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Bonanza is an NBC produced western television series that ran on the NBC network from September 12, 1959 to January 16, 1973. Lasting 14 seasons and 430 episodes, it ranks as the second longest running western series (behind Gunsmoke) and still continues to air in syndication, The show centers around the Cartwright family, who live in the area near Lake Tahoe, Nevada. The show stars Lorne Greene, Pernell Roberts, Dan Blocker, Michael Landon, and David Canary. The show's title "Bonanza" is a term used by miners in regard to a large vein or deposit of ore,^[1] and commonly refers to The Comstock Lode. In 2002, Bonanza was ranked No. 43 on TV Guide's 50 Greatest TV Shows of All Time.^[2]

Premise[link]

The show chronicles the weekly adventures of the Cartwright family, headed by the thrice-widowed patriarch Ben Cartwright (Lorne Greene). He had three sons, each by a different wife: the eldest was the urbane architect Adam Cartwright (Pernell Roberts) who built the ranch house; the second was the warm and lovable giant Eric, "Hoss" (Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or "Little Joe" (Michael Landon). Via exposition (Bonanza, "Rose For Lotta", premiere, 9/12/59) and flashback episodes, each wife was accorded a different ethnicity: English (Bonanza, "Elizabeth My Love"; episode #65) Swedish (Bonanza, "Inger My Love", episode #95) and French Creole (Bonanza, "Marie My Love", episode #120) respectively. The family's cook was the Chinese immigrant Hop Sing (Victor Sen Yung). Greene, Roberts, Blocker, and Landon were billed equally. The opening credits would alternate the order among the four stars.

The family lived on a 600,000+ acre ranch (over one thousand square-miles) called the Ponderosa on the eastern shore of Lake Tahoe in Nevada.^[3] The vast size of the Cartwrights' land was quietly revised to "half a million acres" on Lorne Greene's 1964 song, "Saga of the Ponderosa." The ranch name refers to the Ponderosa Pine, common in the West. The nearest town to the Ponderosa was Virginia City, where the Cartwrights would go to converse with Sheriff Roy Coffee (played by veteran actor Ray Teal), or his deputy Clem Foster (Bing Russell).

Bonanza was considered an atypical western for its time, as the core of the storylines dealt less about the range but more with Ben and his three dissimilar sons, how they cared for one another, their neighbors, and just causes. "You always saw stories about family on comedies or on an anthology, but Bonanza was the first series that was week-to-week about a family and the troubles it went through. Bonanza was a period drama that attempted to confront contemporary social issues. That was very difficult to do on television. Most shows that tried to do it failed because the sponsors didn't like it, and the networks were nervous about getting letters," explains Stephen Battaglio, a senior editor for TV Guide magazine (Paulette Cohn, "Bonanza: TV Trailblazer", American Profile Magazine, p. 12, June 5, 2009).

Episodes ranged from high drama ("Bushwacked", episode #392, 1971; "Shanklin", episode #409, 1972) to broad comedy ("Hoss and the Leprechauns", episode #146, 1964; "Caution, Bunny Crossing", episode #358, 1969) and addressed such meaty issues as the environment ("Different Pines, Same Wind", episode #304, 1968), substance abuse ("The Hidden Enemy", episode #424, 1972), domestic violence ("First Love", episode #427, 1972), anti-war sentiment ("The Weary Willies", episode #364, 1970), illegitimate births ("Love Child", episode #370, 1970; "Rock-A-Bye Hoss", episode #393, 1971), and bigotry against Asians ("The Fear Merchants", 1960; "The Lonely Man", episode 404, 1969), African-Americans ("Enter Thomas Bowers", episode #164, 1964; "The Wish", episode #326, 1968; "Child", episode #305, 1969), Native Americans ("The Underdog", episode #180, 1964; "Terror at 2:00", episode #384, 1970), the disabled ("Tommy", 1966) and "little people" ("It's A Small World", episode #347, 1968).

Originally, the Cartwrights tended to be depicted as put-off by outsiders. Lorne Greene, however, objected to this, pointing out that as the area's largest timber and livestock producer, the family should be less clannish. The producers agreed with this observation and changed the Cartwrights to be more amiable.

The cast[link]

Though not familiar stars in 1959, the cast quickly became favorites of the first television generation.

Lorne Greene – Ben Cartwright[link]

Lorne Greene as Ben Cartwright

Canadian-born Lorne Greene starred as family patriarch Ben Cartwright. Early in the show's history, Ben Cartwright recalls each of his late wives in flashback episodes. A standard practice with most westerns was to introduce some romance but avoid matrimony. Few media cowboys (save Roy Rogers and Fess Parker's Daniel Boone) had on-screen wives. Any time one of the Cartwrights seriously courted a woman, she died from a malady, was slain, or left with someone else.

Pernell Roberts – Adam Cartwright[link]

Pernell Roberts as Adam Cartwright

Georgia-born Pernell Roberts played eldest son Adam, an architectural engineer with a university education. Adam built the impressive ranch house ("The Philip Diedesheimer Story", Oct. 31, 1959; "Bonanza: The Return", NBC TV, April 21, 1993). Roberts disdained the assembly-line mindset of serial television, and fought with series writers regarding Adam's lack of independence. Despite the show’s success, Roberts departed the series following the 1964–65 season (after 202 episodes) and returned to theater.

