A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener".^[1] The term generally applies to popular music, especially rock music, hip hop, dance music, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can, in general, be either melodic or rhythmic, and often incorporates the main motif for a piece of music. For example, the melody to the lyric "And I will always love you" in the song "I Will Always Love You" over the I-vi-IV-V progression.^{[citation needed]}

Definitions[link]

One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered".^[2] Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring".^[3] Alternatively, the term has been defined as

While some melodic hooks include skips of a eighths or more to make the line more interesting, a hook can be equally catchy by employing rhythmic syncopation or other devices. A hook may also garner attention from listeners from other factors, such as the vocal timbre or instrumentation, as in the case of the Beach Boys' use of an unusual theremin-like instrument in "Good Vibrations". Some hooks become popular without using any unusual elements. For example, in the song "Be My Baby", performed by The Ronettes, the hook consists of the words "be my baby" over the conventional I-vi-IV-V chord progression of the chorus.^[4] Hooks in hip hop almost always refer to the chorus between verses.

Use in market research[link]

The hooks of songs may be used in market research to assist in gauging the popularity of a song by the recognizability of its hook. Often radio stations conduct "call out" either on the Internet, via telephone, or a music test (either online or in an in-person setting) to conduct surveys. Stations may use the services of a professional "hook service" or prepare the materials themselves. Hooks used are typically seven to ten seconds long.^{[citation needed]}

See also[link]

• Lick
• Vamp
• Theme
• Ostinato
• Earworm

References[link]

v t e Musical notation and development Staff Bar & bar line Clef Da capo Dal segno Key signature Ledger line Musical mode Musical scale Rehearsal letter Repeat sign Time signature Transposition Transposing instrument Notes Accidental Flat Natural Sharp Dotted note Grace note Note value Beam Note head Stem Pitch Rest Tuplet Interval Helmholtz pitch notation Letter notation Scientific pitch notation Articulation Dynamics Ornament Trill Mordent Grace note Portato Accent Legato Tenuto Marcato Staccato Staccatissimo Tie Slur Fermata Tonguing Development Cell Coda Exposition Figure Harmony Hook Lick Melody Motif Ossia Ostinato Period Phrase Recapitulation Repetition Rhythm Beat Meter Tempo Theme Tonality Atonality Related Braille music Chord chart Figured bass Graphic notation Lead sheet Eye music Neume Tablature List of musical symbols

Look up hook in Wiktionary, the free dictionary.

Hook may refer to:

Technology[link]

• Hooking, a computer programming technique
• Hook echo, a feature visible on radar indicative of tornadic rotation in a thunderstorm
• Tailhook, a device on an aircraft

Language[link]

• Hook (rhetoric), a rhetorical device that "hooks" the listener
• Hook above, a diacritical mark above letters in the Vietnamese alphabet
• Hook (diacritic), a diacritical mark attached to letters in various alphabets
  • Palatal hook, a hook attached below curled to the left
• Narrative hook, a literary technique
• Rhotic hook, a diacritical mark attached to symbols in the International phonetic alphabet.

Media and entertainment[link]

• Hook (music), a catchy musical passage
• "Hook" (song), a song by Blues Traveler
• The Hook (album), an album by Jukka Tolonen
• Hook (film), a 1991 fantasy continuation of J. M. Barrie's Peter and Wendy
  • Hook (video game), four video games based on the film
• The Hook (film), several films
• Hook (Transformers), several characters in the Transformers universe
• Hooksoft, a Japanese visual novel studio
• The Hook, a classic urban legend
• The Hook (newspaper), a weekly Virginia newspaper
• Captain Hook, a fictional pirate in J. M. Barrie's Peter and Wendy

Places[link]

• Hook Lighthouse, Ireland
• Hook, New Zealand
• Hook River, New Zealand
• Hook of Holland, the Netherlands

United Kingdom[link]

• Hook, East Riding of Yorkshire
• Hook, Hart, north Hampshire
• Hook, Fareham, south Hampshire
• Hook, London
• Hook, Pembrokeshire
• Hook, Wiltshire

Sports[link]

• Hook (boxing), a boxing punch
• Hook (bowling), a curving ball
• Hooking (ice hockey), a penalty
• Hook shot, a type of shot in basketball
• Hook shot, a type of misplayed shot in golf stroke mechanics
• Curveball, a type of baseball pitch

Tools, hardware, and fasteners[link]

• Cabin hook, a hooked bar that engages into an eye screw, used on doors
• Cargo hook (helicopter), different types of hook systems for helicopters
• Fish hook, a device used to catch fish
• Flesh-hook, a device used in cooking meat
• Grappling hook, a hook attached to a rope, designed to be thrown and snagged on a target
• Hook (hand tool), also known as longshoreman's hook and bale hook, a tool used for securing and moving loads
• Hook-and-eye closure, a clothing fastener
• Lifting hook, a device for grabbing and lifting loads
• Purse hook, a hook used to keep a woman's purse from touching the floor
• Shepherd's hook (or crook), a staff used in herding sheep or other animals
• Siege hook, a weapon used to pull stones from a wall during a siege
• Hook-and-loop fastener, used in Velcro

Other[link]

• Battle of the Hook, Korean war
• Telephone hook, a cradle on which a telephone handset rests
• Prosthetic hook or transradial prosthesis, part of a prosthetic arm for amputees
• Bondage hook, a device used in sexual bondage play
• Abu Hamza al-Masri, a Sunni Muslim leader known as "Hook" in the British tabloid press
• Mil Mi-6, a Soviet/Russian heavy transport helicopter nicknamed "Hook"

See also[link]

• All pages beginning with "Hook"
• All pages with titles containing "Hook"
• Hook (surname)
• Hooke (disambiguation)
• Hooked (disambiguation)
• Hooks (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Kelly Clarkson
Kelly Clarkson at the 2009 Women's World Awards in Austria
Background information
Birth name	Kelly Brianne Clarkson
Born	(1982-04-24) April 24, 1982 (age 30) Fort Worth, Texas, U.S.
Origin	Burleson, Texas
Genres	Pop rock, pop
Occupations	Singer, songwriter, record producer, actress
Instruments	Vocals
Years active	2001–present[1]
Labels	RCA, 19
Associated acts	Reba McEntire
Website	kellyclarkson.com

Kelly Brianne Clarkson (born April 24, 1982) is an American singer, songwriter and occasional actress. Clarkson came into prominence after becoming the winner of the inaugural season of the television series American Idol in 2002 and later was the runner-up in the television special World Idol in 2003.

In 2003, Clarkson released her debut album, Thankful, which was a commercial success and established herself in the pop music industry. The release of its first single, "A Moment Like This" (2002), broke The Beatles' record for the biggest leap to number one, from 52, in the history of the Billboard Hot 100 chart. After parting ways with her management, Clarkson developed a more rock-oriented music with the release of her critically acclaimed sophomore album, Breakaway (2004), which sold more than 12 million copies worldwide^[2] and which garnered Clarkson more worldwide success as a pop rock artist. The album's single, "Because of You" (2005), became the best-selling single by an Idol contestant worldwide. In 2007, Clarkson took full creative control for her third album My December, which had a more rock-inspired sound and was met with controversy and moderate success. Clarkson later returned to a more pop-oriented sound with All I Ever Wanted (2009), which became a commercial and critical success. The album's lead single, "My Life Would Suck Without You" (2009), surpassed "A Moment Like This"'s record for the biggest leap to number one on a single week in the history of the Billboard Hot 100 Chart, a milestone it still holds today. Furthermore, it also became her first number one single in the United Kingdom. Clarkson's fifth studio album, Stronger, was released in 2011, containing elements from synthpop, R&B and country music. The album's single, "Stronger (What Doesn't Kill You)" (2012), became her longest number one single and eventually became her best-selling single in the United States.

