This article has multiple issues. Please help improve it or discuss these issues on the talk page. It needs additional citations for verification. Tagged since July 2007. It may contain original research. Tagged since September 2007. Its neutrality is disputed. Tagged since June 2011.

240px
Location(s)	Great Stage Park, Manchester, Tennessee, USA
Years active	2002–present
Date(s)	June 7–10, 2012
Genre	Indie rock, Jam bands, Jazz, Americana, Bluegrass, Country, Folk, Gospel, Alternative rock, Hip hop, Reggae, Metal, Electronica, Funk, R&B, Stoner Rock
Website	Official website

The Bonnaroo Music and Arts Festival is an annual four day music festival created and produced by Mark Barr and AC Entertainment, held at Great Stage Park on a 700-acre (2.8 km²) farm in Manchester, Tennessee, USA. It hosted its tenth annual event June 9–12, 2011. The main attractions of the festival are the multiple stages of live music, featuring a diverse array of musical styles including indie rock, world music, hip hop, jazz, americana, bluegrass, country music, folk, gospel, reggae, electronica, and other alternative music. The festival began with a primary focus on jam bands and folk rock, but has diversified greatly in recent years but continues to pay tribute to its roots. Past notable acts include Phish, Stevie Wonder, The White Stripes, Dave Matthews Band, Neil Young, Pearl Jam, Tom Petty, The Dead, The Allman Brothers Band, James Brown, The Flaming Lips, Willie Nelson, Bob Dylan, Radiohead, Buffalo Springfield, Arcade Fire, The Strokes, The Black Crowes, and Widespread Panic. The festival features craftsmen and artisans selling unique products, food and drink vendors, a comedy tent, silent disco, cinema tent, and ferris wheel.

The festival was named one of the "50 Moments That Changed Rock & Roll" by Rolling Stone Magazine.^[1] and "Festival of the Decade" by Consequence of Sound and amongst the 10 Best Festivals by GQ Magazine.

History[link]

The word Bonnaroo, popularized by New Orleans R&B singer Dr. John with his 1974 album Desitively Bonnaroo,^[2] means "a really good time." It is a Ninth Ward slang construction taken from the French "bon" meaning "good," and "rue" from the French "street," translating to "the best on the streets."^[3] The name was chosen both for its literal meaning and to honor the rich Louisiana music tradition.

The first Bonnaroo took place in 2002 and took inspiration from music festivals like Coachella and Glastonbury. With no traditional advertising, the festival sold out in nearly two weeks. By 2003, the festival had been named by Rolling Stone as one of the top 50 moments in rock & roll. Comedy acts like Jim Breuer were first added in 2005. In 2007, Bonnaroo purchased the land for the festival, creating Great Stage Park with all of its iconic features. A permanent main stage was installed in 2010.^[4]

Economy[link]

On January 10, 2007, Bonnaroo organizers Superfly Productions and AC Entertainment purchased a major portion of the site where the annual music festival is held. The purchase of 530 acres (2.1 km²) encompassed all of the performance areas and much of the camping and parking area used for the annual festival; the festival will continue to lease another 250 acres (1.0 km²) that currently serve as additional parking and camping. Since its inception, Bonnaroo has contributed more than $1 million directly to Coffee County organizations. In addition to annual charitable contributions, the festival's activities provide annual revenue to the county. Measured in a 2005 study, the economic impact of the event on Coffee County was more than $14 million in business revenues and more than $4 million in personal income.^[5] The Bonnaroo music festival makes most of its income from the fans.