Dan Blocker – Eric "Hoss" Cartwright[link]

Dan Blocker as 'Hoss' Cartwright

Dan Blocker was six foot four and over three hundred pounds when chosen to play the gentle middle son Eric, also known as Hoss. The nickname was used as a nod to the character's ample girth,^[4] an endearing term for "big and friendly", used by his Swedish mother (& uncle, Gunnar),^[5] or a rib to his humiliating, failed attempt to break a horse ("Ponderosa", episode No. 1, PAX TV 2001). In the Bonanza flashback (Bonanza, "Journey Remembered"; episode No. 142, NBC-TV, 1964), his mother Inger names him Eric after her father. To satisfy young Adam, Inger and Ben agree to try the nickname Hoss and "see which one sticks". " Inger says of "hoss", "In the mountain country, that is the name for a big, friendly man."

In May 1972, Blocker died suddenly from a post-operative pulmonary embolism following surgery to remove a diseased gall bladder. The producers felt nobody else could continue the role. It was the first time a TV show's producers chose to kill off a major male character (though it was done twice previously with female leads- in 1956 on Make Room For Daddy, and again in 1963 with The Real McCoys). It was not until the movie, Bonanza: The Next Generation (Syndicated, 1988), that it was explained that Hoss had drowned attempting to save a woman's life.

Michael Landon – Joseph "Little Joe" Cartwright[link]

Michael Landon as 'Little Joe' Cartwright; this shot was taken before the cast's clothing was standardized for continuity purposes and Landon is seen in the outfit worn in later seasons by Pernell Roberts

Michael Landon began to develop his skills in writing and directing Bonanza episodes, starting with "The Gamble." Most of the episodes Landon wrote and directed were dramas, including the 1972 two hour, "Forever", which was recognized by TV guide as being one of televisions best specials (November 1993). According to David Dortort, Landon grew difficult during the last five seasons the show ran. ("Bonanza" four CD set biography notes, Bear Family Records). Landon appeared in all but fourteen Bonanza episodes for its run, a total of 416 episodes.

In the episodes "First Born" (1962) and "Marie, My Love" (1963), viewers learn of Little Joe's older half-brother Clay Stafford, born to his French Creole mother Marie. According to Lorne Green's song "Saga of the Ponderosa" ("Bonanza" four CD set biography notes/song, Bear Family Records, 1964), Marie's first husband was "Big Joe" Collins, who dies saving Ben's life. Ben travels to Marie to break the sad news, and the two bond. After Ben marries Marie, they choose to honor "Big Joe" by calling their son "Little Joe". Whether to Stafford or Collins, Marie Cartwright was previously married.

David Canary – "Candy" Canaday[link]

In 1967, David Canary joined the cast as "Candy" Canaday, a plucky Army brat turned cowboy ("Sense of Duty", episode 271, September 24, 1967), who became the Cartwrights' confidant, ranch foreman, and timber vessel captain. Dortort was impressed by Canary's talent, but the character vanished in 1970 after Canary had a contract dispute. He would return after co-star Dan Blocker's death, reportedly having been approached by Landon.

Victor Sen Yung – Hop Sing[link]

Chinese American actor Victor Sen Yung played the Cartwrights' happy-go-lucky cook, whose blood pressure rose when the family came late for dinner. Cast here as the faithful domestic, the comedy relief character had little to do beyond chores. Though often referenced, Hop Sing only appeared in an average of seven to eight shows each season. As a semi-regular cast member, Yung was only paid per episode. After 14 years, Yung was widely known, but financially struggling. The Hop Sing character was central in only two episodes: "Mark Of Guilt" (#316) and "The Lonely Man" (#404).

Mitch Vogel – Jamie Hunter/Cartwright[link]

Absent Canary in mid 1970, the writers sought a fresh outlet for Ben's fatherly advice, and so a teen boy was introduced. Fourteen-year-old Mitch Vogel joined the series as Jamie Hunter, the orphan son of a roving rainmaker, in the 363rd episode, "A Matter of Faith" (aired September 20, 1970). Ben adopted Jamie in a 1971 episode.

Episodes[link]

Broadcast History[link]

NOTE: The most frequent time slot for the series is in bold text.

