Jane may refer to:

• Jane (given name)
• Jane (surname)

Music[link]

• Jane (German band)
• Jane (American band)
• Jane (album), an album by Jane McDonald
• "Jane" (Barenaked Ladies song)
• "Jane", a song by Ben Folds Five from their 1999 album The Unauthorized Biography of Reinhold Messner
• "Jane", a song by Brooks Williams
• "Jane", a song by Catie Curtis
• "Jane", a song by Elf Power
• "Jane", a song by EPMD from Strictly Business
• "Jane", a song by Jefferson Starship from Freedom at Point Zero
• "Jane", a song by the Loved Ones from Keep Your Heart
• "(Her Name Was) Jane", a song by The Pagans
• "Jane", a song by Sam Rosenthal
• "Jane", a song by Vance Gilbert
• "Jane (Stop This Crazy Thing!)" a song by MC Shan
• "(The Diary of) Jane" a song by Breaking Benjamin
• "Jane", a song by Raffi about Jane Goodall

Print media[link]

• Jane (magazine)
• Jane (comic strip)
• Jane (play), a play by S.N. Behrman, based on Maugham short story
• Jane (novel), a 1900 novel by Marie Corelli
• "Jane" (novel), a novel by April Linder

Organizations[link]

• Jane Collective, an abortion provider c. 1970
• Jane's Information Group or Jane's, a publisher
• Jane, a part of Estée Lauder Companies

Fictional characters[link]

• Jane Porter (Tarzan), later Jane Clayton, wife of John Clayton, Lord Greystoke (Tarzan) in the novels by Edgar Rice Burroughs
• Jane (Ender's Game), a character in Orson Scott Card's Ender Saga
• Jane, in Jane and the Dragon franchise
• Jane, any of 3 in The P.L.A.I.N. Janes, 2007 comic & sequels, by Cecil Castellucci
• Jane, the eldest Bennet sister from Jane Austen's Pride & Prejudice
• Jane, a vampire from the Volturi clan in the Twilight series, portrayed by Dakota Fanning in the films
• Jane, a character in The Catcher in the Rye, one of the few girls whom Holden both respects and finds attractive.
• Jane Vaughn in Degrassi: The Next Generation

Ships[link]

• Jane (ship), a ship that disappeared in 1816
• USS Jane II (SP-1188), a United States Navy patrol boat in commission from 1917 to 1918

Other uses[link]

• Jane (dinosaur), juvenile specimen
• Jane Street, in Toronto
• Jane (TTC), a Toronto subway station

See also[link]

• Janes (disambiguation)
• "Jane Jane", a song by Golden Earring from their 1986 album The Hole
• "Jane, Jane, Jane", a song by The Kingston Trio
• All pages beginning with "Jane"
• Jain (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Jessie J
Jessie J at the O2 Arena in London in 2011.
Background information
Birth name	Jessica Ellen Cornish
Also known as	Jessie J
Born	(1988-03-27) 27 March 1988 (age 24) Chadwell Heath, London, England, United Kingdom
Genres	pop, hip hop, R&B, dance-pop, soul
Years active	2005–present
Labels	Lava, Universal Republic, Island, Gut
Website	jessiejofficial.com

Jessica Ellen Cornish (born 27 March 1988), better known by her stage name Jessie J, is an English singer and songwriter. Born and raised in London, she studied at the BRIT School before signing with Gut Records and striking a songwriting deal with Sony/ATV Music Publishing where she wrote for artists such as Chris Brown and Miley Cyrus.

Signed with Universal, Jessie J came to prominence following the release of her debut single "Do It Like a Dude" which peaked at number two on the UK Singles Charts. After scoring her first number one in the United Kingdom, France, Ireland and New Zealand with the song "Price Tag", she released her debut album Who You Are (2011) which charted at number two in the UK. Other releases from the album include "Nobody's Perfect", "Who's Laughing Now" and "Who You Are" which charted within the top 20 in the UK but the release of fifth single "Domino" spawned international chart success, peaking at number 6 on the Billboard Hot 100 in the US, and becoming her second UK number one. Aside from her musical career, Jessie J is currently a coach and mentor on television show The Voice UK.

