This article relies largely or entirely upon a single source. Please help improve this article by introducing citations to additional sources. Discussion about the problems with the sole source used may be found on the talk page. (November 2010)

Linotype machine Model 6, built in 1965 (Deutsches Museum), with major components labeled

Type slug - Print side

Type slug, side view

The linotype machine ( /ˈlaɪnətaɪp/ LYN-ə-typ) is a "line casting" machine used in printing. Along with letterpress printing, linotype was the industry standard for newspapers, magazines and posters from the late 1800s to the 1960s and 70s, when it was largely replaced by offset lithography printing and computer typesetting. The name of the machine comes from the fact that it produces an entire line of metal type at once, hence a line-o'-type, a significant improvement over the previous industry standard, i.e., manual, letter-by-letter typesetting using a composing stick and drawers of letters.

The Linotype machine operator enters text on a 90-character keyboard. The machine assembles matrices, which are molds for the letter forms, in a line. The assembled line is then cast as a single piece, called a slug, of type metal in a process known as "hot metal" typesetting. The matrices are then returned to the type magazine from which they came, to be reused later. This allows much faster typesetting and composition than original hand composition in which operators place down one pre-cast metal letter, punctuation mark or space at a time.

The machine revolutionized typesetting and with it especially newspaper publishing, making it possible for a relatively small number of operators to set type for many pages on a daily basis. Before Mergenthaler's invention of the Linotype in 1884, no newspaper in the world had more than eight pages.^[1]

History[link]

Design[link]

Matrices[link]

The Linotype matrix

Each matrix contains the letter form for a single character of a font of type; i.e., a particular type design in a particular size. The letter form is engraved into one side of the matrix. For sizes up to 14 points, and in some matrices of size 16 to 24 points, the matrix has two letter forms on it, the positions referred to as the 'normal' and 'auxiliary' positions. The normal position had the upright (Roman) form of a given character, and on the auxiliary, the slanted (Italic) form of that character would be used, but this could also be the boldface form or even a different font entirely. The machine operator can select which of the two will be cast by operating the auxiliary rail of the assembler, or, when setting entire lines of italics, by using the flap, which was a piece that could be turned under a portion of the first elevator column. This is the origin of the old typesetting terms upper rail for italic and lower rail for Roman characters. These terms persisted in phototypesetting technology even though the mechanics of the auxiliary rail do not exist there.

Magazine section[link]

The magazine section is the part of the machine where the matrices are held when not in use, and released as the operator touches keys on the keyboard. The magazine is a flat box with vertical separators that form "channels", one channel for each character in the font. Most main magazines have 90 channels,^[2] but those for larger fonts carried only 72 or even 55 channels. The auxiliary magazines used on some machines typically contained 34 channels or, for a magazine carrying larger fonts, 28 channels.

The magazine holds a particular font of type; i.e., a particular type design in a particular size. If a different size or style was needed, the operator would switch to a different magazine. Many models of the Linotype machine could keep several magazines (as many as four) available at a time. In some of these, the operator could shift to a different magazine by raising or lowering the stack of magazines with a crank.^[3] Such machines would not allow mixing fonts within a single line. Others, such as the Model 9, allowed arbitrary mixing of text from up to four magazines within a single line.

Escapement[link]

Action of the escapement when delivering a matrix. The keyboard has raised the escapement lever 22 to push against the plunger 11. This rotates the verge 8 which pulls down the front pawl 9, releasing the first matrix in the magazine channel. The rotation of the verge also raises rear pawl 8 to hold the second matrix

In a Linotype machine, the term escapements refers to the mechanisms at the bottom of the magazine that releases matrices one at a time as keys are pressed on the keyboard. There is an escapement for each channel in the magazine.