• Saturday at 7:30-8:30 PM on NBC: September 12, 1959—June 3, 1961
• Sunday at 9:00-10:00 PM on NBC: September 24, 1961—April 2, 1972
• Tuesday at 8:00-9:00 PM on NBC: September 12, 1972—January 16, 1973

Ratings[link]

• October 1959 – April 1960: Not in the Top 30
• October 1960 – April 1961: #17/24.8
• October 1961 – April 1962: #2/30.0
• October 1962 – April 1963: #4/29.8 (tied with The Lucy Show)
• October 1963 – April 1964: #2/36.9
• October 1964 – April 1965: #1/36.3
• October 1965 – April 1966: #1/31.8
• October 1966 – April 1967: #1/29.1
• October 1967 – April 1968: #4/25.5 (tied with Gunsmoke and Family Affair)
• October 1968 – April 1969: #3/26.6
• October 1969 – April 1970: #3/24.8
• October 1970 – April 1971: #9/23.9
• October 1971 – April 1972: #20/21.9
• October 1972 – April 1973: Not in the Top 30

Initially, Bonanza aired on Saturday evenings opposite Perry Mason. However, Bonanza's ratings were dismal and the show was soon targeted for cancellation. However, NBC kept it because Bonanza was one of the first series to be filmed and broadcast in color, including scenes of picturesque Lake Tahoe Nevada. NBC's corporate parent, Radio Corporation of America (RCA), used the show to spur sales of RCA-manufactured color television sets (RCA was also the primary sponsor of the series during its first two seasons).

NBC moved Bonanza to Sundays at 9:00 pm Eastern with new sponsor Chevrolet (replacing The Dinah Shore Chevy Show). The new time slot caused Bonanza to soar in the ratings, and it eventually reached number one by 1964, an honor it would keep until 1967. By 1970, Bonanza was the first series to appear in the Top Five list for nine consecutive seasons (a record that would stand for many years) and thus established itself as the single biggest hit television series of the 1960s. Bonanza remained high on the Nielsen ratings until 1971, when it finally fell out of the Top Ten.

Social issues addressed[link]

Bonanza is uniquely known for having addressed racism, not typically covered on American television during the time period, from a compassionate, humanitarian point-of-view.

Bigotry, and specifically anti-semitism, was the subject of the episode "Look to the Stars" (Season 3, Episode 26; original air date March 18, 1962). A bigoted school teacher (oblivious to his prejudice) routinely expels minority students. When he expels the brilliant Jewish student Albert Michaelson, a scientific genius whose experiments on the streets of Virginia City often cause commotion, Ben Cartwright steps in and confronts Norton on his bigotry. Ashamed, the school teacher vows to reform.^[6] A coda to the episode reveals that Michaelson went on to win the Nobel Prize for Physics.

In the episode "Enter Thomas Bowers" (Season 5, Episode 30; original air date April 26, 1964), the Cartwright family helps the opera singer Bowers, an African American freedman, after he encounters prejudice while in Virginia City to perform. Bowers winds up arrested as a fugitive slave. At the beginning of the episode, Adam is shown to be outraged at the Supreme Court's Dredd Scott v. Sandford decision (placing the time as 1857), which he discusses with his father. According to David Dortort, sponsor General Motors was anxious about the episode. As producer, Dortort ensured that the episode re-aired during the summer rerun seasons, though two TV stations in the South refused to air it.^[7]

In the The Wish episode, directed by Michael Landon, Hoss protects an African American former slave's family when confronted with racism after the American Civil War. In The Fear Merchants episode, discrimination against Chinese immigrants who attempt to assimilate in American society is addressed.^[8][9]

Production[link]

Costumes[link]

From the third season on, the Cartwrights and nearly every other recurring character on the show wore the same clothing in almost every episode. The reason for this is twofold: it made duplication of wardrobe easier for stunt doubles (Hal Burton, Bob Miles, Bill Clark, Lyle Heisler) and it cut the cost of refilming action shots (such as riding clips in-between scenes), as previously shot stock footage could be reused. Below is a survey of costumes employed:

• Ben Cartwright: Sandy shirt, tawny leather vest, gray pants, cream-colored hat, occasional green scarf.
• Adam Cartwright: Black Shirt, black or midnight blue pants, black hat. Elegant city wear. Cream-colored trail coat.
• Hoss Cartwright: White shirt, brown suede vest, brown pants, large beige flat-brimmed, ten-gallon hat.
• Little Joe Cartwright: Beige, light gray shirt, kelly-green corduroy jacket, tan pants, beige hat. Black leather gloves from 10th season on. In season 14, he wore occasional blue-jean slacks, as the footage of him and the late Dan Blocker together (or of him, Blocker, and Greene) could no longer be reused.
• Candy Canaday: Crimson shirt, black pants, black leather vest, black hat, green/grey scarf.

Hair styles[link]

In 1968, Blocker began wearing a toupee on the series, as he was approaching 40 and losing hair. He joined the ranks of his fellow co-stars Roberts and Greene, both of whom began the series with hairpieces (Greene wore his modest frontal piece in private life too, whereas Roberts preferred not wearing his, even to rehearsals/blocking). Landon was the only original cast member who was wig-free throughout the series, as even Sen Yung wore an attached queue.

Theme song[link]

Bonanza also featured a memorable theme song by Jay Livingston and Ray Evans that was orchestrated by David Rose and arranged by Billy May for the television series.

The Bonanza theme, emulating galloping horses, is one of the best known pieces of made-for-television music, and variations of it were used for twelve seasons of the series. Three of the cast members sang the original lyrics, sans music, on the pilot (Pernell Roberts, the sole professional singer of the quartet, abstained and untethered the horse reins). Before the pilot aired (on September 12, 1959), the song sequence was edited out of the scene and the Cartwrights headed back to the Ponderosa whooping. Five years later, a rendition more reflective of the show was introduced in Lorne Greene's song, "Bonanza", (Bear Box set, 1964). In 1968, a new horn and percussion-heavy arrangement of the original theme music was introduced; the new version was used until 1970. A new theme song, called "The Big Bonanza" was written in 1970 by episode scorer David Rose, and was used from 1970–1972. A faster rendition of the original theme returned for the 14th and final season.

