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Rang
Directed by	Talat Jani
Written by	Rumi Jaffrey
Starring	Jeetendra Amrita Singh Kamal Sadanah Divya Bharti Ayesha Jhulka
Music by	Nadeem-Shravan
Release date(s)	9 July 1993
Country	India
Language	Hindi

Rang (Hindi: रंग, Urdu: رنگ, translation: Colours) is a 1993 musical blockbuster Bollywood film directed by Talat Jani and starring Jeetendra, Amrita Singh, Kamal Sadanah, Ayesha Jhulka and Divya Bharti in one of her last film appearances. She died before the film was released and it was dedicated to her memory.

Plot[link]

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Pooja is very possessive of a particular parking spot in school and does not like anyone parking in that spot.

Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi. Pooja holds her own and is unimpressed. Pooja and Yogi's friend Jojo, who had been run over by Kajal in her rampage, tells his friends that he cut Kajal's breaks. Yogi, feeling responsible for Jojo's actions, runs after Kajal's car. He catches up to her right as her car falls over a cliff into a river. He saves the unconscious Kajal from drowning and brings her home. Indu's mother, the snobby Suchitra (Bindu) offends Yogi by trying to give him money, but he politely refuses.

That night, Kajal and Yogi dream about each other as they fall in love. The next day, Kajal approaches Yogi and asks if they could be friends. Yogi points out the difference in their class and status. Specifically he mentions that Kajal has a car, while he only has his feet. So Kajal decides that she won't use a car until Yogi goes on a date with her. Yogi finds out that Kajal is walking home and is worried. He finds her drenched in sweat being followed by her two Help in her car. He decides to go on a date with her to convince her. They go to see a movie, Bobby (1973 film). They imagine themselves as the characters during the famous song "Hum Tum Ek Kamre Mein Band Ho." During a song sequence they are shown to be spending a lot of time together and have fallen in love. Suchitra sees the two of them together and is angry.

On Rose Day, Kajal knows that Yogi is waiting for her with a rose so she obsesses on what to wear and is late to college. Pooja sees Yogi holding a rose and waiting for someone. She assumes the rose is for her and takes it from his hands and runs away. She feels that this is a sign that Yogi too loves her.

Meanwhile, Yogi's father is the Union leader and when the factory workers decide to protest against Indu's company, she fires Mr. Joshi. He is helped by Chairman Ajay Malhotra (Jeetendra) who is a hero to factory workers. Ajay Malhotra turns out to be Pooja's father. When he finds out that Pooja is in love with Mr. Joshi's son, he goes to the Joshi residence in the pouring rain to ask for Yogi's hand in marriage for Pooja. Mrs. Joshi (Rita Bhaduri) knew her son was in love with someone and had assumed it to be Pooja, who had come to her house looking for Yogi.

When Yogi finds out about the proposal, he informs his parents that he is in love with Indu's daughter Kajal. His parents show him that he wants to marry the daughter of the woman who ruined his father, as opposed to the daughter of the man who saved him. So Yogi tries to break it off with Kajal, but he cannot bare to stand by this decision. When Yogi tells Pooja that he is in love with Kajal, Pooja tries to commit suicide. A distraught Ajay goes to Kajal and begs her to save his daughter by breaking up with Yogi. She responds by telling him that she can't give up her life to save his daughter's life.

Kajal is touched by Ajay's fatherly devotion and thinks of her own father. She asks her grandfather, Madhav Singh (Kader Khan) about her father. Her grandfather finds an old picture of her father. To her surprsie, Ajay Malhotra is her father. Madhav Singh tells Kajal that her father was an activist for workers' rights. Suchitra had never approved of the match as Indu's family was rich and Ajay was a lowly middle class factory worker. However the two were in love, so they married and they had a daughter. When Ajay led the Singh factory workers into strike, Suchitra had instigated the workers against Ajay by making it seem as if he had been bribed to end the strike. He confronted his mother-in-law and asked Indu to choose between her mother and her family. She hesitated as she felt dizzy. Ajay didn't see her being dizzy and thought Indu was choosing her mother, so he angrily took their baby daughter and walked out on their relationship. Indu fainted and found out that she was pregnant again. Suchitra convinced her to raise this child by herself and let Ajay go.