In a career spanning a decade, Clarkson has become the most successful Idol contestant around the world, with album sales of over 23 million worldwide and singles sales of over 36 million,^[3] according to Billboard^[4] and Nielsen SoundScan.^[5][6][7] Clarkson's work also gained her numerous accolades, including two Grammy Awards, three MTV Video Music Awards, 12 Billboard Music Awards, four American Music Awards and a Women's World Award. Billboard also ranked Clarkson as the 14th best-selling artist of the 2000s, as well as also being ranked on the top 200 album sellers of the Nielsen SoundScan era at number 187.^[8][9] She is currently a mentor on ABC's singing competition show Duets.

Early life and career beginnings[link]

Clarkson was born in Fort Worth, Texas, and grew up in the small town of Burleson, a suburb of Fort Worth. She is the third and youngest child of Jeanne Rose, a first grade English teacher of Greek descent and Stephen Michael Clarkson, a former engineer of English descent.^{[citation needed]}

Clarkson's siblings include her older brother and sister, Jason and Alyssa. When Clarkson was six years old, her parents divorced after seventeen years of marriage. The family settled in Burleson, where Clarkson's mother married her second husband, Jimmy Taylor.^[10]

Clarkson's family struggled financially, and after her parents divorced, music became her refuge. Clarkson attended Pauline G Hughes Middle School and Burleson High School. She wanted to become a marine biologist but changed her mind after seeing the movie Jaws.^[11] In seventh grade, a teacher (Mrs. Cynthia Glenn) overheard her singing in a hallway and asked her to audition for the school choir; Clarkson told the teacher that she had never received professional vocal training.

In high school, Clarkson performed in musicals such as Annie Get Your Gun, Seven Brides for Seven Brothers and Brigadoon. She sang at her high school talent show, after which an audience member shared some inspiring words with her: "God has given you this gift. You've got to sing. You're destined to sing." Clarkson continued singing and soon started classical training, hoping that music would be her ticket to a college scholarship.^[12]

Upon high school graduation, Clarkson was offered full scholarships to The University of Texas at Austin, University of North Texas, and Berklee, but decided against college because she had "already written so much music and wanted to try it on her own," and she figured "you're never too old to go to college."^[12] Clarkson later turned down two recording contracts from Jive Records and Interscope Records in the late 1990s, stating "They would have completely pigeonholed me as a bubblegum act. I was confident enough that something better would come along."^[13] She went to Los Angeles in late 2001 to pursue a career in music, but worked as a waitress and appeared as an extra in such shows as Sabrina, the Teenage Witch and Dharma & Greg to support herself.^[14] She worked with songwriters such as Gerry Goffin and recorded five tracks between January and March 2002 to try to get a record deal, but returned to Texas after four months in Los Angeles.^[1]

Music career[link]

[edit] 2002–03: American Idol and World Idol

Clarkson auditioned for the first season of American Idol (under the full title American Idol: The Search for a Superstar) in May 2002. She subsequently won the competition on September 4, 2002, earning 58% of the vote against runner-up Justin Guarini.^[15] Clarkson performed the ballad "A Moment Like This", the song written for the winner of American Idol, which subsequently appeared on her debut album, Thankful. When released as a single in October 2002, it set a record on the U.S. Billboard Hot 100 chart when it rose from number 52 to number one.^[16] The CD single sold 236,000 copies in its first week of sales in the U.S.^[17] and spent five weeks at number one in Canada.

[edit] American Idol season 1 performances and results

[edit] World Idol performance and results

Clarkson performed at the Lincoln Memorial in Washington, D.C., on September 11, 2002, following her win on American Idol.

In December 2003, a competition titled World Idol was held at the Pop Idol stage in London, gathering the winners of the first seasons of Idol series around the world. Clarkson was contractually obligated to participate, and placed second behind Norwegian Idol Kurt Nilsen. She performed Aretha Franklin's "(You Make Me Feel Like) A Natural Woman". She left immediately after the competition, later explaining to fans that she was not feeling well.^[18]

[edit] 2003–04: Thankful

Shortly after the completion of the first season of American Idol, Clarkson was signed to RCA Records by Clive Davis and Simon Fuller. In 2003, Clarkson was later accused of working with a record company prior to winning American Idol. American Idol's rules stated that a contestant was not allowed to compete on the program if they had been linked to a record company. However, she was cleared of all allegations, as she only had a contract in order to conduct demonstration work.^[19]

Following the release of "A Moment Like This", Clarkson's full-length debut album Thankful was released in North America by RCA Records on April 15, 2003 with several singers and songwriters including Christina Aguilera, Diane Warren and Babyface contributing on the tracks.^[20] It debuted at number one on the U.S. Billboard 200. To promote the album, Clarkson appeared on various episodes of American Idol in 2003. In October that year she performed in Australia at the 2003 NRL grand final.^[21] "A Moment Like This" was certified double platinum by the RIAA for sales of two million copies on December 8, 2003^[22] and platinum by the CRIA for sales of 100,000 copies on February 10, 2004.^[23] Thankful peaked at number 41 on the UK albums chart and at number 33 on the Australian albums chart.

Reviews for the album were generally favorable. However, several critics noted that her early achievement was established due to her performances on American Idol. Allmusic critic Stephen Thomas Erlewine praised the album for its vocal ability: "throughout this record, [Clarkson] makes it seem effortless and charming. She can croon, she can belt out a song, she can be sexy and sassy while still being graceful and as wholesome as the girl next door".^[24] Rachel Kipp of JS Online criticized Clarkson for not having the same personality on Thankful that she had on American Idol, and wrote: "on American Idol, Clarkson showcased a great voice and an endearing, 'aw-shucks' personality. That personality is missing on Thankful, and there lies the album's greatest fault". Kipp blamed the producers behind the album for not allowing Clarkson to be herself.^[25] Clarkson covered Danielle Brisebois' "Just Missed the Train" on the album.

"Miss Independent" was released as the second single from Thankful. It reached the top ten of the U.S. and Canadian singles charts, and earned Clarkson a 2004 Grammy Award nomination for "Best Female Pop Vocal Performance".^[26] When the single was released in the United Kingdom and Australia, it reached the top ten of the charts. "Low", the third single from Thankful, reached number two in Canada, but it was unable to make the top 40 of the US chart. The final single, "The Trouble with Love Is", was released as a promotional single for the British romantic film Love Actually and failed to chart in the United States, she then promoted the song on Pop Idol in 2003.

Soon after the first season of American Idol ended, Clarkson starred with Idol runner-up Justin Guarini in the movie From Justin to Kelly (2003). The film was poorly received by critics^[27] and grossed only $5 million at the North American box office, less than half its reported budget.^[28] Clarkson has mentioned in interviews that she is shocked when people send her scripts after From Justin to Kelly, often citing contractual obligation as her sole reason for involvement in the film.^[29] Clarkson was quoted telling People, "I knew when I read the script it was going to be real, real bad, but when I won, I signed that piece of paper and I could not get out of it."^[30] The script was written by Kim Fuller, Simon Fuller's brother.^[31]

She played Brenda Lee in the television drama American Dreams and appeared in the sitcom Reba. She also participated in sketch comedy on MADtv (2002) and Saturday Night Live (2005).^[32]

[edit] 2004–06: Breakaway

	"Because of You" (2005) noicon At the age of 16, Clarkson wrote the lyrics and melody to this song to cope with her emotions. The later composition resulted in the use of the piano and a full orchestral arrangement.
Problems listening to this file? See media help.