The theme song has been recorded by numerous artists in a diverse variety of styles. The first recorded and released version was an instrumental by Marty Gold, on his 1960 album Swingin' West. This was followed by the February, 1960 single by Buddy Morrow and his Orchestra, which included vocals. Morrow's version also appeared on his 1960 album Double Impact which featured several other then-recent television themes. In December, 1960, another vocal version was issued only in the United Kingdom by Johnny Gregory and his Orchestra and Chorus released on the Fontana label. All aforementioned vocal versions, including the television pilot, used lyrics written by Livingston and Evans contained in the first published sheet music for the song, though not all the lyrics were sung. A Bonanza soundtrack album released in late 1961 included a version by David Rose; Rose also had a 1960 single and included the theme on his 1961 album Exodus in a different mix. The biggest hit version is a guitar instrumental by Al Caiola, which reached number 19 on Billboard in 1961. Other versions were released by Billy Vaughn, Valjean, Lorne Green, and Nelson Riddle.

Country singer Johnny Cash was first to record a full length vocal version of the theme song. He and Johnny Western discarded the original Livingston and Evans lyrics, and wrote new ones. The song first saw release by September, 1962 as a single. Sometime after June, 1963, it was released as a track on his sixteenth album: Ring of Fire: The Best of Johnny Cash. This version was later covered by Faron Young for his 1963 album Aims at the West. Singer Ralf Paulsen recorded a German-language version of the song in 1963, released in mid-June, 1963 on Capitol Records in the United States. His German version (lyrics attributed to "Nicolas") was sung in the same style and mood in which Cash had recorded it, and was fairly close in translation.

Bad Manners did a ska version of the song, as did the Hurtin' Buckaroos. Michael Richards, as Stanley Spadowski, sang a bit of the theme song while being held hostage by Channel 8's news goons in UHF (he did not know the words to the song he was originally supposed to sing, "Helter Skelter"). Michael Feinstein was the last to record the song in 2002 on his Songs of Evans and Livingston tribute CD. The Little House on the Prairie theme (also by Rose), was heard first in a 1971 episode of Bonanza. The overture for The High Chaparral composed by Harry Sukman can be heard briefly at the start of the 1966 episode "Four Sisters from Boston".

Set[link]

The opening scene for the first season was shot at Lake Hemet, a reservoir in the San Jacinto Mountains, Riverside County, California, and later moved to Lake Tahoe. During the first season extra horses were rented from the Idyllwild Stables in Idyllwild, also in the San Jacinto Mountains. The first Virginia City set was used on the show until 1970 and was located on a backlot at Paramount and featured in episodes of Have Gun – Will Travel, Mannix, and The Brady Bunch. In the 1970 premiere episode of the twelfth season entitled "The Night Virginia City Died," Deputy Clem Foster's pyromaniac fiancée levels the town in a series of fires. (Chosen, in part, as a real 1875 fire destroyed three-quarters of Virginia City.) This allowed for a switch to the less expensive Warner studios from September 1970 through January 1973. The script was initially written for the departing David Canary's Candy. It is rare, in that both actors Ray Teal (Sheriff Roy Coffee) and Bing Russell (Deputy Clem Foster) appear together.

The program's Nevada set, the Ponderosa Ranch house, was recreated in Incline Village, Nevada, in 1967, and remained a tourist attraction until its sale in September 2004.

[edit] Merchandising Bonanza

Bonanza has had a highly profitable merchandising history. Currently, Bonanza Ventures, Inc. grants merchandising and licensing rights worldwide. The original series has spawned: several successful novelty western/folk albums from 1962–1965; three dozen Dell and Gold Key comic books from 1962 through 1970; Jim Beam Whiskey Ponderosa Ranch decanters 1964–1966; a series of "Big-Little" books from 1966–1969; Revel Bonanza model character sets from 1966–1968; a chain of Bonanza and Ponderosa steakhouses from 1963–present; the Lake Tahoe-based "Ponderosa" theme park from 1967–2004; a line of American Character action figures in 1966–1967; Aladdin lunch buckets and thermos bottles in 1966–1968; View Master slide sets from 1965–1973; Ponderosa tin cups from 1967–2004; a series of Hamilton collector plates in 1989–1990; and most recently, Breyer Fiftieth Anniversary Ponderosa Stable sets, with horses and Cartwright figures in 2009–2011. Six Bonanza novels have been published: Bonanza: One Man With Courage by Thomas Thompson (1966); The Ponderosa Spirit by Stephen Calder (1988); The Ponderosa Empire by Stephen Calder (1991); Bonanza: High Steel Hazard by Stephen Calder (1993); Bonanza: Felling of the Sons by Monette B. Reinhold (2005), and Bonanza: Mystic Fire by Monette B. Reinhard (2009). Bonanza Gold (2003–2009), a quarterly magazine, featured detailed information about the show, including interviews with guest actors and other production personnel, articles about historical events and people depicted in the series, fan club information, and fan fiction. The first two seasons are available on DVD, as well as several non-successive public-domain episodes (sans original theme music). The prequel series, The Ponderosa (see above), is also available on DVD.

