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Mid Day (stylised as MiD DAY) is an afternoon daily Indian compact newspaper. Editions in various languages are published in Mumbai, Bangalore, Delhi and Pune (launched on 18 August 2008).

Establishment[link]

It was established in Mumbai in 1979 as a family-owned newspaper. A Sunday edition, Sunday MiD DAY, began in 1981.

Ownership[link]

The newspaper is owned by Mid Day Infomedia Limited, a subsidiary of Jagran Prakashan Limited, a publishing house listed on the Bombay Stock Exchange and the National Stock Exchange of India.

Sections[link]

The Magazine deals with the following sections:

• National/International news
• Lifestyle
• Sex and relationships
• Food and Health
• Travel

and others sections such as puzzles and games aiming to make work fun

The Newspaper by its own admission considers the content ^[1] light-hearted, easy-read, entertaining and mischievous aiming to make work fun].

Operations[link]

It publishes newspapers in three languages – English, Gujarati and an Urdu newspaper, The Inquilab. The Inquilab, the first paper of the group in Urdu, was born in the fervour of idealistic nationalism in 1938.

The Mumbai newspaper publishes two editions: an early-morning and a noon edition. However, since April 2009, only noon editions have been published and the company has dropped printing a morning newspaper, citing positioning issues. Its slogan is "Make Work Fun".^{[citation needed]} It has added a recent supplement ^[2]

^[3]

The Parent company JPL( Jagran Prakashan ) decided to close the Delhi and Bengaluru edition for the tabloid it acquired in May 2010. The reason for the pull out was stated as Escalating break even prices and rising competition, the management now wants to focus on strengthening the Mumbai and Pune additions of the tabloid.

Marketing Activity[link]

Mid Day's Marketing campaigns are considered to be effective. The MiD DAY’s Bollywood Lunch Contest "MiD DAY’s Bollywood Lunch Contest" won at the IFRA award 2008 and at the Asia Multimedia Publishing Media Awards 2009.

It is a contest driven promotion in which the winning person/reader and the entire office of the same gets to meet a star over a lunch date.

The magazine management has defined a specific target audience for its daily. They terms it as the YUMPI - Young Urban Mobile Professionals across India. Thus the games, puzzles and fun elements of the daily are aimed at creating a connect with the YUMPI.

Zing! - The latest section is a section that talks about "style at work". This section is also another such endeavor to connect with the YUMPIs of the cities the daily is in circulation.

Journalists jailed for reports on chief justice[link]

On September 20, 2007, four journalists of Mid Day, including Resident Editor Vitusha Oberoi and City Editor MK Tayal, were sentenced to four months jail on contempt of court charges,^[4] because of a report they had filed on the ex-Chief Justice of India, Y. K. Sabharwal. Whether the charges in the report were true or not was not considered in arriving at the decision.

Many in the legal community feel that in the 2006 Delhi sealing drive, Justice Sabharwal may have had a conflict of interest since his sons own a firm with relations to the Delhi real estate. Former Solicitor General KK Sud had called this behaviour "the height of indiscretion."^[5]

The High Court, however, sentenced the journalists without considering the veracity of the reports, and this led to considerable controversy.^[6] Ex-law minister Shanti Bhushan stated that the Parliament had in 2006 amended the Contempt of Courts Act to say that "if the allegations against a judge were found to be true, then they would not be considered contemptuous." In view of this, the judgment, he said, may be "only aimed at terrifying the media and an attempt to curb truthfulness."^[6]

Awards and other Achievements[link]

• Asia Multimedia Publishing Media Awards 2009 ^[7]
• INMA AWARDS 2008 at California - USAINMA AWARDS 2009 - Miami - USA
• AmsterdamIFRA AWARDS WOW Awards 2008

Senior staff[link]

Jyotirmoy Dey, the Special Investigations Editor of Mid Day was shot dead on 11 June 2011 in Mumbai by unknown assailants.^[8]

See also[link]

	Bangalore portal
	Delhi portal
	India portal
	Journalism portal
	Mumbai portal

• List of newspapers in India

References[link]

External links[link]

• Official website
• Corporate website

Water, Rabbit, and Deer: three of the 20 day symbols in the Aztec calendar, from the Aztec calendar stone.

