspiration from footage of D.A. Pennebaker's documentary film, Company: Original Cast Album, in which she says "I'm just screaming", self-critiquing during recording "The Ladies Who Lunch". The sketch also spoofs Elaine Stritch Live at Liberty in which she refers to her feat, as a young stage actress and understudy for Ethel Merman in Call Me Madam, where she had to check in with Merman at half hour to curtain in New York, then commute to Connecticut for the out of town tryout of Pal Joey, and on some days make the round trip twice when there was a matinee and evening performance of both shows. In a subsequent episode of The Big Gay Sketch Show, Stritch is spoofed as an airport security guard, who's still "on" and isn't able to tone down her over-the-top antics. In yet another episode, "Stritch" is promoting her self-titled perfume, "Stritchy" in dramatic fashion when she's confronted by the real-life Elaine Stritch, who makes a cameo appearance.[citation needed]
Stritch has been nominated for the Tony Award five times, winning one.
In 2002, her one-woman show Elaine Stritch at Liberty won the Tony Award for Best Special Theatrical Event and the Drama Desk Award for Outstanding One-Person Show. In Elaine Stritch at Liberty she shared stories and songs from her life in theatre and observations on her experiences with alcoholism. The D.A. Pennebaker documentary of Elaine Stritch at Liberty (2004) combined rehearsal elements and her stage performance to win several Emmy Awards, including Outstanding Achievement in a Variety or Music Program. Because each of the nominated shows in the Best Special Theatrical Event category were "one-man" or "one-woman" shows in 2002, the American Theatre Wing changed the rules for this category to allow the artist to be included with the producers as a recipient of the award, thus Stritch was eligible to receive the Tony.[citation needed]
Stritch has earned seven Emmy nominations , winning three.
|
Persondata | |
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Name | Stritch, Elaine |
Alternative names | |
Short description | American actress and vocalist |
Date of birth | February 2, 1925 |
Place of birth | Detroit, Michigan, U.S. |
Date of death | |
Place of death |