Cancellation and later interest[link]

In the fall of 1972, NBC moved Bonanza to Tuesday nights opposite the All In The Family spinoff show, Maude. The scheduling change, as well as Dan Blocker's death several months earlier, resulted in plunging ratings for the show. David Canary returned to his former role of Candy (to offset Hoss's absence), and a new character named Griff King (played by Tim Matheson) was added to lure younger viewers. Griff, in prison for nearly killing his abusive stepfather, was paroled into Ben's custody and got a job as a ranch hand. Several episodes were built around his character, one that Matheson never had a chance to fully develop before the show's abrupt cancellation in November 1972 (with last episode airing January 16, 1973). Many fans felt that the Hoss character was essential, as he was a nurturing, empathetic soul who rounded out the all-male cast.

For 14 years, the Cartwrights were the premier western family on American television and have been immensely popular on cable networks such as TV Land, ION (formerly PAX), Family Channel, and the Hallmark Channel. The series currently airs on Me-TV, TV Land and My Family TV.

Television movies[link]

Bonanza was revived for three made-for-television movies featuring the Cartwrights' offspring: Bonanza: The Next Generation (1988), Bonanza: The Return (1993), and Bonanza: Under Attack (1995). Michael Landon, Jr., played Little Joe's son Benji while Gillian Greene, Lorne Greene's daughter, played a love interest. In the second movie, airing on NBC, a one-hour retrospective was done to introduce the drama. It was hosted by both Michael Landon, Jr., and Dirk Blocker. According to the magazine TV Guide, NBC told Blocker he was too old to play the Hoss scion, but gave him the role of an unrelated newspaper reporter. Clips of his appearance were heavily used in advertisements promoting the "second generation" theme, perhaps misleading audiences to believe that Blocker was playing Hoss's heir. Hoss's son Josh was born out of wedlock, as it is explained that Hoss drowned without knowing his fiancėe was pregnant. Such a storyline might have been problematic in the original series. (The Big Valley, however, had a major character in Heath, who was presented as illegitimate. The Gunsmoke movies of the early 1990s employed a similar theme when Marshal Matt Dillon learned he had sired Michael Learned's daughter in a short-lived romance. The initial story was first introduced in 1973, when depiction of fornication courted protests, so CBS insisted their hero Matt have the encounter when he had amnesia.)

Prequel[link]

In 2001, there was an attempt to revive the Bonanza concept with a prequel, Ponderosa, with a pilot directed by Simon Wincer and filmed in Australia. Covering the time when the Cartwrights first arrived at the Ponderosa, when Adam was a teenager and Joe a little boy, the series lasted 20 episodes and featured less gunfire and brawling than the original. Bonanza creator David Dortort approved PAX TV (now Ion TV)'s decision to hire Beth Sullivan, a producer from Dr. Quinn, Medicine Woman, which some believe gave the series more depth as well as a softer edge. The Hop Sing character is depicted not only as a cook but also a family counselor and herbal healer.

Home video and DVD releases[link]

The last few episodes of Bonanza Season One and the first episodes of Season Two have fallen into the public domain. These episodes have been released by many different companies in different configurations and usually with substandard picture and sound quality, and by legal necessity with the copyright protected Evans-Livingston theme song replaced with generic western music.

In 1973, NBC sold the rights to the series, along with the rest of its pre-1973 library, to National Telefilm Associates, which changed its name to Republic Pictures in 1986. Republic would become part of the Spelling Entertainment organization in 1994 through Worldvision Enterprises. Select episodes ("The Best of Bonanza") were officially released in North America in 2003 on DVD through then-Republic video licensee Artisan Entertainment (which was later purchased by Lionsgate Home Entertainment). Republic (through CBS Television Distribution, which holds the television side of Republic's holdings) still retains the syndication distribution rights to the series. Incidentally, the TV Land repeats still end with the 1995 logos of both Republic and Paramount Domestic Television, while the Me-TV repeats vary between ending with the logos for Republic, Worldvision or CBS Television Distribution. A few 1959–60 episodes even aired on Me-TV with the original "NBC Color Presentation" logo coming before the CBS Television Distribution logo. CBS Home Entertainment (under Paramount Home Video) is the official home video rights distributor at present.

CBS Home Entertainment (distributed by Paramount) has released the first two seasons on DVD in Region 1. Both seasons have been released in two-volume sets. Season 3 volumes 1 and 2 will be released on July 17, 2012.^[10]

In Region 2, AL!VE AG released the first seven seasons on DVD in Germany between 2008-2010. These releases are now out of print as AL!VE has lost the rights. In 2011, StudioCanal acquired the rights to the series and have begun re-releasing it on DVD, thus far the first three seasons have been re-released.^[11][12] Season 3 released on April 19, 2012^[13], followed by season 4 on June 21, 2012.^[14]

Episodes of the series have also been officially released on DVD in France and the United Kingdom.