When Kajal realizes that Pooja is her elder sister, she decides to sacrifice her love to save her sister's life by moving to America. This decision leaves Yogi heartbroken, which puts Kajal in a miserable state. Unable to see his granddaughter in pain, Madhav goes to Ajay and informs him that Kajal is his daughter and that he is sacrificing one daughter for another.

Ajay, unaware that he had another daughter, rushes to stop Kajal from going to America. He moves Kajal into her own apartment and spends time with her. He keeps his relationship with Kajal a secret from Pooja as he is waiting for the right time to tell her. Ajay also helps Yogi mend his relationship with Kajal by explaining her situation. The lovers reunite.

Pooja starts suspecting that her father is keeping something from her and follows him one day. She follows him to Kajal's apartment and finds her father spending time with her. She then sees Yogi joining them and her father being supportive of Yogi and Kajal's relationship. Pooja feels betrayed and confronts her father. Her father informs Pooja that Kajal is her younger sister. Kajal again decides to go to America, this time to get out of the way of Ajay's relationship with Pooja. This time, Pooja stops her and embraces her little sister.

Suchitra finds out that Kajal never reached America and has Yogi arrested for kidnapping. Ajay comes to the rescue and confesses that he has Kajal. The police cannot charge Ajay for taking care of his daughter, so they release Yogi. Indu goes to Kajal and tries to force her to go home, but Kajal refuses. Indu is hurt and walks away. On her way out, Ajay invites Indu to their daughter's wedding. Pooja then goes to see her estranged mother. Pooja confronts Indu for never caring about her. Indu tells her that she never stopped thinking of her elder daughter. Pooja begs Indu to reconcile with her father so that the girls will have both a mother and father, instead of having to choose between the two. Madhav Singh finally stands up to his wife Suchitra to go to Kajal's wedding. Suchitra melts and decides to go to the wedding too.

Ajay tries to contact Indu, but she arrives before he can do that. The two finally reconcile and decide to put their past behind them. The family is finally together.

Cast[link]

• Divya Bharti ... Kajal
• Kamal Sadanah ... Yogi Joshi
• Ayesha Jhulka ... Pooja Malhotra
• Jeetendra ... Ajay Malhotra
• Amrita Singh ... Indu
• Bindu ... Suchitra Madhav Singh
• Kader Khan ... Madhav Singh
• Rita Bhaduri ... Mrs. Joshi (as Reeta Bhaduri)
• Bharat Kapoor ... Mr. Joshi
• Raju Shrestha ... Jojo (as Raju Shreshta)
• Dinesh Hingoo ... Board member
• Tiku Talsania ... Principal
• Arun Bakshi ... Lecturer
• Jimmy Patnayak
• Chhote Ustad ... Rangeela (as Chhotu Dada)
• Nilofar ... Pooja's friend (as Nilofer)
• Baby Ashrafa ... Jyoti
• Sunil
• D.L. Khan

Soundtracks[link]

The music of the film was very successful with critics and the audience alike but did not earn any nominations in the awards.

External links[link]

• Rang at the Internet Movie Database
• http://merlin.pl/Kolory-milosci_Talat-Jani,images_big,31,5907583191178.jpg

This article about a Hindi film is a stub. You can help Wikipedia by expanding it. v t e

Salman Khan
Salman Khan walking the ramp for Sanjana John
Born	Abdul Rashid Salim Salman Khan (1965-12-27) 27 December 1965 (age 46) Indore, Madhya Pradesh, India
Residence	Bandra, Mumbai
Other names	Sallu
Occupation	Film actor, television presenter and philanthropist
Years active	1988–present
Parents	Salim Khan Salma Khan
Relatives	Arbaaz Khan (brother) Sohail Khan (brother) Helen Richardson (step-mother)

Salman Khan (pronunciation : [səlˈmaːn ˈxaːn]; born Abdul Rashid Salim Salman Khan on 27 December 1965)^[1] is an Indian film actor. He has starred in more than 80 Hindi films.

