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A subject's wrists are bound to each other for bondage play

Bondage is the use of restraints for the sexual pleasure of the parties involved. It may be used in its own right, as in the case of rope bondage and breast bondage, or as part of sexual activity or BDSM activity.

Private bondage[link]

A man bound and blindfolded

Some couples incorporate sexual bondage into their sex lives and find sexual bondage to be relationship-affirming, which requires and implies a level of trust and a surrender of control by the restrained to the active partner.^[1] Bedroom bondage games can be a form of foreplay.^[2] The main feature of the sexual bondage is that it renders the tied person vulnerable and unable to interfer in the ensuing sexual activity. Bedroom bondage can be relatively simple to apply, enabling improvisation using household items and little experience.

Bedroom bondage is usually mild bondage, with one partner voluntarily being put into restraints by being tied up or cuffed, hogtied, spread-eagled, or in a leapfrog position^[3] and possibly blindfolded and gagged etc. by the other, who then sexually stimulates the tied partner at will by masturbation, oral sex, a vibrator or intercourse. Bondage can be used for purposes other than sexual foreplay. For example, it may be used in erotic tickling or for sexual teasing.

The tied partner's satisfaction is often indicated by writhing, struggling or vocalizations etc. The free partner may derive erotic pleasure or achieve sexual arousal from being in a dominant situation, while the tied partner may achieve arousal from being in a largely "helpless" position in the hands of a trusted partner. Either way, the partners may be playing out the bondage games to act out their sexual fantasies (not necessarily the same one) and many established couples find the experience relationship-affirming, as it both requires and implies a level of trust between them that is not normally found within more casual relationships.^[4]

Safety rules followed by couples are trust-based as one partner is tied up. Sex takes place with the previously given consent of this partner. This could take the form of a sex game or rape fantasy enactment.

Bondage erotica[link]

Erotic pose of three women in bondage gear

Some people regard bondage to be erotically stimulating or sexually arousing. Bondage features in some sexual fantasy scenarios. Studies of men's fantasies have shown that the fantasy of being bound during intercourse is second in frequency only to the basic fantasy of sex with a voluptuous nude woman.^{[citation needed]} Bondage themes have been present in erotica and pornography for some time.

Bondage pornography for heterosexual men almost overwhelmingly depicts bound women, rather than bound men, despite one of the most common fantasies in both sexes being one of being bound.

Bondage fantasies often involve dressing in a role outfit. Typical outfits for the submissive person invoke common icons of passivity or sexual innocence (e.g. a shepherdess, nun or schoolgirl outfit for women, or a leather slave harness and cuffs for men). In a similar respect, the dominant person's attire often reflect images of power, control, and extreme discipline (a Nazi officer, police or prison warden uniform).

There have not been many depictions of sexual bondage in mainstream film or television. In the 1986 British film Mona Lisa, a call girl lets herself be shackled as part of her prostitution services. In a 2006 episode of The L Word, shown in the United States on cable television, character Alice Pieszecki (portrayed by Leisha Hailey) let's herself be manacled by character Uta Refson (Erica Cerra) a mystery woman whom she recently met at a lesbian speed-dating party. Alice allows herself to be led in all matters by Uta. After being cuffed to the ceiling, which apparently Alice regards as a normal sex practice, Alice develops grave misgivings about Uta and tries desperately to free herself from her shackles. However, realizing she cannot free herself, she finally submits wholeheartedly to Uta's love-making.^[5]

In art and popular culture[link]

Example of rope bondage, as an art form

Bondage is also presented in erotic and mainstream literary forms, including cartoons and magazines, and depicted in erotic art, such as some of the works of Gustave Doré and John Everett Millais. The mythical Andromeda was a popular subject for bondage in art by painters including Rembrandt's Andromeda Chained to the Rocks (1630), Théodore Chassériau (1840), Edward Poynter (1869) and Gustave Doré (1869).

