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- 72nd Street
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72nd Street
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Alexander Island
Alexander Island or Alexander I Island or Alexander I Land or Alexander Land is the largest island of Antarctica, with an area of lying in the Bellingshausen Sea west of the base of the Antarctic Peninsula, from which it is separated by Marguerite Bay and George VI Sound. Alexander Island lies off the coast of Antarctica and is linked to it by the George VI Ice Shelf. The island partly surrounds Wilkins Sound, which lies to its west. Alexander Island is about long in a north-south direction, wide in the north, and wide in the south. Features of the island include the Sofia University Mountains and Lake Hodgson.
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Beethoven Peninsula
The Beethoven Peninsula is deeply indented, ice-covered peninsula, long in a northeast-southwest direction and wide at its broadest part, forming the southwest part of Alexander Island, which lies off the southwestern portion of the Antarctic Peninsula. The Mendelssohn Inlet, the Brahms Inlet and the Verdi Inlet apparently intrude into it. The Bach Ice Shelf, Rossini Point and Berlioz Point are some distance away, on the Ronne Entrance from the Southern Ocean.
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Broadway (New York)
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Busseto
Busseto is a comune in the province of Parma, in Emilia-Romagna in Northern Italy. It became the home of the opera composer Giuseppe Verdi when he moved there in 1824.
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Cimitero Monumentale
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Gresham College
Gresham College is an institution of higher learning located at Barnard's Inn Hall off Holborn in central London, England. it enrols no students and grants no degrees; instead, its eight appointed professors—of
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Italy
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La Scala
La Scala (), is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala (). The premiere performance was Antonio Salieri's Europa riconosciuta. Today the theatre is recognized as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala Theatre Ballet and La Scala Theatre Orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (), which offers professional training in music, dance, stage craft and stage management.
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Le Roncole
Le Roncole, or Roncole Verdi, is a village in the province of Parma (Emilia-Romagna region) of Italy, a frazione of the comune of Busseto. It is located c. 140 km southeast of Milan. Today Le Roncole is called Roncole Verdi, named after the composer Giuseppe Verdi who was born there on either the 9 or 10 October, 1813. He remained in the area his entire life and wrote in 1863: "I was, am and always will be a peasant from Roncole."
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Manhattan
Manhattan is one of the five boroughs of New York City. Located primarily on Manhattan Island at the mouth of the Hudson River, the boundaries of the borough are identical to those of New York County, an original county of the state of New York. It consists of Manhattan Island and several small adjacent islands: Roosevelt Island, Randall's Island, Wards Island, Governors Island, Liberty Island, part of Ellis Island, and U Thant Island; as well as Marble Hill, a small section on the mainland adjacent to the Bronx. The original city of New York began at the southern end of Manhattan, and expanded in 1898 to include surrounding counties. It is the smallest, yet most urbanized of the five boroughs.
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Milan
Milan (, ; Western Lombard: Milan, ) is a city in Italy and the capital of the region of Lombardy and of the province of Milan. The city proper has a population of about 1,310,000, while the urban area is the first in Italy and the fifth largest in the European Union with a population of 4,345,000 over an area of . The Milan metropolitan area, by far the largest in Italy, is estimated by the OECD to have a population of 7,400,000.
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Palermo, Italy
http://wn.com/Palermo_Italy -
Parma
Parma is a city in the Italian region of Emilia-Romagna famous for its ham, its cheese, its architecture and the fine countryside around it. It is the home of the University of Parma, one of the oldest universities in the world.
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Piacenza
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Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in the London district of Covent Garden. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.
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Saint Petersburg
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Suez Canal
The Suez Canal is an artificial sea-level waterway in Egypt, connecting the Mediterranean Sea and the Red Sea. Opened in November 1869, it allows water transportation between Europe and Asia without navigating around Africa. The northern terminus is Port Said and the southern terminus is Port Tawfik at the city of Suez. Ismailia lies on its west bank, north of the half-way point.
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Taro (département)
http://wn.com/Taro_(département) -
Villa Verdi
Villa Verdi is the house which the famous opera composer Giuseppe Verdi owned from 1848 to the end of his life in 1901. It
http://wn.com/Villa_Verdi -
Villanova sull'Arda
http://wn.com/Villanova_sull'Arda
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Adam Müller
http://wn.com/Adam_Müller -
Adam Oehlenschläger
http://wn.com/Adam_Oehlenschläger -
Adolphe Adam
http://wn.com/Adolphe_Adam -
Alessandro Manzoni
http://wn.com/Alessandro_Manzoni -
Alexander Pushkin
http://wn.com/Alexander_Pushkin -
Alexandre Herculano
http://wn.com/Alexandre_Herculano -
Almeida Garrett
http://wn.com/Almeida_Garrett -
Aloysius Bertrand
http://wn.com/Aloysius_Bertrand -
Antoine Wiertz
http://wn.com/Antoine_Wiertz -
Anton Reicha
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Antoni Malczewski
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Antonio Scotti
Antonio Scotti (January 25, 1866 - February 26, 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 33 seasons, but also sang with great success at London's Royal Opera House, Covent Garden, and Milan's La Scala.
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Arrigo Boito
Arrigo Boito (24 February 184210 June 1918), aka Enrico Giuseppe Giovanni Boito, pseudonym Tobia Gorrio, was an Italian poet, journalist, novelist and composer, best known today for his libretti, especially those for Giuseppe Verdi's operas Otello and Falstaff, and his own opera Mefistofele.
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Arturo Toscanini
Arturo Toscanini (; March 25, 1867 – January 16, 1957) was an Italian conductor. One of the most acclaimed musicians of the late 19th century and 20th century, he was renowned for his brilliant intensity, his restless perfectionism, his phenomenal ear for orchestral detail and sonority, and his photographic memory. As music director of the NBC Symphony Orchestra he became a household name through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. He is widely considered to have been one of the greatest conductors of the 20th century.
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Bedřich Smetana
http://wn.com/Bedřich_Smetana -
Bessie Abott
Bessie Abott (1878 - February 9, 1919) was an American opera singer.
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Bettina von Arnim
Bettina von Arnim (the Countess of Arnim) (4 April 1785, Frankfurt am Main – 20 January 1859, Berlin), born Elisabeth Catharina Ludovica Magdalena Brentano, was a German writer and novelist.
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Brothers Grimm
The Brothers Grimm ( or '), Jacob (4 January 1785 – 20 September 1863) and Wilhelm Grimm''' (24 February 1786 – 16 December 1859), were German academics best known for publishing collections of folk tales and fairy tales, which became popular. Jacob also did academic work in linguistics, related to how the sounds in words shift over time (Grimm's law), and together they wrote a German dictionary.
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Burt Lancaster
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Carl Maria von Weber
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Charles Gounod
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Clara Maffei
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Clara Schumann
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Clemens Brentano
Clemens Brentano, or Klemens Brentano (September 9, 1778 – July 28, 1842) was a German poet and novelist.
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César Franck
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Daniel Auber
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E. T. A. Hoffmann
Ernst Theodor Wilhelm Hoffmann (January 24, 1776 – June 25, 1822), better known by his pen name E.T.A. Hoffmann (Ernst Theodor Amadeus Hoffmann), was a German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist. He is the subject and hero of Jacques Offenbach's famous but fictional opera The Tales of Hoffmann, and the author of the novelette The Nutcracker and the Mouse King, on which the famous ballet The Nutcracker is based. The ballet Coppelia is based on two other stories that Hoffmann wrote. Also Schumann's Kreisleriana is based on one of Hoffmann's characters.
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Edgar Allan Poe
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Emanuel Leutze
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Enrico Caruso
Enrico Caruso (February 25, 1873 – August 2, 1921) was an Italian tenor. He sang to great acclaim at the major opera houses of Europe and North and South America. Caruso also made approximately 290 commercial recordings of his voice, beginning as early as 1902 in Italy and continuing from 1904 until 1920 in the United States. All of his known surviving recordings are available today on remastered CDs.
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (3 February 18094 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
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France Prešeren
http://wn.com/France_Prešeren -
Francesco Hayez
http://wn.com/Francesco_Hayez -
Francisco Goya
http://wn.com/Francisco_Goya -
Franco Faccio
Franco Faccio (March 8, 1840 – July 21, 1891) was an Italian composer and conductor.
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Franz Berwald
Franz Adolf Berwald (July 23, 1796, Stockholm April 3, 1868) was a Swedish Romantic composer who was generally ignored during his lifetime. Due to this, he was forced to make his living as an orthopedic surgeon and later as the manager of a saw mill and glass factory.
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Franz Liszt
Franz Liszt (, from 1859 to 1867 officially Franz Ritter von Liszt) (October 22, 1811July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher.
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Franz Schubert
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Frieda Hempel
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Friedrich Schiller
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Fromental Halévy
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Frédéric Chopin
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer from Bergamo, Lombardy. Donizetti's most famous work is Lucia di Lammermoor (1835), although arguably his most immediately recognizable piece of music is the aria "Una furtiva lagrima" from ''L'elisir d'amore (1832). Along with Vincenzo Bellini and Gioachino Rossini, he was a leading composer of bel canto'' opera.
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Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 1774 – 24 January 1851) was an Italian opera composer and conductor, extremely celebrated in his time, though largely forgotten after his death.
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Germaine de Staël
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Giacomo Leopardi
Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi (June 29, 1798 – June 14, 1837) was an Italian poet, essayist, philosopher, and philologist. Although he lived in a secluded town in ultra-conservative Stato della Chiesa, he came in touch with the main thoughts of Enlightenment, and, by his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic movement, which makes him one of the greatest poets of modern Italy.
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Giacomo Meyerbeer
Giacomo Meyerbeer (5 September 1791 – 2 May 1864) was a noted German-born opera composer, and the first great exponent of Grand Opera. At his peak in the 1830s and 1840s, he was the most famous and successful composer and producer of opera in Europe, yet is little known today.
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Giacomo Puccini
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Gioachino Rossini
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Giovanni Boldini
Giovanni Boldini (31 December 1842 – 11 July 1931) was an Italian genre and portrait painter, belonging to the School Of Paris. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting.
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Giulio Ricordi
Giulio Ricordi (December 19, 1840 - June 6, 1912) was an Italian editor and musician.
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Giuseppe de Luca
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Giuseppe Verdi
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Gonçalves Dias
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Hans Gude
Hans Fredrik Gude (March 13, 1825 – August 17, 1903) was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism.
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Hector Berlioz
Hector Berlioz (December 11, 1803 – March 8, 1869) was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts (Requiem). Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a conductor, he performed several concerts with more than 1,000 musicians. He also composed around 50 songs.
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Heinrich Heine
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Heinrich Marschner
http://wn.com/Heinrich_Marschner -
Heinrich von Kleist
Bernd Heinrich Wilhelm von Kleist (18 October 1777 – 21 November 1811) was a poet, dramatist, novelist and short story writer. The Kleist Prize, a prestigious prize for German literature, is named after him.
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Henry Fuseli
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Hercule Poirot
Hercule Poirot (; ) is a fictional Belgian detective, created by Agatha Christie. Along with Miss Marple, Poirot is one of Christie's most famous and long-lived characters, appearing in 33 novels and 51 short stories that were published between 1920 and 1975 and set in the same era.
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Ignaz Moscheles
(Isaac) Ignaz Moscheles (23 May 1794 – 10 March 1870) was a Bohemian composer and piano virtuoso, whose career after his early years was based initially in London, and later at Leipzig, where he succeeded his friend and sometime pupil Felix Mendelssohn as head of the Conservatoire.
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J. M. W. Turner
http://wn.com/J_M_W_Turner -
Jan Václav Voříšek
http://wn.com/Jan_Václav_Voříšek -
Jean Paul
http://wn.com/Jean_Paul -
Johan Christian Dahl
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John Clare
http://wn.com/John_Clare -
John Constable
http://wn.com/John_Constable -
John Keats
http://wn.com/John_Keats -
José de Espronceda
http://wn.com/José_de_Espronceda -
José Zorrilla
http://wn.com/José_Zorrilla -
Julian Budden
http://wn.com/Julian_Budden -
Juliusz Słowacki
http://wn.com/Juliusz_Słowacki -
Karel Hynek Mácha
http://wn.com/Karel_Hynek_Mácha -
Karl Bryullov
http://wn.com/Karl_Bryullov -
Lord Byron
http://wn.com/Lord_Byron -
Lorenzo Ferrero
Lorenzo Ferrero (born 1951) is a contemporary Italian composer with a predilection for opera, a librettist, author, and book editor. He started composing at an early age and wrote over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language.
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Louis Niedermeyer
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Louise Bertin
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Louise Homer
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Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (2 November 1906 - 17 March 1976) was an Italian theatre, opera and cinema director, as well as a screenwriter. He is best known for his films The Leopard (1963) and Death in Venice (1971). There is a museum dedicated to the director's work in Ischia.
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Lucrezia Bori
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Ludwig Uhland
Johann Ludwig Uhland (26 April 1787 – 13 November 1862), was a German poet, philologist and literary historian.
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Ludwig van Beethoven
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Léon Rothier
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Marie Rappold
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Mikhail Glinka
Mikhail Ivanovich Glinka () (), was the first Russian composer to gain wide recognition inside his own country, and is often regarded as the father of Russian classical music. Glinka's compositions were an important influence on future Russian composers, notably the members of The Five, who took Glinka's lead and produced a distinctive Russian style of music.
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Mikhail Lermontov
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Nathaniel Hawthorne
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Niccolò Paganini
http://wn.com/Niccolò_Paganini -
Nikolay Karamzin
http://wn.com/Nikolay_Karamzin -
Novalis
http://wn.com/Novalis -
Philipp Otto Runge
http://wn.com/Philipp_Otto_Runge -
Piotr Michałowski
http://wn.com/Piotr_Michałowski -
Pope Pius IX
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Ralph Waldo Emerson
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Richard Wagner
Wilhelm Richard Wagner (, ; 22 May 1813 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the "Ride of the Valkyries" and the Bridal Chorus from Lohengrin, popularly known as the wedding march "Here Comes the Bride".
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Robert Schumann
Robert Schumann, sometimes known as Robert Alexander Schumann, (8 June 181029 July 1856) was a German composer, aesthete and influential music critic.
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Roger Parker
Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist, and is currently Thurston Dart Professor of Music at King's College London.
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Samuel Palmer
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Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas.
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Sigismond Thalberg
Sigismond Thalberg (January 8, 1812 – April 27, 1871) was a composer and one of the most distinguished virtuoso pianists of the 19th century.
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Stendhal
http://wn.com/Stendhal -
Taras Shevchenko
Taras Hryhorovych Shevchenko () ( – ) was a Ukrainian poet, artist and humanist. His literary heritage is regarded to be the foundation of modern Ukrainian literature and, to a large extent, the modern Ukrainian language. Shevchenko also wrote in Russian and left many masterpieces as a painter and an illustrator.
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Théodore Géricault
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Théophile Gautier
http://wn.com/Théophile_Gautier -
Titta Ruffo
Titta Ruffo (June 9, 1877 - July 5, 1953), was an Italian opera singer. Known as the "Voce del leone" ("voice of the lion"), he was greatly admired even by his rival baritones, such as Giuseppe De Luca, who said of Ruffo: "His was not a voice, it was a miracle;" (although not often published is the second part of De Luca's conclusion "...which he [Ruffo] bawled away..."), and Victor Maurel, the creator of Verdi's Iago and Falstaff. Maurel said that the notes of Ruffo's upper register were the most glorious baritone sounds he had ever heard.
http://wn.com/Titta_Ruffo -
Ugo Foscolo
http://wn.com/Ugo_Foscolo -
Umberto I of Italy
http://wn.com/Umberto_I_of_Italy -
Vasily Zhukovsky
http://wn.com/Vasily_Zhukovsky -
Victor Borge
http://wn.com/Victor_Borge -
Victor Emanuel II
http://wn.com/Victor_Emanuel_II -
Victor Hugo
http://wn.com/Victor_Hugo -
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was an Italian opera composer. His most famous works are La sonnambula (1831), Norma (1831) and I puritani (1835). Known for his long flowing melodic lines for which he was named "the Swan of Catania", Bellini was the quintessential composer of Bel canto opera.
http://wn.com/Vincenzo_Bellini -
Walter Scott
http://wn.com/Walter_Scott -
Washington Irving
http://wn.com/Washington_Irving -
William Blake
http://wn.com/William_Blake -
William Shakespeare
William Shakespeare (baptised 26 April 1564; died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
http://wn.com/William_Shakespeare -
William Wordsworth
http://wn.com/William_Wordsworth -
Zygmunt Krasiński
http://wn.com/Zygmunt_Krasiński -
Étienne Méhul
http://wn.com/Étienne_Méhul
Verdi, Will Filmography
Verdi Filmography
RELEASE
ALBUMS
- Otello, Act III Scene 7: Ballabile
- Macbeth (excerpts): Act III Scene 1: Ballo I
- Macbeth (excerpts): Act III Scene 1: Ballo II
- Macbeth (excerpts): Act III Scene 1: Ballo III
- Jerusalem: Act III Scene 1: Pas de quatre
- Jerusalem: Act III Scene 1: Pas de deux
- Jerusalem: Act III Scene 1: Pas de solo
- Jerusalem: Act III Scene 1: Pas d'ensemble
- Don Carlo, Act III Scene 2: Ballo della regina, "La Peregrina"
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Messa da Requiem (Chicago Symphony Orchestra and Chorus feat. conductor: Riccardo Muti)
Released 2010
Released 2010
- Requiem and Kyrie
- Dies Irae
- Tuba Mirum
- Mors Stupebit
- Liber Scriptus
- Quid Sum Miser
- Rex Tremendae
- Recordare
- Ingemisco
- Confutatis
- Lacrimosa
- La Traviata: Ato I. Prelude
- La Traviata: Ato I. Brindisi "Libiamo Ne'lieti Calici" (Alfredo, Coro, Violetta)
- La Traviata: Ato I. "Un Di, Felice, Eterea" (Alfredo, Violetta)
- La Traviata: Ato I. "E'Strano! E'Strano!" (Violetta)
- La Traviata: Ato I. "Follie!... Sempre Libera Degg'io" (Violetta)
- La Traviata: Ato II, Cena I. "Lunge da Lei per Me" (Alfredo)
- La Traviata: Ato II, Cena I. "O Mio Rimorso!" (Alfredo)
- La Traviata: Ato II, Cena I. "Pura Si Come un Angelo" - "Dite alla Giovine" (Germont, Violetta)
- La Traviata: Ato II, Cena I. "Dammi Tu Forza, o Cielo!" (Violetta, Annina, Alfredo)
- La Traviata: Ato II, Cena I. "Di Provenza il Mar, il Suol" (Germont)
- La Traviata: Ato II, Cena II. "Noi Siamo Zingarelle" (Coro, Flora, Marchese)
- La Traviata: Ato III. Prelude
- La Traviata: Ato III. "Teneste la Promessa" (Violetta)
- La Traviata: Ato III. "Signora!... Che T'accade?" - "Parigi, o Cara" (Annina, Violetta, Alfredo)
- La Traviata: Ato III. "Ah, Violetta!... Voi, Signor!" - "E'Strano!... Che!" (Germont, Violetta, Alfredo, Dottore, Annina, coro)
- Messa Da Requiem, Requiem: Requiem
- Messa Da Requiem, Requiem: Kyrie Eleison
- Messa Da Requiem, Sequenza: Dies Irae
- Messa Da Requiem, Sequenza: Tuba Mirum
- Messa Da Requiem, Sequenza: Mors Stupebit
- Messa Da Requiem, Sequenza: Liber Scriptus - Dies Irae
- Messa Da Requiem, Sequenza: Quid Sum Miser
- Messa Da Requiem, Sequenza: Rex Tremendae
- Messa Da Requiem, Sequenza: Recordare
- Messa Da Requiem, Sequenza: Ingemisco
- Messa Da Requiem, Sequenza: Confutatis - Dies Irae
- Messa Da Requiem, Sequenza: Lacrymosa
- La Traviata: Act II, Scene 2, Finale II. "Avrem lieta di maschere la notte" (Flora)
- La Traviata: Act II, Scene 2, Finale II. "Noi siamo zingarelle" (Zingarelle)
- La Traviata: Act II, Scene 2, Finale II. "Di Madride noi siam mattadori" (Gastone e Mattadori)
- La Traviata: Act II, Scene 2, Finale II. "Alfredo! Voi!" (Tutti)
- La Traviata: Act II, Scene 2, Finale II. "Invitato a qui seguirmi" (Violetta)
- La Traviata: Act II, Scene 2, Finale II. "Ogni suo aver tal femmina" (Alfredo)
- La Traviata: Act II, Scene 2, Finale II. "Di sprezzo degno se stesso rende" (Germont)
- La Traviata: Act II, Scene 2, Finale II. "Alfredo, Alfredo, di questo core" (Violetta)
- La Traviata: Act III, Preludio.
- La Traviata: Act III, Scena ed Aria Violetta. "Annina?" - "Commandate?" (Violetta, Annina)
- La Traviata: Act III, Scena ed Aria Violetta. "Teneste la promessa .. Attendo, né a me giungon mai ... Addio del passato" (Violetta)
- La Traviata: Act III, Baccanale. "Largo al quadrupede" (Coro di Maschere)
- La Traviata: Act III, Scena ed Duetto Violetta/Alfredo. "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo" (Annina, Violetta, Alfredo)
- La Traviata: Act III, Scena ed Duetto Violetta/Alfredo. "Ah, non più ... Ah! Gran Doi! Morir si giovne" (Violetta)
- La Traviata: Act III, Finale ultimo. "Ah, Violetta?" - "Voi? Signor?" (Garmont, Violetta)
- La Traviata: Act III, Finale ultimo. "Prendi, quest'è l'immagine" (Violetta)
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Otello (Wiener Philharmoniker feat. conductor: Herbert von Karajan)
Released 2008
Released 2008
- Otello: Act III "La vedetta del porto ha segnalato"
- Otello: Act III "Continua - Qui trarro cassio e con astute"
- Otello: Act III "Dio ti giocondi, o sposo dell'alma"
- Otello: Act III "Esterrefatta fisso lo sguardo tuo tremendo"
- Otello: Act III "Dio! Mi potevi scagliar tutti i mali"
- Otello: Act III "Cassio e la! - La cielo! Oh, gioia!"
- Otello: Act III "Vieni; l'aula e deserta"
- Otello: Act III "...e intanto, giacche non si stanca mai"
- Otello: Act III "Quest'e il segnale che annuncia"
- Otello: Act III "Ballabile" (Ballet Music)
- Otello: Act III "Viva! Evviva!"
- Otello: Act III "Il doge ed il senato salutano l'eroe"
- Otello: Act III "Messere, son lieto di vedervi"
- Otello: Act III "A terra! ...si ...nel livido fango"
- Otello: Act III "Quell' innocente un fremito"
- Otello: Act III "Fuggite! - Ciel!"
- Otello: Act IV "Era piu calmo?"
- Otello: Act IV "Mia madre aveva una povera ancella"
- Otello: Act IV "Piangea cantado nell'erma landa"
- Otello: Act IV "Ave Maria, piena di grazia, eletta"
- Otello: Act IV "Chi è là? Otello?"
- Otello: Act IV "Diceste questa sera le vostre preci?"
- Otello: Act IV "Aprite! Aprite! - Chi è là ?"
- Otello: Act IV "Nium mi tema se anco armato mi vede"
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Il Trovatore (National Philharmonic Orchestra feat. conductor: Richard Bonynge, tenor: Luciano Pavarotti, soprano: Joan Sutherland, mezzo-soprano: Marilyn Horne) (disc 3)
Released 2007
Released 2007
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Rigoletto (Coro del Teatro dell'Opera Roma & Orchestra del Teatro dell'Opera Roma feat. conductor: Francesco Molinari Pradelli) (disc 1)
Released 2007
Released 2007
- Rigoletto: Act I, Prelude
- Rigoletto: Act I, Scene 1. "Della mia bella incognita borghese"
- Rigoletto: Act I, Scene 1. "Questa o quella per me pari sono'"
- Rigoletto: Act I, Scene 1. "Partite? Crudele!"
- Rigoletto: Act I, Scene 1. "Gran nuova!"
- Rigoletto: Act I, Scene 1. "Ch'io gli parli"
- Rigoletto: Act I, Scene 2. "Quel vecchio male divami!"
- Rigoletto: Act I, Scene 2. "Pari siamo!"
- Rigoletto: Act I, Scene 2. "Figlia! Mio padre!"
- Rigoletto: Act I, Scene 2. "Ah! Veglia o donna questo fiore"
- Rigoletto: Act I, Scene 2. "Giovanna ho dei rimorsi"
- Rigoletto: Act I, Scene 2. "E il sol dell'anima"
- Rigoletto: Act I, Scene 2. "Che m'ami deh ripetimi"
- Rigoletto: Act I, Scene 2. "Gualtier Malde!... Caro Nome"
- Rigoletto: Act I, Scene 2. "Riedo! Perche?"
- Rigoletto: Act I, Scene 2. "Zitti, zitti"
- La traviata: Prelude to Act I
- La traviata: Libiamo(Brindisi)
- Nabucco: Chorus of Hebrew Slaves
- Rigoletto: Caro nome
- Rigoletto: La donna è mobile
- La traviata: Ah, fors' è lui ... Sempre libera
- La traviata: Di provensa il mar
- Il trovatore: Anvil chorus
- Un ballo in maschera: Di' tu se fedele
- La forza del destino: Rataplan
- La forza del destino: Pace, pace, mio Dio!
- Don Carlo: O don fatale
- Otello: Ave Maria
- Aida: Celeste Aida
- Aida: Ritorna vincitor!
- Aida: Triumphal chorus & Grand march
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Falstaff (Los Angeles Philharmonic feat. conductor: Carlo Maria Giulini)
Released 2007
Released 2007
- Atto I - Part 1 Falstaff! Ola!
- Atto I - Part 1 Sei polli; sei scellini... So che andiam, la notte
- Atto I - Part 1 Ma e tempo d'assottigliar l'ingegno..V'e noto un tal,qui del paese
- Atto I - Part 1 L'Onore! Ladri!
- Atto I - Part 2 Alice. Meg. Nannetta
- Atto I - Part 2 Fulgida Alice! amor t'offro ... Quell'otre! quel tino!
- Atto I - Part 2 In due parole
- Atto I - Part 2 Pst,pst, Nanetta..Labbra di foco!
- Atto I - Part 2 Undrai quanta egli sfoggia
- Atto II - Part 1 Siam pentiti e contriti..Reverenza!
- Atto II - Part 1 Alice e mia!...Va,vecchio John
- Atto II - Part 1 Signore,v'assista il cielo!
- Atto II - Part 1 C'e a Windsor una dama
- Atto II - Part 1 E sogno? o realta
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Verdi: Aida (Orchestra and Chorus of La Scala, Milan feat. conductor: Tullio Serafin, soprano: Maria Callas, tenor: Richard Tucker, mezzo-soprano: Fedora Barbieri, baritone: Tito Gobbi, bass: Giuseppe Modesti)
Released 2007
Released 2007
- Aida: Prelude
- Aida: Act I, Scene I. Si. corre voce che l'Etiope
- Aida: Act I, Scene I. Se quel guerrier io fossi!... Celeste Aida
- Aida: Act I, Scene I. Quale insolita gioia nel tuo sguardo!
- Aida: Act I, Scene I. Alta cagion v'aduna, o fidi egizii
- Aida: Act I, Scene I. Su! del Nilo al sacro lido
- Aida: Act I, Scene I. Ritorna vincitor!
- Aida: Act I, Scene II. Possente, possente Ftha
- Aida: Act I, Scene II. Mortal, diletto ai numi
- Aida: Act II, Scene I. Chi mai fra gl'inni e i plausi
- Aida: Act II, Scene I. Fu la sorte dell'armi
- Aida: Act II, Scene I. Su! del Nilo al sacro lido
- Aida: Act II, Scene II. Gloria all'Egitto, ad Iside
- Aida: Act II, Scene II. Triumphal March
- Aida: Act II, Scene II. Vieni, o guerriero, vindice
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Verdi: Rigoletto (Orchestra and Chorus of La Scala, Milan feat. conductor: Tullio Serafin, baritone; Tito Gobbi, soprano: Maria Callas, tenor: Giuseppe Di Stefano, bass: Nicola Zaccaria, contralto: Adriana Lazzarini)
Released 2007
Released 2007
- Rigoletto: Act I. Prelude
- Rigoletto: Act I, Scene I. Della mia bella incognita borghese
- Rigoletto: Act I, Scene I. Ballata: Questa o quella
- Rigoletto: Act I, Scene I. Gran nuova!
- Rigoletto: Act I, Scene I. Ch'io gli parli
- Rigoletto: Act I, Scene II. Quel vecchio maledivami!
- Rigoletto: Act I, Scene II. Pari siamo!
- Rigoletto: Act I, Scene II. Figlia! … Mio padre!
- Rigoletto: Act I, Scene II. Ah! Veglia, o donna
- Rigoletto: Act I, Scene II. Giovanna, ho dei rimorsi
- Rigoletto: Act I, Scene II. E il sol dell'anima
- Rigoletto: Act I, Scene II. Gualtier Malde … Caro nome
- Rigoletto: Act I, Scene II. Riedo! perche?
- Rigoletto: Act I, Scene II. Zitti, zitti
- La Traviata Act 1: E Strano! E Strano!...Ah Forse e Lui...Sempre Libera
- La Traviata Act 2: Pura Siccome Un Angelo...Bella Voi Siete...Dite A La Giovine...Morro! Morro!
- Rigoletto Act 1: Gualtier Malde...Caro Nome
- Rigoletto Act 2: Cortigiani, Vil Razza...Tutte Le Feste...Piangi Piangi...Si Vendetta
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La Traviata (Highlights) (Tokyo Philharmonic Orchestra and Fujiwara Opera Chorus feat. conductor: Roberto Paternostro)
Released 2007
Released 2007
- Preludio
- Atto primo, Brindisi: "Libiamo ne' lieti calci"
- Atto primo, Scena ed Aria: "È strano!"
- Atto secondo, Scena ed Aria: "Lunge da lei...." - "De'miei bollenti spiriti"
- Atto secondo, Scena ed Aria: "Annina, donde vieni?... O mio rimoso!"
- Atto secondo, Duetto: "Dite alla giovine"
- Atto secondo, Aria: "Di Provenza il mar, il suol"
- Atto secondo, Coro: "Noi siamo zingarelle"
- Atto secondo, Coro: "Di Madride noi siam mattadori"
- Atto secondo, Finale secondo: "Di sprezzo degno"
- Atto terzo, Preludio
- Atto terzo, Aria: "Teneste la promessa"
- Atto terzo, Duetto: "Parigi, o cara"
- Atto terzo, Finale ultimo: "Ah! Violetta!... "Voi, Signor!"
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Il trovatore (Coro e Orchestra del Teatro alla Scala feat. conductor: Tullio Serafin)
Released 2006
Released 2006
- Il trovatore: Atto I. "All'erta! All'erta!"
- Il trovatore: Atto I. "Di due figli vivea padre beato... Abbietta zingara" - "Sull'orlo dei tetti"
- Il trovatore: Atto I. "Che più t'arresti?"
- Il trovatore: Atto I. "Tacea la notte placida... Di tale amor"
- Il trovatore: Atto I. "Tace la notte!"
- Il trovatore: Atto I. "Deserto sulla terra"
- Il trovatore: Atto I. "Non m'inganno. Ella scende!..." - "Dei geloso amor"
- Il trovatore: Atto II. "Vedi! Le fosche notturne spoglie"
- Il trovatore: Atto II. "Stride la vampa!"
- Il trovatore: Atto II. "Mesta è la tua canzon!"
- Il trovatore: Atto II. "Soli or siam!"
- Il trovatore: Atto II. "Condotta ell'era in ceppi"
- Il trovatore: Atto II. "Non son tuo figlio?"
- Il trovatore: Atto II. "Mal reggendo all'aspro assalto"
- Il trovatore: Atto II. "Tutto è deserto"
- Il trovatore: Atto II. "Il balen del suo sorriso... Per me, ora fatale"
- Il trovatore: Atto II. "Ah! se l'error t'ingombra"
- Il trovatore: Atto II. "Perchè piangete?"
- Il trovatore: Atto II. "E deggio, e posso crederlo?"
- Preludio: Atto Primo
- Introduzione: Si Corre Voce (Ramfis)
- Se Quel Guerrier Io Fossi (Ramades)
- Celeste Aida (Aida)
- Di Quale Insolita Gioia (Amneris / Radames)
- Scena e Pezzo D'Assieme
- Su! Del Nilo (II RE)
- Ritorna vincitor! (Aida)
- Possente, Possente Fthà (Coro)
- Danza Sacra Delle Sacerdotesse
- Mortal Diletto Ai Numi (Ramfis)
- Nume, Custode E Vindici (Ramfis)
- Introduzione (Ramfis) Atto Secondo
- Ah! Vieni Vieni (Amneris)
- Danza Di Piccoli Schiavi Mori
- Fu La Sorte (Amneris)
- Gloria All'egitto (Coro)
- Fanfare (Trompettes)
- Ballabile (Ballet)
- Vieni O Guerriero Vindice (Coro)
- Savator Della Patria
- Quest'Assisa Ch'io Vesto (Amonasro)
- Re: Pei Sacri Numi (Radames)
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Otello (Chor & Symphonieorchester des Bayerischen Rundfunks, mit Dirigent: Eugen Jochum, Hopf, Kupper, Frantz)
Released 2006
Released 2006
- Otello: 1. Akt, "Seht das Segel! Die Galeere!" (Chor)
- Otello: 1. Akt, "Freut euch alle!" (Otello)
- Otello: 1. Akt, "Rodrigo, nun sag', was meinst du?" (Jago)
- Otello: 1. Akt, "Feuer der Freude" (Chor)
- Otello: 1. Akt, "Lass' uns trinken nun, Freund!" (Jago)
- Otello: 1. Akt, "O komm', mein liebes Becherlein!" (Jago)
- Otello: 1. Akt, "Hinweg mit den Schwertern!" (Otello)
- Otello: 1. Akt, "Nun in der nächt'gen Stille" (Otello)
- Otello: 1. Akt, "Wenn du erzählt" (Desdemona)
- Otello: 2. Akt, "Gräme dich nicht" (Jago)
- Otello: 2. Akt, "Geh nur!" (Jago)
- Otello: 2. Akt, "Ich glaube an einen Gott" (Jago)
- Otello: 2. Akt, "Sie ist da!" (Jago)
- Otello: 2. Akt, "Mir gefällt's nicht" (Jago)
- Otello: 2. Akt, "O Not und Jammer!" (Otello)
- Otello: 2. Akt, "Von einem Manne" (Desdemona)
- Otello: 2. Akt, "Desdemona schuldig!" (Otello)
- Otello: 2. Akt, "Nun, ach, für immer" (Otello)
- Otello: 2. Akt, "Zur Nachtzeit war es" (Jago)
- Otello: 2. Akt, "Ha! Daß er tausend Leben" (Otello)
- Otello: 2. Akt, "Bei des Himmels eh'rnem Dache" (Otello)
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Opera Choruses (Coro e orchestra del Teatro alla Scala feat. conductor: Riccardo Muti)
Released 2006
Released 2006
- Nabucco: Gli arredi festivi
- Nabucco: Va, pensiero
- Ernani: Un patto! Un giuramento! Si ridesti il Leon di Castiglia
- Il Lombardi: Gerusalem! Gerusalem!
- Il Lombardi: O signore dal tetto natio
- Attila: Urli, rapine
- Attila: Viva il re delle mille foreste
- Attila: Del ciel l'immensa volta
- Attila: Chi dona luce al cor?
- Il Trovatore: Vedi! Le fosche notturne spoglie
- Rigoletto: Zitti, zitti
- La forza del destino: La vergine degli angeli
- La forza del destino: Compagni, sostiamo
- La forza del destino: Nella guerra è la follia
- La forza del destino: Rataplan, rataplan, rataplan
- Macbeth: Patria oppressa!
- Messa da Requiem: Sanctus
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Requiem / Quattro Pezzi Sacri (Vienna Philharmonic Orchestra feat. conductor: George Solti)
Released 2006
Released 2006
- Offertorium: Domine, Jesu Christe
- Offertorium: Hostias
- Sanctus
- Agnus Dei
- Lux Aeterna
- Libera Me: Libera Me
- Libera Me: Dies Irae
- Libera Me: Requiem Aeternam
- Libera Me: Libera Me
- Quattro Pezzi Sacri: Ave Maria
- Quattro Pezzi Sacri: Stabat Mater
- Quattro Pezzi Sacri: Laudi Alla Vergine Maria
- Quattro Pezzi Sacri: Te Deium
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La Traviata (Rome Opera House Orchestra feat. conductor: Fernando Previtali, Anna Moffo, soprano, Richard Tucker, tenor, Robert Merrill baritone))
Released 2006
Released 2006
- La Traviata: Prelude
- La Traviata: Act I. "Dell'invito trascorsa è già l'ora"
- La Traviata: Act I. "Libiamo ne'lieti calici"
- La Traviata: Act I. "Che è cio?"
- La Traviata: Act I. "Un dì felice, eterea"
- La Traviata: Act I. "Ebben? Che diavol fate?"
- La Traviata: Act I. "Si ridesta in ciel l'aurora"
- La Traviata: Act I. "È strano!" - "Ah, fors'è lui"
- La Traviata: Act I. "Follie! Delirio vano è questo!"
- La Traviata: Act I. "Sempre libera"
- La Traviata: Act II, Scene I. "Lunge da lei"
- La Traviata: Act II, Scene I. "Annina, donde vieni?"
- La Traviata: Act II, Scene I. "Alfredo?" - "Per Parigi or or partiva"
- La Traviata: Act II, Scene I. "Pura siccome un angelo"
- La Traviata: Act II, Scene I. "Non sapete quale affetto"
- La Traviata: Act II, Scene I. "Ah! Dite alla giovine"
- La Traviata: Act II, Scene I. "Morro! Morro!"
- La Traviata: Act II, Scene I. "Dammi tu forza, o cielo!"
- La Traviata: Act II, Scene I. "Ah, vive sol quel core all'amor mio!"
- La Traviata: Act II, Scene I. "Di Provenza il mar"
- La Traviata: Act II, Scene I. "Ne rispondi"
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Un ballo in maschera (Wiener Philharmoniker feat. conductor: Herbert von Karajan)
Released 2006
Released 2006
- Un ballo in maschera: Preludio
- Un ballo in maschera, Atto I Quadro 1: Posa in pace
- Un ballo in maschera, Atto I Quadro 1: S'avanza il re / La rivedrà nell'estasi
- Un ballo in maschera, Atto I Quadro 1: Alla vita che t'arride
- Un ballo in maschera, Atto I Quadro 1: Volta la terrea
- Un ballo in maschera, Atto I Quadro 1: Signori: oggi d'Ulrica
- Un ballo in maschera, Atto I Quadro 2: Zitti... l'incanto non dèssi turbare / Re dell'abisso
- Un ballo in maschera, Atto I Quadro 2: Che v'agita così / Della città all'occaso
- Un ballo in maschera, Atto I Quadro 2: Su, profetessa / Di' tu se fedele
- Un ballo in maschera, Atto I Quadro 2: È la destra d'un grande / È scherzo od è follia
- Un ballo in maschera, Atto I Quadro 2: Finisci il vaticinio / O figlio della patria
- Un ballo in maschera, Atto II: Preludio
- Un ballo in maschera, Atto II: Ecco l'orrido campo
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Don Carlo (Chor und Orchester der Städtischen Oper Berlin, feat. conductor: Ferenc Fricsay, singers: Greverius, Demuth, Blatter, Fischer-Dieskau)
Released 2005
Released 2005
- Don Carlos: I. Aufzug. "Der Hörner Schall verklingt" (Carlos, Tebaldo, Elisabeth)
- Don Carlos: I. Aufzug. "Aus Madrid kommet Ihr?" (Elisabeth, Carlos)
- Don Carlos: I. Aufzug. "Alles um uns scheint mir verzaubert" (Carlos, Elisabeth)
- Don Carlos: I. Aufzug. "Was gibt's?" (Elisabeth, Tebaldo, Carlos, Chor)
- Don Carlos: II. Aufzug. "Alles Menschenwerk vergehet" (Chor, Mönch)
- Don Carlos: II. Aufzug. "Der Welt entsag ich" (Carlos)
- Don Carlos: II. Aufzug. "Nie werd ich den Tag vergessen" (Carlos)
- Don Carlos: II. Aufzug. "Er ist's, Carlos, mein Prinz!" (Posa, Carlos)
- Don Carlos: II. Aufzug. "Gott, der entflammte der Liebe" (Posa, Carlos)
- Don Carlos: II. Aufzug. "Wie so lieblich ist's" (Tebaldo, Chor, Eboli)
- Don Carlos: II. Aufzug. "In dem stillen Haine" (Eboli, Tebaldo, Chor)
- Don Carlos: II. Aufzug. "Die Königin!" (Chor, Elisabeth, Tebaldo, Posa)
- Don Carlos: II. Aufzug. "Erzählt uns jetzt von Frankreichs Hofe" (Eboli, Posa, Elisabeth)
- Don Carlos: II. Aufzug. "Traurig, verweifelt fand ich Carlos" (Posa, Eboli, Elisabeth)
- Don Carlos: II. Aufzug. "Ich komm, um zu erflehn" (Carlos, Elisabeth)
- Don Carlos: II. Aufzug. "So allein seid Ihr, Madame?" (Philipp, Chor)
- Don Carlos: II. Aufzug. "O weine nicht, Gespielin" (Elisabeth, Chor)
- Don Carlos: II. Aufzug. "Marchese Posa!" (Philipp, Posa)
- Don Carlos: II. Aufzug. "Vernehmt, ich komme von Flandern" (Posa, Philipp)
- Don Carlos: II. Aufzug. "Es ist nicht Frieden" (Posa, Philipp)
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La Traviata (Turin Radio Symphony Orchestra feat. conductor: Tullio Serafan, soprano: Maria Callas, tenor: Francesco Albanese, baritone: Ugo Savarese)
Released 2005
Released 2005
- La Traviata: Act I. "Prelude"
- La Traviata: Act I. "Dell'invito trascorsa è già l'ora"
- La Traviata: Act I. "Libiamo, ne' lieti calici"
- La Traviata: Act I. "Che è ciò?"
- La Traviata: Act I. "Un di, felice, eterea"
- La Traviata: Act I. "Ebben? Che diavol fate?"
- La Traviata: Act I. "Si ridesta in ciel l'aurora"
- La Traviata: Act I. "È strano! È strano"
- La Traviata: Act I. "Ah, fors'è lui"
- La Traviata: Act I. "Follie! Follie"
- La Traviata: Act I. "Sempre libera"
- La Traviata: Act II, Scene I. "Lunga da lei"
- La Traviata: Act II, Scene I. "De' miei bollenti spiriti"
- La Traviata: Act II, Scene I. "Annina, donde viene?"
- La Traviata: Act II, Scene I. "Alfredo? ...Per Parigi or or partiva"
- La Traviata: Act II, Scene I. "Pura siccome un angelo"
- La Traviata: Act II, Scene I. "Non sapete quale affetto"
- La Traviata: Act II, Scene I. "Un dì, quando le veneri"
- La Traviata: Act II, Scene I. "Ah! Dite alla giovine"
- La Traviata: Act II, Scene I. "Imponete ...Non amarlo ditegli"
- La Traviata: Act II, Scene I. "Morrò! La mia memoria"
- La Traviata: Act II, Scene I. "Dammi tu forza, o cielo!"
- La Traviata: Act II, Scene I. "Che fai?"
- La Traviata: Act II, Scene I. "Ah, vive sol quel core all'amor mio!"
- La Traviata: Act II, Scene I. "Di Provenza il mar"
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Rigoletto (Coro e Orchestra del Teatro alla Scala, feat. conductor: Rafael Kubelik)
Released 2005
Released 2005
- Act I, Scene 1: Preludio
- Act I, Scene 1, Introduzione: "Della mia bella incognita borghese" (Duca, Borsa)
- Act I, Scene 1, Balatta: "Questa o quella" (Duca)
- Act I, Scene 1: "Ch'io gli parli" (Monterone, Duca, Tutti, Rigoletto, Coro)
- Act I, Scene 2, Duetto: "Quel vecchio maledivami" (Rigoletto, Sparafucile)
- Act I, Scene 3: "Pari siamo! ... Io la lingua" (Rigoletto)
- Act I, Scene 3: "Figlia! ..." ... "Mio padre!" (Rigoletto, Gilda)
- Act I, Scene 3: "Gia` da tre lune son qui venuta" (Gilda, Rigoletto)
- Act I, Scene 4, Scena e Duetto: "Giovanna, ho dei rimorsi" (Gilda, Giovanna, Duca)
- Act I, Scene 4: "E il sol dell'anima" (Duca, Gilda)
- Act I, Scene 4: "Che m'ami, deh, ripetimi" (Duca, Gilda, Ceprano, Borsa, Giovanna)
- Act I, Scene 5, Scena ed Aria: "Gualtier Malde ... Caro nome che il mio cor" (Gilda)
- Act I, Scene 6, Scena e Coro: "Riedo! ...perche?" ... "Silenzio ... all'opera" (Rigoletto, Borsa, Ceprano, Marullo)
- Act I, Scene 6: "Zitti, zitti, muoviamo a vendetta" (Tutti, Gilda, Coro, Rigoletto)
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Violetta: Arias and Duets from "La Traviata" (Anna Netrebko, Rolando Villazón, Thomas Hampson)
Released 2005
Released 2005
- Libiamo ne' lieti calici (Brindisi)
- Un dì felice, eterea
- Scena e Aria - Finale: E' strano! - Ah, fors'e lui
- Follie! Delirio vano è questo!
- Sempre libera
- Lunge da lei / De' miei bollenti spiriti
- O mio rimorso!
- Duetto: Pura siccome un angelo
- Non sapete quale affetto
- Un dì, quando le veneri
- Ah! Dite alla giovine
- Imponete... Non amarlo ditegli
- Che fai?... Nulla
- Invitato a qui seguirmi
- Ogni suo aver tal femmina
- Di sprezzo degno se stesso rende
- Alfredo, Alfredo, di questo core
- Annina? - Comandate?
- Teneste la promessa
- Addio del passato
- Signora - Che t'accade?
- Parigi, o cara, noi lasceremo
- Ah, non più! - Ah! Gran Dio! Morir si giovine
- Ah, Violetta! - Voi, signor!
- Prendi, quest'e l'immagine
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La Traviata (Wiener Philharmoniker feat. conductor: Carlo Rizzi)
Released 2005
Released 2005
- La Traviata: Preludio
- La Traviata: Act I. "Dell'invito trascorsa è già l'ora" (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)
- La Traviata: Act I. "Libiamo ne' lieti calici" (Alfredo, Tutti, Violetta)
- La Traviata: Act I. "Che è ciò?" (Tutti, Violetta, Alfredo)
- La Traviata: Act I. "Un dì felice, eterea" (Alfredo, Violetta)
- La Traviata: Act I. "Ebben? Che diavol fate?" (Gastone, Violetta, Alfredo)
- La Traviata: Act I. "Si ridesta in ciel l'aurora" (Tutti)
- La Traviata: Act I. "É strano! - Ah, fors'è lui" (Violetta)
- La Traviata: Act I. "Follie! Follie! Delirio vane è questo! - Sempre libera" (Violetta, Alfredo)
- La Traviata: Act II, Scene I. "Lunge da lei - De' miei bollenti spiriti" (Alfredo)
- La Traviata: Act II, Scene I. "Annina, donde vieni? - Oh mio rimorso!" (Alfredo, Annina)
- La Traviata: Act II, Scene I. "Alfredo?" / "Per parigi or or partiva" (Violetta, Annina, Germont)
- La Traviata: Act II, Scene I. "Pura siccome un angelo" (Germont, Violetta)
- La Traviata: Act II, Scene I. "Non sapete quale affetto" (Violetta, Germont)
- La Traviata: Act II, Scene I. "Un dì, quando le veneri" (Germont, Violetta)
- La Traviata: Act II, Scene I. "Ah! Dite alla giovine" (Violetta, Germont)
- La Traviata: Act II, Scene I. "Imponete" / "Non amarlo ditegli" (Violetta, Germont)
- La Traviata: Act II, Scene I. "Dammi tu forza, o cielo!" (Violetta, Annina)
- La Traviata: Act II, Scene I. "Che fai?" / "Nulla" (Alfredo, Violetta)
- La Traviata: Act II, Scene I. "Ah, vive sol quel core" (Alfredo, Giuseppe, Commissionario, Germont)
- La Traviata: Act II, Scene I. "Di provenza il mar, il suol" (Germont)
- La Traviata: Act II, Scene I. "Né rispondi d'un padre all'affetto? - No, non udrai rimproveri" (Germont, Alfredo)
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Meisterwerke Der Klassischen Musik (disc 16:/16 (Die Klassik Edition disc 16))
Released 2004
Released 2004
- Heil Dir, Ägypten (Aus "Aida")
- Libiamo Ne' Lieti Calici (Brindisi) (Aus "La Traviata")
- Sempre Libera Degg'Io Follegiare (Aus "La Traviata")
- O Mio Rimorso! Oh Infamia! (Aus "La Traviata")
- E Strano, E Strano! (Aus "La Traviata")
- Pura Siccome Un Angelo/Dite Alla Giovine (Aus "La Traviata")
- De Miei Bolenti Spiriti (Aus "La Traviata")
- Di Provenza Il Mar, Il Suol (Aus "La Traviata")
- Un Di Felice (Aus "La Traviata")
- Ogni Suo Aver Tal Femmina/Di Sprezzo Degno Séstesso Rende (Aus "La Traviata")
- Gefangenenchor (Va' Pensiero Sull'Ali Dorate) (Aus "Nabucco")
- Di Due Figli Vivea, Padre (Glücklich Lebe Einst Ein Vater) (Aus "Der Troubadour")
- Di Tale Amor (Ein Unnennbares Sehenen) (Aus "Der Troubadour")
- Vedi, Le Fosche Notturne Spoglie (Seht Wie Die Wolken Am Himmerl) (Aus "Der Troubadour")
- Mal Reggendo All'Aspro Assalto (Daß Noch Einmal Sie Erschiene) (Aus "Der Troubadour")
- Di Quella Pira (Lodern Zum Himmel) (Aus "Der Troubadour")
- Or Co'Dadi, Ma Fra Poco (In Dem Bunten Kampfgewühle) (Aus "Der Troubadour")
- Ah Si, Ben Mio, Soll'Essere Io Tuo (Daß Nur Für Mich Dein Herz Erbebt) (Aus "Der Troubadour")
- D'Amor Sull' Ali Rosee (In Deines Kerkers Tiefe Nacht) (Aus "Der Troubadour")
- Stride La Vampa (Lodernde Flammen) (Aus "Der Troubadour")
- Prima Che D'Altri Vivere (Eh Dieses Herz Einem Andern Ich Weihe) (Aus "Der Troubadour")
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Requiem (Münchner Philharmoniker feat. conductor: Sergiu Celibidache)
Released 2004
Released 2004
- [applause]
- Requiem: I. Requiem aeternam
- Requiem: II. Sequentia. Dies irae
- Requiem: II. Sequentia. Tuba mirum
- Requiem: II. Sequentia. Liber scriptus
- Requiem: II. Sequentia. Quid sum miser
- Requiem: II. Sequentia. Rex tremendae majestatis
- Requiem: II. Sequentia. Recordare
- Requiem: II. Sequentia. Ingemisco
- Requiem: II. Sequentia. Confutatis
- Requiem: II. Sequentia. Lacrimosa
- Requiem: III. Offertorio. Domine Jesu Christe
- Requiem: III. Offertorio. Hostias
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La traviata (Bayerisches Staatsorchester feat. conductor: Carlos Kleiber, soprano: Ileana Cotrubas)
Released 2004
Released 2004
- La Traviata: Preludio
- La Traviata: Atto I. Introduzione: "Dell'invito trascorso è già l'ora" (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)
- La Traviata: Atto I. Brindisi: "Libiamo ne' lieti calici" (Alfredo, Tutti, Violetta)
- La Traviata: Atto I. Valzer e Duetto: "Che è ciò?" (Tutti, Violetta, Alfredo)
- La Traviata: Atto I. Valzer e Duetto: "Un dì felice, eterea" (Alfredo, Violetta)
- La Traviata: Atto I. Valzer e Duetto: "Ebben? che diavol fate?" (Gastone, Violetta, Alfredo)
- La Traviata: Atto I. Stretta dell'Introduzione: "Si ridesta in ciel l'aurora" (Tutti)
- La Traviata: Atto I. Scena ed Aria - Finale: "È strano! ... Ah, fors'è lui" (Violetta)
- La Traviata: Atto I. Scena ed Aria - Finale: "Follie! Delirio vano è questo! ... Sempre libera" (Violetta, Alfredo)
- La Traviata: Atto II, Quadro I. Scena ed Aria: "Lunge da lei ... De' miei bollenti spiriti" (Alfredo)
- La Traviata: Atto II, Quadro I. Scena ed Aria: "Annina, donde vieni?" - "Oh mio rimorso!" (Alfredo, Annina)
- La Traviata: Atto II, Quadro I. Scena e Duetto: "Alfredo?" - "Per Parigi or or partiva" (Violetta, Annina, Giuseppe, Germont)
- La Traviata: Atto II, Quadro I. Scena e Duetto: "Pura siccome un angelo" (Germont, Violetta)
- La Traviata: Atto II, Quadro I. Scena e Duetto: "Non sapete quale affetto" (Violetta, Germont)
- La Traviata: Atto II, Quadro I. Scena e Duetto: "Un dì, quando le veneri" (Germont, Violetta)
- La Traviata: Atto II, Quadro I. Scena e Duetto: "Ah! Dite alla giovine" (Violetta, Germont)
- La Traviata: Atto II, Quadro I. Scena e Duetto: "Imponete" - "Non amarlo ditegli" (Violetta, Germont)
- La Traviata: Atto II, Quadro I. Scena: "Dammi tu forza, o cielo!" (Violetta, Annina)
- La Traviata: Atto II, Quadro I. Scena: "Che fai?" - "Nulla" (Alfredo, Violetta)
- La Traviata: Atto II, Quadro I. Scena ed Aria: "Ah, vive sol quel core" (Alfredo, Giuseppe, Commissionario, Germont)
- La Traviata: Atto II, Quadro I. Scena ed Aria: "Di Provenza il mar, il suol" (Germont)
- La Traviata: Atto II, Quadro I. Scena ed Aria: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" (Germont, Alfredo)
- String Quartet in D minor, Op. 56 "Voces intimae": I. Andante. Allegro molto moderato
- String Quartet in D minor, Op. 56 "Voces intimae": II. Vivace
- String Quartet in D minor, Op. 56 "Voces intimae": III. Adagio di molto
- String Quartet in D minor, Op. 56 "Voces intimae": IV. Allegretto (ma pesante)
- String Quartet in D minor, Op. 56 "Voces intimae": V. Allegro
- String Quartet in E minor: I. Allegro
- String Quartet in E minor: II Andantino
- String Quartet in E minor: III. Prestissimo
- String Quartet in E minor: IV. Scherzo. Fuga
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Luisa Miller (National Philharmonic Orchestra feat. conductor: Peter Maag)
Released 2003
Released 2003
- Luisa Miller: Sinfonia
- Luisa Miller: Atto I "L'amore", Scena I. "Ti desta, Luisa, regina de' cori" - "Ecco mia figlia" (Laura, Miller, Luisa, contadine, contadini)
- Luisa Miller: Atto I "L'amore", Scena I. "Non temer" - "Lo vidi, e 'l primo palpito" - "Ah!" - "Mia diletta!" (Luisa, Laura, Rodolfo, Miller, contadine, contadini)
- Luisa Miller: Atto I "L'amore", Scena I. "T'amo d'amor ch'esprimere mal tenterebbe il detto!" (Luisa, Rodolfo, Miller, Laura, contadine, contadini)
- Luisa Miller: Atto I "L'amore", Scena I. "Ferma, ed ascolta" - "Sacra la scelta è d'un consorte" (Wurm, Miller)
- Luisa Miller: Atto I "L'amore", Scena II. "Che mai narrasti!" - "Il mio sangue, la vita darei" (Walter, Wurm)
- Luisa Miller: Atto I "L'amore", Scena II. "Padre..." - "M'abbraccia" - "Taci... È la Duchessa" - "Quale un sorriso d'amica sorte" (Rodolfo, Walter, Federica, damigelle, paggi, familiari, arcieri)
- Luisa Miller: Atto I "L'amore", Scena II. "Duchessa" - "Dall'aule raggianti di vano splendor" (Rodolfo, Federica)
- Luisa Miller: Atto I "L'amore", Scena III. "Sciogliete i levrieri" - "O padre mio!" (Cacciatori, Luisa, Miller)
- Luisa Miller: Atto I "L'amore", Scena III. "Del Conte di Walter figlio, qual comanda il padre" - "Tu, signor, fra queste soglie!" (Miller, Luisa, Rodolfo, Walter, Laura, arcieri, contadine, contadini)
- Luisa Miller: Atto I "L'amore", Scena III. "Fra' mortali ancora oppressa non è tanto l'innocenza" (Miller, Rodolfo, Walter, Luisa, Laura, contadine, contadini, arcieri)
- Luisa Miller: Atto II "L'intrigo", Scena I. "Ah! Luisa, Luisa ove sei?" - "Al villaggio dai campi tornando" (contadine, contadini, Laura, Luisa)
- Luisa Miller: Atto II "L'intrigo", Scena I. "Il padre tuo" - "Tu, puniscimi, o Signore" (Wurm, Luisa)
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Il trovatore (Orchestre du Grand Théâtre de Genève feat conductor: Alberto Erede, singers Savarese, Tebaldi, Simionata, del Monaco)
Released 2002
Released 2002
- Il trovatore: Atto III. "Or co' dadi"
- Il trovatore: Atto III. "Squilli, echeggi la tromba"
- Il trovatore: Atto III. "In braccio al mio rival!"/ "Che fu?" "Dappresso il campo"
- Il trovatore: Atto III. "Giorni poveri vivea"
- Il trovatore: Atto III. "Quale d'armi fragor"
- Il trovatore: Atto III. "Ah sì ben mio"
- Il trovatore: Atto III. "L'onda de'suoni mistici" - "Manrico!"
- Il trovatore: Atto III. "Di quella pira"
- Il trovatore: Atto IV. "Siam giunti: ecco la torre"
- Il trovatore: Atto IV. "D'amor sull'ali rosee"
- Il trovatore: Atto IV. "Miserere d'un'alma"
- Il trovatore: Atto IV. "Tu vedrai che amore"
- Il trovatore: Atto IV. "Udiste? Come albeggi"/ "Abuso forse quel poter"
- Il trovatore: Atto IV. "A te davanti!" Qual voce!"/ "Mira, di aberce la- grime"
- Il trovatore: Atto IV. "Mira di acerbe lagrime"
- Il trovatore: Atto IV. "Vivrà!...contende il giubilo"
- Il trovatore: Atto IV. "Madre, non dormi?"
- Il trovatore: Atto IV. "Sì; la stanchezza m'opprime"
- Il trovatore: Atto IV. "Che! Non m'inganno! Quel fioco lume..."
- Il trovatore: Atto IV. "Parlar non vuoi?"
- Il trovatore: Atto IV. "Ti scosta!"
- Il trovatore: Atto IV. "Prima che d'altri vivere"
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Rigoletto (Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia feat. conductor: Giuseppe Sinopoli)
Released 2002
Released 2002
- Rigoletto: Preludio
- Rigoletto: Act I. "Della mia bella incognita borghese" (Duca, Borsa)
- Rigoletto: Act I. "Questa o quella" (Duca)
- Rigoletto: Act I. "Partite?... Crudele!" (Duca, Contessa di Ceprano, Rigoletto, Borsa, Coro)
- Rigoletto: Act I. "Gran nuova! Gran nuova!" - "Tutto è gioia, tutto è festa" (Marullo, Duca, Rigoletto, Ceprano, Borsa, Coro, Monterone)
- Rigoletto: Act I. "Voi congiuraste contro noi" (Rigoletto, Monterone, Duca, Borsa, Marullo, Ceprano)
- Rigoletto: Act I. "Quel vecchio maledivami!" (Rigoletto)
- Rigoletto: Act I. "Signor?..." - "Va, non ho niente" (Sparafucile, Rigoletto)
- Rigoletto: Act I. "Pari siamo!..." (Rigoletto)
- Rigoletto: Act I. "Figlia!..." - "Mio padre!" (Rigoletto, Gilda)
- Rigoletto: Act I. "Deh, non parlare al misero" (Rigoletto)
- Rigoletto: Act I. "Quanto dolor!..." (Gilda, Rigoletto, Giovanna)
- Rigoletto: Act I. "Veglia, o donna, questo fiore" (Rigoletto, Gilda, Duca, Giovanna)
- Rigoletto: Act I. "Giovanna, ho dei rimorsi..." (Gilda, Giovanna)
- Rigoletto: Act I. "T'amo! T'amo" (Duca, Gilda)
- Rigoletto: Act I. "È il sol dell'anima" (Duca, Gilda)
- Rigoletto: Act I. "Che m'ami, deh, ripetimi" - "Addio... speranza ed anima" (Duca, Gilda, Ceprano, Borsa, Giovanna)
- Rigoletto: Act I. "Gualtier Maldè..." (Gilda)
- Rigoletto: Act I. "E là..." - "Miratela" (Gilda, Borsa, Ceprano, Marullo, Coro)
- Rigoletto: Act I. "Riedo!... perché?" (Rigoletto, Borsa, Ceprano, Marullo)
- Rigoletto: Act I. "Zitti, zitti" (Coro, Borsa, Marullo, Ceprano)
- Rigoletto: Act I. "Soccorso, padre mio!" (Gilda, Rigoletto, Coro)
- Aida: Gloria all'Egitto
- Aida: Triumphmarsch
- Aida: Se quel guerrier io fossi
- Rigoletto: Gualtier Maldè ... Caro nome
- Rigoletto: La donne è mobile
- La Traviata: Libiamo ne' lieti calici
- Nabucco: Va, pensiero (Gefangenenchor)
- La forza del destino: Ouvertüre
- Requiem: Ingemisco
- Don Carlo: O don fatale, o don crudel
- Un ballo in maschera: M'ami, m'ami
- Il Trovatore: Vedi! le fosche notturne spoglie (Zigeunerchor)
- Il Trovatore: Di quella pira
- Rigoletto: Bella figlia dell'amore
- La Traviata: Preludio
- La Traviata: Parigi, o cara, noi lasceremo
- Il trovatore: Il balen del suo sorriso
- Don Carlo: Dio, che nell'alma infodere
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Il trovatore (Orchestra e coro del Teatro alla Scala feat. conductor: Riccardo Muti)
Released 2002
Released 2002
- Il trovatore: Parte I "Il Duello", Quadro I, N. 1 Introduzione. "All'erta! All'erta!" (Ferrando, Coro)
- Il trovatore: Parte I "Il Duello", Quadro I, N. 1 Introduzione. "Di due figli vivea padre beato" (Ferrando, Coro)
- Il trovatore: Parte I "Il Duello", Quadro I, N. 1 Introduzione. "E il padre?" (Coro, Ferrando)
- Il trovatore: Parte I "Il Duello", Quadro I, N. 1 Introduzione. "Sull'orlo dei tetti alcun l'ha veduta!" (Coro, Ferrando)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 2 Scena e Cavatina. "Che più t'arresti?" (Ines, Leonora)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 2 Scena e Cavatina. "Ascolta! Tacea la notte placida" (Leonora, Ines)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 2 Scena e Cavatina. "Di tale amor" (Leonora, Ines)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 3 Scena, Romanza e Terzetto. "Tace la notte!" (Conte)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 3 Scena, Romanza e Terzetto. "Il Trovator! ... Io fremo!" (Conte, Manrico, Leonora)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 3 Scena, Romanza e Terzetto. "Qual voce!" (Leonora, Manrico, Conte)
- Il trovatore: Parte I "Il Duello", Quadro II, N. 3 Scena, Romanza e Terzetto. "Di geloso amor sprezzato" (Conte, Leonora, Manrico)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 4 Coro di Zingari e Canzone. "Vedi! le fosche notturne" (Coro)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 4 Coro di Zingari e Canzone. "Stride la vampa!" (Azucena, Coro, Manrico, un vecchio zingaro)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 5 Scena e Racconto. "Soli or siamo!" (Azucena, Manrico)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 5 Scena e Racconto. "Condotta ell'era in ceppi" (Azucena, Manrico)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 6 Scena e Duetto. "Non son tuo figlio?" (Manrico, Azucena)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 6 Scena e Duetto. "Mal reggendo all'aspro assalto" (Manrico, Azucena)
- Il trovatore: Parte II "La Gitana", Quadro I, N. 6 Scena e Duetto. "L'usato messo Ruiz invia!" (Manrico, Azucena, un messo)
- Il trovatore: Parte II "La Gitana", Quadro II, N. 7 Scena ed Aria. "Tutto è deserto" (Conte, Ferrando)
- Il trovatore: Parte II "La Gitana", Quadro II, N. 7 Scena ed Aria. "Il balen del suo sorriso" (Conte)
- Il trovatore: Parte II "La Gitana", Quadro II, N. 7 Scena ed Aria. "Qual suono! ... Oh ciel!" (Conte, Ferrando)
- Il trovatore: Parte II "La Gitana", Quadro II, N. 8 Finale Secondo. "Ah! se l'error t'ingombra" (Coro, Conte, Ferrando, Leonora, Ines)
- Il trovatore: Parte II "La Gitana", Quadro II, N. 8 Finale Secondo. "E deggio ... e posso crederlo?" (Leonora, Conte, Manrico, Ferrando, Coro, Ines, Ruiz)
- Giovanna D'Arco: Sinfonia
- Rigoletto: Fantasia di concerto
- Traviata: Ricordanze della Traviata (transcription: Amilcare Ponchielli)
- Aida: Preludio atto I
- Il Trovatore (transcription: Melchiori)
- La forza del destino: Sinfonia
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Falstaff (Berliner Philharmoniker feat. conductor: Claudio Abbado)
Released 2001
Released 2001
- Falstaff: Act 1. "Falstaff!" - "Olà!" - "Sir John Falstaff!"