Khan, who made his acting debut with a minor role in the drama Biwi Ho To Aisi (1988), had his first commercial success with the blockbuster Maine Pyar Kiya (1989), for which he won a Filmfare Award for Best Male Debut. He went on to star in some successful Hindi films of those times, such as Saajan (1991), Hum Aapke Hain Koun..! (1994), Karan Arjun (1995), Judwaa (1997), Pyar Kiya To Darna Kya (1998) and Biwi No.1 (1999), having appeared in the highest earning films of seven separate years during his career.^[2]

In 1999, Khan won a Filmfare Award for Best Supporting Actor for his extended appearance in Kuch Kuch Hota Hai (1998), and since then has starred in several critical and commercial successes, including Hum Dil De Chuke Sanam (1999), Tere Naam (2003), Mujhse Shaadi Karogi (2004), No Entry (2005), Partner (2007), Wanted (2009), Dabangg (2010), Ready (2011) and Bodyguard (2011), which has become the second highest-grossing Bollywood film of all-time. Khan has thus established himself as one of the most successful actors of Hindi cinema.^[3][4][5]

Early life[link]

Khan is the eldest son of screenwriter Salim Khan and his first wife Salma (née Sushila Charak). His paternal grandfather was a Muslim from Afghanistan^[6][7] who came to India and settled in Madhya Pradesh, whereas his mother is a Marathi Hindu.^[8] Khan himself had once said that he is "half Muslim and half Hindu".^[9][10] His stepmother is Helen, a former actress, who has co-starred with him in a few films. He has two brothers, Arbaaz Khan and Sohail Khan, and two sisters, Alvira and Arpita. Alvira is married to actor/director Atul Agnihotri. Khan finished his schooling through St. Stanislaus High School in Bandra, Mumbai, as did his younger brothers Arbaaz and Sohail. Earlier, he studied at The Scindia School, Gwalior for a few years along with younger brother Arbaaz.^[11][12]

Career[link]

1980s[link]

Salman Khan made his acting debut with a supporting role in the 1988 film Biwi Ho To Aisi. His first leading role in a Bollywood movie was in Sooraj R. Barjatya's romantic family drama Maine Pyar Kiya (1989), one of India's highest grossing films.^[13] It earned him a Filmfare Award for Best Male Debut, as well as his first nomination for a Best Actor at Filmfare.

1990s[link]

1990 saw one film release starring Khan, Baaghi: A Rebel for Love. The film was a box office success,^[14] followed by four hit films in 1991, Patthar Ke Phool, Sanam Bewafa, Kurbaan ^[15][16] and Saajan.^[17] Despite these early successes, nearly all of his 1992–1993 releases resulted in box office failures.^[17]

Khan returned to success in 1994 with his second collaboration with director Sooraj Barjatya in the romance Hum Aapke Hain Koun..!, co-starring Madhuri Dixit. This film was the biggest hit of that year, and turned out to be one of Bollywood's highest-grossing films ever, becoming the fourth-highest earner of all time.^[18] In 1995 he starred in Rakesh Roshan's Karan Arjun alongside Shahrukh Khan.^[17] The two played brothers who are reincarnated after being killed by family enemies. The film was the second biggest hit of the year, and his role of Karan once again put his name among the nominees for the Best Actor award at the Filmfare, which was eventually won by his Karan Arjun co-star Shahrukh Khan for Dilwale Dulhania Le Jayenge.^[19][20]

In 1996, Khan performed in two movies, Sanjay Leela Bhansali's directional debut Khamoshi: The Musical, a box office failure, but critically acclaimed; and Raj Kanwar's action hit Jeet. He had two releases in 1997: Judwaa and Auzaar. The former was a comedy directed by David Dhawan where he played a dual role of twins separated at birth.