A day is a unit of time, commonly defined as an interval equal to 24 hours.^[1] It also can mean that portion of the full day during which a location is illuminated by the light of the sun, also known as daytime. The period of time measured from local noon to the following local noon is called a solar day.^[2][3]

Several definitions of this universal human concept are used according to context, need and convenience. In 1967, the second was redefined in terms of the wavelength of light, and it became the SI base unit of time. The unit of measurement for time called "day", redefined in 1967 as 86,400 SI seconds and symbolized d, is not an SI unit, but it is accepted for use with SI.^[1] A civil day is usually also 86,400 seconds, plus or minus a possible leap second in Coordinated Universal Time UTC, and, in some locations, occasionally plus or minus an hour when changing from or to daylight saving time. The word day may also refer to a day of the week or to a calendar date, as in answer to the question "On which day?" Day also refers to the part of the day that is not night — also known as 'daytime'. The life patterns of humans and many other species are related to Earth's solar day and the cycle of day and night (see circadian rhythms).

The average length of a solar day on Earth is about 86,400 seconds (24 hours) and there are about 365.2422 solar days in one mean tropical year. Because celestial orbits are not perfectly circular, and thus objects travel at different speeds at various positions in their orbit, a solar day is not the same length of time throughout the orbital year. A day, understood as the span of time it takes for the Earth to make one entire rotation^[4] with respect to the celestial background or a distant star (assumed to be fixed), is called stellar day. This period of rotation is about 4 minutes less than 24 hours and there are about 366.2422 in one mean tropical year (one more stellar day than the number of solar days). Mainly due to tidal effects, the Earth's rotational period is not constant, resulting in further minor variations for both solar days and stellar 'days'. Other planets and moons also have stellar and solar days.

Introduction[link]

Dagr, the Norse god of the day, rides his horse in this 19th-century painting by Peter Nicolai Arbo.

Besides the day of 24 hours (86,400 seconds), the word day is used for several different spans of time based on the rotation of the Earth around its axis. An important one is the solar day, defined as the time it takes for the sun to return to the zenith (its highest point in the sky). Because the Earth orbits the Sun elliptically as the Earth spins on an inclined axis, this period can be up to 7.9 seconds more than (or less than) 24 hours. On average over the year this day is equivalent to 24 hours (86,400 seconds).

A day, in the sense of daytime that is distinguished from night-time, is commonly defined as the period during which sunlight directly reaches the ground, assuming that there are no local obstacles. The length of daytime averages slightly more than half of the 24-hour day. Two effects make daytime on average longer than nights. The Sun is not a point, but has an apparent size of about 32 minutes of arc. Additionally, the atmosphere refracts sunlight in such a way that some of it reaches the ground even when the Sun is below the horizon by about 34 minutes of arc. So the first light reaches the ground when the centre of the Sun is still below the horizon by about 50 minutes of arc. The difference in time depends on the angle at which the Sun rises and sets (itself a function of latitude), but can amount to around seven minutes.

Ancient custom has a new day start at either the rising or setting of the Sun on the local horizon (Italian reckoning, for example) The exact moment of, and the interval between, two sunrises or two sunsets depends on the geographical position (longitude as well as latitude), and the time of year. This is the time as indicated by ancient hemispherical sundials.

A more constant day can be defined by the Sun passing through the local meridian, which happens at local noon (upper culmination) or midnight (lower culmination). The exact moment is dependent on the geographical longitude, and to a lesser extent on the time of the year. The length of such a day is nearly constant (24 hours ± 30 seconds). This is the time as indicated by modern sundials.

A further improvement defines a fictitious mean Sun that moves with constant speed along the celestial equator; the speed is the same as the average speed of the real Sun, but this removes the variation over a year as the Earth moves along its orbit around the Sun (due to both its velocity and its axial tilt).

The Earth's day has increased in length over time. This phenomenon is due to tides raised by the Moon which slow Earth's rotation. Because of the way the second is defined, the mean length of a day is now about 86,400.002 seconds, and is increasing by about 1.7 milliseconds per day every century ( an average over the last 2,700 years. See tidal acceleration for details. The length of one day has been estimated as 21.9 hours 620 million years ago from rhythmites (alternating layers in sandstone). The length of day for the Earth or Proto-Earth before the event which created our moon by an impact is yet unknown.

Etymology[link]

The term comes from the Old English dæg, with its cognates such as Tag in German, and dag in Norwegian, Danish, Swedish and Dutch. "Day" is the 98th most common word in English according to AskOxford.com.^{[citation needed]}

International System of Units (SI)[link]

A day, symbol d, is defined as 86,400 seconds. The second is the unit of time in SI units.

A day on the UTC time scale can include a negative or positive leap second, and can therefore have a length of 86,399 or 86,401 seconds.

