Martha Tilton (November 14, 1915, Corpus Christi, Texas -December 8, 2006, Brentwood, California) was an American popular singer, best-known for her 1939 recording of "And the Angels Sing" with Benny Goodman. She was sometimes introduced as The Liltin' Miss Tilton.

Tilton and her family lived in Texas and Kansas, relocating to Los Angeles when she was seven years old. While attending Fairfax High School in Los Angeles, she was singing on a small radio station when she was heard by an agent who signed her and began booking her with larger stations. She then dropped out of school in the 11th grade to join Hal Grayson's band.

After singing with the quartet, Three Hits and a Miss, she joined the Myer Alexander chorus on Benny Goodman's radio show, Camel Caravan. Goodman hired Tilton as a vocalist with his band in August 1937. She was with Goodman in January 1938, when the band performed the first jazz performance at Carnegie Hall. She continued to appear as Goodman's star vocalist through the end of 1939.

Recordings

Tilton had a major success from 1942 to 1949 as one of the first artists to record for Capitol Records. Her first recording for Capitol was "Moon Dreams", Capitol 138, with Orchestra and The Mellowaires, composed by Johnny Mercer and Glenn Miller pianist Chummy MacGregor in 1942. "Moon Dreams" would be recorded by Glenn Miller in 1944 and by Miles Davis in 1950. Among her biggest hits as a solo artist were "I'll Walk Alone," a wartime ballad which rose to #4 on the charts in 1944; "I Should Care" and "A Stranger in Town," which both peaked at #10 in 1945; and three in 1947: "How Are Things in Glocca Morra" from Finian's Rainbow, which climbed to #8; "That's My Desire", which hit #10; and "I Wonder, I Wonder, I Wonder", which reached #9.

After she left Capitol, Tilton recorded for other labels, including Coral and Tops. Among her later albums was We Sing the Old Songs (1957, Tops), a mix of older songs and recent standards with baritone Curt Massey, who later became well-known as the composer (with Paul Henning) and singer of the theme song for the CBS-TV series Petticoat Junction.

Reviewing the two-CD set, The Liltin' Miss Tilton, (Capitol, 2000), critic Don Heckman wrote: :There are those who would say that Martha Tilton wasn't a jazz singer at all. But swing-era fans won't have any doubts, remembering her for a rocking version of "Loch Lomond" at Benny Goodman's 1938 Carnegie Hall concert.

Radio

Massey and Tilton starred in Alka-Seltzer Time, a 15-minute radio series broadcast weekdays on both CBS and Mutual. Sponsored by Alka-Seltzer, this show began in 1949 as Curt Massey Time (sometimes advertised as Curt Massey Time with Martha Tilton) with a title change to highlight the sponsor's product by 1952.

By 1953, the series was heard simultaneously on Mutual (at noon) and later that same day on CBS (at 5:45pm). Ads described the show as "informal song sessions" by vocalists Massey and Tilton, who was often billed as "The liltin' Martha Tilton." The two Texas-born singers performed with Country Washburne and His Orchestra, featuring Charles LaVere on piano. The series ended November 6, 1953.

However, Massey and Tilton continued to appear together during the late 1950s on such shows as Guest Star and Stars for Defense. They also teamed to record an album, We Sing the Old Songs (1957). Tilton and Massey also co-hosted a daily half-hour TV show in Los Angeles for approximately seven years.

Films

Her movies include Sunny (1941), Swing Hostess (1944), Crime, Inc. (1945), and The Benny Goodman Story (1956). Her last film appearance was as the band vocalist in the TV movie Queen of the Stardust Ballroom (1975). Tilton's singing voice was used for other actresses including Barbara Stanwyck, Martha O'Driscoll, and Anne Gwynne. She also appeared in several Soundies musical films of the 1940s.

Her sister, Liz Tilton, also seen in Soundies, sang with Ken Baker (mid-1930s), Buddy Rogers, Bob Crosby (1941), and Jan Garber (1942).