- Falstaff: Act 1. "Sei polli:sei scellini"
- Falstaff: Act 1. "Ma è tempo d'assottigliar l'ingegno"
- Falstaff: Act 1. "L'Onore! Ladri!"
- Falstaff: Act 1. "Alice" - "Meg" - "Nannetta"
- Falstaff: Act 1. "Fulgida Alice! amor t'offro..." / "Quell'otre! quel tino!"
- Falstaff: Act 1. "In due parole: l'enorme Falstaff vuole"
- Falstaff: Act 1. "Pst, pst, Nannetta"
- Falstaff: Act 1. "Udrai quanta egli sfoggia"
- Falstaff: Act 2. "Siam pentiti e contriti" - "Reverenza!"
- Falstaff: Act 2. "Alice è mia! Va', vecchio John"
- Falstaff: Act 2. "Signore, v'assista il cielo!"
- Falstaff: Act 2. "C'è a Windsor una dama"
- Falstaff: Act 2. "E sogno? O realtà"
- Falstaff: Act 2. "Presenteremo un bill" - "Giunta all'albergo"
- Falstaff: Act 2. "Gaie comari di Windsor!"
- Falstaff: Act 2. "Alfin t'ho colto, raggiante fior"
- Falstaff: Act 2. "Quand'ero paggio del Duca di Norfolk"
- Falstaff: Act 2. "Mia signora! C'è Mistress Meg"
- Falstaff: Act 2. "Vien qua" - "Che chiasso!"
- Falstaff: Act 2. "C'è. C'è. Se t'agguanto! Se ti piglio!"
- Falstaff: Act 3. "Ehi! Taverniere!" - "Mondo ladro"
- Falstaff: Act 3. "Reverenza. La bella Alice ..." - "Quando il rintocco della mezzanotte"
- Falstaff: Act 3. "Brava. Quelle corna saranno la mia gioia!"
- Falstaff: Act 3. "Dal labbro il canto estasiato vola"
- Falstaff: Act 3. "Una, due, tre, quattro"
- Falstaff: Act 3. "Ninfe! Elfi! Silfi!" - "Sul fil d'un soffio etesio"
- Falstaff: Act 3. "Alto là!" - "Chi va là?" - "Pizzica, pizzica"
- Falstaff: Act 3. "Ogni sorta di gente dozzinale"
- Falstaff: Act 3. "Facciamo il parentado" - "Tutto nel mondo è burla"
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Aida (New Philharmonia Orchestra feat. Montserrat Caballé, Placido Domingo, conductor: Riccardo Muti)
Released 2001
Released 2001
- Aida: Preludio
- Aida: Act I. "Sì, corre voce che l'etiope ardisca"
- Aida: Act I. "Se quel guerrier io fossi!"
- Aida: Act I. "Celeste Aida"
- Aida: Act I. "Quale insolita gioia nel tuo sguardo!"
- Aida: Act I. "Vieni, o diletta, appressati"
- Aida: Act I. "Alta cagion v'aduna"
- Aida: Act I. "Su! del Nilo al sacro lido"
- Aida: Act I. "Ritorna vincitor!"
- Aida: Act I. "I sacri nomi di padre, d'amante"
- Aida: Act I. "Possente, possente Fthà"
- Aida: Act I. Danza sacra delle sacerdotesse
- Aida: Act I. "Mortal, diletto ai numi"
- Aida: Act I. "Nume, custode e vindice"
- La Traviata: Lunge da lei
- La Traviata: Annina, donde vieni?
- Aida: Se quel guerrier io fossi
- Don Carlos: Io l'ho perduta
- Don Carlos: Fontainbleau!
- Don Carlos: Je l'ai vu!
- Don Carlos: C'est elle!
- Don Carlos: Oui, pour toujours!
- Un Ballo In Maschera: S'avanza il re
- Un Ballo In Maschera: Di' tu se fedele
- Un Ballo In Maschera: E scherzo e follia
- Un Ballo In Maschera: Forsela soglia attinse
- Il Travatore: Qual d'armi fragor
- Il Travatore: Ah! si ben mio
- Il Travatore: L'onda de suoni mistici
- Il Travatore: Di quella pira
- Rigoletto: Questo o quella
- Rigoletto: Ella mi fu rapita
- Rigoletto: La donna e mobile
- La Forza Del Destino: La vita e inferno
- La Forza Del Destino: Oh, tu che in seno
- La Forza Del Destino: Qual sangue sparsi!
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Messa da requiem (NBC Symphony Orchestra feat. conductor: Arturo Toscanini)
Released 2001
Released 2001
- Messa da requiem: I. Requiem & Kyrie
- Messa da requiem: IIa. Dies irae: Dies irae
- Messa da requiem: IIb. Dies irae: Tuba mirum
- Messa da requiem: IIc. Dies irae: Mors stupebit
- Messa da requiem: IId. Dies irae: Liber scriptus
- Messa da requiem: IIe. Dies irae: Quid sum miser
- Messa da requiem: IIf. Dies irae: Rex tremendae
- Messa da requiem: IIg. Dies irae: Recordare
- Messa da requiem: IIh. Dies irae: Ingemisco
- Messa da requiem: IIi. Dies irae: Confutatis
- Messa da requiem: IIj. Dies irae: Lacrymosa
- Messa da requiem: IIIa. Offertorio: Domine Jesu Christe
- Messa da requiem: IIIb. Offertorio: Hostias
- Messa da requiem: IV. Sanctus
- Messa da requiem: V. Agnus Dei
- Messa da requiem: VI. Lux aeterna
- Messa da requiem: VIIa. Libera me: Libera me, Domine
- Messa da requiem: VIIb. Libera me: Dies irae
- Messa da requiem: VIIc. Libera me: Libera me, Domine
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Aida (Wiener Philharmoniker & Arnold Schönberg Chor feat. conductor: Nikolaus Harnoncourt)
Released 2001
Released 2001
- Preludio
- Atto I, Scena 1: "Sì, corre voce che l'Etiope ardisca"
- Atto I, Scena 1: "Se quel guerrier io fossi!"
- Atto I, Scena 1: "Celeste Aida"
- Atto I, Scena 1: "Quale insolita gioia"
- Atto I, Scena 1: "Dessa!"
- Atto I, Scena 1: "Alta cagion v'aduna"
- Atto I, Scena 1: "Su! del Nilo al sacro lido"
- Atto I, Scena 1: "Ritorna vincitor!"
- Atto I, Scena 2: "Possente, possente Fthà"
- Atto I, Scena 2: "Danza sacra delle sacerdotesse"
- Atto I, Scena 2: "Mortal, diletto ai numi"
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Messa da Requiem (Berliner Philharmoniker feat. conductor: Claudio Abbado)
Released 2001
Released 2001
- Messa da Requiem: Requiem e Kyrie: Requiem aeternam
- Messa da Requiem: Requiem e Kyrie: Kyrie eleison
- Messa da Requiem: Sequenza: Dies irae
- Messa da Requiem: Sequenza: Tuba mirum
- Messa da Requiem: Sequenza: Mors stupebit
- Messa da Requiem: Sequenza: Liber scriptus - Dies irae
- Messa da Requiem: Sequenza: Quid sum miser
- Messa da Requiem: Sequenza: Rex tremendae
- Messa da Requiem: Sequenza: Recordae
- Messa da Requiem: Sequenza: Ingemisco
- Messa da Requiem: Sequenza: Confutatis - Dies Irae
- Messa da Requiem: Sequenza: Lacrymosa
- Rigoletto: "La donna è mobile"
- Nabucco: Chorus of the Hebrew Slaves "Va pensiero"
- La forza del destino: Overture
- La traviata: "Un dì felice"
- I vespri siciliani: Bolero "Mercè, dilette amiche"
- La traviata: Brindisi "Libiamo ne'lieti calici"
- Il trovatore: "Di quella pira"
- Il trovatore: Anvil Chorus "Vedi! le fosche notturne spoglie"
- Il trovatore: "Stride la vampa!"
- Aida: "Ritorna vincitor!"
- Don Carlo: "Dio, che nell'alma infondere"
- La traviata: Prelude
- Rigoletto: "Caro nome"
- Don Carlo: "O don fatale"
- Aida: "Se quel guerrier io fossi... Celeste Aida"
- Ernani: "Ernani! Ernani, involami"
- Un ballo in maschera: "Di tu se fedele"
- Un ballo in maschera: "Morrò, ma prima in grazia"
- Luisa Miller: "Quando le sere al placido"
- Aida: Grand March "Gloria all'Egitto"
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Requiem / Quattro Pezzi Sachi (Philharmonia Orchestra and Chorus feat. conductor: Carlo Maria Giulini)
Released 2001
Released 2001
- Requiem: I. Requiem & Kyrie, Requiem Æternam
- Requiem: I. Requiem & Kyrie, Kyrie Eleison
- Requiem: II. Sequence (Dies Iræ), Dies Iræ
- Requiem: II. Sequence (Dies Iræ), Tuba Mirum - Mors Stupebit
- Requiem: II. Sequence (Dies Iræ), Liber Scriptus - Dies Iræ
- Requiem: II. Sequence (Dies Iræ), Quid Sum Miser
- Requiem: II. Sequence (Dies Iræ), Rex Tremendæ
- Requiem: II. Sequence (Dies Iræ), Recordare
- Requiem: II. Sequence (Dies Iræ), Ingemisco
- Requiem: II. Sequence (Dies Iræ), Confutatis Maledictis - Dies Iræ
- Requiem: II. Sequence (Dies Iræ), Lacrimosa
- Requiem: III. Offertorio, Domine Jesu Christe
- Requiem: III. Offertorio, Hostias Et Preces
- Requiem: IV. Sanctus
- Requiem: V. Agnus Dei
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Pezzi sacri (Coro e Orchestra Dell'Accademia Nazionale di Santa Cecilia, feat. conductor: Myung-Whun Chung)
Released 2001
Released 2001
- Stabat Mater. Sostenuto
- Laudi alla Vergine Maria. Moderato
- Te Deum. Senza misura - Sostenuto
- Ave Maria (1889). Moderato
- Ave Maria (1880). Cantabile
- Ave Maria (from "Otello", Act IV). Adagio
- Libera me, Domine (from Messa per Rossini). Moderato
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Missa da Requiem (Berliner Philharmoniker, Swedish Radio Chorus, Eric Ericson Chamber Choir, feat. conductor: Claudio Abbado)
Released 2001
Released 2001
- Missa da Requiem: I. Requiem e Kyrie: Requiem Aternam
- Missa da Requiem: I. Requiem e Kyrie: Kyrie eleison
- Missa da Requiem: II. Sequenza: Dies irae
- Missa da Requiem: II. Sequenza: Tuba mirum
- Missa da Requiem: II. Sequenza: Mors stupebit
- Missa da Requiem: II. Sequenza: Liber scriptus / Dies irae
- Missa da Requiem: II. Sequenza: Quid sum miser
- Missa da Requiem: II. Sequenza: Rex tremendae
- Missa da Requiem: II. Sequenza: Recordare
- Missa da Requiem: II. Sequenza: Ingemisco
- Missa da Requiem: II. Sequenza: Confutatis / Dies irae
- Missa da Requiem: II. Sequenza: Lacrymosa
- Falstaff: Atto I, Parte I. "Falstaff!" (Cajus)
- Falstaff: Atto I, Parte I. "6 polli: 6 scellini" (Falstaff)
- Falstaff: Atto I, Parte I. "Ehi! paggio! Andate a impendervi" (Falstaff)
- Falstaff: Atto I, Parte II. "Alice" (Meg)
- Falstaff: Atto I, Parte II. "'Fulgida Alice! amor t'offro...'" (Meg)
- Falstaff: Atto I, Parte II. "E'un ribaldo, un furbo, un ladro" (Cajus)
- Falstaff: Atto I, Parte II. "Pst, pst, Nannetta" (Fenton)
- Falstaff: Atto I, Parte II. "Falstaff m'ha canzonata" (Alice)
- Falstaff: Atto I, Parte II. "Torno all'assalto" (Fenton)
- Falstaff: Atto I, Parte II. "Udrai quanta egli sfoggia" (Bardolfo)
- Falstaff: Atto II, Parte I. "Siam pentiti e contriti" (Bardolfo, Pistola)
- Falstaff: Atto II, Parte I. "Reverenza!" (Quickly)
- Falstaff: Atto II, Parte I. "Alice è mia!" (Falstaff)
- Falstaff: Atto II, Parte I. "Signore, v'assista il cielo!" (Ford)
- Falstaff: Atto II, Parte I. "In me vedete un uom" (Ford)
- Falstaff: Atto II, Parte I. "E' sogno? o realtà" (Ford)
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Aida (Highlights) (New Philharmonia Orchestra feat. conductor: Riccardo Muti)
Released 2001
Released 2001
- Aida: Act I. "Se quel guerrier io fossi"
- Aida: Act I. "Celeste Aida"
- Aida: Act I. "Or, di Vulcano al tempio"
- Aida: Act I. "Ritorno vincitor!"
- Aida: Act II. "Gloria all'Egitto"
- Aida: Act II. "O Re, pei sacri Numi"
- Aida: Act III. "Qui Radames verrà"
- Aida: Act III. "O Patria mia"
- Aida: Act III. "Rivedrai le foreste imbalsamate"
- Aida: Act IV. "Vorrei salvarlo"
- Aida: Act IV. "Già i sacerdoti adunansi"
- Aida: Act IV. "Qual gemito!"
- Aida: Act IV. "Morir, si pura e bella"
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Requiem (Kirov Orchestra and Chorus feat. conductor: Valery Gergiev)
Released 2001
Released 2001
- I. Requiem
- II. Dies irae
- II. Dies irae: Tuba mirum
- II. Dies irae: Liber scriptus
- II. Dies irae: Quid sum miser
- II. Dies irae: Rex tremendae majestatis
- II. Dies irae: Recordare
- II. Dies irae: Ingemisco
- II. Dies irae: Confutatis
- II. Dies irae: Lacrimosa
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Violetta (Chor & Orchester des Stuttgarter Rundfunks, feat. conductor: Franz Müller-Kray, singers: Guilleaume, Fügel, Kronenberg)
Released 2000
Released 2000
- Violetta: Ouvertüre/Vorspiel
- Violetta: 1. Akt. "Achtung! Auf zum Feste"
- Violetta: 1. Akt. "Auf, schlürfet in vollen Zügen"
- Violetta: 1. Akt. "Was ist das?"
- Violetta: 1. Akt. "So hold, so reizend"
- Violetta: 1. Akt. "Sagt an, wo bleibt ihr so lange..."
- Violetta: 1. Akt. "Wie seltsam"
- Violetta: 1. Akt. "O Torheit"
- Violetta: 2. Akt. "Ach, ihres Auges Zauberblick"
- Violetta: 2. Akt. "Annina, woher kommst du?"
- Violetta: 2. Akt. "Wo ist Alfred?"
- Violetta: 2. Akt. "Gott schenkte eine Tochter mir"
- Violetta: 2. Akt. "Doch wie soll ich"
- Violetta: 2. Akt. "O, der Himmel sei mir gnädig"
- Violetta: 2. Akt. "Hat dein heimatlliches Land"
- Violetta: 2. Akt. "Und all' meine Liebe"
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Der Troubadour (Chor & Orchester des Reichssenders Stuttgart, feat conductor Bernhard Zimmermann, singers: Reining, Nissen, Karen, Rosvaenge)
Released 2000
Released 2000
- Der Troubadour: 1. Akt "Seid wachsam"
- Der Troubadour: 1. Akt "Glücklich lebte einst ein Vater "
- Der Troubadour: 1. Akt "Warum verweilst du?"
- Der Troubadour: 1. Akt "Rings tiefes Schweigen"
- Der Troubadour: 1. Akt "Ha, Falsche!"
- Der Troubadour: 2. Akt "Seht, wie die Wolken am Himmel ziehn"
- Der Troubadour: 2. Akt "Lodernde Flammen"
- Der Troubadour: 2. Akt "Wir sind allein nun!"
- Der Troubadour: 2. Akt "Ich bin dein Sohn nicht?"
- Der Troubadour: 2. Akt "Alles ist stille"
- Der Troubadour: 2. Akt "Ach, alle Qual des Lebens schwindet"
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Rigoletto (English National Opera Orchestra and Chorus feat. conductor: Mark Elder)
Released 2000
Released 2000
- Rigoletto: Prelude
- Rigoletto: Act I, Scene I. “That pretty girl I’ve been seeing in the city” (Duke, Borsa)
- Rigoletto: Act I, Scene I. “If a woman should happen to catch my eye” (Duke)
- Rigoletto: Act I, Scene I. “You’re going? That’s cruel” (Duke, Countess, Rigoletto, Chorus)
- Rigoletto: Act I, Scene I. “It’s happened! It’s happened!” (Marullo, Chorus, Duke, Rigoletto, Ceprano, Borsa, Courtiers)
- Rigoletto: Act I, Scene I. “I demand to see him” (Monterone, Duke, Rigoletto, Borsa, Marullo, Ceprano, Courtiers)
- Rigoletto: Act I, Scene II. “The old man laid his curse on me!” (Rigoletto, Sparafucile)
- Rigoletto: Act I, Scene II. “We are equals” (Rigoletto)
- Rigoletto: Act I, Scene II. “Gilda!” (Rigoletto, Gilda)
- Rigoletto: Act I, Scene II. “Ah, do not demand of one so sad” (Rigoletto, Gilda, Giovanna)
- Rigoletto: Act I, Scene II. “Oh, dear Giovanna, guard my daughter” (Rigoletto, Gilda, Giovanna, Duke)
- Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
- Rigoletto: Act I, Scene II. “Love is the source of life, love is our sunlight” (Duke, Gilda, Ceprano, Borsa, Giovanna)
- Rigoletto: Act I, Scene II. “Gualtier Maldè, you were the first to love me… Dearest name of my first love” (Gilda, Borsa, Ceprano, Chorus, Marullo)
- Rigoletto: Act I, Scene II. “I have returned. But why?” (Rigoletto, Borsa, Ceprano, Marullo)
- Rigoletto: Act I, Scene II. “Softly, softly we move in to get her” (All, Gilda, Chorus, Rigoletto)
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Ernani (Chorus and Orchestra of the Teatro alla Scala di Milano feat. conductor: Riccardo Muti)
Released 2000
Released 2000
- Ernani, Act I: Prelude
- Ernani, Act I: Evviva!
- Ernani, Act I: Mercè, dilette amici .....Come rugiada al cespite
- Ernani, Act I: Dell 'esiglio nel dolore .... O tu che l'alma adora
- Ernani, Act I: Surta è la notte
- Ernani, Act I: Ernani! Ernani, involami
- Ernani, Act I: Tutto sprezzo che d'Ernani
- Ernani, Act I: Qui mi trasse amor possente
- Ernani, Act I: Da quel dì che t'ho veduta
- Ernani, Act I: Tu se', Ernani!
- Ernani, Act I: Che mai vegg'io! ... Infelice! E tuo credevi
- Ernani, Act I: Vedi come il buon vegliardo
- Preludio
- All' erta, all' erta (Fernando, Chor)
- Tacea la notte placida (Leonora)
- Di tale amor che dirsi (Leonora)
- Deserto sulla terra (Manrico)
- Vedi! Le fosche notturne spoglie (Chor)
- Strida la vampa! (Azucena)
- Condotta ell'era in ceppi (Azucena, Manrico)
- Tutto è deserto (Conte, Fernando)
- Or co' dadi, ma fra poco (Chor, Fernando)
- Quale d' armi fragor poc' anzo intesi? (Leonora, Manrico)
- Di qual tetra luce (Leonora, Manrico)
- Manrico-che? Di quella pira (Manrico, Ruiz)
- Siam gunti (Ruiz, Leonora)
- Miserere d' un alma già vicina (Leonora, Manrico, Chor)
- Che!... Non m' inganna (Manrico, Leonora)
- Ti scosta (Manrico, Leonora)
- Prima che d' altri vivere (Manrico, Leonora, Conte, Azucena)
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Il Trovatore (New Philharmonia Orchestra feat. conductor: Zubin Mehta)
Released 2000
Released 2000
- Il Trovatore: Act I, Scene I. "All'erta, all'erta!"
- Il Trovatore: Act I, Scene I. "Di due figli vivea"
- Il Trovatore: Act I, Scene II. "Che più t'arresti?"
- Il Trovatore: Act I, Scene II. "Tacea la notte placida"
- Il Trovatore: Act I, Scene II. "Di tale amor, che dirsi"
- Il Trovatore: Act I, Scene II. "Tace la notte!"
- Il Trovatore: Act I, Scene II. "Deserto sulla terra"
- Il Trovatore: Act I, Scene II. "Non m'inganno"
- Il Trovatore: Act I, Scene II. "Di geloso amor sprezzato"
- Il Trovatore: Act II, Scene I. "Vedi! Le fosche notturne spoglie"
- Il Trovatore: Act II, Scene I. "Stride la vampa!"
- Il Trovatore: Act II, Scene I. "Soli or siamo!"
- Il Trovatore: Act II, Scene I. "Condotta ell'era in ceppi"
- Il Trovatore: Act II, Scene I. "Non son tuo figlio?"
- Il Trovatore: Act II, Scene I. "Mal reggendo all'aspro assalto"
- Il Trovatore: Act II, Scene I. "Inoltra il piè"
- Il Trovatore: Act II, Scene I. "Perigliarti ancor languente"
- Il Trovatore: Act II, Scene II. "Tutto è deserto"
- Il Trovatore: Act II, Scene II. "Il balen del suo sorriso"
- Il Trovatore: Act II, Scene II. "Quel suono! Oh, ciel!"
- Il Trovatore: Act II, Scene II. "Per me ora fatale"
- Il Trovatore: Act II, Scene II. "Ah! Se l'error t'ingombra"
- Il Trovatore: Act II, Scene II. "Perchè piangete?"
- Il Trovatore: Act II, Scene II. "E deggio e posso crederlo?"
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Simon Boccanegra (La Scala Opera House Orchestra & Chorus feat. conductor: Claudio Abbado)
Released 2000
Released 2000
- Simon Boccanegra: Prologue. Prelude / Scene I. "Che dicesti?"
- Simon Boccanegra: Prologue, Scene 4 "L'atra magion vedete?"
- Simon Boccanegra: Prologue, Scene 5 "A te l'estremo addio... Il lacerato spirito"
- Simon Boccanegra: Prologue, Scene 6 "Suona ogni labbro il mio nome"
- Simon Boccanegra: Act I. Prelude
- Simon Boccanegra: Act I, Scene 1. "Come in quest'ora bruna"
- Simon Boccanegra: Act I, Scene 2. "Perchè sì tardi giunsi?"
- Simon Boccanegra: Act I, Scene 5. "Propizio ei giunge"
- Simon Boccanegra: Act I, Scene 7. "Favella il Doge"
- Simon Boccanegra: Act I, Scene 10. "Messeri, il Re di Tartatìa"
- Simon Boccanegra: Act I, Scene 12. "Amelia, dì come fosti rapita"
- Simon Boccanegra: Act I, Scene 12. "Plebe! Patrizi! Popolo della feroce storia!"
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Don Carlo (Coro e Orchestra del Teatro dell'Opera di Roma feat. conductor: Gabriele Santini)
Released 2000
Released 2000
- Don Carlo: Act II, Scene I. Preludio
- Don Carlo: Act II, Scene I. "A mezzanotte, ai giardin della Regina" (Carlo, Eboli)
- Don Carlo: Act II, Scene I. "Cie!! Non è la Regina!" (Carlo, Eboli)
- Don Carlo: Act II, Scene I. "Che disse mai?" (Rodrigo, Eboli)
- Don Carlo: Act II, Scene I. "Al mio furor sfuggite invano" (Eboli, Rodrigo, Carlo)
- Don Carlo: Act II, Scene I. "Ed io, che tremava al suo aspetto!" (Eboli, Rodrigo, Carlo)
- Don Carlo: Act II, Scene I. "Trema per te, falso figliuolo" (Eboli, Rodrigo, Carlo)
- Don Carlo: Act II, Scene I. "Carlo! se mai su te fogli importanti serbi" (Rodrigo, Carlo)
- Don Carlo: Act II, Scene II. "Spuntato ecco il dì d'esultanza" (Coro)
- Don Carlo: Act II, Scene II. "Il corteggio reale" (Orchestra, Coro)
- Don Carlo: Act II, Scene II. "Schiusa or sia la porta del tempio!" (L'araldo, Coro)
- Don Carlo: Act II, Scene II. "Nel posar sul mio capo la corona" (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
- Don Carlo: Act II, Scene II. "A Dio voi foste infidi al vostro Re" (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati)
- Don Carlo: Act II, Scene II. "Sire! egli è tempo ch'io viva!" (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
- Don Carlo: Act II, Scene II. "O ciel! Tu! Rodrigo!" (Carlo, Coro, Elisabetta, Filippo, Una voce dal cielo, Deputati)
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Andrea Bocelli: Verdi (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)
Released 2000
Released 2000
- Il Trovatore: Di quella pira
- Il Trovatore: Ah si, ben mio
- Rigoletto: La donna è mobile
- Un Ballo in Maschera: Di'tu se fedele
- Un Ballo in Maschera: Ma se m'è forza perderti
- Rigoletto: Ella mi fu rapita
- Rigoletto: Possente amor mi chiama
- Aida: Celeste Aida
- La Traviata: De' miei bollenti spiriti
- La Traviata: Oh mio rimorso!
- I Lombardi: La mia letizia infondere vorrei
- Ernani: Mercé, diletti amici
- Don Carlo: Io la vidi e il suo sorriso
- Luisa Miller: Quando le sere al placido
- La Forza del Destino: La vita è inferno all'infelice
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Choruses and Ballet Music (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
Released 1999
Released 1999
- Don Carlos: Ce jour heureux est plein d'allégresse!
- Nabucco: Va, pensiero, sull'ali dorate. Prisoners' Chorus
- Macbeth: Ballett: Allegro vivacissimo - Un poco ritenuto
- Macbeth: Ballett: Allegro - Andante - Allegro
- Macbeth: Ballett: Valzer. Allegro vivacissimo - Poco più mosso
- Il Trovatore: Vedi! le fosche notturne spoglie
- Don Carlos: Ballet of the Queen
- Aida: Gloria all'Egitto
- Aida: Triumphal Schene
- Aida: Ballett
- Aida: Vieni, o guerriero vindice
- Force of Destiny - Overture
- Nabucco - Chorus (Va, Pensiero (Chorus Of The Hebrew Slaves))
- La Traviata - Brindisi (Libiamo ne' lieti calici)
- Don Carlos - Duet: Ascolta (Duet Carlos - Posa, Act 2)
- Macbeth - Chorus (Patria Oppressa!)
- Rigoletto - Canzone (La Donna e Mobile)
- Aida - Triumphal March and Chorus (Act 2 - Gloria all' Egitto)
- Simon Boccanegra - Aria (Ah, Te L'estremo Addio (Fiesco's Aria))
- Luisa Miller - Scene & Romance (Quando Le Sere (Rudolfo's Romance))
- I Lombardi - Processional Chorus (Gerusalem! Gerusalem!)
- Otello - Aria (Credo In Un Dio Crudel (Jago's Aria))
- Il Trovatore - Chorus (Vedi! Le Fosche Notturne (Gypsies' Chorus, Act 2))
- Ave Maria (From Four Sacred Pieces)
- Messa da Requiem - Lacrymosa
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Aida (London Symphony Orchestra feat. soprano: Leontyne Price, tenor: Plácido Domingo)
Released 1999
Released 1999
- Aida: Preludio
- Aida: Act I. "Sì: corre voce che l'Etiope" (Ramfis, Radamès)
- Aida: Act I. "Se quel guerrier io fossi!" (Radamès)
- Aida: Act I. "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)
- Aida: Act I. "Dessa!" (Radamès, Amneris)
- Aida: Act I. "Ohimé! di guerra fremere" (Aida, Amneris, Radamès)
- Aida: Act I. "Alta cagion v'aduna" (The King)
- Aida: Act I. "Il sacro suolo dell'Egitto è invaso" (Messenger, Radamès, The King, Ramfis, Priests, Ministers, Captains, Aida, Amneris)
- Aida: Act I. "Su! del Nilo al sacro lido" (The King, Ramfis, Ministers, Captains, Aida, Radamès, Amneris, Priests, Messenger)
- Aida: Act I. "Ritorna vincitor!" (Aida)
- Aida: Act I. "Possente, possente Fthà" (High Priestess, Priestesses, Ramfis, Priests)
- Aida: Act I. "Immenso Fthà!" (High Priestess, Priestesses, Ramfis, Priests)
- Aida: Act I. "Mortal, diletto ai Numi" (Ramfis, Priests)
- Aida: Act I. "Nume, custode e vendice" (Ramfis, Radamès, Priests, Priestesses)
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La Traviata (English National Opera feat. conductor: Sir Charles Mackerras, soprano: Valerie Masterson)
Released 1999
Released 1999
- La Traviata, Opera: Prelude
- La Traviata, Opera: Act 1.: "What a Time to Arrive at a Party!"
- La Traviata, Opera: Act 1.: "Be Happy, Be Happy and Raise Your Glass With Me"
- La Traviata, Opera: Act 1.: "What's That?"
- La Traviata, Opera: Act 1.: "I Saw a Vision Ethereal"
- La Traviata, Opera: Act 1.: "Ha, Ha! What Are You Doing?"
- La Traviata, Opera: Act 1.: "We Present Ourselves Before You"
- La Traviata, Opera: Act 1.: "I Wonder! I Wonder!"
- La Traviata, Opera: Act 1.: "Is He the One I Dream About?"
- La Traviata, Opera: Act 1.: "It Can't Be! It Can't Be!"
- La Traviata, Opera: Act 1.: "Give Me Freedom to Be Happy"
- La Traviata, Opera: Act 2. Scene 1.: "I'm Never Happy If She Is Not Beside Me"
- La Traviata, Opera: Act 2. Scene 1.: "My Life Was Too Impetuous"
- La Traviata, Opera: Act 2. Scene 1.: "Annina, Where Have You Been?"
- La Traviata, Opera: Act 2. Scene 1.: "I Hate Myself! I'm So Ashamed!"
- La Traviata, Opera: Act 2. Scene 1.: "Alfredo? He Has Just Set Out for Paris"
- La Traviata, Opera: Act 2. Scene 1.: "I Have a Daughter Sent From Heav'n"
- La Traviata, Opera: Act 2. Scene 1.: "Do You Realise I Adore Him"
- La Traviata, Opera: Act 2. Scene 1.: "A Day Will Come When Making Love..."
- La Traviata, Opera: Act 2. Scene 1.: "Ah! Comfort Your Daughter So Pure and Lovely"
- La Traviata, Opera: Act 2. Scene 1.: "Then Command Me!"
- La Traviata, Opera: Act 2. Scene 1.: "I'll Die! But You Must Promise Me..."
- La Traviata, Opera: Act 2. Scene 1.: "God Give Me Strength to Bear It!"
- La Traviata, Opera: Act 2. Scene 1.: "What's That?"
- La Traviata, Opera: Act 2. Scene 1.: "Ah, She Is Mine Forever"
- La Traviata, Opera: Act 2. Scene 1.: "In Provence, Your Native Land"
- La Traviata, Opera: Act 2. Scene 1.: "Won't You Answer Your Father, Alfredo?"
- La Traviata, Opera: Act 2. Scene 1.: "No, No I Cannot Preach at You"
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Vorspiele und Ouvertueren - Berliner Philharmoniker - Claudio Abbado
Released 1999
Released 1999
- La Forza del Destino (1862, rev. 1869): Sinfonia, Ouvertuere
- Luisa Miller (1849): Sinfonia
- Nabucco (1842): Sinfonia
- Aida (1871): Preludio, Vorspiel
- La traviata (1853): Preludio (Atto I)
- Macbeth (1847, rev. 1865): Ballabile, Ballett
- La Traviata( 1853): Preludio (Atto III)
- Don Carlos (1867, rev. 1884-86): Preludio (Atto II)
- I vespri siciliani (1855): Ouverture
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Macbeth (New Philharmonia Orchestra feat. conductor: Riccardo Muti)
Released 1999
Released 1999
- Macbeth: Preludio
- Macbeth: Atto I. "Che faceste? Dite su!"
- Macbeth: Atto I. "Giorno no vidi mai"
- Macbeth: Atto I. "Pro Macbetto! Il tuo signore"
- Macbeth: Atto I. "Due vaticini compiuti or sono"
- Macbeth: Atto I. "S'allontanarono!"
- Macbeth: Atto I. "Nel di della vittoria io le incontrai"
- Macbeth: Atto I. "Vieni! t'affretta!"
- Macbeth: Atto I. "Al cader della sera il re qui giunge"
- Macbeth: Atto I. "Or tutti sorgete, ministri infernali"
- Macbeth: Atto I. "Oh, donna mia!"
- Macbeth: Atto I. "Sappia la sposa mia"
- Macbeth: Atto I. "Regna il sonno su tutti"
- Macbeth: Atto I. "Fatal mia donna!"
- Macbeth: Atto I. "Allor questa voce m'intesi nel petto"
- Macbeth: Atto I. "Il pugnal la riportate"
- Macbeth: Atto I. "Di destarlo per tempo il re m'impose"
- Macbeth: Atto I. "Schiudi, inferno, la bocca"
- Macbeth: Atto II. "Perche mi sfuggi"
- Macbeth: Atto II. "La luce langue"
- Macbeth: Atto II. "Chi v'impose unirvi a noi?"
- Macbeth: Atto II. "Studia il passo, o mio figlio!"
- Macbeth: Atto II. "Come dal ciel precipita"
- Macbeth: Atto II. "Salve, o re!"
- Macbeth: Atto II. "Si colmi il calice"
- Macbeth: Atto II. "Tu di sangue hai brutto il volto"
- Macbeth: Atto II. "Che ti scosta, o re mio sposo"
- Macbeth: Atto II. "Si colmi il calice"
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Aida (Rome Opera Chorus and Orchestra feat. conductor: Sir Georg Solti)
Released 1999
Released 1999
- Aida: Act 2, "Quest'assisa ch'io vesto vi dica"
- Aida: Act 2, "Ma tu, Re, tu signore possente"
- Aida: Act 2, "O Re: pei sacri Numi"
- Aida: Act 2, "Gloria all'Egitto, ad Iside"
- Aida: Act 3, "O tu che sei d'Osiride"
- Aida: Act 3, "Qui Radames verrà!...O Patria mia"
- Aida: Act 3, "Ciel! mio padre!"
- Aida: Act 3, "Pur ti riveggo, mia dolce Aida"
- Aida: Act 3, "Fuggiam gli ardori inospiti"
- Aida: Act 3, "Tu...Amonasro!...tu!...il Re?"
- Aida: Act 4, "L'aborrita rivale a me sfuggia"
- Aida: Act 4, "Già i Sacerdoti adunansi"
- Aida: Act 4, "Ohimè!...morir mi sento! Oh! chi lo salva?"
- Aida: Act 4, "Radamès! Radamès! Radamès!"
- Aida: Act 4, "La fatal pietra sovra me si chiuse"
- Aida: Act 4, "Presago il core della tua condonna"
- Aida: Act 4, "O terra, addio; addio valle di pianti"
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Rigoletto (Orchestra dell'Accademia di S. Cecilia Roma feat. conductor: Nino Sanzogno)
Released 1999
Released 1999
- Act 1 - Preludio
- Act 1 - Della mia bella incognita borghese
- Act 1 - Questo o quella
- Act 1 - Gran nuova! Gran nuova!
- Act 1 - Ch' io gli parii
- Act 1 - Quel vecchio maledivami!
- Act 1 - Pari siamo!
- Act 1 - Figlia! - Mio padre!
- Act 1 - Ah! Veglia, o donna, questo fiore
- Act 1 - Giovanna, ho dei rimorsi
- Act 1 - Che m'ami, deh! Ripetimi
- Act 1 - Gualtier Maldè... Caro nome
- Act 1 - Riedo! Perchè?
- Act 1 - Zitti, zitti, muoviamo a vendetta
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La Forza del destino (Metropolitan Opera Orchestra feat. conductor: Bruno Walter)
Released 1999
Released 1999
- La Forza del destino: Broadcast commentary
- La Forza del destino: Act I. Sinfonia
- La Forza del destino: Act I. "Buona notte, mia figlia"
- La Forza del destino: Act I. " Me pellegrina ed orfana"
- La Forza del destino: Act I. "Ah! per sempre, o mio bell'angiol"
- La Forza del destino: Act I. "Vil seduttor!... infame figlia!"
- La Forza del destino: Broadcast commentary
- La Forza del destino: Act II. "Holà! holà! holà!"
- La Forza del destino: Act II. "Al suon del tamburo"
- La Forza del destino: Act II. "Padre Eterno Signor, pietà"
- La Forza del destino: Act II. "Viva la buona compagnia!"
- La Forza del destino: Act II. "Poich' imberbe è l'incognito"
- La Forza del destino: Act II. "Sta bene"
- La Forza del destino: Broadcast commentary
- Preludio
- Si: corre voce che l'Etiope
- Se quel guerrier io fossil
- Quale insolita gioia nel tuo sguardo!
- Dessa!
- Ohimé! di guerra fremere
- Alta cagion v'aduna
- Il sacro suolo dell' Egitto è invaso
- Su! del Nilo al sacro lido
- Ritorna vincitor!
- Possente, possente Fthà
- Sacred Dance of the Priestesses
- Mortal, diletto ai Numi
- Nume, custode e vindice
- Chi mai fra gl'inni e i plausi
- Dance of the young Moorish Slaves
- Vieni, sul crin ti piovano
- Fu la sorte dell'armi
- Pietà ti prenda del mio dolor
- Su! del Nilo al sacro lido
- Gloria all'Egitto, ad Iside
- Ballet
- Veini, o guerriero vindice
- Salvator della patria
- Concedi in pria
- Che veggo! Egli? Mio padre!
- Quest'assisa ch'io vesto vi dica
- Ma tu, Re, tu signore possente
- O Re, pei sacri Numi
- Gloria all'Eggitto, ad Iside
- Fa cor: della tua patria
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Rigoletto (Müncher Rundfunkorchestrer feat. Lamberto Gardelli)
Released 1999
Released 1999
- Preludio
- Quel vecchio maledivami!
- Pari siamo!...io la lingua
- Giovanna, ho dei rimorsi
- Gualtier Maldè
- Finale I: Riedo!...perchè?
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La Traviata (RCA Italiana Orchestra & Chorus feat. Georges Prêtre)
Released 1999
Released 1999
- Prelude
- Dell'invito trascorsa è già l'ora
- Libiamo ne' lieti calici (Brindisi)
- Che è ciò?
- Un dì felice, eterea
- Ebben? Che diavol fate?
- Si ridesta in ciel l'aurora
- È strano, è strano! Ah, fors è lui
- Follie! Follie! Delirio vano
- Sempre libera
- Lunge da lei... De' miei bollenti spiriti
- Oh, mio rimorso!
- Alfredo? Per Parigi or or partiva
- Pura siccome un angelo
- Non sapete quale affetto
- Ah! Dite alla giovine
- Morrò! Morrò!
- Dammi tu forza, o cielo!
- Ah, vive sol quel core all'amor mio!
- Di provenza
- Nè rispondi
- Non, non udrai rimproveri
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Rigoletto (Wiener Philharmoniker feat. conductor: Carlo Maria Giulini)
Released 1999
Released 1999
- Rigoletto: Atto Primo, N. 1 Preludio
- Rigoletto: Atto Primo, N. 2 Introduzione. "Della mia bella incognita borghese"
- Rigoletto: Atto Primo, N. 2 Introduzione. "Questa o quella"
- Rigoletto: Atto Primo, N. 2 Introduzione. "Ch'io gli parli"
- Rigoletto: Atto Primo, N. 3 Duetto. "Quel vecchio maledivami!"
- Rigoletto: Atto Primo, N. 4 Scena e Duetto. "Pari siamo! ... io la lingua"
- Rigoletto: Atto Primo, N. 4 Scena e Duetto. "Figlia! ..." / "Mio padre!"
- Rigoletto: Atto Primo, N. 4 Scena e Duetto. "Già da tre lune son qui venuta"
- Rigoletto: Atto Primo, N. 5 Scena e Duetto. "Giovanna, ho dei rimorsi"
- Rigoletto: Atto Primo, N. 5 Scena e Duetto. "È il sol dell'anima"
- Rigoletto: Atto Primo, N. 5 Scena e Duetto. "Che m'ami, deh ripetimi"
- Rigoletto: Atto Primo, N. 6 Aria. "Gualtier Maldè ... Caro nome che il mio cor"
- Rigoletto: Atto Primo, N. 7 Finale Primo. "Riedo! ... perchè?" / "Silenzio ... all'opra"
- Rigoletto: Atto Primo, N. 7 Finale Primo. "Zitti, zitti, muoviamo a vendetta"
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Falstaff (Philharmonia Orchestra & Chorus feat. conductor: Herbert von Karajan)
Released 1999
Released 1999
- Falstaff: Atto I, Parte I. "Falstaff!" - "Olà!" (Dr Cajus, Falstaff, Bardolfo, Pistola)
- Falstaff: Atto I, Parte I. "So che se andiam, la notte" (Falstaff, Pistola, Bardolfo)
- Falstaff: Atto I, Parte I. "Ma è tempo d'assottigliar l'ingegno" (Falstaff, Pistola, Bardolfo)
- Falstaff: Atto I, Parte I. "L'onore! Ladri!" - "Io stesso, sì, io, io" (Falstaff)
- Falstaff: Atto I, Parte II. "Alice!" - "Meg!" - "Nannetta!" (Meg, Alice, Quickly, Nannetta)
- Falstaff: Atto I, Parte II. "Fulgida Alice! amor t'offro" (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)
- Falstaff: Atto I, Parte II. "Ripeti" - "In due parole" (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)
- Falstaff: Atto I, Parte II. "Pst, pst, Nannetta!" - "Vien qua" - "Labbra di foco!" (Fenton, Nannetta)
- Falstaff: Atto I, Parte II. "Falstaff m'ha canzonata" (Alice, Meg, Nannetta, Quickly)
- Falstaff: Atto I, Parte II. "Torno all'assalto" - "Torna alla gara" (Fenton, Nannetta)
- Falstaff: Atto I, Parte II. "Udrai quanta egli sfoggia magniloquenza altera" (Bardolfo, Ford, Pistola)
- Falstaff: Atto I, Parte II. "Del tuo barbaro diagnostico" (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford)
- Falstaff: Atto II, Parte I. "Siam pentiti e contriti" (Bardolfo, Pistola, Falstaff)
- Falstaff: Atto II, Parte I. "Reverenza!" (Quickly, Falstaff)
- Falstaff: Atto II, Parte I. "Va, vecchio John" (Falstaff, Bardolfo)
- Falstaff: Atto II, Parte I. "Signore, v'assista il cielo!" (Ford, Falstaff, Bardolfo, Pistola)
- Falstaff: Atto II, Parte I. "Ve lo dirò. C'è a Windsor una dama" (Ford, Falstaff)
- Falstaff: Atto II, Parte I. "Lo conoscete?" - "Il diavolo se lo porti all'inferno" (Ford, Falstaff)
- Falstaff: Atto II, Parte I. "È sogno? o realtà?" (Ford)
- Falstaff: Atto II, Parte I. "Eccomi qua. Son pronto" (Falstaff, Ford)
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I Vespri Siciliani (New Philharmonia Orchestra & John Alldis Choir feat. conductor: James Levine)
Released 1999
Released 1999
- I Vespri Siciliani: Overture
- I Vespri Siciliani: Act I. "A te, ciel natio"
- I Vespri Siciliani: Act I. "Qual s'offre al mio sguardo"
- I Vespri Siciliani: Act I. "O mio fratel, Federigo!"
- I Vespri Siciliani: Act I. "Assai nappi vuotammo"
- I Vespri Siciliani: Act I. "In alto mare" / "Deh! tu calma, O Dio possente"
- I Vespri Siciliani: Act I. "Egli! Oh, ciel!"
- I Vespri Siciliani: Act I. "D'ira fremo all'aspetto tremendo"
- I Vespri Siciliani: Act I. "O donna!"
- I Vespri Siciliani: Act I. "Qual è il tuo nome?"
- I Vespri Siciliani: Act I. "Temerario! Qual ardire!"
- I Vespri Siciliani: Act II. Prelude
- I Vespri Siciliani: Act II. "O patria" / "O tu, Palermo"
- I Vespri Siciliani: Act II. "Ai nostri fidi nunzio"
- I Vespri Siciliani: Act II. "Santo amor che in me favelli"
- I Vespri Siciliani: Act II. "Miei fidi amici"
- I Vespri Siciliani: Act II. "Ah! nulla! sommesso il core"
- I Vespri Siciliani: Act II. "Quale, o prode, al tuo coraggio"
- I Vespri Siciliani: Act II. "Presso alla tomba ch'apresi"
- I Vespri Siciliani: Act II. "Cavalier, questo foglio"
- I Vespri Siciliani: Act II. Tarantella
- I Vespri Siciliani: Act II. "La vaghe spose"
- I Vespri Siciliani: Act II. "Viva la guerra"
- I Vespri Siciliani: Act II. "Il rossor mi coprì!"
- I Vespri Siciliani: Act II. "Per lui non ebbi oltraggio!"
- I Vespri Siciliani: Act II. "Del piacer s'avanza l'ora!"
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Requiem (London Symphony Chorus and Orchestra feat. conductor: Richard Hickox)
Released 1999
Released 1999
- Messa da Requiem: I. Requiem
- Messa da Requiem: II. Dies irae: Dies irae
- Messa da Requiem: II. Dies irae: Tuba mirum
- Messa da Requiem: II. Dies irae: Mors stupebit
- Messa da Requiem: II. Dies irae: Liber scriptus
- Messa da Requiem: II. Dies irae: Quid sum miser
- Messa da Requiem: II. Dies irae: Rex tremendae
- Messa da Requiem: II. Dies irae: Recordare
- Messa da Requiem: II. Dies irae: Ingemisco
- Messa da Requiem: II. Dies irae: Confutatis
- Messa da Requiem: II. Dies irae: Lacrymosa
- Messa da Requiem: III. Offertorio
- Messa da Requiem: IV. Sanctus
- Messa da Requiem: V. Agnus Dei
- Messa da Requiem: VI. Lux aeterna
- Messa da Requiem: VII. Libera me
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I vespri siciliani (Coro e Orchestra del Teatro Comunale Firenze, feat. conductor Erich Kleiber, singers Callas, Kokolikos Bardi, Mascherini, Christoff)
Released 1998
Released 1998
- I Vespri siciliani: Sinfonia
- I Vespri siciliani: Act I. "Al cielo natio"
- I Vespri siciliani: Act I. "Qual s'offre al mio sguardo"
- I Vespri siciliani: Act I. "In alto mare e battuto dai venti"
- I Vespri siciliani: Act I. "O donna!"
- I Vespri siciliani: Act I. "Qual è il tuo nome?"
- I Vespri siciliani: Act II. "O patria, o cara patria"
- I Vespri siciliani: Act II. "O tu, Palermo, terra adorata"
- I Vespri siciliani: Act II. "Ai nostri fidi"
- I Vespri siciliani: Act II. "Quale, o prode, al tuo corraggio"
- I Vespri siciliani: Act II. "Cavalier, questo foglio"
- I Vespri siciliani: Act II. "Il rossor mi coprì"
- I Vespri siciliani: Act III. "Si, m'abborriva ed a ragion!"
- I Vespri siciliani: Act III. "In braccio alle dovizie"
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Verdi: Simon Boccanegra (Wiener Staatsoper, feat. conductor Claudio Abbado)
Released 1998
Released 1998
- Simon Boccanegra: Prologue, Scene I.-IV. "Che dicesti?" (Paolo, Pietro - Simon)
- Simon Boccanegra: Prologue, Scene I.-IV. "All'alba tutti qui verrete" (Pietro, Coro, Paolo)
- Simon Boccanegra: Prologue, Scene I.-IV. "L'atra magion vedete?" (Paolo, Coro, Pietro)
- Simon Boccanegra: Prologue, Scene V. "A te l'estreme addio" (Fiesco - Coro)
- Simon Boccanegra: Prologue, Scene VI.-VII. "Suona ogni labbro il mio nome..." (Simon, Fiesco)
- Simon Boccanegra: Prologue, Scene VI.-VII. "O de' Fieschi implacata" (Simon, Fiesco, Coro)
- Simon Boccanegra: Act I, Scene I. "Come in quest'ora" (Amelia)
- Simon Boccanegra: Act I, Scene II. "Cielo di stelle orbato" (Gabriele, Amelia)
- Simon Boccanegra: Act I, Scene III. "Vieni a mirar la cerula" (Amelia)
- Simon Boccanegra: Act I, Scene IV. "Ah!" - "Che fia?" (Amelia, Gabriele)
- Simon Boccanegra: Act I, Scene V. "Propizio e giunge!" (Gabriele, Fiesco)
- Simon Boccanegra: Act I, Scene VI. "Paolo" - "Signor" (Simon, Paolo - Amelia)
- Simon Boccanegra: Act I, Scene VII. "Orfanella il tetto umile" (Amelia, Simon)
- Simon Boccanegra: Act I, Scene VIII.-IX. "Il vuoi! Scordasti ch mi devi" (Paolo, Pietro)
- Simon Boccanegra: Act I, Scene X.-XII. "Messeri, il re di Tartari" (Simon, Coro, Paolo, Pietro - Gabriele, Fiesco)
- Simon Boccanegra: Act I, Scene X.-XII. "Plebe, Patrizi, Popolo" (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, Coro)
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Ernani (Orchestra and Chorus of Welsh National Opera feat. conductor: Richard Bonynge)
Released 1998
Released 1998
- Ernani: Act I. Preludio
- Ernani: Act I. "Evviva! Beviam!"
- Ernani: Act I. "Mercé, diletti amici ... Come rugiada al cespite"
- Ernani: Act I. "Dell'esilio nel dolore"
- Ernani: Act I. "Surta è la notte ... Ernani! Ernani involami"
- Ernani: Act I. "Tutto sprezzo che d'Ernani"
- Ernani: Act I. "Fa che a me venga"
- Ernani: Act I. "Da quel di che t'ho veduta"
- Ernani: Act I. "Non t'ascolto, mia sarai"
- Ernani: Act I. "Che ma vegg'io! ... Infelice! e tuo credevi"
- Ernani: Act I. "Infin che un brando vindice"
- Ernani: Act I. "Uscite ... Ma signore"
- Ernani: Act I. "Mio signor, dolente i sono"
- Ernani: Act II. "Esultiamo! Letizia ne inondi!"
- Ernani: Act II. "Jago, qui tosto il pellegrin adduci"
- Ernani: Act II. "Oro, quant'oro ogn'avido"
- Ernani: Act II. "Tu, perfida!"
- Ernani: Act II. "Ah, morir potessi adesso!"
- Ernani: Act II. "Scellerati, il mio furore"
- Ernani: Act II. "Cugino, a che munito il tuo castel ritrovo?"
- Ernani: Act II. "Lo vedremo, veglio audace"
- Ernani: Act II. "Fu esplorata el castello ogni latebra più occulta"
- Ernani: Act II. "Vieni meco, sol di rose"
- Ernani: Act II. "Vigili pure i ciel sempre su te"
- Ernani: Act II. "D'Ernani i fidi chiedono"
- Ernani: Act III. "E questo il loco?"
- Ernani: Act III. "Gran Dio! Costor sui sepolcrali marmi"
- Ernani: Act III. "Oh de'verd'anni miei"
- Ernani: Act III. "Ad augusta!"
- Ernani: Act III. "Un patto! Un giuramento!"
- Ernani: Act III. "Qual rumore? Che sarà"
- Ernani: Act III. "Io son conte, duca sono"
- Ernani: Act III. "O sommo Carlo, più del tuo nome"
- Ernani: Act IV. "Oh, come felici gioiscon gli sposi!"
- Ernani: Act IV. "Cessaro i suoni, dispari ogni face"
- Ernani: Act IV. "Ecco il pegno"
- Ernani: Act IV. "Ferma, crudele, estinguere perché vuoi tu due vite?"
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Un ballo in maschera (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
Released 1998
Released 1998
- In ballo in maschera: Preludio
- In ballo in maschera: Atto I. "Posa in pace"
- In ballo in maschera: Atto I. "S'avanza il Conte"
- In ballo in maschera: Atto I. "Alla vita che t'arride"
- In ballo in maschera: Atto I. "Volta la terrea fronte alle stelle"
- In ballo in maschera: Atto I. "Signori, oggi d'Ulrica"
- In ballo in maschera: Atto I. "Zitti! L'incanto non dessi turbare"
- In ballo in maschera: Atto I. "Che v'agita così?"
- In ballo in maschera: Atto I. "Su profetessa" - "Di' tu se fedele il flutto m'aspetta"
- In ballo in maschera: Atto I. "È la destra d'un grande" - "E scherzo od è follia"
- In ballo in maschera: Atto I. "Finisci il vaticinio"
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Simon Boccanegra (Orchestra e Coro del Teatro alla Scala feat. conductor Claudio Abbado)
Released 1998
Released 1998
- Simon Boccanegra: Prologue. "Che dicesti?"
- Simon Boccanegra: Prologue. "L'atra magion vedete?"
- Simon Boccanegra: Prologue. "A te l'estremo addio" - "Il lacerato spirito"
- Simon Boccanegra: Prologue. "Suona ogni labbro il mio nome"
- Simon Boccanegra: Prologue. "Oh, de'Fieschi implacata, orrida razza"
- Simon Boccanegra: Act I, Scene I. Preludio
- Simon Boccanegra: Act I, Scene I. "Come in quest'ora bruna"
- Simon Boccanegra: Act I, Scene I. "Cielo di stelle orbato"
- Simon Boccanegra: Act I, Scene I. "Propizio ei giunge!"
- Simon Boccanegra: Act I, Scene I. "Il Doge vien"
- Simon Boccanegra: Act I, Scene I. "Orfanelle il tetto umile" - "Figlia!...a tal nome io palpito"
- Simon Boccanegra: Act I, Scene I. "Che rispose?"
- Simon Boccanegra: Act I, Scene II. "Messeri, il re di Tartaria"
- Simon Boccanegra: Act I, Scene II. "Ferischi!"
- Simon Boccanegra: Act I, Scene II. "Amelia, di come fosti rapita"
- Simon Boccanegra: Act I, Scene II. "Plebe! Patrizi!"
- Simon Boccanegra: Act I, Scene II. "Ecco la spada"
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Rigoletto (Metropolitan Opera Orchestra feat. conductor: Ettore Panizza)
Released 1998
Released 1998
- Rigoletto: Act I. Prelude
- Rigoletto: Act I. Introduction and Scene "Della mia bella incognita"
- Rigoletto: Act I. Ballata "Questa o quella per me pari sono"
- Rigoletto: Act I. Minuetto and Perigordino "Partite? Crudele!"
- Rigoletto: Act I. Scene and Chorus "Gran nuova! ...tutto è festa, tutto è gioia"
- Rigoletto: Act I. Scene and Chorus "Ch'io gli parli..."
- Rigoletto: Act II. Recitative and Scene "Quel vecchio maledivami!"
- Rigoletto: Act II. Recitative and Scene "Pari Siamo"
- Rigoletto: Act II. Duet "Deh non parlare al misero"
- Rigoletto: Act II. Recitative and Duet "Giovanna, ho dei rimorsi... Signor ne principe io lo verrei"
- Rigoletto: Act II. Recitative and Aria "Gualtier Maldè... Caro nome che il mio cor"
- Rigoletto: Act II. Recitative and Finale "Silenzio all'opra... Zitti, zitti"
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La Traviata (Metropolitan Opera Orchestra feat conductor: Ettore Panizza)
Released 1998
Released 1998
- Broadcast Commentary
- La Traviata: Prelude
- La Traviata: Act I. Introduction "Dell'invito trascorsa"
- La Traviata: Act I. Brindisi "Libiamo ne'lieti calici"
- La Traviata: Act I. Waltz and Duet "Che è ciò"
- La Traviata: Act I. "Un dì felice"
- La Traviata: Act I. Scene and Aria "È strano!... è strano!..."
- La Traviata: Act I. "Ah fors'è lui"
- La Traviata: Act I. "Follie! Follie!"
- La Traviata: Act I. "Sempre libera"
- Broadcast Commentary
- Interval talk
- La Traviata: Act II. Scene and Aria "Lunge da lei"
- La Traviata: Act II. "De' miei bollenti spiriti"
- La Traviata: Act II. "Scene and Duet "Alfredo? - Per Parigi or partiva"
- La Traviata: Act II. "Pura siccome un angelo"
- La Traviata: Act II. "Dite alla giovine"
- La Traviata: Act II. Scene "Dammi forza, o cielo"
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La Traviata (Orchestra e coro del Maggio Musicale Fiorentino feat. conductor: Sir John Pritchard)
Released 1998
Released 1998
- La Traviata: Prelude
- La Traviata: Act I. "Dell' invito trascorsa è già l'ora?"
- La Traviata: Act I. "Libiamo ne' lieti calici"
- La Traviata: Act I. "Che è cio?"
- La Traviata: Act I. "Un di felice, eterea"
- La Traviata: Act I. "È strano! è strano!"
- La Traviata: Act I. "Follie! Delirio vano è questo!"
- La Traviata: Act II, Scene I. "Lunge da lei per me non v'ha diletto"
- La Traviata: Act II, Scene I. "De' miei bollenti spiriti"
- La Traviata: Act II, Scene I. "O mio rimorso!"
- La Traviata: Act II, Scene I. "Pura siccome un angelo"
- La Traviata: Act II, Scene I. "Dite alla giovine sì bella e pura"
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Il Trovatore (National Philharmonic Orchestra feat. conductor: Richard Bonynge, tenor: Luciano Pavarotti, soprano: Joan Sutherland, mezzo-soprano: Marilyn Horne)
Released 1998
Released 1998
- Il Trovatore: Act I, Scene I. "All'erta! All'erta"
- Il Trovatore: Act I, Scene I. "Di due figle vivea padre beato"
- Il Trovatore: Act I, Scene II. "Che più t'arresti?"
- Il Trovatore: Act I, Scene II. "Tacea la notte placida"
- Il Trovatore: Act I, Scene II. "Di tale amor, che dirsi"
- Il Trovatore: Act I, Scene II. "Tace la notte!"
- Il Trovatore: Act I, Scene II. "Deserto sulla terra"
- Il Trovatore: Act I, Scene II. "Infida - Qual voce! Di geloso amor sprezzato"
- Il Trovatore: Act II, Scene I. "Vedi! Le fosche notturne spoglie"
- Il Trovatore: Act II, Scene I. "Stride la vampa!"
- Il Trovatore: Act II, Scene I. "Soli or siamo"
- Il Trovatore: Act II, Scene I. "Non son tuo figlio!"
- Il Trovatore: Act II, Scene I. "Mal reggendo all'aspro assalto"
- Il Trovatore: Act II, Scene I. "Perigliarti ancor languente"
- Il Trovatore: Act II, Scene II. "Tutto è deserto"
- Il Trovatore: Act II, Scene II. "Il balen del suo sorriso"
- Il Trovatore: Act II, Scene II. "Ah! se l'error t'ingombra"
- Il Trovatore: Act II, Scene II. "E deggio e posso crederlo?"
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Rigoletto (Orchestra & Chorus of the Teatro Comunale of Florence feat. conductor: Carlo Maria Giulini)
Released 1998
Released 1998
- Rigoletto: Act I. Prelude
- Rigoletto: Act I, Scene 1. "Della mia bella incognita birghese"
- Rigoletto: Act I, Scene 1. "Questa o quella"
- Rigoletto: Act I, Scene 6. "Ch'io gli parli"
- Rigoletto: Act I, Scene 7. "Quel vecchio meledivami!"
- Rigoletto: Act I, Scene 8. "Pari siamo"
- Rigoletto: Act I, Scene 9. "Figlia!" / "Mio padre"
- Rigoletto: Act I, Scene 9. "Già da tre lune"
- Rigoletto: Act I, Scene 12. "Giovanna, ha dei rimorsi"
- Rigoletto: Act I, Scene 12. "È il sol dell'anima"
- Rigoletto: Act I, Scene 12. "Che m'ami, deh, ripetimi"
- Rigoletto: Act I, Scene 13. "Caro nome"
- Rigoletto: Act I, Scene 15. "Riedo!... Perché?"
- Rigoletto: Act I, Scene 15. "Zitti, zitti"
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La Forza del Destino (London Symphony Orchestra feat. conductor: James Levine)
Released 1998
Released 1998
- La Forza del Destino: Act I. Overture
- La Forza del Destino: Act I. "Buona notte, mia figlia"
- La Forza del Destino: Act I. "Temea restasse qui fino a domani!"
- La Forza del Destino: Act I. "Me pellegrina ed orfana"
- La Forza del Destino: Act I. "M'aiuti, signorina"
- La Forza del Destino: Act I. "Ah! per sempre"
- La Forza del Destino: Act I. "Dimani si partirà"
- La Forza del Destino: Act I. "È tardi"
- La Forza del Destino: Act II, Scene I. "Holà, holà, holà!"
- La Forza del Destino: Act II, Scene I. "La cena è pronta"
- La Forza del Destino: Act II, Scene I. "Al suon del tamburo"
- La Forza del Destino: Act II, Scene I. "Padre Eterno Signor"
- La Forza del Destino: Act II, Scene I. "Viva la buona compagnia!"
- La Forza del Destino: Act II, Scene I. "Poich'imberbe è l'incognito"
- La Forza del Destino: Act II, Scene I. "Sta bene"
- La Forza del Destino: Act II, Scene II. "Son giunta! Grazie, o Dio!"
- La Forza del Destino: Act II, Scene II. "Madre, Madre, pietosa Vergine"
- La Forza del Destino: Act II, Scene II. "Chi siete?"
- La Forza del Destino: Act II, Scene II. "Chi mi cerca?"
- La Forza del Destino: Act II, Scene II. "Se voi scacciate questa pentita"
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Nabucco (Teatro San Carlo, Napoli feat. conductor Vittorio Gui, singers: Callas, Bechi, Pini, Isamele)
Released 1997
Released 1997
- Nabucco: Sinfonia
- Nabucco: "Gli arredi festivi"
- Nabucco: "Sperate, o figli!"
- Nabucco: "Qual rumore"
- Nabucco: "Comme notte a sol fulgente"
- Nabucco: "Fenena! O mia diletta!"
- Nabucco: "Io t'amava!"
- Nabucco: "Lo vedeste"
- Nabucco: "Che tenti"
- Nabucco: "O vinti, il capo a terra!"
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Un ballo in maschera (Orchestra e Coro del Teatro alla Scala)
Released 1997
Released 1997
- Un ballo in maschera: Atto II, Scena I "Ahimè! s'appressa alcun"
- Un ballo in maschera: Atto II, Scena I "Seguitemi"
- Un ballo in maschera: Atto III, Scena I "A tal colpa è nulla il pianto
- Un ballo in maschera: Atto III, Scena I "Morrò, ma prima in grazia"
- Un ballo in maschera: Atto III, Scena I "Alzati! là tuo figlio"
- Un ballo in maschera: Atto III, Scena I "Siam soli, Udite"
- Un ballo in maschera: Atto III, Scena I "Il messaggio entri"
- Un ballo in maschera: Atto III, Scena II "Forse la soglia attinse"
- Un ballo in maschera: Atto III, Scena II "Ah! dessa è là"
- Un ballo in maschera: Atto III, Scena III "Ah! perché qui! fuggite"
- Un ballo in maschera: Atto III, Scena III "No, no... lasciatelo"
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La traviata (Opera Nacional, Mexico City, feat. conductor: Umberto Mugnai, singers: Callas, di Stefano,, Campolonghi, Ruffino)
Released 1997
Released 1997
- La traviata: Act III. Beginning
- La traviata: Act III. Conclusion
- La traviata: Act IV. Beginning
- La traviata: Act IV. Part Two
- La traviata: Act IV. Part Three
- La traviata: Act IV. Part Four / Conclusion
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Aida (Orchestra & Chorus of Palacio de Bellas Artes, feat. conductor Oliviero de Fabritiis, singers: Callas, Del Monaco, Taddei, Dominguez)
Released 1997
Released 1997
- Aida: Preludio
- Aida: Atto I. "Si, corre voce"
- Aida: Atto I. "Se quel guerrier io fossi... Celeste Aida"
- Aida: Atto I. "Ritorna vincitor"
- Aida: Atto I. "Possente, possente immenso Ftha"
- Aida: Atto I. "Nume, che Duce"
- Aida: Atto II. "Che mai fra"
- Aida: Atto II. "Fu la sorte dell'armi a'tuoi funesta"
- Aida: Atto II. "Salvator della patria"
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Il Trovatore (Orchestra e Coro del Teatro alla Scala feat. conductor Antonio Votto, singers: Callas, Penno, Tagliabue, Modesto)
Released 1997
Released 1997
- Il Trovatore: Atto I. "All Erta! All' Erta! In Conte N' E D' Uopo"
- Il Trovatore: Atto I. "Abbietta Zingara Fosca Vegliarda"
- Il Trovatore: Atto I. "E Il Padre?"
