Tuscany Toscana
—  Region of Italy  —
Flag Coat of arms
Country	Italy
Capital	Florence
Government
• President	Enrico Rossi (PD)
Area
• Total	22,993 km2 (8,878 sq mi)
Population (01-01-2011)
• Total	3,750,000
• Density	160/km2 (420/sq mi)
Demonym	Tuscan
Citizenship[1]
• Italian	93%
• Albanian	2%
• Romanian	1%
Time zone	CET (UTC+1)
• Summer (DST)	CEST (UTC+2)
GDP/ Nominal	€ 106.1[2] billion (2008)
GDP per capita	€ 28,500[3] (2008)
NUTS Region	ITC
Website	www.regione.toscana.it

Tuscany (Italian: Toscana, pronounced [tosˈkaːna]) is a region in Italy. It has an area of about 23,000 square kilometres (8,900 sq mi) and a population of about 3.75 million inhabitants. The regional capital is Florence (Firenze).

Tuscany is known for its gorgeous landscapes, its rich artistic legacy and its influence on high culture. Tuscany is regarded as the true birthplace of the Italian Renaissance, and has been home to some many influential people in the history of arts and science, such as Petrarch, Dante, Botticelli, Michelangelo, Niccolo Machiavelli, Leonardo da Vinci, Galileo Galilei, Amerigo Vespucci, Luca Pacioli and Puccini. As a result of this, the region has several museums (such as the Uffizi, the Pitti Palace and the Chianciano Museum of Art). Tuscany has a unique culinary tradition, and is famous for its wines (most famous of which are Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino).

Six Tuscan localities have been designated World Heritage Sites: the historic centre of Florence (1982), the historical centre of Siena (1995), the square of the Cathedral of Pisa (1987), the historical centre of San Gimignano (1990), the historical centre of Pienza (1996) and the Val d'Orcia (2004). Tuscany has over 120 protected nature reserves. This makes Tuscany and its capital Florence popular tourist destinations, attracting millions of tourists every year. Florence receives an average of 10 million tourists a year, placing the city as one of the most visited in the world (in 2007, the city became the world's 46th most visited city, with over 1.715 million arrivals).^[4]

Geography[link]

Hilly landscape in Val d'Orcia

Tuscany landscape near Siena

Thornthwaite climate classification of Tuscany

A: Im > 100   B: 80 < Im < 100   B1-B2: 20 < Im < 80

C2: 0 < Im < 20   C1: −33,3 < Im < 0   D: Im < −33,3

Roughly triangular in shape and situated between the northern part of the Tyrrhenian Sea, with some islands Tuscan Archipelago, and the central Apennines, Tuscany has an area of approximately 22,993 square kilometres (8,878 sq mi). Surrounded and crossed by major mountain chains, and with few (but fertile) plains, the region has a relief that is dominated by hilly country. Most of the work done here is farming. Whereas mountains cover 25% of the total area — 5,770 square kilometres (2,230 sq mi), and plains a mere 8.4% of the total area, almost all coinciding with the valley of the River Arno, summing for 1,930 square kilometres (750 sq mi), — overall hills make up two-thirds (66.5%) of the region's total area, covering 15,292 square kilometres (5,904 sq mi).

The climate is fairly mild in the coastal areas, and is harsher and rainy in the interior, with considerable fluctuations in temperature between winter and summer^[5] giving the region a soil building active freeze-thaw cycle in part accounting for the region once having served as a key breadbasket of ancient Rome.^[6]

History[link]

Appennini and Villanovan cultures[link]

The pre-Etruscan history of the area in the late Bronze and Iron Ages parallels that of the early Greeks.^[7] The Tuscan area was inhabited by peoples of the so-called Apennine culture in the late second millennium BC (roughly 1350–1150 BC) who had trading relationships with the Minoan and Mycenaean civilisations in the Aegean Sea.^[7] Following this, the Villanovan culture (1100–700 BC) saw Tuscany, and the rest of Etruria, taken over by chiefdoms.^[7] City-states developed in the late Villanovan (paralleling Greece and the Aegean) before "Orientalisation" occurred and the Etruscan civilisation rose.^[7]