Khan worked in five different films in 1998, his first release being the comedy Pyaar Kiya To Darna Kya opposite Kajol, one of the biggest commercial successes of that year. This was followed by the moderately successful drama Jab Pyaar Kisise Hota Hai.^[17] Khan played a young man who has to take a child who claims to be his son, under his custody. Khan's performance in the film earned him several positive notices and favourable reviews from critics. He rounded of the year with an extended cameo in Karan Johar's directorial debut, Kuch Kuch Hota Hai for which he earned a second Filmfare Award under the Best Supporting Actor category.

In 1999, Khan starred in three films: Hum Saath-Saath Hain: We Stand United and Biwi No.1, two of the highest grossing films that year;^[21] and Hum Dil De Chuke Sanam, which earned another Best Actor nomination at the Filmfare.

2000s[link]

In 2000, Khan acted in films including Har Dil Jo Pyar Karega . Chori Chori Chupke Chupke addressed the issue of surrogate childbirth; Khan played the role of a rich industrialist, who hires a surrogate mother after his wife becomes infertile. Critics noted his turn towards a more serious role, which reportedly had more substance in comparison to his previous roles.^[22][23] In 2002 he starred in the delayed release Hum Tumhare Hain Sanam.

For Tere Naam, (2003) Taran Adarsh said of him, "Salman Khan is exceptional in a role that fits him to the T. He breathes fire in sequences that demand uneasiness. But beneath the tough exterior lies a vulnerable person and this facet in particular comes to the fore in the latter reels. His emotional outbursts are splendid..."^[24] He subsequently continued his success at the box office, with comedies like Mujhse Shaadi Karogi (2004) and No Entry (2005).^[17] Khan's work in 2006 included Jaan-E-Mann and Baabul .

Khan started 2007 with the ensemble film Salaam E Ishq. His next release Partner did very well at the box office, receiving a blockbuster verdict.^[25] He next appeared in the Hollywood movie, Marigold: An Adventure in India which told the love story of an Indian man and an American woman. Khan starred in three films throughout 2008, all of which underperformed.^[26]

Khan hosted the second season of 10 Ka Dum in year 2009 which turned out to be even more successful than his first season as host of the game show in year 2008. The show got very high TRPs for Sony Entertainment Television and according to reports, the show helped Sony TV regain its third position in the Indian television ratings.^[27]

Khan's first film of 2009, Wanted directed by choreographer turned director Prabhu Deva. In the same year, he appeared in two other films, Main Aurr Mrs Khanna and London Dreams. While London Dreams doing average business, only due to the uninspiring music, but Main Aurr Mrs Khanna made 21 crores through DTH Premiere.^[28]

2010s[link]

Khan's first release of 2010 was Anil Sharma's commercially and critically unsuccessful film Veer. His next release, Dabangg, was produced by his brother Arbaaz Khan, and released on 10 September 2010. It made a record opening at the box office^[29] and Box Office India declared it an all-time blockbuster.^[30] For his performance in Dabangg, Khan received a Star Screen Award for Best Actor and a Stardust Award for Star of the Year – Male and was nominated for his sixth Filmfare Award for Best Actor. Anupama Chopra from NDTV wrote about his performance, "It's the role of a lifetime and Salman Khan bites into it like a starving man devours a feast. He inhabits it fully, strutting and swaggering and even, spoofing himself."^[31]

Khan's first release of 2011 was Ready which released on 3 June. The film broke several box office records and is currently the fourth highest-grossing Bollywood film of all time. He next appeared in Bodyguard. Upon release, the film became an all time blockbuster at the box office,^[32] with Khan's performance receiving favourable comments from critics and is currently the second highest-grossing Bollywood film of all time. ^[33]

Personal life[link]

In 2004, he was voted seventh-best-looking man in the world and the best looking man in India by People magazine, USA.^[34] Khan has been involved in several charities during his career.^[35]

On 11 October 2007, Khan accepted an offer from Madame Tussauds wax museum in London to have a wax replica made of himself. His life-size wax figure was installed there on 15 January 2008, making him the fourth Indian actor to have been replicated as a wax statue in the museum.^[36][37]