Distancing herself from her American Idol image, Clarkson parted ways with 19 Entertainment and took more creative control with her second studio album Breakaway, to develop a more rock-oriented image.^[33] Clarkson co-wrote six of the songs with songwriters such as former Evanescence band members Ben Moody, David Hodges and producer Max Martin; the title track was co-written by punk-pop singer Avril Lavigne.

Breakaway was released by RCA Records on November 30, 2004.^[34] The album debuted within the U.S. top five and Canadian top ten, but sales were initially low in comparison to Thankful.^[35] The singles from Breakaway were very successful, and the album became only the fourth album in history to stay in the Billboard 200 top 20 for a consecutive year, as well as being certified six times platinum in the U.S. in late 2007^[36] and five times platinum in Canada in May 2006.^[37] With worldwide sales of over 12 million copies, Breakaway is the most successful album by an Idol.

Breakaway received different responses from critics; Rolling Stone commented that "on Kelly Clarkson's second album, ... she embraces her rock side rather than the pop pageantry that put her on top of the American Idol heap".^[38] TeenInk noted the strength of her vocals on Breakaway, and praised the change from pop music to contemporary rock: "[Clarkson] retains the incredible power and beauty of her voice while switching to rock".^[39] Stylus magazine also enjoyed Clarkson's foray into rock music, however, she was called out because of her American Idol image, which reviewer Charles Merwin believed she had yet to lose. He praised the non-singles and wrote that they "maintain a quality high".^[40] Allmusic called the album "a nice, low-key relief".^[41]

Clarkson performing her Hazel Eyes concert tour on November 10, 2005, Geelong, Australia

"Breakaway" served as the original song for The Princess Diaries 2: Royal Engagement (2004) and achieved considerable success across the world; it became Clarkson's third top-ten single in the U.S. and fourth top-ten single in Canada. It reached number ten in Australia, and number 22 in the UK. The second single, "Since U Been Gone", which was produced by Max Martin, became the most successful release from the album. It reached number two in the U.S. and the top five across the world. It also earned Clarkson her first Grammy Award for "Best Female Pop Vocal Performance"; she won a second award for "Best Pop Vocal Album".^[42]

The third and fourth single releases, "Behind These Hazel Eyes" and "Because of You", also followed with chart success. The video for "Because of You" won the 2006 MTV Video Music Award for Best Female Video, her second consecutive win in that category (following "Since U Been Gone"). Clarkson was the most-played artist of 2006 on American radio, despite releasing only one single in the entire year, "Walk Away" (the fifth single from Breakaway).^[43] She was also the most radio-broadcasted artist of 2006 in Australia and "Because of You" was the third most broadcast song of the same year, despite being released in 2005.^[44]

Clarkson at the Naval Air Station Fort Worth, Texas, Joint Reserve Base in 2006

In 2005, Clarkson made a performance during the 2005 NBA All-Star Weekend as part of the festivities leading up to the All-Star Game.^[45] Later that year, she performed "The Star-Spangled Banner" at Game 2 of the NBA Finals between the San Antonio Spurs and Detroit Pistons She also performed that spring as part of the 2005 NCAA Final Four festivities in St. Louis, Missouri.^[46]

Clarkson performed during the festivities of the 2006 Winter Olympics in Torino, Italy.^[47] In mid 2006, Clarkson lent Ford Motor Co. a song titled "Go", written by Clarkson and Rhett Lawrence ("Miss Independent"). The song was used in the company's advertising campaign in 2006, "Bold Moves" and the song, along with its music video, was made available free at Ford's AddictedtoKelly.com website (now defunct).^[48]

[edit] 2006–08: My December

Clarkson in April 6, 2008 during her My December Tour

During her tour in Europe in 2006, Clarkson began writing songs for her third album, My December.^[49] The first single from My December was "Never Again", which peaked on the Billboard Hot 100 at number eight. Clarkson released "Sober" as the second single. She returned to American Idol for the season 6 finale, performing "Never Again" and "Sgt. Pepper's Lonely Hearts Club Band" with Aerosmith guitarist Joe Perry during a Beatles medley.^[50]

Clarkson parted with her management, The Firm, in June 2007, amid low radio airplay for "Never Again" and low ticket sales for her then-upcoming tour.^[51] Clarkson then signed with Starstruck Entertainment, run by Narvel Blackstock – the husband of Reba McEntire – on July 2, 2007.^[52] The same month, Live Nation announced that the tour – her first nationwide arena tour – had been canceled due to underwhelming ticket sales, to be rescheduled after the release of the My December album at smaller, more intimate concert environments.^[53] Clarkson reinstated plans to tour the U.S. during 2007, with a much smaller tour than the one she canceled in June. She began her My December Tour in October 2007 in venues significantly smaller than those previously booked.^[54] The August 2007 issue of Blender included a feature on Clarkson and her new album, as well as her music label woes.^[55]

My December was released in the U.S. on June 26, 2007. The album debuted at number two in the U.S. with 291,000 albums sold,^[56] a slightly higher debut than Clarkson's previous album, Breakaway, which debuted at number three.^[57] In Canada, the album was awarded a platinum certification for shipments of more than 100,000 copies.^[58] My December was certified platinum in December 2007 by the RIAA.^[59] It has sold more than three million copies worldwide.^[60]

In April 2007, Clarkson appeared on the American Idol Idol Gives Back charity show aimed at raising money for tackling poverty, hunger and AIDS in Africa, as well as the Hurricane Katrina appeal. Clarkson noted that she was in a dispute with her record label bosses and executives as to which song to perform for the event. Clarkson refused to perform her new single "Never Again" viewing it as simple self-promotion through a charitable event. She is quoted as saying,

She opted to perform Patty Griffin's "Up to the Mountain". After the performance, the audience who watched Clarkson perform live gave her a standing ovation. American Idol judge Simon Cowell described her as "incredible", saying, "When you let her [Clarkson] come back on the show it makes everybody else look like an amateur."^[62] Clarkson later sang "Never Again" in the American Idol grand finale on May 23, 2007. On July 7, 2007, Clarkson performed on the American leg of Live Earth.^[63] Clarkson was invited to be a celebrity mentor for Canadian Idol during its Top 5 week of the fifth season, aired on the CTV network on August 20, and she performed on the results show the next night. Clarkson also performed the grand finale of Swedish Idol in December 2007.^[64] Clarkson also performed at the 2007 NFL opening kickoff where she sang the national anthem and songs from My December.^[65] Clarkson also performed in the halftime show for the Dallas Cowboys and New York Jets game on Thanksgiving Day.^[66][67]

Clarkson performing at the Live Earth concert

Clarkson and Reba McEntire performing during 2 Worlds 2 Voices Tour

In addition to her roles as spokeswoman for the acne treatment Proactiv as well as Vitaminwater, Clarkson partnered with NASCAR for the 2007 season. She appeared in televised advertising spots, performed at pre-race concerts, promoted NASCAR Day, and appeared at the Champions' Banquet in December.^[68] In April 2008, Clarkson participated in a Papal Youth Rally at the campus of St. Joseph's Seminary, Dunwoodie in Yonkers, New York performing a mini-concert for those in attendance. This was the Papal Visit of Pope Benedict XVI. She performed Schubert's "Ave Maria" for the Pope later in the day following the Pope's speech.^[69]

