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The word lady is a polite term for a woman, specifically the female equivalent to, or spouse of, a lord or gentleman, and in many contexts a term for any adult woman. Once relating specifically to women of high social class or status, over the last 300 years it has spread to embrace all adult women, though in some contexts may still be used to evoke a concept of "lady-like" standards of behaviour.

Portrait of Augusta, Lady Gregory, who some thought embodied the classical attributes of a lady.

Etymology and usage[link]

The word comes from Old English hlǣfdige; the first part of the word is a mutated form of hlāf, "loaf, bread", also seen in the corresponding hlāford, "lord". The second part is usually taken to be from the root dig-, "to knead", seen also in dough; the sense development from bread-kneader, or bread-maker, or bread-shaper, to the ordinary meaning, though not clearly to be traced historically, may be illustrated by that of "lord".

The primary meaning of "mistress of a household" is now mostly obsolete, save for the term landlady and in set phrases such as "the lady of the house." This meaning is retained in the southern states of the USA, however, in the title First Lady for the wife of an elected official. In many European languages the equivalent term serves as a general form of address equivalent to the English Missus usually written Mrs (French Madame, Spanish Señora, Italian Signora, German Frau, Polish Pani, etc.). In those languages it is correct to address a woman whose name is unknown as Madame, Señora, etc., but in English "lady" has for centuries only normally been a "term of address" in the plural,^[1] which is also the case for "gentleman". The singular vocative use was once common but became confined to poetry.^[1] The equivalent English term for politely addressing a woman is Madam or Ma'am.

The special use of the word as a title of the Virgin Mary, usually Our Lady, represents the Latin Domina Nostra. In Lady Day and Lady Chapel the word is properly a genitive, representing hlǣfdigan "of the Lady".

The word is also used as a title of the Wiccan Goddess, The Lady; Margaret Thatcher was informally referred to in the same way by many of her political colleagues when Prime Minister of Great Britain.

John William Waterhouse's The Lady of Shalott, 1888 (Tate Gallery, London)

British and Irish usage[link]

Especially in both Britain and Ireland, 'lady' is often, but not always, simply a courteous synonym for 'woman'. It has a formal and respectful quality, being used to describe an older woman such as 'an old lady' or when speaking about a woman to a child (e.g. "Give the money to the lady.") It may be used, however incongruously, in descriptions such as "the cleaning lady" or even "a bag lady" (tramp). Public lavatories are often distinguished by signs showing simply 'Ladies' or 'Gentlemen'.

However, formally "lady" is the female counterpart to higher ranks in society, from gentlemen, through knights, to lords, and so on. During the Middle Ages, princesses or daughters of the blood royal were usually known by their first names with "The Lady" prefixed, e.g. The Lady Elizabeth; since Old English and Middle English did not have a female equivalent to princes or earls or other royals or nobles, aside from the queen, women of royal and noble status simply carried the title of "Lady".

As a title of nobility, the uses of "lady" in Britain are parallel to those of "lord". It is thus a less formal alternative to the full title giving the specific rank, of marchioness, countess, viscountess or baroness, whether as the title of the husband's rank by right or courtesy, or as the lady's title in her own right. A peeress's title is used with the definite article: Lord Morris's wife is "The Lady Morris". A widow's title derived from her husband becomes the dowager, e.g. The Dowager Lady Smith. The title "Lady" is also used for a woman who is the wife of a Scottish feudal baron, the title "Lady" preceding the name of the barony.

In the case of younger sons of a duke or marquess, who by courtesy have "Lord" prefixed to their given and family name, the wife is known by the husband's given and family name with "The Lady" prefixed, e.g. The Lady John Smith. The daughters of dukes, marquesses and earls are by courtesy ladies; here that title is prefixed to the given and family name of the lady, e.g. The Lady Jane Smith, and this is preserved if the lady marries a commoner, e.g. Mr John and The Lady Jane Smith. The article 'The' should be used prior to "Lady" or "Lord" in all cases, except after a divorce for women who do not hold the courtesy title of "Lady" in their own right, e.g. or Jane, Lady Smith (the ex-wife of Lord John Smith).

"Lady" is also the customary title of the wife of a baronet or knight, but in this case with neither the article nor Christian name: "Lady" with the surname of the husband only, Sir John and Lady Smith. When a woman divorces a knight and he marries again, the new wife will be Lady Smith while the ex-wife becomes Jane, Lady Smith.

Female recipients of the Order of the Garter and Order of the Thistle also receive the prefix of Lady; here that title is prefixed to the given and family name of the lady, e.g. The Lady Marion Fraser LT, with the post nominal LG or LT respectively, and this is preserved if the lady marries.

General usage: social class[link]

In more recent years, use of the word lady is even more complicated. The American journalist William Allen White noted one of the difficulties in his 1946 autobiography. He relates that a woman who had paid a fine for prostitution came to his newspaper to protest, not that the fact of her conviction was reported, but that the newspaper had referred to her as a "woman" rather than a "lady." After the incident, White assured his readers, his papers referred to human females as "women," with the exception of police court characters, who were all "ladies."