- Il Trovatore: Atto I. "Che Piu T' Arresti? L' Ora E Tarda: Vieni"
- Il Trovatore: Atto I. "Tacea La Notte Placida"
- Il Trovatore: Atto I. "Tace La Notte Immersa Nel Sonno"
- Il Trovatore: Atto I. "No! Di Geloso Amor Sprezzato"
- Il Trovatore: Atto II. "Vedi Le Fosche Notturne Spoglie"
- Il Trovatore: Atto II. "Stride La Vampa La Folla Indomita"
- Il Trovatore: Atto II. "Soli Or Siamo Condotta Ell Era In Ceppi"
- Il Trovatore: Atto II. "Non Son Tuo Figlio?"
- Il Trovatore: Atto II. "Mal Reggendo All' Aspro Assalto"
- Il Trovatore: Atto II. "L' Usato Messo Perigliarti Ancor Languente"
- Il Trovatore: Atto II. "Tutto E Deserto Il Balen Del Suo Sorriso"
- Il Trovatore: Atto II. "Ah... Se L' Error T' Ingombra... Perche Piangete?"
- Il Trovatore: Atto II. "E Eggio... E Posso Crederlo?"
- Overture
- Son giunta!
- Il santo nome di Dio Signore
- La Vita e un Inferno
- Solenne in quest'ora
- Urna fatale del mio destino
- Rataplan, rataplan, rataplan
- Fratello..Le Minaccie, i fieri accenti
- Pace, pace, mio Dio
- Non imprecare
- Macbeth: Act III. "Tre volte miagola la gatta in fregola"
- Macbeth: Act III. "Ballo"
- Macbeth: Act III. "Finché appelli"
- Macbeth: Act III. "Fuggi, regal fantasima"
- Macbeth: Act III. "Ondine e silfidi dall'ali candide"
- Macbeth: Act III. "Ove son io?"
- Macbeth: Act IV, Scene I. "Patria oppressa!"
- Macbeth: Act IV, Scene I. "O figli miei!"
- Macbeth: Act IV, Scene I. "Ah, la paterna mano"
- Macbeth: Act IV, Scene I. "Dove siam? che bosco è quello?"
- Macbeth: Act IV, Scene II. "Vegliammo invan due notti"
- Macbeth: Act IV, Scene II. "Una macchia è qui tuttora"
- Macbeth: Act IV, Scene III. "Perfidi! All'Anglo contro me v'unite!"
- Macbeth: Act IV, Scene III. "Pietà, rispetto, amore"
- Macbeth: Act IV, Scene III. "Ella è morta!"
- Macbeth: Act IV, Scene IV. "All'armi! All'armi!"
- Macbeth: Act IV, Scene IV. "Vittoria"
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Requiem (Maria Caniglia, Ebe Stignani, Beniamino Gigli, Ezio Pinza)
Released 1997
Released 1997
- Requiem
- Kyrie
- Dies irae
- Tuba mirum
- Mors stupebit
- Liber scriptus
- Dies irae
- Quid sum miser
- Rex tremendae
- Recordare
- Ingemisco
- Confutatis
- Dies irae
- Lacrymosa
- Domine Jesu Christe
- Hostias
- Sanctus
- Agnus Dei
- Lux aeterna
- Libera me, Domine
- Dies irae
- Requiem
- Libera me, Domine
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Macbeth (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
Released 1997
Released 1997
- Macbeth: Preludio
- Macbeth: Atto I. "Che faceste? dite su!" - "Giorno no vidi mai"
- Macbeth: Atto I. "Due vaticini compiuti or sono"
- Macbeth: Atto I. "S'allontanarono!" - "Nel dì della vittoria"
- Macbeth: Atto I. "Vieni! t'affretta!" - "Or tutti sorgete"
- Macbeth: Atto I. "Oh, donna mia!"
- Macbeth: Atto I. "Sappia la sposa mia" / "Fatal mia donna!"
- Macbeth: Atto I. "Di destarlo per tempo il re m'impose" - "Schiudi, inferno, la bocca"
- Macbeth: Atto II. "Perché mi sfuggi"
- Macbeth: Atto II. "La luce langue"
- Macbeth: Atto II. "Ci osò mandarvi a noi?"
- Macbeth: Atto II. "Studia il passo" - "Come dal ciel precipita"
- Macbeth: Atto II. "Salve, o Re!"
- Macbeth: Atto II. "Si colmi il calice"
- Macbeth: Atto II. "Va', spirto d'abisso!"
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I Lombardi (Metropolitan Opera Orchestra & Chorus feat. conductor: James Levine)
Released 1997
Released 1997
- I Lombardi alla prima Crociata: Act I (La vendetta). Prelude / "Oh nobile esempio!"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Qui nel luogo santo e pio"
- I Lombardi alla prima Crociata: Act I (La vendetta). "T'assale un tremito! Padre, che fia?"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Or s'ascolti il voler cittadino!"
- I Lombardi alla prima Crociata: Act I (La vendetta). "A te nell'ora infausta"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Sciagurata! Hai tu creduto"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Tutta tremante anco l'anima io sento..."
- I Lombardi alla prima Crociata: Act I (La vendetta). "Ave Maria"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Vieni! Già pose Arvino"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Orror! Mostro d'averno orribile"
- I Lombardi alla prima Crociata: Act I (La vendetta). "Parricida!"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "È dunque vero?"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Oh madre mia, che fa colei?"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "La mia letizia infondere"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Come poteva un angelo"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "E ancor silenzio!"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Sei tu l'uom della caverna?"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "La bella straniera"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Oh madre, dal cielo soccorri al mio pianto"
- I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "No! no! giusta causa non è d'Iddio"
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Un Ballo in Maschera (Orchestra e Coro del Teatro alla Scala di Milano feat. conductor: Antonino Votto)
Released 1997
Released 1997
- Un Ballo in Maschera: Preludio
- Un Ballo in Maschera: Act I, Scene 1. "Posa in pace, a' bei sogni ristora"
- Un Ballo in Maschera: Act I, Scene 1. "S'avanza il Conte"
- Un Ballo in Maschera: Act I, Scene 1. "La rivedrà nell'estasi"
- Un Ballo in Maschera: Act I, Scene 1. "Il cenno mio di là con essi attendi"
- Un Ballo in Maschera: Act I, Scene 1. "Alla vita che t'arride"
- Un Ballo in Maschera: Act I, Scene 1. "Il primo giudice"
- Un Ballo in Maschera: Act I, Scene 1. "Volta la terrea"
- Un Ballo in Maschera: Act I, Scene 1. "Ogni cura si doni al diletto"
- Un Ballo in Maschera: Act I, Scene 2. "Zitti...l'incanto non dessi turbare" / "Re dell'abisso, affrettati"
- Un Ballo in Maschera: Act I, Scene 2. "Arrivo il primo!" / "È lui, è lui!"
- Un Ballo in Maschera: Act I, Scene 2. "Su, fatemi largo, saper vo' il mio fato"
- Un Ballo in Maschera: Act I, Scene 2. "Rallegrati omai"
- Un Ballo in Maschera: Act I, Scene 2. "Che v'agita così?"
- Un Ballo in Maschera: Act I, Scene 2. "Della città all'occaso"
- Un Ballo in Maschera: Act I, Scene 2. "Consentimi, o Signore"
- Un Ballo in Maschera: Act I, Scene 2. "Figlia d'averno, schiudi la chiostra"
- Un Ballo in Maschera: Act I, Scene 2. "Su, profetessa, monta il treppiè"
- Un Ballo in Maschera: Act I, Scene 2. "Di' tu se fedele"
- Un Ballo in Maschera: Act I, Scene 2. "Chi voi siate, l'audace parola"
- Un Ballo in Maschera: Act I, Scene 2. "È scherzo od è follia"
- Un Ballo in Maschera: Act I, Scene 2. "Finisci il vaticinio"
- Un Ballo in Maschera: Act II, Scene 1. Preludio
- Un Ballo in Maschera: Act II, Scene 1. "Ecco l'orrido campo ove s'accoppia"
- Un Ballo in Maschera: Act II, Scene 1. "Ma dall'arido stelo divulsa"
- Un Ballo in Maschera: Act II, Scene 1. "Teco io sto"
- Un Ballo in Maschera: Act II, Scene 1. "Non sai tu che se l'anima mia"
- Un Ballo in Maschera: Act II, Scene 1. "Oh, qual soave brivido"
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Il Trovatore (Orchestra e Coro del Teatro alla Scala, Milano feat. conductor: Herbert von Karajan)
Released 1997
Released 1997
- Il Trovatore: Act I, Scene 1. "All'erta! All'erta!"
- Il Trovatore: Act I, Scene 1. "Di due figli vivea padre beato"
- Il Trovatore: Act I, Scene 1. "Abbietta zingara, fosca vegliarda!"
- Il Trovatore: Act I, Scene 1. "Brevi e tristi giorni visse"
- Il Trovatore: Act I, Scene 1. "Sull'orlo dei tetti"
- Il Trovatore: Act I, Scene 2. "Che più t'arresti?"
- Il Trovatore: Act I, Scene 2. "Tacea la notte placida"
- Il Trovatore: Act I, Scene 2. "Quanto narrasti di turbamento m'ha piena l'alma!"
- Il Trovatore: Act I, Scene 2. "Di tale amor"
- Il Trovatore: Act I, Scene 2. "Tace la notte!"
- Il Trovatore: Act I, Scene 2. "Il trovator! Io fremo!... Deserto sulla terra"
- Il Trovatore: Act I, Scene 2. "Anima mia!... Più dell'usato"
- Il Trovatore: Act I, Scene 2. "Di geloso amor sprezzato"
- Il Trovatore: Act II, Scene 1. "Vedi! le fosche notturne"
- Il Trovatore: Act II, Scene 1. "Stride la vampa!"
- Il Trovatore: Act II, Scene 1. "Mesta è la tua canzon!"
- Il Trovatore: Act II, Scene 1. "Soli or siamo"
- Il Trovatore: Act II, Scene 1. "Condotta ell'era in ceppi"
- Il Trovatore: Act II, Scene 1. "Non son tuo figlio!"
- Il Trovatore: Act II, Scene 1. "Mal reggendo all'aspro assalto"
- Il Trovatore: Act II, Scene 1. "L'usato messo Ruiz invia!... Mi vendica!"
- Il Trovatore: Act II, Scene 1. "Perigliarti ancor languente"
- Il Trovatore: Act II, Scene 2. "Tutto è deserto"
- Il Trovatore: Act II, Scene 2. "Il balen del suo sorriso"
- Il Trovatore: Act II, Scene 2. "Qual suono! Oh ciel!"
- Il Trovatore: Act II, Scene 2. "Per me ora fatale"
- Il Trovatore: Act II, Scene 2. "Ah! se l'error t'ingombra"
- Il Trovatore: Act II, Scene 2. "Perché piangete?... O dolci amiche"
- Il Trovatore: Act II, Scene 2. "E deggio e posso crederlo?"
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Aida (Orchestra e Coro del Teatro alla Scala, Milano feat. conductor: Tullio Serafin)
Released 1997
Released 1997
- Preludio: (Orchestra)
- Atto Primo, Scena Primo: Introduzione e scena: "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)
- Atto Primo, Scena Primo: Romanza: "Se quel guerriero io fossi!" (Radamès)
- Atto Primo, Scena Primo: Romanza: "Celeste Aida" (Radamès)
- Atto Primo, Scena Primo: Duetto: "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)
- Atto Primo, Scena Primo: Terzetto: "Vieni, o diletta appressati" (Amneris, Aida, Radamès)
- Atto Primo, Scena Primo: Scena e pezzo d'assieme: "Alta cagion v'aduna" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
- Atto Primo, Scena Primo: Scena e pezzo d'assieme: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
- Atto Primo, Scena Primo: Scena: "Ritorna vincitor!" (Aida)
- Atto Primo, Scena Seconda: Gran scena della consacrazione: "Possente Fthà" / "Tu che dal nulla hai tratto" (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
- Atto Primo, Scena Seconda: Danza sacra delle Sacerdotesse: "Immenso Fthà!..." / "Mortal, diletto ai Numi" (Sacerdotesse, Ramfis, Sacerdoti)
- Atto Primo, Scena Seconda: Finale I: "Nume, custode e vindice" (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa)
- Atto Secondo, Scena Prima: Introduzione-Scena e coro di donne: "Chi mai fra gl'inni e i plausi" (Schiave, Amneris)
- Atto Secondo, Scena Prima: Danza degli Schiavi Mori (Orchestra)
- Atto Secondo, Scena Prima: "Vieni, sul crin ti piovano" (Schiave, Amneris)
- Atto Secondo, Scena Prima: Scena e duetto: "Fu la sorte dell'armi a'tuoi funesta" (Amneris, Aida)
- Atto Secondo, Scena Prima: Scena e duetto: "Pietà ti prenda del mio dolor" (Amneris, Aida)
- Atto Secondo, Scena Prima: Scena e duetto: "Su! del Nilo al sacro lido" / "Numi pietà" (Amneris, Aida, Coro)
- Atto Secondo, Scena Prima: Gran Finale II: "Gloria all'Egitto, ad Iside" (Popolo, Sacerdoti)
- Atto Secondo, Scena Prima: Marcia trionfale (Orchestra)
- Atto Secondo, Scena Prima: Ballabile (Orchestra)
- Atto Secondo, Scena Prima: "Vieni, o guerriero vindice" (Popolo, Sacerdoti)
- Messa da Requiem: I. Requiem
- Messa da Requiem: IIa. Dies irae
- Messa da Requiem: IIb. Dies irae: Tuba mirum
- Messa da Requiem: IIc. Dies irae: Liber scriptus
- Messa da Requiem: IId. Dies irae: Quid sum miser
- Messa da Requiem: IIe. Dies irae: Rex tremendae
- Messa da Requiem: IIf. Dies irae: Recordare
- Messa da Requiem: IIg. Dies irae: Ingemisco
- Messa da Requiem: IIh. Dies irae: Confutatis
- Messa da Requiem: IIi. Dies irae: Lacrymosa
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Rigoletto (Chorus & Orchestra of the Rumanian Opera Bucharest, feat. conductor Jean Bobescu, singers: Buzea, Herlea, Ianculescu)
Released 1996
Released 1996
- Rigoletto: Preludio
- Rigoletto: Atto I, Scena I. "Della mia bella incognita borghese"
- Rigoletto: Atto I, Scena I. "Questa o quella per me pari sono"
- Rigoletto: Atto I, Scena I. "Gran nuova! Gran nuova"
- Rigoletto: Atto I, Scena I. "Ch'io gli parli"
- Rigoletto: Atto I, Scena II. "Quel vecchio maledivami"
- Rigoletto: Atto I, Scena II. "Pari siamo"
- Rigoletto: Atto I, Scena II. "Figlia!... Mio Padre!"
- Rigoletto: Atto I, Scena II. "Ah! Veglia, o donna"
- Rigoletto: Atto I, Scena II. "Giovanna, ho dei rimorsi"
- Rigoletto: Atto I, Scena II. "Che m'ami, deh, ripetimi"
- Rigoletto: Atto I, Scena II. "Gualtier Malde.."
- Rigoletto: Atto I, Scena II. "Riedo... Perche?"
- Rigoletto: Atto I, Scena II. "Zitti, zitti"
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La forza del destino (Studio Symphony Orchestra and Choir of the Romanian Radio and Television, feat conductor: Carol Litvin, singers: Nistor-Slatinaru, Herlea, Spiess, Pally, Florei)
Released 1996
Released 1996
- La forza del destino: Sinfonia
- La forza del destino: Atto I. "Buona Notte, Mia Figlia" / "Temea restasse qui fino a domani!"
- La forza del destino: Atto I. "Ah! Per Sempre, O Mio Bell'Angiol"
- La forza del destino: Atto I. "Vi! Seduttor! Infame Figlia!"
- La forza del destino: Atto II. "Hola, Hola, Hola!"
- La forza del destino: Atto II. "Viva La Guerra!"
- La forza del destino: Atto II. "Padre Eterno Signor" / "Ah! Ah! E Fuggito!"
- La forza del destino: Atto II. "Son Pereda, Son Ricco D'Onore"
- La forza del destino: Atto II. "Son Giunta! Grazie, O Dio!"
- La forza del destino: Atto II. "Chi Siete?" / "Chiedo Il Superiore" / "Ma S'Ei Mi Respingesse!"
- La forza del destino: Atto II. "Che Mi Cerca?" / "Son Io"
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Il trovatore (Chorus of the Rumanian Opera Bucharest, Cinematographic Symphony Orchestra, feat. conductor Egizio Massini, singers: Enigarescu, Dima, Pally, Stavru)
Released 1996
Released 1996
- Il trovatore: Atto I, Scena I. "All'erta! All'erta!"
- Il trovatore: Atto I, Scena I. "Di due figlii vivea padre beato"
- Il trovatore: Atto I, Scena I. "Abbieta zingara, fosca vegliarda"
- Il trovatore: Atto I, Scena I. "Brevi e tristi giorni visse"
- Il trovatore: Atto I, Scena I. "Su l'orlo dei tetti"
- Il trovatore: Atto I, Scena II. "Che più t'aresti?"
- Il trovatore: Atto I, Scena II. "Tacea la notte placida"
- Il trovatore: Atto I, Scena II. "Quanto narrasti di turbamento"
- Il trovatore: Atto I, Scena II. "Di tale amor"
- Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato"
- Il trovatore: Atto I, Scena II. "Il trovator! Io fremo!"
- Il trovatore: Atto I, Scena II. "Anima mia! Piu dell'usato"
- Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato"
- Il trovatore: Atto II, Scena III. "Vedi le fosche notturne"
- Il trovatore: Atto II, Scena III. "Stride la vampa"
- Il trovatore: Atto II, Scena III. "Mesta è la tua canzon"
- Il trovatore: Atto II, Scena III. "Soli or siamo"
- Il trovatore: Atto II, Scena III. "Condotta ell' era in ceppi"
- Il trovatore: Atto II, Scena III. "No son tuo figlio"
- Il trovatore: Atto II, Scena III. "Mal reggendo all'aspro assalto"
- Il trovatore: Atto II, Scena III. "L'usato messo Ruiz invia!"
- Il trovatore: Atto II, Scena III. "Perigliarti ancor languente"
- Il trovatore: Atto II, Scena IV. "Tuto e deserto"
- Il trovatore: Atto II, Scena IV. "Il balen del suo sorriso"
- Il trovatore: Atto II, Scena IV. "Qual suono! Oh ciel"
- Il trovatore: Atto II, Scena IV. "Per me ore fatale"
- Il trovatore: Atto II, Scena IV. "Ah se l'error t'ingombra"
- Il trovatore: Atto II, Scena IV. "Perche piangete?"
- Il trovatore: Atto II, Scena IV. "E deggio e posso crederlo"
- Don Carlos: Act I. Prelude and Introduction “Le cerf s’enfuit sous la ramure” (Chorus)
- Don Carlos: Act I. Recit & Romance “Fountainebleau! Forêt immense et solitaire!” (Don Carlos)
- Don Carlos: Act I. “Je l’ai vue, et dans son sourire” (Don Carlos)
- Don Carlos: Act I. Scena and Duet “Le bruit du cor s’éteint sous l’ombre épaisse” (Don Carlos, Thibault, Elisabeth)
- Don Carlos: Act I. “Que faites-vous donc?” (Elisabeth, Don Carlos)
- Don Carlos: Act I. “De quels transports poignants” (Elisabeth, Don Carlos)
- Don Carlos: Act I. Scena and Finale “A celui qui nous vient, Madame” (Thibault, Elisabeth, Don Carlos)
- Don Carlos: Act I. “O chants de fête et d’allégresse” (Chorus, Elisabeth, Don Carlos, Comte de Lerme)
- Don Carlos: Act II, Scene I. Scena and Prayer “Charles Quint, l’auguste empereur” (Chorus, Un Moine)
- Don Carlos: Act II, Scene I. “Au couvent de Saint-Just” (Don Carlos, Un Moine)
- Don Carlos: Act II, Scene I. Scena and Duet “Le voilà! C’est l’infant!” (Rodrigue, Don Carlos)
- Don Carlos: Act II, Scene I. “Dieu, tu semas dans nos âmes” (Don Carlos, Rodrigue, Chorus, Un Moine)
- Don Carlos: Act II, Scene II. Chorus and Scene “Sous ces bois au feuillage immense” (Chorus, Thibault, Eboli)
- Don Carlos: Act II, Scene II. Song of the Veil “Au palais des fées…” (Eboli, Thibault, Chœur)
- Don Carlos: Act II, Scene II. Scena, Trio with Dialogue and Romance “La Reine!” (Chorus, Eboli, Elisabeth, Thibault, Rodrigue)
- Don Carlos: Act II, Scene II. “L’infant Carlos, notre espérance” (Rodrigue, Eboli, Elisabeth)
- Don Carlos: Act II, Scene II. Grand Scene and Duet “Je viens solliciter de la Reine” (Don Carlos, Elisabeth)
- Don Carlos: Act II, Scene II. “O bien perdu…” (Don Carlos, Elisabeth)
- Nabucco: Glei arredi festivi (Chor und Orchester des Slowenischen Rundfunks feat. conductor: Marco Munih)
- Nabucco: Va, pensiero (Chor und Orchester des Slowenischen Rundfunks feat. conductor: Marco Munih)
- Der Troubadour: Vedi, le fosche notturne spoglie (Nürnberger Symphoniker feat. conductor: Hansperter Gmür)
- Der Troubadour: Stride la vampa (Nürnberger Symphoniker feat. conductor: Hansperter Gmür)
- La Traviata: E strano! (Nürnberger Symphoniker feat. conductor: Alexander von Pitamic)
- La Traviata: De' miei bollenti spiriti (Nürnberger Symphoniker feat. conductor: Alexander von Pitamic)
- Ein Maskenball: Re dell' abisso, affrettati (Orchester der Oper Zagreb feat. conductor: Milan Sachs)
- Ein Maskenball: Ecco l' orrido campo (Orchester der Oper Zagreb feat. conductor: Milan Sachs)
- Die Macht des Schicksals: pace, mio Dio!
- Don Carlos: O Don fatale
- Orthello: Ave Maria (Zagreber Philharmonie feat. conductor: Niksa Bareza)
- Aida: Overture, Act 1
- Aida: Triumphmarch
- Othello: Act 1, Scene 3
- Othello: Act 2, Scene 1 and 5
- Othello: Act 3, Scene 2
- Othello: Act 4, Scene 3
- Nabucco: Overture
- Nabucco: Prisonerschorus
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Overtures & Preludes (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 1996
Released 1996
- Oberto, Conte di San Bonifacio: Overture (Sinfonia)
- Un giorno di regno: Overture
- Nabucco: Overture
- Ernani: Overture (Preludio)
- Giovanna d'Arco: Overture
- Alzira: Overture (Sinfonia)
- Attila: Preludio
- I masnadieri: Overture (Preludio)
- Macbeth: Overture (Preludio)
- Il corsaro: Overture
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Rigoletto (Philharmonia Orchestra feat. conductor: Julius Rudel)
Released 1996
Released 1996
- Rigoletto: Act I. Preludio
- Rigoletto: Act I, Scene I. "Della mia bella incognita borghese" (Duca, Borsa)
- Rigoletto: Act I, Scene I. "Questa o quella" (Duca)
- Rigoletto: Act I, Scene I. "Partite? crudele!" (Duca, Contessa Ceprano)
- Rigoletto: Act I, Scene I. "In testa che avete" (Rigoletto, Borsa, Coro)
- Rigoletto: Act I, Scene I. "Gran nuova! Gran nuova!" (Marullo, Borsa, Coro, Duca, Ceprano, Rigoletto)
- Rigoletto: Act I, Scene I. "Ch'io gli parli" (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)
- Rigoletto: Act I, Scene I. "O tu che la festa audace" (Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)
- Rigoletto: Act I, Scene II. "Quel vecchio maledivami!" (Rigoletto, Sparafucile)
- Rigoletto: Act I, Scene II. "Pari siamo!" (Rigoletto)
- Rigoletto: Act I, Scene II. "Figlia!... Mio padre!..." (Rigoletto, Gilda)
- Rigoletto: Act I, Scene II. "Ah, veglia, o donna" (Rigoletto, Gilda)
- Rigoletto: Act I, Scene II. "Giovanna, ho dei rimorsi" (Gilda, Giovanna, Duca)
- Rigoletto: Act I, Scene II. "È il sol dell'anima" (Duca, Gilda, Ceprano, Borsa, Giovanna)
- Rigoletto: Act I, Scene II. "Addio! speranza ed anima" (Duca, Gilda)
- Rigoletto: Act I, Scene II. "Gualtier Maldè!... Caro nome" (Gilda, Borsa, Ceprano, Marullo)
- Rigoletto: Act I, Scene II. "Riedo!... perché?... Silenzio!" (Rigoletto, Borsa, Ceprano, Marullo)
- Rigoletto: Act I, Scene II. "Zitti, zitti, moviamo a vendetta" (Borsa, Marullo, Ceprano, Coro)
- Rigoletto: Act I, Scene II. "Soccorso, padre mio!" (Gilda, Borsa, Marullo, Ceprano, Coro, Rigoletto)
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Don Carlo (Wiener Philharmoniker feat. conductor: Herbert von Karajan)
Released 1995
Released 1995
- Don Carlo: Act 2, Scene 2. "Nel posar sul mio capo la corona"... "Sire, no, l'ora estrama" (Filippo, Cori, Elisabetta, Rodrigo, Carlo, Deputati di Fiandra, Tebaldo)
- Don Carlo: Act 2, Scene 2. "Sire! egli è tempo ch'io viva!" (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Cori, Voce dal Cielo)
- Don Carlo: Act 3, Scene 1. Scena e cantabile "Ella giammai m'amò!" (Filippo)
- Don Carlo: Act 3, Scene 1. Scena "Il Grande Inquisitor!" / "Son io dinanzi al Re?" (Lerma, Inquisitore, Filippo)
- Don Carlo: Act 3, Scene 1. Scena e quarteto "Giustizia! o Sire" (Elisabetta, Filippo, Eboli, Rodrigo)
- Don Carlo: Act 3, Scene 1. "Soccorso alla Regina!" (Filippo, Eboli, Rodrigo, Elisabetta)
- Don Carlo: Act 3, Scene 1. Scena e aria "Pietà! perdon! per la rea che si pente" (Eboli, Elisabetta)
- Don Carlo: Act 3, Scene 1. "Ah più non vedrò la Regina! O don fatale, o don crudel" (Eboli)
- Don Carlo: Act 3, Scene 2. Morte di Rodrigo "Son io, mio Carlo" (Rodrigo, Carlo)
- Don Carlo: Act 3, Scene 2. "Per me giunto è il dì supremo" (Rodrigo, Carlo)
- Don Carlo: Act 3, Scene 2. "O Carlo, ascolta" (Rodrigo, Carlo)
- Don Carlo: Act 3, Scene 2. Sommossa "Mio Carlo, a te la spada io rendo!" (Filippo, Carlo, Coro, Lerma, Eboli, Inquisitore)
- Don Carlo: Act 4. Scena e aria "Tu che le vanità conoscesti del mondo" (Elisabetta)
- Don Carlo: Act 4. Scena e duetto d'addio - scena finale "È dessa!" / "Un detto, un sol" (Carlo, Elisabetta)
- Don Carlo: Act 4. "Sì, per sempre!" (Filippo, Inquisitore, Elisabetta, Carlo, Frate, Coro)
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The best Operas of Giuseppe Verdi, Rigoletto (Nurnberg Symphony, Choir of the Munich State Opera, feat. conductor: Hans Zanotelli)
Released 1995
Released 1995
- Rigoletto: I. Preludio
- Rigoletto: II. Duca "Questa o quella"
- Rigoletto: III. Rigoletto / Sparafucile "Quel vecchio maledivami! Signore?"
- Rigoletto: IV. Rigoletto "Para siamo!"
- Rigoletto: V. Rigoletto / Gilda "Figlia! ... Mio padra!"
- Rigoletto: VI. Gilda / Rigoletto "Già da tre lune son qui venuta ... Mai! Mai"
- Rigoletto: VII. Gilda / Duca "Giovanna, ho dei rimorsi"
- Rigoletto: VIII. Duca "è il sol dell'anima"
- Rigoletto: IX. Duca "Che m'ami, deh! repitimi"
- Rigoletto: X. Gilda "Gualtier Maldè ... Caro nome"
- Rigoletto: XI. Duca "La donna è mobile"
- Rigoletto: XII. Duca "Un di, se ben rammentomi"
- Rigoletto: XIII. Duca "Bella figlia dell'amore!"
- Rigoletto: XIV. Rigoletto "Chi è mai, chi è qui in sua vece?"
- Rigoletto: XV. Gilda "V'ho ingannato, colpevole fui ..."
- Nabucco: Overture
- Part 1 - Il duello: All'erta! all'erta!
- Part 1: The Duel: Intro: Di due figli
- Part 1: The Duel: Scena e Cavatina: Che piu t'arresti?
- Part 1: The Duel: Scena e Cavatina: Tacea la notte/Quanto narrasti di turbamento
- Part 1: The Duel: Scena e Cavatina: Di tale amor
- Part 1: The Duel: Scena, Romanza e Terzetto: Tace la notte!
- Part 1: The Duel: Scena, Romanza e Terzetto: Deserto sulla terra
- Part 1: The Duel: Scena, Romanza e Terzetto: Non m'inganno/Infida!-Qual voce!
- Part 2: The Gipsy: Coro di Zingari: Vedi! le fosche notturne spoglie
- Part 2: The Gipsy: Canzone: Stride la vampa!
- Part 2: The Gipsy: Canzone: Mesta e la tua canzon!
- Part 2: The Gipsy: Scena e Racconto: Soli or siamo
- Part 2: The Gipsy: Scena e Racconto: Condotta ell'era in ceppi
- Part 2: The Gipsy: Scena e Duetto: Non son tuo figlio?
- Part 2: The Gipsy: Scena e Duetto: Mal reggendo all'aspro assalto
- Part 2: The Gipsy: Scena e Duetto: L'usato messo Ruiz invia
- Part 2: The Gipsy: Scena ed Aria: Tutto e deserto
- Part 2: The Gipsy: Sceca ed Aria: Il balen del suo sorriso/Qual suono! o ciel!
- Part 2: The Gipsy: Finale secondo: Ah, se l'error t'ingombra
- Part 2: The Gipsy: Finale secondo: Perche piangete
- Part 2: The Gipsy: Finale secondo: E deggio e posso crederlo?
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Messa da Requiem (RIAS-Symphonie-Orchester Berlin feat. conductor: Ferenc Fricsay)
Released 1995
Released 1995
- I. Requiem
- II - Dies irae - 1. Dies irae
- II - Dies irae - 2. Tuba mirum
- II - Dies irae - 3. Liber scriptus
- II - Dies irae - 4. Quid sum miser
- II - Dies irae - 5. Rex tremendae
- II - Dies irae - 6. Recordare
- II - Dies irae - 7. Ingemisco
- II - Dies irae - 8. Confutatis
- II - Dies irae - 9. Lacrymosa
- III. Offertorio
- IV. Sanctus
- V. Agnus Dei
- VI. Lux aeterna
- VII. Libera me
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Verdi Requiem (Vienna State Opera Choir, Vienna Philharmonic Orchestra, feat. conductor: Herbert von Karajan, mezzo-soprano: Agnes Baltsa, bass: José van Dam, soprano: Anna Tomowa-Sintow, tenor: José Carreras)
Released 1995
Released 1995
- Introitus: Requiem aeternam - Te decet hymnus - Kyrie (coro, soli)
- Dies irae: Dies irae - Quantus tremor (coro)
- Dies Irae: Tuba mirum - Mors stupebit (basso, coro)
- Dies irae: Liber scriptus - Dies irae (mezzo soprano, coro)
- Dies irae: Quid sum miser (soprano, mezzo soprano, tenore)
- Dies irae: Rex tremendae - Salva me (soli, coro)
- Dies irae: Recordare - Quaerens me - Juste Judex (soprano, mezzo soprano)
- Dies irae: Ingemisco - Qui Mariam - Preces meae - Inter oves (tenore)
- Dies irae: Confutatis - Oro supplex - Dies irae (basso, coro)
- Dies irae: Lacrymosa - Pie Jesu (soli, coro)
- Act 1 - Se quel guerrier io fossi - Radames sings of his love for Aida
- Act 1 - Or, di Vulcano al tempio - On to victory
- Act 1 - Ritorna vincitor - Aida's aria of anguish
- Act 2 - Gloria all'Egitto - Hymn of thanksgiving
- Act 2 - O Re, pei sacri Numi - Radames' plea for prisoners' freedom
- Act 3 - Qui Radames verra ... O patria mia - Torment and nostalgia
- Act 3 - Ciel! mio padre! Rivedrai le foreste imbalsamate - Amonasro demands Aida's help
- Act 3 - Pur ti riveggo, mia dolce Aida - Radames outlines his plans
- Act 4 - Vorrei salvarlo ... Gia sacerdoti adunansi - Amneris still wants to save Radames
- Act 4 - Qual gemito! ... Morir, si pura e bella! ... O terra, addio - Final farewell
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Rigoletto (Luciano Pavarotti, Renata Scotto, Rome Opera House Orchestra & Chorus feat. conductor: Carlo Maria Guilini)
Released 1995
Released 1995
- Act II: Ella mi fu rapita!...Parmi veder le lacrime..Duca, duca!..Scorrendo uniti
- Act II: Povero Rigoletto!
- Act II: Cortigiani, vil razza dannata
- Act II: Parla...siam soli..Tutte le feste al tempio
- Act II: Si, vendetta, tremenda vendetta
- Act III: E l'ami? ....Sempre
- Act III: La donna è mobile
- Act III: Un di, se ben rammentomi... Bella figlia dell'amore
- Act III: Venti scudi hai tu detto?
- Act III: Della vendetta alfin giunge l'istante...Egli è là...Morto! Mia figlia!
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Requiem / Quattro pezzi sacri (Singverein der Gesellschaft der Musikfreunde, Wien & Wiener Philharmoniker feat. conductor: Fritz Reiner)
Released 1995
Released 1995
- Requiem Mass "Manzoni": I. Requiem
- Requiem Mass "Manzoni": II. Dies irae: Dies irae
- Requiem Mass "Manzoni": II. Dies irae: Tuba mirum
- Requiem Mass "Manzoni": II. Dies irae: Liber scriptus
- Requiem Mass "Manzoni": II. Dies irae: Quid sum miser
- Requiem Mass "Manzoni": II. Dies irae: Rex tremendae majestatis
- Requiem Mass "Manzoni": II. Dies irae: Recordare
- Requiem Mass "Manzoni": II. Dies irae:- Ingemisco
- Requiem Mass "Manzoni": II. Dies irae: Confutatis
- Requiem Mass "Manzoni": II. Dies irae: Lacrimosa
- Requiem Mass "Manzoni": III. Offertorio: Domine Jesu Christe
- Requiem Mass "Manzoni": III. Offertorio: Hostias
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La Traviata (Orchestra & Chorus of the Royal Opera House, Covent Garden feat. conductor: Sir Georg Solti)
Released 1995
Released 1995
- La Traviata: Atto I. Preludio
- La Traviata: Atto I. "Dell'invito trascorsa è già l'ora" (Coro)
- La Traviata: Atto I. "Libiamo ne' lieti calici" (Alfredo)
- La Traviata: Atto I. "Che è ciò?" (Coro)
- La Traviata: Atto I. "Un dì felice" (Alfredo)
- La Traviata: Atto I. "Ebben? che diavol fate?" (Gastone)
- La Traviata: Atto I. "Si ridesta in ciel l'aurora" (Tutti)
- La Traviata: Atto I. "È strano!" / "Ah, fors'è lui" (Violetta)
- La Traviata: Atto I. "Follie! Delirio vano è questo!" / "Sempre libera" (Violetta)
- La Traviata: Atto II, Scena I. "Lunge da lei" / "De' miei bollenti spiriti" (Alfredo)
- La Traviata: Atto II, Scena I. "Annina, donde vieni?" / "Oh mio rimorso!" (Alfredo)
- La Traviata: Atto II, Scena I. "Alfredo?" (Violetta)
- La Traviata: Atto II, Scena I. "Pura siccome un angelo" (Germont)
- La Traviata: Atto II, Scena I. "Non sapete quale affetto" (Violetta)
- La Traviata: Atto II, Scena I. "Un dì, quando le veneri" (Germont)
- La Traviata: Atto II, Scena I. "Ah! Dite alla giovine" (Violetta)
- La Traviata: Atto II, Scena I. "Imponete" (Violetta)
- La Traviata: Atto II, Scena I. "Dammi tu forza, o cielo!" (Violetta)
- La Traviata: Atto II, Scena I. "Che fai?" (Alfredo)
- La Traviata: Atto II, Scena I. "Ah, vive sol quel core" (Alfredo)
- La Traviata: Atto II, Scena I. "Di Provenza il mar, il suol" (Germont)
- La Traviata: Atto II, Scena I. "Né rispondi d'un padre all'affetto?" (Germont)
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Messa da Requiem & Quattro Pezzi Sacri (Orchestre Révolutionnaire et Romantique and the Monteverdi Choir feat. conductor: John Eliot Gardiner)
Released 1995
Released 1995
- Requiem: I. Requiem
- Requiem: IIa. Dies irae
- Requiem: IIb. Dies irae: Tuba mirum
- Requiem: IIc. Dies irae: Liber scriptus
- Requiem: IId. Dies irae: Quid sum miser
- Requiem: IIe. Dies irae: Rex tremendae
- Requiem: IIf. Dies irae: Recordare
- Requiem: IIg. Dies irae: Ingemisco
- Requiem: IIh. Dies irae: Confutatis
- Requiem: IIi. Dies irae: Lacrymosa
- Requiem: III. Offertorio
- Requiem: IV. Sanctus
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Macbeth (selections) (Coro e Orchestra della Accademia di Santa Cecilia, feat. conductor Thomas Schippers, singers:
Released 1994
Released 1994
- Macbeth: Atto I. "Ambizioso spirito"
- Macbeth: Atto I. "Regna il sonno su tutti"
- Macbeth: Atto II. "La luce langue"
- Macbeth: Atto II. "Si colmi il calice"
- Macbeth: Atto III. "Ove son io?"
- Macbeth: Atto IV. "Patria oppressa"
- Macbeth: Atto IV. "Vegliammo invan due notti"
- Macbeth: Atto IV. "Perfidi! All'anglo contra me v'unite!"
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Rigoletto (RCA Italiana Opera Orchestra & Chorus, feat. conductor: Sir Georg Solti, singers: Merrill, Moffo, Kraus, Flagello, Elias)
Released 1994
Released 1994
- Rigoletto: Atto III. "Ella mi fu rapita!; Parmi veder le lagrime"
- Rigoletto: Atto III. "Duca, Duca?"
- Rigoletto: Atto III. "Possente amor mi chiama"
- Rigoletto: Atto III. "Povero Rigoletto!"
- Rigoletto: Atto III. "Cortigiani, vil razza dannata"
- Rigoletto: Atto III. "Mio Padre!-Dio! Mia Gilda!"
- Rigoletto: Atto III. "Tutte le feste al tempio"
- Rigoletto: Atto III. "Schiudete!"
- Rigoletto: Atto III. "Si, vendetta, tremenda vendetta"
- Rigoletto: Atto IV. "E l'ami?-sempre"
- Rigoletto: Atto IV. "La donna è mobile"
- Rigoletto: Atto IV. "E la il vostr'uomo"
- Rigoletto: Atto IV. "Un di, se ben rammentomi"
- Rigoletto: Atto IV. "Bella figlia dell'amore" (Quartet)
- Rigoletto: Atto IV. "Venti scudi hai tu detto?"
- Rigoletto: Atto IV. "Ah, più non ragiono!"
- Rigoletto: Atto IV. "Ancor c'è mezz'ora"
- Rigoletto: Atto IV. "Della vendetta alfin"
- Rigoletto: Atto IV. "Chi è mai"
- Rigoletto: Atto IV. "V' ho ingannato, colpevole fui"
- Rigoletto: Atto IV. "Lassù in cielo"
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Nabucco (Chór i Orkiestra Opery Śląskiej, conductor: Tadeusz Serafin)
Released 1994
Released 1994
- Nabucco: Sinfonia
- Nabucco: Act I. Coro d'introduzione e cavatina
- Nabucco: Act I. Recitativo e terzettino "Guerrieri, e preso il tempio" (Abigaille, Fenena, Ismaele)
- Nabucco: Act I. Coro "Lo vedeste?... Fulminando"
- Nabucco: Act I. Finale primo "Mio furor"
- Nabucco: Act II. Aria (Abigaille)
- Nabucco: Act II. Coro di leviti "Che si vuol?"
- Nabucco: Act II. Finale secondo "S'appressan"
- Nabucco: Act II. Aria e finale "Chi mi toglie" (Nabucco)
- Nabucco: Act III. Coro d'introduzione
- Nabucco: Act III. Duetto "Oh, di qual'onta aggravasi" (Abigaille e Nabucco)
- Nabucco: Act III. Coro di schiavi ebrei "Va, pensiero, sull'ali dorate"
- Nabucco: Act III. Profezia - finale terzo (Zacharia e coro)
- Nabucco: Act IV. Scena ed aria e coro "Cadran, ... cadranno i perfidi..." (Nabucco)
- Nabucco: Act IV. Aria "Oh, dischiuso e il... (Fenena)
- Nabucco: Act IV. Finale quatro
- All'erta! All'erta!
- Di due figli vivea padre beato
- Abbietta zingara, fosca vegliarda
- Brevi e tristi giorni visse
- Sull'orlo dei tetti
- Che più t'arresti?
- Tacea la notte placida
- Quanto narrasti di turbamento
- Di tale amor
- Tace la notte!
- Il Trovator! Io fremo! - Deserto sulla terra
- Anima mia! - Che far? - Più dell'usato
- Di geloso amor sprezzato
- Vedi! le fosche notturne
- Stride la vampa
- Mesta è la tua canzon
- Soli or siamo!
- Condotta ell'era in ceppi
- Non son tuo figlio?
- Mal reggendo all'aspro assalto
- L'usato messo Ruiz m'invia! - Mi vendica!
- Perigliarti ancor languente
- Tutto è deserto
- Il balen del tuo sorriso
- Qual suono! Oh ciel!
- Per me, ora fatale
- Ah! se l'error t'ingombra
- Preludio
- Della mia bella incognita borghese
- Questa o quella per me pari sono
- Partite? ... Crudele!
- Gran nuova! Gran nuova!
- Ch'io gli parli
- Quel vecchio maledivami!
- Pari siamo!
- Figlia! - Mio padre!
- Ah, deh, non parlare al misero
- Ah! veglia, o donna, questo fiore
- Giovanna, ho dei rimorsi...
- È il sol dell'anima, la vita è amore
- Che m'ami, deh, ripetimi
- Gualtier Maldè ... Caro nome che il mio cor
- Riedo! ... perché?
- Zitti, zitti, moviamo a vendetta
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Overtures, Volume 2 (Hungarian State Opera Orchestra feat. conductor: Pier Giorgio Morandi)
Released 1994
Released 1994
- Ernani: Prelude
- Il finto Stanislao (Un giorno di regno): Sinfonia
- Don Carlo: Act III. Prelude
- Giovanna d'Arco: Sinfonia
- Rigoletto: Prelude
- Nabucco: Overture
- I masnadieri: Prelude
- Macbeth: Sinfonia
- La battaglia di Legnano: Sinfonia
- I due Foscari: Prelude
- La forza del destino: Sinfonia
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Overtures, Volume 1 (Hungarian State Opera Orchestra feat. conductor: Pier Giorgio Morandi)
Released 1994
Released 1994
- Arnoldo: Sinfonia
- Il Corsaro: Prelude
- Luisa Miller: Sinfonia
- La traviata: Prelude
- La traviata: Act III. Prelude
- Alzira: Sinfonia
- Un ballo in maschera: Prelude
- Oberto, conte di San Bonifacio: Sinfonia
- Aida: Prelude
- Attila: Prelude
- I vespri siciliani: Sinfonia
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Messa da Requiem (Chicago Sympony Chorus feat. chorus master: Margaret Hillis, Chicago Symphony Orchestra feat. conductor Daniel Barenboim)
Released 1994
Released 1994
- Requiem
- Dies irae
- Tuba mirum
- Mors stupebit
- Liber scriptus
- Quid sum miser
- Rex tremendae
- Recordare
- Ingemisco
- Confutatis
- Lacrymosa
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Rigoletto (Bratislava Slovak Radio Symphony Orchestra, Slovak State Philharmonic Chorus feat. conductor: Alexander Rahbari)
Released 1994
Released 1994
- Rigoletto: Act 1, Prelude
- Rigoletto: Act 1, Della Mia Bella Incognita
- Rigoletto: Act 1, Ballata - Questa O Quella
- Rigoletto: Act 1, Partite?...Crudele!
- Rigoletto: Act 1, Gran Nuova! Gran Nuova!
- Rigoletto: Act 1, Ch'io Gli Parli
- Rigoletto: Act 1, Quel Vecchio Maledivami!
- Rigoletto: Act 1, Signor? ... - Va, Non Ho Niente
- Rigoletto: Act 1, Pari Siamo!
- Rigoletto: Act 1, Figlia!...- Mio Padre!
- Rigoletto: Act 1, Deh Non Parlare Al Misero
- Rigoletto: Act 1, Gia Da Tre Lune
- Rigoletto: Act 1, Ah! Veglia, O Donna
- Rigoletto: Act 1, Giovanna, Ho Dei Rimorsi...
- Rigoletto: Act 1, E Il Sol Dell'anima
- Rigoletto: Act 1, Che M'ami, Deh, Repetimi...
- Rigoletto: Act 1, Addio, Addio, Speranza Ed Anima
- Rigoletto: Act 1, Gualtier Malde...
- Rigoletto: Act 1, Caro Nome
- Rigoletto: Act 1, Riedo!...Perche?
- Rigoletto: Act 1, Zitti, Zitti
- Rigoletto: Act 1, Soccorso, Padre Mio!
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Highlights From Aida (Metropolitan Opera Orchestra and Chorus feat conductor: James Levine; Performers: Aprile Millo, Placido Domingo, Dolora Zajick, James Morris, Samuel Ramey)
Released 1994
Released 1994
- Se quel guerrier io fossi! - Celeste Aida
- Or di Vulcano al tempio
- Ritorna vincitor!
- I sacri nomi di padre
- Gloria all'Egitto, ad Iside
- Marcia
- Ballabile
- Vieni, o guerriero vindice
- Qui Radamès verrà! - O patria mia
- Ciel! mio padre!
- Su, dunque! sorgete, egizie coorti!
- Pietà! Pietà! Pietà!
- Pur ti riveggo, mia dolce Aida
- Nel fiero anelito - Nè d'Amneris paventi
- Fuggiam gli ardori inospiti - Sovra una terra
- Ah no! Fuggiamo! Nella terra avventurata
- Ma dimmi; per qual via - Traditor!
- L'aborrita rivale - Di mie discolpe i giudici
- Ah, tu dêi vivere!
- Chi ti salva, sciagurato - È la morte un ben supremo
- La fatal pietra sovra me si chiuse
- Presago il core della tua condanna - Morir! sì pura e bella!
- Vedi?... di morte l'angelo - Immenso Fthà
- O terra, addio
- Vorspiel
- Romanze/Romance (Radamès): Se quel guerrier io fossi / Celeste Aida
- Arie der Aida "Ritorna Vincitor"
- Zweites Finale / Second Finale: Gloria all'Egito ad Iside / Triumph-Marsch mit Balletmusik / March & Ballet Music
- Romanza/Romance Aida, 3. Akt/Act: Qui Radamès verra!
- 3. Szene/Scene, 3. Akt/Act: Duett Aida - Amonasro / Ciel! mio Padre!
- 2. Szene/Scene, Duett & letztes Finale/last Final: Radamès/Aida/Priester und Priesterinnen/La fatal pietra sovra me si chiuse.
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Otello (Orchestre et Chœurs de l'Opéra Bastille feat. conductor: Myung-Whun Chung)
Released 1994
Released 1994
- Otello: Atto I. "Una vela! Una vela!" (Coro, Montano, Cassio, Jago, Roderigo)
- Otello: Atto I. "Esultate! L'orgoglio musulmano" (Otello, Coro)
- Otello: Atto I. "Roderigo, ebben che pensi?" (Jago, Roderigo)
- Otello: Atto I. "Fuoco di gioia!" (Coro)
- Otello: Atto I. "Roderigo, beviam!" (Jago, Cassio, Coro, Roderigo)
- Otello: Atto I. "Innaffia l'ugola!" (Jago, Cassio, Roderigo, Coro)
- Otello: Atto I. "Capitano, v'attende la fazione ai baluardi" (Montano, Cassio, Jago, Roderigo, Coro)
- Otello: Atto I. "Abbasso le spade!" (Otello, Jago, Cassio, Montano)
- Otello: Atto I. "Già nella notte densa" (Otello, Desdemona)
- Otello: Atto II. "Non ti crucciar" (Jago, Cassio)
- Otello: Atto II. "Vanne! La tua meta già vedo" (Jago)
- Otello: Atto II. "Credo in un Dio crudel" (Jago)
- Otello: Atto II. "Ciò m'accora..." - "Che parli?" (Jago, Otello)
- Otello: Atto II. "Dove guardi splendono raggi" (Coro, Jago, Fanciulli, Desdemona, Otello)
- Otello: Atto II. "D'un uom che geme sotto il tuo disdegno" (Desdemona, Otello)
- Otello: Atto II. "Se inconscia, contro te, sposo, ho peccato" (Desdemona, Otello, Jago, Emilia)
- Otello: Atto II. "Desdemona rea!" (Otello, Jago)
- Otello: Atto II. "Tu?! Indietro! Fuggi!" (Otello)
- Otello: Atto II. "Ora e per sempre addio" (Otello)
- Otello: Atto II. "Pace, signor" (Jago, Otello)
- Otello: Atto II. "Era la notte, Cassio dormia" (Jago)
- Otello: Atto II. "Oh! Mostruosa colpa!" (Otello, Jago)
- Otello: Atto II. "Sì, pel ciel marmoreo giuro!" (Otello, Jago)
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Il Trovatore (Metropolitan Opera Orchestra and Chorus feat. conductor: James Levine)
Released 1994
Released 1994
- Parte Prima - Il Duello, Quadro primo: Introduzione: "All'erta! All'erta!"
- Parte Prima - Il Duello, Quadro primo: Introduzione: "Di due figli vivea padre beato"
- Parte Prima - Il Duello, Quadro primo: Introduzione: "Abbietta zingara, fosca vegliarda"
- Parte Prima - Il Duello, Quadro primo: Introduzione: "Brevi e tristi giorni visse"
- Parte Prima - Il Duello, Quadro primo: Introduzione: "Sull'orlo dei tetti"
- Parte Prima - Il Duello, Quadro secondo: Scena e Cavertina: "Che più t'arresti?"
- Parte Prima - Il Duello, Quadro secondo: Scena e Cavertina: "Tacea la notte placida"
- Parte Prima - Il Duello, Quadro secondo: Scena e Cavertina: "Quanto narrasti di turbamento"
- Parte Prima - Il Duello, Quadro secondo: Scena e Cavertina: "Di tale amor"
- Parte Prima - Il Duello, Quadro secondo: Scena, Romanza e Terzetto: "Tace la notte!"
- Parte Prima - Il Duello, Quadro secondo: Scena, Romanza e Terzetto: "Il Trovator!... Io fremo!... Deserto sulla terra"
- Parte Prima - Il Duello, Quadro secondo: Scena, Romanza e Terzetto: "Anima mia! - Che far? - Più dell'usato"
- Parte Prima - Il Duello, Quadro secondo: Scena, Romanza e Terzetto: "Di geloso amor sprezzato"
- Parte Seconda - La Gitana, Quadro primo: Coro di Zingari e Canzone: "Vedi! le fosche notturne"
- Parte Seconda - La Gitana, Quadro primo: Coro di Zingari e Canzone: "Stride la vampa"
- Parte Seconda - La Gitana, Quadro primo: Coro di Zingari e Canzone: "Mesta è la tua canzon"
- Parte Seconda - La Gitana, Quadro primo: Scena e Racconto: "Soli or siamo!"
- Parte Seconda - La Gitana, Quadro primo: Scena e Racconto: "Condotta ell'era in ceppi"
- Parte Seconda - La Gitana, Quadro primo: Scena e Duetto: "Non son tuo figlio?"
- Parte Seconda - La Gitana, Quadro primo: Scena e Duetto: "Mal reggendo all'aspro assalto"
- Parte Seconda - La Gitana, Quadro primo: Scena e Duetto: "L'usato messo Ruiz m'invia! Forse... - Mi vendica!"
- Parte Seconda - La Gitana, Quadro primo: Scena e Duetto: "Perigliarti ancor languente"
- Parte Seconda - La Gitana, Quadro secondo: Scena ed Aria: "Tutto è deserto"
- Parte Seconda - La Gitana, Quadro secondo: Scena ed Aria: "Il balen del tuo sorriso"
- Parte Seconda - La Gitana, Quadro secondo: Scena ed Aria: "Qual suono! Oh ciel!"
- Parte Seconda - La Gitana, Quadro secondo: Scena ed Aria: "Per me, ora fatale"
- Parte Seconda - La Gitana, Quadro secondo: Finale Secondo: "Ah! se l'error t'ingombra"
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Nabucco (Chor & Orchester der Deutschen Oper Berlin feat. conductor: Giuseppe Sinopoli)
Released 1994
Released 1994
- Nabucco: Sinfonia
- Nabucco: Parte I. Introduzione "Gli arredi festivi giù cadano infranti" (Coro)
- Nabucco: Parte I. Recitativo e cavatina "Sperate, o figli!" (Zaccaria, Coro)
- Nabucco: Parte I. Recitativo e cavatina "D'egitto là sui lidi" (Zaccaria, Coro)
- Nabucco: Parte I. Recitativo e cavatina "Qual rumore?" (Coro, Ismaele, Zaccaria)
- Nabucco: Parte I. Recitativo e cavatina "Come notte a sol fulgente" (Zaccaria, Coro)
- Nabucco: Parte I. Recitativo e terzettino "Fenena! O mia diletta!" (Ismaele, Fenena)
- Nabucco: Parte I. Recitativo e terzettino "Guerrieri, è preso il Tempio!" / "Prode guerrier!" (Abigaille, Fenena, Ismaele)
- Nabucco: Parte I. Recitativo e terzettino "Io t'amava!" (Abigaille, Ismaele, Fenena)
- Nabucco: Parte I. Coro "Lo vedeste?" (Anna, Coro, Zaccaria)
- Nabucco: Parte I. Finale "Viva Nabucco!" (Abigaille, Coro, Zaccaria, Ismaele, Nabucco)
- Nabucco: Parte I. Finale "Si finga... Tremin gl'insani del mio furore!" (Nabucco, Fenena, Ismaele, Anna, Zaccaria, Coro, Abigaille)
- Nabucco: Parte I. Finale "O vinti, il capo a terra!" (Nabucco, Zaccaria, Ismaele, Abigaille, Anna, Fenena, Coro)
- Nabucco: Parte II, Scena prima. Scena ed aria "Ben io t'invenni" (Abigaille)
- Nabucco: Parte II, Scena prima. Scena ed aria "Ancho'io dischiuso un giorno" (Abigaille)
- Nabucco: Parte II, Scena prima. Scena ed aria "Chi s'avanza?" (Abigaille, Gran Sacerdote, Coro)
- Nabucco: Parte II, Scena prima. Scena ed aria "Salgo già del trono aurato" (Abigaille, Gran Sacerdote, Coro)
- Nabucco: Parte II, Scena seconda. Recitativo e preghiera, Introduzione
- Nabucco: Parte II, Scena seconda. Recitativo e preghiera "Vieni, o Levita!" (Zaccaria)
- Nabucco: Parte II, Scena seconda. Recitativo e preghiera "Tu sul labbro de' veggenti" (Zaccaria)
- Scena e duetto: "È lui! Desso! L'Infante"
- Coro e scena: "Sotto ai folti, immensi abeti"
- Scena e duetto: "Restate! Al mio regal cospetto"
- Gran finale: "Spuntato ecco il dì d'esultanza"
- Introduzione e scena: "Ella giammai m'amò!"
- Scena: "Il grand'inquisitor!" "Son io dinanzi al Re?"
- Quartetto: "Sire! Soggetta è a voi la metà della terra"
- Aria: "O don fatale, o don crudel"
- Aria: "Per me giunto è il dì supremo"
- Requiem and Kyrie
- Dies irae: Dies irae
- Dies irae: Tuba mirum
- Dies irae: Liber scriptus
- Dies irae: Quid sum miser
- Dies irae: Rex tremendae
- Dies irae: Recordare
- Dies irae: Ingemisco
- Dies irae: Confutatis
- Dies irae: Lacrymosa
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Trubadur (Soliści, Chór i Orkiestra Teatru Wielkiego w Warszawie, director: Zdzisław Górzyński)
Released 1993
Released 1993
- Trubadur: Introdukcja i Cavatina Ferranda
- Trubadur: Cavatina Leonory
- Trubadur: Tercet Leonory, Manrica i Di Luny
- Trubadur: Chór cyganów
- Trubadur: Canzona Azuceny
- Trubadur: Duet Manrica i Azuceny
- Trubadur: Aria Di Luny
- Trubadur: Introdukcja i chór żołnierzy
- Trubadur: Scena i aria Manrica
- Trubadur: Scena i aria Leonory - Miserere
- Trubadur: Duet Leonory i Di Luny
- Trubadur: Tercet Manrica, Leonory i Azuceny
- Act One - 1. Questa o quella
- Act One - 2. Pari siamo!
- Act One - 3. Figlia!...Mio padre!
- Act One - 4. Ah! veglia, o donna
- Act One - 5. E'il sol dell'anima
- Act One - 6. Gualtier Malde...Caro nome
- Act Two - 1. Ella mi fu rapita!
- Act Two - 2. Duca, duca!
- Act Two - 3. Possente amor mi chiama
- Act Two - 4. Povero Rigoletto!
- Act Two - 5. Cortigiani, vil razza dannata
- Act Two - 6. Parla...siam soli..
- Act Three - 1. La donne e mobile
- Act Three - 2. Un di, se bel rammentomi
- Act Three - 3. Bella figlia dell'amore
- Act Three - 4. V'ho ingannato, colpevole fui
- Preludio
- Dell'invito trascorsa è già l'ora...
- In Alfredo Germont, o signora
- Brindisi: Libiamo ne' lieti calici
- Valzer e Duetto: Che è ciò? - Non gradireste ora le danze?
- La Traviata, Act I: Un dì, felice, eterea
- Stretta dell'Introduzione: Si ridesta in ciel l'aurora
- È Strano!... È Strano!...
- Ah, fors'è lui che l'anima
- Follie!... Follie!... Delirio vano è questo!... Sempre libera degg'io
- Lunge da lei per me non v'ha diletto
- De' miei bollenti spiriti
- Annina, donde vieni? - Da Parigi
- O mio rimorso! O infamia
- Alfredo? - Per Parigi or or partiva
- Ah, ah, scopriva Flora il mio ritiro!
- Pura siccome un angelo
- Bella voi siete e giovine
- Dite alla giovine sì bella e pura
- Imponete - Non amarlo ditegli
- Morrò!... La mia memoria
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La Traviata (Highlights) (Chor und Orchester der Deutschen Oper Berlin feat. conductor: Lorin Maazel)
Released 1993
Released 1993
- La Traviata: Preludio
- La Traviata, Act 1: Libiamo ne' lieti calici (Brindisi)
- La Traviata, Act 1: Un di felice, eterea
- La Traviata, Act 1: E strano!... Ah, fors'è lui... Sempre libera
- La Traviata, Act 2: Lunge da lei... De'miei bollenti spiriti
- La Traviata, Act 2: Pura siccome un angelo
- La Traviata, Act 2: Ah! Dite alla giovine
- La Traviata, Act 2: Di Provenza il mar, il suol
- La Traviata, Act 2: Finale: Ogni suo aver tal femmina
- La Traviata, Act 3: Tenestre la promessa... Addio del passato
- La Traviata, Act 3: Parigi, o cara, noi lasceremo
- La Traviata, Act 3: Finale: Ah, Violetta? Voi? Signor?
- Aida: Celeste Aida (Radames)
- Aida: Gloria ell'Egitto (Chor)
- Aida: Triumphmarsch (Ballettmusik)
- Aida: Vieni, o guerriero vindice (Chor)
- Aida: O terra, addio (Radames)
- Rigoletto: Questa o quella (Herzog)
- Rigoletto: Giovanna, ho dei rimorsi (Gilda, Duke)
- Rigoletto: E il so dell'anima (Herzog)
- Rigoletto: Addio - Caro nome che il mio cor (Herzog, Gilda)
- Rigoletto: La donna è mobile (Herzog)
- Rigoletto: Bella figlia dell'amore (Herzog)
- Rigoletto: V'ho ingannato, colpevole fui ... (Gilda, Rigoletto)
- La Traviata: Libiamo (Chor)
- La Traviata: Di Provenza il mar, il suol (Germont)
- La Traviata: Addio del passato (Violetta)
- La Traviata: Parigi, o cara, noi lasce remo (Violetta, Alfredo)
- Il Trovatore: Zigeunerchor
- Il Trovatore: Squilli, echeggi la tomba guerriera (Soldatenchor)
- Il Trovatore: Ah si, ben mio (Manrico)
- Don Carlos: Canzone del velo
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Verdi Overtures and Preludes (The State of Mexico Symphony Orchestra, feat. conductor: Enrique Batiz)
Released 1993
Released 1993
- La forza del destino: Overture
- I Vespri Siciliani: Overture
- Aida: prelude, Act 1
- La Traviata: Prelude, Act 1
- La Traviata: Prelude, Act 3
- Nabucco: Overture
- Rigoletto: Prelude, Act 1
- Aroldo: Overture (feat. Trumpet: Andrew Balio)
- Un Ballo in Maschera: Prelude, Act 1
- Un Ballo in Maschera: Prelude, Act 2
- Luisa Miller: Overture
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Rigoletto (Nüremberg Symphony Orchestra & Choir of the Munich State Opera. Conductor: Eberhardt von Billerbeck)
Released 1993
Released 1993
- Preludio
- Quel vecchio malediva mi! Signor? ... Va non ho niente
- Pari siamo Fiflia!... Mio padre!... Deh non parlare al misero Già da tre lune Ah! veglia, o donna
- Giovanna, ho dei rimorsi è il sol dell'anima Che m'ami, deh! Repetimi... Addio, Addio, speranza ed anima
- Gualtier Maldè... Caro nome
- Ella mi fu rapit! Parma veder le lagrime
- Possenta amor mi chiama Povero Rogoletto! - La rà, la rà Cortigiani, vi! razza dannata
- E l'ami? - sempre
- La donna è mobile è la il vostruomo
- Un di, se ben rammentomi Bella figlia dell'amore
- Chi è mai, chi è qui in sua vece V'ho'ingannato... Lassu in cielo
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Aïda (Vienna Radio Orchestra & Austrian Opera Chorus. Conductor: Roberto Anduccio)
Released 1993
Released 1993
- Aida: Si, corre voce
- Aida: Se quel guerrier io fossi!
- Aida: Celeste Aida
- Aida: Ritorna vincitor
- Aida: Gloria a l'Egitto
- Aida: Triumphal march
- Aida: Ballet music
- Aida: Qui Radamses verra
- Aida: Ciel! Mio padre - Rivedrai le foreste imbalsamante
- Aida: Gia i sacerdoti adanansi
- Aida: La fatal pietra sovra me si chiuse o terra, addio
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La Traviata (Orchestra and Chorus of the Maggio Musicale of Florence feat. conductor: Zubin Mehta)
Released 1993
Released 1993
- Preludio
- Act I: Dell'invito trascorsa è già l'ora
- Act I: Libiamo ne' lieti calici
- Act I: Che è ciò?
- Act I: Un dì felice, eterea
- Act I: Ebben? che diavol fate?
- Act I: Si ridesta in ciel l'aurora
- Act I: È strano!... Ah, fors'è lui
- Act I: Follie! Delirio vano è questo!... Sempre libera
- Act II, Scene 1: Lunge da lei... De' miei bollenti spiriti
- Act II, Scene 1: Annina, donde vieni?... Oh mio rimorso!
- Act II, Scene 1: Alfredo? - Per Parigi or or partiva
- Act II, Scene 1: Pura sicome un angelo
- Act II, Scene 1: Non sapete quale affetto
- Act II, Scene 1: Un dì, quando le veneri
- Act II, Scene 1: Ah! Dite alla giovine
- Act II, Scene 1: Imponete - Non amarlo ditegli
- Act II, Scene 1: Dammi tu forza, o cielo!