Citing various influences, Jessie J is recognized for an unconventional musical and performance style^[1][2] that mixes her soul voice with contemporary R&B, pop, and hip-hop influences. Jessie J has garnered various awards and nominations for her contributions to the music industry, including the 2011 Critics' Choice BRIT Award and the BBC's Sound of 2011. As of April 2012, Jessie has sold over 11 million singles and 2.5 million records worldwide.^[3][4]

Early life[link]

Jessie J was born Jessica Ellen Cornish in Chadwell Heath, London,^[5] daughter of Stephen Cornish and Rose Cornish (née Archer). She was educated at Mayfield High School in the London Borough of Redbridge. She attended Colin's Performing Arts School and as an 11-year old-was cast in Andrew Lloyd Webber's West End production of Whistle Down the Wind.^[6][7][8] Jessie has two sisters, who are five and seven years older than her, who were both head girls at school. Unlike her academic sisters, Cornish has stated she was "never really that good at anything". She said, "At school they were like 'oh, you're a Cornish girl' and they kind of expected me to be the same as my sisters. Give me something to draw or an outfit to pick for someone, or hair, make-up, acting, write a song, I'm fine with it, but anything to do with sums – it was never my thing." She also said she never based her intelligence on her exam results.^[9] She also said she was always good at singing and it was her "thing". At the age of 16 she began studying at the BRIT School and at 17 she joined a girl group named Soul Deep.^[10] She graduated in the class of 2006 along with singers Adele and Leona Lewis.^[11] At 18 she suffered a stroke.^[12]

Music career[link]

2006–2010: Career beginnings[link]

Jessie J was signed to Gut Records, recording an album for the label, but the company went bankrupt before any material was released.^[8][10] She then found success as a songwriter, gaining a Sony ATV publishing contract.^[13] She was also the support act for Cyndi Lauper during Lauper's UK dates of her 2008 Bring Ya To The Brink tour (Lauper invited J to join her on stage for the performances of "Girls Just Want To Have Fun"). Jessie has also written lyrics for artists such as Chris Brown and Miley Cyrus, including "Party in the U.S.A.".^[14][15] Jessie J was also part of a girl band, called Soul Deep, for two years, however she left due to thoughts that "it wasn't going anywhere". Despite people thinking that her first notoriety was through YouTube, Jessie was signed for four years before her first video was posted. Jessie first came to the attention of Lava Records when her publisher at Sony/ATV, Rich Christina, sent Lava president Jason Flom a link to her MySpace page, which the record executive loved.^[16] After seeing an impressive U.S. showcase, Lava was, along with several other labels, keen to sign the artist but progress was hampered by her management's insistence on, what Flom called, a "crazy deal", and their refusal to let Jessie speak to any labels directly.^[16] Despite this, Senior Director of A&R at Lava, Harinder Rana, made surreptitious efforts to meet Jessie on her own in winter of 2008. Later in the year a change in management to Sarah Stennett and Nadia Khan of Crown Music allowed record deal negotiations to take place. Jessie eventually signed with Lava as part of a joint venture with Universal Republic.^[16]

[edit] 2010–2012: Who You Are

Jessie J performing at a concert in New York City in 2011.

Jessie J began recording her debut studio album in 2006 and it was completed on 19 January 2011.^[17][18] She revealed that "Big White Room" would be on the album and was written from an experience she had when she was 11 years old, although she wrote the song at age 17, in hospital, where a ward mate, a little boy, died.^[19] Jessie J says the album's title track, "Who You Are", is one of her proudest creations, she said the song is a "positive role model for young people" and "I always say that I'm half-artist, half-therapist".^[19] In late 2010 Jessie J released her first single, "Do It Like a Dude" which was co-written with George Astasio, Tj Normandin, Jason Pebworth, Jon Shave, Kyle Abrahams and Peter Ighile. Originally, she wrote the song with Rihanna in mind because "Rude Boy" was released at the time, partly inspiring the song. She then sent the song to her label, Island Records, before sending it to Rihanna's management. Island insisted the song become Jessie J's first single.^[20] She wishes to perform the song with Rihanna at one point.^[21] The single gained positive reception from critics.^[22] The single charted at number two on the UK Singles Charts. Her follow-up single "Price Tag" was released in late January 2011. This was written by Jessie J, Lukasz Gottwald, Claude Kelly, and Bobby Ray Simmons, Jr. and charted at number one in the top of the charts. "Price Tag" was released in the United States on 1 February 2011 and peaked at 23 on the Billboard Hot 100.^[23] "Price Tag" also charted at number-one in New Zealand and Ireland and is the most successful online video J has released. As of October 2011, the video has generated over 148 million views on Youtube and Vevo, making it the 22nd most viewed music video of all time.^[24][25] Her first American television appearance was as the musical guest on the 12 March 2011 episode of NBC's Saturday Night Live.^[26]