White's anecdote touches on a phenomenon that others have remarked on as well. In the late 19th and early twentieth century, in a difference reflected in the British novelist Nancy Mitford's essay "U vs. non-U", lower class women strongly preferred to be called "ladies" while women from higher social backgrounds were content to be identified as "women." Alfred Ayer remarked in 1881 that upper middle class female store clerks were content to be "saleswomen," while lower class female store clerks, for whom their job represented a social advancement, insisted on being called "salesladies." These social class issues, while no longer as prominent in this century, have imbued the formal use of "lady" with something of irony (e.g.: "my cleaning lady," or "ladies of the night" for prostitutes). Commenting on the word in 1953, C.S. Lewis wrote that "the guard at Holloway said it was a ladies' prison!"

It remains in use, for example, as a counterpart to "gentleman," in the phrase "ladies and gentlemen," and is generally interchangeable (in a strictly informal sense) with "woman" (as in, "The lady at the store said I could return this item within thirty days."). However, some women, since the rise of second wave feminism, have objected to the term used in contexts such as the last example, arguing that the term sounds patronising as well outdated when used in this way - a man in the same context would not necessarily be referred to as a "gentleman". Feminist writers such as Robin Lakoff (1975) in her book "Language and Woman's Place" notably raised the issue of the ways in which "lady" is not used as the counterpart of "gentleman". A sign in the gardens of Hunters Hotel reads "Ladies and Gentlemen will not pick the flowers; others must not"

References[link]

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

• Merriam Webster's Dictionary of English Usage (Merriam-Webster, 1989), ISBN 0-87779-132-5.

Lakoff, Robin "Language and Woman's Place" (New York, Harper & Row, 1975). ISBN 0-19-516757-0

Kenneth Donald "Kenny" Rogers^[1] (born August 21, 1938) is an American singer-songwriter, photographer, record producer, actor, and entrepreneur. Though he has been most successful with country audiences, he has charted more than 120 hit singles across various music genres and topping the country and pop album charts for more than 200 individual weeks in the United States alone.

Two of his albums, The Gambler and Kenny, are featured in the About.com poll of "The 200 Most Influential Country Albums Ever".^[2] He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People.^[3] He has received numerous such awards as the AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.^[4]

Later success includes the 2006 album release, Water & Bridges, an across the board hit, that peaked at #5 in the Billboard Country Albums sales charts, also charting high in the Billboard 200. The first single from the album, "I Can't Unlove You," was also a chart hit. Remaining a popular entertainer around the world, the following year he completed a tour of the United Kingdom and Ireland, telling BBC Radio 2 DJ Steve Wright his favorite hit was "The Gambler". He has also acted in a variety of movies and television shows, most notably the title roles in Kenny Rogers as The Gambler and the MacShayne series as well as his appearance on The Muppet Show.^[5][6]

Personal life[link]

Rogers was born in Houston, Texas, in 1938, the fourth of seven children born to Lucille (née Hester; d. 1991), a nurse, and Edward Floyd Rogers (d. 1975), a carpenter.^[7] Rogers graduated from Jefferson Davis High School in Houston.

Career[link]

Early career[link]

His career began in the mid 1950s when he recorded with a doo-wop group called The Scholars, who had some success with a single called "Poor Little Doggie." Rogers was not the lead singer of the group and after two more singles they disbanded when their leader went solo.

Now on his own, Kenneth Rogers (as he was billed then) followed the breakup with his own single, a minor solo hit called "That Crazy Feeling" (1958). After sales slowed down, Rogers joined a jazz group called The Bobby Doyle Trio, who got a lot of work in clubs thanks to a reasonable fan following and also recorded for Columbia Records. The group disbanded in 1965, and a 1966 jazzy rock single Rogers recorded for Mercury Records, called "Here's That Rainy Day" failed. Rogers also worked as a producer, writer and session musician for other performers; including country artists Mickey Gilley and Eddy Arnold. In 1966 he joined The New Christy Minstrels as a singer and double bass player.

Feeling that the Minstrels were not offering the success they wanted, Rogers and fellow members Mike Settle, Terry Williams, and Thelma Camacho left the group. They formed The First Edition in 1967 (later renamed "Kenny Rogers and The First Edition"). They chalked up a string of hits on both the pop and country charts, including "Something's Burning", "Ruby, Don't Take Your Love to Town", "Reuben James" and "Just Dropped In (To See What Condition My Condition Was In)." In his First Edition days, Rogers had something of a hippie image, sporting long brown hair, an earring, and pink sunglasses.

When the group split in 1976, Rogers launched his solo career. Rogers soon developed a more middle of the road sound, with a somewhat rough but tuneful voiced style that sold to both pop and country audiences; to date, he has charted more than 60 top 40 hit singles (including upwards of 25 #1's) and 50 of his albums have charted. His music has also been featured in top selling movie soundtracks, such as Convoy, Urban Cowboy and The Big Lebowski.^[8][9]

Solo career[link]

Rogers in 1981.

After leaving The First Edition in 1976, after almost a decade with the group, Rogers signed a solo deal with United Artists. Butler and Rogers began a partnership that would last four years.