Environmentalism[link]

Bonnaroo promotes itself as a sustainable festival. ^[6] As a reward for sending a letter to a legislator in support of climate change legislation, the Natural Resources Defense Council gave 17 free downloads from various Bonnaroo artists.^[7] A Greener Festival has recognized Bonnaroo's efforts for the past three years.^[8] There is a defined process, which includes a self-evaluation and an audit from Greener Festival auditors during Bonnaroo. ^[9]

Accolades[link]

In 2008, it was named "Best Festival" by Rolling Stone magazine, calling it "the ultimate over-the-top summer festival." ^[10]

One of “50 moments that changed rock & roll” – Rolling Stone

“Bonnaroo has revolutionized the modern rock festival” – The New York Times ^[11]

“Festival of the Year” – Pollstar

“Best festival of the summer” – SPIN ^[12]

“The culmination of a musical movement” – USA Today ^[13]

“The concert event of the summer” – USA Today

“Music and subculture melted together into a pot of creative bubbling energy” – CNN ^[14]

“Bonnaroo: Three days of musical history in the making” - AP

Venues[link]

The official venues located at Bonnaroo often change from year to year. The following are a few of the more permanent venues.

Which Stage at the Bonnaroo Music Festival in Manchester, TN.

• Centeroo - The Central area of Bonnaroo. Serviced by two main entrances, nearly all of the festival activity is enclosed in this area. Various merchants and activities supplement the plethora of music related activities located within Centeroo. While Centeroo is open 24 hours a day, musical artists generally only play from noon until the evening, followed by the unopposed headlining act. Afterwards, there are late-night sets, usually running from midnight until the early morning, sometimes as late as 5 or 6 AM.
• What Stage - The main stage of the festival is also the largest. What Stage is open from approximately noon until midnight (late night sets usually over by 3am). Traditionally, the headlining act each day will play on the What Stage with no other acts performing on any other stages.
• Which Stage - The second stage, Which Stage, is generally one of the last stages to finish before the headlining act each night. After the headlining act performs, a late night show generally follows here.
• This Tent, That Tent, and The Other Tent - These three tents serve as a combined tertiary tier for musical performances. Late night shows also generally occur in all three of these venues, along with the yearly Superjam, a one-off combination of various musicians performing at the festival.
• Comedy Tent - This tent is reserved strictly for comedy acts, such as stand up comedians.

Various other small tents and stages also exist, such as the Solar Stage, Lunar Stage, Sonic Stage, and the Cinema tent. See the Bonnaroo website for further details on these venues.

Activities[link]

Some graffiti by artist Ryan McCauley on the Graffiti Wall, which separates Centeroo from the campsites.

Available to the Bonnaroo public throughout the week are various activity tents. These tents become most popular with the night crowd, with such activities set up as The Silent Disco tent and several other club or bar-themed venues. In the Silent Disco, each person upon entering the tent is given a set of headphones that syncs with the DJ and the music, so everyone is listening to the same song through the headphones while appearing from the outside to be dancing to no music at all. Other activities include the Comedy Tent where comedians from Mike Birbiglia to Flight of the Conchords have performed. The Cinema tent, showing a variety of mainstream and independent movies, is also popular as it is one of the air conditioned tents, and the Broo’ers Festival tent is a popular attraction featuring a variety of breweries from all over the United States. Outside the big tents, Planet Roo hosts a variety of non-profit organizations sharing information on healthy lifestyles and resource conservation, and Splash-a-Roo (a giant slip-n-slide area) and a giant mushroom fountain provide a practical way to beat the heat. Bonnaroo creators designated the wall surrounding Centeroo, colloquially called "the Graffiti Wall", as a place for street artists to paint whatever they feel like painting.

Activities like these,along with great food vendors and unique shopping, provide an easy and fun way to hang around the Centeroo in between music performances. In 2009, Bonnaroo debuted the Bungaloo, a community art project that invited festival goers to paint a small tile that was then affixed to 10 foot water drops suspended between The Other Tent and This Tent. For each tile painted, the festival-goer could vote for the charity of their choice. Bungaloo, a new online paint company, made a $1000 donation to the charity with the most votes.