- Act II, Scene 1: Che fai? - Nulla
- Requiem Mass (Manzoni Requiem): VI. Lux aeterna (Philadelphia Orchestra and Westminster Choir feat. conductor: Eugene Ormandy, chorus master: George Lynn)
- Requiem Mass (Manzoni Requiem): VII. Libera me (Philadelphia Orchestra and Westminster Choir feat. conductor: Eugene Ormandy, chorus master: George Lynn)
- Stabat Mater: I. Introduzione "Stabat Mater dolorosa"
- Stabat Mater: II. Aria "Cujus animam gementem"
- Stabat Mater: III. Duetto "Quis est homo"
- Stabat Mater: IV. Aria "Ori peccatis suae gentis"
- Stabat Mater: V. Coro e Recitativo "Eja, Mater, fons amoris"
- Stabat Mater: VI. Quartetto "Sancta Mater, istud agas"
- Stabat Mater: VII. Cavatina "Fac, ut portem""
- Stabat Mater: VIII. Aria e Coro "Inflammatus et accensus"
- Stabat Mater: IX. Quartetto "Quando corpus morietur"
- Stabat Mater: X. Finale "Amen"
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Messa da Requiem / Quattro pezzi sacri (Wiener Philharmoniker feat. conductor: Claudio Abbado)
Released 1993
Released 1993
- Messa da Requiem: Requiem
- Messa da Requiem: Dies Irae: Dies irae
- Messa da Requiem: Dies Irae: Tuba mirum
- Messa da Requiem: Dies Irae: Liber scriptus
- Messa da Requiem: Dies Irae: Quid sum miser
- Messa da Requiem: Dies Irae: Rex tremendae
- Messa da Requiem: Dies Irae: Recordare
- Messa da Requiem: Dies Irae: Ingemisco
- Messa da Requiem: Dies Irae: Confutatis
- Messa da Requiem: Dies Irae: Lacrymosa
- Messa da Requiem: Offertorio
- Sinfonia
- Act I, Scene I: Introduction: Orchestral Prelude
- Ti desta, Luisa, regina de' cori
- Ecco mia figlia
- Lo vidi, e'l primo palpito
- T'amo d'amor ch'esprimere
- Scene ed Aria: Ferma ed ascolta
- Sacra la scelta d'un consorte
- Costarti, o vecchio debole
- Ah! fu giusto il mio sospetto!
- Act 1, Scene 2: Scena ed Aria: Che mai narrasti!
- Il mio sangue, la vita darei
- Scena e Coro: Padre...M'abbraccia...Portator
- Quale un sorriso d'amica sorte
- Scena e Duetto: Duchessa...Dall'aule raggianti
- Act I, Scene 3: Coro di cacciatori e Finale I: Sciogliette i levrieri
- Del conte di Walter figlio
- Tu, tu, signor, fra queste soglie!
- Fra'mortali ancora oppressa
- I cenni miei si compiano
- Act II, Scene 1: Ah! Luisa, ove sei?
- Scena ed Aria: Il padre tuo...Finisci
- Tu puniscimi, o Signore
- Qui nulla s'attenta imporre
- A brani, a brani, o perfido
- Nabucco: Va pensiero
- Ernani: Ernani! Ernani, involami
- Luisa Miller: Ouverture
- Luisa Miller: Lo vidi e il primo palpito
- Rigoletto: Gualtier Maldè; caro nome
- Rigoletto: Cortigiani, vil razza dannata
- Rigoletto: La donna è mobile
- Rigoletto: Bella figlia dell'amore
- Il Trovatore: Vedi! Le fosche notturne
- Il Trovatore: Di quella pira
- Il Trovatore: D'amor sull'ali rosee
- Il Trovatore: Ai nostri monti
- La Traviata: Prélude
- La Traviata: (brindisi): Libiamo ne' lieti calici
- La Traviata: Sempre libera
- La Traviata: Noi siamo zingarelle
- La Traviata: Di Madride noi siam mattadori
- La Traviata: Addio del passato
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I Lombardi alla prima Crociata (feat. conductor: Lamberto Gardelli)
Released 1992
Released 1992
- I Lombardi alla prima crociata: Act I. "Oh Nobile Esempio"
- I Lombardi alla prima crociata: Act I. "Qui Nel Luogo... T'assale Un Tremito"
- I Lombardi alla prima crociata: Act I. "Or A'ascolti... All'empio, Che Infrange"
- I Lombardi alla prima crociata: Act I. "A Te Nell'ore Infausta"
- I Lombardi alla prima crociata: Act I. "Vergini! Il Ciel Per Ora"
- I Lombardi alla prima crociata: Act I. "Sciagurata! Hai Tu Creduto"
- I Lombardi alla prima crociata: Act I. "Molti Fidi Qui Celati... Nium Periglio"
- I Lombardi alla prima crociata: Act I. "O Speranza Di Vendetta"
- I Lombardi alla prima crociata: Act I. "Tutta Tremante Ancor"
- I Lombardi alla prima crociata: Act I. "Salve Maria, Di Grazie Il Petto"
- I Lombardi alla prima crociata: Act I. "Vieni! Gia Posa Arvino"
- I Lombardi alla prima crociata: Act I. "Mostro D'averno Orribile"
- I Lombardi alla prima crociata: Act I. "Parricida!... Va! Sul Capo Ti Grava I'Eterno"
- I Lombardi alla prima crociata: Act II. "E Dunque Vero?... Deh Scendi Allha"
- I Lombardi alla prima crociata: Act II. "Oh Madre Mia... La Mia Letizia Infondere"
- I Lombardi alla prima crociata: Act II. "Oh, Ma Pensa... Come Poteva Un Angelo"
- I Lombardi alla prima crociata: Act II. "E Ancor Silenzio!... Ma Quando Un Suon Terribile"
- I Lombardi alla prima crociata: Act II. "Ma Chi Viene... Qual Rumor!"
- I Lombardi alla prima crociata: Act II. "Sei Tu L'uom Della Caverna... Stolto Allha!"
- I Lombardi alla prima crociata: Act II. "La Bella Straniera"
- I Lombardi alla prima crociata: Act II. "O Madre, Dal Cielo... Se Vano E Il Pregare"
- I Lombardi alla prima crociata: Act II. "Chi Ne Salva?... Quai Grida!"
- I Lombardi alla prima crociata: Act II. "No! No! Giusta Causa Non E D'Iddio"
- I Lombardi alla prima crociata: Act III. "Gerusalem! Gerusalem!"
- I Lombardi alla prima crociata: Act III. "Dove Sola M'Inoltro?... Giselda!"
- I Lombardi alla prima crociata: Act III. "Per Dirupi E Per Foreste"
- I Lombardi alla prima crociata: Act III. "Oh Belle, A Questa Misera"
- I Lombardi alla prima crociata: Act III. "All 'Armi!... Ah! Vieni, Sol Morte"
- I Lombardi alla prima crociata: Act III. "Che Vid'io Mai?... Si! Del Ciel Che Non Punisce"
- I Lombardi alla prima crociata: Act III. "Preludio"
- I Lombardi alla prima crociata: Act III. "Qui Posa Il Fianco!"
- I Lombardi alla prima crociata: Act III. "Qual Volutta Trascorrere"
- I Lombardi alla prima crociata: Act IV. "Componi, o Cara Vergine... Oh! Di Semianze Eteree"
- I Lombardi alla prima crociata: Act IV. "In Cielo Benedetto"
- I Lombardi alla prima crociata: Act IV. "Qual Prodigio!...Non Fu Sogno!"
- I Lombardi alla prima crociata: Act IV. "Oh Signore, Dal Tetto Natio"
- I Lombardi alla prima crociata: Act IV. "Al Siloe! Al Siloe!...Guerra! Guerra!"
- I Lombardi alla prima crociata: Act IV. "Quest'e Mia Tenda... Ti Calma, Ti Calma!"
- I Lombardi alla prima crociata: Act IV. "Un Breve Istante... Te Iodiamo, Gran Dio"
- Aida: Radames: Celeste Aida
- Aida: Chorus: Gloria all'Egitto
- Aida: Triumphal march - ballet music
- Aida: Chorus: Vieni, o guerriero vindice
- Aida: Radames, Aida: O terra, addio
- Rigoletto: Duke: Questa o quella
- Rigoletto: Gilda, Duke: Giovanna, ho dei rimorsi
- Rigoletto: Duke: E il sol dell'anima
- Rigoletto: Duke, Gilda: Addio - Caro nome che il mio cor
- Rigoletto: Duke: La donna e mobile
- Rigoletto: Duke: Bella figlia dell'amore
- Rigoletto: Gilda, Rigoletto: Lasse incielo
- La Traviata: Chorus: Libiamo
- La Traviata: Germont: Di Prevenza il mar, il suol
- La Traviata: Violette: Addio del passato
- La Traviata: Viletta, Alfredo: Parigi, o cara, noi lasce remo
- Il Trovatore: Gypsy chorus
- Il Trovatore: Squilli, echeggi la tromba guerriera
- Il Trovatore: Manrico: Ah si, ben mio
- Don Carlos: Canzone del velo
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La traviata (London Symphony Orchestra feat. conductor: Carlo Rizzi, soprano: Edita Gruberová, tenor: Neil Shicoff, baritone: Giorgio Zancanaro)
Released 1992
Released 1992
- Preludio
- Atto Primo: "Dell'invito trascorsa è già l'ora"
- Atto Primo: Brindisi "Libiamo, libiamo ne'lieti calici"
- Atto Primo: "Che è ciò?"
- Atto Primo: "Oh! qual pallor!"
- Atto Primo: "Un dì felice"
- Atto Primo: "Si ridesta in ciel 'aurora"
- Atto Primo: "E strano! è strano! ... Ah, fors'è lui"
- Atto Primo: "Follie! ... Sempre libera"
- Atto Secondo: "Lunge da lei"
- Atto Secondo: "De' miei bollenti spiriti"
- Atto Secondo: "Annina, donde vieni?"
- Atto Secondo: "Oh, mio rimorso!"
- Atto Secondo: "Alfredo?"
- Atto Secondo: "Pura siccome un angelo"
- Atto Secondo: "Dite all giovine"
- Atto Secondo: "Dammi tu forza, o cielo"
- Atto Secondo: "Ah, vive sol que core"
- Atto Secondo: "Di Provenza il mar"
- Atto Secondo: "No, non udrai rimproveri"
- Prelude
- Brindisi - Libiamo, libiamo ne'lieti calici
- E strano, e strano! Ah, fors e lui
- Follie! ... Sempre libera
- Lunge da lei
- De' miei bollenti spiriti
- Oh, mio rimorso!
- Pura siccome un angelo
- Dite alla giovane
- Di Provenza il mar
- Noi siamo zingarelle
- Prelude
- Teneste la promessa
- Addio, del passato bei sogni
- Parigi, o cara, noi lasceremo
- Se una pudica vergine
- Nabucco : Va pensiero
- Luisa Miller: Lo vidi e il primo palpito
- Rigoletto: Gualtier Maldè; caro nome
- Rigoletto: La donna è mobile
- Il Trovatore:Vedi! Le fosche notturne
- Il Trovatore: Di quella pira
- Il Trovatore: D'amor sull'ali rosee
- La Traviata: Libiamo ne' lieti calici (brindisis)
- La Traviata: Noi siamo zingarelle
- La Traviata: Addio del passato
- Les vêpres siciliennes: Ouverture
- Un bal masqué: Morrò ma prisma in grazia
- Don Carlos: Dio, che nell'alma infondere
- La force du destin: La Vergine degli angeli
- La force du destin: Pace, pace mio Dio
- Aida: Gloria all'Egitto
- Otello: Si pel ciel
- Act 1 - Prelude
- Act 1 - Della Mia Bella Incognita - A mysterious beauty
- Act 1 - Questa o Quella - The Duke's flirtations
- Act 1 - Pari Siamo! - Rigoletto meets Sparafucile
- Act 1 - Figlia1...Mio Padre!...Deh,No Pagrlare Al Misero - Gilda comforts her father
- Act 1 - E Il Sol Del'Anima... Che M'Ami... - The lovers declare their feelings
- Act 1 - Gualtier Malde!...Caro Nome - Gilda's song of love
- Act 2 - Ella Mi Fu Rapita! - The Duke laments
- Act 2 - Parmi Veder Le Lagrime - Gilda's fear imagined
- Act 2 - Povero Rigiletto - Laughing to conceal grief
- Act 2 - Cortigiani,Vil Razza Dannata - Rigoletto's fury
- Act 2 - Tutte La Feste Al Tempio - Gilda tells her story
- Act 2 - La Donna E Mobile - The fickleness of women
- Act 2 - Bella Figlia Dell'Amore - A declaration of love
- Act 2 - Chi Mai,Che E Qui In Sua Vece - The death of Gilda
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Messa da Requiem (Symphonieorchester des Bayerischen Rundfunks feat. conductor: Sir Colin Davis)
Released 1992
Released 1992
- Messa da Requiem: I. Requiem & Kyrie
- Messa da Requiem: IIa. Dies irae
- Messa da Requiem: IIb. Dies irae: Tuba mirum
- Messa da Requiem: IIc. Dies irae: Mors stupebit
- Messa da Requiem: IId. Dies irae: Liber scriptus
- Messa da Requiem: IIe. Dies irae: Quid sum miser
- Messa da Requiem: IIf. Dies irae: Rex tremendae
- Messa da Requiem: IIg. Dies irae: Recordare
- Messa da Requiem: IIh. Dies irae: Ingemisco
- Messa da Requiem: IIi. Dies irae: Confutatis
- Messa da Requiem: IIj. Dies irae: Lacrymosa
- 'Aida' - Prelude
- 'La Traviata' - Prelude to Act 1
- 'La Traviata' - Prelude to Act 3
- 'La forza del destino' - Overture
- 'Nabucco' - Overture
- 'I vespri Siciliani' - Overture
- 'La battaglia di Legnano - Overture
- 'Luisa Miller' - Overture
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Otello (Otello:Pavarotti, Te Kanawa, Nucci, Chicago Symphony Orchestra & Chorus: Sir George Solti)
Released 1991
Released 1991
- Act One: "Una vela! Una vela!" Ciprioti
- Act One: "Esulte!" Otello
- Act One: "Roderigo, ebben che pensi?" Jago
- Act One: "Fucco di giola!" Ciprioti
- Act One: "Roderigo, beviam!" Jago
- Act One: "Inaffi l'ugola! Trinca, tracanna" Jago
- Act One: "Capitano, v'attende la fazione ai baluardi!" Montanoo
- Act One: "Abasso le spade!" Otello
- Act One: "Già nella notte densa" Otello
- Act Two: "Non ti crucciar" Jago
- Act Two: "Vanne! la tua meta già vedo" Jago
- Act Two: "Credo in un Dio crudel" Jago
- Act Two: "Ciò m' accora" Jago
- Act Two: "Dove guardi splendono" Gente intorno a Desdemona
- Act Two: "D'un uom che geme sotto il tuo disdegno Desdemona
- Act Two: "Se inconscia contro te, sposo, ho peccato" Desdemona
- Act Two: "Desdemona rea!" Otello
- Act Two: "Tu?! Indietro! fuggi!!" Otello
- Act Two: "Ora e per sempre addio" Otello
- Act Two: "Pace, signo" Jago
- Act Two: "Era la notte, Cassio dormia" Jago
- Act Two: "Oh! mostruosa colpa!" Otello
- Act Two: "Si, pel ciel marmoreo giuro!" Otello
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La Traviata (Coro Cetra & Orchestra Sinfonica della Rai feat. conductor: Gabriele Santini, singers: Callas, Albanese, Savarese)
Released 1991
Released 1991
- La Traviata: Preludio
- La Traviata: Atto I, Scena I. "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marchese, Gastone, Alfredo)
- La Traviata: Atto I, Scena II. "Libiamo ne' lieti calici" (Alfredo, Tutti, Violetta)
- La Traviata: Atto I, Scena III. "Oh qual pallor" (Alfredo, Tutti, Violetta)
- La Traviata: Atto I, Scena III. "Un di, felice, eterea" (Alfredo, Violetta, Gastone)
- La Traviata: Atto I, Scena IV. "Si ridesta in ciel l'aurora" (Tutti)
- La Traviata: Atto I, Scena V. "E strano! E strano!" (Violetta)
- La Traviata: Atto I, Scena V. "Ah, fors' e lui" (Violetta)
- La Traviata: Atto I, Scena V. "Follie! Follie!" (Violetta)
- La Traviata: Atto II, Scena I. "Lunge da lei" (Alfredo)
- La Traviata: Atto II, Scena I. "De' miei bollenti spiriti" (Alfredo)
- La Traviata: Atto II, Scena II./IV. "Annina, donde vieni?" (Alfredo, Annina)
- La Traviata: Atto II, Scena V. "Pura siccome un angelo" (Germont, Violetta)
- La Traviata: Atto II, Scena V. "Non sapete quale affetto" (Violetta, Germont)
- La Traviata: Atto II, Scena V. "Un di, quando le veneri" (Germont, Violetta)
- La Traviata: Atto II, Scena VI: "Dammi tu forza, o cielo!" (Violetta, Annina)
- La Traviata: Atto II, Scena VII. "Ah, vive sol quel core all’ amor mio!" (Alfredo, Giuseppe, Commissionario, Germont)
- La Traviata: Atto II, Scena VIII. "Di Violetta! Perche son io commosso!" (Alfredo, Germont)
- La Traviata: Atto II, Scena VIII. "Di Provenza il mar" (Germont, Alfredo)
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Opera Choruses (Slovak Radio Symphony Orchestra feat. conductor: Oliver Dohnányi, choir: Slovak Philharmonic Choir)
Released 1991
Released 1991
- Nabucco: Va, pensiero, "Chorus of Hebrew Slaves"
- Don Carlos: "Spuntato ecco il di d'esultanza"
- La Traviata: Gypsy Chorus, "Noi siamo zingarelle"
- Nabucco: Entry Chorus, "Gli arredi festivi giu candano infantri"
- La Battaglia di Legnano: Preghiera, " Deus meus, pone illos ut rotam"
- Il trovatore, Act II: Vedi, le fosche notturne, "Anvil Chorus''
- Ernani: "Si rideste il Leon di Castiglia"
- Otello: Act I . "Fuoco di gioia"
- La Battaglia di Legnano: "Giuramento"
- Macbeth: Act IV. Chorus of Scottish Exiles "Patria oppressa!"
- Macbeth: Act IV. Soldiers' Chorus "Or co'dadi, ma fra poco"
- La forza del destino: Rataplan, "Rataplan, rataplan della gloria"
- La traviata: Act I. "Si ridesta in ciel l'aurora"
- Aida: Act II. Triumph March and Chorus, "Gloria all'Egitto"
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Verdi / Falla: Songs (English Chamber Orchestra feat. conductor: Luciano Berio, tenor: José Carreras)
Released 1991
Released 1991
- In solitaria stanza, song for voice & piano
- Il poveretto ("Passegger, che al dolce aspetto"), song for voice & piano
- Il mistero ("Se tranquillo a te daccanto"), song for voice & piano
- L'esule ("Vedi! la bianca luna"), song for voice & piano
- Deh, pietoso, oh addolorata, song for voice & piano
- Il Tramonto II ("Amo l'ora del giorno che muore"), song for voice & piano
- Ad una stella ("Bell'astro della terra"), song for voice & piano
- Brindisi I ("Mescetemi il vino!"), song for voice & piano
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 1, "El paño moruno" (The Moorish cloth)
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 2, "Seguidilla murciana"
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 3, "Asturiana"
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 4, "Jota"
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 5, "Nana"
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 6, "Canción"
- Popular Spanish Songs (7), for voice & piano, G. 40, No. 7, "Polo"
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Aida (Metropolitan Opera Orchestra and Chorus feat conductor: James Levine; Performers: Aprile Millo, Placido Domingo, Dolora Zajick, James Morris, Samuel Ramey)
Released 1991
Released 1991
- Aida: Act: III. Introduzione
- Aida: Act: III. "Vieni d'Iside al tempio"
- Aida: Act: III. "Qui Radamès verrà!"
- Aida: Act: III. "Ciel! Mio padre!"
- Aida: Act: III. "Su, dunque! Sorgete egizie coorti!"
- Aida: Act: III. "Pietà! Pietà, padre"
- Aida: Act: III. "Pur ti riveggo, mia dolce Aida"
- Aida: Act: III. "Nel fiero anelito di nuova guerra"
- Aida: Act: III. "Nè d'Amneris paventi il vindice furor?"
- Aida: Act: III. "Fuggiam gil ardori inospiti"
- Aida: Act: III. "Sovra una terra estrania teco fuggir dovrei!"
- Aida: Act: III. "Ah no! Fuggiamo!"
- Aida: Act: III. "Nella terra avventurata de' miei padri"
- Aida: Act: III. "Ma dimmi, per qual via"
- Aida: Act: III. "Traditor! ... La mia rival!"
- Aida: Act: IV, Scene I. "L'aborrita rivale a me sfuggia"
- Aida: Act: IV, Scene I. "Di mie discolpe i giudici"
- Aida: Act: IV, Scene I. "Morire! Ah, tu dêi vivere!"
- Aida: Act: IV, Scene I. "Chi ti salva, sciagurato"
- Aida: Act: IV, Scene I. "È la morte un ben supremo"
- Aida: Act: IV, Scene II. "Ohimè ... morir mi sento!"
- Aida: Act: IV, Scene II. "La fatal pietra sovra me si chiuse"
- Aida: Act: IV, Scene II. "Presago il Core Della Tua Condanna"
- Aida: Act: IV, Scene II. "Morir! Sì pura e bella!"
- Aida: Act: IV, Scene II. "Vedi? ... di morte l'angelo radiante a noi s'appressa!"
- Aida: Act: IV, Scene II. "Immenso Fthà"
- Aida: Act: IV, Scene II. "O terra, addio"
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Alban Berg: Lyric Suite / Giuseppe Verdi: String Quartet in E minor (Vogler Quartett)
Released 1991
Released 1991
- Lyric Suite: I. Allegro gioviale
- Lyric Suite: II. Andante amoroso
- Lyric Suite: III. Allegro misterioso - Trio estatico
- Lyric Suite: IV. Adagio appassionato
- Lyric Suite: V. Presto delirando
- Lyric Suite: VI. Largo desolato
- String Quartet in E minor: I. Allegro
- String Quartet in E minor: II. Andantino
- String Quartet in E minor: III. Prestissimo
- String Quartet in E minor: IV. Scherzo - Fuga
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La traviata (Slovak Radio Symphony Orchestra feat. conductor: Alexander Rahbari)
Released 1991
Released 1991
- Prelude
- Act I: Introduction
- Act I: Dell'invito trascorsa è già l'ora (Chorus, Violetta, Flora, Marchese)
- Act I: In Alfredo Germont, o signora (Gastone, Violetta, Marchese, Alfredo, Barone, Flora, Chorus)
- Act I: Brindisi: Libiamo ne'lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta)
- Act I: Che è ciò (Chorus, Violetta, Alfredo)
- Act I: Un di, felice, eterea (Alfredo, Violetta)
- Act I: Ebben? Che diavol fate? (Gastone, Violetta, Alfredo)
- Act I: Si ridesta in ciel l'aurora (Chorus)
- Act I: È strano! è strano! (Violetta)
- Act I: Sempre libera degg'io (Violetta)
- Act II Scene 1: Lunge da lei per me (Alfredo)
- Act II Scene 1: Annina, donde vieni? (Alfredo, Annina)
- Act II Scene 1: O mio rimorso! (Alfredo)
- Act II Scene 1: Alfredo? ... Per parigi or partiva (Violetta, Annina, Giuseppe)
- Act II Scene 1: Madamigella Valéry? Son io (Germont, Violetta)
- Act II Scene 1: Pura si come un angelo (Germont)
- Act II Scene 1: Ah comprendo ... dovro per alcun tempo (Violetta, Germont)
- Act II Scene 1: È grave il sacrifizio (Germont, Violetta)
- Act II Scene 1: Un di, quando le veneri (Germont, Violetta)
- Act II Scene 1: Dite alla giovine (Violetta, Germont)
- Act II Scene 1: Or imponete. Non amarlo ditegli (Violetta, Germont)
- Act II Scene 1: Morrò! morrò! la mia memoria (Violetta, Germont)
- Act II Scene 1: Dammi tu forza, o cielo! (Violetta, Annina, Alfredo)
- Act II Scene 1: Ah, vive sol quel core all'amor mio! (Alfredo, Giuseppe, Il Commissario, Germont)
- Act II Scene 1: Di Provenza il mar, il suol (Germont)
- Act II Scene 1: Né rispondi d'un padre all'affetto? (Germont, Alfredo)
- Act II Scene 1: No, non udrai rimproveri (Germont, Alfredo)
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La traviata (National Philharmonic Orchestra feat. conductor: Richard Bonynge)
Released 1991
Released 1991
- La traviata: Preludio
- La traviata: Atto I: "Dell'invito trascorsa" (Coro)
- La traviata: Atto I: "Brindisi: Libiamo, ne' lieti calici" (Alfredo)
- La traviata: Atto I: "Che è ciò?" (tutti)
- La traviata: Atto I: "Un dì felice, eterea" (Alfredo)
- La traviata: Atto I: "È strano! è strano!... Ah! fors'è lui..." (Violetta)
- La traviata: Atto I: "Follie!... Sempre libera" (Violetta)
- La traviata: Atto II, Scena I: "Lunge da lei..." (Alfredo)
- La traviata: Atto II, Scena I: "De' miei bollenti spiriti" (Alfredo)
- La traviata: Atto II, Scena I: "O mio rimorso!" (Alfredo)
- La traviata: Atto II, Scena I: "Pura siccome un angelo" (Germont)
- La traviata: Atto II, Scena I: "Dite alla giovine... Morrò! La mia memoria" (Violetta)
- La traviata: Atto II, Scena I: "Dammi tu forza, o cielo!... Amami, Alfredo" (Violetta)
- La traviata: Atto II, Scena I: "Di Provenza il mar, il suol..." (Germont)
- La traviata: Atto II, Scena I: "No, non udrai rimproveri" (Germont)
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Un Ballo in Maschera (Orchestra and Chorus of the Roayl Opera House Covent Garden, feat. conductor Sir Colin Davis, singers Carreras, Wixell, Caballé))
Released 1990
Released 1990
- Un ballo in maschera: Act II. Scena e terzetto "Ahimè! S'appressa alcun!"
- Un ballo in maschera: Act II. Scena e coro nel finale II "Seguitemi"
- Un ballo in maschera: Act II. Quartetto - Finale II "Ve' se di notte"
- Un ballo in maschera: Act III. Scena ed aria " A tal colpa"
- Un ballo in maschera: Act III. Scena ed aria "Morrò, ma prima in grazia"
- Un ballo in maschera: Act III. Scena ed aria "Alzati; là tuo figlio"
- Un ballo in maschera: Act III. Scena ed aria "Eri tu che macchiavi quell'anima"
- Un ballo in maschera: Act III. Congiura: Terzotto e quartetto "siam soli. Udite"
- Un ballo in maschera: Act III. Scena e quintetto "Il messaggio entri"
- Un ballo in maschera: Act III. Finale III. Scena e Romanza " Forse la soglia attinse"
- Un ballo in maschera: Act III. Finale III. Scena e Romanza " Ma se m'è forza perderti"
- Un ballo in maschera: Act III. Festa da ballo e coro nel finale III "Ah!dessa è là"
- Un ballo in maschera: Act III. Canzone e seguito del finale III "Saper vorreste"
- Un ballo in maschera: Act III. Scena, duettino e coro "Ah! perché qui! fuggite"
- Un ballo in maschera: Act III. Scena finale "Ella è pura"
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Rigoletto (Rome Opera Orchestra & Chorus, feat. conductor: Jonel Perlea)
Released 1990
Released 1990
- Rigoletto: Preludio
- Rigoletto: Act I. Introduzione "Della mia bella incognita borghese" (Duke, Borsa)
- Rigoletto: Act I. Ballata "Questo o quella" (Duke)
- Rigoletto: Act I. Minuetto e Perigordino "Partie? Crudele!" (Duke, Contessa, Rigoletto, Borsa, Chorus)
- Rigoletto: Act I. Coro "Gran nuova!" (Marullo, Borsa, Duke, Rigoletto, Ceprano, Chorus)
- Rigoletto: Act I. Moderato "Chi'o gli parli." (Monterone, Duke, Rigoletto, Marullo, Borsa, Ceprano, Chorus)
- Rigoletto: Act II. Duetto "Quel vecchio maledivami!" (Rigoletto, Sparafucile)
- Rigoletto: Act II. Scena "Pari siamo!..." (Rigoletto)
- Rigoletto: Act II. Duetto "Figlia!..." - "Mio padre!" (Rigoletto, Gilda, Giovanna)
- Rigoletto: Act II. "Veglia, o donna, questo fiore" (Rigoletto, Gilda, Duke, Giovanna)
- Rigoletto: Act II. Scena "Giovanna, ho dei rimorsi..." (Gilda, Giovanna) / Duetto "T'amo! T'amo" (Duke, Gilda)
- Rigoletto: Act II. "Che m'ami, deh, ripetimi" - "Addio... speranza ed anima" (Duke, Gilda, Ceprano, Borsa, Giovanna)
- Rigoletto: Act II. Scena ed Aria "Gualtier Maldè..." (Gilda) / "E là..." - "Miratela" (Gilda, Borsa, Ceprano, Marullo, Chorus)
- Rigoletto: Act II. Scena "Riedo!... perchè?" (Rigoletto, Borsa, Ceprano, Marullo)
- Rigoletto: Act II. Coro "Zitti, zitti" (Chorus, Borsa, Marullo, Ceprano) / Finale Primo "Soccorso, padre mio!" (Gilda, Rigoletto, Borsa, Marullo, Ceprano, Chorus)
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Aida's Greatest Hits (Milan Opera Orchestra feat. conductor: Ricardo Alfieri, Chorus of the Munich State Opera, soprano: Eva Illes, tenor: Juan Perez, alto: Ruth Hesse, baritone: Rudolf Knoll, bass: Ernst Wiemann)
Released 1990
Released 1990
- Act 1 Scene 1: Si, corre voce...
- Act 1 Scene 1: Se quel guerrier io fossi!...
- Act 1 Scene 1: Celeste Aida
- Act 1 Scene 1: Ritorna vincitor
- Act 2 Scene 2: Gloria all'Egitto
- Triumphal March
- Ballet Music
- Act 3: Qui Radames verra
- Act 3: Ciel, mio padre! .. Rivedrai le foreste imbalsamate
- Act 4 Scene 1: Gia i Sacerdoti adunasi
- Act 4 Scene 2: La fatal pietra sovra me si chiuse
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La traviata (Metropolitan Opera Chorus and Orchestra feat. conductor: Richard Bonynge)
Released 1990
Released 1990
- Preludio
- "Dell'Invito Trascorsa..." - Coro I
- "Libiam Ne'Lieti Calici" - Alfredo
- "Che E Cio?" - Tutti
- "Un Di Felice, Etera" - Alfredo
- "È Strano! È Strano!" - Violetta
- "Follie! Delirio Vano È Questo!" - Violetta
- "Lunge Da Lei..." - Alfredo
- "De' Miei Bollenti Spiriti" - Alfredo
- "Alfredo?" - Violetta
- "Pura Siccome Un Angelo" - Germont
- "Dite Alla Giovine Si Bella E Pura" - Violetta
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Macbeth (Metropolitan Opera Orchestra & Chorus feat. conductor: Erich Leinsdorf)
Released 1990
Released 1990
- Macbeth: Prelude
- Macbeth: Act I, Scene 1. "Che faceste? Dite su!"
- Macbeth: Act I, Scene 1. "Giorno non vidi mai sì fiero e bello!"
- Macbeth: Act I, Scene 1. "Due vaticini compiuti or sono"
- Macbeth: Act I, Scene 1. "S' allontanarono!"
- Macbeth: Act I, Scene 2. "Nel dì della vittoria io le incontrai..."
- Macbeth: Act I, Scene 2. "Vieni! t'affretta! accendere"
- Macbeth: Act I, Scene 2. "Oh donna mia!"
- Macbeth: Act I, Scene 2. "Sappia la sposa mia"
- Macbeth: Act I, Scene 2. "Fatal mia donna!"
- Macbeth: Act I, Scene 2. "Di destarlo per tempo il Re m'impose"
- Macbeth: Act I, Scene 2. "Schiudi, inferno, inghiotti"
- Macbeth: Act II, Scene 1. "Perchè mi sfuggi"
- Macbeth: Act II, Scene 1. "La luce langue"
- Macbeth: Act II, Scene 2. "Chi v'impose unirvi a noi?"
- Macbeth: Act II, Scene 2. "Studia il passo... Come dal ciel precipita"
- Macbeth: Act II, Scene 3. "Salve, o Re!"
- Macbeth: Act II, Scene 3. "Si colmi il calice"
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Luisa Miller (RCA Italiana Opera Orchestra and Chorus feat. conductor: Fausto Cleva)
Released 1990
Released 1990
- Luisa Miller: Sinfonia
- Luisa Miller: Atto I, Scena I. "Ti desta, Luisa, regina de' cori"
- Luisa Miller: Atto I, Scena I. "Ecco mia figlia"
- Luisa Miller: Atto I, Scena I. "Lo vidi, e'l primo palpito"
- Luisa Miller: Atto I, Scena I. "Ferma ed ascolta"
- Luisa Miller: Atto I, Scena I. "Sacra la scelta è d'un consorte"
- Luisa Miller: Atto I, Scena I. "Ah! fu giusto il mio sospetto!"
- Luisa Miller: Atto I, Scena II. "Che mai narrasti!"
- Luisa Miller: Atto I, Scena II. "Il mio sangue, la vita darei"
- Luisa Miller: Atto I, Scena II. "Padre-M'abbraccia"
- Luisa Miller: Atto I, Scena II. "Duchessa-Duchessa tu m'appelli!"
- Luisa Miller: Atto I, Scena II. "Dall'aule raggianti di vano splendor"
- Luisa Miller: Atto I, Scena III. "Sciogliete i levrieri..."
- Luisa Miller: Atto I, Scena III. "Tu, tu, signor, fra queste soglie!"
- Luisa Miller: Atto I, Scena III. "Fra' mortali ancora oppressa"
- Luisa Miller: Atto II, Scena I. "Ah! Luisa, Luisa, ove sei?"
- Luisa Miller: Atto II, Scena I. "Il padre tuo..."
- Luisa Miller: Atto II, Scena I. "Tu puniscimi, o Signore"
- Luisa Miller: Atto II, Scena I. "Qui nulla s'attenta"
- Luisa Miller: Atto II, Scena I. "A brani, a brani, o perfido"
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Verdi: Rigoletto (Riccardo Chailly, Orchestra e Coro del Teatro Comunale di Bologna)
Released 1989
Released 1989
- Rigoletto, Opera: Prelude
- Rigoletto, Opera: Act 1. Scene 1.: Della Mia Bella Incognita Borghese
- Rigoletto, Opera: Act 1. Scene 1.: Questa o Quella Per Me Pari Sono
- Rigoletto, Opera: Act 1. Scene 1.: Gran Nuova! Gran Nuova!
- Rigoletto, Opera: Act 1. Scene 1.: Ch'Io Gli Parli
- Rigoletto, Opera: Act 1. Scene 2.: Quel Vecchio Maledivami!
- Rigoletto, Opera: Act 1. Scene 2.: Pari Siamo!
- Rigoletto, Opera: Act 1. Scene 2.: Figlia!... Mio Padre!
- Rigoletto, Opera: Act 1. Scene 2.: Ah! Veglia, o Donna
- Rigoletto, Opera: Act 1. Scene 2.: Giovanni, Ho Dei Rimorsi
- Rigoletto, Opera: Act 1. Scene 2.: Che M'Ami, Deh, Ripetimi
- Rigoletto, Opera: Act 1. Scene 2.: Gualtier Maldè... Caro Nome
- Rigoletto, Opera: Act 1. Scene 2.: Riedo!... Perchè?
- Rigoletto, Opera: Act 1. Scene 2.: Zitti, Zitti
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Aida (Orchestra e coro del Teatro alla Scala feat. conductor: Lorin Maazel)
Released 1989
Released 1989
- Aida: Act I. Preludio
- Aida: Act I, Scene I. "Sì: corre voce che l'Etiope ardisca" (Ramfis)
- Aida: Act I, Scene I. "Se quel guerrier io fossi!" (Radamès)
- Aida: Act I, Scene I. "Quale insolita gioia" (Amneris)
- Aida: Act I, Scene I. "Alta cagion v'aduna" (Il Re)
- Aida: Act I, Scene I. "Ritorna vincitor! (Aida)
- Aida: Act I, Scene II. "Possente, possente Fthà" (Sacerdotessa)
- Aida: Act I, Scene II. "Mortal, diletto ai Numi" (Ramfis)
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Falstaff (RCA Italiana Opera Orchestra & Chorus, feat. conductor: Solti, singers: Evans, Freni, Simionato, Merril)
Released 1989
Released 1989
- Falstaff: Act I, Scene I. "Falstaff! - J
- Falstaff: Act I, Scene I. "Sei Polli: Sei Scellini" (Falstaff)
- Falstaff: Act I, Scene I. "Ehi! Paggio! Andate A Impendervi" (Falstaff)
- Falstaff: Act I, Scene II. "Alice" (Meg)
- Falstaff: Act I, Scene II. "Fulgida Alice! Amor T'offro" (Meg)
- Falstaff: Act I, Scene II. "E' Un Ribaldo, Un Furbo, Un Ladro" (Dr. Cajus)
- Falstaff: Act I, Scene II. "Pst, Pst, Nannetta" (Fenton)
- Falstaff: Act I, Scene II. "Falstaff M'ha Canzonata" (Fenton)
- Falstaff: Act I, Scene II. "Torno All'assalto" (Fenton)
- Falstaff: Act I, Scene II. "Udrai Quanta Egli Sfoggia" (Bardolfo)
- Falstaff: Act II, Scene I. "Siam Pentiti E Contriti" (Bardolfo/Giovanni Foiani)
- Falstaff: Act II, Scene I. "Reverenza!" (Quickly)
- Falstaff: Act II, Scene I. "Alice E Mia!" (Falstaff)
- Falstaff: Act II, Scene I. "Signore, V'assista Il Cielo!" (Ford)
- Falstaff: Act II, Scene I. "In Me Vedete Un Uom" (Ford)
- Falstaff: Act II, Scene I. "E' Sogno? O Realta?" (Ford)
- Falstaff: Act II, Scene II. "Presenteremo Un Bill" (Fenton)
- Falstaff: Act II, Scene II. "Ola! Ned! Willl!" (Fenton)
- Falstaff: Act II, Scene II. "Alfin T'ho Colto" (Falstaff)
- Falstaff: Act II, Scene II. "Voi Mi Celiate" (Fenton)
- Falstaff: Act II, Scene II. "Al Ladro! " (Dr. Cajus)
- Falstaff: Act II, Scene II. "Se T'agguanto!" (Ford)
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Aida (Orchestra e Coro del Teatro dell'Opera di Roma feat. conductor: Tulli Serafin)
Released 1989
Released 1989
- Aida: Preludio
- Aida: Act I. "Si, corre voce che l'Etiope ardisca"
- Aida: Act I. "Se quel guerrier io fossi!"
- Aida: Act I. "Celeste Aida"
- Aida: Act I. "Quale insolita gioia nel tuo sguardo!"
- Aida: Act I. "Vieni, o diletta, appressati"
- Aida: Act I. "Alta cagion, v'aduna"
- Aida: Act I. "Su! del Nilo al sacro lido"
- Aida: Act I. "Ritorna vincitor!"
- Aida: Act I. "Possente Fthà... Tu che dal nulla hai tratto"
- Aida: Act I. “Immenso Fthà!"
- Aida: Act I. "Nume custode e vindice"
- Aida: Act II. "Chi mai fra gl'inni e i plausi"
- Aida: Act II. Danza di schiavi mori
- Aida: Act II. "Vieni, sul crin ti piovano"
- Aida: Act II. "Fu la sorte dell'armi a' tuoi funesta"
- Aida: Act II. "Pietà ti prenda del mio dolor"
- Aida: Act II. "Su! del Nilo al sacro lido... Numi, pietà del mio martir"
- Aida: Act II. "Gloria all'Egitto, ad Iside"
- Aida: Act II. Marcia trionfale
- Aida: Act II. Ballabile
- Aida: Act II. "Vieni, o guerriero vindice"
- Aida: Act II. "Salvator della patria"
- Aida: Act II. "Che veggo! Egli? Mio padre!... Anch'io pugnai... Ma tu, Re, tu signore possente"
- Aida: Act II. "Il dolor che in quel volto favella..."
- Aida: Act II. "O Re, pei sacri Numi... Gloria all'Egitto"
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Il trovatore (Orchestra e coro del Maggio Musicale Fiorentino feat. conductor: Thomas Schippers)
Released 1989
Released 1989
- All`erta!, all`erta!
- Di due figli vivea padre beato
- Che più t'arresti
- Tacea la notte placida
- Di tale amor, che dirsi
- Tace la notte!
- Deserto sulla terra
- Infida! - Qual voce!
- Vedi! Le fosche notturne spoglie
- Stride la vampa!
- Soli or siamo!
- Non son tuo figlio!
- Mal reggendo all`aspro assalto
- Perigliarti ancor languente
- Tutto è desserto
- Il balen del suo sorriso
- Ah! se l`error t`ingombra
- E deggio e posso crederlo?
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Aida (Orchestra e Coro del Teatro dell'Opera di Roma feat. conductor: Zubin Mehta)
Released 1989
Released 1989
- Preludio
- Sì, corre voce che l'Etiope ardisca
- Se quel gerrier io fossi!
- Celeste Aida
- Quale insolita gioia nel tuo sguardo!
- Vieni, o diletta, appressati
- Alta cagion v'aduna
- Su! del Nilo al sacro lido
- Ritorna vincitor!
- Possent Fthà ... Tu che dal nulla hai tratto
- Danza sacra delle Sacerdotesse ... Immenso Fthà! ... Mortal, diletto ai Numi
- Nume, custode e vindice
- Chi mai fra gl'inni e i plausi
- Danza di schiavi mori
- Vieni, sul crin ti piovano
- Fu la sorte dell'armi a' tuoi funesta
- Pietà ti prenda del mio dolor
- Su! del Nilo al sacro lido ... Numi, pietà del mio martir
- Gloria all'Egitto, ad Iside
- Marcia trionfale
- Ballabile
- Vieni, o guerriero vindice
- Salvator della patria
- Che veggo! Egli? Mio padre! ... Anch'io pugnai ... Ma tu, Re tu signore possente
- Il dolor che in quel volto favella ...
- O Re, pei sacri Numi ... Gloria all'Egitto
- La Donna È Mobile - Rigoletto
- Gualtier Maldè - Rigoletto
- Morrò, Ma Prima in Grazia - Un Ballo in Maschera
- Di Provenza Il Mar - La Traviata
- Mis Madre Aveva Una Povera Ancella - Othello
- S Quel Guerrier Io Fossi - Aida
- Ritorna Vincitor! - Aida
- Qui Radamès Verrà - Aida
- Of! Fede Negar Potessi Agli Occhi Miei - Luisa Miller
- Stride La Vampa - Il Trovatore
- Di Quella Pira - Il Trovatore
- Aida: Overture
- Aida: Act II. Triumphal March & Chorus
- Aida: Ballet Music
- Il Trovatore: Gipsy Chorus
- La forza del destino: Overture
- La forza del destino: Soldier's Chorus
- Nabucco: Overture
- Nabucco: Act III. Chorus of the Hebrew Slaves
- Nabucco: Gli arredi festivi
- La traviata: Overture to Act III
- Macbeth: Patria oppressa!
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Otello (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 1988
Released 1988
- Otello: Act I, Scene I. "Una vela! una vela!" (Ciprioti, Montano, Cassio, Iago, Roderigo)
- Otello: Act I, Scene I. "Esultate!" (Otello, Ciprioti)
- Otello: Act I, Scene I. "Roderigo, ebben, che pensi?" (Iago, Roderigo)
- Otello: Act I, Scene I. "Fuoco di gioia..." (Ciprioti)
- Otello: Act I, Scene I. "Roderigo, beviam!" (Iago, Cassio, Ciprioti, Roderigo)
- Otello: Act I, Scene I. "Qua, ragazzi, del vino! Chi all'esca ha morso" (Iago, Cassio, Ciprioti, Roderigo)
- Otello: Act I, Scene I. "Capitano, v'attende la fazione al baluardi" (Montano, Cassio, Iago, Roderigo, Ciprioti)
- Otello: Act I, Scene II. "Abbasso, le spade!" (Otello, Iago, Cassio, Montano)
- Otello: Act I, Scene III. "Già nella notte densa" (Otello, Desdemona)
- Otello: Act I. , Scene III. "Quando narravi l'esule tua vita. Ed io vedea fra le tue tempie. Venga la morte!" (Otello, Desdemona)
- Otello: Act II, Scene I. "Non ti crucciar" (Iago, Cassio)
- Otello: Act II, Scene II. "Credo in un Dio crudel" (Iago)
- Otello: Act II, Scene II. "Eccola... Cassio... a te..." (Iago)
- Otello: Act II, Scene III. "Ciò m'accora" (Iago, Otello)
- Otello: Act II, Scene III. "Dove guardi splendono raggi, avvampan cuori" (Ciprioti, Iago, Donne, Fanciulli, Marinai, Desdemona, Otello)
- Otello: Act II, Scene IV. "D'un uom che geme sotto il tuo disdegno" (Desdemona, Otello)
- Otello: Act II, Scene IV. "Se inconscia contro te, sposo..." (Desdemona, Otello, Iago, Emilia)
- Otello: Act II, Scene V. "Dedemona rea!" (Otello, Iago)
- Otello: Act II, Scene V. "Ed ora!... ed ora..." (Otello, Iago)
- Otello: Act II, Scene V. "Era la notte, Cassio dormia..." (Otello, Iago)
- Otello: Act II, Scene V. "Sì, pel ciel marmoreo giuro!" (Otello, Iago)
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Aida (Highlights) (Nürnberger Symphoniker feat. conductor: Hanspeter Gmür)
Released 1988
Released 1988
- Act I: Se quel guerrier io fossi / Celeste Aïda
- Act I: Su! del Nilo al sacro lido (abridged) / Ritorna vincitor
- Act II: Gloria all´Egitto (abridged)
- Act III: O patria mia
- Act III: Ciel! mio padre / Rivedrai le foreste imbalsamate
- Act IV: Già i sacerdoti adunansi / Ah! tu dei vivere
- Act IV: La fatal pietra soura me si chiuse / O terra, addio
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Il Trovatore (Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia feat. conductor: Carlo Maria Giulini)
Released 1988
Released 1988
- Il Trovatore, Atto I, Scena I: "All'erta! All'erta!"
- Il Trovatore, Atto I, Scena I: "Di due figli vivea padre beato"
- Il Trovatore, Atto I, Scena II: "Che più t'arresti?"
- Il Trovatore, Atto I, Scena II: "Tacea la notte placida"
- Il Trovatore, Atto I, Scena II: "Tace la notte!"
- Il Trovatore, Atto I, Scena II: "Deserto sulla terra"
- Il Trovatore, Atto I, Scena II: "Non m'inganno"
- Il Trovatore, Atto II, Scena I: "Vedi! le fosche notturne spoglie"
- Il Trovatore, Atto II, Scena I: "Stride la vampa!
- Il Trovatore, Atto II, Scena I: "Mesta è la tua canzon!"
- Il Trovatore, Atto II, Scena I: "Soli or siam!"
- Il Trovatore, Atto II, Scena I: "Condotta ell'era in ceppi"
- Il Trovatore, Atto II, Scena I: "Non son tuo figlio?"
- Il Trovatore, Atto II, Scena I: "Mal reggendo all'aspro assalto"
- Il Trovatore, Atto II, Scena II: "Tutto è deserto"
- Il Trovatore, Atto II, Scena II: "Il balen del suo sorriso"
- Il Trovatore, Atto II, Scena II: "Ah! se l'error t'ingombra"
- Il Trovatore, Atto II, Scena II: "Perché piangete?"
- Il Trovatore, Atto II, Scena II: "E deggio... e posso crederlo?"
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Messa da Requiem (Orchestra e Coro del Teatro alla Scala feat. condutor: Riccardo Muti)
Released 1987
Released 1987
- Requiem e Kyrie - Sequenza
- Dies irae
- Tuba mirum
- Mors stupebit
- Liber scriptus - Dies irae
- Quid sum miser
- Rex tremendae
- Recordare
- Ingemisco
- Confutatis - Dies irae
- Lacrymosa
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Aida (feat. Orchestra e Coro del Teatro dell'Opera di Roma)
Released 1987
Released 1987
- Preludio
- Si: corre voce che l'Etiope ardisca
- Se quel guerrier io fossi!
- Quale insolita gioia
- Alta cagion v'aduna
- Ritorna vincitor!
- Possente, possente Ftha
- Mortal, diletto ai Numi
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Requiem & Operatic Choruses (Atlanta Symphony Orchestra & Chorus feat. conductor Robert Shaw)
Released 1987
Released 1987
- Requiem: Requiem & Kyrie
- Requiem: Dies Irae (Dies Irae / Tuba mirum / Mors stupebit / Liber scriptus / Quid sum miser / Rex tremendae / Recordare / Ingemisco / Confutatis / Lacrimosa)
- Requiem: Offertory
- Requiem: Sanctus
- Nabucco
- Ernani
- I Masnadieri
- Macbeth
- Il Corsaro
- La Battaglia di Legnano
- Luisa Miller
- Rigoletto
- La Traviata
- I Vespri Siciliani
- Un Ballo in Maschera
- La Forza del Destino
- Aida
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Aida (Chorus of the Royal Opera House, Covent Garden; Trumpeters of the Royal Military School of Music; New Philharmonia Orchestra feat. Conductor: Riccardo Muti)
Released 1986
Released 1986
- Aida: Act 1. Preludio
- Aida: Act 1, Scene 1. Introduzion e scena. "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)
- Aida: Act 1. Scene 1. Romanza. "Se quel guerrier io fossi!" (Radamès) / "Celeste Aida" (Radamès)
- Aida: Act 1. Scene 1. Duetto. "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)
- Aida: Act 1. Scene 1. Terzetto. "Vieni, o diletta appressati" (Amneris, Aida, Radamès)
- Aida: Act 1. Scene 1. Scena e pezzo d'assieme. "Alta cagion v'aduna" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
- Aida: Act 1. Scene 1. Scena e pezzo d'assieme. "Su! del Nilo al sacro lido" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
- Aida: Act 1. Scene 1. Scena. "Ritorna vincitor!" (Aida)
- Aida: Act 1. Scene 2. Gran scena della consacrazione. "Possente, possente Fthà" / "Tu che dal nulla hai tratto" (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
- Aida: Act 1. Scene 2. Danza sacra delle Sacerdotesse. "Immenso Fthà!..." / "Mortal, diletto ai Numi" (Sacerdotesse, Ramfis, Sacerdoti)
- Aida: Act 1. Scene 2. Finale 1. "Nume, custode e vindice" (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa)
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Il Trovatore (Berliner Philharmoniker feat. conductor: Herbert von Karajan, soprano: Leontyne Price, tenor: Franco Bonisolli, baritone: Piero Cappuccilli, mezzo-soprano: Elena Obraztsova)
Released 1986
Released 1986
- Il Trovatore: Act I, Scene I. "All'erta! All'erta!"
- Il Trovatore: Act I, Scene I. "Di due figle vivea padre beato"
- Il Trovatore: Act I, Scene I. "Abbietta zingara, fosca vegliarda!"
- Il Trovatore: Act I, Scene I. "Brevi e tristi giorni visse"
- Il Trovatore: Act I, Scene I. "Sull'orlo dei tetti"
- Il Trovatore: Act I, Scene II. "Che più t'arresti?"
- Il Trovatore: Act I, Scene II. "Tacea la notte"
- Il Trovatore: Act I, Scene II. "Quanto narrasti di turbamento"
- Il Trovatore: Act I, Scene II. "Di tale amor"
- Il Trovatore: Act I, Scene II. "Tace la notte!"
- Il Trovatore: Act I, Scene II. "Il Trovator! lo Fermo!" ... "Deserto sulla terra"
- Il Trovatore: Act I, Scene II. "Anima mia!" ... "Piu dell'usato"
- Il Trovatore: Act I, Scene II. "Di geloso amor sprezzato"
- Il Trovatore: Act II, Scene I. "Vedi le fosche notturne"
- Il Trovatore: Act II, Scene I. "Stride la vampa!"
- Il Trovatore: Act II, Scene I. "Mesta è la tua canzon!"
- Il Trovatore: Act II, Scene I. "Soli or siamo"
- Il Trovatore: Act II, Scene I. "Condotta ell'era in ceppi"
- Il Trovatore: Act II, Scene I. "Non son tuo figlio!"
- Il Trovatore: Act II, Scene I. "Mal reggendo all'aspro assalto"
- Il Trovatore: Act II, Scene I. "L'usato messo Ruiz invia!" ... "Mi vendica!"
- Il Trovatore: Act II, Scene I. "Perigliarti ancor languente"
- Il Trovatore: Act II, Scene II. "Tuuto è deserto"
- Il Trovatore: Act II, Scene II. "Il balen del suo sorriso"
- Il Trovatore: Act II, Scene II. "Qual suono! Oh ciel"
- Il Trovatore: Act II, Scene II. "Per me ora fatale"
- Il Trovatore: Act II, Scene II. "Ah! se l'error t'ingombra"
- Il Trovatore: Act II, Scene II. "Perché piangete" ... "O dolci amiche"
- Il Trovatore: Act II, Scene II. "E deggio e posso crederlo?"
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Aida (Rome Opera Orchestra and Chorus, feat. Conductor Jonel Perlea)
Released 1986
Released 1986
- Prelude
- Act I - Scene 1: Si: Corre Voce Che L'Etiope
- Act I - Scene 1: Se Quel Guerrier; Celeste Aida
- Act I - Scene 1: Quale Insolita Gioia Nel Tuo Sguardo!
- Act I - Scene 1: Dessa!
- Act I - Scene 1: Ohime! Di Guerra Fremere
- Act I - Scene 1: Alta Cagion V'Aduna
- Act I - Scene 1: Il Sacro Suolo Dell'Egitto E Invaso
- Act I - Scene 1: Su! Del Nilo Al Sacro Lido
- Act I - Scene 1: Ritorna Vincitor!
- Act I - Scene 2: Possente, Possente Ftha
- Act I - Scene 2: Sacred Dance of the Priestesses
- Act I - Scene 2: Mortal, Diletto Ai Numi
- Act I - Scene 2: Nume, Custode E Vindice
- Act II - Scene 1: Chi Mai Fra Gl'Inni E I Plausi
- Act II - Scene 1: Dance of the Moorish Slaves
- Act II - Scene 1: Vieni, Sul Crin Ti Piovano
- Act II - Scene 1: Fu La Sorte Dell'Armi
- Act II - Scene 1: Pieta Ti Prenda Del Mio Dolor
- Act II - Scene 1: Su! Del Nilo Al Sacro Lido
- Overture
- Gli arredi festivi giú cadano infranti
- Lo vedeste? Fulminando egli irrompe nelia folta!
- Anch'io dischiuso un giorno
- Vieni, o Levita... Tu sul labbro de veggenti fulminasti, o sommo Iddio!
- S'oda or me! Babilonrsi
- Chi è costei? Oh di qual'onta aggavisi
- Va, pensiero, sull'ali dorate
- Dio di Guida!
- Va! la palma del martirio
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Nabucco (Philharmonia Orchestra feat. conductor: Riccardo Muti)
Released 1986
Released 1986
- Nabucco: Sinfonia
- Nabucco: Part I, Coro d'Introduzione e Recitativo: Coro: Gil arredi festive giù cadano infranti
- Nabucco: Part I, Coro d'Introduzione e Recitativo: Recitativo: Sperate, o figli!
- Nabucco: Part I, Cavatina: D'egitto là sui lidi
- Nabucco: Part I, Cabaletta: Come notte a sol fulgente
- Nabucco: Part I, Recitativo: Fenena!...O mia diletta!
- Nabucco: Part I, Terzettino: Io t'amava! Una furia è quest'amore
- Nabucco: Part I, Coro: Lo vedeste? Fulminando egli irrompe nella folta!
- Nabucco: Part I, Finale I: Viva Nabucco!
- Nabucco: Part I, Recitativo: Che tenti? Oh trema, insano!
- Nabucco: Part I, Sestetto: Tremin gl'insani del mio furore!
- Nabucco: Part I, Recitativo: O vinti, il capo a terra!
- Nabucco: Part I, Recitativo: Mio furor, non più costretto...
- Nabucco: Part II, Scene 1: Recitativo: Ben io t'invenni, o fatal scritto!
- Nabucco: Part II, Scene 1, Aria e Recitativo: Aria: Anch'io dischiuso un giorno
- Nabucco: Part II, Scene 1, Aria e Recitativo: Recitativo: Chi s'avanza?
- Nabucco: Part II, Scene 2, Recitativo e Preghiera: Recitativo: Veni, o Levita! Il santo codice reca!
- Nabucco: Part II, Scene 2, Recitativo e Preghiera: Preghiera: Tu sul labbro de'veggenti fulminasti, o sommo Iddio!
- String Quartet No. 10 in E-flat major , op. 51: I. Allegro ma non troppo
- String Quartet No. 10 in E-flat major , op. 51: II. Dumka (Elegie): Andante con moto, Vivace, Andante con moto, Presto, Vivace
- String Quartet No. 10 in E-flat major , op. 51: III. Romanze: Andante con moto
- String Quartet No. 10 in E-flat major , op. 51: IV. Finale: Allegro assai
- String Quartet in E minor: I. Allegro
- String Quartet in E minor: II. Andantino
- String Quartet in E minor: III. Prestissimo
- String Quartet in E minor: IV. Scherzo Fuga: Allegro assai mosso
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Don Carlos (Teatro alla Scala feat. conductor: Claudio Abbado)
Released 1985
Released 1985
- Don Carlos: Act I, Introduction "Le cerf s'enfuit sous la ramure"
- Don Carlos: Act I. Recit et Romance "Fontainebleau! Forêt immense et solitaire..."
- Don Carlos: Act I. "Je l'ai vue"
- Don Carlos: Act I. Scene et Duo "Le bruit du cor s'éteint sons l'ombre épaisse"
- Don Carlos: Act I. "Que faites-vous donc? ... De quels transports"
- Don Carlos: Act I. Scène et Final "A celui qui vous vient... L'heure fatale est sonnée"
- Don Carlos: Act I. "O chants de fête"
- Don Carlos: Act II, Scene I. Scene et Priere "Charles-Quint l'auguste Empereur"
- Don Carlos: Act II, Scene I. "Au couvent de Saint-Just"
- Don Carlos: Act II, Scene I. Scène et Duo "Le voilà!.. Dieu, tu semas dans nos âmes"
- Don Carlos: Act II, Scene II. Chœur et Scène "Sous ces bois au feuillage immense"
- Don Carlos: Act II, Scene II. Chanson du Voile "Au palais des fées"
- Don Carlos: Act II, Scene II. Scene, Terzettino, Dialogué et Romance "La Reine! ... L'Infant Carlos, notre espérance"
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Rigoletto (London Symphony Orchestra feat. conductor: Richard Bonynge, baritone: Sherrill Milnes, soprano: Joan Sutherland, tenor: Luciano Pavarotti)
Released 1985
Released 1985
- Rigoletto: Atto I. Preludio
- Rigoletto: Atto I. "Della mia bella incognita borghese" (Duca)
- Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca)
- Rigoletto: Atto I. "Gran nuova! Gran nuova!" (Marullo)
- Rigoletto: Atto I. "Ch'io gli parli" (Monterone)
- Rigoletto: Atto I. "Quel vecchio maledivami!" (Rigoletto)
- Rigoletto: Atto I. "Pari siamo!" (Rigoletto)
- Rigoletto: Atto I. "Figlia!" ... "Mio padre!" (Rigoletto, Gilda)
- Rigoletto: Atto I. "Ah! veglia, o donna" (Rigoletto)
- Rigoletto: Atto I. "Giovanna, ho dei rimorsi" (Gilda)
- Rigoletto: Atto I. "Che m'ami, deh, ripetimi" (Duca)
- Rigoletto: Atto I. "Gualtier Maldè... Caro nome" (Gilda)
- Rigoletto: Atto I. "Riedo! Perché?" (Rigoletto)
- Rigoletto: Atto I. "Zitti, zitti" (Coro)
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Verdi Overtures (Wiener Philharminiker, feat. conductor Giuseppe Sinopoli)
Released 1983
Released 1983
- La forza del destino: Sinfonia
- Aida: Preludio
- Attila: Preludio
- Luisa Miller: Sinfonia
- La Traviata: Preludio (Atto I)
- La Traviata: Preludio (Atto III)
- Un ballo in maschera: Preludio
- Nabucco: Sinfonia
- I vespri siciliani: Sinfonia
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La traviata (Philharmonia Orchestra feat. conductor: Riccardo Muti, soprano: Renata Scotto, tenor: Alfredo Kraus, baritone: Renato Bruson)
Released 1982
Released 1982
- Preludio: (Orchestra)
- Introduzione : "Dell'invito trascorsa è già l'ora" (Coro/Violetta/Flora/Marchese/Gastone)
- Brindisi : "Libiamo ne' lieti calici" (Alfredo/Violetta/Coro)
- Recitativo : "Che è cio ?" (Coro/Violetta/Alfredo)
- Duetto : "Un di, felice" (Alfredo/Violetta)
- Recitativo : "E strano ! E strano !" (Violetta)
- Aria : "Ah, fors'è lui..." (Violetta)
- Recitativo : "Follie ! Follie !..." (Violetta)
- Cabaletta : "Sempre libera..." (Violetta/Alfredo)
- Recitativo : "Lunge da lei..." (Alfredo)
- Aria: "De' miei bollenti spiriti" (Alfredo)
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Requiem (Vienna Philharmonic feat. conductor: Georg Solti, soprano: Joan Sutherland, mezzo-soprano: Marilyn Horne, tenor: Luciano Pavarotti, bass: Martti Talvela)
Released 1968
Released 1968
- Preludio
- Questa o quella per me pari sono (Duca)
- Quel veccio maledivami (Rigoletto)
- Pari siamo! (Rigoletto)
- Veglia, o donna (Rigoletto)
- Gualtier Maldè (Gilda)
- Ella mi fu rapita! (Duca)
- Povero Rigoletto! (Marullo)
- Cortigiani (Rigoletto)
- Mio Padre! (Gilda)
- Schiudete (Usciere)
- La donna è mobile (Duca)
- Bella figlia dell'amore
- Se quel guerrier io fossi
- Su del Nilo al sacro lido
- Ritorna vincitor
- Gloria all'Egitto
- O patria mia
- Ciel mio padre
- Gia i sacerdoti adunansi
- La fatal pietra
- O terra addio
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Aida (Accademia di Santa Cecilia, Rome feat. conductor Alberto Erede)
Released 1952
Released 1952
- Act I: Se quel Guerrier io fossi… Celeste Aida
- Act I: Or, di Vulcano al tempio
- Act I: Ritona vincitor
- Act I: Mortal diletto ai Numi
- Act II: Fu la sorte dell'armi
- Act III: O patria mia
- Act III: Rivedrò le foreste imbalsamate
- Act III: Nel fiero anelito
- Act IV: Vedi… di morte l'angelo… O terra addio
- Il Trovatore - Or co' dadi
- Don Carlos - Dio che nell' alma infondere amor
- Macbeth - La luce langue
- La Traviata - Di Provenza, il mar, il suol
- Aida - Qui Radames verra
- I Lombardi - Gerusalem! Gerusalem!
- Un Ballo in Maschera - Alla vita che t'arride
- Otello - Orchestral Introduction to Act IV Scene 1
- Simon Boccanegra - A te l'estremo addio - Il lacerato spirito
- Rigoletto - Prelude
- Rigoletto - Gualtier Malde... Caro nome
- Rigoletto - Ella mi fu rapita!
- Rigoletto - Tutte le feste al tempio
- Rigoletto - Un di, se ben rammentomi
- Nabucco 'Va pensiero, sull'ali donate' (4'18)
- La Traviatta 'Libiano né lieti calici' (3'03)
- Il Travattore 'Vedi! le fosché notturne spoglié' (3'11)
- Rigoletto 'La Donna è mobilé' (2'13)
- Simon Boccanegra 'come in quest'ora bruna' (6,21)
- Attila 'Tardo per gli anni e tremulo' (6'21)
- Aïda 'Gloria all'Egitto' (12'51)
- Un Ballo in Maschera 'Morro, ma prima in grazia' (5'01)
- Otello 'Credo in un Dio crudel' (4'31)
- Messa Da Requiem 'Dies irate' (2'13)
- Messa Da Requiem 'Tuba mirum'(3'07)
- Messa Da Requiem 'Rex tremendae' (3'50)
- Messa Da Requiem 'Recordare'(4'33)
- Messa Da Requiem 'Ingemisco'(3'57)
- Messa Da Requiem 'Lacrymosa' (6'19)
- Rigoletto: Gualtier Maldè!
- Rigoletto: La donna è mobile
- La forza del destino: Pace, pace mio Dio!
- La forza del destino: O tu che in seno agli angeli
- Nabucco: Ben io t'invenni, o fatal scritto!
- Nabucco: Anch'io dischiuso un giorno
- Nabucco: Preghiera: Tu sul labbro de'veggenti fulminasti, o sommo Iddio!
- Il Trovatore: Stride la vampa!
- Il Trovatore: Il balen del suo sorriso
- La Traviata: Addio, del passato
- Falstaff: È sogno? o realtà?
- Otello: Ave Maria
- Otello: Dio! mio potevi scagliar
- Otello: Niun mi tema
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La traviata (Orchestra and Chorus of the Royal Opera House Covent Garden, feat. conductor: Nicola Rescigno, singers Callas, Valletti, Zanasi, Collier, Roberts)
- La traviata: Act II. "Ah, vive sol quel core" / "Di Provenza il mare, il suol"
- La traviata: Act II. "Avrem lieta di maschere"
- La traviata: Act II. "Noi siamo zingarelle" / "Di Madride noi siam mattadori"
- La traviata: Act II. "Alfredo! Voi!"
- La traviata: Act II. "Invitato a qui seguirmi"
- La traviata: Act II. "Ogni suo aver tal femmina"
- La traviata: Act III. "Preludio"
- La traviata: Act III. "Annina?"