Khan has been the subject of several controversies, including certain legal troubles. On 28 September 2002, Khan was arrested for rash and negligent driving. His car had run into a bakery in Mumbai; one person who was sleeping on the pavement outside the bakery died and three others were injured in the mishap.^[38] Charges of culpable homicide were laid against him, but later dropped, and he was found not guilty.^[39] On 17 February 2006, Khan was sentenced to one year in prison for hunting the Chinkara, an endangered species. The sentence was stayed by a higher court during appeal.^[40] On 10 April 2006, he was handed a five year jail term and remanded to Jodhpur jail until 13 April when he was granted bail.^[41]

On September 2010, Khan was reported to have claimed during an interview to a Pakistani channel that the 26/11 attacks were hyped because the "elite" were targeted.^[42][43] During the interview the actor had said - "It was the elite that was targeted this time. Five star hotels and all. So they panicked. Then they got up and spoke about it. My question is why not before. Attacks have happened in trains and small towns too, but no one talked about it so much."^[42][43] Khan also said that Pakistan was not to be blamed for it, and that the Indian security forces had failed.^[44] Khan's comments had drawn strong reactions from Deputy Chief Minister of Maharashtra Chagan Bhujbal, Shiv Sena, BJP and other political parties.^[45] The comments were also condemned by Ujwal Nikam, Special Prosecutor in the 26/11 trial.^[45] Khan later apologised for his comments.^[42]

His relationship with actress Aishwarya Rai was a well publicised topic in the Indian media.^[46] After their break-up in March 2002, Rai accused him of harassing her. She claimed that Khan had not been able to come to terms with their break-up and was hounding her; her parents lodged a complaint against him.^[47] In 2005, news outlets released what was said to be an illicit copy of a mobile phone call recorded in 2001 by the Mumbai police. It appeared to be a call in which he threatened Rai, in an effort to force her to appear at social events held by Mumbai crime figures. The call featured boasts of connections to organised crime and derogatory comments about other actors. However, the alleged tape was tested in the government's Forensic lab in Chandigarh, which concluded that it was fake.^[48][49]

After years of speculations, actress Katrina Kaif admitted in an 2011 interview for a magazine that she was in a serious relationship with Salman Khan for several years, which ended in 2010.^[50]

In August 2011 he admitted he suffers from trigeminal neuralgia, a facial nerve disorder commonly known as the suicide disease. In an interview he said that he has been quietly suffering it for the past seven years, but now the pain’s become unbearable. It has even affected his voice, making it much harsher.^[51]

Being Human Foundation[link]

Being Human Foundation is a registered charitable trust set up by Salman Khan for helping the cause of the underprivileged. In its early days, Salman Khan set up and funded the Foundation using his own money. The Foundation has two focus areas: Education and Healthcare. To increase the reach and corpus of the Foundation, Salman Khan has undertaken initiatives such as Being Human Art; Being Human merchandise; and Being Human Gitanjali Gold Coins. Proceeds from the activities of these initiatives go towards spreading education and healthcare for the underprivileged.

BEING HUMAN ART: The first showing of Being Human Art was an exhibition of Salman Khan's paintings at Dubai in October 2009. The response was tremendous and more exhibitions are being planned.

BEING HUMAN MERCHANDISE: Being Human Fashion was announced at HDIL India Couture Week 2009 in a show that made fashion history by featuring the biggest ever line-up of superstars including Aamir Khan, Ajay Devgan, Akshay Kumar, Govinda, Katrina Kaif, Saif Ali Khan, Salman Khan and Sanjay Dutt. At HDIL India Couture Week 2010, Salman launched Being Human watches and followed it up with another glittering show featuring Bipasha Basu, Kareena Kapoor, Karisma Kapoor, Katrina Kaif, Preity Zinta, Priyanka Chopra, Rani Mukherjee and Sushmita Sen. Being Human T-shirts were launched in November 2010.

BEING HUMAN GITANJALI GOLD COINS: Being Human, the Salman Khan Foundation has tied up with India's biggest jewellery brand Gitanjali to launch co-branded gold coins.