Prato

Etruscans[link]

The Chimera of Arezzo, Etruscan bronze, 400 BC

The Etruscans created the first major civilisation in this region, large enough to establish a transport infrastructure, to implement agriculture and mining and to produce vibrant art.^[8] The Etruscans lived in Etruria well into prehistory.^[7] The civilization grew to fill the area between the Arno River and Tiber River from the 8th century BC, reaching its peak during the 7th and 6th centuries BC, finally succumbing to the Romans by the 1st century.^[9] Throughout their existence, they lost territory (in Campania) to Magna Graecia, Carthage and Celts.^[8] Despite being seen as distinct in its manners and customs by contemporary Greeks,^[10] the cultures of Greece, and later Rome, influenced the civilisation to a great extent. One reason for its eventual demise^[9] was this increasing absorption by surrounding cultures, including the adoption of the Etruscan upper class by the Romans.^[8]

Romans[link]

Soon after absorbing Etruria, Rome established the cities of Lucca, Pisa, Siena, and Florence, endowed the area with new technologies and development, and ensured peace.^[8] These developments included extensions of existing roads, introduction of aqueducts and sewers, and the construction of many buildings, both public and private. However, many of these structures have been destroyed by erosion due to weather. ^[8] The Roman civilization in the West collapsed in the 5th century and the region was left to the Goths, and others. In the 6th century, the Longobards arrived and designated Lucca the capital of their Duchy of Tuscia.^[8]

The Medieval Period[link]

Palazzo Vecchio in Florence

Pilgrims travelling along the Via Francigena between Rome and France brought wealth and development during the medieval period.^[8] The food and shelter required by these travellers fuelled the growth of communities around churches and taverns.^[8] The conflict between the Guelphs and Ghibellines, factions supporting the Papacy and the Holy Roman Empire in central and northern Italy during the 12th and 13th centuries, split the Tuscan people.^[8] These two factors gave rise to several powerful and rich medieval communes in Tuscany: Arezzo, Florence, Lucca, Pisa, and Siena.^[8] Balance between these communes were ensured by the assets they held; Pisa, a port; Siena, banking; and Lucca, banking and silk.^[11] By the renaissance, however, Florence had become the cultural capital of Tuscany.^[11] Another family that befitted from Florence's growing wealth and power were the ruling Medici Family. Lorenzo de' Medici was one of the most famous and the benefits of his time are still being observed today in the fantastic art and architecture in Florence today. One of his famous descendants Caterina Catherine de Medici married Prince Henry (later as King Henry II) of France in 1533.

The Black Death epidemic hit Tuscany, starting in 1348.^[12] It eventually killed 50% to 60% of Tuscans.^[13][14] According to Melissa Snell, "Florence lost a third of its population in the first six months of the plague, and from 45% to 75% of its population in the first year."^[15] In 1630 Florence and Tuscany were once again ravaged by the plague.^[16]

The Renaissance[link]

Blue-and-white faience albarello with Pseudo-Kufic designs, Tuscany, 2nd half of 15th century

Tuscany, especially Florence, is regarded as the birthplace of the Renaissance. Though "Tuscany" remained a linguistic, cultural and geographic conception, rather than a political reality, in the 15th century, Florence extended its dominion in Tuscany through the annexation of Arezzo in 1384, the purchase of Pisa in 1405 and the suppression of a local resistance there (1406). Livorno was bought as well (1421).

From the leading city of Florence, the republic was from 1434 onward dominated by the increasingly monarchical Medici family. Initially, under Cosimo, Piero the Gouty, Lorenzo and Piero the Unfortunate, the forms of the republic were retained and the Medici ruled without a title, usually without even a formal office. These rulers presided over the Florentine Renaissance. There was a return to the republic from 1494 to 1512, when first Girolamo Savonarola then Piero Soderini oversaw the state. Cardinal Giovanni de' Medici retook the city with Spanish forces in 1512, before going to Rome to become Pope Leo X. Florence was dominated by a series of papal proxies until 1527 when the citizens declared the republic again, only to have it taken from them again in 1530 after a siege by an Imperial and Spanish army. At this point Pope Clement VII and Charles V appointed Alessandro de' Medici as the first formally hereditary ruler.