The International Bureau of Weights and Measures (BIPM) currently defines a second as

… the duration of 9 192 631 770 periods of the radiation corresponding to the transition between two hyperfine levels of the ground state of the caesium 133 atom.^[5]

This makes the SI-based day last exactly 794,243,384,928,000 of those periods.

Decimal and metric time[link]

In the 19th century it had also been suggested to make a decimal fraction (¹⁄_10,000 or ¹⁄_100,000) of an astronomic day the base unit of time. This was an afterglow of decimal time and calendar, which had been given up already for its difficulty to comply with familiar units. The still most successful candidate is the centiday = 14.4 minutes, as a shorter quarter of an hour and also close to the SI target kilosecond and old Chinese ke.

Astronomy[link]

A day of exactly 86,400 SI seconds is the astronomical unit of time (the second is not preferred in astronomy).^[6]

For a given planet, there are three types of day defined in astronomy:

• stellar day - an entire rotation of a planet with respect to the distant stars
• sidereal day - a single rotation of a planet with respect to the vernal equinox
• mean solar day - average time of a single rotation of a planet with respect to the sun as the central star

For Earth, the stellar day and the sidereal day are nearly of the same length and about 3 minutes 56 seconds shorter than the solar day. Relative to the fixed stars, the Earth spins just over 366 times upon its axis during one complete orbit. The Earth's orbit around the Sun reduces (by one) the number of transits the Sun makes across the Earth's sky in a sidereal year.

Colloquial[link]

The word refers to various relatedly defined ideas, including the following:

• 24 hours (exactly)
• the period of light when the Sun is above the local horizon (that is, the time period from sunrise to sunset);
• the full day covering a dark and a light period, beginning from the beginning of the dark period or from a point near the middle of the dark period;
• a full dark and light period, sometimes called a nychthemeron in English, from the Greek for night-day;
• the time period from 6:00 AM to 6:00 PM or 9:00 PM or some other fixed clock period overlapping or set off from other time periods such as "morning", "evening", or "night".

Civil day[link]

For civil purposes a common clock time has been defined for an entire region based on the mean local solar time at some central meridian. Such time zones began to be adopted about the middle of the 19th century when railroads with regular schedules came into use, with most major countries having adopted them by 1929. For the whole world, 40 such time zones are now in use. The main one is "world time" or Coordinated Universal Time (UTC).

The present common convention has the civil day starting at midnight, which is near the time of the lower culmination of the mean Sun on the central meridian of the time zone. A day is commonly divided into 24 hours of 60 minutes of 60 seconds each.

Leap seconds[link]

To keep the civil day aligned with the apparent movement of the Sun, positive or negative leap seconds may be inserted.

A civil clock day is typically 86,400 SI seconds long, but will be 86,401 s or 86,399 s long in the event of a leap second.

Leap seconds are announced in advance by the International Earth Rotation and Reference Systems Service which measures the Earth's rotation and determines whether a leap second is necessary. Leap seconds occur only at the end of a UTC month, and have only ever been inserted at the end of June 30 or December 31.

Boundaries of the day[link]

Sun and Moon, Hartmann Schedel's Nuremberg Chronicle, 1493

For most diurnal animals, the day naturally begins at dawn and ends at sunset. Humans, with our cultural norms and scientific knowledge, have supplanted Nature with several different conceptions of the day's boundaries. The Jewish day begins at either sunset or at nightfall (when three second-magnitude stars appear). Medieval Europe followed this tradition, known as Florentine reckoning: in this system, a reference like "two hours into the day" meant two hours after sunset and thus times during the evening need to be shifted back one calendar day in modern reckoning. Days such as Christmas Eve, Halloween, and the Eve of Saint Agnes are the remnants of the older pattern when holidays began the evening before. Present common convention is for the civil day to begin at midnight, that is 00:00 (inclusive), and last a full 24 hours until 24:00 (exclusive).

In ancient Egypt, the day was reckoned from sunrise to sunrise. Muslims fast from daybreak to sunset each day of the month of Ramadan. The "Damascus Document", copies of which were also found among the Dead Sea scrolls, states regarding Sabbath observance that "No one is to do any work on Friday from the moment that the sun's disk stands distant from the horizon by the length of its own diameter," presumably indicating that the monastic community responsible for producing this work counted the day as ending shortly before the sun had begun to set.

In the United States, nights are named after the previous day, e.g. "Friday night" usually means the entire night between Friday and Saturday. This is the opposite of the Jewish pattern. This difference from the civil day often leads to confusion. Events starting at midnight are often announced as occurring the day before. TV-guides tend to list nightly programs at the previous day, although programming a VCR requires the strict logic of starting the new day at 00:00 (to further confuse the issue, VCRs set to the 12-hour clock notation will label this "12:00 AM"). Expressions like "today", "yesterday" and "tomorrow" become ambiguous during the night.