On 25 February 2011 her debut album, Who You Are, was released.^[27] The album first entered the charts on 6 March 2011 where it charted on the UK Album Charts at number two. The album charted into the top ten in a number of countries and number 11 in the United States.^[28] After the release she went on to release a third single from the album, "Nobody's Perfect".^[29] MTV reported that the single is, so far, only confirmed for release in the United Kingdom.^[30] The album's fourth single was "Who's Laughing Now". "Domino" was her second US single.^[31] The Dr. Luke-produced track was sent to mainstream radio on 6 September 2011.^[32] With the success of Who You Are in North America, Jessie was chosen to tour as the opening act for American pop artist Katy Perry's California Dreams Tour in 2011 but after she was unable to fully recover from her injuries during rehearsals she was forced to pull out under the doctor's orders.^[33] Jessie J served as the house artist at the 2011 MTV Video Music Awards, performing several of her original songs along with covers around commercial breaks.^[34]

James Morrison's third studio album, The Awakening features a collaboration with Jessie J called "Up", the song was released as a single on 4 December 2011. Jessie J re-released "Who You Are" on 9 November 2011, featuring the regular tracks plus "Domino" and two new songs. "Domino" became her first top 10 hit in the U.S., following the success of "Price Tag". The song also peaked at number 1 in January 2012 in the UK, before it was even officially released there.

[edit] 2012–present: Second studio album and The Voice

On 4 October 2011, Jessie announced that she will be one of four coaches for new BBC program, The Voice UK.^[35] The show was announced after the success of the US version, The Voice. It premiered in March 2012 on BBC One. It will be presented by Holly Willoughby and Reggie Yates, with will.i.am (of The Black Eyed Peas), Tom Jones and Danny O'Donoghue (of The Script) joining Jessie on the coaching panel.^[36] The first stage of the competition, The Blind auditions, began in London on 18 January 2012 at the BBC Television Centre and finished filming on 22 January 2012. The winner will receive £100,000 and a record deal with Universal Republic. It was also reported that the 4 coaches recorded a cover of the Black Eyed Peas song, "I Gotta Feeling", and will release an accompanying music video to help promote the show.^[37]

On 31 January 2012, Jessie announced that she had begun recording for her second studio album.^[38] She also stated that she hopes to collaborate with many artists this year, possibly including some of her fellow coaches on The Voice.^[39] It was revealed that she has worked in the studio with Cee-Lo Green after he tweeted her on twitter. Jessie has also revealed on twitter that she has worked with Diane Warren as well as reuniting in the studio with her 'Price Tag' co-writer Claude Kelly.

Jessie will embark on her first arena tour in March 2013. Via microblogging website, Twitter, Jessie J confirmed the tour will be called Nice to Meet You Tour.^[40]

Personal life[link]

Jessie J performing at the 2011 The Big Chill, sitting on the "gilded throne" she used for performances while her foot was broken.

In early 2011 she suffered a panic attack on stage after she was forced to perform in the dark. "I did a gig recently and had a panic attack on stage," she told NOW. "The night was called 'Black Out' and I had to perform in the dark. I asked them to turn on the lights and they didn't. I was onstage in pitch black and, because I couldn't see anything, I started to panic. It was awful."^[41]

Jessie J is bisexual and stated in an interview on the "In Demand" radio show on 3 March 2011, "I've never denied it. Whoopie doo guys, yes, I've dated girls and I've dated boys – get over it."^[42][43] However, in April 2012 The Sun outed her as homosexual which she denied via Twitter, calling it a "yet another boring untrue story".^[44] According to The Guardian, Jessie J's sexuality is valuable to young teens, especially for young girls unsure of themselves because of their sexuality and identity, to feel "that this does happen and this is normal."^[45]

On 12 June 2011 at the Capital Radio Summertime Ball, Jessie ruptured several tendons in her foot during rehearsals, and performed her set the following day while sitting on a gilded throne.^[46] For her appearance at Glastonbury Festival 2011 on 25 June 2011, she performed on the throne again, claiming her physician had told her not to perform with her broken foot which would take six weeks to heal.^[47] Jessie J was scheduled to play at several festivals throughout the summer, however it was reported on 1 July 2011 that she would not be able to attend T in the Park, T4 On The Beach, Wembley:Orange, iTunes Festival, Lovebox and Oxegen due to the injuries to her foot. Jessie J personally tweeted before surgery; "Keep making nervous jokes with the doctor and he keeps looking at me blankly. Which is making me laugh even more. It's getting serious. I just took my nose stud out." Tweeting after the surgery, she wrote: "Can't keep tweeting. Still very dizzy and being sick. But I'm OK, I got through it." Her record label released an official statement on 30 June 2011 that under strict orders from her doctor, she will not be able to perform for a number of weeks so she can heal and recuperate properly.^[48] She returned to the concert circuit in late August, including sets at the V Festival^[49] and The Big Chill. For the 2011 VMA's she was still in a cast and using the throne to keep off it.