The Sienese commune was not incorporated into Tuscany until 1555, and during the 15th century Siena enjoyed a cultural 'Sienese Renaissance' with its own more conservative character. Lucca remained an independent Republic until 1847 when it became part of Grand Duchy of Tuscany by the will of its people. Piombino was another minor independent state, under both Spanish and Tuscan influence.

Modern Era[link]

In the 15th century, the Medicis, who ruled Florence, annexed surrounding land to create modern Tuscany. The War of Polish Succession in the 1730s meant the transfer of Tuscany from the Medicis to Francis, Duke of Lorraine and Holy Roman Emperor. With the dissolution of the Holy Roman Empire by Napoleon, Tuscany was inherited by the Austrian Empire as successor to the Holy Roman Empire. In the Italian Wars of Independence in the 1850s, Tuscany was transferred from Austria to the newly unified nation of Italy.

Under Benito Mussolini, the area came under the dominance of local National Fascist Party leader Dino Perrone Compagni. Following the fall of Mussolini and the re-establishment of the Kingdom of Italy, the Italian Social Republic was established in the northern regions of Italy, with its de facto border at the Gothic Line, a defensive position just north of Florence. Following the end of the Social Republic, and the transition from a Kingdom to the modern Italian Republic, Tuscany once more flourished as a cultural center of Italy.

Culture[link]

This section requires expansion.

Tuscany has an immense cultural and artistic heritage, expressed in the region's churches, palaces, art galleries, museums, villages and piazzas. Many of these artifacts are found in the main cities, such as Florence and Siena, but also in smaller villages scattered around the region, such as San Gimignano.

Art[link]

Michelangelo's David

Tuscany has a unique artistic legacy, and Florence is one of the world's most important water-color centres, even so that it is often nicknamed the "art palace of Italy" (the city is also believed to have the largest concentration of Renaissance art and architecture in the world).^[17] Painters such as Cimabue and Giotto, the fathers of Italian painting, lived in Florence and Tuscany as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.^[18][19]

The region contains numerous museums and art galleries, many housing some of the world's most precious works of art. Such museums include the Uffizi, which keeps Botticelli's Birth of Venus, the Pitti Palace, and the Bargello, to name a few. Most of the frescos, sculptures and paintings in Tuscany are held in the region's abundant churches and cathedrals, such as Florence Cathedral, Siena Cathedral, Pisa Cathedral and the Collegiata di San Gimignano.

Art Schools[link]

A painting from the Sienese school

In medieval period and in the Renaissance, there were four main Tuscan art schools which competed against each other: the Florentine School, the Sienese School, the Pisan School and the Lucchese School.

• The Florentine School originated from refers to artists in, from or influenced by the naturalistic style developed in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of the world. Some of the best known artists of the Florentine School are Brunelleschi, Donatello, Michelangelo, Fra Angelico, Botticelli, Lippi, Masolino, and Masaccio.

• The Sienese School of painting flourished in Siena between the 13th and 15th centuries and for a time rivaled Florence, though it was more conservative, being inclined towards the decorative beauty and elegant grace of late Gothic art. Its most important representatives include Duccio, whose work shows Byzantine influence; his pupil Simone Martini; Pietro and Ambrogio Lorenzetti; Domenico and Taddeo di Bartolo; Sassetta and Matteo di Giovanni. Unlike the naturalistic Florentine art, there is a mystical streak in Sienese art^[who?], characterized by a common focus on miraculous events, with less attention to proportions, distortions of time and place, and often dreamlike coloration. In the 16th century the Mannerists Beccafumi and Il Sodoma worked there. While Baldassare Peruzzi was born and trained in Siena, his major works and style reflect his long career in Rome. The economic and political decline of Siena by the 16th century, and its eventual subjugation by Florence, largely checked the development of Sienese painting, although it also meant that many Sienese works in churches and public buildings were not discarded or destroyed by new paintings or rebuilding. Siena remains a remarkably well-preserved Italian late-Medieval town.