Clarkson performed "What Hurts the Most" with Rascal Flatts at the ACM Awards in 2006 and returned again to sing a duet with Reba McEntire in 2007. This was her second performance on a country music award show, even though she is in the pop/rock genre. Along with her performance with Rascal Flatts, Clarkson also performed "Cigarettes", with the country duo The Wreckers during one of their shows in Texas.^[70]

Building on her country music status, Clarkson and Reba McEntire, who first met after Clarkson won the first season of American Idol,^[71] recorded an hour-long CMT Crossroads special at Nashville's famed Ryman Auditorium on February 22, 2007. It aired on CMT and Palladia (then known as MHD) on June 24, 2007. Previously, Clarkson was a performer on CMT's Giants: Reba McEntire. where she sang McEntire's hit song "Why Haven't I Heard From You", introduced Dolly Parton, and later also sang McEntire's hit "Does He Love You" with Martina McBride. Clarkson also appeared on an episode of McEntire's sitcom Reba, that aired on January 14, 2007.^[72]

At the Academy of Country Music Awards on May 16, 2007, Clarkson and McEntire sang a duet of Clarkson's own 2005 single, "Because of You", which also became the lead single from McEntire's album of all-star duets.^[73] The music video for this version of the song later debuted on June 20, 2007. This collaboration with McEntire earned Clarkson a CMA Award nomination for "Musical Event of the Year" in 2007 and a Grammy Award nomination for "Best Country Collaboration With Vocal" in 2008. Additionally, the song was featured on Now That's What I Call Country, which was released in August 2008.

Clarkson was a surprise guest at the 2007 CMA Music Festival in Nashville on June 7, 2007, where she performed "Does He Love You" and "Because of You" with Reba McEntire during the internationally-renowned annual event. The performance of "Because of You" was taped and aired as part of the "CMA Music Festival: Country's Night To Rock" television special that aired on ABC on July 23, 2007.^[74]

On January 17, 2008, Clarkson embarked on the 2 Worlds, 2 Voices Tour 2008, a co-headlining tour with Reba McEntire. Reba and Clarkson have since stayed in touch and Clarkson is now managed by McEntire's husband Narvel Blackstock.^[75]

On May 18, 2008, Clarkson performed on stage at the Academy of Country Music Awards All-Star Jam with Reba McEntire and Ronnie Dunn of Brooks and Dunn.^[76] The All-Star jam is the final event of the week taking place immediately after the awards show. Clarkson was not announced ahead of time for an appearance.

[edit] 2008–10: All I Ever Wanted

Clarkson at red carpet 2009 VH1 Divas

Clarkson's fourth album, All I Ever Wanted, was released on March 10, 2009. During recording of the album, Clarkson worked closely with producer-songwriters Ryan Tedder, Dr. Luke, Max Martin, and Howard Benson, among others. In its first week of sales, it sold 255,000 copies in the U.S., debuting at number one on the Billboard 200; it stayed at number one for two weeks.^[77] All I Ever Wanted received a Grammy Award nomination for "Best Pop Vocal Album".^[78] Clarkson was placed eighth on Billboard's Top Female Artists of 2009 and ninth on Billboard's Top Hot Artists of 2000s.^[79] She was ranked second on Billboard's Best of 2000s: Pop Song Artist, behind Pink.^[80]

Clarkson in 2010 during her All I Ever Wanted World

The first single from All I Ever Wanted, "My Life Would Suck Without You", entered the Billboard Hot 100 at number 97 and rose to number one the following week; this broke the record for the largest leap to the top spot, formerly held by Britney Spears' "Womanizer".This was the second time Clarkson broke this record. Moreover, "My Life Would Suck Without You" was Clarkson's first number one in the United Kingdom and it made her the first American Idol winner to achieve a number one single in the UK. The album's second single, "I Do Not Hook Up", peaked at number 20 in the U.S. "I Do Not Hook Up" did not fare very well overseas and the believed reason for this is due to a lack of radio support because a previous version had been recorded by Katy Perry. The third single, "Already Gone", reached number 13 in the USA and number 15 in Canada, but had mixed results internationally. "Already Gone" sparked another conflict between Clarkson and her label. There was a widely reported scandal with the album's third single, which Clarkson wrote with OneRepublic's Ryan Tedder. Many critics had noticed that the backing track and style of the song sounded similar to Beyoncé's "Halo". After becoming aware of the comparisons, Clarkson did not want to release the song out of respect for Beyoncé, instead requesting release for a self-penned song, "Cry", which later hailed extremely positive reviews, most notably from the BBC.^[81] However, her record company refused, publishing "Already Gone" against Clarkson's wishes. In response to the entire fiasco, Clarkson penned a song called "Wash Rinse Repeat" in which she states her view on the lack of creativity record labels give their artists; it is widely believed the song is an attack on Ryan Tedder.

The fourth single was "All I Ever Wanted". Clarkson performed as one of many guests for the return of VH1 Divas in September 2009.^[82] Clarkson also became a guest mentor on the Dutch television series X Factor in November 2009.

Clarkson was announced as one of the VH1 Save the Music Foundation ambassadors for 2009–2010.^[83] She began her 32-date All I Ever Wanted tour in October, following a string of summer concerts around the United States. Clarkson toured all over the world with the album, reaching territories such as Europe, South Africa, Oceania and Asia.The fall tour shows were performed in arena/theater type venues, with the summer tour being performed in outdoor amphitheatres. Her Indonesia show was initially sponsored by tobacco company Djarum, but after complaints from some fans and anti-tobacco groups, the promoter removed the sponsor.^[84] The tour ended in May 2010 in China.^[85]

[edit] 2010–present: Stronger

On August 23, 2010, it was announced that Clarkson had recorded a duet called "Don't You Wanna Stay" with country star Jason Aldean for Aldean's upcoming album, My Kinda Party.^[86] They performed the song at the 2010 CMA Awards on November 10, 2010^[87] and again on April 14, 2011 during the elimination show of American Idol season ten. On the week ending February 27, 2011, the song moved to number one on Billboard Hot Country Songs, giving Clarkson her first number one hit on the chart.^[88] As of July 21, 2011, "Don't You Wanna Stay" has sold nearly 2 million digital singles, becoming the most downloaded country music collaboration of all time.^[89] "Don't You Wanna Stay" was nominated for a 2012 Grammy Award for "Best Country Duo/Group Performance".^[90]

Clarkson's fifth studio album, Stronger, was released on October 24, 2011.^[91] Clarkson began writing the material on November 2009 and was originally intended for a late 2010 release.^[92] Clarkson collaborated with several producers including Greg Kurstin, Ester Dean, Darkchild, Toby Gad, Steve Jordan and Howard Benson.^[93][94] Clarkson completed recording on February 28, 2011, and stated that it "was influenced by Prince, Tina Turner, Sheryl Crow, Radiohead and there's a little bit of a country vibe/influence on a couple of songs."^[93] On March 15, 2011, she announced that the album had been pushed back to at least September 2011. Rodney Jerkins told The Hollywood Reporter that it was a "smart decision",^[95] while Claude Kelly, said to MTV News that the move could work in her favor.^[96] Associated Content also reported that the delay was caused by the company restructuring at Sony Music with the former Universal Music Group chairman Doug Morris entering as its new CEO.^[95][97] The release of the album was accompanied by a limited release of Clarkson's first extended play, The Smoakstack Sessions, which featured alternate versions of Stronger and All I Ever Wanted songs.^[98]