Other popular scenarios for bondage in art was that of Angelica from the fifteenth century epic poem Orlando Innamorato, which is itself a continuation of the romantic epic saga Orlando Furioso, which is similar to that of Andromeda in that the heroine is offered as a sacrifice to the sea gods; and the damsel in distress theme. The damsel in distress theme was also used in The Perils of Pauline (1914) motion picture serial, which found Pearl White in mortal danger on a weekly basis.

Depictions of bondage in art may be erotic, in which case they would tend to depict a young woman in danger and fear, and some are BDSM in style. Bizarre was a fetish and bondage magazine published between 1946-1959 by bondage artist John Willie. It included drawings and photographs using professional bondage models in bondage or sadomasochistic scenes. Sweet Gwendoline was the main female character in his works, published largely in the 1950s and 60's, and possibly the most famous bondage icon after Bettie Page. She was repeatedly depicted as the stereotypical naïve blonde damsel in distress.

Bondage received a positive (if brief) treatment in The Joy of Sex, a mainstream sex manual popular in the 1970s. The publication of Madonna's book, Sex, which included photographs of bound nudes, did a great deal to improve public awareness of the acceptance of bondage.

By the 1990s, references to bondage could be found in mainstream prime-time television series such as Buffy the Vampire Slayer, where equipment such as handcuffs or collars and concepts such as the safeword were included as a matter of course.

The Claiming of Sleeping Beauty was an erotic trilogy published in the 1980s by Anne Rice which contained bondage scenarios, as part of a wide range of BDSM acts.

Other examples of bondage erotica include Pauline Réage's Story of O, Frank E. Campbell's books^[6] and the artwork of Robert Bishop.

BDSM[link]

This unreferenced section requires citations to ensure verifiability.

Handcuffs can be used to cuff ankles as well, sometimes even toe cuffs are used

Woman cuffing herself

Bondage features prominently in BDSM scenes and sexual roleplay. Bondage has a sexual appeal to people of both sexes and all sexual orientations, in either a dominant (top) or submissive (bottom) role.

There are also some common fantasy settings in which bondage may be a component. These include:

• Rape, ravishment and/or abduction: The top fictitiously seizes or abducts the consenting bottom and has complete control to do what he/she pleases.
• Dominance/submission: A training session occurs in which rewards for obedience and punishment for defiance are given. Humiliation is usually involved.
• Predicament bondage: The bottom is given a choice between two tortures. For example, caning on the rear or flogging on the chest. If the bottom cannot stand one any longer, the top will start the other. This can also be done mechanically, like having a bottom squat and rigging a crotch rope to tighten if they attempt to stand.

Bondage is often combined with other sexual and BDSM techniques.

Self-bondage is more complex, and may involve special techniques to apply bondage to oneself, and also to effect a release after a lapsed period of time. Self-bondage is also notably risky: see the safety notes below.

A large variety of bondage equipment is available for use in BDSM scenes for a number of results. These include rope, straps, or harnesses which can be used to hold limbs together; spreader bars, x-frames which can be used to keep limbs apart; the body or limbs can be tied to an object, such as to chairs or stocks; the body may be suspended from another object, as in suspension bondage; or it may used to restrict normal movement, such as use of hobble skirts, handcuffs, or pony harness. Bondage may also be used to wrap the whole body or a part of it in bindings, such as cloth or plastic (saran wrap or cling film "mummification") as well as sleepsack bondage.