Bonnaroo Music Festival by year[link]

• 2012 Bonnaroo Music Festival
• 2011 Bonnaroo Music Festival
• 2010 Bonnaroo Music Festival
• 2009 Bonnaroo Music Festival
• 2008 Bonnaroo Music Festival
• 2007 Bonnaroo Music Festival
• 2006 Bonnaroo Music Festival
• 2005 Bonnaroo Music Festival
• 2004 Bonnaroo Music Festival
• 2003 Bonnaroo Music Festival
• 2002 Bonnaroo Music Festival

Notes[link]

External links[link]

Wikimedia Commons has media related to: Bonnaroo Music & Arts Festival

• Bonnaroo.com Official Bonnaroo Music & Arts Festival website
• GreatStagePark.com Official Site of Bonnaroo Property
• Inforoo.com The Unofficial Bonnaroo Message Board
• BehindTheRoo.com A Bonnaroo 2011 Documentary
• Survival Guide Leo's Unofficial Bonnaroo Survival Guide
• Faces of Bonnaroo: 2009 @ Swigged!
• How Do You Roo? A Survivor's Pocket Guide to Bonnaroo (Lulu, 2010) The first (and only) unofficial guidebook to the Bonnaroo Music & Arts Festival

Gary C. Clark (born May 1, 1962) is a former professional American football wide receiver in the National Football League who played for the Washington Redskins (1985–1992), Phoenix Cardinals (1993–1994) and Miami Dolphins (1995).

Early life[link]

Clark attended and played high school football at Pulaski County High School in Dublin, Virginia.

College career[link]

Clark played college football at James Madison University in Harrisonburg, Virginia, where he caught 155 passes for 2,863 yards and 16 touchdowns. He also had three punt returns for touchdowns, including 89- and 87-yard returns in a game during the 1983 season against the University of Virginia. Clark was at James Madison during the Dukes' first four Division I-AA seasons. He caught 46 passes for James Madison's 8-3 team in 1982 and had 57 receptions in 1983. He was the Virginia offensive player of the year in 1982 and an honorable mention All-American in 1982 and 1983.

Clark became the first person in James Madison history to have his jersey retired.

Professional career[link]

USFL[link]

After college, Clark played for the Jacksonville Bulls of the United States Football League after being picked in the United States Football League draft. He played for the Bulls in 1984 and 1985.

NFL[link]

Clark was selected by the Washington Redskins in the second round of the 1984 NFL Supplemental Draft of USFL and CFL Players.

In 1985, he signed with the Redskins and had a superb rookie season, recording 72 receptions for 926 yards and five touchdowns. Clark quickly established himself as one of the top receivers in the NFL. He followed up his superb rookie season in 1986 with a Pro Bowl year catching 74 passes for 1,265 yards and seven touchdowns. Clark set a Redskin record for receiving yards in a game during a Monday Night Football contest with the New York Giants. He caught 11 passes for 241 yards and a touchdown. The record still stands today as the "most receiving yards in a non-strike game" (Anthony Allen surpassed Clark's tally during the 1987 strike season). The Redskins went on to finish 12-4 and defeated the reigning Super Bowl champion Chicago Bears, 27-13, in a divisional playoff game but lost to the Giants in the NFC Championship game, 17-0.

In 1987, Clark again had a Pro Bowl year, catching 56 passes for 1,066 and seven touchdowns. He achieved these numbers in only 11 games, as a player strike shortened the season by one game and replacements played three games. No Redskin player crossed the picket line and the replacements went 3-0. Clark was only one of four NFL receivers to surpass 1,000 yards. By this time, he had caught the eye of CBS commentator John Madden. Clark's toughness, big-play ability and willingness to block made him a regular on the All Madden Team during his playing career. The Redskins went on to finish 11-4, winning the NFC East crown. In the playoffs, the Redskins defeated the Chicago Bears in the Divisional Playoff game for the second year in a row, 21-17. Clark caught three passes for 57 yards and a touchdown in the NFC Championship game against the Minnesota Vikings. The Redskins won, 17-10, to earn the right to play in Super Bowl XXII. Clark caught three passes for 55 yards and a touchdown, while also rushing for 25 yards in Washington's 42-10 rout of John Elway and the Denver Broncos in Super Bowl XXII.