Clarkson performing at Sudbury, Canada, in 2011

The first single, "Mr. Know It All", premiered via a live webcast on on August 30, 2011 and was commercially released on September 5, 2011. The song entered the Billboard Hot 100 at number 18, becoming her second highest debut since "Never Again" (2007); On November 3, the song ascended to number 10, earning Clarkson her ninth top ten single. On October 2, 2011, Clarkson performed the song at the 2011 NRL Grand Final in Sydney, Australia, marking Clarkson's first appearance at the event since the 2003 NRL Grand Final.^{[99][100][101]} The following week, "Mr. Know It All" hit #1 on the Australian charts, the first single of her career to top the charts in that country.^[102] 'Mr Know It All charted at number 4 in the UK and 8 in New Zealand. The song received double platinum certification in Australia and gold certification in New Zealand.

The album's second single, "Stronger (What Doesn't Kill You)", was released to mainstream radio on January 17, 2012.^[103] The song climbed to number one on the Hot 100 in its seventh week, becoming Clarkson's career's third number-one single, after "A Moment Like This" and "My Life Would Suck Without You".^[104]. According to Clarkson, the song was inspired by a Friedrich Nietzsche quote, translated to "That which does not kill us makes us stronger", and its lyrics contain the theme of empowerment. The song is considered as an anthem for recovery after the end of a bad relationship. Stronger has been compared to Since U Been Gone, and received generally positive reviews from critics. The song also peaked at number one in Poland, Belgium, and Denmark. In addition, it peaked in the top 10 in over 15 countries and achieved 2x Platinum in Australia as well as Platinum in New Zealand, Canada and Denmark, which has made it one of Clarkson's most successful singles. Moreover, the music video is her most watched on YouTube, with over 38,000,000 views. ^{[105][106][107]} When Stronger (What Doesn't Kill You) reached number one in the Billboard's Dance/Club Play Songs chart, Clarkson became the first artist to top the Billboard Hot 100, Country Songs, Adult Contemporary, Adult Pop Songs and Dance/Club Play Songs charts, albeit it not at the same time.^[108]

The song "Tell Me A Lie" on the debut album by the boy band One Direction was co-written by Clarkson, which was originally intended for Stronger. The song was leaked onto the internet a few months before.^[109] Clarkson's second extended play, iTunes Session, was announced on November 23, 2011,^[110] and was released on December 27, 2011.^[111] On December 2 Clarkson released her first Christmas single, a cover of "I'll Be Home For Christmas" which is included on iTunes Session EP. Her rendition of the holiday classic debuted on the Billboard Hot 100 at number 93 for the chart dated December 24, 2011 with 24,000 copies sold and also charted at number 16 on Holiday Songs.^{[citation needed]}

Clarkson was a mentor to Blake Shelton's contestants on season two of The Voice in 2012. With this, Clarkson becomes the only former television singing-competition contestant to appear on American Idol, The X Factor and The Voice.^[112]

Clarkson sang the U.S. national anthem at Super Bowl XLVI on February 5, 2012.^[113] She received widespread acclaim for this performance from numerous publications and fellow celebrities.^[114]

Clarkson performed at the 54th Grammy Awards on February 12, 2012. She and Jason Aldean sang their hit "Don't You Wanna Stay".^[115] On April 1, 2012, "Don't You Wanna Stay" won the Academy of Country Music awards for Vocal Event of the Year and Single of the Year.^[116]

On May 20, 2012 Clarkson debuted her new single "Dark Side" at the 2012 Billboard Music Awards.^[117]

In the summer of 2012, Clarkson will be a mentor on a new singing show called Duets on ABC.^[118]

Artistry[link]

Voice[link]

Clarkson possesses the vocal range of a soprano;^[119][120] which has been described as dynamic and robust.^[121]

On an interview with Good Morning America, Simon Cowell was asked of the then six American Idol winners, who he thought had the best voice. Cowell immediately answered that Clarkson did "by a mile", noting that she was "up there" with other great singers such as Celine Dion.^[122]

Arion Berger of Rolling Stone has said of Clarkson that "her high notes are sweet and pillowy, her growl is bone-shaking and sexy, and her midrange is amazingly confident for a pop posy whose career is tied for eternity to the whims of her American Idol overlords."^[123]

Dr. Luke, a songwriter and producer of some of Clarkson's hits stated that "She has powerful lungs. She's like the Lance Armstrong of vocal cords."^[124]

Jon Caramanica, music critic of The New York Times, stated that Clarkson's voice is "too huge, too violent" for warmer and sweeter vocal stylings, stating "she’s on a par with Taylor Swift when it comes to vengeance, and she’ll do it louder and with more brutality in comparison to her contemporary."^[125]

Esquire wrote that Clarkson has “the best voice in the history of pop music".^[126]

Influences[link]

Clarkson has often cited soul musicians such as Aretha Franklin,^[127] Whitney Houston, Mariah Carey^[128] and Etta James^[129] as well as rock musicians Radiohead, Garbage,^[127] Aerosmith, and Jimi Hendrix^[130] as her influences. Her audition performance of James' song "At Last" and her final performance of Franklin's "(You Make Me Feel Like) A Natural Woman" on American Idol garnered critical praise from both the judges of the program as well as from the public. Clarkson also said that she has been influenced by Tina Turner and Annie Lennox. At age eight, Clarkson was first inspired to venture into music during visit to an African-American church in Fort Worth. She recalled: "I was like, 'Wow, whatever they're feeling, I want to feel it too'."^[131]

Personal life[link]

Since early 2012 Clarkson has been dating Reba McEntire's stepson, talent manager Brandon Blackstock. Clarkson told the Daily Mail (UK) "Brandon is my manager's son. I've known him for six years but he was married. Then, suddenly, there he was at the Super Bowl and he was single". ^[132]

Political views[link]

On December 29, 2011, Clarkson posted on Twitter that she would vote for US Congressman Ron Paul as a 2012 presidential candidate, saying, "I love Ron Paul. I liked him a lot during the last Republican nomination and no one gave him a chance. If he wins the nomination for the Republican Party in 2012 he's got my vote. Too bad he probably won't."^[133] After stating her support for Paul, she came under fire on Twitter, due to her pro gay rights views.^[134] She later apologized for the Tweet saying she did not intend to offend anyone.^[134] In a recent interview with Rolling Stone magazine Clarkson was asked about her comments in support of Paul and she replied with, "All I did was tweet what I thought, and people went crazy! All of a sudden, people were like, 'You hate gay people' – what? I didn't even endorse him. All I said was that I like him. I voted for Barack, so it's not even like I'm a hardcore Republican."^[135]

Charity[link]