References

Listen to

Fred Hall interviews Martha Tilton

External links

Martha Tilton official site

Martha Tilton at IMDB

Martha Tilton at Find a Grave

Category:1915 births Category:2006 deaths Category:American female singers Category:People from Corpus Christi, Texas Category:People from the Greater Los Angeles Area Category:Fairfax High School (Los Angeles) alumni

Coordinates	38°01′47″N84°29′41″N
Name	Benny Goodman
Landscape	Yes
Background	non_vocal_instrumentalist
Birth name	Benjamin David Goodman
Alias	"King of Swing", "The Professor", "Patriarch of the Clarinet", "Swing's Senior Statesman"
Born	May 30, 1909
Died	June 13, 1986
Origin	Chicago, Illinois, U.S.
Instrument	Clarinet
Genre	Swing, big band
Occupation	Musician, bandleader, songwriter
Years active	1926–1986

Benjamin David “Benny” Goodman

Goodman's bands launched the careers of many major names in jazz, and during an era of segregation, he also led one of the first racially-integrated musical groups. Goodman continued to perform to nearly the end of his life, including exploring his interest in classical music.

Childhood and early years

Goodman was born in Chicago, Illinois, the ninth of twelve children of poor Jewish immigrants from the Russian Empire, who lived in the Maxwell Street neighborhood. His father was David Goodman, a tailor from Warsaw; his mother was Dora Grisinsky

When Benny was 10, his father enrolled him and two of his older brothers in music lessons at the Kehelah Jacob Synagogue. The next year he joined the boys club band at Jane Addams' Hull House, where he received lessons from director James Sylvester. He also received two years of instruction from the classically trained clarinetist Franz Schoepp. His early influences were New Orleans jazz clarinetists working in Chicago, notably Johnny Dodds, Leon Roppolo, and Jimmy Noone. "Benny described his father's death as 'the saddest thing that ever happened in our family.'"

Career

Goodman left for New York City and became a successful session musician during the late 1920s and early 1930s (mostly with Ben Pollack's band between 1926 and 1929). A notable March 21, 1928 Victor session found Goodman alongside Glenn Miller, Tommy Dorsey, and Joe Venuti in the All-Star Orchestra, directed by Nat Shilkret. He played with the nationally known bands of Ben Selvin, Red Nichols, Isham Jones (although he is not on any of Jones's records), and Ted Lewis. He recorded sides for Brunswick under the name Bennie Goodman's Boys, a band that featured Glenn Miller. In 1928, Benny Goodman and Glenn Miller wrote the instrumental "Room 1411", which was released as a Brunswick 78. He also recorded musical soundtracks for movie shorts; fans believe that Benny Goodman's clarinet can be heard on the soundtrack of One A. M., a Charlie Chaplin comedy re-released to theaters in 1934.

During this period as a successful session musician, John Hammond arranged for a series of jazz sides recorded for and issued on Columbia starting in 1933 and continuing until his signing with Victor in 1935, during his success on radio. There were also a number of commercial studio sides recorded for Melotone between late 1930 and mid-1931 under Goodman's name. The all-star Columbia sides featured Jack Teagarden, Joe Sullivan, Dick McDonough, Arthur Schutt, Gene Krupa, Teddy Wilson, Coleman Hawkins (for 1 session), and vocalists Jack Teagarden and Mildred Bailey, and the first two recorded vocals by a young Billie Holiday.

In 1934 Goodman auditioned for NBC's Let's Dance, a well-regarded three-hour weekly radio program that featured various styles of dance music. His familiar theme song by that title was based on Invitation to the Dance by Carl Maria von Weber. Since he needed new arrangements every week for the show, his agent, John Hammond, suggested that he purchase "hot" (swing) arrangements from Fletcher Henderson, an African-American musician from Atlanta who had New York's most popular African-American band in the 1920s and early 1930s.