Rogers first outing for his new label was Love Lifted Me. The album charted and two singles "Love Lifted Me" and "While the Feeling's Good" were minor hits. The song "Runaway Girl" was featured in the motion picture Trackdown. Later in 1976, Rogers issued his second album, the self-titled Kenny Rogers, whose first single "Laura (What's He Got That I Ain't Got)", was another solo hit.

The single "Lucille" (1977) was a major hit, reaching number one on the pop charts in 12 countries, selling over five million copies, and firmly establishing Rogers' post-First Edition career. On the strength of "Lucille", the album Kenny Rogers reached #1 in the Billboard Country Album Chart. More success was to follow, including the multi-million selling album The Gambler and another international Number 1 single, "Coward of the County", taken from the equally successful album, Kenny. In 1980, the Rogers/Butler partnership came to an end, though they would occasionally reunite: in 1987 on the album I Prefer the Moonlight and again in 1993 on the album If Only My Heart Had a Voice.

In the late 1970s, Rogers teamed up with close friend and country singer Dottie West for a series of albums and duets. Together the duo had three hit albums, selling out stadiums and arenas while on tour. Their hits together "Every Time Two Fools Collide", "Anyone Who Isn't Me Tonight" and "What Are We Doin' in Love" became Country standards. Of West, Rogers stated in a 1995 TNN interview "She, more than anybody else I ever worked with, sang with such emotion that you actually believed what she sang." Rogers was with West when she died after sustaining injuries in a 1991 car accident. In 1995 he starred opposite Michele Lee in the CBS biopic Big Dreams and Broken Hearts: The Dottie West Story.^{[citation needed]}

In 1980, his duet with Kim Carnes "Don't Fall in Love with a Dreamer" became a major hit. Later in 1980 came his partnership with Lionel Richie who wrote and produced Rogers' #1 hit "Lady". Richie went on to write and produce Rogers' 1981 album Share Your Love, a chart topper and commercial favorite featuring hits such as "I Don't Need You" (Pop #3), "Through the Years" (Pop #13), and "Share Your Love with Me" (Pop #14). His first Christmas album was also released that same year. In 1982, Rogers released the album Love Will Turn You Around. The Love Will Turn You Around (song) reached #13 on the Billboard Hot 100 and topped the country and AC charts. due to its exposure as the theme song of Rogers' 1982 film Six Pack. Shortly after he started working with producer David Foster in 1983 recording the smash Bob Seger cover "We've Got Tonight", a duet with Sheena Easton.

He went on to work with the Bee Gees to record and produce his 1983 hit album Eyes That See in the Dark, featuring the title track and yet another #1 hit "Islands in the Stream", a duet with Dolly Parton. The Gibbs originally wrote the song for Marvin Gaye in an R&B style, only later to change it for the Kenny Rogers album.^[10] The partnership with Bee Gees only lasted one album, which was not a surprise considering that Rogers' original intentions were to work with Barry Gibb in only one song but Barry insisted on them doing the entire album.

"Islands in the Stream", Rogers' duet with Dolly Parton, was the first single to be released from Eyes That See in the Dark in the United States, and it quickly went to #1 in the Billboard Hot 100 (it would prove to be the last country single to reach #1 on that chart until "Amazed" by Lonestar did so in 2000), as well as topping Billboard's country and adult contemporary singles charts; it was certified Platinum by the Recording Industry Association of America for shipping two million copies in the United States. Rogers would reunite with Parton in 1984 for a holiday album and TV special, Once Upon a Christmas, as well as a 1985 duet "Real Love", which also topped the U.S. country singles chart.^{[citation needed]}

Despite the "Islands in the Stream"s success, however, RCA insisted on releasing Eyes' title track as the first UK single, and the song stalled at a disappointing #61 there, although it did stay in the top 100 for several weeks (when it was eventually released in the United States, it was more successful, charting high on the Adult Contemporary chart and making the country top 30). "Islands in the Stream" was issued as a followup single in Britain and sold well, making #7. The album itself reached #1 on the country charts on both sides of the Atlantic and enjoyed multi-million sales. "Buried Treasure," "This Woman" and "Evening Star"/"Midsummer Nights" were also all successful singles from the album.

Shortly after came the album What About Me?, a hit whose title track, a trio performance with James Ingram and Kim Carnes, was nominated for a Grammy award; the single "Crazy" (not to be confused with the Willie Nelson-penned Patsy Cline hit) topped the country charts. David Foster was to work again with Rogers in his 1985 album The Heart of the Matter, although this time Foster was playing backing music rather than producing, a role given to George Martin. This album was another success, going to #1, with the title track making to the top ten category in the singles charts.