BEING HUMAN PARTNERS MARROW DONORS REGISTRY INDIA (MDRI): In November 2010, the Foundation partnered with MDRI to create awareness and generate donors in order to create a robust registry in India.^[52]

In 2011. Salman Khan launched his own production company called SKBH Productions (Salman Khan Being Human Productions).Money which will be generated from film productions will be donated to Being Human. First film made under the banner was kids entertainer Chillar Party, which went on to win 3 National Awards, for Best Children's film, best original screenplay and Child Artist's Award .^{[53] [54]}

Non film work[link]

Khan has started an NGO called 'Being Human' which will sell T-shirts and other products online and in stores. A portion of the sales will go to a worthy cause supporting the underprivileged.^[55] In April 2012, he became the brand ambassador for the travel website, Yatra.com, which also made him a shareholder.^[56].He has also endorsed the History Channel, Suzuki motorcycles,^[57] and Mountain Dew with whom he ended the contract in December 2010.^[58]

In January 2012, Khan has offered to pay 40 lakh (US$79,800) for releasing around 400 prisoners from around 63 prisons in the state of Uttar Pradesh via his NGO. The prisoners had completed their term but due to economical reasons, they were unable to pay a legal fine for their charges.^[59]

Awards and nominations[link]

Filmography[link]

Actor[link]

Television presenter[link]

• 10 Ka Dum (Seasons 1 & 2)
• Bigg Boss (Seasons 4 & 5)

Writer[link]

• Baaghi: A Rebel for Love (1990)^[64]
• Chandra Mukhi (1993)^[65]
• Veer (2010)

Producer[link]

• Chillar Party (2011)

See also[link]

Bollywood portal

• List of Indian Actors
• List of people from Madhya Pradesh

References[link]

Further reading[link]

• Ghosh, Biswadeep (2004). Hall of Fame: Salman Khan. Mumbai: Magna Books. ISBN 81-7809-249-2. 

External links[link]

• Salman Khan at the Internet Movie Database
• Salman Khan on Twitter

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Kishore Kumar (4 August 1929 – 13 October 1987), born Abhas Kumar Kanjilal Ganguly was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for most number of Filmfare Awards won in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.

Early life[link]

Kishore Kumar was born into the Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh) as Abhas Kumar Ganguly.^[1] His father Kunjalal Ganguly (Gangopadhya) was a lawyer. His mother Gouri Devi came from a wealthy Bengali family. Kishore was the youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar. The composer Bappi Lahiri is also related to Kishore Kumar on his mother's side.

While Kishore was still a child, Ashok Kumar became a Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and tried to follow Saigal's singing style.

Career[link]

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Bombay regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Kishore Kumar's first film as an actor was Shikari (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave Kishore Kumar a chance to sing "Marne ki duayen kyon mangu" for the film Ziddi (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career.^[2] In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.^[3]

He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music.^[4] However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.

Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving the brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore and told him that he should develop a style of his own, instead of copying Saigal.^[3] Kishore Kumar did not have a formal training in music.^[5] He kept Burman's advice in mind and eventually developed his own style of singing, which featured the yodeling that he had heard on the gramophone records of Tex Morton and Jimmie Rodgers bought by his brother Anoop Kumar.^[6]

S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958).^[7] Asha Bhosle and Kishore Kumar performed duets composed by S. D. Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).

C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.^[4] Their collaborations include "Eena Meena Deeka" from Aasha (1957). Kishore Kumar's work includes "Nakhrewaali" from New Delhi (1956) by Shankar Jaikishan, and "C.A.T. Cat Maane Billi" and "Hum To Mohabbat Karega" from Dilli Ka Thug (1958) by Ravi.

Kishore Kumar produced, directed, and acted in Jhumroo (1961). He wrote the lyrics for the title song, "Main Hoon Jhumroo," and composed music for all the songs in the film. Later, he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the script and composed music for the film. Its based on the relationship between a father (Kishore Kumar) and his deaf and mute son (played by his real-life son, Amit Kumar). He made another two films called Door Ka Rahi (1971) and Door Waadiyon Mein Kahin (1980).