Validity of tickets, passes, etc., for a day or a number of days may end at midnight, or closing time, when that is earlier. However, if a service (e.g. public transport) operates from for example, 6:00 to 1:00 the next day (which may be noted as 25:00), the last hour may well count as being part of the previous day (also for the arrangement of the timetable). For services depending on the day ("closed on Sundays", "does not run on Fridays", and so on) there is a risk of ambiguity. As an example, for the Nederlandse Spoorwegen (Dutch Railways), a day ticket is valid 28 hours, from 0:00 to 28:00 (that is, 4:00 the next day). To give another example, the validity of a pass on London Regional Transport services is until the end of the "transport day" -- that is to say, until 4:30 am on the day after the "expiry" date stamped on the pass.

24 hours vs daytime[link]

To distinguish between a full day and daytime, the word nychthemeron (from Greek for a night and a day) may be used in English for the former, or more colloquially the term 24 hours. In other languages, the latter is also often used. Other languages also have a separate word for a full day, such as vuorokausi in Finnish, ööpäev in Estonian, dygn in Swedish, døgn in Danish, døgn in Norwegian, sólarhringur in Icelandic, etmaal in Dutch, doba in Polish, сутки (sutki) in Russian, суткі (sutki) in Belarusian, доба́ (doba) in Ukrainian, денонощие in Bulgarian and יממה in Hebrew. In Italian, giorno is used to indicate a full day, while dì means daytime. In Spanish, singladura is used, but only as a marine unit of length, being the distance covered in 24 hours.^{[7][not relevant]}

See also[link]

• 10⁴ s, times from 10 kiloseconds to 100 kiloseconds
• Calculating the day of the week
• Daylight
• Daylight saving time
• Meteorological day
• Season, for a discussion of daylight and darkness at various latitudes
• Synodic day

Notes and references[link]

External links[link]

Wikiquote has a collection of quotations related to: Day

Look up day in Wiktionary, the free dictionary.

• Definitions of day, night, twilight (USA navy site)
• Formulas to calculate the length of day and night
• Sunrise and sunset, all year long, anywhere
• Show where it is daytime at the moment

v t e Time Major concepts Time Eternity Arguments for eternity Immortality History Past Present Future Futures studies Deep time Time Portal Measurement and standards Chronometry UTC UT TAI Second Minute Hour Sidereal time Solar time Time zone Metric time Decimal time Hexadecimal time Clock Astrarium History of timekeeping devices Horology Marine chronometer Sundial Water clock Calendar Day Week Month Year Tropical year Gregorian Islamic Julian Intercalation Leap second Leap year Chronology Astronomical chronology Calendar era Chronicle Dating methodologies Geochronology Geologic Time Geological history Periodization Regnal year Timeline Religion and mythology Dreamtime Kāla Kalachakra Prophecy Time and fate deities Wheel of time Philosophy A-series and B-series B-Theory of time Causality Endurantism Eternal return Eternalism Event Perdurantism Presentism Temporal finitism Temporal parts The Unreality of Time Physical sciences Time in physics Absolute time and space Arrow of time Chronon Coordinate time Planck epoch Planck time Proper time Spacetime Theory of relativity Time dilation Gravitational time dilation Time domain T-symmetry Biology Chronobiology Circadian rhythms Psychology Mental chronometry Sense of time Specious present Sociology and anthropology Long Now Foundation Time discipline Time use research Economics Time value of money Time-based currency Time Banking Related topics Carpe diem Duration Space System time Tempus fugit Time capsule Time signature Time travel

v t e Parts of a day Dawn · Twilight–Sunrise · Morning · Daylight · Evening · Sunset–Twilight–Dusk · Night Related articles: Blue hour · Golden hour · Terminator · Forenoon · Noon · Afternoon · Midnight · Daytime · Midnight sun

v t e SI units Base units Ampere · Candela · Kelvin · Kilogram · Metre · Mole · Second Derived units Becquerel · Coulomb · Degree Celsius · Farad · Gray · Henry · Hertz · Joule · Katal · Lumen · Lux · Newton · Ohm · Pascal · Radian · Siemens · Sievert · Steradian · Tesla · Volt · Watt · Weber Accepted for use with SI Dalton (Atomic mass unit) · Astronomical unit · Day · Decibel · Degree Celsius · Degree of arc · Electronvolt · Hectare · Hour · Litre · Minute · Minute of arc · Neper · Second of arc · Tonne Atomic units · Natural units See also SI prefixes · Systems of measurement · Conversion of units · New SI definitions · History of the metric system Book:International System of Units  · Category:SI base units