One of the purposes of bondage in BDSM is to restrain a person (typically called the bottom) in a BDSM position. This may involve simply tying the hands together in front or behind. Other positions involve the use of a waist belt to anchor the hands to the front, back or sides. Other popular positions are the spread eagle, with the limbs splayed out and fastened by wrists and ankles to bedposts, door frame or some other anchoring point; the hogtie, which secures each wrist to its corresponding ankle behind the back (wider, padded restraints such as bondage cuffs are recommended for this); the balltie, which secures wrists to ankles, in front, with the knees drawn up to the chest; the crotch rope, which involves pulling a rope between the labia to apply pressure to the female genitals. Sometimes a knot is placed in the rope at the position of the clitoris to intensify the sensation. Other positions include the reverse prayer position (not recommended unless the subject has flexible shoulders), and an over-arm tie, in which the arms are brought over the head, and the wrists fastened together behind the head and then by a length of rope, chain or strapping to a belt at the waist.

The types of restraints used in bondage include rope, which is often preferred because of its flexibility. Rigging, however, requires considerable skill and practice to do safely. Other types of restraints include chains, handcuffs, thumbcuffs and belly chains. Institutional restraints, such as straitjackets may be used in some roleplays, and purpose-made bondage gear, such as monogloves, sleepsacks, bondage hooks and bondage tables, are also available.

Some BDSM play parties offer "bondage workshops", where couples, or people otherwise consenting with each other, can practice tying up each other under the instruction and supervision of an experienced bondage rigger.

Public bondage[link]

This unreferenced section requires citations to ensure verifiability.

Bondage demonstration at the 2003 Folsom Street Fair

Man in leather cuffs and chains during street fair

A subculture of gay men, sometimes called leathermen, were arguably among the first group to make obvious hints of their tastes in bondage in public.

The growth of the gay leather subculture parallels the biker culture that arose after World War II -- a number of early leathermen were WWII veterans, and the military traditions of discipline and structure were an important influence in Old Guard leather. While the bikers were not identified as homosexual, the leathermen admired their toughness, tenacity, and willingness to ignore mainstream social mores. Consequently, they adopted the biker style of dress, particularly the use of black leather. While this served a utilitarian purpose for the bikers, in providing warmth and protection from "road rash", it was primarily of fashion and fetishistic value to the leathermen, who for the most part did not ride motorcycles extensively (although there have been and are numerous gay leather motorcycle clubs).

Beginning in the late 1960s, heterosexual groups began to come together to explore bondage and power exchange. With time, these groups have grown and have raised their profile somewhat, to the point where most U.S. cities of any size have one or more such groups. A major goal of most of these groups is to provide semi-public opportunities for BDSM, in an effort to provide a safe environment for relative strangers to engage in such activities. As such, these groups attach high importance to objective safety rules, such as the use of safewords.

Safety[link]

Use of an arms spreader bar

Many people regard bondage as safer, when conducted between sober, trusted partners who are fully aware of the risks involved and the precautions necessary to ensure safety, such as informed consent. Partners who are in committed relationships may have a greater basis for trusting each other. Performing acts in a supervised location, such as a dungeon, or with a group of trusted friends may also increase safety.

There is also a subculture of people who seek out others interested in bondage and pursue such activities with people who they do not know well. This subculture has given rise to the safe, sane and consensual credo, which is being replaced with Safer, Sane & Consensual, considering that 'safe' is subjectively, impossible.

Safety precautions include:^[7]

• The use of a "safeword", or some clear way for the subject to indicate genuine distress and a wish to discontinue, temporarily stop or vary the activities of the play.
• Never leaving a bound person alone.
• Avoiding positions or restraints which may induce postural asphyxia.
• Making sure that the subject changes positions at least once an hour (to avoid circulation problems).
• Making sure that the subject can be released quickly in an emergency.
• Avoiding restraints which impair breathing. (Gags or hoods which block the mouth can become asphyxial hazards if the subject vomits or the nose becomes otherwise blocked.)
• Remaining sober; alcohol and drugs should be avoided.

One very simple safety measure is to ask the subject every so often if he or she is all right. Another is to check body parts like hands and feet for numbness or coldness, which can happen if nerves have been pinched or blood circulation has been blocked. Another is to check for skin discoloration. Skin that does not get enough oxygen turns bluish. If blood can get in, but cannot get out because one of the veins has been blocked, that part of the body turns purple.