Clark's numbers dropped in 1988 as he caught 59 passes for 892 yards and seven touchdowns. The Redskins finished a paltry 7-9 and missed the playoffs. He returned to form in 1989, catching 79 passes (a career high) for 1,229 yards and nine touchdowns. The Redskins finished 10-6 but missed the playoffs again because of a 5-6 start. Clark, along with fellow receivers Art Monk and Ricky Sanders, surpassed the 1,000 yard mark in 1989. This was the first time in NFL History that three receivers from one team all went over the 1,000 yard mark in the same year.

In 1990, Clark had another Pro Bowl year and the Redskins made the playoffs. He caught 75 passes for 1,112 yards and eight touchdowns. The Redskins went on to beat the Philadelphia Eagles, 20-6, in an NFC Wild Card game. Clark caught four passes for 63 yards and a touchdown. The Redskins lost the next week to the San Francisco 49ers, 28-10.

In 1991, Clark and the Redskins tore through the NFL. He caught 70 passes for 1,340 yards and ten touchdowns. His 19.1 yards per catch was second in the NFL. Clark caught four passes for 203 yards and three touchdowns in Washington's 56-17 rout of the Atlanta Falcons in week 11. The Redskins finished 14-2, won the NFC East, and claimed home field advantage throughout the playoffs. Washington beat Atlanta, 24-7, and crushed Detroit, 41-10, to earn a berth in Super Bowl XXVI against the Buffalo Bills. Clark had a big day with seven catches for 114 yards and a touchdown in Washington's 37-24 defeat of the Bills. The Redskins led 24-0 early in the third quarter, but Buffalo cut the lead to 24-10. His 30-yard touchdown reception in the third quarter was instrumental in thwarting a comeback attempt by the Bills.

Clark, Monk and Sanders gave the Redskins one of the best receiving corps in the NFL during the late 1980s and early 1990s. They were known as The Posse. Clark was long known as the most fiery spirit of the bunch, and he was known to run laps around RFK Stadium after touchdowns and during Redskins comebacks. Clark signed with the Phoenix Cardinals as a free agent prior to the 1993 season, and the Redskins have only made the playoffs three times since.

Clark retired from the NFL after the 1995 season. In his 11 NFL seasons, he caught 699 passes for 10,856 yards and 65 touchdowns, while rushing for 54 yards and gaining 62 yards on nine punt returns. He also had twenty-seven 100-yard games wearing the Redskins uniform. Clark was a four-time Pro Bowl selection in 1986, 1987, 1990, and 1991. He was also a three-time All-Pro selection. He led his team in receiving seven times (1986, 1987, 1989–1992, 1994), and won two Super Bowls, Super Bowl XXII and Super Bowl XXVI, during his NFL career.

Clark was the first receiver in NFL history to catch at least 50 passes in his first ten NFL seasons. As of 2009, the only other players to do so have been Marvin Harrison and Torry Holt.

Notes[link]

Clark was the owner of the now closed South Beach Restaurant and Martini Lounge in Bethesda, Maryland.

He was inducted into the Redskins Ring of Honor on October 7, 2007 and concluded his speech with, "We are going to spank Detroit's butt." The Redskins won the game, 34-3.

In 2007, he was inducted into the Virginia Sports Hall of Fame.

External links[link]

• Clark's statistics
• More Career Stats
• Gary Clark Biography
• JMU Athletic Hall of Fame

Laura Marling
Performing at The Queen's Hall, Edinburgh, in November 2009.
Background information
Born	(1990-02-01) 1 February 1990 (age 22)
Origin	Eversley, Hampshire, England
Genres	Contemporary folk, folk rock
Instruments	Vocals, guitar, bass, piano
Years active	2006–present
Labels	WayOutWest, Virgin
Associated acts	Noah and the Whale, The Rakes, Mystery Jets, Johnny Flynn, Mumford & Sons
Website	LauraMarling.com

Laura Beatrice Marling (born 1 February 1990) is an English folk musician from Eversley, Hampshire.

Initially prominent within the London folk scene, she has also toured with a number of well-known indie artists in the UK. Her debut album Alas, I Cannot Swim and her second album I Speak Because I Can were nominated for the Mercury Music Prize in 2008 and 2010 respectively. She won Best Female Solo Artist at the 2011 Brit Awards.