- La traviata: Act III. "Teneste la promessa?"/ "Addio del passato"
- La traviata: Act III. "Parigi, o cara" / "Gran Dio! Morir sì giovine"
- La traviata: Act III. "Prendi, quest'è l'immagine"
- La traviata: Act III. "È strándi che! Cessarono gli spassimi"
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Don Carlos (Coro e orchestra del Teatro alla Scala, feat. conductor: Gabriele Santini, singers: Christoff, Labò, Bastianini, Vinco, Stella)
- Don Carlo: Act I, Introduzione. "Su, cacciator!" (Coro)
- Don Carlo: Act I, Narrazione e Romanza. "Fontainebleau! Foresta immensa e solitaria!" (Carlo)
- Don Carlo: Act I, Narrazione e Romanza. "Io la vidi e al suo sorriso" (Carlo)
- Don Carlo: Act I, Scena e Duetto. "Il suon dei corni or s'allontana" (Carlo, Tebaldo, Elisabetta)
- Don Carlo: Act I, Scena e Duetto. "Al mio piè, perché?" (Elisabetta, Carlo)
- Don Carlo: Act I, Scena e Finale. "Al fedel chäora viene, o signora" - "L'ora fatale è suonata!" (Tebaldo, Elisabetta, Carlo)
- Don Carlo: Act I, Scena e Finale. "Inni di festa lieti echeggiate" (Coro, Elisabetta, Carlo, Lerma)
- Don Carlo: Act II, Scene 1, Scene e Preghiera. "Carlo il somo Imperatore" (Coro, Frate)
- Don Carlo: Act II, Scene 1, Scene e Preghiera. "Al chiostro di San Giusto" (Carlo, Frate)
- Don Carlo: Act II, Scene 1, Scena e Duetto. "È lui! desso! l'infate!" (Rodrigo, Carlo, Coro, Frate)
- Don Carlo: Act II, Scene 2, Coro e Scena. "Sotto ai folti, immensi abeti" (Coro, Tebaldo, Eboli)
- Don Carlo: Act II, Scene 2, Canzone del velo. "Nei giardin del bello" (Eboli, Tebaldo, Coro)
- Don Carlo: Act II, Scene 2, Scena, Terzettino dialogato e romanza. "La Regina!" - "Carlo, ch'è sol il nostro amore" (Coro, Eboli, Elisabetta, Tebaldo, Rodrigo)
- Don Carlo: Act II, Scene 2, Grande Scena e Duetto. "Il vengo a domander grazia alla mia Regina" (Carlo, Elisabetta)
- Don Carlo: Act II, Scene 2, Scena e Romanza. "Il Re!" (Tebaldo, Filippo, Coro)
- Don Carlo: Act II, Scene 2, Scena e Romanza. "Non pianger, mia compagna" (Elisabetta, Coro, Rodrigo, Filippo)
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Un ballo in maschera (Coro e orchestra del Teatro alla Scala, feat. conductor Ganandrea Gavazzeni, singers: Poggi, Batianini, Stella)
- Un Ballo in Maschera: Preludio
- Un Ballo in Maschera: Act I, Introduzione. "Posa in pace" (Samuel, Tom, Coro)
- Un Ballo in Maschera: Act I, Introduzione. "S'avanza il Conte" (Oscar, Riccardo, Tom, Samuel, Renato, Coro)
- Un Ballo in Maschera: Act I, Aria. "Alla vita che t'arride" (Renato, Oscar, Giudice, Riccardo)
- Un Ballo in Maschera: Act I, Ballata. "Volta la terrea" - "Fronte alle stelle" (Oscar, Riccardo, Giudice)
- Un Ballo in Maschera: Act I, Ballata. "Signori: oggi d'Ulrica" (Riccardo, Renato, Oscar, Samuel, Tom, Coro)
- Un Ballo in Maschera: Act I, Invocazione. "Zitti ... l'incanto non dèssi turbare" (Coro, Ulrica, Riccardo, Silvano)
- Un Ballo in Maschera: Act I, Terzetto. "Che v'agita così?" (Ulrica, Amelia, Riccardo)
- Un Ballo in Maschera: Act I, Canzone. "Di' tu se fedele il flutto m'aspetta?" (Riccardo, Oscar, Samuel, Tom, Ulrica)
- Un Ballo in Maschera: Act I, Canzone. "E la destra d'un grande" (Ulrica, Oscar, Riccardo, Coro, Samuel, Tom)
- Un Ballo in Maschera: Act I, Scena ed Inno - Finale I. "Finisci il vaticinio" (Riccardo, Ulrica, Renato, Tom, Samuel, Coro, Silvano, Oscar)
- Un Ballo in Maschera: Act II, Preludio
- Un Ballo in Maschera: Act II, Scena ed Aria. "Ecco l'orrido campo" (Amelia)
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Verdi Requiem (London Symphony Orchestra Feat. Conductor: Sir Colin Davis)
- i. Requiem Aeternam
- ii. Dies Irae
- iii. Tuba Mirum
- iv. Liber Scriptus
- v. Quid Sum Miser
- vi. Rex Tremendae
- vii. Recordare
- viii. Ingemisco
- ix. Confutatis
- x. Lacrymosa
- xi. Domine Jesu Christe
- xii. Hostias
- xiii. Sanctus
- xiv. Agnus Dei
- xv. Lux Aeterna
- xvi. Libera Me, Dies Irae, Requiem Aeternam
- xvii. Libera Me
- Preludio
- Dell'invito trascorsa è già l'ora
- Libiamo me'lieti calici
- Un di felice eterea
- è strano!...Ah, fors'è lui
- Lunge da lei...De' mici bollenti spiriti
- Annina, donde vieni?... Oh mio rimorso!
- Ah! Ditte alla giovine
- Imponete... Non amarlo ditegli
- Di Provenza il mar, il suol
- invitato a qui seguirmi...ogni suo aver tal femmina
- Teneste la promessa...Attendo, né a me giungon mai
- Baccanale: Largo al quadrupede
- Signora/Che t'accadde?/Parigi, o cara, noi lascere
- Ah, Violetta!/Voi? Signor?/Prendi, quest'e l'immag
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Chorus of Hebrew Slaves (Placido Domingo, Maria Callas, Royal Opera House Chorus)
- NABUCCO: Va, pensiero (Act III)
- LA TRAVIATA: Libiamo (Act I)
- LA TRAVIATA: È strano! È strano!... Ah, fors' è lui (Act I)
- LA TRAVIATA: Di Provenza il mar (Act II)
- LA TRAVIATA: Parigi, o cara (Act III)
- IL TROVATORE: Vedi! le fosche notturne spoglie (Act II)
- IL TROVATORE: Ah sì, ben mio (Act III)
- IL TROVATORE: Di quella pira (Act III)
- RIGOLETTO: La donna è mobile (Act III)
- UN BALLO IN MASCHERA: Ecco l'orrido campo...Ma dall' arido stelo divulsa (Act II)
- UN BALLO IN MASCHERA: Forse la soglia attinse...Ma se me'è forza perderti (Act III)
- DON CARLO: O don fatale (Act IV)
- AIDA: Celeste Aida (Act I)
- AIDA: Ritorna vincitor! (Act I)
- AIDA: Gloria all'Egitto (Act II)
- Elisabeth/Don Carlos
- Elisabeth/Don Carlos
- Tebaldo/Elisabeth/Don Carlos
- Elisabeth/Don Carlos
- Kuoro/Elisabeth/Don Carlos
- Lerman kreivi/kuoro/Elisabeth/Don Carlos
- Don Carlos/Elisabeth
- Tebaldo/Filip II/kuoro
- Elisabeth/Rodrigo/Filip II/kuoro
- Filip II/kuoro/Elisabeth/Rodrigo/Don Carlos/Tebaldo
- Don Carlos/Filip II/Elisabeth/Rodrigo
- Don Carlos/kuoro/Ebolin prinsessa/Filip II/Ääni taivaasta
- Filip II
- Elisabeth
- Preludio
- A1 S1: Della mia bella incognita borghese (Duca, Borsa)
- A1 S1: Questa o quella (Duca)
- A1 S1: Partite? Crudele! (Duca, Contessa, Ceprano)
- A1 S1: In testa che avete (Rigoletto, Borsa, chorus)
- A1 S1: Gran nuova! Gran nuova! (Marullo, Borsa, chorus, Duca, Ceprano, Rigoletto)
- A1 S1: Ch'io gli parli (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, chorus)
- A1 S1: O tu che la festa audace (Duca, Borsa, Rigoletto, Marullo, Ceprano, chorus)
- A1 S2: Quel vecchio maledivami! (Rigoletto, Sparafucile)
- A1 S2: Pari siamo! (Rigoletto)
- A1 S2: Figlia!... Mio padre! (Gilda, Rigoletto, Giovanna)
- A1 S2: Ah, veglia, o donna (Rigoletto, Gilda, Giovanna, Duca)
- A1 S2: Giovanna, ho dei rimorsi (Gilda, Giovanna, Duca)
- A1 S2: È il sol dell'anima (Duca, Gilda, Ceprano, Borsa, Giovanna)
- A1 S2: Addio! speranza ed anima (Duca, Gilda)
- A1 S2: Gualtier Maldé...Caro nome (Gilda, Borsa, Marullo, Ceprano)
- A1 S2: Riedo! ... Perchè? ... Silenzio! (Rigoletto, Borsa, Ceprano, Marullo)
- A1 S2: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, chorus)
- A1 S2: Soccorso, padre mio! (Gilda, Borsa, Marullo, Ceprano, chorus, Rigoletto)
- Preludio
- Si, corre voce che l'Etiope ardisca
- Se quel guerriero io fossi!
- Celeste Aida
- Quale insolita gioia nel tuo sguardo!
- Vieni, o diletta, appressati
- Alta cagion v'aduna
- Su! del Nilo al sacro lido
- Ritorna vincitor!
- Possente Fthà... Tu che dal nulla hai tratto
- Immenso Fthà!... Mortal, diletto ai numi
- Nume, custode e vindice
- Chi mai fra gl'inni e i plausi
- Danza degli schiavi mori
- Vieni, sul crin ti piovano
- Fu la sorte dell'armi a' tuoi funesta
- Pietà ti prenda del mio dolor
- Su! del Nilo al sacro lido... Numi, pietà
- Gloria all'Egitto, ad Iside
- Marcia trionfale
- Ballabile
- Vieni, o guerriero vindice
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Il trovatore (Orchestra e coro del Maggio Musicale Fiorentino feat. conductor: Zubin Mehta)
- Il Trovatore: All`erta!, all`erta!,
- Il Trovatore: Di due figli vivea padre beato
- Il Trovatore: Che più t'arresti
- Il Trovatore: Tacea la notte placida
- Il Trovatore: Di tale amor, che dirsi
- Il Trovatore: Tace la notte!
- Il Trovatore: Deserto sulla terra
- Il Trovatore: Infida! - Qual voce!
- Il Trovatore: Vedi! Le fosche notturne spoglie
- Il Trovatore: Stride la vampa!
- Il Trovatore: Soli or siamo!
- Il Trovatore: Non son tuo figlio!
- Il Trovatore: Mal reggendo all`aspro assalto
- Il Trovatore: Perigliarti ancor languente
- Il Trovatore: Tutto è desserto
- Il Trovatore: Il balen del suo sorriso
- Il Trovatore: Ah! se l`error t`ingombra
- Il Trovatore: E deggio e posso crederlo?
- Oberto
- Un giorno di regno: "A non m'hanno ingannata!"
- Nabucco: "Va pensiero, sull'ali dorate"
- I lombardi: "La mia letizia infondere"
- Ernani: "Da qual di che t'ho veduta"
- I due Foscari: "Notte! Perpetua notte"
- Giovanna d'Arco: "Sotto una quercia parverni"
- Alzira: "Riposa. Tutte, in suo dolor vegliante"
- Attila: "E' gettata la mia sorte"
- Macbeth: "Vieni! T'affretta! - Or tutti sorgete"
- I masnadieri: "Un ignoto"
- Jerusalem: "Je veux encore entendre ta voix"
- Il corsaro: "Né sulla terra creatura alcuna"
- La battaglia di Legnano: "Viva Italia!"
- Luisa Miller: Quando le sere al placido"
- Stiffelio: "Stiffelio! - Eccomi"
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La forza del destino (Orchestra sinfonica e coro dell'EIAR di Torino feat. conductor: Gino Marinuzzi)
- La forza del destino: Sinfonia
- La forza del destino: Act 1, Buona notte, mia figlia
- La forza del destino: Act 1,Temea restasse qui fino a domani
- La forza del destino: Act 1,Me pellegrina ed orfana
- La forza del destino: Act 1,M'aiuti, Signorina
- La forza del destino: Act 1,Ah, per sempre, o mio bell'angiol
- La forza del destino: Act 1,Vil seduttor! Infame figlia!
- La forza del destino: Act 2, Holà, holà, holà! Ben giungi, o mulattier
- La forza del destino: Act 2, La cena è pronta
- La forza del destino: Act 2, Che vedo! ... mio fratello!
- La forza del destino: Act 2, Viva la guerra
- La forza del destino: Act 2, Al suon del tamburo
- La forza del destino: Act 2, Padre Eterno signor ... Pietà di noi
- La forza del destino: Act 2, Viva la buona compagnia
- La forza del destino: Act 2, Poich' imberbe è l'incognito
- La forza del destino: Act 2, Son Pereda, sona ricco d'onore
- La forza del destino: Act 2, Sta bene
- La forza del destino: Act 2, Son giunta! ... grazie a Dio
- La forza del destino: Act 2, Madre, pietosa Vergine
- La forza del destino: Act 2, Chi siete?
- La forza del destino: Act 2, Chi mi cerca
- La forza del destino: Act 2, Infelice, delusa, reietta
- La forza del destino: Act 2, Il santo nome di Dio Signore
- La forza del destino: Act 2, La Vergine degli Angeli
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Luciano Pavarotti Premieres Verdi (Orchestra Del Teatro Alla Scala, feat: Claudio Abbado)
- Simon Boccanegra: Prelude / Vorspiel
- Ernani: Act 2, "Odi Il Voto"
- Attila: Act 3, "Oh Dolore"
- Io La Vidi: Aria for Tenor & Orchestra
- I Due Foscari: Act 1, Scene & Cavatina, "Dal Più Remoto Esilio
- I Due Foscari: Act 1, Cabaletta Di Jacopo, "Sì Lo Sento, Iddio Mi Chiama"
- I Vespri Siciliani (Les Vêpres Siciliennes): Act 4,"A Toi Que J'Ai Cherie
- Aida: Overture
- All'Erta! All'Erta!
- Di Due Figli Vivea Padre Beato... Abbitta Zingara...
- Che Piú T'Arresti?
- Tacea La Notte Placida... Di Tale Amor
- Tace La Notte!
- Deserto Sulla Terra
- Non M'Inganno. Ella Scende!... Di Geloso Amor
- Vedi! Le Fosche Notturne Spoglie
- Stride La Vampa!
- Mesta É La Tua Canzon!
- Soli or Siam!...
- Condotta Ell'Era in Ceppi
- Scena E Duetto: Non Son Tuo Figlio?
- Mal Reggendo All'Aspro Assalto
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Verdi: Requiem (Berlin Philharmonic Orchestra feat. conductor: Herbert von Karajan, soprano: Mirella Freni, mezzo-soprano: Christa Ludwig, tenor: Carlo Cossutta, bass: Nicolai Ghiaurov)
- Requiem
- Dies Irae
- Tuba Mirum
- Liber Scriptus
- Quid Sum Miser
- Rex Tremendae
- Recordare
- Ingemisco
- Confutatis
- Lacrymosa
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Smetana - Tschaikowsky - Verdi (Slovak Philharmonic Orchestra feat. cond: Bystrík Režucha, Zdeněk Košler)
- Melodien aus "Die verkaufte Braut": I. Ouverture
- Melodien aus "Die verkaufte Braut": II. Polka
- Melodien aus "Die verkaufte Braut": III. Furiant
- Melodien aus "Die verkaufte Braut": IV. Skocna
- Capriccio Italien, Op. 45
- Ouverture "Die Macht des Schicksals"
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Messa da Requiem (Choir & Orchestra of the Sofia Opera feat. conductor Ivan Marinov)
- Requiem aeternam-Kyrie
- Dies irae
- Tuba mirum
- Liber sciptus
- Quid sum miser
- Rex tremendae
- Recordare
- Ingemisco
- Confutatis
- Lacrimosa
- Domine Jesu Christe
- Sanctus
- Agnus Dei
- Lux aeterna
- Libera me
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La Traviata (Coro e Orchestra del Teatro alla Scala feat. conductor: Antonino Votto, Renata Scotto, Gianni Raimondi, Ettore Bastianini)
- La Traviata: Preludio
- La Traviata: Act I. Dell'invito trascorsa è già l'ora
- La Traviata: Act I. Libiamo ne' lieti calici
- La Traviata: Act I. Che è ciò?
- La Traviata: Act I. Un di felice eterea
- La Traviata: Act I. Ebben? Che diavol fate?
- La Traviata: Act I. Si ridesta in ciel l'aurora
- La Traviata: Act I. È strano! ... Ah, fors'è lui
- La Traviata: Act I. Follie! Delirio vano è questo!... Sempre libera
- La Traviata: Act II. Lunge da lei... De' miei bollenti spiriti
- La Traviata: Act II. Annina, donde vieni?... O mio rimorso!
- La Traviata: Act II. Per Parigi or or partiva
- La Traviata: Act II. Pura siccome un angelo
- La Traviata: Act II. Non sapete quale affetto
- La Traviata: Act II. Un di, quando le veneri
- La Traviata: Act II. Ah! Dite alla giovine
- La Traviata: Act II. Non amarlo ditegli
- La Traviata: Act II. Dammi tu forza, o cielo!
- La Traviata: Act II. Che fai?... Nulla
- La Traviata: Act II. Ah, vive sol quel core
- La Traviata: Act II. Di Provenza il mar, il suol
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La Traviata (Callas, Giulini,Stefano,Orchestra del Teatro alla Scala Milano)
- Preludio
- Act 1 - Dell' invito trascorsa é già l'ora (Coro, Violetta, Flora, Marchese, Gastone, Alfredo)
- Act 1 - Libiamo ne' lieti calici (Alfredo)
- Act 1 - Che é ciò? (Alfredo, Tutti, Violetta)
- Act 1 - Un dí, felice, eterea (Alfredo, Violetta)
- Act 1 - Ebben? Che diavol fate? (Gastone, Violetta, Alfredo)
- Act 1 - Si ridesta in ciel l'auro (Tutti)
- Act 1 - E strano?...e strano!
- Act 1 - Ah, fors'é lui
- Act 1 - Follie! follie! (Violetta)
- Act 1 - Sempre libera (Violetta, Alfredo)
- Act 2.1 - Lunge da lei (Alfredo)
- Act 2.1 - De' miei bollenti spiriti (Alfredo)
- Act 2.1 - Annina, donde vieni? (Alfredo, Annina)
- Act 2.1 - Alfredo? ... Per Parigi or or partiva (Violetta, Annina, Giuseppe, Germont)
- Act 2.1 - Non sapete quale affetto (Violetta)
- Act 2.1 - un di, quando le veneri (Germont)
- Act 2.1 - Ah! dite alla giovine (Violetta)
- Act 2.1 - Imponete... non amarlo ditegli
- Act 2.1 - Morro! La mia memoria (Violetta, Germont)
- Act 2.1 - Dammi tu forza, o cielo! (Violetta, Annina)
- Act 2.1 - Che fai? (Alfredo, Violetta)
- Act 2.1 - Ah! Vive sol quel core all'amor mio! (Alfredo, Giuseppe, Commissionario, Germont)
- Act 2.1 - Di Provenza il mar (Germont, Alfredo)
- Preludio
- Merce' diletti amici - Ernani!... Ernani, involami
- Da quel di' che t'ho veduta - Infelice!... e tuo credevi
- Jago, qui tosto il pellegrin adduci
- E' questo il loco? - Oh de' verd'anni miei
- Si ridesti il Leon di Castiglia
- T'arresta!
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Un ballo in maschera (New Philharmonia Orchestra feat. conductor: Riccardo Muti)
- Preludo
- Posa in pace, a' bei sogni ristora
- S'avanza il Conte
- La Rivedra Nell'estasi
- Il cenno mio di la con essi attendi
- Alla vita che t'arride
- Il primo giudice
- Volta la terrea
- Ogni cura si doni al diletto
- Zitti ... L'incanto Non Dessi Turbare ... Re Dell'abisso, Affrettati
- Arrivo il primo!...E lui, e lui!
- Su, fatemi largo, saper vo' il mio fato
- Rallegrati omai
- Che v'agita cosi?
- Della citta all'occaso
- Consentimi, o Signore
- Figlia d'averno, schiudi la chiostra
- Su, profetessa, monta il treppie
- Di' tu se fedele
- Chi voi siate, l'audace parola
- E scherzo od e follia
- Finisci il vaticinio
- Su, cacciator! pronti o bleva...
- Fontainebleau! Foresta immensa e solitaria
- Il suon del como alfin nel bosco face
- Al mio pie' perché?
- Di Qual Amor, Di Quanto Ardor
- Al Fedel Ch'ora Viene, O Signora
- L'ora fatale è suonata!
- Inni di festa lieta echeggiate
- Il glorioso Re di Francia
- Carlo il sommo Imperatore
- Al chiostro di San Giusto
- E lui Desso l Infante
- Ascolta! Le porte dell'asil s'apron già
- Dio, Che Nell' Alma Infondere Amor...
- Sotto ai folti, immensi abeti
- Tra queste mura pie la Regina...
- Nei giardin del bello
- La Regina!... Un'arcana mestizia...
- Che mai si fa nel suol francese
- Carlo ch'è sol il nostro amore
- Lo vengo a demandar
- Requiem e kyrie
- Dieas irae
- Tuba mirum
- Liber scriptus
- Quid sum miser
- Rex tremendae majestatis
- Recordare
- Ingemisco
- Confutatis
- Lacrymosa
- Offertorio
- Domine jesu christe
- Hostias
- Agnus dei
- Lux aeterna
- Libera me
- Dies irae
- Requiem aeternam
- Libera me
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I Masnadieri (New Philharmonia Orchestra & Ambrosian Singers feat. conductor: Lamberto Gardelli)
- Overture (Preludio)
- Atto primo, scena 1: Scena: "Quando io leggo in Plutarco"
- Atto primo, scena 1: Aria: "O mio castel paterno"
- Atto primo, scena 1: Scena: "Ecco un foglio"
- Atto primo, scena 1: Cabaletta: "Nell'argilla maledetta"
- Atto primo, scena 2: Recitativo: "Vecchio! spiccai da te"
- Atto primo, scena 2: Aria: "La sua lampada vitale"
- Atto primo, scena 2: Scena: "Trionfo, trionfo!"
- Atto primo, scena 2: Cabaletta: "Tremate o miseri"
- Atto primo, scena 3: Scena: "Venerabile o padre"
- Atto primo, scena 3: Cavatina: "Lo sguardo avea degli angeli"
- Atto primo, scena 3: Recitativo: "Mio Carlo..."
- Atto primo, scena 3: Duettino: "Carlo! io muoio..."
- Atto primo, scena 3: Finale: a) Scena: "Un messeggero"
- Atto primo, scena 3: Finale: b) Quartetto: "Sul capo mio colpevole"
- Atto secondo, scena 1: Scena: "Dall'infame banchetto"
- Atto secondo, scena 1: Aria: "Tu del mio Carlo"
- Atto secondo, scena 1: Scena: "Ah, signora!"
- Atto secondo, scena 1: Cabaletta: "Carlo vive?"
- Atto secondo, scena 1: Scena: "Perche‚ fuggisti"
- Atto secondo, scena 1: Duetto: "Io t'amo, Amalia"
- Atto secondo, scena 1: Scena: "Tracotante!"
- Atto secondo, scena 1: Cabaletta: "Ti scosta, o malnato"
- Atto secondo, scena 2: Scena e Coro: "Tutto quest'oggi"
- Atto secondo, scena 2: Recitativo: "Come splendido"
- Atto secondo, scena 2: Romanza: "Di ladroni attorniato"
- Atto secondo, scena 2: Finale: "Capitano!"
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Il Corsaro (New Philharmonia Orchestra feat. conductor: Lamberto Gardelli)
- Prelude
- Act 1: "Come liberi volano i venti"
- Act 1: "Ah! sì, ben dite.." / "Tutto parea sorridere" / "Del- la brezza col favore"
- Act 1: "Si: de'corsari il fulmine"
- Act 1: "Egli non riede ancora!"
- Act 1: "Non so le tetre immagini"
- Act 1: "E pur tristo, o Medora"
- Act 1: "No, tu non sai comprendere" / "Tornerai, ma forse spenta"
- Act 2: "Oh qual perenne gaudio t'aspetta"
- Act 2: "Né sulla terra creatura alcuna" / "Vola talor dal carcere" / "Seide celebra non gioia e festa"
- Act 2: "Ah conforto è sol la speme"
- Act 2: "Sol grida di festa" / "O prodi miei, sorgete"
- Act 2: "Salve, Allah!"
- Act 2: "Giunge un Dervis" / "Di': que'ribaldi tremano"
- Act 2: "Resta ancora"
- Act 2: "Audace cotanto mostrarti pur sai?"
- Act 2: "Signor, trafitti giaconno"
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La battaglia di Legnano (ORF Symphony Orchestra feat. conductor: Lamberto Gardelli)
- Overture
- Atto Prima, Scena 1: Coro "Viva Italia"
- Atto Prima, Scena 1: Scena "O magnanima e prima" / Cavatina "La pia materna
- Atto Prima, Scena 1: Scena "Viva Italia forte ed una" / Romanza "Ah!
- Atto Prima, Scena 2: Giuramento "Giulive tromble"
- Atto Prima, Scena 4: Coro "Plaude all"arrivo Milan dei forti"
- Atto Prima, Scena 4: Scena "Voi lo diceste"
- Atto Prima, Scena 4: Cavatina "Quante volte come un dono" / Scena
- Atto Prima, Scena 6: Stretta "A frenarti, o cor"
- Atto Prima, Scena 7: Scena "Sposa"
- Atto Prima, Scena 8: Duetto "E ver? Sei d'altri" / "T'amai, t'amai qual
- Atto Secundo, Scena 1: Coro "Udiste?" / "Si, tardi e invano"
- Atto Secundo, Scena 2: Scena:"Invia la baldanzosa Lombarda Lega"
- Atto Secundo, Scena 3: Duetto "Ah! ben vi scorgo" / Finale II "Favellaste
- Atto Secundo, Scena 4: "A che smarriti e pallidi?"
- Atto Secundo, Scena 4: "Le mie possenti squadre"
- Preludio
- Prologo: Introduzione: Urli, rapine
- Prologo: Introduzione: Eroi, levatevi!
- Prologo: Scena e Cavatina: Di vergini straniere
- Prologo: Scena e Cavatina: Santo di patria indefinito amor!
- Prologo: Scena e Cavatina: Allor...che i forti corrono
- Prologo: Scena e Cavatina: Da te questo or m'è concesso
- Prologo: Duetto: Uldino, a me dinanzi l'inviato
- Prologo: Duetto: Attila! Oh, il nobil messo!
- Prologo: Duetto: Tardo per gli anni
- Prologo: Duetto: Vanitosi!
- Prologo: Scena e Cavatina: Qual notte!
- Prologo: Scena e Cavatina: L'alito del mattin
- Prologo: Scena e Cavatina: Quai voci!
- Prologo: Scena e Cavatina: Ella in poter del barbaro!
- Prologo: Scena e Cavatina: Cara patria
- Atto Primo: Scena e Romanza: Liberamente or piangi
- Atto Primo: Scena e Romanza: Oh! nel fuggente nuvolo
- Atto Primo: Scena e Duetto: Qual suon di passi!
- Atto Primo: Scena e Duetto: Sì, quello io son
- Atto Primo: Scena e Duetto: Va! racconta al sacrilego infame
- Atto Primo: Scena e Duetto: Oh t'inebria nell'amplesso
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Don Carlo (Orchestra of the Royal Opera House, Covent Garden feat. conductor: Carlo Maria Giulini)
- Atto Primo: Introduzione - Coro di cacciatori: "Su, cacciator! pronti la bleva..."
- Atto Primo: Scena e romanza: "Fontainebleau! Foresta immensa e solitaria"
- Atto Primo: Scena: "Il suon del como alfin nel bosco tace"
- Atto Primo: Scena e duetto: "Al mio pie' perché?"
- Atto Primo: Scena e duetto: "Di qual amor, di quanto ardor"
- Atto Primo: Scena e duetto: "Al fedel ch'ora viene, o signora"
- Atto Primo: Scena e duetto: "L'ora fatale è suonata!"
- Atto Primo: Coro, scena e finale primo: "Inni di festa lieta echeggiate"
- Atto Primo: Coro, scena e finale primo: "Il glorioso Re di Francia"
- Atto Secondo. Prima Scena: Coro ed aria: "Carlo il sommo Imperatore"
- Atto Secondo. Prima Scena: Scena: "Al chiostro di San Giusto"
- Atto Secondo. Prima Scena: Scena e duetto: "È lui! desso! l'Infante!"
- Atto Secondo. Prima Scena: Scena e duetto: "Ascolta! Le porte dell'asil s'apron già"
- Atto Secondo. Prima Scena: Scena e duetto: "Dio, che nell'alma infondere amor..."
- Atto Secondo. Seconda Scena: Coro e scena: "Sotto ai folti, immensi abeti"
- Atto Secondo. Seconda Scena: Coro e scena: "Tra queste mura pie la Regina..."
- Atto Secondo. Seconda Scena: Canzone del velo: "Nei giardin del bello..."
- Atto Secondo. Seconda Scena: Romanze di Rodrigo: "La Regina!"..."Un'arcana mestizia..."
- Atto Secondo. Seconda Scena: Romanze di Rodrigo: "Che mai si fa nel suol francese"
- Atto Secondo. Seconda Scena: Romanze di Rodrigo: "Carlo ch'è sol il nostro amore"
- Atto Secondo. Seconda Scena: Gran scena e duetto: "lo vengo a domandar"
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Aida (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
- Act I, Scene 1: Preludio
- Act I, Scene 1, Introduzione e Scena: "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)
- Act I, Scene 1, Romanza: "Se quel guerrier io fossi! ... Celeste Aida" (Radamès)
- Act I, Scene 1, Duetto: "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)
- Act I, Scene 1, Terzetto: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès)
- Act I, Scene 1, Scena e Pezzo d'assieme: "Alta cagion v'aduna" (Il Re, Messaggero, Radamès Ramfis, Coro, Aida, Amneris)
- Act I, Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Coro, Aida, Radamès, Amneris)
- Act I, Scene 1, Scena: "Ritorna vincitor" (Aida)
- Act I, Scene 2, Gran Scena della Consacrazione e Finale I: "Possente Fthà" ... "Tu che dal nulla" (Sacerdotessa, Coro, Ramfis)
- Act I, Scene 2, Danza sacra delle Sacerdotesse: "Immenso Fthà" .. "Mortal, diletto ai Numi" (Sacerdotessa, Coro, Ramfis)
- Act I, Scene 2: "Nume, custode e vindice" (Ramfis, Radamès, Coro, Sacerdotessa)
- Act II, Scene 1, Introduzione - Scena e Coro di donne: "Chi mai fra gl'inni e i plausi" (Coro, Amneris)
- Act II, Scene 1, Danza di piccoli schiavi mori: "Vieni: sul crin ti piovano" (Coro, Amneris)
- Act II, Scene 1, Scena e Duetto: "Fu la sorte dell'armi a' tuoi funesta" (Amneris, Aida)
- Act II, Scene 1: "Pietà ti prenda del mio dolor" .. "Su! del Nilo al sacro lido" .. "Numi, Pietà" (Aida Amneris, Coro)
- Act II, Scene 2, Gran finale II: "Gloria all'Egitto, ad Iside" (Coro, Ramfis)
- Act II, Scene 2: Marcia trionfale
- Act II, Scene 2: Ballabile
- Act II, Scene 2: Vieni, o guerriero vindice" (Coro)
- Act II, Scene 2: "Salvator della patria"(Il Re, Radamés, Ramfis, Coro)
- Act II, Scene 2: "Che veggo! Egli? Mio padre!" .. "Anch'io pugnai" .. "Ma tu, Re, tu signore possente" (Aida, Amneris, Amonasro, Il Re, Ramfis, Coro)
- Act II, Scene 2: "Il dolo che in quel volto favella" ... "Ma tu, o Re!" (Radamès, Amneris, Ramfis, Amonasro, il Re, Aida, Coro, Ramfis)
- Act II, Scene 2: "O Re: pei sacri Numi!" .. "Gloria all'Egitto" (Radamès, il Re, Amneris, Coro, Ramfis, Aida, Amonasro)
- Se quel guerrier io fossi! / Celeste Aida
- Su! Del Nilo al sacro lido
- Ritorna vincitor!
- Gloria all'Egitto
- Qui Radamès verrà! / O patria mia
- Ciel! Mio padre!
- Pur ti riveggo, mia dolce Aida
- Già i sacerdoti adunansi
- O terra, addio
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Aida Querschnitt (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
- Aida: Preludio
- Aida: I. Akt. Romanza "Sel quel guerrier io fossi!... Celeste Aida"
- Aida: I. Akt. Terzetto "Vieni, o diletta, appressati"
- Aida: I. Akt. Scena "Ritona vincitor!"
- Aida: I. Akt. "Nume, custode e vindice"
- Aida: II. Akt. "Glodia all'Egiitto, ad Iside"
- Aida: II. Akt. "Quest'assisa ch'io vesto"
- Aida: II. Akt. "Il dolor che in quel volto favella"
- Aida: III. Akt. Romanza "O patria mia"
- Aida: III. Akt. Duetto "Ciel! mio padre! ... A te grave cagion m'adduce"
- Aida: III. Akt. Duetto "Nel fiero anelito... Fuggiam gli ardori inospiti"
- Aida: IV. Akt. Duetto "Già i Sacerdoti adunansi"
- Aida: IV. Akt. Duetto "Immenso Fthà... O terro, addio"
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La Traviata (fragmentos) (Orquesta del Estado de Baviera feat. conductor: Carlos Kleiber, choir: Coro de la Ópera del Estado de Baviera)
- Preludio
- Primer Acto: "Dell'invito trascorsa è già l'ora?" (Coro, Violetta, Flora, Marqués, Barón, Doctor, Gastone, Alfredo)
- Primer Acto: "Libiamo ne'lieti calici" (Brindis)
- Primer Acto: "È strano... Ah, fors'è lui" (Violetta)
- Primer Acto: "Follie! Delirio vano è questo! Sempre libera" (Violetta, Alfredo)
- Segundo Acto: "Lunge da lei... De'miei bollenti spiriti" (Alfredo)
- Segundo Acto: "Pure siccome un angelo" (Germont, Violetta)
- Segundo Acto: "Non sapete quale affetto" (Violetta, Germont)
- Segundo Acto: "Un di, quando le veneri" (Germont, Violetta)
- Segundo Acto: "Ah, dite alla giovine" (Violetta, Germont)
- Segundo Acto: "Ah, vive sol quel cuore" (Alfredo, Giuseppe, Comisionado, Germont)
- Segundo Acto: "Di Provenza il mar, il suol" (Germont)
- Segundo Acto: "Avrem lieta di maschere la notte" (Flora, Marqués, Doctor)
- Segundo Acto: "Noi siamo zingarelle" (Coro, Flora, Marqués)
- Segundo Acto: "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Doctor, Marqués)
- Tercer Acto: Preludio
- Tercer Acto: "Annina?" / "Comandante?" (Violetta, Annina, Doctor)
- Tercer Acto: "Teneste la promessa... Attendo, nè a me giungon mai... Addio del passato" (Violetta)
- Tercer Acto: "Signora" / "Che t'accade?" (Annina, Violetta, Alfredo)
- Tercer Acto: "Parigi, o cara, noi lasceremo" (Alfredo, Violetta)
- Tercer Acto: "Ah, non più... Ah! Gran Dio! Morir si giovine" (Violetta, Alfredo)
- Tercer Acto: "Ah, Violetta!" / "Voi? Signor?" (Germont, Violetta, Alfredo)
- Tercer Acto: "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont, Annina, Doctor)
- Falstaff: Act I, Scene 1: Falstaff!
- Falstaff: Act I, Scene 1: Ssss. Sei polli: sei scellini
- Falstaff: Act I, Scene 1: So che se andiam
- Falstaff: Act I, Scene 1: V'è noto un tal
- Falstaff: Act I, Scene 1: L'Onore! Ladri!
- Falstaff: Act I, Scene 1: Ma, per tornare a voi
- Falstaff: Act I, Scene 2: Alice - Meg
- Falstaff: Act I, Scene 2: Fulgida Alice! Amor t'offro
- Falstaff: Act I, Scene 2: Quell'otre! quel tino
- Falstaff: Act I, Scene 2: È un ribaldo, un furbo, un ladro
- Falstaff: Act I, Scene 2: Pst, pst, Nannetta
- Falstaff: Act I, Scene 2: Falstaff m'ha canzonata
- Falstaff: Act I, Scene 2: Torno all'assalto
- Falstaff: Act I, Scene 2: Udrai quanta egli sfoggia
- Falstaff: Act I, Scene 2: Del tuo barbaro diagnostico
- Falstaff: Act I, Scene 2: Qui più non si vagoli
- Falstaff: Act II, Scene 1: Siam pentiti e contriti
- Falstaff: Act II, Scene 1: Alice è mia!
- Falstaff: Act II, Scene 1: Padron; di là c'è un certo Mastro Fontana
- Falstaff: Act II, Scene 1: Signore, v'assista il cielo!
- Falstaff: Act II, Scene 1: Io l'amo e lei non m'ama
- Falstaff: Act II, Scene 1: Il diavolo se lo porti all'inferno
- Falstaff: Act II, Scene 1: È sogno? o realtà?
- Falstaff: Act II, Scene 1: Eccomi qua
- Act I: Prelude
- Act I: Della mia bella incognita (Duke, Borsa)
- Act I: Ballata: Questa o quella (Duke)
- Act I: Partite?...Crudele! (Duke, Countess Ceprano, Rigoletto, Borsa)
- Act I: Gran nuova! gran nuova! (Marullo, Borsa, Courtiers, Duke, Rigoletto)
- Act I: Ch'io gli parli (Monterone, Duke, Borsa, Rigoletto, Marullo, Ceprano)
- Act I: Quel vecchio maledivami! (Rigoletto, Sparafucile)
- Act I: Pari siamo!...Figlia! - Mio padre!... (Rigoletto, Gilda)
- Act I: Deh non parlare al misero (Rigoletto, Gilda, Giovanna, Duke)
- Act I: Giovanna, ho dei rimorsi...E il sol dell' anima (Gilda, Giovanna, Duke)
- Act I: Gualtier Maldè...Caro nome (Gilda, Borsa, Ceparno, Courtiers)
- Act I: Riedo!...perché?...Zitti, zitti (Rigoletto, Borsa, Ceprano, Courtiers)
- Coro d'Introduzione - Or co'dadi
- Scena e Terzetto - In braccio al mio rival!
- Giorni poveri vivea
- Scena ed Aria - Quale d'armi fragor poc'anzi intesi?
- Ah! si ben mio
- L'onda de'suoni mistici
- Manrico?...Che?...La zingara
- Di quella pira
- Scena, Aria e Miserere - Siam guinti
- D'amor sull'ali rosee
- Miserere
- Scena e Duetto - Udiste? Come albeggi
- Qual voce!...Mira di acerbe lagrime
- Finale Ultimo - Madre, non dormi?...Ai nostri monti
- Che! Non m'inganna quel fioco lume?
- Ti scosta!
- La Forza del Destino - Duettino - Solenne in quest'ora
- La Forza del Destino - Scena - Morir! Tremenda cosa!
- La Forza del Destino - Aria - Una fatale del mino destino...Egli e salvo!
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Requiem (Vienna Philharmonic, Solti, Pavarotti, Sutherland, Horne, Talvela)
- Requiem aeternam / Kyrie
- Dies irae
- Tuba mirum
- Liber scriptus
- Quid sum miser
- Rex tremendae
- Recordare
- Ingemisco
- Confutatis
- Lacrimosa
- E dessa! ... Un detto, un sol (Don Carlos)
- Ma lassù ci vedremo (Don Carlos)
- Oh belle a questa misera (I Lombardi)
- All'armi? ... Che ascolto! (I Lombardi)
- Cielo di stelle orbato (Simon Boccanegra)
- Vieni a mirar la cerula (Simon Boccanegra)
- Gai nella notte densa (Otello)
- Pensando a me! ... E dolce raggio celeste dono ( I Vespri Sicilani)
- Giovanna, ho dei rimorsi (Rigoletto)
- E il sol dell'anima (Rigoletto)
- Che m'ami, deh, ripetimi (Rigoletto)
- Addio, speranza ad anima (Rigoletto)
- La fatal pietra sovra me si chiuse (Aida)
- O terra, addio (Aida)
- Qual mare, qual terra da me t'ha diviso (I Masnadieri)
- Qui nel bosco? Solingo? Smarrita? (I Masnadieri)
- Lassu risplendere piu lieta e bella (I Masnadieri)
- Miserere ... Quel suon, quelle preci (Il Trovatore)
- Libiamo ne' lieti calici (La Traviata)
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La traviata (Coro e Orquestra Sinfônica do Teatro Nacional de São Carlos feat. conductor: Franco Ghione, soprano: Maria Callas, tenor: Alfredo Kraus)
- La traviata, act I: Preludio
- La traviata, act I: Dell'invito trascorsa è già l'ora
- La traviata, act I: Libiamo, ne' lieti calici
- La traviata, act I: Che è ciò?
- La traviata, act I: Un dì felice, eterea
- La traviata, act I: Ebben? Che diavol fate?
- La traviata, act I: Si ridesta in ciel l'aurora
- La traviata, act I: È strano! È strano!
- La traviata, act I: Ah, fors'è lui che l'anima
- La traviata, act I: Follie! Follie! Delirio vano è questo!
- La traviata, act I: Sempre libera
- La traviata, act II, scene I: Lunge da lei
- La traviata, act II, scene I: De' miei bollenti spiriti
- La traviata, act II, scene I: Annina, donde vieni?... Alfredo?...
- La traviata, act II, scene I: Pure siccome un angelo
- La traviata, act II, scene I: Non sapete quale affetto
- La traviata, act II, scene I: Un dì, quando le veneri
- La traviata, act II, scene I: Dite alla giovine
- La traviata, act II, scene I: Imponete... Non amarlo ditegli
- La traviata, act II, scene I: Morrò! La mia memoria
- La traviata, act II, scene I: Dammi tu forza, o cielo!
- La traviata, act II, scene I: Che fai?... Nulla
- La traviata, act II, scene I: Ah, vive sol quel cuore all'amor mio!
- La traviata, act II, scene I: Di Provenza il mar, il suol
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La Traviata (Coro & Orchestra del Teatro alla Scala feat. conductor: Riccardo Muti, chorus master: Roberto Gabbiani)
- La Traviata: Preludio
- La Traviata: Act I. "Dell'invito trascorsa è già l'ora..."
- La Traviata: Act I. "In Alfredo Germont, o signora"
- La Traviata: Act I. "Brindisi: Libiamo ne' lieti calici"
- La Traviata: Act I. "Valzer e Duetto: Che è ciò? - Non gradireste ora le danze?"
- La Traviata: Act I. "Un dì, felice, eterea"
- La Traviata: Act I. "Stretta dell'Introduzione: Si ridesta in ciel l'aurora"
- La Traviata: Act I. "È Strano!... È Strano!..."
- La Traviata: Act I. "Ah, fors'è lui che l'anima"
- La Traviata: Act I. "Follie!... Follie!... Delirio vano è questo!... Sempre libera degg'io"
- La Traviata: Act II. "Lunge da lei per me non v'ha diletto"
- La Traviata: Act II. "De' miei bollenti spiriti"
- La Traviata: Act II. "Annina, donde vieni? - Da Parigi"
- La Traviata: Act II. "O mio rimorso! O infamia"
- La Traviata: Act II. "Alfredo? - Per Parigi or or partiva"
- La Traviata: Act II. "Ah, ah, scopriva Flora il mio ritiro!"
- La Traviata: Act II. "Pura siccome un angelo"
- La Traviata: Act II. "Bella voi siete e giovine"
- La Traviata: Act II. "Dite alla giovine sì bella e pura"
- La Traviata: Act II. "Imponete - Non amarlo ditegli"
- La Traviata: Act II. "Morrò!... La mia memoria"
- Otello: Atto I, Scena I. "Una vela!"
- Otello: Atto I, Scena I. "Esultate!"
- Otello: Atto I, Scena I. "Fuoco di gioia!"
- Otello: Atto I, Scena I. "Roderigo, beviam!"
- Otello: Atto I, Scena I. "Inaffia l'ugola!"
- Otello: Atto I, Scena I. "Capitano, v'attende"
- Otello: Atto I, Scena II. "Olà! che avvien?"
- Otello: Atto I, Scena II. "Già nella notte"
- Otello: Atto I, Scena II. "Quando narravi"
- Otello: Atto I, Scena III. "Venga la morte!"
- Otello: Atto II, Scena I. "Non ti cruciar"
- Otello: Atto II, Scena II. "Credo in un Dio crudel"
- Otello: Atto II, Scena II. "Eccola"
- Otello: Atto II, Scena III. "Ciò m'accora"
- Otello: Atto II, Scena III. "Dove guardi splendono"
- Otello: Atto II, Scena IV. "D'un uom che geme"
- Otello: Atto II, Scena V. "Desdemona rea!"
- Otello: Atto II, Scena V. "Ora e per sempre addio"
- Otello: Atto II, Scena V. "Era la notte"
- Otello: Atto II, Scena V. "Sì, pel ciel"
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La traviata (selezione) (feat. Maria Callas, Alfredo Kraus, conductor: Franco Ghione)
- Libiamo nei lieti calici
- Un dì, felice, eterea
- È strano! È strano
- Follie! Follie! Delirio vano è questo!
- Sempre libera
- Pura siccome un angelo
- Di Provenza il mar, il suol
- Alfredo! Voi!
- Di sprezzo degno se stesso rende
- Alfredo, Alfredo di questo core
- Addio, del passato
- Parigi, o cara
- Ah, non più, a un tempio
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Un Giorno di Regno (Royal Philharmonic Orchestra feat. conductor: Lamberto Gardelli)
- Ouverture
- Atto Primo, Introduzione e Duettino: "Mai non rise un più bel dì"
- Atto Primo, Introduzione e Duettino: "Tesoriere garbatissimo"
- Atto Primo, Scena e Cavatina: "Sua Maestà, signori"
- Atto Primo, Scena e Cavatina: "Compagnoni di Parigi" / "Verrà pur troppo il giorno"
- Atto Primo, Recitativo: "Al doppio matrimonio" / "Sire tremante io vengo"
- Atto Primo, Scena e Duetto: "Proverò che degno io sono" / "Infiammato da spirto guerriero"
- Atto Primo, Scena e Cavatina: "Ah non m'hanno ingannata!" / "Grave a core innamorato"
- Atto Primo, Coro e Cavatina: "Sì festevola mattina"
- Atto Primo, Coro e Cavatina: "Non san quant'io nel petto" / "Non vo'quel vecchio, non son sì sciocca"
- Atto Primo, Recitativo e Sestetto: "Ebben, Giulietta mia"
- Atto Primo, Recitativo e Sestetto: "Cara Giulia, alfin ti vedo" / "Madamine, il mio scudiere" / Recitativo e Terzetto: "In te, cugina, io spero"
- Atto Primo, Recitativo e Terzetto: "Bella speranza invero"
- Atto Primo, Recitativo e Duetto buffo: "Quanto diceste mostra un gran talento"
- Atto Primo, Recitativo e Duetto buffo: "Diletto genero, a voi ne vengo"
- Atto Primo, Finale I: "Tesorier! io creder voglio" / "In qual punt il Re ci ha colto!" / "Affidate alla mente reale"
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Aroldo (Orchestra e coro del Maggio Musicale Fiorentino feat. conductor: Fabio Luisi)
- Sinfonia
- Atto primo, Scena 1: Coro d'ospiti: Tocchiamo!
- Atto primo, Scena 1: Mina: Ciel ch'io respiri
- Atto primo, Scena 1: Mina: Salvami tu, gran Dio!
- Atto primo, Scena 1: Mina: Egli viene!
- Atto primo, Scena 1: Aroldo: Sotto il sol di Siria ardente
- Atto primo, Scena 1: Aroldo: Ma! lacrime ti grondano!
- Atto primo, Scena 1: Aroldo: Ebben, parlatemi...
- Atto primo, Scena 1: Mina: Tosto ei disse!
- Atto primo, Scena 1: Egberto: Dite che il fallo a tergere
- Atto primo, Scena 1: Egberto: Ed io pure in faccia agl'uomini
- Atto primo, Scena 1: Egberto: Or meco venite
- Atto primo, Scena 2: Godvino: O Mina, tu mi sfuggi.
- Atto primo, Scena 2: Egberto: Eterna vivrà in Kent la memoria
- Atto primo, Scena 2: Aroldo: Vi fu in Palestina
- Atto primo, Scena 2: Aroldo: Forse d'un traditore
- Atto primo, Scena 2: Aroldo: Nol volete? Farollo io stesso
- Atto secondo: Mina: Oh cielo! Dove son io?
- Atto secondo: Mina: Ah! dagli scanni eterei
- Atto secondo: Godvino: Mina!
- Atto secondo: Godvino: Io resto.
- Atto secondo: Aroldo: Nessun demone, niun Dio
- Atto secondo: Aroldo: Ah no! è impossibile!
- Atto secondo: Egberto: Dessa non è, comprendilo
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Oberto: Conte di San Bonifacio (Academy of St Martin in the Fields feat. conductor: Sir Neville Marriner)
- Sinfonia
- Atto Primo, No. 1 Introduzione: "Di vermiglia, amabil luce" (Coro)
- Atto Primo, No. 2 Aria: "Son fra voi!" / "Già parmi d'udire il fremito" (Riccardo, Coro)
- Atto Primo, No. 3 Scena e Cavatina: "Ah, sgombro è il loco alfin!" / "Sotto il paterno tetto" (Leonora)
- Atto Primo, No. 4 Scena e Duetto: "Oh patria terra" / "Guardami! Sui mio ciglio" (Oberto, Leonora)
- Atto Primo, No. 5 Coro: "Fidanzata avventurosa" (Coro)
- Atto Primo, No. 6 Recitativo e Duetto: "Basta, basta o fedeli!" / "Il pensier d'um amore felice" (Cuniza, Riccardo)
- Atto Primo, No. 7 Scena e Terzetto: "Alta cagione adunque" / "Son io stesso! A te davanti" (Imelda, Leonora, Cuniza, Oberto)
- Atto Primo, No. 8 Finale I: "A me gli amici!" (tutti)
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Il Trovatore (Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia feat. conductor: Carlo Maria Giulini) (Highlights)
- Parte Prima: Introduzione
- Parte Prima: Scena e Cavatina: "Che più t'arresti?"
- Parte Prima: Scena e Cavatina: "Tacea la notte placida" / "Di tale amor"
- Parte Prima: Scena, Romanza e Terzetto: "Tace la notte!"
- Parte Prima: Scena, Romanza e Terzetto: "Deserto sulla terra"
- Parte Prima: Scena, Romanza e Terzetto: "Non m'inganno. Ella scende!" / "Di geloso amor"
- Parte Seconda: Coro di Zingari: "Vedi! le fosche notturne spoglie"
- Parte Seconda: Scena e Racconto: "Soli or siam!"
- Parte Seconda: Scena e Racconto: "Condotta ell'era in ceppi"
- Parte Seconda: Scena e Duetto: "Non son tuo figlio?"
- Parte Seconda: Scena e Duetto: "Mal reggendo all'aspro assalto"
- Parte Seconda: Aria: "Il balen del suo sorriso"
- Parte Terza: Scena ed Aria: "Quale d'armi fragor poc'anzi intesi?"
- Parte Terza: Scena ed Aria: "Ah! sì, ben mio"
- Parte Terza: Scena ed Aria: "Manrico?" / "Che?" / "La zingara"
- Parte Terza: Scena ed Aria: "Di quella pira"
- Parte Quarta: Aria e Miserere: "D'amor sull'ali rosee"
- Parte Quarta: Aria e Miserere: "Miserere"
- Parte Quarta: Finale ultimo: "Che! Non m'inganna quel fioco lume?"
- Parte Quarta: Finale ultimo: "Ti scosta" / "Non respingermi"
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Messa da Requiem (Chicago Symphony Orchestra feat. conductor: Sir Georg Solti)
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Rigoletto (Wiener Philharmoniker feat. conductor: Carlo Maria Giulini) (highlights)
- Atto Primo: Preludio
- Atto Primo: Introduzione: "Della mia bella incognita borghese"
- Atto Primo: Ballata: "Questa o quella"
- Atto Primo: Minuetto: "Partite? Crudele!"
- Atto Primo: Scena e Duetto: "Giovanna, ho dei rimorsi"
- Atto Primo: Aria: "E il sol dell'anima"
- Atto Primo: Aria: "Che m'ami, deh! ripetimi..."
- Atto Primo: Scena ed Aria: "Gualtier Maldè... Caro nome"
- Atto Secondo: Recitativo, Aria e Scena con Coro: "Ella mi fu rapita!"
- Atto Secondo: Recitativo, Aria e Scena con Coro: "Parmi veder le largrime"
- Atto Secondo: Recitativo, Aria e Scena con Coro: "Possente amor mi chiama"
- Atto Secondo: Aria: "Cortigiani, vil razza dannata"
- Atto Terzo: Recitativo: "E l'ami?" / "Sempre"
- Atto Terzo: Canzone: "La donna è mobile"
- Atto Terzo: Quartetto: "Un dì, se ben rammentomi"
- Atto Terzo: Quartetto: "Bella figlia dell'amore"
- Atto Terzo: Recitativo e Scena. Duetto - Finale: "Della vendetta alfin giunge l'istante!"
- Atto Terzo: Recitativo e Scena. Duetto - Finale: "Chi è mai, chi è qui in sua vece?"
- Atto Terzo: Recitativo e Scena. Duetto - Finale: "V'ho ingannato... colpevole fui..."
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Otello (Orchestra e Coro della Radio di Tokyo feat. conductor: Nino Verchi)
- Atto I: Una vela! Una vela!
- Atto I: Esultate!
- Atto I: Roderigo, ebben che pensi?
- Atto I: Fuoco di gioia!
- Atto I: Roderigo, beviam!
- Atto I: Innaffia l'ugola! Trinca, tracanna
- Atto I: Capitano, v'attende la fazione ai baluardi
- Atto I: Abbasso le spade!
- Atto I: Già nella notte densa
- Atto II: Non ti crucciar
- Atto II: Vanne! La tua meta già vedo
- Atto II: Credo in un Dio crudel
- Atto II: Ciò m'accora...
- Atto II: Dove guardi splendono
- Atto II: D'un uom che geme sotto il tou disdegno
- Atto II: Se inconscia, contro te, sposo, ho peccato
- Atto II: Desdemona rea!
- Atto II: Tu? Indietro! Fuggi!
- Atto II: Ora e per sempre addio
- Atto II: Pace, signor
- Atto II: Era la notte, Cassio dormia
- Atto II: Oh! Mostruosa colpa!
- Atto II: Sì, pel ciel marmoreo giuro!
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I Lombardi (Royal Philharmonic Orchestra feat. conductor: Lamberto Gardelli)
- Atto Primo, Preludio e Introduzione: "Oh nobile esempio!"
- Atto Primo, Scena: "Qui nel luogo santo e pio"
- Atto Primo, Quintetto: "T'assale un tremito!"
- Atto Primo, Scena: "Or s'ascolti"
- Atto Primo, Coro: "A te nell'ora infausta"
- Atto Primo, Recitativo: "Vergini!... il ciel per ora"
- Atto Primo, Aria: "Sciagurata! hai tu creduto"
- Atto Primo, Scena: "Tutta tremante ancor"
- Atto Primo, Preghiera: "Salve Maria"
- Atto Primo, Scena e Finale: "Vieni! Già pose Arvino"
- Atto Primo: "Mostro d'averno orribile"
- Atto Primo: "Parricida!"
- Atto Secondo, Coro: "È dunque vero?"
- Atto Secondo, Scena: "O madre mia, che fa colei?"
- Atto Secondo, Cavatina: "La mia letizia infondere" / "Come poteva un angelo"
- Atto Secondo, Scena e Marcia: "E ancor silenzio!"
- Atto Secondo, Duettino: "Sei tu l'uom della caverna?"
- Atto Secondo, Inno dei Crociati: "Stolto Allhà!"
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Aida: Scenes & Arias (Orchestra e coro del Teatro dell' Opera di Roma feat. conductor: Sir Georg Solti)
- Act I: Se quel guerrier io fossi! / Celeste Aida
- Act I: Or di Vulcano al tempio
- Act I: Ritorna vincitor!
- Act II: Gloria all'Egitto
- Act II: Marcia e ballabile (Grand March & Ballet)
- Act II: Vieni, o guerriero vindice
- Act III: Qui Radamès verrà!... / O patria mia
- Act III: Ciel! mio padre!...Rivedrai le foreste imbalsamate
- Act IV: Già i sacerdoti adunansi
- Act IV: Ohimè!... Morir mi sento / Spirito del Nume
- Act IV: Radamès! Radamès! Radamès! Tu rivelasti
- Act IV: Presago il core della tua condanna
- Act IV: O terra, addio
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Falstaff (Orchestra e Coro del Teatro alla Scala feat. conductor: Riccardo Muti)
- Atto Primo, Parte prima: "Falstaff! - Olà! - Sir John Falstaff!"
- Atto Primo, Parte prima: "Sei polli: sei scellini"
- Atto Primo, Parte prima: "Ma è tempo d'assottigliar l'ingegno"
- Atto Primo, Parte prima: "L'onore! Ladri!"
- Atto Primo, Parte seconda: "Alice. - Meg. - Nannetta."
- Atto Primo, Parte seconda: "Fulgida Alice! Amor t'offro..."
- Atto Primo, Parte seconda: "In due parole: L'enorme Falstaff vuole"
- Atto Primo, Parte seconda: "Pst, pst, Nannetta."
- Atto Primo, Parte seconda: "Del tuo barbaro diagnostico"
- Atto Secondo, Parte prima: "Siam pentiti e contriti"
- Atto Secondo, Parte prima: "Alice è mia! Va, vecchio John"
- Atto Secondo, Parte prima: "Signore, V'assista il cielo!"
- Atto Secondo, Parte prima: "C'è a Windsor una dama"
- Atto Secondo, Parte prima: "È sogno? O realtà?..."
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Ernani (RCA Italiana Orchestra and Chorus feat. conductor: Thomas Schippers)
- Ernani: Prelude
- Ernani: Act I, Scene 1. "Evviva! Beviam! Beviam!"
- Ernani: Act I, Scene 1. "Mercè, diletti amici" / "Come rugiada al cespite"
- Ernani: Act I, Scene 1. "Dell'esiglio nel dolore"
- Ernani: Act I, Scene 2. "Surta è la notte"
- Ernani: Act I, Scene 2. "Ernani! Ernani, involami"
- Ernani: Act I, Scene 2. "Tutto sprezzo che d'Ernani"
- Ernani: Act I, Scene 2. "Qui mi trasse amor possente"
- Ernani: Act I, Scene 2. "Da quel dì che t'ho veduta"
- Ernani: Act I, Scene 2. "Tu se' Ernani!"
- Ernani: Act I, Scene 2. "Che mai veggio!" / "Infelice! E tuo credevi"
- Ernani: Act I, Scene 2. "Vedi come il buon vegliardo"
- Ernani: Act II. "Esultiamo! Letizia ne inondi!"
- Ernani: Act II. "Oro, quant'oro ogn'avido"
- Ernani: Act II. "Ah, morir, potessi adesso"
- Ernani: Act II. "No, vendetta più tremenda"
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Simon Boccanegra (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
- Prologo: (Preludio) "Che dicesti?"
- Prologo: "L'altra magion vedete?"
- Prologo: "A te l'estremo addio" / "Il lacerato spirito"
- Prologo: "Suona ogni labbro il mio nome"
- Prologo: "Oh, de' Fieschi implacata"
- Atto Primo, Quadro primo: (Preludio: L'aurora)
- Atto Primo, Quadro primo: "Come in quest'ora bruna"
- Atto Primo, Quadro primo: "Cielo di stelle orbato" / "Vieni a mirar la cerula marina tremolante"
- Atto Primo, Quadro primo: "Propizio ei giunge!"
- Atto Primo, Quadro primo: "Paolo / Signor"
- Atto Primo, Quadro primo: "Orfanella il tetto umile" / "Figlia! A tal nome io palpito"
- Atto Primo, Quadro primo: "Che rispose"
- Atto Primo, Quadro secondo: "Messeri, il re di Tartaria vi porge"
- Atto Primo, Quadro secondo: "Ferisci! / Amelia!"
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Un Ballo in Maschera (National Philharmonic Orchestra feat. conductor: Sir Georg Solti)
- Act I: Preludio
- Act I: "Posa in pace"
- Act I: "La rivedrà nell'estasi"
- Act I: "Alla vita che t'arride"
- Act I: "Volta la terrea" / "Ogni cura si doni al diletto"
- Act I: "Zitti... l'incanto non dèssi turbare" / "Re dell'abisso, affrettati"
- Act I: "Che v'agita così?" / "Della città all'occaso"
- Act I: "Su profetessa" / "Di' tu se fedele" / "Orsù, amici"
- Act I: "È scherzo od è follia"
- Act I: "Finisci il vaticinio"
- Act II: Preludio
- Act II: "Ecco l'orrido campo"
- Act II: "Ma dall'arido stelo divulsa"
- Act II: "Teco io sto"
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Attila (Orchestra e Coro del Teatro alla Scala, Milano feat. conductor: Riccardo Muti)
- Preludio
- Prologo: Introduzione: Urli, rapine
- Prologo: Introduzione: Eroi, levatevi!
- Prologo: Introduzione: Viva il re
- Prologo: Scena e Cavatina: Di vergini straniere
- Prologo: Scena e Cavatina: Allor...che i forti corrono
- Prologo: Scena e Cavatina: Bella è quell'ira, o vergine
- Prologo: Scena e Cavatina: Da te questo or m'è concesso
- Prologo: Duetto: Uldino, a me dinanzi l'inviato
- Prologo: Duetto: Tardo per gli anni
- Prologo: Duetto: Ma se fraterno vincolo
- Prologo: Duetto: Vanitosi!
- Prologo: Scena e Cavatina: Qual notte!
- Prologo: Scena e Cavatina: L'alito del mattin
- Prologo: Scena e Cavatina: Quai voci!
- Prologo: Scena e Cavatina: Qui, qui sostiamo!
- Prologo: Scena e Cavatina: Ella in poter del barbaro!
- Prologo: Scena e Cavatina: Cessato alfine il turbine
- Prologo: Scena e Cavatina: Cara patria
- Atto Primo: Scena e Romanza: Liberamente or piangi
- Atto Primo: Scena e Romanza: Oh! nel fuggente nuvolo
- Atto Primo: Scena e Duetto: Qual suon di passi!
- Atto Primo: Scena e Duetto: Sì, quello io son
- Atto Primo: Scena e Duetto: Va! racconta al sacrilego infame
- Atto Primo: Scena e Duetto: Oh t'inebria nell'amplesso
- Atto Primo: Scena ed Aria: Uldino! Uldin!
- Atto Primo: Scena ed Aria: Mentre gonfiarsi l'anima
- Atto Primo: Scena ed Aria: Raccapriccio!
- Atto Primo: Scena ed Aria: Oltre a quel limite t'attendo
- Atto Primo: Finale Primo: Parla, imponi...Vieni, le menti visita
- Atto Primo: Finale Primo: Di flagellar l'incarco
- Atto Primo: Finale Primo: No!...non è sogno
- Atto Primo: Finale Primo: Spirti, fermate
- Nabuco / Sinfonia/Overture
- Nabuco / "Va, pensiero, sull'ali dorate"/Chorus
- La Traviata / Preludio/Prelude
- La Traviata / Brindisi/Toast
- La Traviata / "È strano! ... Ah, fors'è lui"
- La Traviata / "Follie! Delirio vano è questo! ... Sempre libera!"
- La Traviata / "Lunge da lei ... De'miei bollenti spiriti"
- La Traviata / "Di Provenza il mar, il suol"
- La Traviata / "Teneste la promessa .. Attendo, né a me fiunfon mai! ... Addio del passato"
- Rigoletto / "Questa o quella"
- Rigoletto / "Figlia"/"Mio Padre!"
- Rigoletto / "Gualtier Maldè ... Caro nome"
- Rigoletto / "Parmi veder le lagrime"
- Rigoletto / "Cortigiani, vil razza dannata"
- Rigoletto / "Mio padre!"/"Dio! mia Gilda!"
- Rigoletto / "Tutte le feste al tempio"
- Rigoletto / "La donna è mobile"
- Rigoletto / "Bella figlia dell'amore"
- Atto Primo, Prima Scena: Carlo il sommo imperatore
- Atto Primo, Prima Scena: Io l'ho perduta!
- Atto Primo, Prima Scena: Il duolo della terra
- Atto Primo, Prima Scena: E lui! desso! l'Infante!
- Atto Primo, Prima Scena: Ascolta! Le porte dell'asil s'apron già
- Atto Primo, Prima Scena: Dio, che nell'alma infondere amor...
- Atto Primo, Seconda Scena: Sotto ai folti, immensi abeti
- Atto Primo, Seconda Scena: Tra queste mura pie la Regina
- Atto Primo, Seconda Scena: Nei giardin del bello...
- Atto Primo, Seconda Scena: La Regina!
- Atto Primo, Seconda Scena: Che mai si fa nel suol fancese
- Atto Primo, Seconda Scena: Carlo ch'è sol il nostro amore
- Atto Primo, Seconda Scena: Io vengo a domandar
- Atto Primo, Seconda Scena: Il Re!... Perché sola è la Regina?