Maintenance and lubrication[link]

Matrix transposition

To keep the matrices circulating smoothly throughout the machine, it is necessary that oil not be allowed anywhere near the matrix path. If oil is found in the matrix's path (due to careless maintenance or over-lubrication of nearby parts), it combines with dust, forming a gummy substance that is eventually deposited in the magazine by the matrices. The most common result is that the matrix will not be released from the magazine at its usual speed, and almost always results in a letter or two arriving out of sequence in the assembler — a 'matrix transposition'. When these machines were in heavy use, it was not uncommon for an operator to set type at the rate of over 4000 ems per hour (the fastest operators being able to exceed 10,000 ems per hour) so the need for careful lubrication and regular cleaning was essential to keep these machines operating at their full potential.

Keyboard and composing section[link]

In the composing section, the operator enters the text for a line on the keyboard. Each keystroke releases a matrix from the magazine mounted above the keyboard. The matrix travels through channels to the assembler where the matrices are lined up side by side in the order they were released.

When a space is needed, the operator touches the spaceband lever just to the left of the keyboard. This releases a spaceband from the spaceband box. Spacebands are stored separately from the matrices because they are too big to fit in the magazine.

Once enough text has been entered for the line, the operator depresses the casting lever mounted on the front right corner of the keyboard. This lifts the completed line in the assembler up between two fingers in the 'delivery channel' and simultaneously tripping the catch holding it in position. The spring-operated 'delivery channel' then transports line into the casting section of the machine, engages the clutch that drives the casting section and the subsequent transfer into the distribution section. The operator is now finished with the line; the remaining processing is automatic. While the line is being cast, the operator can continue entering text for the next line.

Keyboard[link]

Linotype Keyboard

The keyboard has 90 keys. There is no shift key; uppercase letters have keys separate from the lowercase letters. The arrangement of letters corresponds roughly to letter frequency, with the most frequently used letters on the left.

The first two columns of keys are: e, t, a, o, i, n; and s, h, r, d, l, u. A Linotype operator would often deal with a typing error by running the fingers down these two rows, thus filling out the line with the nonsense words etaoin shrdlu. This is known as a run down. It is often quicker to cast a bad slug than to hand-correct the line within the assembler. The slug with the run down is removed once it has been cast, or by the proofreader.

The Linotype keyboard has the same alphabet arrangement given twice, once for lower-case letters, the keys in black, on the left side of the keyboard, and once for upper-case letters, the keys in white, located on the right side of the keyboard. The blue keys in the middle are punctuation, digits, small capital letters and fixed width spaces. In proper keyboard operation, an experienced operator's left hand operates only the spaceband key and the left column of keys. The operator's right hand strokes the remaining keys on the entire keyboard.

The keys of the keyboard are connected by vertical pushrods to the escapements.^[4] When a key is pressed, the corresponding escapement is actuated, which releases a matrix from the magazine. With one exception, each key corresponds directly to a channel in the standard (90 channel) magazine. The one exception is the lower-case letter e: that letter is used so often that the 90 channel magazine actually has 91 channels, with two channels (the leftmost two) both used for the letter e. Similarly, the 72 channel magazine actually has 73 channels, with the leftmost two being used for lower-case e. Consecutive keystrokes on the e key release matrices alternately from the two e channels in the magazine.^[5]

On machines that support multiple magazines, there is a shifting mechanism that controls which magazine is currently connected to the keyboard. In most machines, this is done by raising or lowering the stack of magazines.^[6]

Spaceband box[link]

In justified text, the spaces are not fixed width; they expand to make all lines equal in width. In Linotype machines this is done by spacebands. A spaceband consists of two wedges, one similar in size and shape to a type matrix, one with a long tail. The wide part of the wedge is at the bottom of the tail, so pushing the tail up expands the spaceband.

Due to their size, spacebands are not held in the magazine, but in a spaceband box^[7] and released one at a time by pressing the spaceband lever at the left edge of the keyboard.