Jessie J confirmed on 2 August 2011 that she would be shaving her hair off for charity in 2012. Speaking via her official Twitter account she said: "It’s hair, It will grow back. Even if it takes 2 years, if it saves lives it’s worth it. Even if its 1 life that’s something."^[50]

‎Artistry and voice[link]

Jessie J performing at the Bournemouth International Centre in 2011.

Although she was first identified as a soul singer, she primarily records songs of contemporary R&B and pop music with hip-hop influences.

Music critic Matthew Perpetua of Pitchfork Media compared Jessie J to her peers Adele and Amy Winehouse, but suggested she was missing something: "Whereas Adele and Winehouse also have powerhouse voices, they fit into clear aesthetic niches and invest their songs with depth and humanity. Jessie J doesn't have even a fraction of their restraint." Perpetua added: "Her idea of showcasing her gift is to shoot for a blaring melisma on "Mamma Knows Best" that makes Christina Aguilera seem as subtle as Joni Mitchell by comparison."^[51]

Ailbhe Malone of the music magazine NME also recognized Cornish's "undeniably potent voice". However, she pointed out the possible "identity crisis" that might have been caused by Jessie's songwriter past: "This is an album of singles for other artists. There’s Rihanna Jessie (‘Do It...’), Perry Jessie (‘Abracadabra’), Pixie Jessie (‘Mamma Knows Best’), Ellie Jessie ('Big White Room')."^[52]

Caroline Sullivan of The Guardian shared her positive opinion about the singer, saying that "if any singer has the potential to be the British Katy Perry or Pink, with the accompanying millions of sales, it's her". Sullivan also complimented Cornish's attitude: "[Her songs] are delivered with a confidence that money can't buy."^[53]

Entertainment Weekly's music critic Adam Markovitz said of Jessie: "The 23-year-old Brit has all the tools, from a monster voice to an ear for hooks — she co-wrote Miley Cyrus' 'Party in the U.S.A.' — and a manic persona that's equal parts Katy Perry, Kristin Chenoweth, and Alice Cooper."^[54]

Discography[link]

• Who You Are (2011)

Concert tours[link]

Headlining

• Stand Up Tour (2011)
• Heartbeat Tour (2011-12)
• Nice To Meet You Tour (2013)

Filmography[link]

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Jessie J

External links[link]

• Official website
• Jessie J discography at Discogs
• Jessie J's channel on YouTube
• Jessie J's BBC Sound of 2011 page at BBC Online

Lou Reed
Lou Reed performing at the Arlene Schnitzer Concert Hall in Portland, Oregon in January 2004
Background information
Birth name	Lewis Allan Reed
Born	(1942-03-02) March 2, 1942 (age 70) Brooklyn, New York United States
Genres	Rock, experimental rock, art rock, protopunk, noise music, drone music, psychedelic rock, folk rock, glam rock, blue-eyed soul, spoken word
Occupations	Musician, songwriter, producer, photographer
Instruments	Vocals, guitar, ostrich guitar, bass, synthesizer, keyboards, piano, harmonica, drums, percussion
Years active	1964–present
Labels	Matador, MGM, RCA, Sire, Reprise, Warner Bros.
Associated acts	The Velvet Underground, John Cale, Nico, David Bowie, The Killers, Mick Ronson, Gorillaz, Laurie Anderson, Peter Gabriel, Metallica.
Website	www.loureed.com

Lewis Allan "Lou" Reed, born March 2, 1942, is an American rock musician, songwriter, and photographer.^[1] He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his solo career, which has spanned several decades. Though the Velvet Underground were a commercial failure in the late 1960s, the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era.^[2] As the Velvet Underground's principal songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including sexuality and drug culture.