Biography[link]

Marling was born in Hampshire, England, the youngest of three daughters of a music teacher,^[1] and learned guitar at an early age. Her father, who ran a recording studio, introduced her to folk music and shaped her musical taste. This was "a bit of a blessing and a bit of a curse. I couldn’t slot myself into the age-appropriate genre", she later remembered.^[2] Marling was educated at Leighton Park School, a private Quaker school in Reading, Berkshire.^[3] She has said that during this time she felt uneasy around other people and had a fear of death.^[4]

At the age of 16 Marling moved to London, where she soon became part of a cluster of intertwined bands drawn to acoustic instruments and tradition-tinged melodies which formed a movement labelled "nu-folk" by the British press.^[2] She became part of the original line-up of indie folk band Noah and the Whale and was romantically linked with singer/guitarist Charlie Fink.^[3][5] She is featured as a background vocalist on their début album Peaceful, the World Lays Me Down; however, she left the group before the album's 2008 release and split up with Fink that same year.^[5][6] She also appeared on The Rakes track "Suspicious Eyes", from the band's 2007 album Ten New Messages, credited as 'Laura Marlin'. Marling would later collaborate with Mystery Jets, contributing guest vocals to the single "Young Love", released 10 March 2008. Previously, Marling was in a relationship with Marcus Mumford; they broke up around Christmas 2010, but are reportedly still friends.^[7]

[edit] Alas, I Cannot Swim

She was personally invited to tour with Jamie T after he attended her second-ever solo gig. She has also toured with a number of other musicians from the UK and beyond, including Adam Green from the anti-folk band The Moldy Peaches. She performed at the 2007 O₂ Wireless Festival and also performed at the first Underage Festival in August 2007 at Victoria Park, East London, before releasing her debut EP "London Town" on WayOutWest Records.

Her debut album Alas, I Cannot Swim was released on 4 February 2008,^[8] and later nominated for the 2008 Mercury Prize.^[9] The album, as well as subsequent singles, were released on Virgin Records. The third and final single from her album, "Night Terror" was released on 27 October 2008, coinciding with a 6-date "Night Terror tour".^[10]

Marling's television appearances include The Late Late Show with Craig Ferguson and Later With Jools Holland, performing "Ghosts" and "New Romantic" respectively. In 2008 she appeared on Russell Brand's Radio 2 show alongside her sister. She once chose to perform on the street after being denied entry to one of her own performances for being underage.^[11][12]

[edit] I Speak Because I Can

The follow-up to Alas I Cannot Swim, titled I Speak Because I Can, was released on 22 March 2010. Produced by Ethan Johns, the album has a more mature sound and lyricism, dealing with "responsibility, particularly the responsibility of womanhood."^[13] The album is preceded by the singles "Goodbye England (Covered in Snow)", released on iTunes in December 2009^[14] and "Devil's Spoke" on 15 March 2010. On 28 March 2010, I Speak Because I Can entered the UK Albums Chart at Number 4. It was also nominated for the 2010 Mercury Music Prize.

[edit] A Creature I Don't Know

In 2010, Marling announced that she would release two albums in 2010, the first of which being I Speak Because I Can. She later announced that there was a change of plan and that she wouldn't be releasing a second album that year. She did, however, add that the album would be better due to the delay, and that she hoped to have it finished for February 2011. In June 2011, the new album's title was revealed to be A Creature I Don't Know and the album was released on 12 September 2011.^[15]

Discography[link]

• Alas, I Cannot Swim (2008)
• I Speak Because I Can (2010)
• A Creature I Don't Know (2011)

Laura Marling also has recorded various songs such as "Soulless Child", "Candlelight", "Karma" and "Mexico" (all of which can be heard on YouTube but are not yet for sale) as well as "She's Changed" (of which a live version is for sale, but not a studio version) and "Such a Shame" (which is neither for sale nor available on YouTube).

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Laura Marling

• Official Website