In early 1935, Goodman and his band were one of three bands (the others were Xavier Cugat and "Kel Murray" [r.n. Murray Kellner]) featured on Let's Dance where they played arrangements by Henderson along with hits such as "Get Happy" and "Jingle Bells" from composer and arranger Spud Murphy. Goodman's portion of the program from New York, at 12:30 a.m. Eastern Time, aired too late to attract a large East Coast audience. However, unknown to him, the time slot gave him an avid following on the West Coast (they heard him at 9:30 p.m. Pacific Time). He and his band remained on Let's Dance until May of that year when a strike by employees of the series' sponsor, Nabisco, forced the cancellation of the radio show. An engagement was booked at Manhattan's Roosevelt Grill (filling in for Guy Lombardo), but the crowd there expected 'sweet' music and Goodman's band was unsuccessful. In Pittsburgh at the Stanley Theater some of the kids danced in the aisles. This had made little impact on the band's tour until August 19 when they arrived in Oakland to play at McFadden's Ballroom. There, Goodman and his artists Gene Krupa, Bunny Berigan, and Helen Ward found a large crowd of young dancers, raving and cheering the hot music they had heard on the Let's Dance radio show. Herb Caen wrote that "from the first note, the place was in an uproar." One night later, at Pismo Beach, the show was another flop, and the band thought the overwhelming reception in Oakland had been a fluke.

The next night, August 21, 1935 at the Palomar Ballroom in Los Angeles, Goodman and his band began a three-week engagement. On top of the Let's Dance airplay, Al Jarvis had been playing Goodman records on KFWB radio, and Los Angeles fans were primed to hear him in person. Goodman started the evening with stock arrangements, but after an indifferent response, began the second set with the arrangements by Fletcher Henderson and Spud Murphy. According to Willard Alexander, the band's booking agent, Krupa said "If we're gonna die, Benny, let's die playing our own thing." The crowd broke into cheers and applause. News reports spread word of the enthusiastic dancing and exciting new music that was happening. Over the course of the engagement, the "Jitterbug" began to appear as a new dance craze, and radio broadcasts carried the band's performances across the nation.}}

In late 1937, Goodman's publicist Wynn Nathanson attempted a publicity stunt by suggesting Goodman and his band should play Carnegie Hall in New York City. If this concert were to take place, then Benny Goodman would be the first jazz bandleader to perform at Carnegie Hall. "Benny Goodman was initially hesitant about the concert, fearing for the worst; however, when his film Hollywood Hotel opened to rave reviews and giant lines, he threw himself into the work. He gave up several dates and insisted on holding rehearsals inside Carnegie Hall to familiarize the band with the lively acoustics."

The concert was the evening of January 16, 1938. It sold out weeks before, with the capacity 2,760 seats going for the top price of US$2.75 a seat, for the time a very high price.

By the time the band got to the climactic piece "Sing, Sing, Sing", success was assured. This performance featured playing by tenor saxophonist Babe Russin, trumpeter Harry James, and Benny Goodman, backed by drummer Gene Krupa. When Goodman finished his solo, he unexpectedly gave a solo to pianist Jess Stacy. "At the Carnegie Hall concert, after the usual theatrics, Jess Stacy was allowed to solo and, given the venue, what followed was appropriate," wrote David Rickert. "Used to just playing rhythm on the tune, he was unprepared for a turn in the spotlight, but what came out of his fingers was a graceful, impressionistic marvel with classical flourishes, yet still managed to swing. It was the best thing he ever did, and it's ironic that such a layered, nuanced performance came at the end of such a chaotic, bombastic tune."

This concert has been regarded as one of the most significant in jazz history. After years of work by musicians from all over the country, jazz had finally been accepted by mainstream audiences. Recordings were made of this concert, but even by the technology of the day the equipment used was not of the finest quality. Acetate recordings of the concert were made, and aluminum studio masters were also cut.}}

Goodman took the newly discovered recording to his record company, Columbia, and a selection was issued on LP. These recordings have not been out of print since they were first issued. In early 1998, the aluminum masters were rediscovered and a new CD set of the concert was released based on these masters. The album released based on those masters went on to be one of the best selling live jazz albums of all time.