Bonanza "the official first season" was released in Scandinavia during 2010. The first season is released in 4 volumes. The first two volumes were released on October 20, 2010, and the last two volumes on April 27, 2011. More seasons are scheduled to be released during 2012 and 2013.

Region 1

Region 2

Legacy[link]

• The film Twin Town alludes to, or even parodies Bonanza. Some of the central characters are members of a Cartwright family, and live in home called Ponderosa.^[18]
• In American Desperado, co-authored by Jon Roberts (nee John Riccobono) and award-winning journalist/author Evan Wright, Roberts shares in Chapter 3 that he missed his "Sea Hunt and Bonanza, [his] favorite TV shows", when his mother sent him to Palermo to live with his father, Nat Riccobono. (Roberts confides in the book that Riccobono - a mobster and illegal alien - had been deported to Sicily following the Apalachin Meeting.) After returning to the United States ("after a few weeks"), Roberts found that, "Watching Bonanza on TV was one thing I had in common with normal kids. [...] But when I listened to how other people talked about Bonanza, I was amazed. [...] My way of seeing it was different. To me the Cartwrights had the might and power, and they used it to take over all that land on their Ponderosa ranch. [...] From the way I saw it, the Cartwrights were the same as my father and uncles in the Mafia. They understood force." Roberts further discloses that, upon his return to the United States: "Because of all the stories in the news about my family, Riccobono was a bad name. My mother told me I had to change my last name. I changed my name to John Pernell Roberts, after Pernell Roberts, who played the oldest son on Bonanza. I liked him best because he wore black. His hat, his vest, his gun belt were all black. He was the top enforcer for the family. He was the kind of guy I wanted to be. I wanted to steal my own Ponderosa when I grew up."^[19] Roberts repeats this explanation for his name change in other media, as well, such as the documentary Cocaine Cowboys.

See also[link]

• Ponderosa Ranch
• 1959 in television

Notes[link]

Bibliography[link]

• Bonanza: A Viewers Guide to the TV Legend by David Greenland. 167 pages. Publisher: Crosslines Inc (June 1997). ISBN 978-0-9640338-2-5.
• A Reference Guide to Television's Bonanza: Episodes, Personnel, and Broadcast History by Bruce R. Leiby and Linda F. Leiby. 384 pages. Publisher: McFarland (March 1, 2005). ISBN 978-0-7864-2268-5.
• Bonanza: The Definitive Ponderosa Companion by Melany Shapiro. 176 pages. Publisher: Cyclone Books; illustrated edition edition (September 1997). ISBN 978-1-890723-18-7.

External links[link]

Wikimedia Commons has media related to: Bonanza (TV series)

• Bonanza at the Internet Movie Database
• Bonanza on TVGuide.com
• Bonanza on TVLand.com
• Bonanza at the Encyclopedia of Television
• Bonanza at Fiftiesweb.com
• Bonanza at EpisodeWorld.com
• Bonanza: Scenery of The Ponderosa
• Bonanza Episode Guide' at TV Gems
• Season 1 DVD review and production history

Johnny Cash
Cash in 1969.
Background information
Birth name	John R. Cash
Born	(1932-02-26)February 26, 1932 Kingsland, Arkansas, United States
Origin	Kingsland, Arkansas, United States
Died	September 12, 2003(2003-09-12) (aged 71) Nashville, Tennessee, United States
Genres	Country, rock and roll, folk, americana, gospel, blues, rockabilly
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, guitar, harmonica, mandolin
Years active	1955–2003
Labels	Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
Associated acts	The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, The Oak Ridge Boys, Area Code 615, Roy Orbison, Jerry Lee Lewis, Carl Perkins, Bob Dylan, Tom Petty and the Heartbreakers
Website	johnnycash.com
Notable instruments
Martin Acoustic Guitars[1]

John R. "Johnny" Cash (February 26, 1932 – September 12, 2003), was an American singer-songwriter, actor,^[2] and author,^[2] who has been called one of the most influential musicians of the 20th century.^[3] Although he is primarily remembered as a country music icon, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame.

Cash was known for his deep, distinctive bass-baritone voice;^[4][5][6] for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness,^[7][8] coupled with an increasingly somber and humble demeanor;^[4] for providing free concerts inside prison walls;^[9][10] and for his dark performance clothing, which earned him the nickname "The Man in Black".^[11] He traditionally started his concerts by saying, "Hello, I'm Johnny Cash."^[12][13] and usually following it up with his standard "Folsom Prison Blues".

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption.^[4][14] His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, including "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".^[15] Late in his career, Cash covered songs by several rock artists, most notably "Hurt" by Nine Inch Nails - the resulting music video was voted one of the best of all time and is sometimes seen as Cash's epitaph.