In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether.^[8] His films flopped frequently, and he landed in income tax trouble.^[3] As a singer, his work in this period includes "Zaroorat Hai Zaroorat Hai" from Manmauji (1961), "Gaata Rahe Mera Dil" from Guide (1965), and "Yeh Dil Na Hota Bechara" from Jewel Thief (1967).

In the late 1960s, Rahul Dev Burman worked together on the soundtrack of the film Padosan (1968), in which Kishore Kumar sang the songs "Mere Saamne Wali Khidki Mein" and "Kehna Hai." Padosan was a comedy film starring Kishore Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore Kumar's character in was inspired by the personality of his uncle, Dhananjay Bannerjee (a classical singer).^[2] The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood: "Ek Chatur Nar Karke Singaar."

In 1969, Shakti Samanta produced and directed the film Aradhana, for which the music was composed by S. D. Burman. Burman fell ill after recording some duet songs with Mohammed Rafi, Asha Bhosle, Lata Mangeshkar and Kishore Kumar. Afterwards, his son and assistant Rahul Dev Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs "Mere Sapno Ki Rani" and "Roop Tera Mastana". Kishore Kumar won his first Filmfare award for the song "Roop Tera Mastana." It is widely believed that this film established Kishore Kumar as a leading playback singer in Bollywood.

1970s and 1980s[link]

In 1970s and 1980s Kishore Kumar sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Sanjay Dutt, Sunny Deol, Anil Kapoor and Jackie Shroff.

S. D. Burman and Kishore Kumar continued to work together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), "Pyaar Ke Is Khel Mein" from Jugnu, "Phoolon Ke Dere Hain" from Zameer (1974}. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soon after Kishore recorded the song "Badi Sooni Sooni Hai Zindagi" for the film Mili.^[4]

R. D. Burman frequently used Kishore Kumar as the male singer and recorded several songs with him in the 1970s. Some Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Chingari Koi Bhadke" and "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote" and "Humein Tum Se Pyaar Kitna" from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986).

R. D. Burman recorded several duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).

Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) composed many songs sung by him. Some of their songs include "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag: A Poem of Love, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi, "Gaadi Bula Rahi Hai" from Dost, "Ruk Jaana Nahi" from Imtihaan, "Ek Ritu Aaye" from Gautam Govinda, "My Name Is Anthony Gonsalves" from Amar Akbar Anthony, "Bahut Khoobsurat Jawan Ek Ladki" from Dostana and "Om Shanti Om" as well as "Paisa Yeh Paisa" from Karz. Laxmikant-Pyarelal composed several Kishore-Lata duets, including "Achchha To Hum Chalte Hain" from Aan Milo Sajna, "Gore Rang Pe Na Itna" from Roti, "Main Solah Baras Ki" from Karz, and "Din Mahine Saal" from Avtaar, "Tu Kitne Baras Ki" from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, "I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987). Salil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duet "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and the duet "Tota Maina Ki Kahani" from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as "Hazar Rahein" from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several songs with Kishore Kumar including Zindagi Ka Safar and Jeevan Se Bhari Teri Aankhein, from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam.

Other composers including Rajesh Roshan, Sapan Chakravarty, Jaidev, Chitragupta (composer), Usha Khanna, Sohnik Omi, Prem Dhawan, Vanraj Bhatia and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's film Julie featured songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other songs include Yaadon Mein Woh from Swami, Chhookar mere man ko from Yaarana, Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge as well as Kahiye, Suniye (duet with Asha Bhosle) from Baaton Baaton Mein. Bappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for an Indian National Congress rally in Mumbai, but he refused.^[9] As a result, Information and broadcasting minister Vidya Charan Shukla (1975-1977) put an unofficial ban on playing Kishore Kumar songs on the All India Radio and Doordarshan from 4th May, 1976 till the end of the Emergency.^[10][11]

Later years[link]

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as Badhti Ka Naam Daadhi (1978), Zindagi (1981) and Door Wadiyon Mein Kahin (1980): His last appearance as an actor.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar became a Bollywood singer in the 1980s. Kishore Kumar also continued singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.^[8] Kishore Kumar stopped singing for Amitabh Bachchan in the mid-1980s, after Bachchan did not do a guest appearance in a film produced by him but called a truce with him by singing for him in Toofan.^[12] He also temporarily stopped singing for Mithun Chakraborty, after Yogeeta Bali divorced him and married Chakraborty.^[13] However, later Kumar sang for him in many films like Disco Dancer, Muddat, and Pyar Ka Mandir.