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"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.^[1]

History[link]

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[2][dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

It was also used as a term for a drug dealer in the 1950s and 1960s and can be seen in such media as Curtis Mayfield's "No Thing On Me", William Burroughs's novel Naked Lunch, and in the Velvet Underground song "I'm Waiting for the Man", in which Lou Reed sings about going to Uptown Manhattan, specifically Lexington Avenue and 125th Street, to buy heroin.

The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in U.S. News and World Report, had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine Easyriders which featured the tagline, "California residents: Add 6% sales tax for The Man."

In present day, the phrase has been popularized in commercials and cinema, featuring particularly prominently as a recurring motif in the 2003 film School of Rock.^[3][4][5][6]

Use as praise[link]

The term has also been used as an approbation or form of praise. This may refer to the recipient's status as the leader or authority within a particular context, or it might be assumed to be a shortened form of a phrase like "He is the man (who is in charge)." One example of this usage dates to 1879 when Otto von Bismarck commented, referring to Benjamin Disraeli's pre-eminent position at the Congress of Berlin, "The old Jew, he is the man."^{[7][dubious – discuss]}

In more modern usage, it can be a superlative compliment ("you da man!") indicating that the subject is currently standing out amongst his peers even though they have no special designation or rank, such as a basketball player who is performing better than the other players on the court. It can also be used as a genuine compliment with an implied, slightly exaggerated or sarcastic tone, usually indicating that the person has indeed impressed the speaker but by doing something relatively trivial.

See also[link]

• Absentee landlord
• Big Brother (Nineteen Eighty-Four)
• New World Order (conspiracy theory)
• Ruling class
• The Establishment
• Power elite
• Corrections officer
• YTMND

Notes[link]

References[link]

• Lighter, J.E. (Ed.). (1997). Random House Dictionary of American Slang. New York: Random House.

Bipasha Basu
Bipasha Basu at the press conference of IIFA Singapore, 2012
Born	(1979-01-07) 7 January 1979 (age 33)[1] New Delhi, Delhi, India
Occupation	Film actress, model
Years active	2001–present
Partner	Dino Morea (1996–2002) John Abraham (2002–2011)
Signature
Website
BipashaBasunet.com

Bipasha Basu (born 7 January 1979)^[1] is an Indian actress who appears in Hindi language films. She has also worked in Telugu, Bengali and Tamil language films. She is a former model who had a successful modeling career before venturing into films.^[2]

She debuted in a negative role in Ajnabee (2001) which earned her the Filmfare Award for Best Female Debut. Her first commercial success was Raaz (2002). She was then noticed for her bold role in the erotic thriller film, Jism (2003).^[3] She starred in top grossing films like 2005's biggest hit – No Entry, Phir Hera Pheri (2006), Dhoom 2 (2006) – her biggest commercial success till date and Race (2008). Her performances in Apharan (2005), Corporate (2006), Bachna Ae Haseeno (2008) and Lamhaa (2010) won her multiple nominations for several awards. She is frequented in the media as a "sex symbol".^[4][5][6]

She has been nominated for the Filmfare Award for Best Actress and the Filmfare Award for Best Supporting Actress twice each along with one nomination for the Filmfare Award for Best Performance in a Negative Role. Roles apart, she is also renowned for her item songs like "Phoonk De" in No Smoking (2007), and "Beedi" and "Namak Ishq Ka" in Omkara (2006).^[7] Basu is slated to make her international film debut with the 2012 Australian film Singularity.

Early life and modeling career[link]

Basu was born in Delhi to a Bengali Hindu family. She is the second of three sisters, the elder one being Bidisha and the younger one, Bijayeta. She lived in Delhi till the age of eight in Pampoosh Enclave, Nehru Place and studied at Apeejay High School.^[8] Her family then moved to Kolkata where she studied science till 12th standard at Bhavan's Gangabux Kanoria Vidyamandir. Basu, who describes herself as a tomboy, was pampered as a kid and was very naughty. She was fondly called 'Lady Don' in her school as everyone was scared of her and she was short and round.^[9]