After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with "Walk on the Wild Side", although he subsequently lacked the mainstream commercial success its chart status seemed to indicate.^[3] Reed's work as a solo artist frustrated critics wishing for a return of the Velvet Underground. In 1975, Reed released a double album of feedback loops, Metal Machine Music, upon which he later commented, "No one is supposed to be able to do a thing like that and survive."^[4]

In 2008, Reed married performance artist Laurie Anderson.^[5]

Early life[link]

Reed was born at Beth El Hospital in Brooklyn and grew up in Freeport, Long Island.^{[citation needed]} Contrary to some sources, his birth name was Lewis Allan Reed, not Louis Firbanks, a name that was coined as a joke by Lester Bangs in Creem magazine.^[6] Having learned to play the guitar from the radio, he developed an early interest in rock and roll and rhythm and blues, and during high school played in a number of bands.^[7] His first recording was as a member of a doo wop-style group called The Jades.

Reed as a high school senior, 1959

In 1956, Reed received electroconvulsive therapy as a teenager intended to cure his bisexuality; he wrote about the experience in his 1974 song, "Kill Your Sons."^[8] In an interview, Reed said of the experience:

"They put the thing down your throat so you don't swallow your tongue, and they put electrodes on your head. That's what was recommended in Rockland County to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. You can't read a book because you get to page 17 and have to go right back to page one again."

—Lou Reed quoted in Please Kill Me (1996)^[9]

Reed began attending Syracuse University in the fall of 1960, studying journalism, film directing, and creative writing. In 1961 he began hosting a late-night radio program on WAER called "Excursions On A Wobbly Rail."^[7] Named after a song by pianist Cecil Taylor, the program typically featured doo wop, rhythm and blues and jazz, particularly the free jazz developed in the mid-1950s.^[10] Many of Reed's guitar techniques, such as the guitar-drum roll, were inspired by jazz saxophonists, notably Ornette Coleman. Reed graduated from Syracuse University's College of Arts and Sciences with a B.A. in June 1964.^[8]

Poet Delmore Schwartz taught at Syracuse University and befriended Reed, who in 1966 dedicated the song "European Son," from the Velvet Underground's debut album The Velvet Underground & Nico, to Schwartz.^[11] In 1982, Reed recorded "My House" as a tribute to his late mentor. He later said that his goals as a writer were "to bring the sensitivities of the novel to rock music" or to write the Great American Novel in a record album.^[12]

Career[link]

Pickwick Records[link]

In 1964, Reed moved to New York City and began working as an in-house songwriter for Pickwick Records. In 1964, he scored a minor hit with the single "The Ostrich," a parody of popular dance songs of the time, which included lines such as "put your head on the floor and have somebody step on it." His employers felt that the song had hit potential, and arranged for a band to be assembled around Reed to promote the recording. The ad hoc group, called "The Primitives," included Welsh musician John Cale, who had recently moved to New York to study music and was playing viola in composer La Monte Young's Theater of Eternal Music, along with Tony Conrad. Cale and Conrad were both surprised to find that for "The Ostrich," Reed tuned each string of his guitar to the same note. This technique created a drone effect similar to their experimentation in Young's avant-garde ensemble. Disappointed with Reed's performance, Cale was nevertheless impressed by Reed's early repertoire (including "Heroin"), and a partnership began to evolve.

The Velvet Underground[link]

Reed and Cale lived together on the Lower East Side, and after inviting Reed's college acquaintances, guitarist Sterling Morrison and drummer Maureen Tucker, to join the group, they formed the Velvet Underground. Though internally unstable (Cale left in 1968, Reed in 1970), and without commercial success, the band has a long-standing reputation as one of the most influential bands in rock history.^[13]

The group soon caught the attention of artist Andy Warhol. One of Warhol's first contributions was to integrate them into the Exploding Plastic Inevitable. Warhol's associates inspired many of Reed's songs as he fell into a thriving, multifaceted artistic scene. Reed rarely gives an interview without paying homage to Warhol as a mentor. Conflict emerged when Warhol had the idea for the group to take on a chanteuse, the European former model and singer Nico. Reed and the others registered their objection by titling their debut album The Velvet Underground & Nico to imply that Nico was not accepted as a member of the group. Despite his initial resistance, Reed wrote several songs for Nico to sing, and the two were briefly lovers (as were Nico and Cale later). The Velvet Underground & Nico reached No. 171 on the charts.