In the mid-1980s, Kishore Kumar sang for Anil Kapoor in Kapoor's debut film as a leading man, Woh Saat Din and also recorded Mr. India. He sang a duet with Alka Yagnik, "Tumse Badhkar Duniya Mein Na Dekha" for Kaamchor in (1986). He also recorded some songs for the film Saagar with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa.^[8]

On 13 October 1987, his brother Ashok's 76th birthday, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.

Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled "Kiss Kiss, Bang Bangalore."^[14] His songs have been featured in several films, including Such a Long Journey (1998) and Side Streets (1998).^[15] Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.

Personal life[link]

Kishore Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.

Kishore's second wife was actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958) and Jhumroo (1961). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Furthermore, at the time he was married to Ruma. After his divorce, because Kishore Kumar was Bengali Hindu and Madhubala Muslim, they had a civil wedding ceremony in 1960. His parents refused to attend. The couple also had a Hindu ceremony to please Kumar's parents, but Madhubala was never truly accepted as his wife. Within a month of her wedding she moved back to her bungalow in Bandra because of tension in the Kishore Kumar household. They remained married but under great strain for the remainder of Madhubala's life. The doctors in London told Madhubala that she would not live for long. The marriage lasted for nine years, and ended with Madhubala's death on 23 February 1969.

Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. Kishore Kumar sired two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kumar is said to have been paranoid about not being paid.^[2] During recordings, he would sing only after his secretary confirmed that the producer had made the payment.^[16] Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).^[2] On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.^[17] On another occasion, when producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore turned up at Talwar's residence one morning and started shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand"). He did this every morning until Talwar paid him.^[16]

The film Anand (1971) was originally supposed to star Kishore Kumar and Mehmood Ali in the lead.^[18] Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.^[18]

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa.^[19] On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur.^[17] Mukherjee was one of the first persons to appreciate Kishore's singing talent.^[17]

Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior.^[20][21] Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly.^[17] Kishore Kumar was a loner, and in an interview with Pritish Nandy (1985), he said that he had no friends – he preferred talking to his trees instead.^[22] Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.^[17]

According to another reported incident, once Kishore Kumar was to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.^[23]

Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut".^[17] In the 1960s, a financier named Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of Half Ticket, gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."^[17]

Filmography[link]

List of songs[link]

Awards[link]

Filmfare Awards

Winner:

Nominated:

Bengal Film Journalists' Association Awards

Winner:

• 1971 - Best Male Playback Singer for Aradhana^[24]
• 1972 - Best Male Playback Singer for Andaz^[25]
• 1973 - Best Male Playback Singer for Hare Rama Hare Krishna^[26]
• 1975 - Best Male Playback Singer for Kora Kagaz^[27]

See also[link]

• Kishore Kumar filmography
• List of songs by Kishore Kumar
• List of Indian playback singers
• Hindi songs

References[link]

Further reading[link]

• Bose, Derek (2004). Kishore Kumar: Method in Madness. New Delhi: Rupa & Co.. ISBN 978-81-291-0526-4. OCLC 57429780. 
• Valicha, Kishore (1998). Kishore Kumar: The Definitive Biography. New York/New Delhi: Penguin Books/Viking. ISBN 978-0-670-88264-9. OCLC 40164015. 
• Nerurkar, Vishwas (2004). Kishore Kumar: The Many Faces of a Genius (The Ultimate Book which includes his complete filmography, discography, unreleased material, and film posters of his films). Gayathri Publications. 

External links[link]

• Kishore Kumar at the Internet Movie Database

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