Charlie Christian

Pianist/arranger Mary Lou Williams was a good friend of both Columbia records producer John Hammond and Benny Goodman. She first suggested to John Hammond that he see Charlie Christian.

Charlie Christian was playing at the Ritz in Oklahoma City where [...] John Hammond heard him in 1939. Hammond recommended him to Benny Goodman, but the band leader wasn't interested. The idea of an electrified guitar didn't appeal, and Goodman didn't care for Christian's flashy style of dressing. Reportedly, Hammond personally installed Christian onstage during a break in a Goodman concert in Beverly Hills. Irritated to see Christian among the band, Goodman struck up "Rose Room", not expecting the guitarist to know the tune. What followed amazed everyone who heard the 45-minute performance.

Charlie was a hit on the electric guitar and remained in the Benny Goodman Sextet for two years (1939–1941). He wrote many of the group's head arrangements (some of which Goodman took credit for) and was an inspiration to all. The sextet made him famous and provided him with a steady income while Charlie worked on legitimizing, popularizing, revolutionizing, and standardizing the electric guitar as a jazz instrument.

Charlie Christian's recordings and rehearsal dubs made with Benny Goodman in the early forties are widely known and were released by Columbia.

Beyond swing

Goodman continued his meteoric rise throughout the late 1930s with his big band, his trio and quartet, and a sextet. By the mid-1940s, however, big bands lost a lot of their popularity. In 1941, ASCAP had a licensing war with music publishers. In 1942 to 1944 and 1948, the musician's union went on strike against the major record labels in the United States, and singers took the spot in popularity that the big bands once enjoyed. During this strike, the United States War Department approached the union and requested the production of the V-Disc, a set of records containing new and fresh music for soldiers to listen to. Also, by the late 1940s, swing was no longer the dominant mode of jazz musicians.

Bebop, Cool Jazz

By the 1940s, jazz musicians were borrowing advanced ideas from classical music. The recordings Goodman made in bop style for Capitol Records were highly praised by jazz critics. When Goodman was starting a bebop band, he hired Buddy Greco, Zoot Sims, Wardell Gray and a few other modern players.

, George Auld, Gene Krupa, Clint Neagley, Ziggy Elman, Israel Crosby and Teddy Wilson (at piano)]]

Goodman enjoyed the bebop and cool jazz that was beginning to arrive in the 1940s. When Goodman heard Thelonious Monk, a celebrated pianist and accompanist to bop players Charlie Parker, Dizzy Gillespie and Kenny Clarke, he remarked, "I like it, I like that very much. I like the piece and I like the way he played it. [...] I think he's got a sense of humor and he's got some good things there."

Forays into classical repertoire

Goodman's first classical recording dates from April 25, 1938 when he recorded Mozart's Clarinet Quintet in A major, K. 581, with the Budapest Quartet. After his bop period, Goodman furthered his interest in classical music written for the clarinet, and frequently met with top classical clarinetists of the day. In 1946, he met Ingolf Dahl, an emigre classical composer on the faculty of the University of Southern California, who was then musical director of the Victor Borge show. They played chamber music together (Brahms, Milhaud, Hindemith, Debussy) and in 1948 Goodman played in the world premiere performance of Dahl's Concerto a Tre.

In 1949, when he was 40, Goodman decided to study with Reginald Kell, one of the world's leading classical clarinetists. To do so, he had to change his entire technique: instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and even to use new fingering techniques. He had his old finger calluses removed and started to learn how to play his clarinet again—almost from scratch.