Today, however, it is considered one of the most influential rock albums ever recorded. Rolling Stone has it listed as the 13th most influential album of all time. Brian Eno once famously stated that although few people bought the album, most of those who did were inspired to form their own band.^[14]

By the time the band recorded White Light/White Heat, Nico had quit and Warhol was fired, both against Cale's wishes. Warhol's replacement as manager, Steve Sesnick, convinced Reed to drive Cale out of the band. Morrison and Tucker were discomfited by Reed's tactics but continued with the group. Cale's replacement was Doug Yule, whom Reed would often facetiously introduce as his younger brother. The group now took on a more pop-oriented sound and acted more as a vehicle for Reed to develop his songwriting craft. The group released two albums with this line up: 1969's The Velvet Underground and 1970's Loaded. The latter included two of the group's most commercially successful songs, "Rock and Roll" and "Sweet Jane". Reed left the Velvet Underground in August 1970; the band disintegrated as core members Sterling Morrison and Maureen Tucker departed in 1971 and 1972, respectively. Yule continued until early 1973, and the band released one more studio album, Squeeze, under the Velvet Underground name.

After the band's move to Atlantic Records' Cotillion label, their new manager pushed Reed to change the subject matter of his songs to lighter topics in hopes of commercial success. The band's album Loaded had taken more time to record than the previous three albums together, but had not broken the band through to a wider audience. Reed briefly retired to his parents' home on Long Island.

Solo career[link]

1970s[link]

After quitting the Velvet Underground in August 1970, Reed took a job at his father's tax accounting firm as a typist, by his own account earning $40 a week. A year later, however, he signed a recording contract with RCA and recorded his first solo album in London with top session musicians including Steve Howe and Rick Wakeman, members of the progressive rock group Yes. The album, simply titled Lou Reed, contained smoothly produced, re-recorded versions of unreleased Velvet Underground songs, some of which were originally recorded by the Velvets for Loaded but shelved (see the Peel Slowly and See box set). This first solo album was overlooked by most pop music critics (although Stephen Holden in Rolling Stone called it "almost perfect") and it did not sell in significant numbers.

In December 1972, Reed released Transformer. David Bowie and Mick Ronson co-produced the album and introduced Reed to a wider popular audience (specifically in the U.K.). The hit single "Walk on the Wild Side" was an ironic yet affectionate salute to the misfits, hustlers, and transvestites who once surrounded Andy Warhol. Each of the song's five verses poignantly describes an actual person who had been a fixture at The Factory during the mid-to-late 1960s: (1) Holly Woodlawn, (2) Candy Darling, (3) "Little Joe" Dallesandro, (4) "Sugar Plum Fairy" Joe Campbell and (5) Jackie Curtis. The song's cleverly transgressive lyrics evaded radio censorship. Though the jazzy arrangement (courtesy of bassist Herbie Flowers and saxophonist Ronnie Ross) was musically somewhat atypical for Reed, it eventually became his signature song. The song came about as a result of his commission to compose a soundtrack to a theatrical adaptation of Nelson Algren's novel of the same name, though the play failed to materialize. Ronson's arrangements brought out new aspects of Reed's songs. "Perfect Day," for example, features delicate strings and soaring dynamics. It was rediscovered in the 1990s and allowed Reed to drop "Walk on the Wild Side" from his concerts.

Though Transformer would prove to be Reed's commercial and critical pinnacle, there was no small amount of resentment in Reed devoted to the shadow the record cast over the rest of his career. An argument between Bowie and Reed ended their working relationship for several years, though its subject is not known. The two reconciled some years later, and Reed performed with Bowie at the latter's 50th birthday concert at Madison Square Garden in 1997. The two would not formally collaborate again until 2003's The Raven. Touring in support of Transformer posed the challenge of forming a band for the first time since joining the Velvets. Reed took the simple path of hiring an inexperienced bar band, the Tots. Their straightforward guitar sound suited the songs, and Reed spent much of 1972 and the winter of 1973 on the road with them. Though they improved over the months, criticism of their still-basic abilities ultimately led Reed to fire them mid-tour. He chose the creative young keyboardist Moogy Klingman to come up with a new five-member backing band on barely a week's notice. Thus the tour continued through the spring with a denser, bluesier and tighter sound that presaged the very successful live albums Reed would record with all different musicians in December.^[15]

Reed followed Transformer with the darker Berlin, which tells the story of two junkies in love in that city. The songs variously concern domestic abuse ("Caroline Says I," "Caroline Says II"), drug addiction ("How Do You Think It Feels"), adultery and prostitution ("The Kids"), and suicide ("The Bed"). Reed's late-1973 European tour, featuring dual lead guitarists Steve Hunter and Dick Wagner, mixed his Berlin material with older rockers.