• The Lucchese School, also known as the School of Lucca and as the Pisan-Lucchese School, was a school of painting and sculpture that flourished in the 11th and 12th centuries in the western and southern part of the region, with an important center in Volterra. The art is mostly anonymous. Although not as elegant or delicate as the Florentine School, Lucchese works are remarkable for their monumentality.

Main artistic centres[link]

Arezzo

Florence

Pisa

Prato

Siena

Grosseto

Lucca

San Gimignano

In the province of Arezzo:

• Arezzo
• Castiglion Fiorentino
• Cortona
• Lucignano
• Poppi
• Sansepolcro

In the province of Florence:

• Florence
• Fiesole
• Certaldo

In the Province of Grosseto:

• Grosseto
• Massa Marittima
• Orbetello
• Pitigliano
• Roselle
• Sorano
• Sovana

In the province of Livorno:

• Campiglia Marittima
• Livorno
• Piombino
• Populonia
• Suvereto

In the province of Lucca:

• Barga
• Castelnuovo di Garfagnana
• Castiglione di Garfagnana
• Lucca
• Pietrasanta
• Viareggio
• Villa Basilica

In the province of Massa and Carrara:

• Massa and Carrara
• Pontremoli
• Fivizzano

In the province of Pisa:

• Pisa
• San Miniato
• Volterra
• Vicopisano

In the province of Prato:

• Carmignano
• Poggio a Caiano
• Prato

In the province of Pistoia:

• Pescia
• Pistoia

In the province of Siena:

• Colle di Val d'Elsa
• Pienza
• Montepulciano
• Montalcino
• San Gimignano
• Siena

Language[link]

Apart from standard Italian, the most spoken language in Tuscany is the 'Tuscan dialect' (lingua toscana), or the Tuscan dialect (dialetto toscano). In many respects it deviated less than other Romance dialects from the Latin language and evolved linearly and homogeneously, without major influences from other foreign languages. There are currently 3.5 million speakers of the language.

Italian is in practice a "literary version" of Tuscan. It became the language of culture for all the people of Italy,^[20] thanks to the prestige of the masterpieces of Dante Alighieri, Francesco Petrarca, Giovanni Boccaccio, Niccolò Machiavelli and Francesco Guicciardini. It would later become the official language of all the Italian states and of the Kingdom of Italy, when it was formed.^[21]

Music[link]

Tuscany has a rich ancient and modern musical tradition, and has boasted numerous composers and musicians, such as Giacomo Puccini, and Pietro Mascagni. Beyond Florence, the nine other provinces in the region of Tuscany, named for the largest city in, and capital of the province. Taken together, they offer a rich musical culture. Florence is the main musical centre of Tuscany. The city was at the heart of much of our entire Western musical tradition. It was there that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result: the first operas, fostering the further development of the operatic form, and the later developments of separate "classical" forms such as the symphony.

Giacomo Puccini

There are numerous musical centres in Tuscany. Arezzo is indelibly connected with the name of Guido d'Arezzo, the 11th-century monk who invented modern musical notation and the do-re-mi system of naming notes of the scale; Lucca hosted possibly the greatest Italian composer of Romanticism, Giacomo Puccini and Siena is well-known for the Accademia Musicale Chigiana, an organization that currently sponsors major musical activities such as the Siena Music Week and the Alfredo Casella International Composition Competition. Other important musical centres in Tuscany include Lucca, Pisa and Grosseto.

Literature[link]

Tuscan poet and literary figure Petrarch

Tuscany has a renowned literature, and has boasted several famous writers and poets, most notably Florentine author Dante. Tuscany's literary scene particularly thrived in the 13th century and the Renaissance.