Goodman commissioned and premiered works by leading composers for clarinet and symphony orchestra that are now part of the standard repertoire, namely Contrasts by Béla Bartók, Clarinet Concerto No. 2, Op. 115 by Malcolm Arnold, Derivations for Clarinet and Band by Morton Gould, and Aaron Copland's Clarinet Concerto. While Leonard Bernstein's Prelude, Fugue, and Riffs was commissioned for Woody Herman's big band, it was premiered by Goodman. Woody Herman was the dedicatee (1945) and first performer (1946) of Igor Stravinsky's Ebony Concerto, but many years later Stravinsky made another recording, this time with Benny Goodman as the soloist.

He made a further recording of Mozart's Clarinet Quintet, in July 1956 with the Boston Symphony String Quartet, at the Berkshire Festival; on the same occasion he also recorded Mozart's Clarinet Concerto in A major, K. 622, with the Boston Symphony Orchestra under Charles Munch. He also recorded the clarinet concertos of Weber and Carl Nielsen.

Premiere Rhapsodie for Clarinet by Claude Debussy

Clarinet Sonata No. 2 in E flat by Johannes Brahms

Rondo from Grand Duo Concertant in E flat by Weber, and

An arrangement by Simeon Bellison of Beethoven's Variations on a theme from Mozart's "Don Giovanni".

Touring with Armstrong

After forays outside of swing, Goodman started a new band in 1953. According to Donald Clarke, this was not a happy time for Goodman.

, in the film Stage Door Canteen (1943)]]

Movies

Benny Goodman's band appeared as a specialty act in major musical features, including The Big Broadcast of 1937, Hollywood Hotel (1938), Syncopation (1942), The Powers Girl (1942), Stage Door Canteen (1943), The Gang's All Here (1943), Sweet and Lowdown (1944) and A Song Is Born (1948). Goodman's only starring feature was Sweet and Lowdown (1944).

Goodman's success story was told in the 1955 motion picture The Benny Goodman Story with Steve Allen and Donna Reed. A Universal-International production, it was a follow up to 1954's successful The Glenn Miller Story. The screenplay was heavily fictionalized, but the music was the real draw. Many of Goodman's professional colleagues appear in the film, including Ben Pollack, Gene Krupa, Lionel Hampton and Harry James.

Personality and influence

Goodman was regarded by some as a demanding taskmaster, by others an arrogant and eccentric martinet. Many musicians spoke of "The Ray", Goodman's trademark glare that he bestowed on a musician who failed to perform to his demanding standards. Guitarist Allan Reuss incurred the maestro's displeasure on one occasion, and Goodman relegated him to the rear of the bandstand, where his contribution would be totally drowned out by the other musicians. Vocalists Anita O'Day and Helen Forrest spoke bitterly of their experiences singing with Goodman. "The twenty or so months I spent with Benny felt like twenty years," said Forrest. "When I look back, they seem like a life sentence." At the same time, there are reports that he privately funded several college educations and was sometimes very generous, though always secretly. When a friend once asked him why, he reportedly said, "Well, if they knew about it, everyone would come to me with their hand out."

Goodman is also responsible for a significant step in racial integration in America. In the early 1930s, black and white jazz musicians could not play together in most clubs or concerts. In the Southern states, racial segregation was enforced by the Jim Crow laws. Benny Goodman broke with tradition by hiring Teddy Wilson to play with him and drummer Gene Krupa in the Benny Goodman Trio. In 1936, he added Lionel Hampton on vibes to form the Benny Goodman Quartet; in 1939 he added pioneering jazz guitarist Charlie Christian to his band and small ensembles, who played with him until his death from tuberculosis less than three years later. This integration in music happened ten years before Jackie Robinson became the first black American to enter Major League Baseball. "[Goodman's] popularity was such that he could remain financially viable without touring the South, where he would have been subject to arrest for violating Jim Crow laws." According to Jazz by Ken Burns, when someone asked him why he "played with that nigger" (referring to Teddy Wilson), Goodman replied, "I'll knock you out if you use that word around me again".

John Hammond and Alice Goodman

One of Benny Goodman's closest friends off and on, from the 1930s onward was celebrated Columbia records producer John H. Hammond. Hammond and Goodman were so close that Hammond influenced Goodman's move from RCA records to the newly created Columbia records in 1939.