The next few years saw Rogers scoring several top country hits on a regular basis, including "Twenty Years Ago," "Morning Desire," "Tomb of the Unknown Love", among others. On January 28, 1985 Rogers was one of the 45 artists who recorded the worldwide charity song "We Are the World" to support hunger victims in Africa. The following year he played at Giants Stadium.^{[citation needed]}

In January 1987, Rogers co-hosted the American Music Awards at the Shrine Auditorium in Los Angeles. In 1988 Rogers won a grammy "Best Country Collaboration with Vocals" with Ronnie Milsap — "Make No Mistake, She's Mine". In the 1990s Rogers continued to chart with singles such as "Crazy In Love", "If You Want To Find Love" and "The Greatest". His second Christmas album entitled "Christmas in America" was released in 1989 for Reprise Records. From 1991-94, Rogers hosted The Real West on A&E, and on The History Channel since 1995 (Reruns only on The History Channel). He visited Miller's during this time period. From 1992-95, Rogers co-owned and headlined Branson, Missouri's 4,000 seat Grand Palace Theatre. In 1994, Rogers released his "dream" album titled Timepiece on Atlantic Records. It consisted of 1930s/40s jazz standards; it was the type of music he performed in his early days with The Bobby Doyle Three in Houston.^{[citation needed]}

In 1996 he released an album Vote For Love where the public requested their favorite love songs and Rogers performed the songs (several of his own hits were in there). The album was the first for the TV shopping channel QVC's record label, onQ Music. The album, sold exclusively by QVC, was a huge success and was later issued in stores under a variety of different titles. It reached #1 in the UK country charts under the title Love Songs (a title also used for various compilations) and also crossed over into the mainstream charts.

In 1999 Rogers scored with the single "The Greatest", a song about life from a child's point of view (looked at through a baseball game). The song reached the top 40 of Billboard's Country singles chart and was a Country Music Television Number One video. It was on Rogers' album She Rides Wild Horses the following year (itself a top 10 success). In 1999, Rogers also produced a song, "We've Got It All", specifically for the series finale of the ABC show Home Improvement. Not on any album, the recording sells for a high sum at auction.^{[citation needed]}

Beyond the 1990s[link]

Kenny Rogers in 2004

In the 21st century, Rogers was back at #1 for the first time in more than a decade with the 2000 single "Buy Me a Rose". In doing so, he broke a 26-year-old record held by Hank Snow (who, in April 1974, was 59 years and 11 months old when he scored with "Hello Love"). Rogers held the record until 2003, when then 70-year-old Willie Nelson became the oldest artist to have a No. 1 on the country charts with his duet with Toby Keith, "Beer for My Horses".

Although Rogers did not record new albums for a couple of years, he continued to have success in many countries with more greatest hits packages. In 2004 42 Ultimate Hits, which was the first hits collection to span his days with the First Edition to the present, reached Number 6 on the American country charts and went gold. It also featured two new songs, "My World Is Over" with Whitney Duncan and "We Are the Same". "My World Is Over" was released as a single and was a minor hit. In 2005 The Very Best of Kenny Rogers, a double album, sold well in Europe. It was the first new solo Kenny Rogers hits album to reach the United Kingdom for over a decade, despite many compilations there that were not true hits packages.

Rogers also signed with Capitol Records and had more success with the TV advertised release 21 Number Ones in January 2006. Although this CD did contain 21 chart-toppers as the title claims (recorded between 1976 and the present day), this was not a complete collection of Rogers' #1 singles, omitting such singles as "Crazy in Love" and "What About Me?"

Much of his success was during the period from 1976 to 1983, when he was signed to United Artists and later Liberty. It is very rare for an artist of Rogers' age to be signed to a major label. Capitol followed 21 Number Ones with Rogers' new studio album, Water And Bridges, in March 2006 on the Capitol Nashville Records label. The first single from the album was "I Can't Unlove You" which peaked at # 1 7 on the country charts, after spending over 6 months on the hit list, more than 50 years after he formed his first group and 38 years after his first major hit as leader of The First Edition; the song remains in recurrent airplay on some radio stations today. "I Can't Unlove You" was followed up with the second single from the album, "The Last Ten Years (Superman)", in September 2006. The third single, "Calling Me," which features Don Henley, became popular in early 2007, and was nominated for a Grammy Award at the 2007 Grammy Awards. Also in 2007, the 1977 "Kenny Rogers" album was re-issued as a double play CD, also featuring the 1979 "Kenny" album and this once again put Rogers' name into the sales charts worldwide. The following year, another compilation album ("A Love Song Collection") also charted. He currently lives in Atlanta.

As of 2011 Rogers has recorded 65 albums and sold over 190 million records.^[11][12]

On August 26, 2008, Rogers released "50 Years"^[13] exclusively at Cracker Barrel stores. The album includes some of Rogers' greatest hits, plus 3 new songs. The release is designed to celebrate Rogers' 50th year in the music business. However, it should be noted Rogers has been in the music business for more than 50 years including his releases with The Scholars, who recorded for a local label in Houston. 1958 was the year he signed his first recording deal with a major label. In 2007 the England national rugby union team team adopted Rogers song "The Gambler" as their unofficial 2007 Rugby World Cup anthem,^[14] after hearing prop Matt Stevens playing it in the team hotel. Before the Semi-final against France and the Final against South Africa, Rogers sent video messages of support to the team in light of them choosing his song. He offered to come to England and party with the team if they won the World Cup.