On April 2007, Kelly Clarkson took part on the "Idol Gives Back", a fundraiser for people in poverty in both Africa and the United States, performing "Up to the Mountain" along with Jeff Beck.^[136] According to her statings she wanted to perform that song rather to her new single "Never Again" which seemed to her inappropriate for the event, and didn't want to promote herself, despite the label's pressures. She would also perform a five-song set later that year on the American leg of Live Earth concerts opting for environmental awareness about climate change. She is currently an ambassador of "March of Dimes", raising money regularly and assisting in volunteer service, having walked for "March for Babies" as well, for the cause of improvement of the health of mothers and babies.^[137] Clarkson, additionally, got involved in the organization "Houses of Hope" who take care and build orphanages for children in South Africa who have been affected by HIV/AIDS, abuse and poverty.^[138] She has visited those kids and also participated in the "A Night for Hope" fundraiser concert (held by Clarkson's background vocal singers, Jill and Kate) where she performed a song she wrote after her trip to South Africa, "You Still Won't Know What It's Like". Clarkson is also supporting organizations "Save the Children", "UNICEF", "Do Something" and "STOMP Out Bullying" amongst others as well as music causes like "Save the Music Foundation".^[139][140] She has a ranch in Texas for unwanted animals, which includes amputee goats, blind dogs, and horses with colic; there are more than 80 animals at the sanctuary. She helps provide veterinary care for them and finds them an adoptive family.^[141]

Filmography[link]

Source: IMDb^[32]

Discography[link]

• Thankful (2003)
• Breakaway (2004)
• My December (2007)
• All I Ever Wanted (2009)
• Stronger (2011)

Tours[link]

• American Idols LIVE! Tour 2002 (2002), with the American Idol Season 1 Finalists
• Independent Tour (2004), co-headlining tour Clay Aiken
• Breakaway World Tour (2005–06)
• My December Tour (2007–08)
• 2 Worlds 2 Voices Tour (2008), co-headlining tour Reba McEntire
• All I Ever Wanted Tour (2009–10)
• Stronger Tour (2012)
• 2012 Summer Tour (2012), co-headlining tour with The Fray

Awards[link]

See also[link]

• List of best-charting music artists in the U.S.
• List of Idol winners

References[link]

Further reading[link]

External links[link]

Find more about Kelly Clarkson on Wikipedia's sister projects:
	Images and media from Commons
	Textbooks from Wikibooks

• Official website
• Kelly Clarkson at Allmusic
• Kelly Clarkson at AllRovi
• Kelly Clarkson at the Internet Movie Database
• Kelly Clarkson discography at Discogs
• Kelly Clarkson collected news and commentary at The New York Times
• Works by or about Kelly Clarkson in libraries (WorldCat catalog)

John Williams
Williams at the Avery Fisher Hall in 2007
Background information
Birth name	John Towner Williams
Born	(1932-02-08) February 8, 1932 (age 80)
Origin	Flushing, Queens, New York, United States of America
Genres	Film score, Contemporary classical music, Jazz
Occupations	Composer, pianist, conductor
Years active	1952–present

John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career spanning almost six decades, he has composed some of the most recognizable film scores in the history of motion pictures, including the Star Wars saga, Jaws, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, War Horse, Home Alone and the first three Harry Potter films. He has had a long association with director Steven Spielberg, composing the music for all but two (Duel and The Color Purple) of Spielberg's major feature films.

Other notable works by Williams include theme music for four Olympic Games, NBC Sunday Night Football, the NBC Nightly News, the rededication of the Statue of Liberty, and the television series Lost in Space. Williams has also composed numerous classical concerti, and he served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993; he is now the orchestra's conductor laureate.

Williams has won five Academy Awards, four Golden Globe Awards, seven BAFTA Awards, and 21 Grammy Awards. With 47 Academy Award nominations, Williams is the second most nominated person, after Walt Disney.^[1] John Williams was honored with the prestigious Richard Kirk award at the 1999 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.^[2] Williams was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.

Early life and family[link]

John Williams was born on February 8, 1932 on Long Island, New York, the son of Esther (née Towner) and Johnny Williams.^[3] His father was a jazz percussionist who played with the Raymond Scott Quintet.

In 1948, the Williams family moved to Los Angeles where John attended North Hollywood High School graduating in 1950. He later attended the University of California at Los Angeles (UCLA), and studied privately with the Italian composer Mario Castelnuovo-Tedesco.^[4] In 1952, Williams was drafted into the U.S. Air Force, where he conducted and arranged music for the Air Force Band as part of his assignments.

After his Air Force service ended in 1955, Williams moved to New York City and entered the Juilliard School, where he studied piano with Rosina Lhévinne.^[4] During this time, Williams worked as a jazz pianist in New York's many clubs and eventually studios, most notably for composer Henry Mancini. His fellow session musicians included Rolly Bundock on bass, Jack Sperling on drums, and Bob Bain on guitar—the same lineup featured on the Mr. Lucky television series. Williams was known as "Little Johnny Love" Williams during the early 1960s, and he served as music arranger and bandleader for a series of popular music albums with the singer Frankie Laine.

Williams was married to actress Barbara Ruick from 1956 until her death on March 3, 1974. The Williamses had three children: Jennifer (born 1956), Mark (born 1958), and Joseph (born 1960). Williams' younger son (Joseph) is one of the various lead singers the band Toto. John Williams married his second wife, Samantha Winslow, on July 21, 1980.

John Williams is an honorary member of Kappa Kappa Psi, the national fraternity for college band members.

Film and television scoring[link]

Williams at the Boston Symphony Hall after conducting the Boston Pops, May 2006

While skilled in a variety of 20th century compositional idioms, Williams' most familiar style may be described as a form of neoromanticism,^[5] inspired by the same large-scale orchestral music of the late 19th century—especially the compositions of Richard Wagner and its concept of leitmotif—that inspired his film music predecessors.^[6]

After his studies at Juilliard, Williams returned to Los Angeles, where he began working as an orchestrator at film studios. Among other composers, Williams worked with Franz Waxman, Bernard Herrmann, and Alfred Newman, and also with his fellow orchestrators Conrad Salinger and Bob Franklyn.^[7] Williams was also a studio pianist, performing on film scores by composers such as Jerry Goldsmith, Elmer Bernstein, and Henry Mancini. Williams recorded with Henry Mancini on the film scores of Peter Gunn (1959), Days of Wine and Roses (1962), and Charade (1963). (Williams actually played the well-recognized opening riff to Mancini's Peter Gunn theme.^[8][9]) Williams (often credited as "Johnny Williams") also composed the music for various TV programs in the 1960s: The pilot episode of Gilligan's Island,^[10] Bachelor Father (1959-1960), the Kraft Suspense Theatre, Lost in Space (1965–68), The Time Tunnel (1966–67), and Land of the Giants (the last three created by the prolific TV producer, Irwin Allen).

Working at Universal Studios, Williams shared music credit on a number of films, the most notable being The Creature from the Black Lagoon in 1954. Williams's first major film composition was for the B movie Daddy-O in 1958, and his first screen credit came two years later in Because They're Young. He soon gained notice in Hollywood for his versatility in composing jazz, piano, and symphonic music. Williams received his first nomination for an Academy Award for his film score for Valley of the Dolls (1967), and then was nominated again for his score for Goodbye, Mr. Chips (1969). Williams broke through to win his first Academy Award for his adapted score for the film Fiddler on the Roof (1971). In 1972 he composed the score for the Robert Altman psychological thriller Images (recorded in collaboration with noted percussionist Stomu Yamashta) which earned him another nomination in the category 'Best Music, Original Dramatic Score' at the 1973 Academy Awards. During the early 1970s, Williams' prominence grew thanks to his work for now–film producer Irwin Allen's disaster films, composing the scores for The Poseidon Adventure (1972) and The Towering Inferno (1974). In addition, he scored Universal's Earthquake (1974) for director Mark Robson, completing a "trinity" of scores for the highest grossing "disaster films" of the decade. He also wrote a very memorable score to The Cowboys (1972), a western starring John Wayne and directed by Mark Rydell.