If the subject has been gagged or can otherwise not verbally communicate, a different form of the safeword is needed. For instance, they may hum a simple tune, or opening and closing one or both hands repeatedly, or releasing an object held in one hand (such as a rubber ball, or a scarf).

Some simple preparations may also be helpful:

• Food. It is common^{[citation needed]} for people (especially those on diets) to faint during a long session. Having a regular meal beforehand is recommended; being fed small snacks during play may also help prevent fainting.
• Cutting tools. A pair of EMT scissors is recommended (useful for safely cutting rope and tape off skin).
• Keyed-alike padlocks, if chains are being used.

It should be noted that scenes depicted in bondage photographs and videos are chosen for their visual appeal and fantasy value. Sometimes these positions are dangerous or cannot be maintained for more than a few minutes (i.e., "don't try this at home") such as inverted bondage or suspension from the wrists and ankles. In many cases they cannot be "acted out" with good results and are only for extremely physically fit and very experienced BDSM participants.

Self-bondage carries a higher risk, particularly because it violates an important principle of bondage safety; to never leave a bound person alone. Without someone to release them in the event of an emergency or medical crisis, self-bondage can be lethal to its practitioners.^[8]

Spiritual aspects[link]

Some people who have been put into long-term deep bondage (mummification) have reported having out-of-the-body experiences and there are some who desire to be put in deep bondage for this reason. A New Age form of bondage is being immersed a sensory deprivation tank for the express purpose of having an out-of-the-body experience as was practiced while on ketamine by the New Age philosopher John C. Lilly. ^[9]

See also[link]

References[link]

Bibliography[link]

Notes[link]

External links[link]

Wikinews has related news: BDSM as business: Interviews with Dominatrixes

Wikimedia Commons has media related to: BDSM

• Unrealities.com, soc.subculture.bondage-bdsm FAQ and its mirror at Sexuality.org
• Wipipedia - A bondage Wiki

Look up bondage in Wiktionary, the free dictionary.

Bondage may refer to:

• Debt bondage, a modern form of slavery in which people are bound by debt, rather than legal ownership
• Bondage (sexual), the practice of tying people up for pleasure
• Self-bondage, the practice of tying oneself up for pleasure
• Physical restraint in a more general sense
• The term bondage is also used figuratively to mean spiritual attachment, such as to the physical world, or an evil compelling force, such as original sin
• Serfdom
• Bondage (play), a 1991 play by David Henry Hwang
• The Bondage, a 2006 film by Eric Allen Bell
• Bondage (album) a 2009 album by j-pop singer Nana Kitade

See also[link]

• Bondsman (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

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Ben Bass
Born	Benjamin Langer Bass (1968-08-14) August 14, 1968 (age 43)[citation needed] Baltimore, Maryland, U.S.
Occupation	Actor
Years active	1987–present
Spouse	Laura Carswell (2011-present)

Benjamin Langer Bass (born August 14, 1968^{[citation needed]}) is a Canadian-American television and stage actor. He is perhaps best known for his role as 16th century Spanish vampire Javier Vachon in the series Forever Knight, and for his current starring role as Officer Sam Swarek on the Global TV summer police drama, Rookie Blue which also airs on the ABC Channel.

Life and Career[link]

Bass was born in Baltimore, Maryland. At age 7, he moved with his family to Vancouver, British Columbia, Canada. He speaks French fluently.

He started his television career by appearing in the show 21 Jump Street, and started his stage career when he appeared in Angry Housewives. He was nominated for a Vancouver Jesse Award for best supporting actor in Angry Housewives. Also, he originating the stage role of the young Elvis Presley in Are You Lonesome Tonight at The Charlottetown Festival in Prince Edward Island. Furthermore, he studied acting at the London Academy of Music and Dramatic Art and at L'École Internationale de Théâtre Jacques Lecoq in Paris.