In 2008 Rogers toured with his Christmas Show. He split the show up, making the first half his "best of" and the second half his Christmas songs. One such show was at Mohegan Sun Casino^[15] in Uncasville, Connecticut.

In 2009 he toured the United Kingdom. In 2009, Rogers embarked on his 50th Anniversary Tour. The tour went around the United States, Britain and Ireland.

On April 10, 2010, a TV special was taped, Kenny Rogers: The First 50 Years. Dolly Parton and Lionel Richie were among those set to perform with Kenny during a show celebrating his contribution to country, blues and pop music, It took place at the MGM Grand in Foxwoods. This special is set debut on March 8, 2011 on Great American Country.^{[dated info]}

Outside music[link]

Rogers also had success as an actor. His 1982 movie Six Pack, in which he played a race-car driver, took more than $20 million at the United States box office, while made-for-TV movies such as The Gambler, Christmas in America, and Coward of the County (based on hit songs of his) topped ratings lists.

As an entrepreneur, he collaborated with former Kentucky Fried Chicken CEO John Y. Brown, Jr. in 1991 to start up the restaurant chain Kenny Rogers Roasters. The chicken and ribs chain, which is similar to Boston Market, was famously featured in an episode of the NBC sitcom Seinfeld called "The Chicken Roaster". On the November 27, 1997, broadcast of Late Night with Conan O’Brien, Rogers could not pick his chicken out in a taste test, claiming he preferred "greasy burgers."^{[citation needed]}

Rogers and his restaurant were subjects of comedy from MADtv, especially the impersonation done by Will Sasso; the sketch of the faux-Rogers hosting Jackass became popular on the Internet.

Rogers put his name to the Gambler Chassis Co., a Sprint car racing manufacturer started by C. K. Spurlock in Hendersonville, Tennessee. The company used the name from Rogers hit song The Gambler. During the 1980s/90s, Gambler was one of the fastest and widely used Sprintcars with such drivers as Steve Kinser, Sammy Swindell and Doug Wolfgang driving the cars to victory in the World of Outlaws and the famous Knoxville Nationals. Gambler sprintcars were also successful in Australia with drivers such as Garry Rush and Steve Brazier using Gamblers to win multiple Australian Sprintcar Championships.

Rogers appeared in a 2004 episode of Reno 911 as himself being subjected to incompetent security provided by starstruck sheriff's deputies to comical effect.

Marriages[link]

• Wanda Miller, June 1, 1997 – present; 2 children
• Marianne Gordon, October 1, 1977 – 1993, divorced; 1 child
• Margo Anderson, October 1964 – 1976, divorced; 1 child
• Jean Rogers, October 1960 – 1963, divorced
• Janice Gordon, May 15, 1958 – April 1960, divorced; 1 child^[16]

Discography[link]

Awards/Honors[link]

Record labels[link]

The following is a list of record labels to which Rogers signed:

• Cue (1957, with the band The Scholars and also as a solo singer)
• Carlton (1958, solo deal)
• KenLee (one single, label owned by Rogers and his brother Lelan)
• Columbia (1960s, with jazz combo, The Bobby Doyle Three)
• Reprise (1967, with The First Edition, all material recorded during this time has since been acquired by Universal Music)
• Jolly Rogers (1973, with The First Edition, label was owned by Rogers)
• United Artists (1975, solo deal)
• Liberty (1980, United Artists merged into EMI/Capitol in 1980; some pressings of albums were issued on Capitol's imprint labels, EMI, EMI America, and EMI Manhattan.)
• RCA (1983, solo deal)
• Reprise (1989, solo deal)
• Giant (1993, one solo album)
• Atlantic (1994, one solo album)
• onQ Music (1996, one solo album; onQ Music was created by the QVC Network to release exclusive albums for sale only on QVC. The first onQ release was Rogers' Vote for Love, a two-disc set that would later become available in standard retail stores.)
• Magnatone (1996, solo deal)
• Dreamcatcher (1998, solo deal; Dreamcatcher was owned and run by Rogers and Jim Mazza for the purpose of releasing Rogers albums and certain reissues of Rogers' catalog. Other artists such as Marshall Dyllon and Randy Dorman were released on Dreamcatcher Records, also. The label closed in 2004)
• Capitol Nashville (2004, solo deal)

See also[link]

• Brady Hawkes

References[link]

External links[link]

	Book: Kenny Rogers
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Kenny Rogers at the Internet Movie Database
• Official website
• Delafont.com profile
• Allmusic.com profile
• CMT.com profile
• Kenny Rogers' Classic Weekend 1988
• Goldsmith, Thomas. (1998). "Kenny Rogers". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 455–6.