Cash, a troubled but devout Christian,^[16][17] has been characterized as a "lens through which to view American contradictions and challenges."^[18][19][20] A Biblical scholar,^[2][21][22] he penned a Christian novel titled Man in White,^[23][24] and he made a spoken word recording of the entire New King James Version of the New Testament.^[25][26] Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man.^[27][28] Accordingly,^[29] Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".^[30][31]

Personal life[link]

Early life[link]

Johnny Cash was born in Kingsland, Arkansas,^[32] the fourth of seven children to Ray Cash (May 13, 1897, Kingsland, Arkansas – December 23, 1985, Hendersonville, Tennessee)^[33] and Carrie Cloveree Rivers (March 13, 1904, Rison, Arkansas – March 11, 1991, Hendersonville, Tennessee).^[34][35] Cash was named John R. Cash because his parents couldn't think of a name, but he went by J. R. all throughout his childhood as a shortened version of his real name. When Cash enlisted in the Air Force, they wouldn't let him use initials as his name, so he began to use his legal name of John R. Cash. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.^[36]

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne and Tommy.^[37][38] His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. He started working in cotton fields at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising".^[39] His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack.^[40] In May 1944, Jack was pulled into a whirling head saw in the mill where he worked and was almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15.^[39] Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.^[41]

Cash enlisted in the United States Air Force on July 7, 1950.^[42] After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a Morse Code Intercept Operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians."^[43] He was the first radio operator to pick up the news of the death of Joseph Stalin.^[44] After he was honorably discharged as a Staff Sergeant on July 3, 1954, he returned to Texas.^[45]

Marriages and family[link]

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters.^[46] On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.^[47]

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario,^[48] marrying on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in I Walked the Line: My Life with Johnny, stating that Cash gave Carter the credit for monetary reasons.^[49]

Heritage[link]

Cash's heritage was a British Isles mix. He learned upon researching his heritage that he was of Scottish royal descent on his father's side, traced back to Malcolm I of Scotland.^[50][51][52] After meeting with now-dead laird Major Michael Crichton-Stuart of Falkland, Fife, Scotland, Johnny traced the Cash family tree to eleventh-century Fife;^[53][54][55] Cash Loch and other locations in Fife bear the name of his family.^[53]

Cash also had English and Scots-Irish ancestry. Though he did not have American Indian ancestry, his empathy and compassion for Native American Indians were unabated. These feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, Bitter Tears: Ballads of the American Indian. Through his maternal grandmother, Rosanna Lee (Hurst) Rivers, Cash is distantly related to millionaire William Randolph Hearst and socialite Patty Hearst.^{[citation needed]}

Friends[link]

Cash was a long time friend of Woody Hayes (ex Ohio State Buckeyes football coach). The lyrics "I braided Twigs of Willows Made a String of Buckeye Beads" from the song Flesh and Blood was for Woody.^{[citation needed]}

Career[link]

Early career[link]

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment.^[56] Cash eventually won over the producer with new songs delivered in his early rock'a'billy style. In 1955 Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with reasonable success on the country hit parade.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title Million Dollar Quartet.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived Rainbow Quest.^[57]

He also acted in a 1961 film entitled Five Minutes to Live, later re-released as Door-to-door Maniac. He also wrote and sang the opening theme.

Outlaw image[link]

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at The Johnny Cash Show, Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burnt several hundred acres in Los Padres National Forest in California.^[58][59] When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it."^[39] The fire destroyed 508 acres (206 ha), burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($923,127 today). Cash eventually settled the case and paid $82,001.^[60] He said he was the only person ever sued by the government for starting a forest fire.^[39]

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested October 4 by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was 688 Dexedrine capsules and 475 Equanil tablets that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.

Johnny Cash and his second wife, June Carter

Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

In the mid 1960s, Cash released a number of concept albums, including Ballads Of the True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with June Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, Georgia where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, Georgia jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.^[61]

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had "cleaned up".^[62] He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmie Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, California for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he entered the Loma Linda Behavioural Medicine Centre in Loma Linda, California for his final rehabilitation (several months later, his son followed him into this facility for treatment).^[63][64][65]

Folsom Prison Blues[link]

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison.^[66] These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album På Österåker ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"[link]

Cash advocated prison reform at his July 1972 meeting with United States President Richard Nixon.

From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more mainstream performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan. During the same period, he contributed the title song and other songs to the film Little Fauss and Big Halsey, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, The Ballad of Little Fauss and Big Halsey, written by Carl Perkins, was nominated for a Golden Globe award.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."^[67]

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

Cash attired in black performing in Bremen, Northern Germany, in September 1972

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime",^[68] and on behalf of those who have been betrayed by age or drugs.^[68] "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."^[68]

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits.^[39] He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color.^[39] To this day, the US Navy's winter blue uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.^[69]

In the mid 1970s, Cash's popularity and number of hit songs began to decline. He made commercials for Amoco, an unpopular enterprise in an era in which oil companies made high profits while consumers suffered through high gasoline prices and shortages. However, his autobiography (the first of two), titled Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo (Swan Song). He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series North and South. Johnny and June also appeared in Dr Quinn, Medicine Woman (TV series) as a recurring couple. Cash also had a starring role in a Columbo film.