- Atto Primo, Seconda Scena: Non pianger, mia compagna
- Atto Primo, Seconda Scena: Restate! Presso alla mia persona
- Atto Primo, Seconda Scena: O signor, di Fiandra arrivo
- Atto Primo, Seconda Scena: Quest'è la pace che voi date al mondo?
- Atto Primo, Seconda Scena: Osò lo sguardo tuo penetrar il mio soglio
- Preludio
- Act I. Scene 1: Se quel guerrier io fossi!
- Act I. Scene 1: Quale insolita gioia
- Act I. Scene 1: Alta cagion v'aduna
- Act I. Scene 1: Sì, corre voce che l'Etiope ardisca
- Act I. Scene 1: Ritorna vincitor!
- Act I. Scene 2: Possente, possente Fthà
- Act I. Scene 2: Mortal, diletto ai numi
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Aida (Chorus and Orchestra of the Opera House, Rome feat. conductor: Tullio Serafin)
- Preludio
- Act I. Scene 1: Sì: corre voce che l'Etiope ardisca
- Act I. Scene 1: Se quel guerrier io fossi!
- Act I. Scene 1: Quale insolita gioia
- Act I. Scene 1: Alta cagion v'aduna
- Act I. Scene 1: Ritorna vincitor!
- Act I. Scene 2: Possente, possente Fthà
- Act I. Scene 2: Mortal, diletto ai Numi
- Act II. Scene 1: Chi mai fra gl'inni e i plausi
- Act II. Scene 1: Fu la sorte dell'armi a' tuoi funesta
- Act II. Scene 1: Su! Del Nilo al sacro lido
- Act II. Scene 2: Gloria all'Egitto, ad Iside
- Act II. Scene 2: Marcia
- Act II. Scene 2: Vieni, o guerriero vindice
- Act II. Scene 2: Salvator della patria, io ti saluto
- Act II. Scene 2: Che veggo!... Egli?... Mio padre!
- Act II. Scene 2: Quest'assisa ch'io vesto vi dica
- Act II. Scene 2: Ma tu, Re, tu signore possente
- Act II. Scene 2: O Re: pei sacri Numi
- Act II. Scene 2: Gloria all'Egitto, ad Iside
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Macbeth (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
- Preludio
- Atto Primo: Introduzione e Coro di streghe: "Che faceste? Dite su!"
- Atto Primo: Scena e duetto: "Giorno non vidi mai" "Due vaticini compiuti or sono"
- Atto Primo: Coro di streghe - Stretta dell'introduzione: "S'allontanarono!"
- Atto Primo: Scena e Cavatina: "Nel dì della vittoria" "Vieni! t'affretta! ...Or tutti sorgete"
- Atto Primo: Scena e Marcia: "Oh donna mia!"
- Atto Primo: Gran Scena e Duetto: "Sappia la sposa mia" "Fatal mia donna!"
- Atto Primo: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" "Schiudi, inferno, la bocca"
- Il trovatore, Act I. Scene 1: "All'erta, all'erta"
- Il trovatore, Act I. Scene 1: "Di due figli vivea"
- Il trovatore, Act I. Scene 2: "Che più t'arresti?"
- Il trovatore, Act I. Scene 2: "Tacea la notte placida"
- Il trovatore, Act I. Scene 2: "Di tale amor che dirsi"
- Il trovatore, Act I. Scene 2: "Tace la notte!"
- Il trovatore, Act I. Scene 2: "Deserto sulla terra"
- Il trovatore, Act I. Scene 2: "Non m'inganno"
- Il trovatore, Act I. Scene 2: "Di geloso amor sprezzato"
- Il trovatore, Act II. Scene 1: "Vedi! Le fosche notturne spoglie" (Anvil Chorus)
- Il trovatore, Act II. Scene 1: "Stride la vampa!"
- Il trovatore, Act II. Scene 1: "Soli or siamo"
- Il trovatore, Act II. Scene 1: "Condotta ell'era in ceppi"
- Il trovatore, Act II. Scene 1: "Non son tuo figlio?"
- Il trovatore, Act II. Scene 1: "Mal reggendo"
- Il trovatore, Act II. Scene 1: "Inoltra il piè"
- Il trovatore, Act II. Scene 1: "Perigliarti ancor languente"
- Il trovatore, Act II. Scene 2: "Tutto è deserto"
- Il trovatore, Act II. Scene 2: "Il balen del suo sorriso"
- Il trovatore, Act II. Scene 2: "Quel suono! Oh, ciel!"
- Il trovatore, Act II. Scene 2: "Per me ora fatale"
- Il trovatore, Act II. Scene 2: "Ah! Se l'error t'ingombra"
- Il trovatore, Act II. Scene 2: "Perché piangete?"
- Il trovatore, Act II. Scene 2: "E deggio e posso crederlo?"
- Nabucco: Sinfonia
- Nabucco: Gli arredi festivi giù cadano infranti
- Nabucco: Qual rumore? / Come notte a sol fulgente
- Nabucco: Fenena! Oh mia diletta! / Prode guerrier! / Io t'amava
- Nabucco: Chi s'avanza? / Salgo già del trono aurato
- Nabucco: Che si vuol? / Il maldetto non ha fratelli
- Nabucco: S'appressan gl'istanti / Chi mi toglie il regio scettro?
- Nabucco: Ah, qual suon! / Deh, perdona
- Nabucco: Va, pensiero, sull'alli dorate
- Nabucco: Dio di Guida! / Cadran, cadranno i perfidi
- Nabucco: Oh! Chi vegg'io? / Su me, morente, esanime
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La Traviata (Bayrischer Staatsopernchor, Bayerisches Staatsorchester feat. conductor: Carlos Kleiber) (Highlights)
- Preludio
- Atto Primo: Brindisi (Trinklied): "Libiamo ne' lieti calici"
- Atto Primo: Valzer e Duetto: "Che è ciò?" / "Non gradireste ora le danze?"
- Atto Primo: "Un dì felice, eterea"
- Atto Primo: Scena ed Aria - Finale: "È strano!" ... "Ah, fors'è lui"
- Atto Primo: "Follie! Delirio è questo!" ... "Sempre libera"
- Atto Secondo: Scena ed Aria: "Lunge da lei... De' miei bollenti spiriti"
- Atto Secondo: "Annina, donde vieni?" ... "O mio rimorso!"
- Atto Secondo: Duetto: "Pura siccome un angelo"
- Atto Secondo: "Non sapete quale affetto"
- Atto Secondo: "Un dì, quando le veneri"
- Atto Secondo: "Ah! Dite alla giovine"
- Atto Secondo: "Imponete!" / "Non amarlo ditegli"
- Atto Secondo: Scena: "Dammi tu forza, o cielo!"
- Atto Secondo: Aria: "Di Provenza il mar, il suol"
- Atto Secondo: Coro di mattadori spagnuoli: "Di Madride noi siam mattadori"
- Atto Secondo: "Inivitato a qui seguirmi"
- Atto Secondo: "Ogni suo aver tal femmina"
- Atto Secondo: "Di sprezzo degno se stesso rende"
- Atto Terzo: "Teneste la promessa" ... "Attendo, nè a me giungon mai!" / "Addio del passato"
- Atto Terzo: Scena e Duetto: "Signora" / "Che t'accadde?"
- Atto Terzo: "Parigi, o cara, noi lasceremo"
- Atto Terzo: Finale ultimo: "Ah, Violetta!" / "Voi? Signor?"
- Atto Terzo: "Prendi, quest'è l'immagine"
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La Traviata (Orquestra Sinfónica Nacional Portuguesa feat. conductor: Franco Ghione)
- Preludio
- Acto 1 - Dell'invito trascorsa è gia l'ora
- Acto 1 - Libiamo ne' lieti calici
- Acto 1 - Che è ciò
- Acto 1 - Un di felice, eterea
- Acto 1 - Ebben? che diavol fate?
- Acto 1 - È strano! è strano!
- Acto 1 - Follie! Follie! Delirio vano è questo
- Acto 2 - Lunge da lei per me non v'ha diletto
- Acto 2 - De' miei bollenti spiriti
- Acto 2 - Alfredo?
- Acto 2 - Madamigella Valéry?
- Acto 2 - Pura siccome un angelo
- Acto 2 - Ah! comprendo
- Acto 2 - Ah! Dite alla giovine si bella e pura
- Acto 2 - Morrò!
- Acto 2 - Dammi tu forza, o cielo!
- Acto 2 - Di Provenza il mar, il suol
- Preludio
- Atto Primo: Introduzione: "Dell'invito è già l'ora."
- Atto Primo: Brindisi: "Libiamo ne' lieti calici"
- Atto Primo: Valzer: "Che è ciò?"
- Atto Primo: Duetto: "Un dì, felice, eterea"
- Atto Primo: Scena: "Ebben? Che diavol fate?"
- Atto Primo: Stretta: "Si ridesta in ciel l'aurora."
- Atto Primo: Scena: "È strano! È strano!"
- Atto Primo: Aria: "Ah, fors'è lui"
- Atto Primo: Finale Recitativo: "Follie! Follie! Delirio vano è questo!"
- Atto Primo: Cabaletta: "Sempre libera"
- Atto Secondo, Scena Prima: Scena & Aria: "Lunge da lei..."
- Atto Secondo, Scena Prima: Scena & Aria: "De' miei bollenti spiriti"
- Atto Secondo, Scena Prima: Scena & Aria: "Annina, donde vieni?" "O mio rimorso!"
- Atto Secondo, Scena Prima: Scena: "Alfredo ?" "Per Parigi or or partiva"
- Atto Secondo, Scena Prima: Aria & Duetto: "Pura siccome un angelo"
- Atto Secondo, Scena Prima: Aria & Duetto: "Non sapete quale affetto"
- Atto Secondo, Scena Prima: Aria & Duetto: "Un dì, quando le veneri"
- Atto Secondo, Scena Prima: Aria & Duetto: "Ah! Dite alla giovine"
- Atto Secondo, Scena Prima: Aria & Duetto: "Imponete."..."Non amarlo ditegli"
- Atto Secondo, Scena Prima: Scena: "Dammi tu forza, o cielo!"
- Atto Secondo, Scena Prima: Scena: "Che fai?"..."Nulla."
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La Traviata (Highlights) (National Philharmonic Orchestra feat. conductor: Richard Bonynge)
- Act I. Prelude
- Act I. "Libiamo, ne'lieti calici"
- Act I. "Un dí felice"
- Act I. "Èstrano! ...Ah, fors'è lui... Sempre Libera"
- Act II. Scene I: "Lunge da lei... O mio rimorso!"
- Act II. Scene I: "Pura siccome un angelo"
- Act III. "Teneste la promessa... Addio del passato"
- Act III. "Parigi, o cara"
- Act III. Finale: "Ah! Violetta!"
- Rigoletto: Questa o quella
- Rigoletto: Ella mi fu rapital
- Rigoletto: La donna è mobile
- Rigoletto: Bella figlia dell'amore
- Un Ballo in Maschera: La rivedrò nell'estasi
- Un Ballo in Maschera: Di tu se fedele
- Otello: Ora e per sempre addio
- Otello: Si, pel siel
- Requiem: Ingemisco
- La Traviata: Brindisi
- Il Trovatore: Ah sì, ben mio
- Il Trovatore: Di quella pira
- Il Trovatore: Ai nostri monti
- La forza del destino: O tu che in seno agl'angeli
- La forza del destino: Solenne in quest'ora
- I Lombardi: Act III Trio
- Macbeth: Ah, La paterna mano
- Aida: Celeste Aida
- Aida: La fatal pietra
- Don Carlo: Io, che nell'alma infondere
- Requiem
- Dies Irae Dies irae
- Dies Irae Tuba mirum
- Dies Irae Liber scriptus
- Dies Irae Quid sum miser
- Dies Irae Rex tremendae
- Dies Irae Recordare
- Dies Irae Ingemisco
- Dies Irae Confutatis
- Dies Irae Lacrymosa
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La Traviata (Orchestra and Chorus of the Opera House, Rome feat. conductor: Tullio Serafin)
- Prelude
- Act I. "Dell'invito trascorsa è già l'ora"
- Act I. "Libiamo ne'lieti calici"
- Act I. "Che è ciò?"
- Act I. "Un di, felice, eterea"
- Act I. "Ebben? Che diavol fate?"
- Act I. "Si ridesta in ciel l'aurora"
- Act I. "È strano! È strano!"
- Act I. "Ah fors'è lui"
- Act I. "Follie! Follie! Delirio vanno è questo!"
- Act I. "Sempre libera"
- Act II. Scene I: "Lunge da lei per me non v'ha diletto!..."
- Act II. Scene I: "De'miei bollenti spiriti"
- Act II. Scene I: "Annina, donde vieni? ....O mio rimorso!"
- Act II. Scene I: "Alfredo? Per Parigi or or partiva"
- Act II. Scene I: "Pura siccome un angelo"
- Act II. Scene I: "Non sapete quale affetto"
- Act II. Scene I: "Un dì quando le veneri"
- Act II. Scene I: "Ah! Dite alla giovine"
- Act II. Scene I: "Imponete.... Non amarlo ditegli"
- Act II. Scene I: "Dammi tu forza, o cielo!"
- Act II. Scene I: "Che fai? ....Nulla"
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Messa da Requiem & Quattro Pezzi Sacri (The Philharmonia Orchestra & The Philharmonia Chorus feat. conductor: Carlo Maria Giulini)
- Messa da Requiem: I. Requiem & Kyrie: Requiem aeternam
- Messa da Requiem: I. Requiem & Kyrie: Kyrie eleison
- Messa da Requiem: II. Sequence (Dies Irae): Dies irae
- Messa da Requiem: II. Sequence (Dies Irae): Tuba mirum - Mors Stupebit
- Messa da Requiem: II. Sequence (Dies Irae): Liber scriptus - Dies irae
- Messa da Requiem: II. Sequence (Dies Irae): Quid sum Miser
- Messa da Requiem: II. Sequence (Dies Irae): Rex tremendae
- Messa da Requiem: II. Sequence (Dies Irae): Recordare
- Messa da Requiem: II. Sequence (Dies Irae): Ingemisco
- Messa da Requiem: II. Sequence (Dies Irae): Confutatis maledictis - Dies irae
- Messa da Requiem: II. Sequence (Dies Irae): Lacrimosa
- Messa da Requiem: III. Offertorio: Domine Jesu Christe - Hostias et preces
- Messa da Requiem: IV. Sanctus
- Messa da Requiem: V. Agnus Dei
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La Traviata (Tokyo Philharmonic Orchestra feat. conductor: Roberto Paternostro)
- Atto seconda, Finale secondo: "Avrem lieta di maschere la notte"
- Atto seconda, Finale secondo: "Noi siamo Zingarelle"
- Atto seconda, Finale secondo: Coro di mattadori spaguoli: "Di madride noi siam mattadori"
- Atto seconda, Finale secondo: "Alfredo! Voi!"
- Atto seconda, Finale secondo: "Invitato a qui segiurmi"
- Atto seconda, Finale secondo: "Di sprezzo degno"
- Atto terzo, Preludio
- Atto terzo, Scena ed Aria: "Annina? - Commandate?"
- Atto terzo, Scena ed Aria: "Teneste la promessà..."
- Atto terzo, Scena ed Aria: "Addio, del passato bei sogni"
- Atto terzo, Baccanale: "Largo al quadrupede sir della festa"
- Atto terzo, Scena e duetto: "Signora... - Che t'accadde?"
- Atto terzo, Scena e duetto: "Parigi, o cara"
- Atto terzo, Scena e duetto: "Ah non più... a un tempio"
- Atto terzo, Finale ultimo: "Ah! Violetta! - Voi... Signor!..."
- Guardiano, Coro / Finale II - Il santo nome di Dio Signore sia benedetto
- Melitone, Guardinao, Coro / La Vergine degli Angeli
- Coro / Atto Terzo - Scena e Romanza - Attenti al gioco, attenti ...
- Alvaro / La vita è inferno all'infelice ...
- Alvaro / O tu che in seno agli angeli ...
- Carlo, Coro, Alvaro / Scena e Duettino - Al tradimento!
- Coro, Chirurgo / Scena e Battaglia - All'armi!
- Carlo, Chirurgo, Alvaro / Scena e Duettino - Piano ... qui posi ...
- Alvaro, Carlo / Solenne in quest'ora
- Carlo / Scena ed Aria - Morir! Tremenda cosa!
- Carlo / Urna fatale del mio destino ...
- Carlo, Chirurgo / E s'altra prova rinvenir potessi?
- Coro / Compagni, sostiamo ...
- Alvaro, Carlo, Coro / Scena e Duetto - Nè gustar m'è dato un'ora di quiete
- Coro, Preziosilla / Lorché pifferi e tamburi par che assordino la terra
- Coro / Scena ed Adrietta - Qua, vivandiere, un sorso
- Trabuco, Coro / A buon mercato chi vuol comprare?
- Coro, Preziosilla / Pane, pan, per carità!
- Coro, Preziosilla / Coro - Tarantella - Nella guerra è la follia
- Melitone, Coro, Preziosilla / Predica - Toh! toh! Poffare il mondo!
- Preziosilla, Coro / Rataplan - Rataplan, rataplan, della gloria ...
- Sinfonia
- Buona notte, mia figlia
- Temea restasse qui fino a domani
- Me, pellegrina ed orfana...
- M'aiuti, signorina, piu presto andrem
- Ah, per sempre, o mio bell'angiol...
- Vil seduttor! Infame figlia!
- Hola, hola, hola! Ben giungi, o mulattier
- La cena e pronta
- Che vedo! Mio fratello!
- Viva la guerra!
- Al suon del tamburo
- Padre Eterno Signor...
- Viva la buona compagnia!
- Poich'e imberbe l'incognito...
- Son Pereda, son ricco d'onore
- Sta bene
- Sono giunta! Grazie, o Dio!
- Madre, pietosa Vergine...
- Chi siete?
- Chi mi cerca?
- Infelice, delusa, rejetta...
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I Due Foscari (ORF Symphony Orchestra and Chorus feat. conductor: Lamberto Gardelli)
- Preludio
- Atto Primo, Introduzione: Coro: "Silenzio"
- Atto Primo, Scena: "Qui ti rimani" / Ariosi: "Brezza del suol natio"
- Atto Primo, Cavatina: "Dal piú remoto esilio"
- Atto Primo, Cabaletta: "Odio solo, ed odio atroce"
- Atto Primo, Scena: "No... mi lasciate"
- Atto Primo, Cavatina: "Tu al cui sguardo onnipossente"
- Atto Primo, Scena e Cabaletta: "Che mi rechi?"
- Atto Primo, Coro: "Tacque il reo!"
- Atto Primo, Scena: "Eccomi solo alfine..."
- Atto Primo, Romanza: "O vecchio cor, che batti"
- Atto Primo, Finale. Scena: "L'illustre dama Foscari"
- Atto Primo, Duetto: "Tu pur lo sai"
- Atto Primo "Di sua innocenza dubiti?"
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La Traviata (highlights Maria Callas - Giuseppe di Stefano feat. conductor: Carlo Maria Giulini)
- Libiamo
- Un di felice
- Ebben? che diavol fate?
- E strano!
- Ah! fors'e lui
- Follie!
- Sempre libera
- Pura siccome un angelo
- Non sapete quale affetto
- Un di, quando le veneri
- Dite alla giovine
- Imponete.... Non amarlo ditegli
- Morro!
- Teneste la promessa
- Addio del passato
- Parigi o cara
- Ah, non piu
- Ah, gran Dio!
- Ah, Violetta!
- Prendi: quest'e li\\'immagine
- Se una pudica vergine
- Nabucco - 'Va, Pensiero' (Chorus of the Hebrew Slaves)
- La Traviata - 'E Strano! E Strano!... Ah! Fors'è Lui'
- Il Trovatore - 'Vedi le Fosche' (Anvil Chorus)
- Il Trovatore - 'Ah! Si, Ben Mio'
- Il Trovatore - 'Di Quella Pira'
- Rigoletto - 'La Donna È Mobile'
- Un Ballo in Maschera - 'Ecco L'orrido Campo... '
- Un Ballo in Maschera - 'Forse la Soglia Attinse... Ma Se M'è Forza Pederti'
- Don Carlo - 'O Don Fatale'
- Aida - 'Se Quel Guerrier Io Fossi... Celeste Aida'
- Aida - 'Ritorna Vincitor'
- Aida - 'Gloria All'egitto' (Triumphal March)
- Giovanna d'Arco: Overture
- Macbeth: Scottish Fugitives' Chorus (Patria oppressa)
- Macbeth: Witches' Chorus (Tre volte miagola la gatta)
- Macbeth: Murderers' Chorus (Chi v'impose unirvi a noi)
- Il Trovatore: Soldiers' Chorus (Or co'dadi, ma fra poco)
- Rigoletto: Courtiers' Chorus (Zitti, zitti)
- Rigoletto: Courtiers' Chorus (Scorrendo uniti remota via)
- La Traviata: Brindisi (Libiamo ne' lieti calici)
- La Traviata: Gypsy Chorus (Noi siamo zingarelle)
- La Traviata: Matodors' Chorus (Di Madride noe siam mattadori)
- Les vepres siciliennes: Overture
- Don Carlos: Prelude/Monks' Chorus (Preludio/Carlo il sommo Imperatore)
- Don Carlos: Auto-da-fé, excerpt (Spuntato ecco il di)
- La forza del destino: Overture
- Act I: Una vela!
- Act I: Esultate!
- Act I: Fuoco di gioia!
- Act I: Roderigo, beviam!
- Act I: Inaffia l'ugola!
- Act I: Capitano, v'attende
- Act I: Olà! che avvien?
- Act I: Già nella notte
- Act I: Quando narravi
- Act I: Venga la morte!
- Act II: Non ti crucciar
- Act II: Credo in un Dio crudel (Iago's Credo)
- Act II: Eccola
- Act II: Ciò m'accora
- Act II: Dove guardi splendono
- Act II: D'un uom che geme
- Act II: Desdemona rea!
- Act II: Ora e per sempre addio
- Act II: Era la notte
- Act II: Sì, pel ciel!
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The Young Verdi (The New London Chorale feat. M. Bell, V. Brown, G. Chandler & S. Jerome)
- Wings of Gold
- Standing By
- I Walk on By
- Is This Called Love
- Guess I Never Will
- Coming Home
- Almost a Memory
- Sunshine
- Like a Star
- He Will Comfort Me
- Miss You Sometimes
- Anthem for the World
- Aida: Si, cuore voce
- Aida: Se quel guerrier to fossi
- Aida: Celeste Aida
- Aida: Ritorna Vincitor
- Aida: Gloria all' Egitto
- Aida: Marche Triomphale
- Aida: Musica Balletti
- Aida: Qui Radames Verrà
- Aida: Ciel! Mio padre / Rivedrai le foreste imbalsamate
- Aida: Gia i sacerdoti adunansi / Ah! Tu dei vivere
- Aida: La fatal pietra sopra noi si chiuse / O terra, addio
- Act 1, Scene 3 - Desdemona - Nun in der ndch'gen Stille
- Act 2, Scene 1 - Jago - Geh nur! Ich kenn dein Zie!
- Act 2, Scene 5 - Jago - Du?! Verrdter, weiche!
- Act 3, Scene 2 - Desdemona - O blick durchs Auge
- Act 4, Scene 3 - Desdemonda - Zu Hilfe! Nicht lieb'ich Cassio
- The Force of Destiny Overture
- Prelude to 1st Act
- March of Triumph
- IL COSARO Atto I: "Egli non riede ancor...Non so le tetre immagini" (Romanza di Medora)
- IL COSARO Atto II: "Ne sulla terra...Vola talor dal carcere" (Cavatina di Gulnara)
- IL TROVATORE Atto I: "Tacea la notte placida...Di tale amor"
- UN BALLO IN MASCHERA Atto III: "Morrò, ma prima in grazia"
- ATTILA Atto I: "Liberamente or piangi...Oh! nel fuggente nuvolo"
- OTELLO Atto IV: "Mia madre aveva una povera ancella"
- OTELLO Atto IV: "Piangea cantando"
- OTELLO Atto IV: "Ave Maria, piena di grazia"
- AROLDO Atto I: "Ciel, ch'io respiri!...Salvami, salvami tu gran Dio!"
- AROLDO Atto II: "O Cielo! Dove son io"
- DON CARLO Atto II: "Non pianger, mia compagna"
- DON CARLO Atto III: "O don fatale"
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La Traviata (The Metropolitan Opera Orchestra feat. conductor: James Levine, soprano: Cheryl Studer)
- Preludio
- Dell'invito trascorsa è già l'ora
- Libiamo ne' lieti calici
- Che è ciò?
- Un dì felice, eterea
- Ebben? che diavol fate?
- Si ridesta in ciel l'aurora
- È strano!... Ah, fors'è lui
- Follie! Delirio vano è questo!... Sempre libera
- ATTO II. Lunge da lei... De' miei bollenti spiriti
- Annina, donde vieni?... Oh mio rimorso!
- "Alfredo?" - "Per Parigi or or partiva"
- Pura siccome un angelo
- Non sapete quale affetto
- Un di, quando le veneri
- Ah! Dite alla giovinne
- "Imponete" - "Non amarlo ditegli"
- Dammi tu forza, o cielo!
- "Che fai?" - "Nulla"
- Ah, vive sol quel core
- Di Provenza il mar, il suol
- Ni rispondi d'un padre all'affetto?... No, non udrai rimproveri
- Prelude
- Libiamo Ne' Lieti Calici (Brindisi)
- Un Di Felice Etera
- E Strano, è Strano!; Ah, Fors è Lui
- Follie! Follie! Delirio Vano
- Sempre Libera
- Lunga De Lei; De' Miei Bollent Spiriti
- Pura Siccome Un Angelo
- Non Sapeta Quale Affetto
- Ah, Dite alla Giovine
- Morro, Morro!
- Di Provenza Il Mar
- Ogni Suo Aver Tal Femmina
- Di Sprezzo Degno Sè Stesso Rende
- Act III: Prelude
- 'Teneste La Promessa...'
- Addio Del Passato
- Largo Al Quadrupede
- Signora - Che t'Accade?
- Parigi, O Cara
- Aida: Triumphal March and Chorus
- Il Trovatore: 'Condotta ell'era in ceppi'
- Nabucco: Chorus of Hebrew Slaves
- I Vespri Siciliani: Overture
- Rigoletto: 'Questa a quella'
- La Battaglia Di Legnano: Overture
- La Forza Del Destino: Overture
- Macbeth: 'Patria Oppressa!'
- Aida: Prelude
- Luisa Miller: Overture
- Questa o quella (Luciano Pavarotti)
- Pari siamo! (Sherrill Milnes)
- Figlia! Mio padre! (Sherrill Milnes)
- È il sol dell'anima (Joan Sutherland, Luciano Pavarotti)
- Caro nome (Joan Sutherland)
- Parmi veder le lagrime (Luciano Pavarotti)
- Possente amor mi chiama (Luciano Pavarotti)
- Povero Rigoletto (Roberto Scaltriti and Leo Nucci)
- Cortigiani, vil razza dannata (Leo Nucci)
- Parla... Siam soli... Tutte le feste al tempio (Sherrill Milnes and Joan Sutherland)
- La donna è mobile (Luciano Pavarotti)
- Bella figlia dell'amore (Luciano Pavarotti, Huguette Tourangeau, Joan Sutherland, Sherrill Milnes)
- Ah, più non ragiono! (Joan Sutherland, Huguette Tourangeau, Martti Talvela)
- Della vendetta alfin giunge l'istante! (Luciano Pavarotti, Sherrill Milnes, Martti Talvela, Joan Sutherland)
- V'ho ingannato, colpevole fui (Sherrill Milnes and Joan Sutherland)
- Aida: Triumphal March and Chorus
- Nabucco: Chorus of Hebrew Slaves
- Aida: Overture
- I Vespri Siciliani: Overture
- La Forza del Destino: Overture
- La Traviata: Overture
- La Battaglia di Legnano: Overture
- Luisa Miller: Overture
- Nabucco: Overture
- Se quel guerrier io fossi . . . Celeste Aida (Aida)
- Questa o quella (Rigoletto)
- Ella mi fu rapita . . . Parmi veder le lagrime (Rigoletto)
- La donna e mobile (Rigoletto)
- Oh! fede negar potessi . . . Quando le sere al placido (Luisa Miller
- Ah si, ch'io senta ancora . . . Dal piu remoto esilio (I due Foscarl
- O figli . . . Ah, la paterna mano (Macbeth)
- Lunge da lei . . . De' miei bollenti spiriti (La Traviata)
- La rivedra nell'estasi (Un ballo in maschera)
- Di' tu se fedele (Un ballo in maschera)
- Forse la soglia attinse . . . Ma se m'e forza perderti (Un ballo in maschera)
- Di qual tetra luce . . . Ah si, ben mio . . . Di quella pira (II trovatore)
- Prelude
- Duca--Questa o quella
- Rigoletto & Sparafucile--Quel vechio maledivami! Signore?
- Rigoletto--Pari siamo!
- Rigoletto & Gilda--Figlia!... mio padre!
- Gilda & Rigoletto--Gia da tru lune son qui venduta... Mai! Mai!
- Gilda & Duca--Giovanna, ho dei rimorsi
- Duca--E ilsol de! l'anima
- Duca--Che m'ami, deh! Repetimi
- Gilda--Gualtier Maldo'... Caro nome
- La donna è mobile (Duca)
- Duca--Un di, se be rammentomi
- Duca--Bella figlia dell amore
- Rigoletto--Chi e mai, chi e qui in sua vece?
- Gilda--V'ho ingannato, colpevole fui...
- Erster Akt / Preludio
- Erster Akt / Dell'invito trascorsa è già l'ora?
- Erster Akt / Libiamo ne'lieti calici (Brindisi)
- Erster Akt / Che è ciò?
- Erster Akt / Un di felice
- Erster Akt / È strano! è strano!
- Erster Akt / Follie! Delirie vano è questo!
- Zweiter Akt - 1. Bild / Lunge da lei
- Zweiter Akt - 1. Bild / De'miei bollenti spiriti
- Zweiter Akt - 1. Bild / O mio rimorso!
- Zweiter Akt - 1. Bild / Pura siccome un angelo
- Zweiter Akt - 1. Bild / Dite alla giovine
- Zweiter Akt - 1. Bild / Dammi tu forza, o cielo!
- Zweiter Akt - 1. Bild / Di Provenza il mar, il suol
- Zweiter Akt - 1. Bild / No, non udrai rimproveri
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Masters of the Millennium: Aida, Rigoletto, La Traviata, Il Trovatore, Don Carlos
- Aida: Radames: Celeste Aida
- Aida: Chorus: Gloria all'Egitto
- Aida: Triumphal March / Ballet Music
- Aida: Chorus: Vieni, O Guerriero Vindice
- Aida: Radames, Aida: O Terra, Addio
- Rigoletto: Duke: Questa O Quella
- Rigoletto: Gilda, Duke: Giovanna, Ho Dei Rimorsi
- Rigoletto: Duke: E' il Sol dell'anima
- Rigoletto: Duke, Gilda: Addio / Caro Nome Che il Mio Cor
- Rigoletto: Duke: La Donna è Mobile
- Rigoletto: Duke: Bella Figlia dell'amore
- Rigoletto: Gilda, Rigoletto: V'ho Ingannato, Colpevole fui
- La Traviata: Chorus: Libiamo
- La Traviata: Germont: Di Provenza il mar, il Suol
- La Traviata: Violetta: Addio del Passato
- La Traviata: Violetta: Alfredo: Parigi, O Cara, noi Lasceremo
- Il Trovatore: Gypsy Chorus
- Il Trovatore: Soldiers' Chorus: Sqilli, Echeggi la Tomba Guerriera
- Il Trovatore: Manrico: Ah sí, Ben Mio
- Don Carlos: Princess Eboli: Canzone del Velo
- Nabucco: Overture
- Nabucco: Va pensiero, sull'ali dorate
- Aida: Prelude
- Il Trovatore: Vedi! le Fosche Notturne (Gypsies' Chorus)
- Il Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus)
- Aroldo: Overture
- La Traviata: Prelude
- La Traviata: Noi siamo zingarelle
- La Traviata: Libiamo ne' lieti calici
- La Traviata: Di Madride noi siam mattadori
- La Forza del destino: Overture
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La Forza del Destino (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli)
- Sinfonia
- Atto Primo: Introduzione - Scena: "Buona notte, mia figlia"
- Atto Primo: Recitativo: "Temea restasse qui fino a domani"
- Atto Primo: Romanza: "Me pellegrina ed orfana"
- Atto Primo: Scena: "M'aiuti, signorina"
- Atto Primo: Duetto: "Ah, per sempre, o mio bell'angiol" / "Seguirti fino agl'ultimi"
- Atto Primo: Scena - Finale I: "È tardi" / "Vil seduttor"
- Atto Secondo. Scena prima: Coro - Ballabile: "Holà, holà, holà! Ben giungi, o mulattier"
- Atto Secondo. Scena prima: Scena: "La cena è pronta" / Recitativo: "Viva la guerra"
- Atto Secondo. Scena prima: Canzone: "Al suon del tamburro"
- Atto Secondo. Scena prima: Preghiera: "Padre Eterno Signor... Pietà di noi"
- Atto Secondo. Scena prima: Scena: "Viva la buona compagnia" / (Recitativo): "Poich'imberbe è l'incognito"
- Atto Secondo. Scena prima: Ballata: "Son Pereda, son ricco d'onore"
- Atto Secondo. Scena prima: Scena, Coro e Ripresa della Danza: "Sta bene"
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Falstaff (Hungarian State Opera Chorus and Orchestra feat. conductor: Will Humburg)
- Atto primo. Parte prima: Falstaff! Olà! (Dr. Cajus, Falstaff, Bardolfo, Pistola)
- Atto primo. Parte prima: So che se andiam la notte (Falstaff, Bardolfo, Pistola)
- Atto primo. Parte prima: Ma è tempo d'assottigliar l'ingegno (Falstaff, Bardolfo, Pistola)
- Atto primo. Parte prima: Ehi! paggio!... L'onore! Ladri! (Falstaff)
- Atto primo. Parte seconda: Alice. Meg. Nannetta (Meg, Alice, Quickly, Nannetta)
- Atto primo. Parte seconda: Fulgida Alice! amor t'offro (tutti)
- Atto primo. Parte seconda: Ripeti. In due parole (tutti)
- Atto primo. Parte seconda: Psst, psst. Nannetta. Vien qua (Fenton, Nannetta, Alice, Meg, Quickly)
- Atto primo. Parte seconda: Torno all'assalto (Fenton, Nannetta, Bardolfo, Ford, Pistola)
- Atto primo. Parte seconda: Del tuo barbaro diagnostico (tutti)
- Atto secondo. Parte prima: Siam pentiti e contriti (Bardolfo, Pistola, Falstaff)
- Atto secondo. Parte prima: Reverenza! (Quickly, Falstaff)
- Atto secondo. Parte prima: Alice è mia! (Falstaff, Bardolfo)
- Atto secondo. Parte prima: Signore, v'assista il cielo! (Ford, Falstaff, Bardolfo, Pistola)
- Atto secondo. Parte prima: C'è a Windsor una dama (Ford, Falstaff)
- Atto secondo. Parte prima: È sogno? o realità? (Ford)
- Atto secondo. Parte prima: Eccomi qua. Son pronto (Falstaff, Ford)
- Prelude
- Drinking song / Brindisi
- E' strano, è strano (Violetta)
- De' miei bollenti spiriti (Alfredo)
- Pura siccome un angelo (Violetta, Germont)
- Di Provenza il mar, il suol (Germont)
- Atto III: Preludio
- Addio, del passato bei sogni (Violetta)
- Parigi, o cara, noi lasceremo (Violetta, Alfredo)
- Final Scene: Ah! Violetta!
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La Traviata (National Philharmonic Orchestra feat. conductor: Richard Bonynge)
- Overture
- Act I. "Libiamo ne' lieti calici"
- Act I. "Un dì felice, eterea"
- Act I. "È strano! È strano" ... "Ah, fors'è lui"
- Act I. "Follie! Follie!" ... "Sempre libera"
- Act II. "Lunge da lei" ... "De' miei bollenti spiriti"
- Act II. "O mio rimorso! Oh infamia!"
- Overture
- "Questa o quella"
- "Pari siamo! io la lingua" - Figlia! Mio padre"
- "Giovanna, ho di rimorsi"
- "Gualtier Maldh" - "Caro nome"
- "Zitti,zitti, moviamo a vendetta"
- "Ella mi fu rapita!"
- "Scorrendo uniti remota via"
- "Cortigiani, vil razza danata"
- "Tutte le feste al tempio" - "Si vendetta, tremenda vendetta"
- "La donna h mobile qual piuma al vento"
- "Un di, se ben rammentomi"
- "Chi h mai, chi h quin in sua vece?"
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Chöre und Ballettmusik (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)
- Don Carlos: Ce jour heureux est plein d'allégresse!
- Nabucco: Va, pensiero, sull'ali dorate
- Macbeth: Ballett, Allegro vivacissimo
- Macbeth: Ballett, Allegro - Andante - Allegro
- Macbeth: Ballett, Valzer, Allegro vivacissimo - Poco più mosso
- Il Trovatore: Vedi! le fosche notturne spoglie
- Don Carlos: Ballet der Königin
- Aida: Gloria all'Egitto
- Aida: Triumphmarsch
- Aida: Ballett
- Aida: Vieni, o guerriero vindice
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Rigoletto (Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia feat. conductor: Giuseppe Sinopoli)
- Preludio
- Atto Primo, Introduzione: "Della mia bella incognita borghese"
- Atto Primo, Introduzione: Ballata: "Questa o quella"
- Atto Primo, Minuetto e Perigordino: "Partite? Crudele!"
- Atto Primo, Scena e Coro: "Gran nuova! Gran nuova!" / "Tutto è gioia, tutto è festa"
- Atto Primo, Seguito e Stretta dell'Introduzione: "Voi congiuraste contro noi"
- Atto Primo, Duetto: "Quel vecchio maledivami"
- Atto Primo, Duetto: "Signor?... Va, non ho niente"
- Atto Primo, Scena e Duetto: "Pari siamo"
- Atto Primo, Scena e Duetto: "Figlia. Mio padre"
- Atto Primo, Scena e Duetto: "Deh, non parlare al misero"
- Atto Primo, Scena e Duetto: "Quanto dolor"
- Atto Primo, Scena e Duetto: "Veglia, o donna, questo fior"
- Atto Primo, Scena e Duetto: "Giovanna, ho dei rimorsi"
- Atto Primo, Scena e Duetto: "T'amo! T'amo..." / "È il sol dell'anima"
- Atto Primo, Scena e Duetto: "Che m'ami, deh, ripetimi" / "Addio... speranza ed anima"
- Atto Primo, Scena ed aria: "Gualtier Maldè" / "Caro nome" / "È la... Miratela."
- Atto Primo, Scena e Coro - Finale 1: "Riedo!... perchè?"
- Atto Primo, Scena e Coro - Finale 1: "Zitti, zitti"
- Atto Primo, Scena e Coro - Finale 1: "Soccorso, padre mio!"
Born: 1813-10-10
Died: 1901-01-27
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Nabucco Verdi
- Order: Reorder
- Duration: 5:18
- Published: 16 Aug 2006
- Updated: 07 Sep 2012
Nabucco Verdi
http://wn.com/Nabucco_Verdi
Verdi: Requiem
- Order: Reorder
- Duration: 86:13
- Published: 25 Feb 2008
- Updated: 07 Sep 2012
UC Davis Symphony Orchestra and University Chorus Jeffrey Thomas, conducting, with Arianna Zukerman, soprano; Judith Malafronte, mezzo-soprano; Steven Tharp, tenor; David Arnold, baritone, and alumni chorus. Verdi: Requiem. Series: "Mondavi Center Presents" [6/2004] [Arts and Music] [Show ID: 8630]
http://wn.com/Verdi_Requiem
Verdi - Traviata
- Order: Reorder
- Duration: 3:01
- Published: 07 Mar 2007
- Updated: 07 Sep 2012
Verdi
http://wn.com/Verdi_Traviata
Giuseppe Verdi - Aida - Marcia Trionfale (Triumphal March)
- Order: Reorder
- Duration: 6:11
- Published: 07 Jul 2008
- Updated: 06 Sep 2012
Title : Giuseppe Verdi - Aida - Marcia Trionfale (Triumphal March)
http://wn.com/Giuseppe_Verdi_Aida_Marcia_Trionfale_Triumphal_March
(HD) Verdi - Aida - Triumphal March - Lund International Choral Festival 2010
- Order: Reorder
- Duration: 8:07
- Published: 15 Oct 2010
- Updated: 06 Sep 2012
476 singers and 60 musicians of Lunds Stadsorkester conducted by Roger Andersson On October 17th 2012 the next Lund Choral Festival will start: www.lundchoralfestival.org www.youtube.com Here the same chior performs Va, pensiro - Chorus of the Hebrew Slaves - from Nabucco: Giuseppe Verdi - Aida - Triumph March - Triumphal March - Grand March - Chior - Chorus Lund International Choral Festival 2010 Gala Concert Verdi - Aida - Triumph March 20101013 Lund Choir Festival Galakonsert 5D2 Aida 4B.wmv
http://wn.com/HD_Verdi_Aida_Triumphal_March_Lund_International_Choral_Festival_2010
Verdi Dies Irae Solti
- Order: Reorder
- Duration: 3:46
- Published: 30 Sep 2007
- Updated: 06 Sep 2012
Requiem Sir Georg Solti Wiener Philharmonic Joan Sutherland Soprano Luciano Pavarotti Tenor Marilyn Horne Mezzo Soprano Martti Talvela Bass Recorded 1967
http://wn.com/Verdi_Dies_Irae_Solti
Giuseppe Verdi Il TROVATORE
- Order: Reorder
- Duration: 125:45
- Published: 06 Jul 2011
- Updated: 07 Sep 2012
Covent Garden, ROH, 04.2002
http://wn.com/Giuseppe_Verdi_Il_TROVATORE
Va pensiero ('Nabucco', G. Verdi)
- Order: Reorder
- Duration: 4:22
- Published: 04 Mar 2007
- Updated: 06 Sep 2012
The most popular opera chorus by the "Orfeón Donostiarra"
http://wn.com/Va_pensiero_'Nabucco',_G_Verdi
Verdi - The Force of Destiny - Overture
- Order: Reorder
- Duration: 8:01
- Published: 07 Jul 2008
- Updated: 07 Sep 2012
Title : Giuseppe Verdi , The Force of Destiny-Overture Date : 1862
http://wn.com/Verdi_The_Force_of_Destiny_Overture
Verdi: Requiem, Dies irae
- Order: Reorder
- Duration: 2:15
- Published: 14 Jan 2008
- Updated: 07 Sep 2012
Visit www.claudiovandelli.com Claudio Vandelli, conductor New Russia State Symphony Orchestra Live in Moscow
http://wn.com/Verdi_Requiem,_Dies_irae
LA TRAVIATA - Drinking Song
- Order: Reorder
- Duration: 3:12
- Published: 10 Mar 2007
- Updated: 07 Sep 2012
Placido Domingo and Teresa Stratas sing the Brindisi from Act I of La Traviata
http://wn.com/LA_TRAVIATA_Drinking_Song
Verdi - Aida - Grand March
- Order: Reorder
- Duration: 5:19
- Published: 22 Jan 2009
- Updated: 06 Sep 2012
Verdi - Aida - Grand March
http://wn.com/Verdi_Aida_Grand_March
Giuseppe Verdi Triumphant March
- Order: Reorder
- Duration: 6:04
- Published: 27 Aug 2008
- Updated: 07 Sep 2012
From Aida
http://wn.com/Giuseppe_Verdi_Triumphant_March
Giuseppe Verdi: Aida (Opus Arte)
- Order: Reorder
- Duration: 1:00
- Published: 11 Jun 2007
- Updated: 05 Sep 2012
Daniela Dessì, Elisabetta Fiorillo, Fabio Armiliato, Juan Pons and Roberto Scandiuzzi lead the cast in the renowned period production filmed in 2003 against the historic paper trompe-l'oeil sets painted between 1936-45 by Josep Mestres Cabanes. Available from Opus Arte on DVD www.opusarte.com Please follow us at www.facebook.com
http://wn.com/Giuseppe_Verdi_Aida_Opus_Arte
Verdi -Requiem- Dies irae
- Order: Reorder
- Duration: 6:05
- Published: 17 Jul 2008
- Updated: 07 Sep 2012
Karajan -Verdi Requiem I know that the Mozart's Requiem is generally preferred but I believe that the Verdi 's Requiem , as musical structure is certainly more interesting and powerful
http://wn.com/Verdi_-Requiem_Dies_irae
BBC Prom 13 - Verdi' Requiem
- Order: Reorder
- Duration: 94:05
- Published: 23 Aug 2011
- Updated: 06 Sep 2012
Proms 2011 - Prom 13 - Broadcast on BBC 4 Original concert on 24 July 2011 - Broadcast on 21 August 2011 Verdi's Requiem Marina Poplavskaya - soprano Mariana Pentcheva - mezzo-soprano Joseph Calleja - tenor Ferruccio Furlanetto - bass BBC Symphony Chorus BBC National Chorus of Wales London Philharmonic Choir BBC Symphony Orchestra Semyon Bychkov - conductor
http://wn.com/BBC_Prom_13_Verdi'_Requiem
Verdi: Aida with Freni, Domingo, Wixell. Houston 1987
- Order: Reorder
- Duration: 215:41
- Published: 03 Aug 2011
- Updated: 07 Sep 2012
Verdi: Aida Houston 1 October 1987 Conductor Emil Tchakarov Production Pier Luigi Pizzi Mirella Freni (Aida) Placido Domingo (Radames) Stefania Toczyska (Amneris) Ingvar Wixell (Amonastro) Nicolai Ghiaurov (Ramfis) David Langan (Il Re) John Keyes(Messenger) Priestess(Marquia Luter)
http://wn.com/Verdi_Aida_with_Freni,_Domingo,_Wixell_Houston_1987
TRAVIATA - VERDI - Noi Siamo Zingarelle
- Order: Reorder
- Duration: 4:09
- Published: 05 Aug 2007
- Updated: 07 Sep 2012
TRAVIATA - VERDI - Noi Siamo Zingarelle - Opera Imaginaire
http://wn.com/TRAVIATA_VERDI_Noi_Siamo_Zingarelle
BBC Proms 2011: Verdi - Dies Irae from Requiem
- Order: Reorder
- Duration: 1:47
- Published: 28 Jul 2011
- Updated: 29 Aug 2012
Originally broadcast live from the Royal Albert Hall, London Verdi's Requiem - his great sacred masterpiece - storms the heavens with a stellar line up of soloists and massed choirs in the second of the Proms Choral Sundays. The ultimate in dramatic intensity, this extraordinary work speaks of heaven and hell, fire and earth, darkness and light in music that is as much theatrical as devotional. Verdi completed it in 1874, and conducted the premiere himself in Milan. Three large-scale choirs and the BBC Symphony Orchestra conducted by a Verdi specialist whose recent Cologne recording, which also featured bass Ferruccio Furlanetto, has been much acclaimed. Soloists Marina Poplavskaya and Joseph Calleja both sang alongside Furlanetto in last year's Simon Boccanegra at the Royal Opera House. Marina Poplavskaya (soprano) Mariana Pentcheva (mezzo-soprano) Joseph Calleja (tenor) Ferruccio Furlanetto (bass) BBC Symphony Chorus BBC National Chorus of Wales London Philharmonic Choir BBC Symphony Orchestra Semyon Bychkov (conductor). For more information on this prom, please visit: www.bbc.co.uk
http://wn.com/BBC_Proms_2011_Verdi_Dies_Irae_from_Requiem
Verdi - Requiem: Dies Irae (Claudio Abbado, Berlin Philharmonic (2002))
- Order: Reorder
- Duration: 2:27
- Published: 09 Aug 2009
- Updated: 06 Sep 2012
Fragment of Dies Irae, from this DVD: www.amazon.com Subtitles embedded in english
http://wn.com/Verdi_Requiem_Dies_Irae_Claudio_Abbado,_Berlin_Philharmonic_2002
ANDREA BOCELLI (HQ) LA TRAVIATA-VERDI-LIBIAM NE' LIETI CALICI
- Order: Reorder
- Duration: 6:05
- Published: 15 Jul 2009
- Updated: 06 Sep 2012
ROMAN COLISEUM CONCERT - ANDREA BOCELLI - LA TRAVIATA - GIUSEPPE VERDI - LIBIAM NE' LIETI CALICI
http://wn.com/ANDREA_BOCELLI_HQ_LA_TRAVIATA-VERDI-LIBIAM_NE'_LIETI_CALICI
Verdi. Traviata (Cotrubas, Domingo, MacNeil) Met 1981.avi
- Order: Reorder
- Duration: 156:44
- Published: 24 Nov 2011
- Updated: 04 Sep 2012
Verdi. La Traviata Met, 28.03.1981 Placido Domingo Ileana Cotrubas Cornell MacNeil Cond.: James Levine
http://wn.com/Verdi_Traviata_Cotrubas,_Domingo,_MacNeil_Met_1981avi
Giuseppe Verdi La forza del destino overture by James Levine
- Order: Reorder
- Duration: 7:27
- Published: 05 Nov 2010
- Updated: 04 Sep 2012
The most powerfull overture in the history of the opera. conducted by James Levine at the met in 1975. soon i will post more of this amazing production. Giuseppe Verdi (1813-1901) was not only the greatest opera composer in history but he was also one of the leading figures of the Risorgimento that inspired the Italian people to fight against the austrian oppression and change the history of Italy. He dedicated his vast fortune to help the people. He built a hospital, a retirement home for elderly people, and during his life helped all he could. He changed forever the theater, the drama, and of course the music, by making his characters unique, each one of them with a unique personality. VIVA VERDI!!!!!!!!!!
http://wn.com/Giuseppe_Verdi_La_forza_del_destino_overture_by_James_Levine
![Si-o-se Pol (pronounced [ˈsiː oˈseh ˈpol], means 33 Bridges or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Isfahan, Iran.](http://web.archive.org./web/20120908080414im_/http://cdn0.wn.com/pd/46/22/6162a5e94cf6e0bf7300693fcab2_small.jpg "Si-o-se Pol (pronounced [ˈsiː oˈseh ˈpol], means 33 Bridges or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Isfahan, Iran.")
Creative Commons / Ahura21
Creative Commons / Gerda Arendt
Creative Commons / Pier Luigi Mora
Creative Commons / Platinum Imaging Photography
Creative Commons / Russavia
Creative Commons / Giaros
Creative Commons / Galifardeu![The Si-o-se Pol (Persian: سی وسه پل, pronounced [siː oˈseh pol],[2] which means 33 Bridge or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Esfahan, Iran.](http://web.archive.org./web/20120908080414im_/http://cdn2.wn.com/pd/29/05/069f436a851beb24687e7454ab75_small.jpg "The Si-o-se Pol (Persian: سی وسه پل, pronounced [siː oˈseh pol],[2] which means 33 Bridge or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Esfahan, Iran.")
Creative Commons / QuiteUnusual
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![Si-o-se Pol (pronounced [ˈsiː oˈseh ˈpol], means 33 Bridges or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Isfahan, Iran.](http://web.archive.org./web/20120908080414/http://cdn4.wn.com/pd/46/22/6162a5e94cf6e0bf7300693fcab2_medium.jpg "Si-o-se Pol (pronounced [ˈsiː oˈseh ˈpol], means 33 Bridges or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Isfahan, Iran.")
![The Si-o-se Pol (Persian: سی وسه پل, pronounced [siː oˈseh pol],[2] which means 33 Bridge or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Esfahan, Iran.](http://web.archive.org./web/20120908080414/http://cdn6.wn.com/pd/29/05/069f436a851beb24687e7454ab75_medium.jpg "The Si-o-se Pol (Persian: سی وسه پل, pronounced [siː oˈseh pol],[2] which means 33 Bridge or the Bridge of 33 Arches), also called the Allah-Verdi Khan Bridge, is one of the eleven bridges of Esfahan, Iran.")
Photo: Public Domain / ISAF Headquarters Public Affairs Office
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Live from Ocean Grove: Verdi's Requiem
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Giuseppe Verdi may well still be...(size: 0.2Kb)
State Opera to bring Verdi's Otello to Adelaide
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Verdi Otello, Royal Opera House, London
13 Jul 2012
The Independent
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This article is about the 19th century composer. For other uses, see Verdi (disambiguation).
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture – such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida.
Verdi’s masterworks dominate the standard opera repertoire a century and a half after their composition.
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Early life[link]
Verdi was born the son of Carlo Giuseppe Verdi and Luigia Uttini in Le Roncole, a village near Busseto, then in the Département Taro which was a part of the First French Empire after the annexation of the Duchy of Parma and Piacenza. The baptismal register, on 11 October lists him as being "born yesterday", but since days were often considered to begin at sunset, this could have meant either 9 or 10 October. The next day, he was baptized in the Roman Catholic Church in Latin as Joseph Fortuninus Franciscus. The day after that (Tuesday), Verdi's father took his newborn the three miles to Busseto, where the baby was recorded as Joseph Fortunin François; the clerk wrote in French. "So it happened that for the civil and temporal world Verdi was born a Frenchman."[1]
When he was still a child, Verdi's parents moved from Piacenza to Busseto, where the future composer's education was greatly facilitated by visits to the large library belonging to the local Jesuit school. Also in Busseto, Verdi was given his first lessons in composition.
Verdi went to Milan when he was twenty to continue his studies. He took private lessons in counterpoint while attending operatic performances, as well as concerts of, specifically, German music. Milan's beaumonde association convinced him that he should pursue a career as a theatre composer. During the mid 1830s, he attended the Salotto Maffei salons in Milan, hosted by Clara Maffei.
Returning to Busseto, he became the town music master and, with the support of Antonio Barezzi, a local merchant and music lover who had long supported Verdi's musical ambitions in Milan, Verdi gave his first public performance at Barezzi’s home in 1830.
Because he loved Verdi’s music, Barezzi invited Verdi to be his daughter Margherita's music teacher, and the two soon fell deeply in love. They were married on 4 May 1836 and Margherita gave birth to two children, Virginia Maria Luigia (26 March 1837 – 12 August 1838) and Icilio Romano (11 July 1838 – 22 October 1839). Both died in infancy while Verdi was working on his first opera and, shortly afterwards, Margherita died of encephalitis[2][3]on 18 June 1840, aged only 26.[4] Verdi adored his wife and children, and he was devastated by their untimely deaths.
Initial recognition[link]
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Ernani (1844), Act 3, sung by Mattia Battistini, Emilia Corsi, Luigi Colazza, Aristodemo Sillich, and the La Scala chorus in 1906.
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The production by Milan's La Scala of his first opera, Oberto in November 1839 achieved a degree of success, after which Bartolomeo Merelli, La Scala's impresario, offered Verdi a contract for two more works.
It was while he was working on his second opera, Un giorno di regno, that Verdi's wife died. The opera, given in September 1840, was a flop and he fell into despair and vowed to give up musical composition forever. However, Merelli persuaded him to write Nabucco and its opening performance in March 1842 made Verdi famous. Legend (and Verdi's own "An Autobiographical Sketch" of 1879[5]) has it that it was the words of the famous Va pensiero chorus of the Hebrew slaves that inspired him to write music again. A large number of operas – 14 in all – followed in the decade after 1843, a period which Verdi was to describe as his "galley years". These included his I Lombardi in 1843, and Ernani in 1844. For some, the most original and important opera that Verdi wrote is Macbeth in 1847. For the first time, Verdi attempted an opera without a love story, breaking a basic convention in 19th century Italian opera.
In 1847, I Lombardi, which was revised and renamed Jérusalem, was produced by the Paris Opera. Due to a number of Parisian conventions that had to be honored (including extensive ballets), it became Verdi's first work in the French Grand opera style.
Middle years[link]
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Rigoletto (1851), Act 3. A 1907 Victor Records recording with Enrico Caruso, Bessie Abott, Louise Homer and Antonio Scotti.
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Sometime in the mid-1840s, after the death of Margherita Barezzi, Verdi began an affair with Giuseppina Strepponi, a soprano in the twilight of her career.[6] Their cohabitation before marriage was regarded as scandalous in some of the places they lived, but Verdi and Giuseppina married on 29 August 1859 at Collonges-sous-Salève, near Geneva.[7] While living in Busseto with Strepponi, Verdi bought an estate two miles from the town in 1848. Initially, his parents lived there, but, after his mother's death in 1851, he made the Villa Verdi at Sant'Agata in Villanova sull'Arda his home until his death.
As the "galley years" were drawing to a close, Verdi created one of his greatest masterpieces, Rigoletto, which premiered in Venice in 1851. Based on a play by Victor Hugo (Le roi s'amuse), the libretto had to undergo substantial revisions in order to satisfy the epoch's censorship, and the composer was on the verge of giving it all up a number of times. The opera quickly became a great success.
With Rigoletto, Verdi sets up his original idea of musical drama as a cocktail of heterogeneous elements, embodying social and cultural complexity, and beginning from a distinctive mixture of comedy and tragedy. Rigoletto's musical range includes band-music such as the first scene or the song La donna è mobile, Italian melody such as the famous quartet "Bella figlia dell'amore", chamber music such as the duet between Rigoletto and Sparafucile and powerful and concise declamatos often based on key-notes like the C and C# notes in Rigoletto and Monterone's upper register.
There followed the second and third of the three major operas of Verdi's "middle period": in 1853 Il Trovatore was produced in Rome and La traviata in Venice. The latter was based on Alexandre Dumas, fils' play The Lady of the Camellias, and became the most popular of all Verdi's operas, placing second in the Operabase list of most performed operas worldwide.[8]
Later compositions[link]
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Un ballo in maschera (1859), Act 1, Scene 2. Performed by Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola and Léon Rothier.
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Between 1855 and 1867, an outpouring of great Verdi operas followed, among them such repertory staples as Un ballo in maschera (1859), La forza del destino (commissioned by the Imperial Theatre of Saint Petersburg for 1861 but not performed until 1862), and a revised version of Macbeth (1865). Other somewhat less often performed include Les vêpres siciliennes (1855) and Don Carlos (1867), both commissioned by the Paris Opera and initially given in French. Today, these latter two operas are most often performed in their revised Italian versions. Simon Boccanegra followed in 1857.
In 1869, Verdi was asked to compose a section for a requiem mass in memory of Gioachino Rossini and proposed that this requiem should be a collection of sections composed by other Italian contemporaries of Rossini. The requiem was compiled and completed, but it was cancelled at the last minute (and was not performed in Verdi's lifetime). Verdi blamed this on the lack of enthusiasm for the project by the intended conductor, Angelo Mariani, who had been a longtime friend of his. The episode led to a permanent break in their personal relations. The soprano Teresa Stolz (who later had a strong professional – and, perhaps, romantic – relationship with Verdi) was at that time engaged to be married to Mariani, but she left him not long after. Five years later, Verdi reworked his "Libera Me" section of the Rossini Requiem and made it a part of his Requiem Mass, honoring the famous novelist and poet Alessandro Manzoni, who had died in 1873. The complete Requiem was first performed at the cathedral in Milan on 22 May 1874.
Verdi's grand opera, Aida, is sometimes thought to have been commissioned for the celebration of the opening of the Suez Canal in 1869, but, according to one major critic,[9] Verdi turned down the Khedive's invitation to write an "ode" for the new opera house he was planning to inaugurate as part of the canal opening festivities. The opera house actually opened with a production of Rigoletto. Later in 1869/70, the organizers again approached Verdi (this time with the idea of writing an opera), but he again turned them down. When they warned him that they would ask Charles Gounod instead and then threatened to engage Richard Wagner's services, Verdi began to show considerable interest, and agreements were signed in June 1870.
Teresa Stolz was associated with both Aida and the Requiem (as well as a number of other Verdi roles). The role of Aida was written for her, and although she did not appear in the world premiere in Cairo in 1871, she created Aida in the European premiere in Milan in February 1872. She was also the soprano soloist in the first and many later performances of the Requiem. It was widely believed that she and Verdi had an affair after she left Angelo Mariani, and a Florence newspaper criticised them for this in five strongly worded articles. Whether there is any truth to the accusation may never be known with any certainty. However, after Giuseppina Strepponi's death, Teresa Stolz became a close companion of Verdi until his own death.
Verdi and Wagner, who were the leaders of their respective schools of music, seemed to resent each other greatly. They never met. Verdi's comments on Wagner and his music are few and hardly benevolent ("He invariably chooses, unnecessarily, the untrodden path, attempting to fly where a rational person would walk with better results"), but at least one of them is kind: upon learning of Wagner's death, Verdi lamented, "Sad, sad, sad! ... a name that will leave a most powerful impression on the history of art."[10] Of Wagner's comments on Verdi, only one is well-known. After listening to Verdi's Requiem, the German, prolific and eloquent in his comments on some other composers, stated, "It would be best not to say anything."
Final years and death[link]
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During the following years, Verdi worked on revising some of his earlier scores, most notably new versions of Don Carlos, La forza del destino, and Simon Boccanegra.
Otello, based on William Shakespeare's play, with a libretto written by the younger composer of Mefistofele, Arrigo Boito, premiered in Milan in 1887. Its music is "continuous" and cannot easily be divided into separate "numbers" to be performed in concert. Some[who?] feel that although masterfully orchestrated, it lacks the melodic lustre so characteristic of Verdi's earlier, great, operas, while many critics consider it Verdi's greatest tragic opera, containing some of his most beautiful, expressive music and some of his richest characterizations. In addition, it lacks a prelude, something Verdi listeners are not accustomed to. Arturo Toscanini performed as cellist in the orchestra at the world premiere and began his friendship with Verdi (a composer he revered as highly as Beethoven).
Verdi's last opera, Falstaff, whose libretto was also by Boito, was based on Shakespeare's Merry Wives of Windsor and Victor Hugo's subsequent translation. It was an international success and is one of the supreme comic operas which shows Verdi's genius as a contrapuntist.
In 1894, Verdi composed a short ballet for a French production of Otello, his last purely orchestral composition. Years later, Arturo Toscanini recorded the music for RCA Victor with the NBC Symphony Orchestra which complements the 1947 Toscanini performance of the complete opera.
In 1897, Verdi completed his last composition, a setting of the traditional Latin text Stabat Mater. This was the last of four sacred works that Verdi composed, Quattro Pezzi Sacri, which are often performed together or separately. The first performance of the four works was on 7 April 1898, at the Grande Opéra, Paris. The four works are: Ave Maria for mixed chorus; Stabat Mater for mixed chorus and orchestra; Laudi alla Vergine Maria for female chorus; and Te Deum for double chorus and orchestra.
On 29 July 1900, King Umberto I of Italy was assassinated, a deed that horrified the aged composer[11].
While staying at the Grand Hotel et de Milan[12] in Milan, Verdi had a stroke on 21 January 1901. He grew gradually more feeble and died six days later, on 27 January. Arturo Toscanini conducted the vast forces of combined orchestras and choirs composed of musicians from throughout Italy at the state funeral for Verdi in Milan. To date, it remains the largest public assembly of any event in the history of Italy.[13]
Verdi was initially buried in Milan’s Cimitero Monumentale. A month later, his body was moved to the Casa di Riposo per Musicisti, a rest home for retired musicians that Verdi had established.
He was an agnostic.[14]
Role in the Risorgimento[link]
Music historians have long perpetuated a myth about the famous Va, pensiero chorus sung in the third act of Nabucco. The myth reports that, when the Va, pensiero chorus was sung in Milan, then belonging to the large part of Italy under Austrian domination, the audience, responding with nationalistic fervor to the exiled slaves' lament for their lost homeland, demanded an encore of the piece. As encores were expressly forbidden by the government at the time, such a gesture would have been extremely significant. However, recent scholarship puts this to rest. Although the audience did indeed demand an encore, it was not for Va, pensiero but rather for the hymn Immenso Jehova, sung by the Hebrew slaves to thank God for saving His people. In light of these new revelations, Verdi's position as the musical figurehead of the Risorgimento has been correspondingly downplayed.[15]Claudio, Verdi, Milan: Rusconi, 1982
On the other hand, during rehearsals, workmen in the theater stopped what they were doing during Va, pensiero and applauded at the conclusion of this haunting melody[16] while the growth of the "identification of Verdi's music with Italian nationalist politics" is judged to have begun in the summer 1846 in relation to a chorus from Ernani in which the name of one of its characters, "Carlo", was changed to "Pio", a reference to Pope Pius IX's grant of an amnesty to political prisoners.[17]
After Italy was unified in 1861, many of Verdi's early operas were re-interpreted as Risorgimento works with hidden Revolutionary messages that probably had not been intended by either the composer or librettist. Beginning in Naples in 1859 and spreading throughout Italy, the slogan "Viva VERDI" was used as an acronym for Viva Vittorio Emanuele Re D'Italia (Viva Victor Emmanuel King of Italy), referring to Victor Emmanuel II, then king of Sardinia.[18][19]
The Chorus of the Hebrews (the English title for Va, pensiero) has another appearance in Verdi folklore. Prior to Verdi's body's being driven from the cemetery to the official memorial service and its final resting place at the Casa di Riposo per Musicisti, Arturo Toscanini conducted a chorus of 820 singers in "Va, pensiero". At the Casa, the Miserere from Il trovatore was sung.[20]
Verdi was elected as a member of the Chamber of Deputies in 1861 following a request of Prime Minister Cavour but in 1865 he resigned from the office.[21] In 1874 he was named Senator of the Kingdom by King Victor Emanuel II.
Style[link]
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilized the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C, often-heard in the aria "Di quella pira" from Il trovatore , does not appear in Verdi's score.
Some critics maintain he paid insufficient attention to the technical aspect of composition, lacking as he did schooling and refinement.[citation needed] Verdi himself once said, "Of all composers, past and present, I am the least learned." He hastened to add, however, "I mean that in all seriousness, and by learning I do not mean knowledge of music."