In Tuscany, especially in the Middle Ages, popular love poetry existed. A school of imitators of the Sicilians was led by Dante da Majano, but its literary originality took another line — that of humorous and satirical poetry. The democratic form of government created a style of poetry which stood strongly against the medieval mystic and chivalrous style. Devout invocation of God or of a lady came from the cloister and the castle; in the streets of the cities everything that had gone before was treated with ridicule or biting sarcasm. Folgore da San Gimignano laughs when in his sonnets he tells a party of Sienese youths the occupations of every month in the year, or when he teaches a party of Florentine lads the pleasures of every day in the week. Cenne della Chitarra laughs when he parodies Folgore's sonnets. The sonnets of Rustico di Filippo are half-fun and half-satire, as is the work of Cecco Angiolieri of Siena, the oldest humorist we know, a far-off precursor of Rabelais and Montaigne.

Another type of poetry also began in Tuscany. Guittone d'Arezzo made art abandon chivalry and Provençal forms for national motives and Latin forms. He attempted political poetry, and although his work is often obscure, he prepared the way for the Bolognese school. Bologna was the city of science, and philosophical poetry appeared there. Guido Guinizelli was the poet after the new fashion of the art. In his work the ideas of chivalry are changed and enlarged. Only those whose heart is pure can be blessed with true love, regardless of class. He refuted the traditional credo of courtly love, for which love is a subtle philosophy only a few chosen knights and princesses could grasp. Love is blind to blasons but not to a good heart when it finds one: when it succeeds it is the result of the spiritual, not physical affinity between two souls. Guinizzelli's democratic view can be better understood in the light of the greater equality and freedom enjoyed by the city-states of the center-north and the rise of a middle class eager to legitimise itself in the eyes of the old nobility, still regarded with respect and admiration but in fact dispossessed of its political power. Guinizelli's Canzoni make up the bible of Dolce Stil Novo, and one in particular, "Al cor gentil" ("To a Kind Heart") is considered the manifesto of the new movement which will bloom in Florence under Cavalcanti, Dante and their followers. His poetry has some of the faults of the school of d'Arezzo. Nevertheless, he marks a great development in the history of Italian art, especially because of his close connection with Dante's lyric poetry.

In the 13th century, there were several major allegorical poems. One of these is by Brunetto Latini, who was a close friend of Dante. His Tesoretto is a short poem, in seven-syllable verses, rhyming in couplets, in which the author professes to be lost in a wilderness and to meet with a lady, who represents Nature, from whom he receives much instruction. We see here the vision, the allegory, the instruction with a moral object, three elements which we shall find again in the Divine Comedy. Francesco da Barberino, a learned lawyer who was secretary to bishops, a judge, and a notary, wrote two little allegorical poems, the Documenti d'amore and Del reggimento e dei costumi delle donne. The poems today are generally studied not as literature, but for historical context. A fourth allegorical work was the Intelligenza, which is sometimes attributed to Compagni, but is probably only a translation of French poems.

In the 15th century, humanist and publisher Aldus Manutius published Tuscan poets Petrarch and Dante Alighieri (The Divine Comedy), creating the model for what became a standard for modern Italian.

Cuisine[link]

An assortment of Tuscan foods (from Lucca): wine, cold meats and different sorts of salamis and hams

Simplicity is central to the Tuscan cuisine. Legumes, bread, cheese, vegetables, mushrooms and fresh fruit are used. Olive oil is made up of Moraiolo, Leccino, and Frantoiano olives. White truffles from San Miniato appear in October and November. Beef of the highest quality comes from the Chiana Valley, specifically a breed known as Chianina used for Florentine steak. Pork is also produced.^[22]

Wine is a famous and common produce of Tuscany. Chianti is arguably the most well-known internationally. So many British tourists come to the area where Chianti wine is produced that this specific area has been nicknamed "Chiantishire".^{[citation needed]}

Postage stamps[link]

4 crazie stamp from 1851

Between 1851 and 1860, Grand Duchy of Tuscany, an independent Italian state until 1859 when it joined the United Provinces of Central Italy, produced two postage stamp issues which are among the most prized classic stamp issues of the world, and include the most valuable Italian stamp. The Grand Duchy of Tuscany was an independent Italian state from 1569 to 1859, but was occupied by France from 1808 to 1814. The Duchy comprised most of the present area of Tuscany, and its capital was Florence. In December 1859, the Grand Duchy officially ceased to exist, being joined to the Duchies of Modena and Parma to form the United Provinces of Central Italy, which was annexed by the Kingdom of Sardinia a few months later in March 1860. In 1862 it became part of Italy, and joined the Italian postal system.