Assembler[link]

Composed line with matrices and spacebands

Matrices released from the magazine, and spacebands released from the spaceband box, drop down into the assembler. This is a rail that holds the matrices and spacebands, with a jaw on the left end set to the desired line width. When the operator judges that the line is close enough to full, he raises the casting lever on the bottom of the keyboard to send the line to the casting section of the Linotype machine. The remaining processing for that line is automatic; as soon as the finished line has been transferred to the casting section, the operator can begin composing the next line of text.

Casting section[link]

The casting section receives completed lines from the assembler, and uses these to cast the type slugs that are the product of the Linotype machine. The casting section is automatic: once it is activated by the operator sending a completed line by raising the casting lever, a series of cams and levers move the matrices through the casting section and control the sequence of steps that produce the slug.

The casting material is an alloy of lead (85%), antimony (11%), and tin (4%) ^[8], and produces a one-piece casting slug capable of 300,000 impressions before the casting begins to develop deformities and imperfections, and the type must be cast again.

The continuous heating of the molten alloy causes the tin and antimony in the mixture to rise to the top and oxidize along with other impurities into a substance called "dross" which has to be skimmed off. Excessive dross formation leads to the alloy softening as the proportion of lead increases. The mixture must then be assayed and tin and antimony added back (in the form of a specially proportioned alloy) to restore the original strength and properties of the alloy.

Justification[link]

Diagram of the justification process. The composed line is locked up between the jaws (1 and 2) of the vise. The justification ram (5) then moves up to expand the spacebands to fill the space between the vise jaws

From the assembler, the assembled line moves via the first elevator to the justification vise. The vise has two jaws (1 and 2 in the illustration) which are set to the desired line width. The spacebands are now expanded to justify the line. When the line is justified, the matrices fit tightly between the vise jaws, forming a tight seal which will prevent the molten type metal from escaping when the line is cast.

Justification is done by a spring-loaded ram (5) which raises the tails of the spacebands, unless the machine was equipped with a Star Parts automatic hydraulic quadding attachment

If the operator did not assemble enough characters, the line will not justify correctly: even with the spacebands expanded all the way, the matrices are not tight. A safety mechanism in the justification vise detects this and blocks the casting operation. Without such a mechanism, the result would be a squirt of molten type metal spraying out through the gaps between the matrices, creating a time consuming mess and a possible hazard to the operator.^[9] If a squirt did occur, it was generally up to the operator to grab the hell bucket and catch the flowing lead. It was so called because the bucket would often "go to hell", or melt, while holding the molten lead that was still extremely hot. Also, in conjunction with possible hazards facing an operator, toxic lead fumes should be noted as they were the result of melting the lead ingots for casting.

Mold disk and pot[link]

Linotype mold disk, with a complete line of matrices and spacebands ready to be cast

Linotype mold disk, cut away to show the type metal pot

The justification vise holds the assembled line against the face of the mold disk. The mold disk has rectangular openings which correspond to the width and thickness of the slugs (cast lines) to be made. Mold liners fit into these openings for specific slug dimensions.

Behind the mold disk is the type metal pot, which contains molten type metal. A piston in the pot pushes the molten metal down into the pot, which forces the metal through the pot throat and into the mold, forcing it against the faces of the matrices.^[10] These have character shapes cut into them, so the result is a cast slug with the character shapes of the line on its front face. The mold disk is sometimes water-cooled, and often air-cooled with a blower, to carry away the heat of the molten type metal and allow the cast slugs to solidify quickly.^[11]

When casting is complete, the mold disk turns three-quarters of a turn counterclockwise to the ejector^[12] and knife block assembly.^[13] The ejector is a rectangular rod that pushes the completed slug from the mold aperture in the mold disk. As it emerges from the mold disk, the slug passes a set of knife edges in the knife block, which trims off any small irregularities in the casting and produces a slug of exactly the desired width and height. From there, the slug drops into the galley tray which holds the lines in the order in which they were cast.^[14]

Distribution mechanism[link]

The Linotype distributor rail with a matrix hanging from it. The three screws move the matrix along the rail until it drops into the correct magazine channel

The most significant innovation in the Linotype machine was that it automated the distribution step; i.e., returning the matrices and space bands back to the correct place in their respective magazines. This is done by the distributor.