Basu moved to the commerce stream after 10th standard, studying at Bhawanipur Education Society College in preparation for the 12th standard board exams. At this time, she began doing ramp shows and modeling part-time.^[10][11] In 1996, she won both the Godrej Cinthol Supermodel Contest and the Ford Models Supermodel of the World contest.^[12][13] Basu was flown to New York by the Ford Company and began her successful modelling career at the age of 17. She then appeared in the Calida commercial along with her then-boyfriend Dino Morea which was controversial for picturising them sultrily. She had some protesters outside her house after that.^[12] She has appeared on over 40 magazine covers.^[13]

Acting career[link]

Debut and Breakthrough (2001–02)[link]

One of the judges of the Godrej Cinthol Supermodel Contest in which Basu participated, Vinod Khanna, wanted to launch her alongside his son Akshaye Khanna in Himalay Putra, but she felt she was too young and declined the role which eventually went to Anjala Zaveri. After returning home, she was convinced by another judge, Jaya Bachchan, to play the role of a village belle opposite her son Abhishek Bachchan in J. P. Dutta’s Aakhari Mughal. However the film was cancelled, and Dutta instead changed the script and made Refugee with Kareena Kapoor.^[14] Basu was also offered a role in Refugee opposite Sunil Shetty, which she declined.^[11][15]

In 2001, Basu finally made her debut opposite Akshay Kumar in Vijay Galani’s Ajnabee. The film, directed by Abbas-Mustan, was inspired by the American film Consenting Adults.^[16] It was a moderate box-office success and attracted unfavorable reviews from critics.^[17] However, Basu’s performance in a negative role was appreciated by critics and won her the Filmfare Award for Best Female Debut.^[11]

In 2002, Basu starred in the year’s most successful thriller, Raaz.^[18] Directed by Vikram Bhatt, the film established Basu in the Hindi film industry. Her portrayal of a woman who is pursued by a spirit received positive reviews. One review in The Tribune noted, "...it is Bipasha Basu who steals the show with her fine performance."^[19] She was nominated for the Filmfare Award for Best Actress for Raaz.^[20] She then appeared in supporting roles in Sanjay Gadhvi’s Mere Yaar Ki Shaadi Hai and David Dhawan’s Chor Machaaye Shor, both of which failed critically and commercially. She also appeared in a supporting role opposite Mahesh Babu and Lisa Ray in the Telugu film, Takkari Donga as a mischievous thief, Panasa. Gunaah, which released later that year, was also a box-office failure.^[18] She played the role of a cop who loves a convict and tries to reform him.^[21] Derek Elley of Variety observed that Basu was a miscast as the "idealistic cop".^[22]

Initial success and struggle phase (2003–05)[link]

In 2003, Basu starred in Pooja Bhatt’s thriller, Jism, which was well received by critics and fared well at the box office.^[23] She essayed the role of seductive, ambitious wife of a millionaire who indulges in an extra-marital affair with an alcoholic lawyer and plots to kill her husband. The film ranked 92 in the top 100 sexiest movie scenes poll conducted by Channel 4.^[24] Film critic Taran Adarsh of Bollywood Hungama commented, "...the real show stealer is Bipasha Basu ; her sexy look and seductive deep voice, in contrast with her cold and calculating personality, makes her the most impressive femme fatale since Zeenat Aman and Parveen Babi."^[25] She received a Filmfare Best Villain Award nomination for Jism. Her next release, Zameen, failed to make impact among audience.^[23]

Basu had four releases in 2004, all of which performed moderately and drew mixed reviews. She collaborated for the second time with Vikram Bhatt in her first release Aetbaar. She played the role of a young girl who falls in love with a psychopath. Rediff.com noted that "...The characters are not convincing, the plot is not fast-paced or interesting."^[26] Her next film was Mani Shankar’s Rudraksh which was based on the Indian epic Ramayana. The film was a disaster at the box-office and was panned by the critics.^[27] She then starred in Rakht as a tarot card reader trying to solve a murder mystery. Critic Shruti Bhasin of Planetbollywood wrote, "Bipasha Basu impresses in a different look and role."^[28] Her final release that year was Anil Sharma’s Madhoshi opposite John Abraham.^[29] Her performance of a mentally unstable girl was generally well received.^[30]

In 2005, she appeared in the love triangle Barsaat alongside Bobby Deol and Priyanka Chopra. Taran Adarsh commented, "...As an actor, she [Bipasha Basu] does show sparks only towards the end."^[31] She also starred in the Tamil film, Sachein which was a hit and then in Prakash Jha’s Apaharan, which won the National Film Award for Best Screenplay.^[32][33] In this period, she refused to act in art-films due to salary problems.^[34] Besides acting, Basu did the video "Tu" for Sonu Nigam's album, Kismat. She made a guest appearance in Jay Sean's music video Stolen.^[35]