Economy[link]

Vineyards in the Chianti region

Agriculture[link]

The subsoil in Tuscany is relatively rich in mineral resources, with iron ore, copper, mercury and lignite mines, the famous soffioni (fumarole) at Larderello and the vast marble mines in Versilia. Although its share is falling all the time, agriculture still contributes to the region's economy. In the region's inland areas cereals, potatoes, olives and grapes (for the world-famous Chianti wines) are grown. The swamplands, which used to be marshy, now produce vegetables, rice, tobacco, beets and sunflowers.^[5]

Industry[link]

The industrial sector is dominated by mining, given the abundance of underground resources. Also of note are textiles, chemicals/pharmaceuticals, metalworking and steel, glass and ceramics, clothing and printing/publishing sectors. Smaller areas specialising in manufacturing and craft industries are found in the hinterland: the leather and footwear area in the south-west part of the province of Florence, the hot-house plant area in Pistoia, the ceramics and textile industries in the Prato area, scooters and motorcycles in Pontedera, and the processing of timber for the manufacture of wooden furniture in the Cascina area. The heavy industries (mining, steel and mechanical engineering) are concentrated along the coastal strip (Livorno and Pisa areas), where there are also important chemical industries. Also of note are the marble (Carrara area) and paper industries (Lucca area).^[5]

Tourism[link]

Tuscany south coast of Monte Argentario

Many towns and cities in Tuscany have great natural and architectural beauty. There are many visitors throughout the year. As a result, the services and distribution activities, so important to the region's economy, are wide-ranging and well-organised.

Fashion[link]

The Via de' Tornabuoni in Florence, the city's top fashion and shopping street, contains some of the world's most luxurious clothing and jewelry houses, such as Cartier, Ferragamo, Gucci, Versace and Bulgari, to name a few.

The fashion and textile industry are the pillars of the Florentine economy. In the 15th century, Florentines were working with luxury textiles such as wool and silk. Today the greatest designers in Europe utilize the textile industry in Tuscany, and especially Florence.

Italy has one of the strongest textile industries in Europe, accounting for approximately one quarter of European production. Its turnover is over 25 billion euros. It is the third largest supplier of clothing after China and Japan. The Italian fashion industry generates 60% of its turnover abroad.^[23]

Demographics[link]

The population density of Tuscany, with 161 inhabitants per square kilometre (420 /sq mi) in 2008, is below the national average (198.8 /km² or 515 /sq mi). This is due to the low population density of the provinces of Arezzo, Siena and primarily, Grosseto (50 /km² or 130 /sq mi). The highest density is found in the province of Prato (675 /km² or 1,750 /sq mi) followed by the provinces of Pistoia, Livorno, Florence and Lucca, peaking in the cities of Florence (more than 3,500 /km² or 9,100 /sq mi), Livorno, Prato, Viareggio, Forte dei Marmi and Montecatini Terme (all with a population density of more than 1,000 /km² or 2,600 /sq mi). The territorial distribution of the population is closely linked to the socio-cultural and, more recently, economic and industrial development of Tuscany.^[5]

Accordingly, the least densely populated areas are those where the main activity is agriculture, unlike the others where, despite the presence of a number of large industrial complexes, the main activities are connected with tourism and associated services, alongside many small firms in the leather, glass, paper and clothing sectors.^[5]

Italians make up 93% of the total population. Starting from the 1980s, the region attracted a large flux of immigrants, particularly from China. There is also a significant community of British and American residents. As of 2008, the Italian national institute of statistics ISTAT estimated that 275,149 foreign-born immigrants live in Tuscany, equal to 7% of the total regional population.