After casting is completed, the matrices are pushed to the second elevator which raises them to the distributor at the top of the magazine. The space bands are separated out at this point and are returned to the spaceband box.^[15]

The matrices have a pattern of teeth at the top, by which they hang from the distributor bar. Some of the teeth are cut away; which pattern of teeth is cut away depends on the character on the matrix; i.e., which channel in the magazine it belongs in. Similarly, teeth are cut away along portions of the distributor bar. The bar on the elevator has all teeth, so it will hold any matrix (but not the space bands, which have no teeth at all).

Distributor bar and matrix teeth coding[link]

Diagram of Linotype matrix teeth. In the drawing on the left, the matrix is about to drop because the only teeth on the rail (shown in black) correspond to tooth positions that are cut away on the matrix. The drawing in the middle shows a matrix with all teeth present—a pi matrix

As the matrices are carried along the distributor bar by the distributor screws, they will hang on only so long as there are teeth to hold them. As soon as the matrix reaches the point where each of its teeth corresponds to a cut-away tooth on the distributor bar, it is no longer supported and will drop into the matrix channel below that point.

Diagram of tooth coding of the distributor rail, showing the first few positions of the rail. The coding is basically straight binary. Note that there are two positions for "e"; there are two magazine channels for that letter because of its high frequency

The pattern of teeth is essentially a binary code, counting up from the left side of the main magazine. Code 0 (no teeth) is for space bars, which are not carried up to the distributor. Code 1 is skipped (no reason for this is given in the Linotype manual). Codes 2 through 92 are for the 91-channel main magazine, and the codes above that are for the auxiliary magazine, if one is installed on the machine. The widest auxiliary magazine has 34 channels, so its rightmost channel is code 125. Code 126 is unused.^[16]

Pi matrices[link]

A Magnetic Ink Character Recognition (MICR) matrix, cut for code 127

In typesetting, it is sometimes necessary to use characters that are uncommon or obscure enough that it does not make sense to assign them to a magazine channel. These characters are referred to as pi characters or sorts ('pi' in this case refers to an obscure printer's term relating to loose or spilled type). Footnote marks, rarely used fractions, and mathematical symbols are examples of pi characters. In the Linotype machine, a pi matrix has all teeth present (code 127, no teeth cut away) so it will not drop from the distributor bar and will not be released into either the main or the auxiliary magazine. Instead, it travels all the way to the end and into the flexible metal tube called the pi chute and is then lined up in the sorts stacker. From the sorts stacker, the machine operator can (manually) pick pi matrices and insert them into the line being assembled as needed.^[17]

Operation[link]

The Linotype machine consists of four major sections^[18]:

1. Magazine
2. Keyboard
3. Casting mechanism
4. Distribution mechanism

The operator interacts with the machine via the keyboard, composing lines of text. The other sections are automatic; they start as soon as a line is completely composed.

Some Linotype machines included a paper tape reader. This allowed the text to be typeset to be supplied over a telegraph line (TeleTypeSetter). It also allowed for several tape perforator operators to prepare paper tape to be processed by a single Linotype machine, essentially decoupling the typing speed of the operators from the operating speed of the Linotype machine.

See also[link]

• Ottmar Mergenthaler
• Monotype System
• Monotype Corporation
• Lanston Monotype

Notes[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Linotype

Wikisource has the text of the 1921 Collier's Encyclopedia article Linotype.