After Berlin came two albums in 1974, Sally Can't Dance and a live record Rock 'n' Roll Animal, which contained performances of the Velvet Underground songs "Sweet Jane" and "Heroin". Rock 'n' Roll Animal became his biggest selling album, and its follow-up Lou Reed Live, recorded on the same occasions in December 1973, kept Reed in the public eye with strong sales after its release in early 1975.

As he had done with Berlin after Transformer, in 1975 Reed responded to commercial success with a commercial failure, a double album of electronically generated audio feedback, Metal Machine Music. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. But Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius," though also as psychologically disturbing. The album was reportedly returned to stores by the thousands after a few weeks.^[16] Though later admitting that the liner notes' list of instruments is fictitious and intended as parody, Reed maintains that MMM was and is a serious album. He has since stated though that at the time he had taken it seriously, he was also "very stoned".^{[citation needed]} In the 2000s it was adapted for orchestral performance by the German ensemble Zeitkratzer.

By contrast, 1975's Coney Island Baby was mainly a warm and mellow album, though for its characters Reed still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. While Rock and Roll Heart, his 1976 debut for his new record label Arista, fell short of expectations, Street Hassle (1978) was a return to form in the midst of the punk scene he had helped to inspire. But Reed was dismissive of punk and rejected any affiliation with it. "I'm too literate to be into punk rock . . . The whole CBGB's, new Max's thing that everyone's into and what's going on in London—you don't seriously think I'm responsible for what's mostly rubbish?"^[17] The Bells (1979) featured jazz musician Don Cherry, and was followed the next year by Growing Up in Public with guitarist Chuck Hammer. Around this period he also appeared as a sleazy record producer in Paul Simon's film One Trick Pony. Reed also played several unannounced one-off concerts in tiny downtown Manhattan clubs with the likes of Cale, Patti Smith, and David Byrne during this period.

1980s[link]

In 1980, Reed married British designer Sylvia Morales.^[18] They were divorced more than a decade later. While together, Morales inspired Reed to write several songs, particularly "Think It Over" from 1980's Growing Up in Public and "Heavenly Arms" from 1982's The Blue Mask.^{[citation needed]} After Legendary Hearts (1983) and New Sensations (1984) fared adequately on the charts, Reed was sufficiently reestablished as a public figure to become spokesman for Honda motorcycles.

In the early 1980s, Reed asked guitarist Robert Quine to join his group. Quine appeared on Reed's The Blue Mask (1982), acclaimed as one of Reed's best albums, and Legendary Hearts (1983). The two guitarists’ played both rhythm and lead guitar. Robert Quine eventually quit the group due to tensions with Reed. However, Reed persuaded Quine to rejoin for a world tour, with which he agreed to despite his aversion to touring, for financial reasons. Quine ended his musical relationship with Reed in 1985.

On September 22, 1985, Reed performed at the first Farm Aid concert in Champaign, Illinois. He performed "Doin' The Things That We Want To", "I Love You, Suzanne", "New Sensations" and "Walk on The Wild Side".

In 1986, he joined Amnesty International's A Conspiracy of Hope Tour and was outspoken about New York's political issues and personalities on the 1989 album New York, commenting on crime, AIDS, Jesse Jackson, Kurt Waldheim, and Pope John Paul II.

Following Warhol's death after routine surgery in 1987, Reed again collaborated with John Cale on the biographical Songs for Drella, Warhol's nickname. The album marked an end to a 22-year estrangement from Cale. On the album, Reed sings of his love for his late friend, but also criticizes both the doctors who were unable to save Warhol's life and Warhol's would-be assassin, Valerie Solanas.

1990s[link]

In 1990, following a twenty-year hiatus, the Velvet Underground reformed for a Fondation Cartier benefit in France. Reed released his sixteenth solo record, Magic and Loss, in 1992, an album about mortality, inspired by the death of two close friends from cancer. In 1993, the Velvet Underground again reunited and toured throughout Europe, although plans for a North American tour were cancelled following another falling out between Reed and Cale. In 1994, Reed appeared in A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend. This was a two-night concert at Carnegie Hall produced by Roger Daltrey in celebration of his fiftieth birthday. In 1994, a CD and a VHS video were issued, and in 1998 a DVD was released. Reed performed a radically rearranged version of "Now And Then" from Psychoderelict.