Success (2005–2009)[link]

After a slow start, Basu established herself as a successful actress with the success of No Entry, Corporate and Dhoom 2.^[5] No Entry grossed 71 crore at the box-office and was the highest grossing film of 2005.^[36] Basu essayed the role of a bargirl who acts as wife of two men. She earned Filmfare Award for Best Supporting Actress nomination for the film. 2006 was equally successful for her with her four major releases, Phir Hera Pheri, Corporate, Omkara and Dhoom 2, performing well critically and commercially.^[37][38] Phir Hera Pheri became the ninth highest grossing film of the year.^[39] She was featured in a bit but significant role of a con woman who steals a sum of 10 million from the protagonists. In Madhur Bhandarkar’s Corporate, she gave up her glamorous look for the role of a businesswoman who has no qualms in taking advantage of her sexuality to con the CEO of a rival company. She won accolades from critics for her performance. Critic Aparna wrote, "[...] she has done a fabulous job as an ambitious woman. The kind of shrewdness in a woman that she essays has never been seen before in India films."^[40] She was nominated for the second time for Filmfare Best Actress Award.

In Vishal Bharadwaj’s adaptation of Othello, Omkara, Basu essayed the role of Bianca. She caught the attention of public with her dance number Beedi which was highly popular in India and overseas.^[41] Critic Rajeev Masand of CNN-IBN wrote, "...Bipasha Basu is brought in to lend oomph and she succeeds in doing just that."^[42] Basu became the talk of the town for donning a bikini in Aditya Chopra’s Dhoom 2. She reportedly ate only oranges for three days and trained hard to shoot the scene.^[43] Nikhat Kazmi of The Times of India commented, "Aah Bipasha! Looks great, brings back the bikini to Bollywood, and gently slips into the shadows as a pretty accessory."^[44]

In 2007, Ronnie Screwvala’s Dhan Dhana Dhan Goal performed below average at the box-office. The song picturised on John Abraham and Basu, "Billo Rani", became quite popular and earned her the nickname "Billo Rani", though equal credit must be given to Omkara in which her name was Billo Chanambahar.^[45] In 2008, she teamed up once again with Abbas-Mustan for Race. She played the role of Sonia who is stuck in a love-triangle between two brothers (played by Saif Ali Khan and Akshaye Khanna) and through the course, she murders one of them. The film grossed 68 crores at the box office and was the fourth-biggest hit that year in India and performed good enough overseas as well.^[46] Her performance was appreciated by critics with Taran Adarsh citing it as "her best work so far. She’s superb".^[47] Basu’s work in Siddharth Anand’s Bachna Ae Haseeno as a successful supermodel who finds it hard to forgive her ex-lover for betraying her earned her a second nomination for Filmfare Best Supporting Actress Award. She completed 2008 by appearing during the song "Phir Milenge Chalte Chalte" in Rab Ne Bana Di Jodi.^[7]

Her first release in 2009, Aa Dekhen Zara failed to do well at the box-office.^[48] Rohit Shetty’s All The Best: Fun Begins performed well and her comic role was appreciated by fans.^[49] Later that year, Basu surprised everybody with Rituparno Ghosh’s Bengali film, Shob Charitro Kalponik. "I love saris and I'm wearing a lot of them in Ritu's film," she said.^[50] She gave up her glamorous look and was praised by critics for her performance. Critic Subhash K Jha spoke high of her. He said, "...Bipasha [Basu] pulls out all stops to deliver her career’s best performance. Her moments of anguish before and after her screen-husband’s death are expressed in tones of cathartic conviction that we never knew existed within Bipasha." He also compared her with the multiple award winning actress, Shabana Azmi, commenting that Basu’s anguished portrayal of bereavement can be equaled by Azmi only.^[51]

Recent Work (2010–present)[link]

With the 2010 film Pankh, Basu returned with her alluring image as an imaginary character who exists in the protagonist’s mind.^[53] She was then featured as a Kashmiri girl in Rahul Dholakia’s Lamhaa which explored socio-political problems in Kashmir.^[54] Principal photography of Lamhaa was disrupted many times by the locals in Kashmir due to the controversial theme.^[55] During the shooting of Lamhaa, she left the sets at Anantnag and headed back to Mumbai citing she was afraid of the crowd there. Producer Bunty Walia thought of replacing her with Vidya Balan but she returned for the shoot later with necessary security arrangements.^[56][57] NDTV Movies wrote, "Bipasha sinks herself into her character imparting a dramatic resonance into the role without resorting to stock expressions. The sequence where she gets mauled by militant women is as traumatic to watch as it must have been for Bipasha to shoot."^[58] Basu then appeared as the wife of a ruthless cop in Priyadarshan’s Aakrosh who helps the police with investigation on honor killings in their village. She met with mixed reviews for the film. Nikhat Kazmi of Times of India commented, "Bipasha actually doesn't have much to do and does seem to be miscast as the much-abused, bruised and battered wife of Paresh Rawal."^[59]