After returning to Canada, he appeared in television guest roles before becoming a regular cast member of the series Forever Knight as the 16th century Spanish vampire Javier Vachon.

He attended the Stratford (Ontario) Festival and The Atlantic Theatre Festival in Nova Scotia.

Bass was nominated for a Gemini Award for his lead role in the Canadian drama series The Eleventh Hour and recently starred in a TV miniseries Would Be Kings for which he received his second Gemini nomination. His film career includes A Cool Dry Place, Bride of Chucky and The 6th Day.

On June 14, 2011^{[citation needed]}, he married actress Laura Carswell, who then took his last name.

Filmography[link]

Awards[link]

External links[link]

• Ben Bass at the Internet Movie Database
• Ben Bass at AllRovi
• Northernstars.ca Canadian Movie Database
• Loftworks info
• TV-now

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John White (1590 – 29 January 1645) was a Welsh lawyer and politician who sat in the House of Commons from 1640 to 1645.

White was from a family of merchants from Tenby, Pembrokeshire, Wales. He was the second son of Henry and Jane (née Fletcher) White. He matriculated (together with his elder brother Griffith) at Jesus College, Oxford in 1607.

He entered the Middle Temple in 1610 and was called to the bar in 1626. He was High Sheriff of Pembrokeshire in 1626, like his father and grandfather before him. In November 1640, White was elected Member of Parliament for Southwark in the Long Parliament.^[1]

White died in 1645 and was buried in the Temple Church.^[2] He had married three times: firstly Janet, the daughter of John ap Griffith Eynon of Jeffreston, Pembrokeshire; secondly Winifred daughter of Richard Blackwell of Bushey, Herts with whom he had nine children ; thirdly Mary the eldest daughter of Thomas Style of Little Mussenden, Bucks.

References[link]

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Francis Scott MacNutt (born 1925^[1]) was a leading member of the Catholic Charismatic Renewal^[1] and is an author of books on healing prayer, including Healing, The Healing Reawakening and Deliverance from Evil Spirits.

MacNutt grew up in St. Louis, Missouri.^[2] He earned a B.A. degree from Harvard University in 1948, and a M.A. degree in speech and drama from The Catholic University of America, Washington.^[3] In 1950, MacNutt joined the Dominican Order and was ordained to the priesthood in 1956.^[2][1] He has a Ph.D. degree in Theology.^[4] He taught at a seminary in Dubuque, Iowa for several years before moving back to St Louis in 1966 to become executive director of the National Catholic Preaching Conference.^[3]

MacNutt learned of the charismatic movement through Pentecostal Protestant friends.^[5] As a young Roman Catholic priest, he was prominent and influential in the charismatic renewal in the 1960s,^[6] and during the 1970s he became associated with the practices of speaking in tongues and faith healing and appeared on television with Ruth Carter Stapleton, the sister of President Carter.^[3] In the late 1970s he was director of the Thomas Merton Foundation in St. Louis.^[7]

He left the Dominicans to marry his wife, Judith Carole (née Sewell), a psychologist, in February 1980 and they settled in Clearwater, Florida, where they established Christian Healing Ministries^[8] that same year.^[1] His decision to marry was controversial in the Catholic charismatic movement and due to a requirement of clerical celibacy it resulted in automatic excommunication.^[9] Since the beginning of their marriage, the MacNutts have traveled widely, speaking and ministering together. In 1987, at the invitation of the Episcopal Diocese of Florida, they moved to Jacksonville, Florida, and expanded Christian Healing Ministries into a healing center for prayer ministry and teaching.^[2]

References[link]

External links[link]

• Christian Healing Ministries
• Grady, J Lee (30 June 2004). "The Priest With Healing Hands". Charisma. http://www.charismamag.com/index.php/features2/465-heroes-of-the-faith/9231-the-priest-with-healing-hands. Retrieved 5 April 2011. 

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