In 1974, Williams was approached by director Steven Spielberg to compose the music for his feature directorial debut, The Sugarland Express. The young director had been impressed with Williams's score for the movie The Reivers (1969), and Spielberg was convinced that Williams could compose the musical sound that he desired for any of his films. They teamed up again a year later for Spielberg's second film, Jaws. Widely considered to be a classic suspense film, its film score's ominous two-note motif has become synonymous with sharks and approaching danger. The score for Jaws earned Williams his second Academy Award, his first one for an original composition.

Shortly thereafter, Williams and Spielberg began a long collaboration for their next feature film together, Close Encounters of the Third Kind (CE3K, 1977). In an unusual step for a Hollywood film, Spielberg and Williams developed their script and musical concepts simultaneously, as in the film these entwine very closely together. During their two-year-long collaboration, they crafted its distinctive five-note figure that functions both in the background music and as the communications signal of the film's extraterrestrials. Williams also used a system of musical hand signals in CE3K that were based on hand signs created by John Curwen and refined by Zoltan Kodaly.

During the same period, Spielberg recommended Williams to his friend and fellow director George Lucas, who needed a composer to score his ambitious space epic, Star Wars (1977). Williams delivered a grand symphonic score in the fashion of Richard Strauss and Golden Age Hollywood composers Max Steiner and Erich Wolfgang Korngold. Its main theme, "Luke's Theme" is among the most widely recognized in motion picture history, and the "Force Theme" and "Princess Leia's Theme" are well-known examples of leitmotif. Both the film and its soundtrack were immensely successful—it remains the highest grossing non-popular music recording of all-time—and Williams won another Academy Award for Best Original Score. In 1980, Williams returned to score The Empire Strikes Back, where he introduced "The Imperial March" as the theme for Darth Vader and the Galactic Empire. The original Star Wars trilogy concluded with the 1983 film Return of the Jedi, for which Williams's score provided most notably the "Emperor's Theme," "Parade of the Ewoks," and "Luke and Leia." Both scores earned Williams Academy Award nominations.

John Williams conducting the music score to Raiders of the Lost Ark in the Avery Fisher Hall.

Williams worked with director Richard Donner to score the 1978 film Superman. The score's heroic and romantic themes, particularly the main march, the Superman fanfare and the love theme, known as "Can You Read My Mind," would appear in the four sequel films. For the 1981 film Raiders of the Lost Ark, created and directed by Lucas and Spielberg, Williams wrote a rousing main theme known as "The Raiders March" to accompany the film's hero, Indiana Jones. He also composed separate themes to represent the Ark of the Covenant, the character Marion, and the Nazi villains of the story. Additional themes were featured in his scores to the sequel films Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008). Williams composed an emotional and sensitive score to Spielberg's 1982 fantasy film E.T. the Extra-Terrestrial. The music conveys the film's benign, childlike sense of innocence, particularly with a spirited theme for the freedom of flight, and a soft string-based, harp-featured theme for the friendship between characters E.T. and Elliott. The film's final chase and farewell sequence marks a rare instance in film history in which the on-screen action was re-edited to conform to the composer's musical interpretation. Williams was awarded a fourth Academy Award for this score.

The 1985 film The Color Purple is the only theatrical feature directed by Steven Spielberg for which John Williams did not serve as composer. The film's producer, Quincy Jones, wanted to personally arrange and compose the music for the project. Williams also did not score Twilight Zone: The Movie, but Spielberg had directed only one of the four segments in that film; the lead director and producer of the film, John Landis, selected Jerry Goldsmith as composer. The Williams-Spielberg collaboration resumed with the director's 1987 film Empire of the Sun, and has continued to the present, spanning genres from science fiction thrillers (1993's Jurassic Park), to somber tragedies (1993's Schindler's List, 2005's Munich), to Eastern-tinged melodramas (2005's Memoirs of a Geisha, directed by Rob Marshall). Spielberg has said, "I call it an honorable privilege to regard John Williams as a friend."^[11]

In 1999 George Lucas launched the first of a series of prequels to the original Star Wars trilogy. Williams was asked to score all three films, starting with The Phantom Menace. Along with themes from the previous movies, Williams created new themes to be used as leitmotifs in Attack of the Clones (2002) and Revenge of the Sith (2005). Most notable of these was "Duel of the Fates," an aggressive choral movement utilizing harsh Sanskrit lyrics that broadened the style of music used in the Star Wars films. Also of note was "Anakin's Theme," which begins as an innocent childlike melody and morphs insidiously into a quote of the sinister "Imperial March" of the prior trilogy. For Episode II, Williams composed "Across the Stars," a love theme for Padmé Amidala and Anakin Skywalker (mirroring the love theme composed for the second film of the previous trilogy, The Empire Strikes Back). The final installment combined many of the themes created for the series' previous movies, including "The Emperor's Theme," "The Imperial March," "Across the Stars," "Duel of the Fates," "The Force Theme," "Rebel Fanfare," "Luke's Theme," and "Princess Leia's Theme," as well as new themes for General Grievous and the film's climax, entitled "Battle of the Heroes." Few composers have scored an entire series of this magnitude: The combined scores of all six Star Wars films add up to more than 14 hours of orchestral music.

In the new millennium, Williams was asked to score the film adaptations of the widely successful book series, Harry Potter. He went on to score the first three installments of the film franchise. As with his Superman theme, the most important theme from Williams's scores for the adaptations of J. K. Rowling's Harry Potter series, dubbed Hedwig's Theme, has been used in the fourth, fifth, sixth, seventh and eighth films (Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2), scored by Patrick Doyle, Nicholas Hooper and Alexandre Desplat respectively. Like the main themes from Star Wars, Jaws, Superman, and Indiana Jones, fans have come to identify the Harry Potter films with Williams's original compositions. Williams was asked to return to the film franchise to score the final installment, Harry Potter and the Deathly Hallows – Part 2, but director David Yates stated that "their schedules simply did not align" as he would have had to provide Williams with a rough cut of the film sooner than was possible.

In 2006 Superman Returns was completed under the direction of Bryan Singer, best known for directing the first two movies in the X-Men series. Although Singer did not request Williams to compose a score for the intentionally Donner-esque film, he employed the skills of X2 composer John Ottman to incorporate Williams's original Superman theme, as well as those for Lois Lane, Krypton and Smallville. Don Davis performed a similar role for Jurassic Park III, recommended to the producers by Williams himself. (Film scores by Ottman and to a lesser extent Davis are often compared to those of Williams, as both use similar styles of composition.)

In 2008 Williams returned to the Indiana Jones series to score the fourth film—The Kingdom of the Crystal Skull. He received a Grammy nomination for his work on the film. During 2008, he also composed music for two documentaries, Warner at War,^[12] and A Timeless Call,^[13] the latter of which was directed by Steven Spielberg.

After a three year absence from film scoring, Williams composed the scores for Spielberg's The Adventures of Tintin: The Secret of the Unicorn and War Horse in 2011. Both scores received overwhelmingly positive reviews,^{[14][15][16][17][18][19]} with both scores earning Oscar nominations,^[20] and the latter being nominated for a Golden Globe.^[21] The Oscar nominations are Williams' 46th and 47th, making him the most nominated musician in Academy Awards history (having previously been tied with Alfred Newman's 45 nominations), and the second most nominated overall, following Walt Disney. Williams won an Annie Award for his score for The Adventures of Tintin: The Secret of the Unicorn in 2012.