Later years

After winning numerous polls over the years as best jazz clarinetist, Goodman was inducted into the Down Beat Jazz Hall of Fame in 1957.

Goodman continued to play on records and in small groups. One exception to this pattern was a collaboration with George Benson in the 1970s. The two met when they taped a PBS salute to John Hammond and re-created some of the famous Goodman-Charlie Christian duets. Benny Goodman's musical papers were donated to Yale University after his death.

His music was featured in the 2010 documentary , narrated by Academy Award winner Dustin Hoffman.

Discography

(This discography combines LP and CD reissues of Goodman recordings under the dates of the original 78 rpm recordings through about 1950)

A Jazz Holiday (1928, Decca)

Benny Goodman and the Giants of Swing (1929, Prestige)

BG and Big Tea in NYC (1929, GRP)

''Swinging 34 Vols. 1 & 2 (1934, Melodean)

Sing, Sing, Sing (1935, Bluebird)

The Birth of Swing (1935, Bluebird)

(1935, Bluebird)

Stomping at the Savoy (1935, Bluebird)

Air Play (1936, Doctor Jazz)

Roll 'Em, Vol. 1 (1937, Columbia)

Roll 'Em, Vol. 2 (1937, CBS)

From Spirituals to Swing (1938, Vanguard)

The Famous 1938 Carnegie Hall Jazz Concert Vols. 1, 2, & 3 (Live) (1938, Columbia)

Mozart Clarinet Quintet (with Budapest String Quartet) (1938, Victor)

Ciribiribin (Live) (1939, Giants of Jazz)

Swingin' Down the Lane (Live) (1939, Giants of Jazz)

Featuring Charlie Christian (1939, Columbia)

Eddie Sauter Arrangements (1940, Columbia)

Swing Into Spring (1941, Columbia)

Undercurrent Blues (1947, Blue Note)

Swedish Pastry (1948, Dragon)

The Famous 1938 Carnegie Hall Jazz Concert (1950, Columbia)

Sextet (1950, Columbia)

BG in Hi-fi (1954, Capitol)

The Benny Goodman Story Volume 1 (1955?, Decca)

Mozart Clarinet concerto (with Boston symphomy) (1956)

The Great Benny Goodman (1956, Columbia)

Peggy Lee Sings with Benny Goodman (1957, Harmony)

Benny in Brussels Vols. 1 & 2 (1958, Columbia)

In Stockholm 1959 (1959, Phontastic)

The Benny Goodman Treasure Chest (1959, MGM)

Texaco's Swing into Spring 59 (1959, Cunningham & Walsh, Inc.)

Swing With Benny Goodman And His Orchestra (1960s?, Columbia/Harmony)

Benny Goodman in Moscow (1962, RCA Victor)

Benny Goodman Today (London Records of (1970) Canada Ltd.)

Benny Goodman And His Orchestra (1977)

Benny Goodman Live at Carnegie Hall; 40th Anniversary Concert (1978)

Live! Benny Let's Dance (1986)

The King Swings Star Line

Pure Gold (1992)

1935–1938 (1998)

Portrait of Benny Goodman (Portrait Series) (1998)

Carnegie Hall Jazz Concert '38 (1998)

Bill Dodge All-star Recording (1999)

1941–1955 His Orchestra and His (1999)

Live at Carnegie Hall (1999)

(2006) Remastered again

Notes

References

External links

Benny Goodman official site

Benny Goodman web biography with audio

Benny Goodman scores (a portion of the musician's estate) in the Music Division of The New York Public Library for the Performing Arts

Benny Goodman papers (the bulk of the musician's estate) in Irving S. Gilmore Music Library of Yale University

Benny Goodman biography

for the Benny Goodman Sextet performing live in 1950 as regulars on the DuMont network TV series Star Time, see http://www.jfredmacdonald.com/avhighlights/playbawtv34_startime.htm