Government and politics[link]

Tuscany is a stronghold of the center-left Democratic Party, forming with Emilia-Romagna, Umbria and Marche the famous Italian political "Red Quadrilateral". At the April 2008 elections, Tuscany gave more than 50% of its votes to Walter Veltroni, and only 33.6% to Silvio Berlusconi.^[24]

Administrative divisions[link]

Tuscany is divided into ten provinces:

Florence

Arezzo

Grosseto

Siena

Livorno

Pisa

Lucca

PT

PO

Massa and
Carrara

See also[link]

• Cities and towns in Tuscany
• People from Tuscany
• Line of succession to the Tuscan throne
• Tuscan Archipelago

Footnotes[link]

References[link]

External links[link]

Find more about Tuscany on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

• Tuscany travel guide from Wikitravel
• Official website of the Tuscany Region (in Italian)
• Official website of the Opera della Primaziale Pisana
• Tourist information

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Count von Count, often known simply as "the Count", is one of the Muppet characters on Sesame Street, performed by Jerry Nelson. The Count is a vampire modeled after Bela Lugosi's interpretation of Count Dracula.

Description[link]

The Count's main purpose is educating children on simple mathematical concepts, most notably counting. The Count has a love of counting (arithmomania); he will count anything and everything, regardless of size, amount, or how much annoyance he is causing the other Muppets or human cast. His favorite number is 230, which is referring to an inside joke about the time 2:30. The Count mentions 2:30 at an any chance he can get and often makes jokes about it. During the afternoon, his segments of the show always come on at exactly 2:30 p.m. or during the "fashionably late" segment, which airs at 2:31. For instance, he once prevented Ernie from answering a telephone because he wanted to continue counting the number of rings. Another time, while serving as an elevator operator, he refused to let Kermit the Frog get out at his selected floor so he could count on every floor in the building.

The Count lives in an old, cobweb-infested castle which he shares with many bats. Sometimes he counts them. Some of the pet bats are named, including Grisha, Misha, Sasha, and Tatiana. He has a cat, Fatatita, as well. Sometimes he counts her. He also drives a special car designed in the features of a bat, named the Countmobile.

The Count has been shown with a number of girlfriends. Always a feminized version of the Count Muppet, they have included Countess von Backwards (debuting in Sesame Street's 28th season) who counts backwards; Countess Dahling von Dahling (debuted in the 12th season), and one simply named "The Countess" (first appearing in season 8). The von Count family also includes an unnamed brother and mother as well as an Uncle Uno and grandparents.

[edit] History and evolution of the character on Sesame Street

The Count debuted on Sesame Street in Season 4 (1972–73), and was conceived by Norman Stiles, who wrote the first script. The Count was performed by Jerry Nelson, who brought the character to life. He was originally made out of the Large Lavender Live Hand Anything Muppet pattern.

In the early 1970s, following a counting session, the Count would laugh maniacally, "AH AH AH AH AH!", accompanied by thunder and lightning flashes. He wouldn't let anything interrupt his counting, and used hypnotic powers to temporarily stun people with a wave of his hands.^{[citation needed]} This practice, however, was discontinued in the mid-1970s because of concern that young viewers would become frightened. In the mid-1970s, the Count became friendlier, did not have hypnotic powers, and interacted more with the characters (both live actors and Muppets). His laugh also changed from maniacal laughter to a more triumphant, stereotypical Dracula-style laugh.

Belvedere Castle, in New York's Central Park, was used for exterior establishing shots of the Count's castle on the show.

The Count made an appearance in the film The Muppets Take Manhattan at Kermit the Frog and Miss Piggy's wedding, then in the Sesame Street movies Follow That Bird and Elmo in Grouchland. Notably, the Count appeared on-screen during the closing credits of Follow That Bird where he proceeded to read and count the credits.

In Season 33, the Count got a daily segment on Sesame Street, simply called The Number of the Day.

Influences and resemblances[link]

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When the Count sings, the background music resembles Romani music, no matter what the song. The original "Song of the Count" was written by Jeff Moss as a traditional Hungarian Csárdás. The "Batty Bat" was another popular song by the Count, in a similar style, but waltzified.

Some traditional vampire myths depict vampires as having a similar fixation with counting small objects, providing a means of distracting them by tossing a handful of seeds or salt on the ground. This is seen as a protection from the vampire, similar to the use of garlic (by which he is not repelled).^[1][2] The Count's own arithmomania may simply be a coincidence, however, inspired by the pun on his title of nobility and his educational purpose. According to his theme song, "The Song of the Count": "When I'm alone, I count myself. One count!"