Williams is next scheduled to score Spielberg's 2012 film Lincoln.

Conducting and performing[link]

Williams signing an autograph after a concert

From 1980 to 1993, Williams succeeded Arthur Fiedler as Principal Conductor of the Boston Pops Orchestra. Williams never met Fiedler in person but spoke with him by telephone. His arrival as the new leader of the Pops in the spring of 1980 allowed him to devote part of the Pops' first PBS broadcast of the season to presenting his new compositions for The Empire Strikes Back, in addition to conducting many Fiedler audience favorites.

Williams almost ended his tenure with the Pops in 1984.^[22] Considered a customary practice of opinion, some players hissed while sight-reading a new Williams composition in rehearsal; Williams abruptly left the session and turned in his resignation. He initially cited mounting conflicts with his film composing schedule, but later admitted a perceived lack of discipline in and respect from the Pops' ranks, culminating in this latest instance. After entreaties by the management and personal apologies from the musicians, Williams withdrew his resignation and continued as principal conductor for nine more years.^[23] In 1995 he was succeeded by Keith Lockhart, the former associate conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra.

Williams is now the Laureate Conductor of the Pops, thus maintaining his affiliation with its parent, the Boston Symphony Orchestra (BSO). Williams leads the Pops on several occasions each year, particularly during their Holiday Pops season and typically for a week of concerts in May. He conducts an annual Film Night at both Boston Symphony Hall and Tanglewood, where he frequently enlists the Tanglewood Festival Chorus, official chorus of the BSO....

Williams has written many concert pieces, including a symphony; a Concerto for Horn written for Dale Clevenger, principal hornist of the Chicago Symphony; a Concerto for Clarinet written for Michele Zukovsky (Principal Clarinetist of the Los Angeles Philharmonic) in 1991;^[24] a sinfonietta for wind ensemble; a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra at Tanglewood in 1994; concertos for the flute and violin recorded by the London Symphony Orchestra; and a trumpet concerto, which was premiered by the Cleveland Orchestra and their principal trumpet Michael Sachs in September 1996. His bassoon concerto, "The Five Sacred Trees", which was premiered by the New York Philharmonic and principal bassoon player Judith LeClair in 1995, was recorded for Sony Classical by Williams with LeClair and the London Symphony Orchestra. He is also an accomplished pianist, as can be heard in various scores in which he provides solos, as well as a handful of European classical music recordings.

Williams was the subject of an hour-long documentary for the BBC in 1980, and was featured in a story for ABC's newsmagazine 20/20 in 1983.^[25]

Stanley Donen (left) and John Williams at Avery Fisher Hall

In 1985, Williams was commissioned by NBC to compose a television news music package for various network news spots. The package, which Williams named "The Mission", consists of four movements, two of which are still used heavily by NBC today for The Today Show, NBC Nightly News, and Meet the Press. Williams also composed the "Liberty Fanfare" for the rededication of the Statue of Liberty, "We're Lookin' Good!" for the Special Olympics in celebration of the 1987 International Summer Games, and themes for the 1984, 1988, 1996, and 2002 Olympic games. His most recent concert work, "Seven for Luck", for soprano and orchestra, is a seven-piece song cycle based on the texts of former U.S. Poet Laureate Rita Dove. "Seven for Luck" was given its world premiere by the Boston Symphony under Williams with soprano Cynthia Haymon.

Williams conducting at Hollywood Bowl.

Williams makes annual appearances with the Los Angeles Philharmonic at the Hollywood Bowl, and took part as conductor and composer in the orchestra's opening gala concerts for the Walt Disney Concert Hall in 2003.

In 2004, Williams both served as the Grand Marshall for the Rose Parade, and directed the Star Spangled Banner at the beginning of the Rose Bowl.

In April 2005, Williams and the Boston Pops performed "The Force Theme" from Star Wars at opening day in Fenway Park as the Boston Red Sox, having won their first World Series championship since 1918, received their championship rings. For Game 1 of the 2007 World Series, Williams conducted a brass-and-drum ensemble through a new dissonant arrangement of the "Star Spangled Banner."^[25]

In April 2004, February 2006, and September 2007, he conducted the New York Philharmonic at Avery Fisher Hall in New York City. The initial program was intended to be a one-time special event, and featured Williams's medley of Oscar-winning film scores first performed at the previous year's Academy Awards.^[26] Its unprecedented popularity led to two concerts in 2006: fundraising gala events featuring personal recollections by film directors Martin Scorsese and Steven Spielberg.^[27] Continuing demand fueled three more concerts in 2007, which all sold out. These featured a tribute to the musicals of film director Stanley Donen, and had the distinction of serving as the opening event of the New York Philharmonic season.^[28] After a four-season absence, Williams conducted the Philharmonic once again in October 2011.^[29]

Awards[link]

John Williams has won five Academy Awards, and four Golden Globe Awards. He has also been nominated for 22 Golden Globes, winning four, and 59 Grammys, winning 20. With 47 Oscar nominations, Williams currently holds the record for the most Oscar nominations for a living person,^[30][31] and is the second most nominated person in the history of the Academy Awards behind only Walt Disney's 59. Forty-two of Williams' Oscar nominations are for Best Original Score and five are for Best Original Song. He won four Oscars for Best Original Score and one for Best Adapted Score (Fiddler on the Roof).

Williams has received three Emmy Awards and five nominations, seven BAFTAs, twenty Grammy Awards, and has been inducted into the American Classical Music Hall of Fame and the Hollywood Bowl Hall of Fame. In 2004 he received a Kennedy Center Honor. He won a Classical Brit award in 2005 for his soundtrack work of the previous year.

Notably, Williams has won the Grammy Award for Best Instrumental Composition for his scores for Star Wars, Close Encounters of the Third Kind, Superman, The Empire Strikes Back, E.T. The Extraterrestrial, Angela's Ashes (1999), Munich (2005), and Indiana Jones and the Kingdom of the Crystal Skull. The competition includes not only composers of film scores, but also composers of instrumental music of any genre, including composers of classical fare such as symphonies and chamber music.

In 2003, the International Olympic Committee accorded Mr. Williams its highest individual honor, the Olympic Order.^[32]

In 2009, Williams received the National Medal of Arts in the White House in Washington for his achievements in symphonic music for motion pictures, and "as a pre-eminent composer and conductor [whose] scores have defined and inspired modern movie-going for decades."^[33]

John Williams was made an honorary brother of Kappa Kappa Psi at Boston University in the late 80's. ^[34]

AFI[link]

Williams's richly thematic and highly popular 1977 score to Star Wars Episode IV: A New Hope was selected in 2005 by the American Film Institute as the greatest American movie score of all time. His scores for Jaws and E.T. also appeared on the list, at No. 6 and No. 14, respectively.^[35] He is the only composer to have three scores on the list. Williams' scores for the following films were nominated for the list:

• A.I. Artificial Intelligence (2001)
• Close Encounters of the Third Kind (1977)
• The Cowboys (1972)
• Harry Potter and the Sorcerer's Stone (2001)
• Raiders of the Lost Ark (1981)
• Schindler's List (1993)
• Superman (1978)
• The Witches of Eastwick (1987)

List of awards[link]