v t e Kenny Rogers Studio albums Love Lifted Me Kenny Rogers Daytime Friends Love or Something Like It The Gambler Kenny Gideon Share Your Love Love Will Turn You Around We've Got Tonight Eyes That See in the Dark The Heart of the Matter Love Is What We Make It They Don't Make Them Like They Used To I Prefer the Moonlight Something Inside So Strong Love Is Strange Back Home Again If Only My Heart Had a Voice Vote for Love Across My Heart She Rides Wild Horses There You Go Again Back to the Well Water & Bridges The Love of God Collaboration albums Every Time Two Fools Collide (with Dottie West) Classics (with Dottie West) What About Me? (with Kim Carnes and James Ingram) Timepiece (with David Foster) Christmas albums Christmas Once Upon a Christmas Christmas in America The Gift Christmas from the Heart Christmas with Kenny Christmas Collection Notable singles "That Crazy Feeling" "Just Dropped In (To See What Condition My Condition Was In)" "But You Know I Love You" "Ruby, Don't Take Your Love to Town" "Laura (What's He Got That I Ain't Got)" "Lucille" "Daytime Friends" "Sweet Music Man" "Every Time Two Fools Collide" (with Dottie West) "Love or Something Like It" "The Gambler" "All I Ever Need Is You" (with Dottie West) "She Believes in Me" "'Til I Can Make It on My Own" (with Dottie West) "You Decorated My Life" "Coward of the County" "Don't Fall in Love with a Dreamer" (with Kim Carnes) "Love the World Away" "Lady" "I Don't Need You" "Share Your Love with Me" "Blaze of Glory" "Through the Years" "Love Will Turn You Around" "A Love Song" "We've Got Tonight" (with Sheena Easton) "All My Life" "Scarlet Fever" "Islands in the Stream" (with Dolly Parton) "Buried Treasure" "Together Again" (with Dottie West) "What About Me?" (with Kim Carnes and James Ingram) "Crazy" "Morning Desire" "Goodbye Marie" "Tomb of the Unknown Love" "Twenty Years Ago" "Make No Mistake, She's Mine" "I Prefer the Moonlight" "The Factory" "I Don't Call Him Daddy" "Planet Texas" "The Vows Go Unbroken (Always True to You)" "Maybe" "Love Is Strange" "Crazy in Love" "If You Want to Find Love" "The Greatest" "Buy Me a Rose" (with Alison Krauss and Billy Dean) Guest singles "What Are We Doin' in Love" "Real Love" Related articles Discography The First Edition United Artists Records Liberty Records RCA Records Reprise Records Kenny Rogers Roasters Book:Kenny Rogers

Lady Gaga
Lady Gaga performing on The Monster Ball Tour in 2010
Background information
Birth name	Stefani Joanne Angelina Germanotta
Born	(1986-03-28) March 28, 1986 (age 26) New York, New York, U.S.
Genres	Pop, dance, electronic
Occupations	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Instruments	Vocals, piano, keyboards
Years active	2005–present
Labels	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	LadyGaga.com Lady Gaga's signature

Stefani Joanne Angelina Germanotta (/ˈstɛfəniː dʒʌrməˈnɑːtə/ STE-fə-nee jurr-mə-NAH-tə; born March 28, 1986), known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and was signed with Streamline Records by the end of 2007. During her employment as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album The Fame (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the The Fame Ball Tour, she followed the album with The Fame Monster (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro". The album's success allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her most recent album Born This Way (2011) topped the charts of most major markets and generated more international chart-topping singles, including "Born This Way", "Judas" and "The Edge of Glory". Besides her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is recognized for her flamboyant, diverse and outré contributions to the music industry through her fashion, performances and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles are some of the best selling worldwide.^[1] Her achievements include five Grammy Awards and 13 MTV Video Music Awards. Lady Gaga has consecutively appeared on Billboard magazine's Artists of the Year (scoring the definitive title in 2010), ranked fourth in VH1's list of 100 Greatest Women in Music, is regularly placed on lists composed by Forbes magazine and was named one of the most influential people in the world by Time magazine.^[2][3] In 2012, Gaga was ranked at number four on Billboard's list of top moneymakers of 2011, grossing more than $25 million.^[4]

Biography[link]

1986–2004: Early life[link]

Manhattan's Upper West Side, where Gaga grew up, has been an inspiration for many of her songs.

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York City to parents Cynthia (née Bissett) and Joseph Germanotta, an Internet entrepreneur.^[5][6] Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children.^[7][8] Her sister, Natali, a fashion student, was born in 1992.^[9][10] Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."^[11][12]

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side.^[13][14][15] She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak."^[16][17] Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.^[18] Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14.^[19][20] Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in Guys and Dolls and Philia in A Funny Thing Happened on the Way to the Forum.^[21] She also appeared in a very small role as a mischievous classmate in the television drama series The Sopranos in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows.^[11][22]

When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts.^[11] After becoming one of twenty students to gain early admission, she eventually lived in an NYU dorm on 11th Street by the age of 17.^[21] CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst.^[20][23][24] With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer for MTV's Boiling Points, a prank reality television show.^[11][25] But Gaga felt more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said.