He was friendly with every US President starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends.^[39] He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.^[39]

When invited to perform at the White House for the first time in 1970,^[70] Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What Is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason.^[39] However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.^[71]

Highwaymen[link]

In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age 48, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums which were released beginning with the originally titled "Highwaymen" in 1985, followed by "Highwaymen 2" in 1990, and concluding with "Highwaymen - The Road Goes on forever" in 1995.

During that period, Cash appeared in a number of television films. In 1981, he starred in The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the Muppet Show. In 1983, he appeared as a heroic sheriff in Murder in Coweta County, based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm.^[72]

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.^{[citation needed]}

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody.^{[citation needed]} "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of '55. Also in 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He also recorded Johnny Cash Reads The Complete New Testament in 1990.

American Recordings[link]

Johnny Cash sings a duet with a Navy lieutenant c.1987.

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer" on U2's album Zooropa. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar – one of many Cash played throughout his career.^[73] The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released Unchained, which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997.

Last years[link]

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of multiple system atrophy. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from American IV, is now generally recognized as "his epitaph,"^[74] and received particular critical and popular acclaim.

Cash's grave (top) and the Cash/Carter memorial (bottom)

June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and heaven. She came down for a short visit, I guess, from heaven to visit with me tonight to give me courage and inspiration like she always has.

Death[link]

Cash died of complications from diabetes at approximately 2:00 a.m. CT on September 12, 2003, while hospitalized at Baptist Hospital in Nashville - less than four months after his wife. It was suggested that Johnny's health worsened due to a broken heart over June's death.^[75][76] He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.^[77]

In June 2005, Cash's lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. During a major restoration of the property by the new owner, Cash's home was accidentally destroyed by workers using linseed oil products in a spontaneous combustion-ignited fire on April 10, 2007.^[78]

One of Cash's final collaborations with producer Rick Rubin, entitled American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted in the No.1 position on the Billboard Top 200 album chart for the week ending July 22, 2006.

On February 23, 2010, three days before what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled American VI: Ain't No Grave.

Legacy[link]

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock.^[79][80]

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a Best of Cash on American retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica.^[81] The Johnny Cash Memorial Fund was founded.^[82]

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone Magazine ranked Cash^[83] No.31 on their list of the 100 Greatest Artists of All Time.^[84]

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway"; the Johnny Cash Museum is located in the town.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.^[85]

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

WWE Superstar The Undertaker used Cash's song "Aint No Grave" (from American VI: Ain't No Grave) to announce his return following an absence in February, 2011, and as his entrance music for Wrestlemania XXVII. Independent circuit wrestlers Tyson Dux and Brodie Lee also use "God's Gonna Cut You Down" (from American V: A Hundred Highways) as entrance music. Other professional wrestlers who have used Cash's songs as entrance music include Austin Aries, who used his cover of the Depeche Mode's song "Personal Jesus" (from American IV: The Man Comes Around), and Necro Butcher, who used both "The Man Comes Around" and "Hurt". WWE also used "Hurt" in a special video package that was aired on Monday Night RAW in November 2005 as a tribute to Eddie Guerrero, a popular WWE Superstar who had died of heart failure while he was still contracted with the company. It is also noted that current WWE Superstar Ted DiBiase, Jr. is a huge fan of Cash, as is former WWE Diva and current TNA Knockout Mickie James.

The television show "The Deadliest Catch" is using the song "Ain't No Grave" as the theme song in many of their commercials.

One of Cash's greatest hits, "Hurt", was also used to advertise Prototype 2 in the trailer called "The Power Of Revenge".

Portrayals[link]

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie was the first to portray Cash, in the short film, I Still Miss Someone.

In November of 2005, Walk the Line, an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny (for which he was nominated for the 2005 Best Actor Oscar) and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

On March 12, 2006 Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

On April 11, 2010, Million Dollar Quartet, a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography[link]

See Johnny Cash discography, and Johnny Cash Sun Records discography.

Awards and honors[link]

For detailed lists of music awards, see List of Johnny Cash awards.

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades during which he rose to recording industry icon status, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame.^[86] He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts.^[87] He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.^[88]

Further reading[link]

• Graeme Thomson The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings Jawbone Press ISBN 978-1-906002-36-7

Sources[link]

Notes[link]

References[link]

Published works[link]

• Cash, Johnny. Man in Black: His Own Story in His Own Words. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.
• Cash, Johnny, with Patrick Carr. Cash: The Autobiography. New York: Harper Collins, 1997. ISBN 0-06-101357-9.
• Cash, Johnny, with June Carter Cash. Love liner notes. New York: Sony, 2000.
• Cash, Johnny, The Man in White, 1986.

External links[link]

	Book: Johnny Cash
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Johnny Cash

Wikiquote has a collection of quotations related to: Johnny Cash

• Official website
• Johnny Cash Official Label Website
• Official Johnny Cash Lost Highway Artist Page
• at the Country Music Hall of Fame
• at the Rock and Roll Hall of Fame
• at the Rockabilly Hall of Fame
• at the Hit Parade Hall of Fame
• Larry King's November 26, 2002 interview With Johnny Cash on CNN
• Johnny Cash: Best Photos – slideshow by Life magazine
• Johnny Cash at the Internet Movie Database
• Johnny Cash at AllRovi