Her only release in 2011 was Dum Maaro Dum which performed reasonably well at the box-office and met with good reviews from critics.^[60][61] Talking of the film, she said, "My next release is DMD [Dum Maaro Dum], in which I play a lively, colourful, happy-go-lucky girl called Zoey, who is the representation of Goa as we see it."^[62] Basu collaborated with Abbas-Mustan for the third time in Players which became the first release of 2012.^[63] The film was an official remake of The Italian Job.^[64] Players was heavily compared to The Italian Job and was criticized for its execution and performances, including that of Basu.^[65] She made her English language debut with Roland Joffé’s epic drama Singularity which will be premiered at the Cannes Film Festival in May 2012.^[66][67] She plays the role of a Maratha warrior Taluja Naik in the film.^[68] Basu is also signed by Vikram Bhatt for the third time for Raaz 3D, the third film in the Raaz series. Principal photography of the film began in January, 2012.^[69] She will also be seen in a guest appearance reprising her role of Race in the upcoming film by Abbas-Mustan, Race 2.^[70][71]

Personal life[link]

Basu with ex-boyfriend John Abraham at the launch of the Filmfare magazine (2007).

Basu was in a relationship with her Raaz co-star Dino Morea since 1996 till they broke up in 2002.^[72] Soon afterwards during the filming of Jism, Basu began to date her co-star John Abraham, and they were in a relationship till early 2011 when the couple officially broke off.^[73][74][75] While together, the two were often referred to as a supercouple in the Indian media.^[76] Basu has been in the limelight since her bold role in Jism. She ranked 8 in Times 50 most desirable Women in 2011 and ranked 13 in 2012.^[77][78] UK magazine Eastern Eye named her the "Sexiest Woman in Asia" twice in 2005 and 2007.^[79]

Basu is an advocate of physical fitness. Apart from films, she released a fitness DVD called Love Yourself, which emphasized on being strong, healthy, and loving one’s self.^[80] She was also the brand ambassador of Sugar Free, which helped her promoting the DVD. Hiren Gada, director of Shemaroo Entertainment said, "A celebrity like Bipasha Basu, genuinely believes in staying healthy. She is also passionate about fitness."^[81] She had previously worked on another fitness video called Bollywood Bodies with John Abraham.^[82]

Filmography[link]

See also[link]

Bollywood portal

• List of Indian film actresses

References[link]

External links[link]

Wikimedia Commons has media related to: Bipasha Basu

• Official website
• Bipasha Basu at the Internet Movie Database
• Bipasha Basu at the Fashion Model Directory

Kiran Bedi
Bedi at the "Successful Women in Management" (SWIM) conference, 2007
Born	(1949-06-09) June 9, 1949 (age 63)[1] Amritsar, Punjab, India
Nationality	Indian
Alma mater	Panjab University, Chandigarh University of Delhi IIT Delhi
Occupation	IPS Officer (1972–2007) Social activist
Religion	Hinduism[1]
Awards	Suryadatta National Award 2007 United Nations Medal 2004 Ramon Magsaysay Award 1994 President’s Gallantry Award 1979
Website
Kiran Bedi

Kiran Bedi (born 9 June 1949) is an Indian social activist and a retired Indian Police Service (IPS) officer.^[1] Bedi joined the police service in 1972 and became the first woman officer in the IPS.^[2] Bedi held the post of Director General at the Bureau of Police Research and Development before she voluntarily retired from the IPS in December 2007.^[3] Bedi was the host and judge of the popular TV series "Aap Ki Kachehri" (English, "Your Court"), which is based on real-life disputes and provides a platform for settling disputes between consenting parties.^[4]

She has also founded two NGOs in India: the Navjyoti Delhi Police Foundation for welfare and preventative policing in 1988^[5] which was later renamed as the Navjyoti India Foundation in 2007, and the India Vision Foundation for prison reformation, drug abuse prevention and child welfare in 1994.^[6] Bedi was awarded Ramon Magsaysay award in 1994 for Government service.^[7]