2005–07: Career beginnings[link]

Gaga (right) performing with Lady Starlight (left) at Lollapalooza 2007

Gaga withdrew from CAP21 at 19, in the second semester of her sophomore year, deciding to focus on her musical career.^[26] Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.^[21] Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book The Portal in the Park, by Cricket Casey.^[11][27] She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year.^[11][21] The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er".^[11] Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis.^[11] Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays Words and Red and Blue (both 2005) at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.^[21]

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a musician, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer.^[11] While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen.^[28] It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga."^[29] He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again."^[29][30] The New York Post, however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.^[18]

Gaga performing in a bar, sporting one of her earlier looks (2008)

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses.^[11] Joshua Sarubin, the head of A&R at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months.^[11] However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night".^[31][32] Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.^[11]

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs.^[11][14] Her father, however, did not understand the reason behind her drug intake and could not look at her for several months.^[14][30] "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself."^[23] It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film Grease: "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.^[33]

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona.^[34] Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts.^[35][36] Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year.^[37] The show was critically acclaimed, and their performance received positive reviews.^[20][35] Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.^[38]

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert.^[39] Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007.^[40] Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going."^[39] Having served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV.^[41] As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls.^[41] At Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio.^[42] Akon then convinced Interscope-Geffen-A&M Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live, making her his "franchise player."^[31][43]

As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed.^[44] The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.".^[30][44] Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album and also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)".^[41] Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. Her response: "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."^[15]

[edit] 2008–10: The Fame and The Fame Monster

Gaga performing at The Fame Ball Tour in 2009

By 2008, Gaga had relocated to Los Angeles in order to work extensively with her record label to complete her debut album and set up her own creative team Haus of Gaga, modeled on Andy Warhol's Factory.^[30][45] The Fame was first released on August 19, 2008 to slow radio play. Gaga supported it by performing around Europe and in small gay clubs around the US in addition to being billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour.^[46][47] A sleeper hit, lead single "Just Dance" had preceded the album's release by four months but only hit the summit of the international charts in January 2009, provoking the instant success of the album, earning her first Grammy Award nomination (for Best Dance Recording) and becoming one of the best-selling singles worldwide.^[46][48] Gaga achieved a greater unexpected success when "Poker Face", another sleeper hit, reached number one in most major music markets worldwide in early 2009, selling 9.8 million singles worldwide.^[49][50] The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year.

The Fame itself was nominated for Album of the Year while winning Best Dance/Electronica Album at the same ceremony.^[51] Contemporary critics lauded the album, describing it as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, noting its combination of genres "from Def Leppard drums and hand claps to metal drums on urban tracks", the inspiration drawn from 1980s synthpop and incorporation of dance music with clear hooks.^[31] The Fame went to number one in Austria, Canada, Germany, Ireland, Switzerland and the UK and appeared in the top five in Australia, the US and 15 other countries.^[52][53] It also stayed atop the Dance/Electronic Albums chart for 106 non-consecutive weeks and, since its release, has sold over 12 million copies worldwide.^[54] The album's success spawned many 2009 honors including Billboard magazine's Rising Star award and the accumulation of 3 of 9 MTV Video Music Awards nominations, winning Best New Artist with the video for her single "Paparazzi" gaining Best Art Direction and Best Special Effects.^[55][56] In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.^[57][58]

While she traveled the globe, she wrote The Fame Monster, an EP of eight songs released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Making Gaga the first artist in digital history to have three singles (alongside "Just Dance" and "Poker Face") to pass the four million mark in digital sales, its lead single "Bad Romance" topped the charts in eighteen countries and reached the top two in the US, Australia and New Zealand while accruing the Grammy Awards for Best Female Pop Vocal Performance and Best Short Form Music Video.^[59] The second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number one single; its accompanying music video, although controversial, received positive reception from contemporary critics who praised her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna."^[60][61] Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy.^[62] Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube.^[63] At the 2010 MTV Video Music Awards, Gaga won 8 of her 13 nominations, including Video of the Year for "Bad Romance" (with "Telephone" also nominated), which made her the first female artist to be nominated twice for the award.^[64][65] In addition, The Fame Monster garnered a total of six nominations at the 53rd Grammy Awards – equating to the amount of Grammy nominations her debut received – winning Best Pop Vocal Album and earning her a second-consecutive nomination for Album of the Year.^[66][67]

Gaga performing at The Monster Ball Tour in 2010

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of The Fame Monster and months after having finished The Fame Ball Tour.^[68] Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist.^[69] Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray.^[70] Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony.^[71] Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage."^[72]

In 2009 she collaborated with consumer electronic company Monster Cable Products to create a pair of in-ear jewel-encrusted headphones titled Heartbeats. "They are designed to be the first ever fashion accessories that double as the absolute best sonically sounding headphones in the world," she commented.^[73] Gaga also partnered with Polaroid in January 2010 as their Creative Director.^[74] Excited about "blending the iconic history of Polaroid and instant film with the digital era," Gaga unveiled the first trio of new products called Grey Label: a pair of picture-taking sunglasses, a paperback-sized mobile printing unit and an updated version of the traditional Polaroid camera at the 2011 Consumer Electronics Show.^[75] But her collaboration with past producer Rob Fusari led to her production team, Mermaid Music LLC, being sued in March 2010 when he claimed that he was entitled to a 20% share of the company's earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment, but five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga.^[76][77] In addition to such strife, Gaga was tested borderline positive for lupus, but claimed not to be affected by the symptoms. The revelations caused considerable dismay among fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.^[78][79]