Category:1909 births Category:1986 deaths Category:Swing clarinetists Category:Swing bandleaders Category:Big band bandleaders Category:American jazz clarinetists Category:Musicians from Chicago, Illinois Category:Deaths from myocardial infarction Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Radio Hall of Fame inductees Category:Jazz bandleaders Category:Clarinetists Category:RCA Victor artists Category:Capitol Records artists Category:Columbia Records artists Category:Chess Records artists Category:Vocalion Records artists Category:Jewish American musicians Category:People from Westchester County, New York

Coordinates	38°01′47″N84°29′41″N
Name	Jack Benny
Caption	Jack Benny in 1958
Birth name	Benjamin Kubelsky
Birth date	February 14, 1894
Birth place	Chicago, Illinois, United States
Death date	December 26, 1974
Death place	Beverly Hills, CaliforniaUnited States
Show	The Jack Benny Program
Network	NBC, CBS
Style	Comedian
Country	United States

Jack Benny (February 14, 1894 – December 26, 1974) was an American comedian, vaudevillian, and actor for radio, television, and film. Widely recognized as one of the leading American entertainers of the 20th century, Benny played the role of the comic penny-pinching miser, insisting on remaining 39 years old on stage despite his actual age, and often playing the violin badly.

Benny was known for his comic timing and his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "Well!" His radio and television programs, tremendously popular from the 1930s to the 1960s, were a foundational influence on the situation comedy genre. Dean Martin, on the celebrity roast for Johnny Carson in November 1973, introduced Benny as "the Satchel Paige of the world of comedy."

Biography

Early life

Benny was born Benjamin Kubelsky and grew up in neighboring Waukegan, Illinois. He was the son of Meyer Kubelsky and Emma Sachs Kubelsky. Meyer was a Jewish saloon owner, later to become a haberdasher, who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying the violin, an instrument that would become his trademark, when he was just six, with his parents' hopes that he would be a great classical violinist. He loved the violin, but hated practice. By age 14, he was playing in local dance bands as well as in his high school orchestra. Benny was a dreamer and a poor student and he was expelled from high school. He did equally badly in business school and at his father's trade. At age 17, he began playing the instrument in local vaudeville theaters for $7.50 a week. He was joined by Ned Miller, a young composer and singer, on the vaudeville circuit. They became life-long friends and Miller eventually joined the cast of The Jack Benny Program in the 1960s.

In 1911, Benny was playing in the same theater as the young Marx Brothers, whose mother Minnie was so enchanted with Benny's musicianship that she invited him to be their permanent accompanist. The plan was foiled by Benny's parents, who refused to let their son, then 17, go on the road, but it was the beginning of his long friendship with Zeppo Marx. Benny's future wife Mary Livingstone was a distant cousin of the Marx Brothers.

The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury, a buxom 45-year-old widow who needed a partner for her act. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. Under pressure from Kubelik's lawyer, Benjamin Kubelsky agreed to change his name to Ben K. Benny (sometimes spelled Bennie). When Salisbury left the act, Benny found a new pianist, Lyman Woods, and re-named the act "From Grand Opera to Ragtime". They worked together for five years and slowly added comedy elements to the show. They even reached the Palace Theater, the "Mecca of Vaudeville", but bombed. Benny left show business briefly in 1917 to join the U.S. Navy during World War I, and he often entertained the troops with his violin playing. One evening, his violin performance was booed by the troops, so with prompting from fellow sailor and actor Pat O'Brien, he ad-libbed his way out of the jam and left them laughing. He got more comedy spots in the revues and was a big hit, and earned himself a reputation as a comedian as well as a musician.

Shortly after the war, Benny started a one-man act, "Ben K. Benny: Fiddle Funology". But then he heard from another lawyer, this time that of Ben Bernie, another patter-and-fiddle performer who also threatened to sue. So Benny adopted the common sailor's nickname Jack. By 1921, the fiddle became more of a prop and the low-key comedy took over.