The Count bears a noticeable resemblance to Bela Lugosi as Count Dracula, including a similar accent and oversized, pointed canine teeth (better known as fangs, although Lugosi himself did not bear fangs in the 1931 film), but it would appear that he is different from other vampires, besides sporting a goatee and monocle. For example, most vampires wither in direct sunlight; the Count does not and, in fact, enjoys being outside. Additionally, the Count does not suck or drink blood (nor has any association with blood), change into a bat (even though he does have bat companions) or sleep in a coffin; instead he uses a normal bed. In many ways, he is more like a regular human than a vampire. However, the Count still has one vampiric trait: he has no reflection in mirrors.

Internationally[link]

• In the Dutch version of the series, Sesamstraat, the Count's name is Graaf Tel (literally, "Count Count").
• In the French series 1, Rue Sésame, his name is Comte von Compte.
• In the German series Sesamstraße, his name is Graf Zahl (literally, "Count Number").
• In the Hebrew series Rechov Sumsum, his name is 'מר סופר', phonetically pronounced 'Mar Sofer', which literally means "Mr. Counter".
• In the Mexican series Plaza Sésamo, his name is Conde Contar (literally, "Count Count").
• In the Polish series Ulica Sezamkowa, his name is Liczyhrabia (literally, "Countcount").
• In the Portugal series Rua Sésamo, his name is Conde de Contar (translated as "Count of Counting").
• In the Russian series Улица Сезам, his name is Znak (Знак) (translated as "figure", "character" or "sign").
• In the Spanish series, Barrio Sésamo, his name is Conde Draco.
• In the Turkish series Susam Sokağı, his name is Sayıların Kontu (literally, "The Count of Numbers")

[edit] Appearances outside of Sesame Street

• The Count appeared on a video package aired on the first episode of The Late Show with David Letterman that was shown after Letterman's emergency quintuple bypass operation. He appeared as a surgeon in an operating theater, counting "One bypass... AH AH AH! Two bypass..."^{[citation needed]}
• In a Dancing with the Stars results show that aired on October 2, 2007, a fake backstage sequence with Jimmy Kimmel claimed that votes for the show are tabulated by The Count, who was depicted as being thrown into a panic by the discovery that "Mel B" and "Scary Spice" are in fact the same person.
• The Count was interviewed on the BBC Radio 4 programme More or Less on December 11, 2009, where he mentioned his favorite number, 34969.
• He appeared on the Halloween edition of SportsCenter to count down the top ten trickplays of the 2010 college football season.
• He appeared in the MAD episode Mouse M.D along with Cookie Monster.
• He was a guest on Countdown with Keith Olbermann for the first anniversary episode.
• He attended the 100th anniversary of the Island Public School and gave a speech to help celebrate the 100th Day of School in 2008.
• An animated version of the Count appeared in the 2010 The Simpsons Treehouse of Horror episode "Tweenlight", aired Nov. 7, 2010. The Count enumerated the kisses Edward (voiced by Daniel Radcliffe) gave Lisa.
• A parody of the Count appeared in an episode of Frankenhole as a character called "Count Along With Me".

References in popular culture[link]

• The St. Paul Saints, an independent minor-league baseball team in St. Paul, Minnesota known for unique and sometimes over-the-top promotions, announced that it would give away 2,500 bobblehead dolls dressed as the Count at its May 23, 2009 game. However, instead of the Count's regular head, this doll's head featured Al Franken on one side and Norm Coleman on the other, and was called "Count von Re-Count"—referring to the extraordinarily prolonged recount and legal battle surrounding the 2008 U.S. Senate election between the two men. The team made further jabs at the election during the game.^[3]
• Australian rugby league football international Anthony Minichiello has been nicknamed 'The Count' due to his striking resemblance to the character.^[4]
• Dave Chapelle has compared the Count to a pimp in his standup routines.

Notes and references[link]

External links[link]

• Count von Count on Muppet Wiki, an external wiki