• Linotype: The Film - In Search of the Eighth Wonder of the World (Doug Wilson, 2012) is a feature-length documentary centered around the Linotype type casting machine.
• The Printing (Holmes Burton Films Inc., 1947) documentary about linotype tech. in printing industry
• Metal Type—"For Those who Remember Hot Metal Typesetting"
• Linotype Machine on Woodsidepress.com
• Typesetting: Linotype vocational instruction film: part 1 and part 2.
• Video of a Linotype being operated in Iowa
• 1/13/1894;The Linotype a Machine To Supersede Typesetting
• The 1966 Automatically Controlled Elektron (ACE) Linotype, Teletype, Intertype and more
• Linotype machine patents
• E-book “Linotype – Chronik eines Firmennamens” (in German); (“Linotype – Chronologie of a Company Name”)

Yu Dafu
Born	(1896-12-07)December 7, 1896 Fuyang, Zhejiang, China
Died	September 17, 1945(1945-09-17) (aged 48)
Occupation	Short Story writer and Poet

Yu Dafu (simplified Chinese: 郁达夫; traditional Chinese: 郁達夫; pinyin: Yù Dáfū; Wade–Giles: Yu Ta-fu) (December 7, 1896—September 17, 1945). Born in Fuyang, Hangzhou, Zhejiang, was a modern Chinese short story writer and poet.

Early years[link]

Yu Dafu's father died when he was three, leaving the family poverty-stricken and destitute. He received a number of scholarships through the Chinese government and went on to receive a traditional Chinese education in Hangzhou. Chronologically he studied in Jiangxing-Fu Middle School (before he came to Hangzhou), Hangzhou-Fu Middle School, Yuying Academy^[1] (育英学堂, formerly of Zhejiang University).

In 1912, he entered Hangchow University (later its major part merged into Zhejiang University) preparatory through examination. He was there only for a short period before he was expelled for participation in a student strike.^[2]

He then moved to Japan, where he studied economics at the Tokyo Imperial University between 1913 and 1922, where he met other Chinese intellectuals (namely, Guo Moruo, Zhang Ziping and Tian Han). Together, in 1921 they founded the Chuangzao she 創造社 ("Creation Society"), which promoted vernacular and modern literature. One of his earlier works Chenlun 沉淪, also his most famous, published in Japan in 1921. The work had gained immense popularity in China, shocking the world of Chinese literature with its frank dealing with sex, as well as grievances directed at the incompetence of Chinese government at the time.

In 1922, he returned to China as a literary celebrity and worked as the editor of Creation Quarterly, editing journals and writing short stories. In 1923, after an attack of tuberculosis, Yu Dafu directed his attention to the welfare of the masses.

In 1927, he worked as an editor of the Hongshui literary magazine. He later came in conflict with the Communist Party of China and fled back to Japan.

Second Sino-Japanese war[link]

After the start of the Second Sino-Japanese war, he returned to China and worked as a writer of anti-Japanese propaganda in Hangzhou, and later in Zhejiang. From 1938 to 1942, he worked as a literary editor for the newspaper Sin Chew Jit Poh in Singapore.

In 1942 when the Imperial Japanese Army invaded Singapore, he was forced to flee to Sumatra. Known under a different identity, he settled there among other overseas Chinese and began a brewery business with the help of the locals. Later he was forced to help the Japanese military police as an interpreter when it was discovered that he was one of the few "locals" in the area who could speak Japanese.

In 1945, he was arrested by the Kempeitai when his true identity was finally discovered. It is believed that he was executed by the Japanese shortly after the surrender of Japan.

Works[link]

• Chenlun 沉淪 "Sinking" (1921)
• Riji jiuzhong 日記九種 “Nine Diaries” (1927)
• Guoqu 過去 “The Past" (1927)
• his first novel?? (1928) (moderately successful)
• his second novel?? (1932)
• Chuben 出奔 "Flight" (1935)

His most popular work, breaking all Chinese sales records, was Jih-chi chiu-chung "Nine Diaries", which detailed his affair with the writer Wang Ying-hsin. The most critically acclaimed work is Kuo-ch'u or "The Past", written in 1927.^{[citation needed]}

References[link]

• Encyclopædia Britannica 2005 Ultimate Reference Suite DVD, article- "Yü Ta-fu"

External links[link]

• Works by Yu Dafu at Project Gutenberg