[edit] 2011–present: Born This Way

Gaga performing on the 2011 Good Morning America Summer Concert Series

Gaga released her second studio album and third major release, Born This Way, on May 23, 2011. Described as a marriage of electronic music with metal, rock 'n' roll, pop and anthemic style melodies with sledge-hammering dance beats and referred to as an album "about what what keeps us up at night and what makes us afraid," Gaga characterized it as "something so much deeper than a wig or lipstick or a fucking meat dress" and, upon hearing it, Akon remarked that she is taking music to the "next level."^[80][81] Upon release, the album received generally positive reviews from music critics, who praised its range of different styles and her vocals.^[82][83] Born This Way sold 1.108 million copies in its first week in the US, debuted atop the Billboard 200, and topped the charts in more than 20 other countries.^[84] In addition to exceeding 8 million copies in worldwide sales, Born This Way received 3 Grammy Award nominations, including her third consecutive for Album of the Year.^[85]

In the months prior to its unveiling, Gaga released the singles "Born This Way", "Judas" and "The Edge of Glory" alongside promotional single "Hair". The eponymous lead single, first sung live at the 53rd Grammy Awards in a performance that saw Gaga emerge from an egg-like vessel, deals with self-acceptance regardless of race or sexual orientation. The single debuted atop the Billboard Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts.^[86] It sold more than 3 million digital copies in the US by October 2011, becoming her eighth consecutive single to exceed sales of 2 million and, with worldwide sales of 8.2 million copies by November 2011, one of her five best-selling singles worldwide.^[87] Critics noted artistic and cultural references and praised the concept of the song's accompanying music video, in which Gaga gives birth to a new race amidst surrealistic images.^[88][89] The video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references but received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it.^[90] "Judas" also peaked within the top ten in several major musical markets, while "The Edge of Glory", first a commercial success in digital outlets, was later released as a single to critical appreciation, accompanied by a video which was notably stripped down from her usually "extravagant" efforts.^[91][92] She released "You and I" and "Marry the Night" as the following singles from Born This Way. Although their "crazy and ambitious" videos were praised for their audacity, both songs failed to match the similar international success that their predecessors achieved.^[93]

Gaga continued her musical endeavors by pairing with veteran artists like Tony Bennett to record a jazz version of "The Lady Is a Tramp".^[94] She also recorded a duet with Cher on a "massive" and "beautiful" track, which Gaga "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason."^[95] Gaga also lent her vocals to an original duet with Elton John for the animated feature film Gnomeo & Juliet. The song, "Hello, Hello", was released without Gaga's vocals but the duet version features in the film.^[96][97] She also continued her live appearances throughout 2011, performing a one-of-a-kind concert at the Sydney Town Hall on July 13 in promotion of Born This Way and at the celebration of former US president Bill Clinton's 65th birthday, wearing a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changing the lyrics to "You and I" specifically for the performance.^[98] Televised appearances comprised her own Thanksgiving Day television special entitled A Very Gaga Thanksgiving which was critically lauded, attained 5.749 million American viewers, and spawned the release of her fourth extended play A Very Gaga Holiday.^[99] Her second performance on Saturday Night Live saw her singing a selection of Born This Way songs alongside appearing in number of sketches with Justin Timberlake and Andy Samberg.^[100] In March 2012, Gaga was ranked at number four on Billboard's list of top moneymakers of 2011, grossing $25,353,039 dollars, which includes sales from Born This Way and her Monster Ball Tour.^[4]

In early 2012, Gaga stated that songs for a new album were "beginning to flourish" as she worked with producer Fernando Garibay, while the accompanying tour for Born This Way was materializing.^[101][102] Gaga's manager, Vincent Herbert, revealed that Gaga will is working on her upcoming album during the tour, stating that the material is "insane, great records."^[103] The Born This Way Ball Tour began on April 27, 2012, at the Olympic Stadium in Seoul, South Korea.^[104] The tour was met with protests from several religious groups who denounced the tour as satanic and against religious values, resulting in protests mainly from the Islamic Defenders Front, causing a cancellation in the Indonesian city of Jakarta, where Gaga was denied a license to perform. The concert however was still in question as concert promoters were optimistic that the performance will in fact go on. However, due to threats of violence from Muslim hardliners, Gaga decided to cancel the concert although 52,000 tickets have sold out in just a few days.^{[105][106][107]} On May 20, 2012, Gaga guest-starred on the 23rd season finale of The Simpsons entitled "Lisa Goes Gaga".^[108]

Artistry[link]

Influences[link]

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Queen, Bruce Springsteen, Pink Floyd, The Grateful Dead, Led Zeppelin and Elton John had significant influence on her childhood and, presently, still do.^[109] "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists.^[110] "I'm quite traditional in the family sense. I've always been that way."^[109] According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art.^[111] Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives."^[112] Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."^[113]

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance.^{[31][114][115]} The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented.^{[18][114][116]} Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga.^[117] In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally."^[114][118] Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson, Yoko Ono, and Britney Spears.^[119]

Gaga has been influenced by a wide-range of artists as to which she has played homages to, including Madonna (left) and Bruce Springsteen. (Right)