However, it would be incorrect to assume that Verdi underestimated the expressive power of the orchestra or failed to use it to its full capacity where necessary. Moreover, orchestral and contrapuntal innovation is characteristic of his style: for instance, the strings producing a rapid ascending scale in Monterone's scene in Rigoletto accentuate the drama, and, in the same opera, the chorus humming six closely grouped notes backstage portrays, very effectively, the brief ominous wails of the approaching tempest. Verdi's innovations are so distinctive that other composers do not use them; they remain, to this day, some of Verdi's signatures.
Verdi was one of the first composers who insisted on patiently seeking out plots to suit his particular talents. Working closely with his librettists and well aware that dramatic expression was his forte, he made certain that the initial work upon which the libretto was based was stripped of all "unnecessary" detail and "superfluous" participants, and only characters brimming with passion and scenes rich in drama remained.
Many of his operas, especially the later ones from 1851 onwards, are a staple of the standard repertoire. With the possible exception of Giacomo Puccini, no composer of Italian opera has managed to match Verdi's popularity.
Works[link]
Main article: List of compositions by Giuseppe Verdi
Verdi's operas, and their date of première are:
- Oberto, 17 November 1839
- Un giorno di regno, 5 September 1840
- Nabucco, 9 March 1842
- I Lombardi alla prima crociata, 11 February 1843
- Ernani, 9 March 1844
- I due Foscari, 3 November 1844
- Giovanna d'Arco, 15 February 1845
- Alzira, 12 August 1845
- Attila, 17 March 1846
- Macbeth, 14 March 1847
- I masnadieri, 22 July 1847
- Jérusalem (a revision and translation of I Lombardi alla prima crociata) 26 November 1847
- Il corsaro, 25 October 1848
- La battaglia di Legnano, 27 January 1849
- Luisa Miller, 8 December 1849
- Stiffelio, 16 November 1850
- Rigoletto, 11 March 1851
- Il trovatore, 19 January 1853
- La traviata, 6 March 1853
- Les vêpres siciliennes, 13 June 1855
- Simon Boccanegra, (Original Version), 12 March 1857
- Aroldo (A major revision of Stiffelio), 16 August 1857
- Un ballo in maschera, 17 February 1859
- La forza del destino, 10 November 1862
- Don Carlos, 11 March 1867
- Aida, 24 December 1871
- Simon Boccanegra, (Revised Version), 24 March 1881
- Otello, 5 February 1887
- Falstaff, 9 February 1893
Political significance[link]
Unlike most of the visual arts, opera was commercially profitable, accessible to most classes of society, and thus an effective means of reaching the 19th-century public. Verdi used musical theater to contrast noble ideals with the corrosive effects of power, love of country with the inevitable call for sacrifice and death, and the lure of passion with the need for social order.[22]
Media[link]
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La donna è mobile Enrico Caruso sings La donna è mobile from Verdi's Rigoletto, circa 1908 O patria mia Marie Rappold performing "O patria mia" from Verdi's Aida (1916) - Problems listening to the files? See media help.
Cultural depictions and references[link]
File:Final scene from the opera Risorgimento!.jpg
The final scene of the opera Risorgimento!
- The 1985 play After Aida is a play-with-music similar to Amadeus. It is an accurate and learned, yet dramatic and humorous, depiction of Verdi's relationship with his librettist Arrigo Boito, and the attempts of Giulio Ricordi and Franco Faccio to get the two to collaborate on a project, Otello.
- He is a character in the opera, Risorgimento! (2010) by Italian composer Lorenzo Ferrero, written to commemorate the 150th anniversary of Italian unification.
Eponyms[link]
- There are many theatres named after Verdi in Italy.
- The Verdi Inlet on the Beethoven Peninsula of Alexander Island just off Antarctica
- Verdi Square at Broadway and West 72nd Street in Manhattan features the Giuseppe Verdi Monument.
- Asteroid 3975 Verdi
- Verdi Football Club, an association football club founded in Parma in July 1913, is after a series of name changes known today as the Parma F.C..
Verdi's name literally translates as "Joseph Green" in English (although verdi is the plural form of "green"). Musical comedian Victor Borge often referred to the famous composer as "Joe Green" in his act, saying that "Giuseppe Verdi" was merely his "stage name". The same joke-translation is mentioned in Agatha Christie's Evil Under the Sun by Patrick Redfern to Hercule Poirot – a prank which inadvertently gives Poirot the answer to the murder.
References[link]
- Notes
- ^ Martin, 3
- ^ on magiadellopera.com (in Italian): "On 18 June 1840 Margherita Barezzi's life was cut short by violent encephalitis."
- ^ reocities.com (in Italian): "...on 20 [sic] June 1840 his young wife Margherita died, struck down by a severe form of acute encephalitis."
- ^ museocasabarezzi.it (in Italian): "She died the following year [1840] on 18 June, aged only 26 years, while Verdi was working on his ill-fated second opera, Un Giorno di Regno."
- ^ Verdi "An Autobiographival Sketch" (1879) in Werfel and Stefan, pp. 80 – 93
- ^ Roger Parker, "Giuseppe Verdi", Grove Music Online, ed. L. Macy (Accessed 18 May 2008), (subscription access)
- ^ Phillips-Matz, pp.394–95
- ^ "Opera Statistics". Operabase. http://operabase.com/top.cgi?lang=en#opera. Retrieved 8 May 2011.
- ^ Budden, Vol. 3, p. ?
- ^ Schonberg, p. 260
- ^ Newman, p. 597: "Did he feel himself somehow guilty of at least indirectly causing that assassination? For almost 30 operas he composed throughout his long life, at least half dealt with killings, murder and other sort of violent ends of various personage, including assassination plots against kings, leaders, or men in charge in six of them: Attila, Macbeth, Rigoletto, Les vêpres siciliennes, Simon Boccanegra, and Un ballo in maschera."
- ^ The hotel's website contains a brief history of the composer's stay and a few photographs of those days
- ^ Phillips-Matz, p. 764, notes the crowd "estimated at 200,000". In the second part of his 2010 BBC4 series, Opera Italia, on the subject of Verdi's operas, presenter and music director of the Royal Opera House, Antonio Pappano notes the size as being 300,000
- ^ Tintori, p. 232.
- ^ Casini, p. ?
- ^ Phillips-Matz, p.116
- ^ Phillips-Matz, pp. 188–191
- ^ Parker, in Grove Music Online
- ^ Budden, Vol. 3, p. 80
- ^ Phillips-Matz, p.765
- ^ "Giuseppe Verdi politico e deputato, Cavour, il Risorgimento" on liberalsocialisti.org (In Italian) Retrieved 2 January 2010
- ^ Hunt, p. ?
- Cited sources
- Budden, Julian (1973). The Operas of Verdi, Volume I (3rd ed.). Oxford University Press. ISBN 0-19-816261-8.
- Budden, Julian (1973). The Operas of Verdi, Volume II (3rd ed.). Oxford University Press. ISBN 0-19-816262-6.
- Budden, J. (1973). The Operas of Verdi, Volume III (3rd ed.). Oxford University Press. ISBN 0-19-816263-4.
- Casini, Claudio, Verdi, Milan: Rusconi, 1982
- De Van, Gilles (trans. Gilda Roberts), Verdi’s Theater: Creating Drama Through Music. Chicago & London: University of Chicago Press, 1998 ISBN 0-226-14369-4 (hardback), ISBN 0-226-14370-8
- Hunt, Lynn (2009 (3rd edition)). The Making of the West. Bedford/St. Martin's. ISBN 0-312-46510-6.
- Martin, G. (1963). Verdi: His Music, Life and Times (1st ed.). Dodd, Mead & Company. ISBN [[Special:BookSources/2-00-145672-0|2-00-145672-0]].
- Newman, Earnest, Stories of the Great Operas. Philadelphia: The Blakinson Company, 1930
- Parker, Roger (2001). "Giuseppe Verdi". Grove Music Online. Oxford University Press.
- Parker, Roger (1992). "The New Grove Dictionary of Opera". In ed. Stanley Sadie. The New Grove Dictionary of Opera. ISBN 0-333-73432-7.
- Phillips-Matz, Mary Jane (1993). Verdi: A Biography (1st ed.). Oxford University Press. ISBN 0-19-313204-4.
- Schonberg, Harold C. (1997). The Lives of the Great Composers. W. W. Norton & Company. ISBN 0-393-03857-2. http://books.google.com/?id=VawrK1CRFJgC&pg=PA260&lpg=PA260&dq=wagner's+death+verdi. Retrieved 9 January 2008
- Tintori, Giampiero, Guida all'ascolto di Giuseppe Verdi, Milano: Mursia, 1983.
- Werfel, Franz and Stefan, Paul, Verdi: The Man and His Letters, New York: Vienna House 1973 ISBN 0-8443-0088-8
- Other sources
- Kamien, R. (1997). Music: an appreciation – student brief (3rd ed.). McGraw Hill. ISBN 0-07-036521-0.
- Gal, H. (1975). Brahms, Wagner, Verdi: Drei Meister, drei Welten. Fischer. ISBN 3-10-024302-1.
- Michels, Ulrich (1992). dtv-Atlas zur Musik: Band Zwei (7th ed.). Deutscher Taschenbuch Verlag. ISBN 3-423-03023-2.
- (IT) Polo, Claudia, Immaginari verdiani. Opera, media e industria culturale nell'Italia del XX secolo, Milano: BMG/Ricordi, 2004
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- Verdi's life in and around Busseto
- Associazione Amici di Verdi (ed.), Con Verdi nella sua terra, Busseto, 1997, (in English)
- Maestrelli, Maurizio, Guida alla Villa e al Parco (in Italian), publication of Villa Verdi, 2001
- Mordacci, Alessandra, An Itinerary of the History and Art in the Places of Verdi, Busseto: Busseto Tourist Office, 2001 (in English)
- Villa Verdi: the Visit and Villa Verdi: The Park; the Villa; the Room (pamphlets in English), publications of the Villa Verdi
External links[link]
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Wikiquote has a collection of quotations related to: Giuseppe Verdi |
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Wikimedia Commons has media related to: Giuseppe Verdi |
- Giuseppe Verdi Official Site
- National Museum Giuseppe Verdi - Busseto
- Stanford University list of Verdi operas, premiere locations and dates, etc.
- Works by Giuseppe Verdi at Project Gutenberg
- "Album Verdi" from the Digital Library of the National Library of Naples (Italy)
- Free scores by Verdi at the International Music Score Library Project
- Free scores by Giuseppe Verdi in the Werner Icking Music Archive (WIMA)
- Free scores by Giuseppe Verdi in the Choral Public Domain Library (ChoralWiki)
- The Mutopia Project has compositions by Giuseppe Verdi
- Works by or about Giuseppe Verdi in libraries (WorldCat catalog)
- Detailed listing of "complete" recordings of Verdi's operas and of extended excerpts
- "Verdi and Milan", lecture by Roger Parker on Verdi, given at Gresham College, London 14 May 2007
- Verdi cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library
- Sheet music for "Ah! I have sigh'd to rest me.", Macon, GA: John C. Schreiner & Son. From Confederate Imprints Sheet Music Collection.
| Persondata | |
|---|---|
| Name | Verdi, Giuseppe |
| Alternative names | Verdi, Giuseppe Fortunino Francesco |
| Short description | Italian composer |
| Date of birth | 9 /10 October 1813 |
| Place of birth | Le Roncole, Italy |
| Date of death | 27 January 1901(1901-01-27) |
| Place of death | Milan, Italy |
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Claudio Abbado, Cavaliere di Gran Croce OMRI[1] (Italian pronunciation: [ˈklaudio abˈbaːdo]; born June 26, 1933), is an Italian conductor. He has served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, and principal conductor of the Berlin Philharmonic orchestra from 1989 to 2002, when he retired from the position for health reasons.
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Biography[link]
Born in Milan, Italy, Abbado is the son of the violinist and composer Michelangelo Abbado, who was his first piano teacher, and the brother of musician Marcello Abbado. After studying piano at the Milan Conservatory,[2] in 1955 Claudio Abbado studied conducting with Hans Swarowsky at the Vienna Academy of Music. In 1958 he won the international Koussevitsky Competition for conductors,[2] which resulted in a number of operatic conducting engagements in Italy, and in 1963 he won the Dimitri Mitropoulos Prize for conductors,[2] allowing him to work for five months with the New York Philharmonic.
Abbado recalls desiring to become a conductor for the first time as a child, when he heard a performance of Claude Debussy's Nocturnes. He had the opportunity to attend many orchestral rehearsals in Milan led by such conductors as Arturo Toscanini and Wilhelm Furtwängler and has told interviewers that Toscanini's tyrannical and sometimes abusive manner towards musicians in rehearsal repelled him, and that he resolved to behave in the gentler manner of Bruno Walter. Abbado is known to exhibit a friendly, understated, and non-confrontational manner in rehearsal.
He made his début at La Scala in his hometown of Milan in 1960 and served as its music director from 1968 to 1986, conducting not only the traditional Italian repertoire but also presenting a contemporary opera each year, as well as a concert series devoted to the works of Alban Berg and Modest Mussorgsky. Abbado also founded the Filarmonica della Scala in 1982, for the performance of orchestral repertoire in concert.
Abbado conducted the Vienna Philharmonic for the first time in 1965 in a concert at the Salzburg Festival. He served as music director for the Vienna State Opera from 1986 to 1991, with notable productions such as Mussorgsky's original Boris Godunov and his seldom-heard Khovanshchina, Franz Schubert's Fierrabras, and Gioacchino Rossini's Il viaggio a Reims.
From 1979 to 1987 he was principal conductor of the London Symphony Orchestra, and from 1982 to 1986 he was principal guest conductor of the Chicago Symphony Orchestra. With both orchestras, Abbado made a number of recordings for Deutsche Grammophon.
In 1989, the Berlin Philharmonic Orchestra elected him as their chief conductor, to succeed Herbert von Karajan, a post he held until 2002.[3] In 2004 he returned to conduct the Berlin Philharmonic and performed Mahler's Symphony No. 6 in a series of recorded live concerts. The resulting CD won Best Orchestral Recording and Record of the Year in Gramophone Magazine's 2006 awards.[4]
The Orchestra Academy of the Berlin Philharmonic established the Claudio Abbado Composition Prize in 2006 in his honour.[5]
Claudio Abbado has performed and recorded a wide range of Romantic works, in particular Gustav Mahler whose symphonies he has recorded several times. He is also noted for his interpretations of modern works by composers such as Arnold Schoenberg, Karlheinz Stockhausen, Giacomo Manzoni, Luigi Nono, Bruno Maderna, Thomas Adler, Giovanni Sollima, Roberto Carnevale, Franco Donatoni and George Benjamin.
In 1988, he founded the music festival Wien Modern, which has since expanded to include all aspects of contemporary art. This interdisciplinary festival takes place each year under his direction.
Abbado is also well known for his work with young musicians. He is founder and music director of the European Union Youth Orchestra (1978) and the Gustav Mahler Jugendorchester (1986). He is also a frequent guest conductor with the Chamber Orchestra of Europe with whom he recorded a cycle of Franz Schubert symphonies to considerable acclaim. More recently, he has worked with the Orquesta Sinfónica Simón Bolívar of Venezuela.[6]
He was diagnosed with stomach cancer in 2000 and the treatment led to the removal of a portion of his digestive system. After recovery he formed the Lucerne Festival Orchestra in 2003[7] and their concerts have been highly acclaimed.[8] Abbado is scheduled to remain as the orchestra's music director and chief conductor through 2010.[9] He also serves as music director of the Orchestra Mozart of Bologna, Italy.
In September 2007 he announced that he was cancelling all of his forthcoming conducting engagements for the "near future" on the advice of his physicians[10] but two months later he resumed conducting concerts with an engagement in Bologna.[11] In July 2011, aged 78, he declared himself to be in good health.[12]
Abbado's son is the opera director Daniele Abbado. From his relationship with the violinist Viktoria Mullova, he is the father of her oldest child, Misha.[13] His nephew, Roberto Abbado, (the son of his brother Marcello, born 1926, who is a composer and pianist) is also a conductor.
Awards[link]
Claudio Abbado has received many awards and recognitions among which the Grand cross of the Légion d'honneur, Bundesverdienstkreuz, Imperial Prize of Japan, Mahler Medal, Khytera Prize, and honorary doctorates from the universities of Ferrara, Cambridge, Aberdeen, and Havana.
In 1973, he won the Mozart Medal awarded by Mozartgemeinde Wien,[14] and the Ernst von Siemens Music Prize in 1994.
He has won 1997 Grammy Award in the Best Small Ensemble Performance (with or without conductor) category for "Hindemith: Kammermusik No. 1 With Finale 1921, Op. 24 No. 1" and 2005 Grammy Award in the Best Instrumental Soloist(s) Performance (with Orchestra) category for "Beethoven: Piano Cons. Nos. 2 & 3" performed by Martha Argerich.
In April 2012, Abbado was voted into the Gramophone Hall of Fame,[15] and in May of the same year, he was awarded the conductor prize at the Royal Philharmonic Society Music Awards.[16]
See also[link]
References[link]
- ^ quirinale.it
- ^ a b c Randel, Don Michael (1996). "Claudio Abbado". The Harvard biographical dictionary of music. Cambridge, Mass.: Belknap Press of Harvard Univ. Press. pp. 1. ISBN 0-674-37299-9.
- ^ Alex Ross (2001-10-22). "Beethoven Unbound". The New Yorker. http://www.therestisnoise.com/2004/05/abbados_beethov.html. Retrieved 2007-08-07.
- ^ "Best of Category (Orchestral), Gramophone Award Winner, and Record of the Year". Gramophone. June 2006. Archived from the original on 2007-02-15. http://web.archive.org/web/20070215092400/http://www.gramophone.co.uk/awardstemplate.asp?id=955&award_year=2006. Retrieved 2007-08-07.
- ^ Matthew Westphal (2006-11-06). "Berlin Philharmonic Names Winner of First Claudio Abbado Composition Prize". Playbill Arts. http://www.playbillarts.com/news/article/5540.html. Retrieved 2007-09-01.
- ^ Charlotte Higgins (2006-11-24). "Land of hope and glory". The Guardian. http://arts.guardian.co.uk/filmandmusic/story/0,,1955176,00.html. Retrieved 2007-09-01.
- ^ Tom Service (2007-08-22). "The maestro". The Guardian. http://music.guardian.co.uk/proms2007/story/0,,2153754,00.html. Retrieved 2007-08-30.
- ^ Andrew Clements (2007-08-24). "Lucerne Festival Orchestra/Abbado (review of Prom 51, 2007)". The Guardian. http://music.guardian.co.uk/proms2007/story/0,,2155410,00.html. Retrieved 2007-08-30.
- ^ Ben Mattison (2005-02-01). "Claudio Abbado Extends Tenure at Lucerne Festival Orchestra". Playbill Arts. http://www.playbillarts.com/news/article/1293.html. Retrieved 2007-09-01.
- ^ Daniel J. Wakin (2007-09-07). "Abbado, Ill, Cancels Appearances". New York Times. http://www.nytimes.com/2007/09/07/arts/music/07abba.html. Retrieved 2007-09-07.
- ^ Matthew Westphal (2007-11-09). "Claudio Abbado Returns to Podium Following Illness". Playbill Arts. http://www.playbillarts.com/news/article/7338.html. Retrieved 2007-11-11.
- ^ http://www.artsjournal.com/slippeddisc/2011/07/abbado-cautiously-gives-himself-clean-bill-of-health.html
- ^ Tim Ashley (2001-02-02). "And this one's by the Bee Gees". The Guardian. http://www.guardian.co.uk/friday_review/story/0,3605,431917,00.html. Retrieved 2007-08-30.
- ^ "Claudio Abbado biography". http://www.enotes.com/contemporary-musicians/abbado-claudio-biography.
- ^ "Claudio Abbado (conductor)". Gramophone. http://www.gramophone.co.uk/HallofFame/ArtistPage/Perry. Retrieved 10 April 2012.
- ^ "Claudio Abbado awarded classical honour". BBC News. May 9, 2012. http://www.bbc.co.uk/news/entertainment-arts-17989089#. Retrieved May 9, 2012.
External links[link]
- Claudio Abbado at Allmusic
- Claudio Abbado at Deutsche Grammophon
- Claudio Abbado at Sony BMG Masterworks
- Claudio Abbado discography
- Claudio Abbado at the Internet Movie Database
- Works by or about Claudio Abbado in libraries (WorldCat catalog)
- Claudio Abbado collected news and commentary at The Guardian
- Claudio Abbado collected news and commentary at The New York Times
| Preceded by Guido Cantelli |
Music Director, La Scala, Milan 1968–1986 |
Succeeded by Riccardo Muti |
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| Persondata | |
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| Name | Abbado, Claudio |
| Alternative names | |
| Short description | Conductor |
| Date of birth | 1933-06-26 |
| Place of birth | |
| Date of death | |
| Place of death | |
http://wn.com/Claudio_Abbado
Related pages:
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http://cswn.com/Claudio Abbado
http://eswn.com/Claudio Abbado
http://ruwn.com/Аббадо, Клаудио
http://nlwn.com/Claudio Abbado
http://plwn.com/Claudio Abbado
http://frwn.com/Claudio Abbado
http://dewn.com/Claudio Abbado
http://ptwn.com/Claudio Abbado
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Claudio_Abbado
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This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
"Bocelli" redirects here. For Andrea Bocelli's second album, "Bocelli", released in 1995, see Bocelli (album).
| Andrea Bocelli OMRI OMDSM |
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|---|---|
 Bocelli rehearsing for his Under the Desert Sky concert in Lake Las Vegas, 2006 |
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| Background information | |
| Born | (1958-09-22) 22 September 1958 (age 53) Pisa, Toscana, Italy |
| Genres | Adult contemporary, classical, easy listening, Latin pop, opera, operatic pop, pop, vocal |
| Occupations | Musician, songwriter, record producer, multi-instrumentalist |
| Instruments | Vocals, keyboards, flute, saxophone, trumpet, trombone, harp, harmonica, guitar, drums, melodica |
| Years active | 1992–present |
| Labels | Universal, Philips, PolyGram, Decca, Sugar |
| Website | Andrea Bocelli |
Andrea Bocelli, OMRI, OMDSM (Italian pronunciation: [anˈdrɛːa boˈtʃɛlli]; born 22 September 1958) is an Italian tenor, multi-instrumentalist and classical crossover artist.[1][2][3] Born with poor eyesight, he became blind at the age of twelve following a football accident.[4][5]
Since winning the Newcomers section of the Sanremo Music Festival in 1994,[6] Bocelli has recorded thirteen solo studio albums, of both pop and classical music, two greatest hits albums, and eight complete operas, selling over 75 million records worldwide.[7][8][9][10] Thus, he is the biggest-selling solo artist in the history of classical music and has caused core classical repertoire to "cross over" to the top of international pop charts and into previously uncharted territory in popular culture.[1][11][12][13][14][15]
In 1998, he was named one of People Magazine's 50 Most Beautiful People.[4] In 1999, his nomination for Best New Artist at the Grammy Awards marked the first, and so far only time a classical artist had been nominated in the category, since Leontyne Price, in 1961.[1][16] The Prayer, his duet with Celine Dion for the animated film The Quest for Camelot, won the Golden Globe for Best Original Song and was nominated for an Academy Award in the same category.[1][16] With the release of his classical album, Sacred Arias, Bocelli captured a listing in the Guinness Book of World Records, as he simultaneously held the top 3 positions on the US classical albums charts.[1][16] Six of his albums have since reached the Top 10 on the Billboard 200,[17] and a record-setting 8, have topped the classical albums charts in the United States.[18][19]
With 5 million units sold worldwide,[20] Sacred Arias became the biggest-selling classical album by a solo artist of all time,[1][16] and with over 20 million copies sold worldwide,[20][21] his 1997 pop album, Romanza, became the best-selling album by an Italian artist of any genre in history,[20] as well as the best-selling album by a foreign artist in Canada,[22][23][24] and a number of other countries in Europe and Latin America.[16] The album's first single, "Time to Say Goodbye", topped charts all across Europe, including Germany, where it stayed at the top of the charts for fourteen consecutive weeks, breaking the all-time sales record, with over 3 million copies sold in the country.[1][16] The single went on to sell over 12 million copies worldwide, making it one of the best-selling singles of all time.[21][25][26]
Widely regarded as both the most popular Italian and classical singer in the world,[27] Bocelli was made a Grand Officer of the Order of Merit of the Italian Republic in 2006,[28][29] and on March 2, 2010, was honoured with a star on the Hollywood Walk of Fame for his contribution to Live Theater.[30][31]
Contents
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Early life[link]
Childhood and education[link]
Bocelli was born in 1958 to Alessandro and Edi Bocelli. They lived on the family farm, selling farm machinery and making wine in the small village of La Sterza, a frazione of Lajatico, Tuscany, Italy, which is about 40 km south of Pisa. Bocelli's mother and younger brother Alberto still live in the family home. Bocelli's father died in 2000.
As a young boy, Bocelli showed a great passion for music. His mother has said that music was the only thing that would comfort him. At the age of six, he started piano lessons, and later also learned to play the flute, saxophone, trumpet, trombone, harp, guitar and drums.
Bocelli would also spend time singing during his childhood.[32] At the age of 14 he won his first song competition, the Margherita d'Oro in Viareggio with O sole mio.[32]
After finishing secondary school in 1980, he studied law at the University of Pisa.[32] To earn money Bocelli performed evenings in piano bars. He completed law school and spent one year as a court-appointed lawyer. It was there, in 1987, that he met his future wife, Enrica.
Loss of sight[link]
It was evident at birth that Bocelli had problems with his sight, and after visits to many doctors, he was diagnosed with congenital glaucoma. In 1970, at the age of 12, he lost his sight completely following an accident during a football game.[4][5] He was accidentally hit on the head during a match and suffered a brain haemorrhage. Doctors resorted to leeches in a desperate last-ditch effort to save his sight, but they were unsuccessful, and he remained blind.[33]
Career[link]
[edit] 1992–94: Sanremo and Il mare calmo della sera
In 1992, Italian rock star Zucchero held auditions for tenors to make a demo tape with of the song Miserere from his album of the same name, to send to Italian tenor Luciano Pavarotti. After hearing Bocelli on tape, Pavarotti urged Zucchero to use Bocelli instead of him. The demo tape was from Caterina Caselli, who had discovered Bocelli. Caselli is Bocelli's current manager and producer.
Zucchero eventually persuaded Pavarotti to record the song with him, and it became a hit throughout Europe. In Zucchero's European concert tour in 1993, it was Bocelli who accompanied him to sing the duet, and he was also given solo sets in the concerts, singing "Nessun Dorma" from Puccini's Turandot.[34] Bocelli signed with the Sugar Music label in Milan after the group's president heard Bocelli sing Miserere and "Nessun Dorma" at a birthday party for Zucchero.
In December Bocelli entered the preliminary round of the Sanremo Music Festival in the category of Giovani, performing both parts of the duet Miserere. He won the preliminary competition with the highest marks ever recorded in the Newcomers section. On 28 December, he debuted in the classical world in a concert at the Teatro Romolo Valli in Reggio Emilia.[34]
In February 1994 he entered the main Sanremo Festival competition with "Il mare calmo della sera", and he won the "Newcomers" section, again with a record score. His debut album, of the same name, was released and immediately entered the Italian Top Ten, going platinum within weeks.[34]
In May he toured with Italian pop singer Gerardina Trovato.[34] In September he sang at Pavarotti's annual Charity Gala concert, Pavarotti International in Modena, where he sang Ruggiero Leoncavallo's "Mattinata" and sang a duet with Pavarotti, Maurizio Morante's Notte e Piscatore. He also sang "Libiamo ne' lieti calici" from Giuseppe Verdi's La traviata in the finale, along with Nancy Gustafson, Giorgia, Andreas Vollenweider and Bryan Adams; and also Adams' song All for Love.[34]
In September he made his opera debut as Macduff in Verdi's Macbeth at the Teatro Verdi in Pisa.[35] Bocelli had been an agnostic, but around 1994, partly as a result of immersing himself in the works of Tolstoy, he returned to the practice of the Catholic faith.[36] He performed the hymn, "Adeste Fideles" in Rome before Pope John Paul II in St. Peter's Basilica at Christmas.[34]
[edit] 1995–97: Bocelli and Romanza – Conquering Europe and Latin America
As winner of the 1994 Newcomers section at the Sanremo Festival, he was invited to return the following year, entering the main competition with "Con te partirò" and finishing in fourth place.[37]
The song was included in his album Bocelli which was produced by Mauro Malavasi and released in the spring. His third album, Viaggio Italiano, was released in autumn.[37] Bocelli sang "Miserere" and "Funiculì, Funiculà" with guitarist John Miles.[37] In Belgium, "Con te partirò" became the best-selling single of all time.[38]
In 1996, Bocelli was invited to sing a duet with English soprano Sarah Brightman at the final bout of German IBF World Light-Heavyweight boxing champion Henry Maske. Brightman, a friend of Maske, approached Bocelli after she heard him singing "Con te partirò" whilst she was dining in a restaurant. Changing the title lyric of the song to "Time to Say Goodbye", they re-recorded it as a duet with members of the London Symphony Orchestra and sang it as a farewell for Maske. The single debuted atop the German charts, where it stayed for fourteen weeks. With sales nearing three million copies, and a sextuple platinum award, "Time to Say Goodbye" eclipsed the previous best-selling single by more than one million copies.[37] He topped the Spanish singles chart in 1996 with a duet with Marta Sanchez, "Vivo Por Ella", the Spanish version of "Vivo per lei", recorded with Giorgia for the Romanza album. He also recorded a Portuguese version of the song with Sandy Leah.
The same year, Bocelli recorded "Je vis pour elle", the French version of "Vivo per lei", as a duet with French singer Hélène Ségara. Released in December 1997, the song became a hit in Belgium (Wallonia) and France, where it reached #1 on the charts. To date, it is the best-selling single for Ségara, and the second for Bocelli after "Time to Say Goodbye". On 3 March he appeared in Hamburg, Germany, with Sarah Brightman to receive the ECHO music award for "Best Single of the Year".[37]
In August, Bocelli appeared at the Puccini Festival in Torre del Lago, Italy, and then at the World Youth Festival in Paris, where he again sang in the presence of the Pope. In the summer, he gave 22 open air concerts in Germany, as well as an indoor concert in Oberhausen on 31 August. In September he performed in concert at the Piazza dei Cavalieri in Pisa for the home video A Night in Tuscany (Italian: una notte nella Toscana) with guests Nuccia Focile, Sarah Brightman and Zucchero. The concert was also Bocelli's first concert to air on PBS. On 14 September in Munich, Germany, he received an ECHO Klassik "Best seller of the year" award for his album, Viaggio Italiano.[37][39]
Back in Italy in Bologna on 27 September, he yet again sang before the Pope at the International Eucharistic Congress. On 19 October, he sang at the TeleFood benefit concert held in the Vatican City, and organised by the Food and Agriculture Organization to raise awareness about world hunger. On 25 October he received a Bambi award, an annual television and media prize awarded by the German media company Hubert Burda Media, in the Klassik category in Cologne, Germany.[37]
[edit] 1998–99: Aria, Sogno and Sacred Arias – Breaking into the United States
Bocelli made his debut in a major operatic role in 1998 when he played Rodolfo in a production of La bohème at the Teatro Comunale in Cagliari from 18 February to 25 February. His fifth album Aria - The Opera Album was released in March.[40] On 19 April Bocelli entered the United States (US) market with a concert at the John F. Kennedy Center for the Performing Arts in Washington, D.C., followed the next day by a reception at the White House with then US President Bill Clinton.[40] On 5 May, he appeared in Monte Carlo, winning two World Music Awards, one in the category "Best Italian Singer", and one for "Best Classical Interpretation".[40][41] He was also named one of People magazine's 50 most beautiful people of 1998.[4]
In June, July, and August, he toured North and South America. Bocelli's final concert of the tour which was also his debut at Madison Square Garden on August 6, 1998, was sold out. In September, he received his next Echo Klassik award, this time for "Best selling classical album" with Aria - the opera album.[40] On Thanksgiving Eve Bocelli appeared as a guest on Céline Dion's Television special These Are Special Times in which he joined Dion with their hit The Prayer from Dion's album These Are Special Times and he also sang Ave Maria solo. Dion introduced him by saying, "I heard someone say – If God had a singing voice, he would sound a lot like Andrea Bocelli." As a result of his appearance on the show, his popularity in the US further increased.[40] Dion's album containing The Prayer was released in 1998 and re-issued with the DVD of the TV special in 2007. The song appeared on the Quest for Camelot soundtrack in 1998 and on Bocelli's album, Sogno, the following year.
At the New Year, he performed two concerts at the Bellagio hotel in Las Vegas. The hotel used Con te partirò in its advertisements, further increasing his popularity in the US.[40] He also performed the first Internet live-opera broadcast in its entirety from the Detroit Opera House, with Denyce Graves.[citation needed] At the 56th Golden Globe Awards held at the Beverly Hilton Hotel in Beverly Hills, California, on 24 January, The Prayer won the Golden Globe Award for Best Original Song from the film Quest for Camelot.[42] At the 41st Grammy Awards ceremony held at the Shrine Auditorium in Los Angeles on 24 February, Bocelli was nominated in the Best New Artist category which was won by Lauryn Hill. Bocelli and Dion received a standing ovation after singing The Prayer.[42] The song was also nominated for an Academy Award for Best Original Song and performed by Bocelli and Dion at the ceremony held at the Los Angeles Music Center on 21 March.[42]
From 11 April to 24 April, he toured the West coast of North America from San Diego to Vancouver, with a final performance before over 18,000 spectators at the Hollywood Bowl in Los Angeles. Actress Elizabeth Taylor stood by his side on the stage during the encore, while he sang The Prayer.[42]
At the invitation of Steven Spielberg, Bocelli sang in Los Angeles on 15 May before Bill Clinton at an event on behalf of the Democratic Party. At the end of May he toured Portugal and Spain and sang with the Portuguese Fado singer Dulce Pontes. On 27 June he took part in the Michael Jackson benefit concert for suffering children in Munich's Olympic Stadium.[42]
From 10 July to 27 August, he appeared in a guest role at seven performances of The Merry Widow at the Verona Arena in Rome.[35][42] As the "Tenor Conte Andrea" he performed three arias: "La donna è mobile" from Verdi's Rigoletto; "Tu, che m' hai preso il cuor" from Franz Lehár's Land des Laechelns and "Libiamo ne' lieti calici" from Verdi's La traviata, again receiving standing ovations.[42]
On 10 September, together with soprano Daniela Dessi and two Polish singers, he performed at the Great Theatre of Łódź in Poland. From 7 October to 19 November, he made his United States operatic debut in Jules Massenet's Werther at the Detroit Opera House with the Michigan Opera Theater.[35] He was cheered by the audiences, but criticized by the press.[42]
He also performed at Rodeo Drive in Hollywood and gave further concerts in Detroit, Cleveland and Chicago, and made an appearance on Jay Leno's first installment of The Tonight Show. Then Mayor of New York City Rudy Giuliani gave him the Crystal Apple, a gift to celebrated personalities from New York City. His seventh album Sacred Arias, which contains exclusively sacred music, was released worldwide on 8 November, and two weeks later reached first place in the US Classic Billboard charts – making Bocelli the first vocalist to hold all top three places on the chart, with Aria, the opera album in second place, and Viaggio Italiano in third place. The album also included the hymn of the Holy Year 2000 which was chosen as the official version by the Vatican in October.[42] To promote "Sacred Arias", Bocelli recorded his second PBS concert of the same name at the Roman church of Santa Maria sopra Minerva, in Rome, in 1999, with an orchestra conducted by Myung-whun Chung, singing most of the songs from the album. The special was nominated for an Emmy Award for Outstanding Classical Music-Dance Program during the 52nd Primetime Emmy Awards.
Immediately after his return to Italy, Bocelli sang in Florence at a meeting of the centre-left Heads of State. Invited by Queen Elizabeth II, he performed at the annual Royal Variety Performance in Birmingham, UK, on 29 November. On 30 November, his book La musica del silenzio, an autobiographical novel, was released in Italy.[42]
From 12 December to 21 December he performed six concerts in Barcelona, Strasbourg, Lisbon, Zagreb, Budapest and Messina, directed by Lorin Maazel, some of which were broadcast on local television. He also performed on German television; Wetten, dass..? on 11 December and the José Carreras Gala in Leipzig on 17 December. On 31 December, he finished a marathon twenty-four concerts in thirty days, with a concert at the Nassau Veterans Memorial Coliseum in New York in front of 8,000 people, welcoming in the new millennium.[42]
[edit] 2000–01: Verdi and Cieli di Toscana
At the 42nd Grammy Awards on 23 February, Bocelli was nominated twice. The Prayer was nominated for Best Pop Collaboration with Vocals and for Best Male Pop Vocal Performance. Bocelli performed it with Dion at the ceremony. His "World Tour 2000" started on 31 March. In May his Sacred Arias album was voted album of the year by listeners of the Classic FM radio station in the UK. His world tour continued from 12 May to 14 May with four concerts in Japan and South Korea. At the end of the UEFA European Football Championship he performed with Valery Gergiev and Renée Fleming at a concert on the River Maas in Rotterdam. On 6 July he performed at the Statue of Liberty in New York City for his third PBS special. The concert was a dedication to his father, who died in the beginning of 2000. He was accompanied by the New Jersey Symphony Orchestra under the direction of Maestro Steven Mercurio with special guest Soprano Ana Maria Martinez and a surprise appearance by Sarah Brightman to sing with Bocelli on "Time To Say Goodbye." For the final encore he dedicated "Sogno" to his late Father. On 17 August, he performed in Giuseppi Verdi's Messa da Requiem at the Verona Arena in Rome. His seventh album Verdi was released on 11 September. In September he also performed three concerts in Australia. He received another Echo Klassik award for "Bestseller of the year" for Sacred Arias. In November his first complete opera recording, La Bohème was released. In December he received another award in Germany, the Goldene Europa for classical music.[43]
In January 2001, Bocelli portrayed the main character in Pietro Mascagni's opera L'amico Fritz at the Teatro Filarmonico in Verona and again performed the tenor part in Verdi's Requiem. On 19 March the Requiem album was released with Bocelli as tenor. From 22 March to 6 April he toured North America accompanied by Cecilia Gasdia and the Hartford Symphony Orchestra. On 17 June he performed at the re-opening of the Leaning Tower of Pisa. In July he performed two concerts in Dublin with Ana María Martínez and the New Symphony Orchestra. At the Scuola Grande di San Rocco in Venice on 4 October he presented his new album Cieli di Toscana and was recognised for having sold more than 40 million albums worldwide. In October he opened the celebrations of the 200th anniversary of the birth of Sicilian opera composer Vincenzo Bellini in Catania. On 28 October, he sang Franz Schubert's Ellens dritter Gesang as a representative of the Roman Catholic faith, during a memorial concert at Ground Zero in New York City for the victims of the September 11 attacks there. In November he received the Platinum Europe Award for one million sales of the album Cieli di Toscana, and at the Italian Music Awards he was given a special award from the Federation of the Italian Music Industry for his merits as an "Ambassador of Italian music in the world". He performed seven more concerts in the US accompanied by Ana María Martínez, and on 23 December, in front of the President of Italy and other guests of honour, he sang the Italian national anthem as well as works of Bellini and Verdi at the traditional Christmas concert in the Italian Senate, which was broadcast live on television for the first time.[44]
[edit] 2002–05: Sentimento and Andrea
In Berlin on 5 February he received a Goldene Kamera award in the "Music & Entertainment" category. On 6 March he received two World Music Awards in Monte Carlo: "World best selling classical artist" and "Best selling Italian artist". On 11 March, he gave a concert for peace at the Basilica di San Marco a Venezia in Venice, accompanied by the orchestra of the Teatro La Fenice and conducted by Lorin Maazel. On 15 March he took part in the opening of Walt Disney Studios Park in Marne-la-Vallée France. On 7 May Bocelli and Tony Renis received a Telegatto Italian Television award for the soundtrack of the series Cuore. On 23 May he received the 2002 Classical BRIT Award for "Outstanding Contribution to Music".[45] On 27 May he performed at the Villa Madama in Rome in front of US president George W. Bush and Italian president Silvio Berlusconi. On 28 May he took part in "Pavarotti & Friends" charity concert in Modena in aid of Angola. In June he again toured the US, then on 26 July and 3 August he portrayed Lieutenant B.F. Pinkerton in Madama Butterfly at the 48th Puccini Festival in Torre del Lago. On 14 October he and Lorin Maazel presented his new album Sentimento to a worldwide audience. Further presentations took place in Milan and New York, and the album was released on 4 November, selling over two million copies in 40 days. On 24 October he started his Sentimento tour in Zürich which took in large arenas in several European and North American cities.[46]
In February 2003, Bocelli performed Madama Butterfly in an exclusive Monte Carlo concert, which was attended by Caroline, Princess of Hanover. In March for the first time he appeared as a producer, at the Sanremo Festival, where the young artists Allunati and Jacqueline Ferry sang for his new record label, Clacksong.[47] In May his second complete opera, Tosca, was released. At a private benefit gala for the Royal National Institute of Blind People, Bocelli sang in front of the British Royal Family.[47] A day later he received two awards for Sentimento at the 2003 Classical BRIT Award held at the Royal Albert Hall in London – "Best selling classical album" and "Album of the year".[48] On 24 May he performed in a benefit concert for the Arpa Foundation for Film, Music and Art in the Piazza del Campo in Siena, with sopranos Maria Luigia Borsi and Lucia Dessanti, baritone Soo Kyung Ahn, and violinist Ruth Rogers, accompanied by Marcello Rota and the Orchestra Città di Pisa. Three days later he was again invited to perform at "Pavarotti & Friends" in Modena and sang a medley of Neapolitan songs together with Pavarotti. In June he continued his Sentimento tour in Athens and Cyprus. In September he took part in a concert for the Justice ministers and Interior ministers of the European Union at the Parco della Musica in Rome. He then resumed his tour, accompanied by Maria Luigia Borsi, Ruth Rogers and Marcello Rota.[47]
Bocelli won the "Favourite Specialist Performer" award at the UK National Music Awards in October 2003.[49] In November he once again toured in the United States, this time accompanied by Ana Maria Martinez, Kallen Esperian and Steven Mercurio. In December he gave his first concert in China and at the end of the month, sang Gounod's Ave Maria at Pavarotti's wedding in Modena.[47]
In Bologna in January he performed as Werther in four performances of the opera of the same name. In April and May he toured Asia again, visiting Manila, Hong Kong and Singapore. In May he took part in a concert at Circo Massimo in Rome organised by Quincy Jones to launch the "We are the Future" project. In June his third complete opera Il trovatore was released. In July he played the part of Mario Cavaradossi in Tosca at the 50th Puccini Festival in Torre del Lago, and he took part in the International Olympic Committee (IOC) global campaign for the 2004 Summer Olympics in Athens.[50]
In September he performed his "Once in a Lifetime" tour in Australia with concerts in Sydney and Melbourne and one concert in Christchurch, New Zealand, where he was joined on stage by New Zealand soprano Hayley Westenra.[51]
On 15 October he performed at the People Conference Hall in Beijing, China, and on 17 October at the Great Hall in Shanghai.[52]
During early 2005 Bocelli was on tour including performances in Madeira, Hungary, Norway, US, UK, Italy and Germany.[53] He also appeared in Sesame Street singing "Time to Say Goodnight" a parody of Time to Say Goodbye as a lullaby to Elmo.[54] On 21 March he performed on the Music for Asia benefit concert in Rome, televised on Italia 1, in aid of the 2004 Indian Ocean earthquake appeal.[55]
In June he performed at the Deutsche Opera in Berlin. On 2 July he performed at the Paris concert as part of the Live 8 event. Also during the second part of the year, he performed in Croatia, Serbia, Italy, the US, Dubai, Switzerland and finally in Scandinavia.[53] On 28 August he performed at the Faenol Festival held in Vaynol, Wales and organised by Welsh bass-baritone Bryn Terfel.[55] In December his first contemporary music concert took place at a Lake Las Vegas village resort in Nevada, US, which was recorded for PBS and released as the Under the Desert Sky DVD. He also took part in the Royal Christmas Show, which took place in several cities in the US in December. The album Werther was released in December. During 2005 he was invited by Pope Benedict XVI, George W. Bush and Queen Elizabeth II to perform at special events.[53]
[edit] 2006–07: Amore and Vivere, Greatest hits
On 18 February he sang at the Toyota Center in Houston during the National Basketball Association's (NBA) 2006 All-Star Weekend, and broadcast live on the TNT Cable television network.[56]
On 26 February Bocelli sang "Because We Believe" from his Amore album in the Carnevale section of the closing ceremony of the Torino Olympics with a worldwide television audience.[29] He also began another tour with a concert at the Piazza di Castello in Turin.[57] In March he was honoured by the Italian state with a Grande Ufficiale Italian Order of Merit (Grand Officer of the Italian Republic), given to him by then President of the Italian Republic, Carlo Azeglio Ciampi for his worldwide work for his country as a singer. The award was presented to him at the Sanremo Festival where he performed a duet with American singer Christina Aguilera on 4 March.[28][29] From 31 March to 2 April he took part in the Maggio Musicale in Florence where he sang the Canto di pace (Canto of peace) by Marco Tutino[58] and the tenor part from Gioachino Rossini's Messa di Gloria and in Naples where he took part in Rossini's Petite Messe Solennelle.[29][57]
In April 2006, he featured as a guest coach on American Idol helping the finalists sing the week's themed songs, "Greatest Love Songs." He also performed on that week's results show.[59] American Idol runner-up Katharine McPhee performed at three of Bocelli's concerts in California from 9 June to 11 June singing duets of Somos Novios and The Prayer with Bocelli. They also performed on 'J. C. Penney Jam: The Concert for America's Kids[60] and recorded duet versions of Somos Novios for the resulting album, and also Can't Help Falling in Love on the CD of the Under the Desert Sky DVD.
In June he sang the Italian duet version of "Because We Believe", "Ama, credi e vai", with Gianna Nannini at the "großen Fan Party" at the opening of the 2006 FIFA World Cup, in Berlin in front of billions of worldwide television viewers.
On 1 July 2007, Bocelli performed "The Music of the Night" from Andrew Lloyd Webber's The Phantom of the Opera, in a special musicals medley during the Concert for Diana at Wembley Stadium in London, England.[61] Bocelli returned to his home town for a triumphant concert at the newly created Teatro del Silenzio in Lajatico on 5 July 2007, with guest appearance by Kenny G, Heather Headley, Lang Lang, Elisa, Sarah Brightman and Laura Pausini. The concert was later released as Vivere Live in Tuscany. In September he debuted at the Avery Fisher Hall, in New York, with four concerts. October saw the release of the opera album of Ruggiero Leoncavallo's Pagliacci with Bocelli singing the role of Canio. In November he won the "Best Italian Artist" and "World's Best-selling Classical Artist" awards at the World Music Awards. In December he finished his 2006 tour with more concerts in North America and Europe.[29]
Bocelli and Sarah Brightman's duet version of "Con te partirò" was used in the 2007 film Blades of Glory, as an ice skating song. K-1 mixed martial arts fighter, Akiyama Yoshihiro started using "Con te partirò" as his ring entrance music. On 8 September Bocelli sang an arrangement of Mozart's Ave verum corpus at the funeral of Luciano Pavarotti in Modena, Italy.
On 21 October 2007, he sang "Con te partirò" with Katherine Jenkins on the UK television series Strictly Come Dancing results show, and on 30 October, he sang "The Prayer" with Céline Dion during an ITV Special An Audience with Céline Dion. The show was broadcast on 23 December. Alongside fellow Italian singer Laura Pausini, he sang Vive Ya during the 2007 Latin Grammy Awards. The song, originally released in 1997 as a duet in Italian between Bocelli and Italian singer-songwriter Trovatto on Bocelli's Romanza, was also released in English on his 2007 album, The Best of Andrea Bocelli: Vivere, as Dare to Live. The album, Vivere, sold over 3 million copies.
[edit] 2008: Incanto and Carmen
On 20 January 2008, Bocelli received the Italian TV award Telegatto in platinum for Italian music in the world, in Rome. He sang "La voce del silenzio" – "The voice of silence" – and "Dare to Live" during the ceremony.[62]
To promote the album, he performed "Canto della Terra" at The Alan Titchmarsh Show on the BBC in London on 1 February; was interviewed by Fabio Fazio on the Italian talk show Che tempo che fa on RAI 3 in Italy; and performed "Canto della terra", "A te" and "Besame mucho" from the album, as well as "My way" on 2 February; and made an appearance on The South Bank Show in London, where he sang the French aria "Pour mon âme" on 3 February. Then on 10 February, he performed "The Prayer" at the 50th Grammy Awards, held in Los Angeles, with Josh Groban in a tribute to Luciano Pavarotti, and sang "Dare to live" with Heather Headley the following day on The Tonight Show with Jay Leno.[62]
In April he toured in Asia with performances in Tokyo, Taichung, Taiwan, and Seoul. Each concert was attended by over 15,000 people.[63]
On 7 May 2008, he sang at Steel Aréna in Košice, Slovakia, in front of 8,000 people.[64] Then 13 May he sang at the "Teatro delle Muse" in Ancona, Italy, for a charity concert for "Francesca Rava – N.P.H. Italia Onlus", a foundation that helps poor and disabled children around the world.[64]
On 23 May 2008 he sang The Prayer with Katharine McPhee in a Las Vegas tribute concert for Canadian producer and songwriter David Foster. Bocelli later praised Filipina teen-aged singer Charice, whom he had first heard perform at that concert.[65][66]
On 2 June 2008 he performed at the Piazza del Duomo, Milan in front of 80,000 people during a concert celebrating the anniversary of the Republic of Italy's formation.[64]
From June 17 to June 28, Bocelli played the role of Don José on stage, opposite Hungarian mezzo-soprano Ildiko Komlosi as Carmen, in Georges Bizet's opera at the Teatro dell'Opera di Roma, in Rome, for four nights.[67][68][69] Bocelli released the complete opera recording of Carmen in Italy in the same year, which he recorded in 2005. Myung-whun Chung conducted the Orchestre Philharmonique de Radio France and the Chœur de Radio France for the recording, and Welsh Bass-baritone Bryn Terfel, was part of the Ensemble.[70] The recording was not released internationally, until March 2010.[71] Carmen: Duets & Arias, a single-disc collection of some of the arias and duets of the recording, was also released in 2010.[72]
On 20 July, Bocelli held his third concert at the Teatro del Silenzio in Lajatico, his hometown. The concert was a tribute to the cinema of Italy. Its performers included Italian composer and musician Nicola Piovani, Italian ballet dancer Roberto Bolle, Israeli singer Noa, and Charice.[73] Then on 31 July, he performed at a concert in Vingis Park in Vilnius, Lithuania, in front of more than 18,000 people.[74] Australian singer Tina Arena performed two duets with Bocelli – "Canto Della Terra" and "The Prayer" – at the closing stages of the concert.[75]
On 7 August 2008, he held a benefit concert at Medjugorje, Bosnia Herzegovina, and was accompanied by Czech National Symphony Orchestra.[74] Then, during the rest of August, he was on tour in Australia and New Zealand—for the third time—with performances at Vector Arena, Auckland, on the 20th; Entertainment Centre, Brisbane on the 22nd; Acer Arena, Sydney, on the 24th, Rod Laver Arena, Melbourne, on the 27th; and Burswood Dome, Perth, on the 30th. His fiancée and both of his sons accompanied him on the tour.[74] Tina Arena performed again with him in all 5 concerts during the tour.[76]
On 26 September 2008, during the 2008 Veneto Festival, he held a concert in the Church of the Eremitani in Padova, Italy, in front of about 1000 people. He was accompanied by the I Solisti Veneti orchestra, celebrating its 50th birthday and conducted by Claudio Scimone, and by the Wiener Singakademie choir. The concert was a celebration of Giacomo Puccini's 150th birthday.[77]
On 10 October and 11 he performed at Petra, singing "Dare to live" with Laura Pausini, as well as performing E Lucevan le Stelle from Tosca. On 19 October he sang "O Surdato 'Nnamurato" and a duet of "Non Ti Scordar Di Me" with Cecilia Bartoli, both from the Incanto album, during the ECHO Awards in Germany; and later presented the soprano with an ECHO award. On 24 October, he performed at Piazza del Plebiscito in Naples, as a tribute to the city, where he celebrated the Italian release of Incanto. Performing with him were flautist Andrea Griminelli, Italian pop singer Massimo Ranieri and soprano Cecilia Bartoli, with Steven Mercurio conducting the Czech National Symphony Orchestra.[78] On 31 October, he performed a solo version of "The Prayer", as well as "Because", a song from Incanto, live on The Oprah Winfrey Show.[79]
On 21 November and 22, Bocelli was amongst a quartet of soloists (soprano Sabina Cvilak, mezzo-soprano Kate Aldrich and bass Alexander Vinogradov) to sing Rossini's Petite Messe Solennelle, conducted by Plácido Domingo, at the Washington National Opera in Washington, D.C.[80] Bocelli sang twice in the piece and later the two famous tenors sang The Pearl Fishers duet which would be the first aria they had ever sang together.[81] On 25 November and 26 he starred alongside soprano Verónica Villarroel in an opera in concert of Mascagni's Cavalleria rusticana at the "Municipal Auditorium" in San Antonio, Texas.[81] He later held a concert at "Atrio de la Catedral" in Campeche, Mexico, on 28 November, where he sang songs from Incanto as well as some of his Spanish hits, including Besame Mucho, Somos Novios, Amapola and Por ti Volare – the Spanish version of Con te Partiro.[81]
[edit] 2009: My Christmas, first holiday album
On May 27, 2009, Bocelli sang "Il Gladiatore", from the Gladiator soundtrack, followed by the UEFA Champions League Anthem, which is based on "Zadok the Priest" by G.F. Handel, during the opening ceremony of the 2009 UEFA Champions League Final, in the Stadio Olimpico, in Rome.
On November 3, My Christmas, his first Holiday album, produced by David Foster, was released and went on to become the best-selling Holiday album of the year.
The Andrea Bocelli & David Foster Christmas Special, the PBS special of the album, first aired on Thanksgiving night in the United States, and continued to be broadcast in the United States and Canada throughout the month of December. In late November, the program was broadcast in Mexico and in the UK; it later aired, December 15 and 25, on Italia 1, in Italy, December 19, on TVE2 and TROS, in Spain and the Netherlands, and Christmas Eve, on vtm and RTL-TVI, in Belgium and Luxembourg.
On November 3, during the World Premiere of Disney's A Christmas Carol, in Leicester Square, London, following the switching on of the annual Oxford Street and Regent Street Christmas lights, Bocelli led the St Paul's Cathedral Choir, and more than 14,000 people across the capital, as they broke the Official Guinness World Record for the biggest ever Christmas Carol sing-along, singing "Silent Night". He completed his performance in Leicester Square with, "God Bless Us Everyone", the closing song of the movie, which he provided the vocals for in English, Italian and Spanish.[82][83] He returned to the United Kingdom, December 16, for an appearance on The One Show, broadcast live by BBC One, and on The Alan Titchmarsh Show which aired December 18, on ITV1.
On November 21, a segment of Leute Heute, a German tabloid-program on ZDF, was about My Christmas and Bocelli's meeting in Rome with Pope Benedict XVI and 250 other artists, an event which was broadcasted live earlier that day in Italy, by Rai Uno. Bocelli was also joined by the Piccolo Coro dell'Antoniano, in his home in Forte dei Marmi, where they sang "Caro Gesù Bambino", a song from My Christmas which was originally recorded by the choir in 1960. Rai Uno also broadcast the performance later that day, during the Zecchino d'Oro Festival. The following day, Bocelli was among Fabio Fazio's guests, on his popular Italian talk-show, Che tempo che fa, broadcast on Rai Tre. During the program Bocelli talked about his album and performed "The Lord's Prayer", "White Christmas", and "Silent Night". It was also announced that Bocelli would return to the show on December 20 and give a live concert of My Christmas. Bocelli also took part in the annual 2009 José Carreras Gala, on December 17, where he sang Adeste Fideles, before singing "White Christmas" with José Carreras for the very first time; this was broadcast live, by Das Erste, in Germany. He then returning to Italy, for a concert in the Upper Basilica of San Francesco d'Assisi, on December 19, which was broadcast directly after the Urbi et Orbi blessing of Pope Benedict XVI, December 25, on Rai Uno.
In North America, Bocelli gave 6 concerts. On November 28, he performed in the BankAtlantic Center, in Ft. Lauderdale, Florida. He later performed in the Air Canada Centre, in Toronto, Canada, in the Izod Center, in East Rutherford, New Jersey, in the William Saroyan Theatre, in Fresno, California (changed from the much larger Save Mart Center due to scheduling conflicts), in the MGM Grand, in Las Vegas, and finally in the Honda Center, in Anaheim, California, on December 3, 5, 8, 12, and 13. His last three arena concerts alone grossed a total of over 5,6 million dollars, placing him third on Billboard Magazine's week's Hot Tours ranking, behind the Trans-Siberian Orchestra and Il Divo, who both held over 5 times more concerts worldwide, compared to Bocelli's three in the United States, explaining their better showings.[84]
In the United States, Bocelli made a number of high profile TV appearances. He first performed "White Christmas" at the 83rd annual Macy's Thanksgiving Day Parade, broadcast live on NBC, November 26. He performed the song again on November 30 during The Today Show also live. His appearance on The Oprah Winfrey Show during her Holiday Music Extravaganza, where he sang "What Child Is This", with Mary J. Blige, and later closed the show with Adeste Fideles, was also aired the same day, and was later rebroadcast on December 23. Bocelli also sang "Adeste Fideles" and was interviewed by Barbara Walters and Joy Behar on The View, which aired December 2, on ABC. On December 8, he performed "Jingle Bells" with The Muppets on NBC's The Jay Leno Show. He also performed a number of songs from the album, including "The Christmas Song" with Natalie Cole, during a dinner at David Foster's mansion in Malibu, which was featured on The Dr. Phil Show, on December 10. Bocelli also performed "White Christmas" and "Silent Night", on the Larry King Live and Fox & Friends holiday-specials, broadcast December 23, on CNN, and December 19, 24 and 25, on Fox News.
In Brasil, following the success of the South American leg of the Incanto tour, were over 100,000 people attended his free concert at the São Paulo's "Parque Indipendencia", earlier in the year,[85] it was announced that Bocelli would hold another Open-Air, entrance free, concert in Florianópolis, on December 28, where a crowd of about a million people was expected to attend. However, due to financial and political reasons, the concert was later canceled on short notice, along with all the other events scheduled for Christmas in the city.
2010: Hollywood Walk of Fame and FIFA World Cup[link]
On January 31, 2010, during the 52nd Grammy Awards, Bocelli, Mary J. Blige and David Foster joined forces again, singing "Bridge over Troubled Water" to raise awareness for the victims of the Haiti earthquake.[86][87][88] The three had previously made an appearance on CNN's Larry King Live, January 28, 2010, to announce the performance.[88][89]
On March 2, he was honoured with a star on the Hollywood Walk of Fame for his contribution to Live Theater, at 7000 Hollywood Boulevard, in front of the Roosevelt Hotel.[30][31] The previous day, Bocelli, along with David Foster, were honored by L.A. Italia Film, Fashion and Art Fest during a ceremony at the Grauman's Chinese Theatre, in Hollywood, where "The Story Behind The Voice", a documentary about Bocelli's life and career was shown.[90][91]
On March 12, Bocelli made an appearance on Skavlan, in Oslo, Norway, to promote his upcoming Scandinavian tour, giving a rare interview to the show's host Fredrik Skavlan, and later performing "Voglio Vivere Cosi", from his 2008 album Incanto, with Norwegian Boys' choir, Sølvguttene.[88][92]
In April, he returned to Scandinavia, for a concert in Telenor Arena, in Oslo, Norway, on April 8, a concert in Forum Copenhagen, in Copenhagen, Denmark, on April 9, and finally a concert in the Ericsson Globe, in Stockholm, Sweden, on April 11. He was joined by Tony Award winner Heather Headley and 120 musicians from the Stockholm Concert Orchestra, in all three concerts, and by Swedish mezzo-soprano Malena Ernman in his Swedish concert.[93][94][95]
On April 30, Bocelli sang "Nessun Dorma" during the opening ceremony of the Expo 2010, in Shanghai, China, in front of twenty heads of state and government, including Chinese President Hu Jintao, French President Nicolas Sarkozy, South Korean President Lee Myung-bak, and European Commission President Jose Manuel Barroso.[96][97][98] The following day, on May 1, he held a concert, titled Charming China, at Shanghai Stadium, in front of an audience of 80,000 people, along with Chinese singers Song Zuying and Jay Chou, and Chinese concert pianist Lang Lang; the China Philharmonic Orchestra accompanied them under the direction of its artistic director Yu Long.[99][100] The concert was later broadcasted by Shanghai TV, and by CCTV channels throughout mainland China.
The two appearances coincided with Bocelli's Asian tour, consisting of a concert in Budokan, Tokyo, Japan, on April 28,[101][102][103] a concert in Jamsil Gymnasium, Seoul, South Korea, on May 2,[104] a concert in Hong Kong Convention and Exhibition Centre, in Hong Kong, on May 4,[105][106] a concert in Taipei Arena, Taipei, Taiwan, on May 6,[105][106] and finally a free concert, organized by the YTL Corporation, at the Singapore Botanic Gardens, in Singapore, on May 8, attended by over 12,000 people, picked via public ballot, as well as prominent figures in the region, such as, the president of Singapore, S. R. Nathan and his wife, Malaysian billionaire and founder of the YTL Corporation, Yeoh Tiong Lay and his eldest son Francis Yeoh, actress Michelle Yeoh, and founder of Jimmy Choo Ltd, Jimmy Choo.[107][108][109] The concert was later broadcasted, in its entirety, by Channel NewsAsia, on May 28 and 29, and by Okto, on May 30, in Singapore. An orchid in the Botanic Gardens' National Orchid Garden was also named after Bocelli in response to the concert.[110] Australian pop singer Delta Goodrem performed again with Bocelli in all five concerts, after supporting him in his United States My Christmas 2009 winter tour.[111]
On May 18, during the 2010 World Music Awards, Bocelli performed ""Un Amore Cosi Grande" from his 2008 album, Incanto, and received his seventh World Music Award, for "Best Classical Artist".[112][113]
On July 5, Bocelli gave a concert at the opening of the Khan Shatyry Entertainment Center, in Astana, on the occasion of Kazakhstan's president, Nursultan Nazarbayev's 70th birthday.[114][115] Among the guests were, the President of Russia, Dmitry Medvedev, the President of Ukraine, Viktor Yanukovych, the President of Turkey, Abdullah Gül, the President of Belarus, Alexander Lukashenko, the President of Armenia, Serzh Sargsyan, the President of Tajikistan, Emomalii Rahmon, the President of Kyrgyzstan, Roza Otunbayeva, the Crown prince of Abu Dhabi, Mohammed bin Zayed Al Nahyan, and the King of Jordan, Abdullah II.[116][117][118]
On July 9, Bocelli headlined the "Celebrate Africa: The Grand Finale" Concert of the 2010 FIFA World Cup, at the Coca-Cola Dome, in Johannesburg, South Africa, to mark the end of the World Cup, two days before the World Cup final.[119][120] During the concert, Bocelli was joined by Canadian rock star, Bryan Adams, Italian flautist, Andrea Griminelli, and South African singers, Nianell and Pretty Yende.[121][122] FIFA president, Sepp Blatter, South Africain president, Jacob Zuma, and Brazilian president Luiz Inácio Lula da Silva, were among the 12,000 in attendance.[122][123]
On July 13, Montenegrin Statehood Day, Bocelli gave a concert at the seaside resort of Sveti Stefan, in western Montenegro, to mark the Golden Jubilee of the Sveti Stefan Hotel.[124] During the hour-long show, on a stage right in front of the island-hotel's perimeter wall, Bocelli sang well-known arias, as well as some of his more popular hits, to the assembled dignitaries, including Montenegro's top officials, representatives of the diplomatic corps and many faces from cultural, political and public life, as well as many current and former tourist entrepreneurs who had contributed to the development of Montenegrin tourism.[124]
On July 14, Bocelli gave a concert at the European Parliament's Espace Léopold, in Brussels, Belgium, during "Rome in the heart of the future", an event hosted by the Vice President of the European Parliament for the seventh parliament, MEP, Roberta Angelilli, "to highlight the city of Rome as the capital of international tourism through an important and ambitious project in Europe."[125][126] A screening of the film Homage to Rome, directed by Franco Zeffirelli, who was present during the event, and starring Bocelli, in his cinematographic debut, and Italian fashion model, Monica Bellucci, was shown prior to the special concert.[125][127] The event was also attended by the President of the European Parliament, MEP, Jerzy Buzek, European Commissioner for Industry and Entrepreneurship, Antonio Tajani, the Mayor of Rome, Gianni Alemanno, the President of Lazio, Renata Polverini.[125][128]
On July 25, Bocelli held the fifth and final edition of the Teatro del Silenzio, in his hometown of Lajatico, Tuscany, to an audience of 10,000, double the amount of the first edition of the annual Festival, held in 2006. After performing with Spanish tenor, Plácido Domingo and Welsh Mezzo-soprano, Katherine Jenkins on the previous edition of the Festival, in 2009, Bocelli's guests included the only other surviving member of The Three Tenors, Spanish Catalan tenor, José Carreras, and Italian rock singer, Zucchero. Sculptures by Swiss artist Kurt Laurenz Metzler, who attended the concert, were exhibited during this year's edition. The Teatro del Silenzio has in past incorporated sculptures by artists such as Arnaldo Pomodoro and Igor Mitoraj. Italian actress Gina Lollobrigida, who was also in attendance, donated a Bronze statue she had made of Bocelli, to the city of Lajatico, in the afternoon just before the concert. Bocelli was also awarded the Pisano Doc, during the dress rehearsal for the concert, on July 24, "in recognition for a great citizen, who with his extraordinary art and his humanity brings great prestige, honor and respect to the city of Pisa", and received, the 2010 Premio Lunezia nel mondo, during a private ceremony held on July 21, for "the musical-literary quality of his songs."