In 1996, the Velvet Underground were inducted into the Rock and Roll Hall of Fame. At the induction ceremony, Reed performed a song entitled "Last Night I Said Goodbye to My Friend" alongside former bandmates John Cale and Maureen Tucker, in dedication to Velvet Underground guitarist Sterling Morrison, who had died the previous August. Reed has since been nominated for the Rock Hall as a solo artist twice, in 2000 and 2001, but has not been inducted.^[19]

His 1996 album, Set the Twilight Reeling, met with a lukewarm reception, but 2000's Ecstasy drew praise from most critics, including Robert Christgau. In 1996, Reed contributed songs and music to Time Rocker, an avant-garde theatrical interpretation of H.G. Wells' The Time Machine staged by theater director Robert Wilson. The piece premiered in the Thalia Theater, Hamburg, Germany, and was later also shown at the Brooklyn Academy of Music in New York.^[20]

In 1998, the PBS TV show American Masters aired Timothy Greenfield-Sanders' feature documentary Lou Reed: Rock and Roll Heart. This film, which premiered at the Sundance Film Festival in the U.S. and at the Berlin Film Festival in Germany went on to screen at over 50 festivals worldwide. In 1999, the film and Reed as its subject received a Grammy Award for best long form music video.

Since the late 1990s, Reed has been romantically linked to the musician, multi-media and performance artist Laurie Anderson, and the two have collaborated on a number of recordings together. Anderson contributed to "Call On Me" from Reed's project The Raven, to the tracks "Baton Rouge" and "Rock Minuet" from Reed's Ecstasy, and to "Hang On To Your Emotions" from Reed's Set the Twilight Reeling. Reed contributed to "In Our Sleep" from Anderson's Bright Red and to "One Beautiful Evening" from her Life on a String. They married on April 12, 2008.^[21]

2000s[link]

Reed performing in Málaga, Spain, July 21, 2008.

2000 to 2003[link]

In May 2000, Reed performed before Pope John Paul II at the Great Jubilee Concert in Rome. In 2000, a new collaboration with Robert Wilson called "Poe-Try" was staged at the Thalia Theater in Germany. As with the previous collaboration "Time Rocker," "Poe-Try" was also inspired by the works of a 19th century writer: Edgar Allan Poe. Reed became interested in Poe after producer and long-time friend Hal Willner suggested he read some of Poe's text at a Halloween benefit he was curating at St. Ann's Episcopal Church in Brooklyn.^[22] For this new collaboration, Reed reworked and even rewrote some of Poe's text as well as included some new songs based on the theme explored in the texts. In 2001, Reed made a cameo appearance in the movie adaptation of Prozac Nation. On October 6, 2001, the New York Times published a Reed poem called Laurie Sadly Listening in which he reflects upon the 9/11 terrorist attacks.^[23]

Incorrect reports of Reed's death were broadcast by numerous U.S. radio stations in 2001, caused by a hoax email (purporting to be from Reuters) which said he had died of a drug overdose. In 2003, he released a 2-CD set, The Raven, based on "Poe-Try." Besides Reed and his band, the album featured a wide range of actors and musicians including singers David Bowie, Laurie Anderson, Kate and Anna McGarrigle, The Blind Boys of Alabama and Antony Hegarty, saxophonist and long-time idol Ornette Coleman, and actors Elizabeth Ashley, Christopher Walken, Steve Buscemi, Willem Dafoe, Amanda Plummer, Fisher Stevens and Kate Valk. The album consisted of songs written by Reed and spoken-word performances of reworked and rewritten texts of Edgar Allan Poe by the actors, set to electronic music composed by Reed. At the same time a single disc CD version of the albums, focusing on the music, was also released.

A few months after the release of The Raven, a new 2-CD Best Of-set was released, entitled NYC Man (The Ultimate Collection 1967-2003), which featured an unreleased version of the song "Who am I" and a selection of career spanning tracks that had been selected, remastered and sequenced under Reed's supervision. In April 2003, Reed embarked on a new world tour supporting both new and released material, with a band including cellist Jane Scarpantoni and singer Antony Hegarty. During some of the concerts for this tour, the band was joined by Master Ren Guangyi, Reed's personal T'ai Chi instructor, performing T'ai Chi movements to the music on stage. This tour was documented in the 2004 double-disc live album Animal Serenade, recorded live at The Wiltern in Los Angeles.

In 2003, Reed released his first book of photographs, Emotions in Action. This work actually was made up out of two books, a larger A4-paper sized called Emotions and a smaller one called Actions which was laid into the hard cover of the former. After Hours: a Tribute to the Music of Lou Reed was released by Wampus Multimedia in 2003.