In September 2010, Bocelli held a concert at the Odeon of Herodes Atticus, in Athens, Greece. The concert was attended by George Papandreou, the prime minister of Greece and Archbishop Ieronymos II of Athens, among others. All proceeds were donated to help cure cancer. Bocelli also gave concerts in Cairo, Egypt, in front of the pyramids and the Great Sphinx of Giza, as well as a fundraising concert inside the famous Duomo di Milano to benefit victims of the 2010 Haiti Earthquake.
As part of the 2010 leg of the My Christmas Tour, Bocelli gave two concerts in the two largest indoor arenas of the United Kingdom, The O2 Arena, in London, and The M.E.N Arena, in Manchester, and a concert in the largest indoor arena in Ireland, The O2, in Dublin, in late November 2010.[129][130][131] His sold out concert at the O2 in London, was the most attended show in the venue's history, with 16,500 people attending the event.[132] In early December, Bocelli gave 6 concerts in the United States. He performed in Madison Square Garden, in New York City, Prudential Center, in Newark, New Jersey, TD Garden, in Boston, Toyota Center, in Houston, Staples Center, in Los Angeles, and the MGM Grand's Garden Arena, in the Las Vegas Strip.[133] The Toyota Center concert, in Houston, was attended by former president George Bush, Sr. and first lady Barbara Bush.
Bocelli also took part in the Christmas in Washington special on December 12, in the presence of president Barack Obama and the first lady.[12][134][135] On December 19, Bocelli gave a concert, conducted by Claudio Scimone, in the Italian Senate.[136] The concert was attended by Italy's top officials including Italy's president Giorgio Napolitano, Renato Schifani, the president of the Italian Senate, Gianfranco Fini, the president of the Italian Chamber of Deputies and Tarcisio Bertone, Cardinal Secretary of State of the Holy See.[137]
2011: Metropolitan Opera recital, and Central Park Concert[link]
In January, Bocelli gave three concerts in Germany. The concerts in Munich, Berlin, and Hamburg were all part of the Notte Illuminata Tour, launched in Pisa, at the Teatro Verdi, December 2010. In February, Bocelli made his Metropolitan Opera debut, performing a recital, as part of the tour.[138]
In late March, early April, as part of the 2011 Latin Leg of his Incanto Tour, Bocelli gave concerts in Buenos Aires, Bogotá, and Panama City.
In May 2011, Bocelli held 5 concerts in East and Southeast Asia, and was joined by New Zealand soprano Hayley Westenra during the Tour.[139] He first gave a concert in Jakarta, Indonesia, his first visit to the country. The concert was attended by Indonesia's top political personalities, including Golkar Party chairman, billionaire Aburizal Bakrie, PDI-P chairwoman and daughter of former president Sukarno, Megawati Sukarnoputri, herself a former president, and former president Suharto's second eldest daughter, Siti Hediyanti.[140] Bocelli held two other concerts in Taipei, and two concerts in Beijing.[141][142]
In June and July, Bocelli gave two open air concerts at historic sites, the first at Masada, in Israel,[143] with all proceeds dedicated to support the residents of the Israeli regions of Galilee and Negev,[144] and the second at Syracuse's ancient Greek theatre, in Sicily,[145] with all proceeds donated to the Fiamme di Solidarietà (Flames of Solidarity) organization, to raise awareness of issues concerning the poorest and most marginalized in Italy.[146]
Bocelli gave a free concert on September 15, on the Great Lawn of Central Park in New York City.[147] He was accompanied by the New York Philharmonic, conducted by its music director Alan Gilbert, and the Westminster Symphonic Choir.[148] Bocelli was joined by singers Celine Dion, Tony Bennett, Bryn Terfel, Ana María Martínez and Pretty Yende, instrumentalists Chris Botti, Andrea Griminelli and Nicola Benedetti, and producer David Foster.[148] The concert was attended by 70,000 people, including Mayor Bloomberg and Donald Trump.[149][150] The concert was broadcast throughout the United States and Canada, by PBS, and in Italy, by Rai 1. Concerto, One Night in Central Park, the live album and the DVD were released November 15.
On September 25, Bocelli led Songs of Praise' 50th anniversary celebration, alongside LeAnn Rimes and Katherine Jenkins.[151][152]
On October 15, Bocelli performed again for Pope Benedict XVI and a crowd of 8,000 people in Vatican's Audience Hall, during a meeting honoring participants from around the world, for their work in spreading the faith.[153]
On November 7, he gave his second open air free concert of the year, at Praça Rui Barbosa in Belo Horizonte, Brazil, to an audience of between 80,000 and 150,000 people.[154][155][156]
On November 17, he performed at the Children In Need Rocks Manchester concert, gaining critical acclaim for receiving a standing ovation from a crowd of pop and indie music fans.
In December, Bocelli launched the Andrea Bocelli Foundation, with a mission to fight poverty and fund medical research.
2012: Roméo et Juliette[link]
Bocelli played the role of Romeo in Charles Gounod's opera Roméo et Juliette, at the Teatro Carlo Felice, for two performances in February. He cancelled a third performance with pharyngitis after suffering vocal strain throughout.[157] The conductor Fabio Luisi commended Bocelli for performing without fee in a theatre that was suffering severe financial difficulties.[158]
On April 22, Bocelli gave an open air concert at Yerevan's Liberty Square, in Armenia, dedicated to the proclamation of Yerevan as the 2012 World Book Capital. The concert was attended by Armenian president Serzh Sargsyan, prime minister Tigran Sargsyan and Yerevan mayor Taron Margaryan. Bocelli was accompanied by the Armenian Philharmonic Orchestra conducted by Marcello Rota.[159]
Voice[link]
With the exception of the negative views of some Classical music critics, Bocelli is widely celebrated as a singer and is admired around the world.[1] His voice's timbre is as recognisable as a signature, with a versatility ranging from the Bel canto to the furore of Verismo, from the sacred repertoire to popular ballads.[160]
Franco Corelli, one of the greatest Spinto tenors of the twentieth century, praised Bocelli's voice after hearing it for the first time during a Master class in 1986, in Turin, and would later give him private lessons.[161][162][163] Another great Italian tenor who championed Bocelli's singing from the very beginning was Luciano Pavarotti. Pavarotti publicly admired Bocelli's voice and played an early part in the younger man's career.[163][164] He reportedly stated that "There is no one finer," upon hearing his voice for the very first time.[165] Bocelli would later sing during both his wedding ceremony, in 2003, and his funeral, in 2007.[161]
After conducting Bocelli in the Verdi album, in 2000, Zubin Mehta commented that "Andrea's voice is special in many ways. First of all, he has a complete control from forte to pianissimo on any note. The end of 'Celeste Aida,' he attacks the high B flat full voice and then pulls it down to nothing — hardly anybody can do that, it's also very risky on the stage at the opera. But it's not that we tried it 15 times and he got it once; he can do it every time. He can also, in the middle of a phrase, without breathing, change the color of a note, so it's a conductor's dream to ask and to get it because most people can't do that."[166] The interview where Mehta made those comments was featured in a BBC documentary about Bocelli, entitled the "Story Behind the Voice".[164] Mehta also compared Bocelli's voice to the old Italian style of singers, such as Tito Schipa.
The same documentary also featured an interview with Spanish Catalan tenor, José Carreras. He commented that "The first time I had the possibility to listen to Andrea, he was a part of the Sanremo Festival. And I thought wow, that's a nice voice, very beautiful color, very tenor like." He proceeded by saying, "I always thought that he has a wonderful instrument, that he knows very much how to use it."[164]
Lorin Maazel, who conducted Bocelli's 2002 Classical album, Sentimento, was also featured in the documentary. In the interview he says that "Andrea Bocelli has amazing Tessitura, almost three Octaves, I would think two and a half, has excellent and very easy top notes; but he can also fill out the lower register very successfully."[164] Maazel also praised Bocelli's Musical talent and knowledge of music, and compared his voice to that of celebrated Irish tenor John McCormack, during an interview with Charlie Rose, in 2002.[167]
Similarly, during a 1999 interview on Charlie Rose, American soprano Renée Fleming praised Bocelli's voice, by saying "first of all the sound is beautiful. There is something very soulful about the way he sings and it's captured the hearts of something like, the last I've heard eleven million fans."[168] Grammy winning Puerto Rican soprano, Ana María Martínez, who regularly performs with Bocelli, also said that "More than anything, Andrea has something that is unique in that he brings this light that is always around him. And this purity of heart and beauty of sound just touches the listener. It can’t be described."[162]
French Canadian singer Celine Dion famously said while introducing him during her Christmas Special for These Are Special Times, in 1998, that "if God would have a singing voice, he must sound a lot like Andrea Bocelli,"[1][163] and multiple Grammy Award winner David Foster, a producer of the album, often describes Bocelli's voice as the most beautiful in the world. Similarly, seven-time Grammy Award winning Jazz singer, Al Jarreau, who performed with Bocelli on the "Night of the Proms" tour in Europe, in 1995, described him as "the most beautiful voice in the world,"[165] and American talk show host, Oprah Winfrey, commented on her talk show that, "when I hear Andrea sing, I burst into tears."[161][162]
After attending Bocelli's concert at the Hollywood Bowl in 2009, the first time she'd been out "in months", American actress Elizabeth Taylor said, "My mind, my soul were transported by his beauty, his voice, his inner being. God has kissed this man and I thank God for it."[169] Taylor had been a passionate fan of Bocelli's since the beginning of his music career in the mid-1990s.[170] Other fans include, Prince Albert of Monaco, who invited the tenor to sing at his wedding, as well as Sarah, Duchess of York, and actress Isabella Rossellini.[165] Bocelli's voice was also a favorite of Queen Elizabeth, The Queen Mother,[171] and Pope John Paul II,[165] for whom he sang on many occasions, and released Credo, a DVD dedicated to his life, shortly after his death, in 2006.[172]
Other world class artists from both the Pop and Opera worlds have also publicly expressed their admiration, including opera singers Plácido Domingo,[173] and Cecilia Bartoli, who collaborated with Bocelli, and conductor Myung-whun Chung,[174] who conducted Bocelli's 1999 album, Sacred Arias.[174]
Criticism[link]
Despite his worldwide popularity and praise, Bocelli's voice, more specifically his interpretation of opera, has been regularly criticized by classical music critics. These include Bernard Holland of The New York Times, and Andrew Clement of The Guardian.[175]
In 1999, The New York Times chief music critic Anthony Tommasini in his review of Bocelli's North American opera debut at the Detroit Opera House in the title role of Massenet's Werther commented, "The basic colour of Mr. Bocelli's voice is warm and pleasant, but he lacks the technique to support and project his sound. His sustained notes wobble. His soft high notes are painfully weak. Inadequate breath control often forces him to clip off notes prematurely at the end of phrases."[176] In December 2000 Tommasini again criticised Bocelli, this time for his La bohème album when he claimed that Bocelli "still has trouble with basic things, like breath support" and his voice had been "carefully recorded", "to help it match the trained voices of the other cast members in fullness and presence."[177]
In describing Bocelli's singing, New York Times music critic Bernard Holland noted, "the tone is rasping, thin and, in general, poorly supported. Even the most modest upward movement thins it even more, signalling what appears to be the onset of strangulation. To his credit, Mr Bocelli sings mostly in tune. But his phrasing tends toward carelessness and rhythmic jumble... The diction is not clear."[178] Furthermore, Holland observed that "The critic's duty is to report that Mr Bocelli is not a very good singer." The Associated Press reported "Passion? Yes. Power. No. Bocelli's voice – though robust in spirit and precisely in tune, even in the upper register – had a thin quality that never opened up."[179] Similarly, classical music critic Andrew Clement found Bocelli's studio opera recordings consistently disappointing in quality: "Bocelli's profoundly unmusical contribution, with its unvaryingly coarse tone, wayward intonation and never a phrase properly shaped, fatally undermines all their contributions."[180] Anne Midgette of The New York Times agreed, noting "a thinness of voice, oddly anemic phrasing (including shortchanging upper notes of phrases in a most untenorial manner), a curious lack of expression."[181]
In 2008, in a live performance, Bocelli was described by Baltimore Sun music critic Tim Smith thus: "as unaided by electronics, he produced an undernourished, often under-pitch tone. Top notes were strained, phrases monochromatic. Bocelli's most loyal fans presumably didn't mind any of the weaknesses, but, frankly, I found most of his singing embarrassing."[182]
During a 2009 performance in New York, the music critic Steve Smith wrote "For cognoscenti of vocal artistry the risks involved in Mr. Bocelli's undertakings, both then and now, need no explanation. Substantial technical shortcomings masked by amplification are laid bare in a more conventional classical setting. Mr. Bocelli's tone can be pleasant, and his pitch is generally secure. But his voice is small and not well supported; his phrasing, wayward and oddly inexpressive."[183]
In 2010, Joe Banno of the Washington Post gave an unfavorable review of Bocelli's Carmen recording, describing the oft-noted failings in Bocelli's vocal resources on full display in this performance: "Bocelli, to be fair, possesses an essentially lovely tenor and knows his stuff when it comes to selling a pop ballad. And Decca's close miking of his puny voice inflates his sound to near-Franco Corelli-like dimensions. But his short-breathed, clumsily phrased, interpretively blank and often pinched and strained singing makes his Don Jose a tough listen."[184]
An audio commentary by New York Times editor Anne Midgette providing a comparison of Bocelli's tone and technique with Luciano Pavarotti's appears below. According to the commentary, Bocelli's tone and technique is not as firm or full as Pavarotti's. And Bocelli's singing of the high note in the passage sounds "squeezed" as opposed to the "ringing" quality Pavarotti achieves when singing the same note in the passage.
In a 2011 review of an all-classical recital, Zachary Woolfe of the New York Times commented that Bocelli "seemed out of his element and ill at ease... listeners responded politely and pleasantly, as if fulfilling their duty, a bit puzzled by the gap between the cautious sounds they were hearing and the smooth polish of Mr. Bocelli's blockbuster recordings." Woolfe goes on to observe "If people don’t know the works on a program (and Sunday evening's selection was far from populist), the singer needs to make those works happen, to prove them. But Mr. Bocelli was too nervous and not a powerful enough artist to do that. Even the French songs that were seemingly the best fit for his delicate instrument fell flat. Demonstrating little responsiveness to text or emotional specificity — Fauré's "Lune Blanche" did have an aptly gauzy sheen — they passed in a blur. In Mr. Bocelli's conception of the canon there is little audible difference between Handel and Gounod, and little urgency to either, a bland homogeneity... Ringing Pavarotti-style high notes are difficult for Mr. Bocelli; his effect of choice is extended falsetto tones, with which he dramatically ended several numbers. The audience responded warmly to this easy tactic, keen for something, anything, it could recognize as charismatic, stylish singing."[185]
Recognition[link]
Honors[link]
Grand Officer of the Order of Merit of the Italian Republic (Grande Ufficiale Ordine al Merito della Repubblica Italiana) awarded in Rome, on March 4, 2006.[28][29]
Made a Grand Officer of the Order of Merit of Duarte, Sanchez and Mella by the President of the Dominican Republic, Leonel Fernández in 2009, for his contributions to International art and culture.[186][187][188]
Honoured with a star on the Hollywood Walk of Fame, for his contribution to live theater, at 7000 Hollywood Boulevard, in 2010.[30][31]
Selected awards[link]
- Winner of the 1994 Newcomers section of the Sanremo Music Festival.[6]
- ECHO music award for "Best Single of the Year", for Time to Say Goodbye, in 1997.[37]
- ECHO Klassik "Best seller of the year" award for his album, Viaggio Italiano in 1997.[37][39]
- Bambi Award in 1997.[37]
- Two World Music Awards, one in the category "Best Italian Singer", and one for "Best Classical Interpretation" in 1998.[40][41]
- ECHO Klassik, for "Best selling classical album" with Aria - The Opera Album in 1998.[40]
- ECHO Klassik for "Bestseller of the year" for Sacred Arias in 2000.[43]
- Two 2000 Classical BRIT Awards for "Best selling classical album" and "Album of the year" for Sacred Arias in 2000.[43]
- Goldene Europa for classical music in 2000.[43]
- Goldene Kamera award in the "Music & Entertainment" category 2002.[46]
- Two World Music Awards, for "World best selling classical artist" and for "Best selling Italian artist" in 2002.[46]
- Telegatto award for the soundtrack of the series Cuore in 2002.[46]
- 2002 Classical BRIT Award for "Outstanding Contribution to Music" in 2002.[46]
- Two 2003 Classical BRIT Awards for "Best selling classical album" and "Album of the year" for Sentimento in 2003.[48]
- Two World Music Awards for "Best Italian Artist" and "World's Best-selling Classical Artist" in 2006.[29]
- Telegatto award in platinum for Italian music in the world in 2008.[62]
- World Music Awards for "World's Best-selling Classical Artist" in 2010.
Personal life[link]
Bocelli met his first wife, Enrica Cenzatti, while singing at piano bars early in his career.[32] They were married on 27 June 1992, and had two children.[34] Their first child, Amos, was born in February 1995. Their second son, Matteo was born in October 1997.[37] The couple separated in 2002.[46] Although not yet divorced,[189] Bocelli lives with his girlfriend and manager, Veronica Berti. They met in 2002. In September 2011, the couple announced that Berti is pregnant and expecting her first and Bocelli's third child, a daughter,[190] in the spring.[191] Virginia, Bocelli's first daughter, was born March 21, 2012, on the first day of spring.[192][193] The couple live in a spacious villa, which used to be a hotel, in Forte dei Marmi on the Mediterranean, complete with recording studio. Meanwhile, Bocelli's estranged wife and two sons live in the couple's previous residence in the same comune, in Versilia.[161]
On 30 April 2000, Bocelli's father, Sandro Bocelli, died. His mother encouraged him to honour his commitments, and so he sang for the Pope, in Rome, on May 1, and immediately returned home for the funeral. At his July 5 performance, filmed for PBS as American Dream—Andrea Bocelli's Statue of Liberty Concert, Bocelli dedicated the encore Sogno (Dream), from his 1999 album Sogno, to the memory of his father.[43]
A section of the way along the beach in Jesolo, on the Italian Adriatic coast, was named after Bocelli on 11 August 2003.[47]
Teatro del Silenzio[link]
Main article: Teatro del Silenzio
In 2006, Bocelli influenced the municipality of his hometown Lajatico to build an outdoor theatre, the "Teatro del Silenzio".[194] Bocelli serves as its honorary president and performs for one night only, every July, the rest of the year, the theatre remains silent.
Since the opening in 2006, Bocelli has held 5 concerts, in every July, with guests ranging from opera singers Plácido Domingo and José Carreras to classical crossover artists Sarah Brightman and Katherine Jenkins, as well as Italian rock and pop stars Zucchero, Laura Pausini, and Elisa. Bocelli's guests have also included instrumentalists Lang Lang, Chris Botti, and Kenny G. The 2007 edition of the "Teatro del Silenzio" was released on DVD in 2008.[195]
Philanthropy and Charitable Work[link]
Bocelli has made a large number of contributions throughout his career. He has participated in charity benefit concerts in different countries for various charities, such as the Michael Jackson benefit concert in 1998, the Memorial Concert at Ground Zero, in New York City for the victims of the September 11 attacks, and the Music of Asia festival in 2004, for the Indian tsunami appeal.
He performed with Mary J. Blige and David Foster at the 52nd Grammy Awards to raise awareness for the victims of the 2010 Haiti earthquake. He later gave an open air concert at Masada, Israel, with the proceeds going to the residents of Galilee and Negev, and another in Sicily to support the ‘Flames of Solidarity’ charity, raising awareness concerning poverty. In Greece, he held a concert at the Odeon of Herodes Atticus to help Cancer research, and performed at the ‘Children in need rocks' in Manchester, in the UK.
In 2011, The Andrea Bocelli Foundation was launched. Its two missions are to fund medical research and fight poverty.
Discography[link]
Main article: Andrea Bocelli discography
Studio albums[link]
Compilation albums[link]
Live albums[link]
Digital albums[link]
|
Collaborative albums[link]
Complete opera recordings[link]
Video albums[link]
|
Bibliography[link]
- 2000: The Music of Silence: A Memoir (La musica del silenzio) – Autobiography
- 2010: The Music of Silence: A Memoir – Reworked autobiography
See also[link]
- Teatro del Silenzio
- Andrea Bocelli discography
- List of Easy Listening artists
- List of Adult Contemporary artists
- List of awards and nominations received by Andrea Bocelli
- List of best-selling music artists
References[link]
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- ^ Bocelli Classical Brits awards and nominations, ClassicalBrits.co.uk.
- ^ Bocelli awards and nominations, imdb.com.
- ^ a b c d "Andrea Bocelli is one of the 50 Most Beautiful people of 1998". People Magazine. 1998. http://www.people.com/people/archive/article/0,,20125222,00.html. Retrieved 2008-01-20.
- ^ a b Tenor's story acclaimed by anti-abortion campaigners
- ^ a b "Chronicle 1992–1994". bocelli.de. http://www.bocelli.de/en/chronicle1992.htm. Retrieved 2008-01-21.
- ^ De Martino, Giorgio. "Andrea Bocelli Biography – At last, a legend". Andrea Bocelli Foundation. http://www.andreabocellifoundation.org/?page_id=137.
- ^ Connolly, Lucy (2010-01-30). "SuBo duet with AnBo". The Sun (London). http://www.thesun.co.uk/sol/homepage/showbiz/tv/britain_got_talent/2786584/Susan-Boyle-is-set-to-duet-with-Andrea-Bocelli.html.
- ^ Andrea Bocelli's 'Christmas in Washington', Huffington Post
- ^ Tenor Andrea Bocelli to make NY Met debut, IN.Reuters.com
- ^ "Operation Bocelli: the making of a superstar". Melbourne: The Age. February 26, 2003. http://www.theage.com.au/articles/2003/02/25/1046064026608.html.
- ^ a b Capital Christmas show sticks to the classics, Dec 13, 2010, Washington Post article.
- ^ "Andrea Bocelli in Abu Dhabi". 2 March 2009. http://www.timeoutdubai.com/art/features/6754-andrea-bocelli-in-abu-dhabi.
- ^ "REVIEW: Classical music star Andrea Bocelli at Liverpool arena". Liverpool Daily Post. November 7, 2009. http://www.liverpooldailypost.co.uk/liverpool-news/regional-news/2009/11/07/review-classical-music-star-andrea-bocelli-at-liverpool-arena-92534-25114619.
- ^ "Andrea Bocelli Announces November 2010 UK Arena Dates". http://www.allgigs.co.uk/view/article/2263/Andrea_Bocelli_Announces_November_2010_UK_Arena_Dates.html.
- ^ a b c d e f "Andrea Bocelli Biography". classicsandjazz.co.uk. http://www.classicsandjazz.co.uk/plink/Andrea+Bocelli. Retrieved 2010-03-21.
- ^ Drake's 'Take Care' Blasts Onto Billboard 200 Billboard
- ^ My Christmas, Billboard.com 12 Nov 2009 article.
- ^ US Classical Albums Week of December 03, 2011 Billboard
- ^ a b c Crossover superstar Andrea Bocelli finds beauty in wide range of music The Columbus Dispatch, Nov 27, 2011.
- ^ a b Andrea Bocelli on singing to thousands, losing his sight and making a fortune July 2, 2011, Daily Mail
- ^ "The Nielsen Company and Billboard's 2009 Canadian Industry Report". Businesswire.com, Feb 04, 2010 article. http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20100204007048&newsLang=en. Retrieved 2010-02-10.
- ^ Top 10 Selling Albums Of The SoundScan Era (1995–2008), Chart Attack, 2009 article.
- ^ TOP TEN SELLING ALBUMS OF SOUNDSCAN ERA (since 1995), Jam!, 2007 article.
- ^ Official Sugar website Sugar Records
- ^ Official Decca website Decca Records
- ^ "Biography of Andrea Bocelli on RAI TV". RAI Television. http://www.italica.rai.it/eng/principal/topics/bio/bocelliandrea.htm. Retrieved 2009-10-19.
- ^ a b c "Pausini, Bocelli e Ramazotti: Onorificenze e serata finale del festival" (in Italian). Radio Italia Solo Musica Italiana. 2006-02-22. http://www.radioitalia.dit/web/news/news.php?idNews=1169. Retrieved 2008-01-21.
- ^ a b c d e f g "Bocelli 2006 Chronicle". bocelli.de. http://www.bocelli.de/en/chronicle2006.htm. Retrieved 2008-01-21.
- ^ a b c d "Hollywood Walk of Fame Honors Andrea Bocelli". Cnn's I-Report. 2010-03-03. http://www.ireport.com/docs/DOC-415682.
- ^ a b c d "Andrea Bocelli gets star on Hollywood Walk of Fame". On the Red Carpet. 2010-03-03. http://www.ontheredcarpet.com/2010/03/andrea-bocelli-receives-star-on-hollywood-walk-of-fame.html.
- ^ a b c d "Chronicle 1958–1991". bocelli.de. http://www.bocelli.de/en/chronicle.htm. Retrieved 2008-01-20.
- ^ Nick Pisa (31 October 2010). "Doctors tried to cure Andrea Bocelli's blindness with leeches". The Telegraph (uk). http://www.telegraph.co.uk/culture/music/music-news/8100281/Doctors-tried-to-cure-Andrea-Bocellis-blindness-with-leeches.html. Retrieved April 18, 2012.
- ^ a b c d e f g "Chronicle 1991–1994". bocelli.de. http://www.bocelli.de/en/chronicle1992.htm. Retrieved 2008-01-20.
- ^ a b c Ardoin, John (2007). "Bocelli and Chung". PBS. http://www.pbs.org/wnet/gperf/shows/andreabocelli/essay3.html. Retrieved 2008-01-20.
- ^ Panza, Pierluigi (21 September 1999)."Bocelli, l'inno per il Papa nasce a Lourdes" (in Italian), Corriere della Sera. Retrieved 2010-04-21.
- ^ a b c d e f g h i j k "Chronicle 1995–1997". bocelli.de. http://www.bocelli.de/en/chronicle1995.htm. Retrieved 2008-01-20.
- ^ Andrea Bocelli Online Biography
- ^ a b "ECHO Klassik 1997 winners" (in German). ECHO. http://www.echo-deutscher-musikpreis.de/echo/echo_klassik_1997_gewinner.htm. Retrieved 2008-01-20.
- ^ a b c d e f g h "Chronicle 1998". bocelli.de. http://www.bocelli.de/en/chronicle1998.htm. Retrieved 2008-01-20.
- ^ a b "People". International Herald Tribune. 1998-05-08. http://www.highbeam.com/doc/1P1-6768960.html. Retrieved 2008-01-20.
- ^ a b c d e f g h i j k €€ "Chronicle 1999". bocelli.de. http://www.bocelli.de/en/chronicle1999.htm. Retrieved 2008-01-20.
- ^ a b c d e "Chronicle 2000". bocelli.de. http://www.bocelli.de/en/chronicle2000.htm. Retrieved 2008-01-21.
- ^ "Chronicle 2001". bocelli.de. http://www.bocelli.de/en/chronicle2001.htm. Retrieved 2008-01-21.
- ^ "Salford singer wins again". BBC News. 2002-05-23. http://www.bbc.co.uk/1/hi/entertainment/music/2005196.stm. Retrieved 2008-01-21.
- ^ a b c d e f "Chronicle 2002". bocelli.de. http://www.bocelli.de/en/chronicle2002.htm. Retrieved 2008-01-21.
- ^ a b c d e "Chronicle 2003". bocelli.de. http://www.bocelli.de/en/chronicle2003.htm. Retrieved 2008-01-21.
- ^ a b "Bocelli tops Classical Brits". BBC News. 2003-05-23. http://www.bbc.co.uk/1/hi/entertainment/music/2931456.stm. Retrieved 2008-01-21.
- ^ "Pop Idols dominate music awards". BBC News. 2003-10-27. http://www.bbc.co.uk/1/hi/entertainment/music/3216767.stm. Retrieved 2008-01-21.
- ^ "Chronicle 2004". bocelli.de. http://www.bocelli.de/en/chronicle2004.htm. Retrieved 2008-01-21.
- ^ "Once in a Lifetime Tour". bocelli.de. http://www.bocelli.de/en/live/concert/2004_3.htm. Retrieved 2008-01-21. [dead link]
- ^ "Asia Tour". bocelli.de. http://www.bocelli.de/en/live/concert/2004_4.htm. Retrieved 2008-01-21. [dead link]
- ^ a b c "Chronicle 2005". bocelli.de. http://www.bocelli.de/en/chronicle2005.htm. Retrieved 2008-01-21.
- ^ "Parody descriptions". Sesame Street. 2007. Archived from the original on 2008-01-19. http://web.archive.org/web/20080119132344/http://www.sesameworkshop.org/aboutus/pressroom/presskits/season36/parody.php. Retrieved 2008-01-20.
- ^ a b "Asia Tour". bocelli.de. http://www.bocelli.de/en/live2005_1.htm. Retrieved 2008-01-21.
- ^ "John Legend and Carrie Underwood Set for All-Star Halftime Show". NBA. 2006. http://www.nba.com/allstar2006/Legend_Underwood_060215.html. Retrieved 2008-01-20.
- ^ a b "2006 tour (1)". bocelli.de. http://www.bocelli.de/en/live/concert2006_1.htm. Retrieved 2008-01-21.
- ^ "FIRENZE – Bocelli e il canto di Pace nato alle Muse" (in Italian). cultura.marche.it. March 2006. http://www.cultura.marche.it/CMDirector.aspx?idN=3743. Retrieved 2008-01-21.
- ^ Dyer, Richard (2006-06-11). "From `American Idol' to Boston divo". J. C. Penney. http://www.boston.com.news/globe/living/articles/2006/06/11/from_american_idol_to_boston_divo/?page=1. Retrieved 2008-01-22.
- ^ "Dr. Phil and Music Superstars Join Forces for JCPENNEY JAM...THE CONCERT FOR AMERICA'S KIDS Mega Event to Air on CBS-TV During Back to School". J. C. Penney. March 2006. http://www.ir.jcpenney.com/phoenix.zhtml?c=70528&p=irol-newsArticle&ID=852901&highlight. Retrieved 2008-01-21.
- ^ "Concert for Diana Timeline: What's happened minute by minute". BBC Entertainment. 2007-07-01. http://www.bbc.co.uk/1/concertfordiana/timeline/. Retrieved 2008-01-22. [dead link]
- ^ a b c "live2008". Bocelli.de. 2008. http://www.bocelli.de/en/live2008_1.htm. Retrieved 24 December 2008.
- ^ "live concert2008/1". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_1.htm. Retrieved 24 December 2008.
- ^ a b c "live concert2008/2". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_2.htm. Retrieved 24 December 2008.
- ^ Bocelli: "Verdi, il mio canto patriottico nell'Italia della riconciliazione" – Articolo – ilGiornale.it del 28-05-2008
- ^ Charicemania – Charice Pempengco Blog : Andrea Bocelli in a Possible Duet With Charice?
- ^ Andrea Bocelli in Carmen at the Teatro dell'Opera, MoltoItaly.com, May 11, 2008 article.
- ^ The 2008 production of Carmen at the Teatro dell'Opera di Roma, Official Teatro dell'Opera di Roma website.
- ^ Bocelli on stage in Carmen, Bocelli German fan site.
- ^ Carmen – Marina Domashenko, Andrea Bocelli & Bryn Terfel
- ^ Bizet's Carmen by Andrea Bocelli, Mighty Ape.
- ^ Carmen: Duets & Arias on iclassics
- ^ "live concert2008/3". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_3.htm. Retrieved 24 December 2008.
- ^ a b c "live concert2008/4". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_4.htm. Retrieved 24 December 2008.
- ^ "Impromptu onstage appearance". tinaarena.com. http://tinaarena.com/index.php?module=news§ion=newsdetail&secid=86&lang=en. Retrieved 24 December 2008.
- ^ "Tina joins Andrea Bocelli for his Australian Tour". tinaarena.com. http://tinaarena.com/index.php?module=news§ion=newsdetail&secid=85&lang=en. Retrieved 24 December 2008.
- ^ "live concert2008/5". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_5.htm. Retrieved 24 December 2008.
- ^ "live concert2008/6". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_6.htm. Retrieved 24 December 2008.
- ^ "Live with Faith Hill & David Foster". www.oprah.com. http://www.oprah.com/slideshow/oprahshow/20081031_tows_fridays/9. Retrieved 31 October 2008.
- ^ "Andrea Bocelli and Plácido Domingo together for the first time in Petite Messe Solennelle". www.dc-opera.org. 2008. http://www.dc-opera.org/ourseason/petitemesse.asp. Retrieved 24 December 2008.
- ^ a b c "live concert2008/7". Bocelli.de. 2008. http://www.bocelli.de/en/live/concert2008_7.htm. Retrieved 24 December 2008.
- ^ "Bocelli leads Christmas carol sing-along". ClassicFm.co.uk, Nov 3, 2010 article. http://www.classicfm.co.uk/music/music-news-and-features/bocelli-leads-christmas-carol-sing-along/. Retrieved 2010-04-04.
- ^ "Record breaking night for London's Christmas Carol-themed lights switch-on". Indielondon.co.uk, Nov 3, 2010 article. http://www.indielondon.co.uk/Film-Review/record-breaking-night-for-london-s-christmas-carol-themed-lights-switch-on. Retrieved 2010-04-04.
- ^ Hot Tours: Trans-Siberian Orchestra, Il Divo, Andrea Bocelli, Billboard Magazine.com Jan 6, 2010 article.
- ^ Andrea Bocelli Performs to 100,000 in Brazil, classicfm.co.uk March 2009 article.
- ^ Mary J. Blige and Andrea Bocelli on their Grammy 'Bridge' for Haiti, Billboard.com, Feb 05, 2010 article.
- ^ Mary J. Blige, Andrea Bocelli Brought 'Heavy Emotion' To Grammy Duet For Haiti, MTV, Feb 1 2010 article.
- ^ a b c "Andrea Bocelli in 2010". Bocelli.de. http://www.bocelli.de/en/live2010_1.htm.
- ^ Transcripts of the January 30, 2010, Larry King Live episode, CNN.
- ^ L.A. Italia Film, Fashion and Art Fest honors tenor Andrea Bocelli and producer David Foster, L.A. Times, March 7, 2010, article.
- ^ Andrea Bocelli's "The Story Behind the Voice", a Documentary, CNN's I-Report, March 2, 2010, article.
- ^ Andrea Bocelli og kokken som sa nei til Obama på Skavlan, March 10, 2010, Norwegian article.
- ^ Andrea Bocelli April 2010 events
- ^ Bocelli – with a little help from Ernman, Nordstjernan March 2010, article.
- ^ Andrea Bocelli i Globen Stockholm Concert Orchestra Swedish article.
- ^ Andrea Bocelli on stage with Chinese girl for Shanghai Expo, People's Daily Online, April 30, 2010 article.
- ^ Size matters at Shanghai Expo 2010, The Times, April 30, 2010 article.
- ^ Sarkozy, other leaders in Shanghai for World Expo, Cyprus Weekly, April 30, 2010 article.
- ^ Glamour of China, City Weekend.
- ^ Expo showcases music, art and culture, People's Daily, April 30, 2010 article.
- ^ The last time Italian pop and classical crossover star Andrea Bocelli visited Japan in 2008, he sold an astounding 50,000 CDs in three days, Metropolis Japan, Apr 15, 2010, article.
- ^ Andrea Bocelli Live in Japan 2010
- ^ Andrea Bocelli: Live in Japan 2010
- ^ Andrea Bocelli to 'Become One' With Audience, The Korea Times, April 20, 2010, article.
- ^ a b "Bocellimania to sweep music fans in a week". Taiwan News. 2010-04-20. http://www.etaiwannews.com/etn/news_content.php?id=1231188&lang=eng_news&cate_img=logo_taiwan&cate_rss=TAIWAN_eng.
- ^ a b "Bocelli to hold concerts in Hong Kong, Taipei". Culture.tw. 2010-03-16. http://www.culture.tw/index.php?option=com_content&task=view&id=1691&Itemid=235.
- ^ YTL Concert of Celebration 2010, Official YTL Concerts 2010 site.
- ^ 12,000 enjoy Andrea Bocelli treat, YTLcommunity, May 9, 2010, article.
- ^ Enchated Night with Andrea Bocelli, KL-lifestyle.com, May 11, 2010, article.
- ^ Singapore Botanic Gardens: Orchid named after Andrea Bocelli
- ^ Delta Goodrem to support Andrea Bocelli in the US
- ^ Jennifer Lopez shows her wild side in two animal-print dresses at the World Music Awards, Daily Mail, May 19, 2010 article.
- ^ World Music Awards Official Site
- ^ Andrea Bocelli books gig in Kazakhstan, United Press International, June 15, 2010 article.
- ^ Opening of “Khan Shatyr” Trade Entertainment Center, Official Astana website – June 25, 2010.
- ^ Giant indoor park opened for Kazakh president's birthday, The Daily Telegraph, July 5, 2010 article.
- ^ Astana Press Release July 5, 2010, Official Astana website – July 5, 2010.
- ^ World's biggest tent offers escape from Kazakhstan's big chill, The Guardian, July 6, 2010 article.
- ^ Bocelli, Bryan Adams To Headline 'Grand Finale' Concert At World Cup, Billboard.com, April 29, 2010 article.
- ^ "Bryan Adams, Bocelli to sing at World Cup finale". Vancouver Sun. April 29, 2010. http://www.vancouversun.com/entertainment/Bryan+Adams+Bocelli+sing+World+finale/2966918/story.html.
- ^ Bryan Adams rocks World Cup bash, The Globe and Mail, July 9, 2010 article.
- ^ a b Bocelli flies in for the finale, The Times (South Africa), July 11, 2010 article.
- ^ Andre Bocelli gives the presidents his best, Eyewitness News, July 10, 2010 article.
- ^ a b The anniversary of the Sveti Stefan Hotel marked by a concert by Andrea Bocelli, July 20, 2010 article.
- ^ a b c Rome in the heart of the future: Invitation by Vice-President of the European Parliament, Roberta Angelilli MEP, EPP Group, July 13, 2010 article.
- ^ Lunchtime with Andrea Bocelli, July 14, 2010 article.
- ^ Bocelli canterà a Bruxelles, Il Tempo, July 12, 2010 article.
- ^ Andrea Bocelli ambasciatore per il turismo di Roma a Bruxelles, il Giornale, July 15, 2010 article.
- ^ Andrea Bocelli, O2 Arena, review, Telegraphco.uk, Nov 15, 2010 article.
- ^ Andrea Bocelli concert review, citylife.co.uk, November 26, 2010 article.
- ^ Andrea Bocelli live in Dublin, Ireland
- ^ Andrea Bocelli makes history at O2, Classic FM, Nov 16, 2010 article.
- ^ Andrea Bocelli Brings His Christmas to the US
- ^ Andrea Bocelli joins TNT's Christmas In Washington
- ^ Andrea Bocelli on TNT's Official Website
- ^ Bocelli concert at Italian Senate, Bocelli.de.
- ^ Al Senato il Concerto di Natale con Bocelli, in aula anche Napolitano Italian
- ^ Andrea Bocelli to Make Met Recital Debut
- ^ "Hayley Westenra to perform at Bocelli concerts in Taipei". focustaiwan.tw. 2012-04-14. http://focustaiwan.tw/ShowNews/WebNews_Detail.aspx?Type=aALL&ID=201104140022. Retrieved 2012-01-28.
- ^ Andrea Bocelli Gives Stirring Performance for Gilded Crowd, Jakarta Globe, May 16, 2011 article.
- ^ 2011 Asian Tour
- ^ Bocelli shares the love with Beijing concerts, China Daily.
- ^ Andrea Bocelli at Masada Official Opera Masada website
- ^ Andrea Bocelli to sing at Masada – Famed Italian tenor to take part in one time performance in June. All proceeds dedicated to support of Galilee, Negev residents Ynetnews
- ^ Andrea Bocelli at the Greek Theatre of Syracuse
- ^ Fiamme di Solidarieta – Official Benefit concert website
- ^ Andrea Bocelli Gifts New York City With A Once In A Lifetime Musical
- ^ a b Céline Dion, Tony Bennett Among Those To Celebrate With Andrea Bocelli On Central Park’s Great Lawn
- ^ Trumps Trump Each Other at Andrea Bocelli Central Park Concert
- ^ Trump family reunion, New York Post September 18, 2011 article.
- ^ Andrea Bocelli leads Songs of Praise 50th celebrations, BBC, July 31, 2011 article.
- ^ Songs Of Praise marks 50th anniversary, BBC October 2, 2011 article.
- ^ Italian tenor Andrea Bocelli performs for Pope Benedict XVI
- ^ FIAT 35 ANOS: Andrea Bocelli faz show emocionante para 81 mil pessoas (Portuguese)
- ^ Pela 1ª vez em BH, Andrea Bocelli mescla erudito ao pop e emociona em duetos com Sandy (Portuguese)
- ^ Sandy e o tenor italiano Andrea Bocelli cantam para mais de 150 mil pessoas em Belo Horizonte (Portuguese)
- ^ Breaking: Bocelli crashes out of Romeo, ordered to cancel all commitments
- ^ Just in: Fabio Luisi stands up for Andrea Bocelli
- ^ Andrea Bocelli performs at Yerevan’s Liberty Square
- ^ Bocelli on Artistdata.com
- ^ a b c d Andrea Bocelli: 'Some voices have tears inside', The Daily Telegraph, Oct 4, 2007 article.
- ^ a b c Andrea Bocelli's Cieli di Toscana review, bluecoupe.com, 2001 article.
- ^ a b c Interview: Andrea Bocelli, opera singer, The Scotsman, October 27, 2009 article.
- ^ a b c d Video excerpt of the Story Behind the Voice documentary, YouTube video from the BBC documentary "Story Behind the Voice".
- ^ a b c d Blind Ambition People Magazine November 10, 1997 issue.
- ^ Andrea Bocelli, Zubin Mehta To Release CD Of Verdi Arias, VH1.com, September 2, 2000 article.
- ^ A conversation with Andrea Bocelli and Lorin Maazel, Charlie Rose interview, November 18, 2002.
- ^ An interview with Renee Fleming, Charlie Rose interview, October 12, 1999.
- ^ Elizabeth Taylor makes first outing 'in months, CNN, June 9, 2009 article.
- ^ Taylor Among Bocelli's Fans / Actress pushing `The Prayer' for Oscar, SFGate.com, January 13, 1999 article.
- ^ Doctors tried to cure Andrea Bocelli's blindness with leeches, Oct 31 2010, Daily Telegraph article.
- ^ Andrea Bocelli: Credo – John Paul II, New York Times review.
- ^ Domingo And Bocelli: Keeping Opera Relevant, NPR.org November 21, 2008 interiew.
- ^ a b Great Performances – Dialogue – Andrea Bocelli: Sacred Arias, Great Performances, 1999 interview.
- ^ Tommasini, Anthony (1 November 1999). "OPERA REVIEW; A Blind Pop Tenor Takes On the Operatic Stage". The New York Times. http://www.nytimes.com/1999/11/01/arts/opera-review-a-blind-pop-tenor-takes-on-the-operatic-stage.html. Retrieved 30 March 2010.
- ^ Tommasini, Anthony (1999-11-01). "OPERA REVIEW; A Blind Pop Tenor Takes On the Operatic Stage". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9A0DE5D7173BF932A35752C1A96F958260. Retrieved 2008-01-22.
- ^ Tommasini, Anthony (2000-12-03). "MUSIC; Bocelli Seeks Legitimacy (And Bucks) In 'Boheme'". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9B04E7DC143DF930A35751C1A9669C8B63. Retrieved 2008-01-22.
- ^ Holland, Bernard (2006-09-08). "Spectator-Friendly, and Critic-Proof in a Sea of Approval". The New York Times. http://www.nytimes.com/2006/09/08/arts/music/08boce.html. Retrieved 2008-01-22.
- ^ Usborne, David (9 September 2006). "'Rasping': New York critics' verdict on Bocelli". The Independent (London). http://www.independent.co.uk/arts-entertainment/music/news/rasping-new-york-critics-verdict-on-bocelli-415229.html. Retrieved 30 March 2010.
- ^ Clements, Andrew (16 July 2004). "Verdi: Il Trovatore: Bocelli/ Villaroel/ Zaremba/ Guelfi/ Colombara/ Teatro Massimo Bellini Catania Chorus & Orchestra/ Mercurio". The Guardian (London). http://www.guardian.co.uk/music/2004/jul/16/classicalmusicandopera.shopping5. Retrieved 30 March 2010.
- ^ Midgette, Anne (18 May 2003). "MUSIC: HIGH NOTES; Andrea Bocelli Does Opera, Take 2". The New York Times. http://www.nytimes.com/2003/05/18/arts/music-high-notes-andrea-bocelli-does-opera-take-2.html. Retrieved 30 March 2010.
- ^ Bocelli far from heavenly in Rossini Mass Baltimore Sun review.
- ^ Smith, Steve (2009-09-09). "No Mikes at Carnegie Hall – Just a Man and His Voice". The New York Times. http://www.nytimes.com/2009/09/10/arts/music/10bocelli.html?ref=music. Retrieved 2009-09-12.
- ^ CD review: Decca's 'Carmen,' featuring Andrea Bocelli, The Washington Post review.
- ^ Superstar Tenor Grapples With the Operatic Canon The New York Times review
- ^ Bocelli honered by the Dominican government
- ^ Andrea Bocelli, decorated in Dominican, El Universal (Mexico City) 2009 article
- ^ Decoration of Italian artist Andrea Bocelli
- ^ Andrea Bocelli worked hard to become a big draw, December 9, 2010, The Los Angeles Times.
- ^ Bocelli's fiancee expecting his first daughter omg!, Yahoo! News
- ^ Andrea Bocelli joins stars in celebrating 50th anniversary of Songs Of Praise, September 23, 2011, Daily Mail.
- ^ Virginia arriva con la primavera Fiocco rosa in casa Bocelli (Italian article) La Nazione
- ^ Andrea Bocelli and fiancée Veronica welcome a baby girl named Virginia Daily Mail
- ^ Andrea Bocelli: The Story Behind the Voice (television documentary). BBC. 2007-12-25.
- ^ Vivere: Andrea Bocelli Live in Tuscany, PBS.org.
External links[link]
|
Wikimedia Commons has media related to: Andrea Bocelli |
- Bocelli's official site
- Official German fan site (English version)
- Bocelli Community
- Official forum
- Bocelli on Myspace.com
- Bocelli on Facebook.com
- Bocelli on Youtube.com
- Bocelli on discogs.com
- Andrea Bocelli at the Internet Movie Database
- Biography of Andrea Bocelli, from RAI International
- Bocelli pages at Music City
- Andrea Bocelli on Universal Classics and Jazz Website
- Andrea Bocelli section on classicalx.com
- C Music TV Profile of Andrea Bocelli
- Bocelli lyrics
- classical-crossover tenor
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| Persondata | |
|---|---|
| Name | Bocelli, Andrea |
| Alternative names | |
| Short description | Italian tenor |
| Date of birth | 22 September 1958 |
| Place of birth | Pisa, Toscana, Italy |
| Date of death | |
| Place of death | |
http://wn.com/Andrea_Bocelli
Related pages:
http://itwn.com/Andrea Bocelli
http://cswn.com/Andrea Bocelli
http://idwn.com/Andrea Bocelli
http://eswn.com/Andrea Bocelli
http://ruwn.com/Бочелли, Андреа
http://plwn.com/Andrea Bocelli
http://frwn.com/Andrea Bocelli
http://dewn.com/Andrea Bocelli
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http://nlwn.com/Andrea Bocelli
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Andrea_Bocelli
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
James Lawrence Levine (
/lɨˈvaɪn/; born June 23, 1943) is an American conductor and pianist. He is currently on hiatus from his work as Music Director of the Metropolitan Opera, a situation necessitated by health problems and not due to end before the fall of 2013; the hiatus began in May 2011.
Levine's first performance conducting the Metropolitan Opera was on June 5, 1971, and, as of June 2011, he had conducted 2,442 Met performances, a record.[1] The conductor has held music director positions with the Boston Symphony Orchestra and the Munich Philharmonic. In 1997, he was awarded the National Medal of Arts.[2]
Contents |
Early years[link]
Levine was born in Cincinnati, Ohio, to a musical family: his maternal grandfather was a cantor in a synagogue, his father was a violinist who led a dance band, and his mother was an actress. He began to play the piano as a small child. At the age of 10, he made his concert debut as soloist in Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra.
Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, Vermont. In the following year he began studies with Rosina Lhévinne at the Aspen Music School. After graduating from Walnut Hills High School, the acclaimed magnet school in Cincinnati, he entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964 and joined the American Conductors project connected with the Baltimore Symphony Orchestra.
From 1964 to 1965, Levine served as an apprentice to George Szell with the Cleveland Orchestra and then served as assistant conductor until 1970. That year, he also made his debut as guest conductor with the Philadelphia Orchestra at its summer home at Robin Hood Dell. He made his debut in that same year with the Welsh National Opera and the San Francisco Opera. In June, 1971, he was called in at the last moment to substitute for an ailing István Kertész[3] in the season opener of the Chicago Symphony Orchestra's summer festival, the Ravinia Festival; the program was the Symphony no. 2, "Resurrection," of Gustav Mahler. This concert began a long association with the Chicago Symphony Orchestra: two years later, in 1973, he was appointed music director of the Ravinia Festival (his predecessor in this position was Kertész, who had died in April). Levine held the position until 1993, and made numerous recordings with the orchestra, including the symphonies and German Requiem of Johannes Brahms, and major works of Gershwin, Holst, Berg, Beethoven, Mozart, and others. In 1990, at the request of Roy E. Disney, he arranged the music and conducted the Chicago Symphony Orchestra in the soundtrack of Fantasia 2000, released by Walt Disney Pictures. He also served as music director of the Cincinnati May Festival (1974–1978).
Metropolitan Opera[link]
Levine made his Metropolitan Opera debut on June 5, 1971,[1] in a festival performance of Tosca. His success led to further appearances and to his appointment as its principal conductor in 1973. He became music director in 1976. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986,[4] and relinquished the title in 2004.
Under his leadership, the Metropolitan Opera orchestra and chorus has become one of the finest operatic ensembles in the world, punctuated by the regular concert series for the orchestra and chamber ensembles he began at Carnegie Hall.[5] On his recent appointment as General Manager of the Met, Peter Gelb emphasized that James Levine would be welcome to remain as long as he wanted to direct music there.
At the Met, Levine has led numerous new productions of works of Mozart, Verdi, Richard Wagner, Richard Strauss, Gioachino Rossini, Arnold Schoenberg, Igor Stravinsky, Kurt Weill, Claude Debussy, Alban Berg, and George Gershwin. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion.
Levine has led the Metropolitan Opera on many domestic and international tours. The company broadcasts regular Live-In-HD television around the world to cinemas, and live Metropolitan Opera radio broadcasts every Saturday afternoons around the world each season from December to April.
Boston Symphony Orchestra[link]
Levine first conducted the Boston Symphony Orchestra (BSO) in April 1972.[6] In October 2001, Levine was named music director of the BSO, effective with the 2004–2005 season, with an initial contract of five years,[7] becoming the first American-born conductor to head the BSO.
One unique condition that Levine negotiated was increased flexibility of the time allotted for rehearsal, allowing the orchestra additional time to prepare more challenging works.[8] Since the start of his tenure, the orchestra has also established an "Artistic Initiative Fund" of about US$40 million to fund the more expensive of Levine's projects.[9]
One criticism of Levine during his BSO tenure is that he did not attend many orchestra auditions. A 2005 article reported that Levine had attended two out of 16 auditions during his tenure up to that time. Levine himself has responded that he has the ability to provide input on musician tenure decisions after the initial probationary period, and that it is difficult to know how well a given player will fit the given position until that person has had a chance to work with the orchestra: "My message is the audition isn't everything."[10]
Another 2005 report stated that during Levine's first season as music director, the greater workload from the demands of playing more unfamiliar and contemporary music has increased physical stress with some of the BSO musicians. Levine and the players met to discuss this, and he agreed to program changes to lessen these demands.[11] Levine has received general critical praise for revitalizing the quality and repertoire since the beginning of his tenure.[12]
In April 2010, in the wake of Levine's continuing health problems, it emerged that Levine had not officially signed a contract extension, so that Levine was the BSO's music director without a signed contract.[13]
On March 2, 2011, the BSO announced that Levine would step down from his post as Music Director in September 2011, after the Orchestra's Tanglewood season. He had been experiencing ongoing health problems, starting with an onstage fall in 2006 that resulted in a torn rotator cuff and started discussion of how much longer Levine's tenure with the BSO would be.[14] The announcement brought to a sad end Levine's belated bid for recognition as a transformational orchestral conductor.[15]
Conducting in Europe[link]
Levine's Boston Symphony contract limited his guest appearances with American orchestras but Levine has conducted regularly in Europe, with the Vienna Philharmonic, Berlin Philharmonic, and at the Bayreuth Festival. Levine has been a regular guest with the Philharmonia of London and the Dresden Staatskapelle. Since 1975 he has conducted regularly at the Salzburg Festival and the annual July Verbier Festival. From 1999 to 2004 he was chief conductor of the Munich Philharmonic, and was credited with improving the quality of instrumental ensemble during his tenure.[16]
Chamber Music and Work as Accompanist[link]
Levine has performed in chamber music ensembles and as accompanist in Lieder recitals.
Work with students[link]
Levine has initiated the Lindemann Young Artists Development Program at the Metropolitan Opera, a professional training program for graduated singers with, today, many famous alumni.
Levine was conductor of the UBS Verbier Festival Orchestra, the student resident orchestra at the annual summer music festival in Verbier, Switzerland, from 2000 through 2006. It was Levine's first long-term commitment to a student orchestra since becoming music director at the Met. After becoming Music Director of the Boston Symphony Orchestra, Levine also served as Music Director of the Tanglewood Music Center, the BSO's acclaimed summer academy at Tanglewood for student instrumentalists, singers, composers, and conductors. There he conducted the Tanglewood Music Center Orchestra, directed fully staged opera performances with student singers, and gave master classes for singers and conductors.
Levine himself has said in interviews:
"At my age, you are naturally inclined towards teaching. You want to teach what you have learned to the next generation so that they don't have to spend time reinventing the wheel. I was lucky that I met the right mentors and teachers at the right moment. I love working with young musicians and singers, and those at the Tanglewood Music Center are unequivocally some of the finest and most talented in the world."
Conductors he has helped and influenced through his musical mentoring include Marco Armiliato, James Conlon, and John Keenan.
Health problems[link]
Levine has experienced recurrent health issues in recent years, including sciatica and what he has called "intermittent tremors".[17] On March 1, 2006, Levine tripped and fell onstage during a standing ovation after a performance with the Boston Symphony Orchestra and tore the rotator cuff in his right shoulder, leaving the remaining subscription concerts in Boston to his assistant conductor at the time, Jens Georg Bachmann. Later that month, Levine underwent surgery to repair the injury. He returned to the podium on July 7, 2006, leading the BSO at Tanglewood.[18]
Levine withdrew from the majority of the Tanglewood 2008 summer season, because of surgery required to remove a kidney with a malignant cyst.[7] He returned to the podium in Boston on September 24, 2008, leading the BSO's season opening concert at Symphony Hall.[19] On September 29, 2009, it was announced that Levine would undergo emergency back surgery for a herniated disk. He missed some three weeks of engagements, including a season opening performance at Carnegie Hall with the BSO, performances of Tosca at the Met, and regular BSO subscription concerts.[20]
In March 2010, the BSO announced that Levine would miss the remainder of the Boston Symphony season because of back pain.[21][22] The Metropolitan Opera also announced, on April 4, 2010, that Levine was withdrawing from the remainder of his scheduled performances for the season. According to the Met, Levine was required to have "corrective surgery for an ongoing lower back problem."[23] Levine returned to conducting duties at the Met and the BSO at the beginning of the 2010-11 season, but in February 2011 he cancelled his Boston engagements for the rest of the season, including the Tanglewood summer festival.[24] These cancellations were followed by the announcement that Levine would officially resign from his post as Music Director on September 1, 2011.[25] In the summer of 2011 Levine underwent further surgery on his back. In September, after falling and injuring his back while on vacation in Vermont, it was announced that he would not conduct at the Met at least for the rest of 2011, and that Fabio Luisi would step up to the role of principal conductor.[26] In December, he ruled himself out of performing again before the fall of 2013.[27]
Recordings[link]
Levine can be seen and heard in many audio and video recordings. Levine has recorded extensively with many orchestras and especially often with the Metropolitan Opera. His performance of Aïda with Leontyne Price, her last in opera, was preserved on video and may be seen at the Met's own online archive of performances. Of particular note are his performances of Wagner's complete Der Ring des Nibelungen. A studio recording made for Deutsche Grammophon in 1987–1989 can be found on compact disc and a 1989 live performance of the Ring is available on DVD.
Film[link]
Levine was featured in the animated Disney film Fantasia 2000. He conducted the Chicago Symphony Orchestra in the soundtrack recordings of all the music in the film (with the exception of one segment from the original 1940 Fantasia). Levine is also seen in the film talking to Mickey Mouse before introducing the Pomp and Circumstance March #4 segment.
References[link]
- ^ Information compiled by the Metropolitan Opera Archives
- ^ Lifetime Honors - National Medal of Arts
- ^ von Rhein, John (2005-01/26). "Mahler Launches Another Career At Ravinia". The Chicago Tribune. http://articles.chicagotribune.com/1995-01-26/features/9501260172_1_riccardo-chailly-ravinia-festival-christoph-eschenbach.
- ^ Kettle, Martin (November 17, 2000). "Staying power". The Guardian. http://www.guardian.co.uk/friday_review/story/0,,398525,00.html. Retrieved 2007-05-25.
- ^ Crutchfield, Will (November 11, 1990). "From the Pit at the Met, the Sound of Success". The New York Times. http://www.nytimes.com/1990/11/11/arts/classical-music-from-the-pit-at-the-met-the-sound-of-success.html. Retrieved 2007-10-28.
- ^ Berg, Thomasine (22 February 2009). "Keeping time: James Levine and the Boston Symphony Orchestra". The Boston Globe. http://www.boston.com/ae/music/articles/2009/02/22/keeping_time/. Retrieved 2009-02-25.
- ^ a b Edgers, Geoff (July 9, 2008). "Surgery sidelines Levine". The Boston Globe. http://www.boston.com/ae/music/articles/2008/07/09/surgery_sidelines_levine/?page=full. Retrieved 2008-07-12.
- ^ Sandow, Greg. "Right Man for the Job". The Wall Street Journal, November 5, 2001.
- ^ Edgers, Geoff. "The cost of excellence". The Boston Globe, September 25, 2005.
- ^ Edgers, Geoff. "6 minutes to shine". The Boston Globe, September 4, 2005.
- ^ Edgers, Geoff (March 17, 2005). "Levine's pace proves hard on BSO". The Boston Globe. http://www.boston.com/news/local/massachusetts/articles/2005/03/17/levines_pace_proves_hard_on_bso/. Retrieved 2007-05-25.
- ^ Schwartz, Lloyd. "Stretching exercises: The BSO challenges the audience and itself". Boston Phoenix, March 25–31, 2005.
- ^ Edgers, Geoff (2010-04-07). "Levine’s BSO future may be in doubt". Boston Globe. http://www.boston.com/ae/music/articles/2010/04/07/bsos_ailing_maestro_has_no_contract/. Retrieved 2010-04-10.
- ^ Edgers, Geoff (2011-03-02). "Levine Stepping Down as Boston Symphony Orchestra Director". Boston Globe. http://www.boston.com/ae/specials/culturedesk/2011/03/levine_stepping_down_as_boston_.html. Retrieved 2010-03-02.
- ^ http://www.artsjournal.com/slippeddisc/2011/03/breaking_news_levine_quits.html
- ^ Tommasini, Anthony (February 19, 2002). "Clarity and Atmospherics, Courtesy of Levine". The New York Times. http://www.nytimes.com/2002/02/19/arts/music-review-clarity-and-atmospherics-courtesy-of-levine.html. Retrieved 2007-09-02.
- ^ Dobkin, Matt. "Hey, Baby, It's Jimmy". New York, January 16, 2006.
- ^ Beggy, Carol, and Mark Shanahan. "A maestro on the mend". The Boston Globe, March 31, 2006.
- ^ Eichler, Jeremy (September 26, 2008). "Welcome sights on opening night as Levine returns to lead BSO". The Boston Globe. http://www.boston.com/ae/music/articles/2008/09/26/welcome_sights_on_opening_night_as_levine_returns_to_lead_bso/.
- ^ Wakin, Daniel J. (2009-09-30). "James Levine to Bow Out for 3 Weeks". New York Times. http://www.nytimes.com/2009/09/30/arts/music/30levi.html.
- ^ Edgers, Geoff (2010-03-22). "Levine to miss remainder of BSO season". Boston Globe. http://www.boston.com/ae/specials/culturedesk/2010/03/levine_to_miss_remainder_of_bs.html. Retrieved 2010-04-03.
- ^ Eichler, Jeremy A. (2010-03-25). "Another Levine absence takes its toll on the BSO". Boston Globe. http://www.boston.com/ae/music/articles/2010/03/25/another_levine_absence_takes_its_toll_on_the_bso/. Retrieved 2010-04-03.
- ^ Ng, David. (2010-04-10). "Conductor James Levine withdraws from remainder of Metropolitan Opera's season". Los Angeles Times. http://latimesblogs.latimes.com/culturemonster/2010/04/conductor-james-levine-withdraws-from-remainder-of-metropolitan-operas-season.html. Retrieved 2010-05-01.
- ^ http://www.artsjournal.com/slippeddisc/2011/03/subbing_for_levine.html
- ^ Miller, Michael (3/2/2011). "The End of the Levine Years: James Levine to step down Sept.1, withdraws from his remaining BSO concerts of the 2010-11 season" Berkshire Review, an International Journal for the Arts
- ^ http://www.artsjournal.com/slippeddisc/2011/09/james-levine-cancels-rest-of-met-year-fabio-luisi-steps-in.html
- ^ http://www.artsjournal.com/slippeddisc/2011/12/just-in-james-levine-concedes-hes-out-for-2013-as-well.html
External links[link]
| Preceded by Rafael Kubelík |
Music Director, Metropolitan Opera 1976 – present |
Succeeded by Incumbent |
| Preceded by Seiji Ozawa |
Music Director, Boston Symphony Orchestra 2004 – 2011 |
Succeeded by TBD |
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| Persondata | |
|---|---|
| Name | Levine, James |
| Alternative names | |
| Short description | |
| Date of birth | June 23, 1943 |
| Place of birth | |
| Date of death | |
| Place of death | |
http://wn.com/James_Levine
Related pages:
http://ruwn.com/Ливайн, Джеймс
http://frwn.com/James Levine
http://nlwn.com/James Levine
http://ptwn.com/James Levine
http://dewn.com/James Levine
http://itwn.com/James Levine
http://plwn.com/James Levine
http://eswn.com/James Levine
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/James_Levine
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
94:05
BBC Prom 13 - Verdi' Requiem
Tenorfach
BBC Prom 13 - Verdi' Requiem
Proms 2011 - Prom 13 - Broadcast on BBC 4 Original concert on 24 July 2011 - Broadcast on 21 August 2011 Verdi's Requiem Marina Poplavskaya - soprano Mariana Pentcheva - mezzo-soprano Joseph Calleja - tenor Ferruccio Furlanetto - bass BBC Symphony Chorus BBC National Chorus of Wales London Philharmonic Choir BBC Symphony Orchestra Semyon Bychkov - conductor
215:41
Verdi: Aida with Freni, Domingo, Wixell. Houston 1987
norbart76
Verdi: Aida with Freni, Domingo, Wixell. Houston 1987
Verdi: Aida Houston 1 October 1987 Conductor Emil Tchakarov Production Pier Luigi Pizzi Mirella Freni (Aida) Placido Domingo (Radames) Stefania Toczyska (Amneris) Ingvar Wixell (Amonastro) Nicolai Ghiaurov (Ramfis) David Langan (Il Re) John Keyes(Messenger) Priestess(Marquia Luter)
1:47
BBC Proms 2011: Verdi - Dies Irae from Requiem
Radio3Video
BBC Proms 2011: Verdi - Dies Irae from Requiem
Originally broadcast live from the Royal Albert Hall, London Verdi's Requiem - his great sacred masterpiece - storms the heavens with a stellar line up of soloists and massed choirs in the second of the Proms Choral Sundays. The ultimate in dramatic intensity, this extraordinary work speaks of heaven and hell, fire and earth, darkness and light in music that is as much theatrical as devotional. Verdi completed it in 1874, and conducted the premiere himself in Milan. Three large-scale choirs and the BBC Symphony Orchestra conducted by a Verdi specialist whose recent Cologne recording, which also featured bass Ferruccio Furlanetto, has been much acclaimed. Soloists Marina Poplavskaya and Joseph Calleja both sang alongside Furlanetto in last year's Simon Boccanegra at the Royal Opera House. Marina Poplavskaya (soprano) Mariana Pentcheva (mezzo-soprano) Joseph Calleja (tenor) Ferruccio Furlanetto (bass) BBC Symphony Chorus BBC National Chorus of Wales London Philharmonic Choir BBC Symphony Orchestra Semyon Bychkov (conductor). For more information on this prom, please visit: www.bbc.co.uk
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