Benny had several romantic encounters, including one with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. Benny was introduced to Mary Kelly by Gracie Allen. Some years after their split, Kelly resurfaced as a dowdy fat girl and Jack gave her a part in an act of three girls: one homely, one fat and one who couldn't sing. This lasted until, at Mary Livingstone's request, Mary Kelly was let go.

In 1922, Jack accompanied Zeppo Marx to a Passover seder where he met Sadye (Sadie) Marks, whom he married in 1927 after meeting again on a double-date. She was working in the hosiery section of the Hollywood Boulevard branch of the May Company and Benny would court her there. Called on to fill in for the "dumb girl" part in one of Benny's routines, Sadie proved a natural comedienne and a big hit. Adopting Mary Livingstone as her stage name, Sadie became Benny's collaborator throughout most of his career. They later adopted a daughter, Joan.

In 1929, Benny's agent Sam Lyons convinced MGM's Irving Thalberg to catch Benny's act at the Orpheum Theatre in Los Angeles. Benny was signed to a five-year contract and his first film role was in The Hollywood Revue of 1929. His next movie, Chasing Rainbows, was a flop and after several months, Benny was released from his contract and returned to Broadway in Earl Carroll's Vanities. At first dubious about the viability of radio, Benny was eager to break into the new medium. In 1932, after a four-week nightclub run, he was invited onto Ed Sullivan's radio program, uttering his first radio spiel "This is Jack Benny talking. There will be a slight pause while you say, 'Who cares?'..."

Radio

History

Benny had been only a minor vaudeville performer, but he became a national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS. It was consistently among the most highly rated programs during most of that run.

On April 6, 1932, the NBC Commercial Program Department arranged for an audition of Jack Benny for Ayer and its client Canada Dry, after which its head, Bertha Brainard made an assessment of this new comic: “We think Mr. Benny is excellent for radio, and while the audition was unassisted as far as orchestra was concerned, we believe he would make a great bet for an air program.” With Canada Dry Ginger Ale as a sponsor, Benny came to radio on The Canada Dry Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933. The commercial ran twice a week from 9:30 to 10:00, it ran for almost a year.

Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsor General Tire through the end of the season. In October, 1934, General Foods, the makers of Jell-O and Grape-Nuts, became the sponsor most identified with Jack, for the next ten years. American Tobacco's Lucky Strike was his longest-lasting radio sponsor, from October, 1944, through the end of his original radio series.

The show switched networks to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948–49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired repeats of old radio episodes from 1956 to 1958 as The Best of Benny.

Characters

Benny's stage character was just about everything the actual Jack Benny was not: cheap, petty, vain, and self-congratulatory. His comic rendering of these traits became the linchpin to the Benny show's success. Benny set himself up as the comedic foil, allowing his supporting characters to draw laughs at the expense of his character's flaws. By allowing such a character to be seen as human and vulnerable, in an era where few male characters were allowed such obvious vulnerability, Benny made what might have been a despicable character into a lovable Everyman character. Benny himself said on several occasions: "I don't care who gets the laughs on my show, as long as the show is funny." In her book, Benny's daughter Joan said her father always said it doesn't matter who gets laughs, because come the next day they will say, "Remember the Jack Benny Show, last night, it was good, or it was bad." Jack felt he got the credit or blame either way, not the actor saying the lines, so it had better be funny.

The supporting characters who amplified that vulnerability only too gladly included wife Mary Livingstone as his wisecracking and not especially deferential female friend (not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends such as "Gladys Zybisco"); rotund announcer Don Wilson (who also served as announcer for Fanny Brice's hit, Baby Snooks); bandleader Phil Harris as a jive-talking, wine-and-women type whose repartee was rather risqué for its time; boy tenor Dennis Day, who was cast as a sheltered, naïve youth who still got the better of his boss as often as not (this character was originated by Kenny Baker, but perfected by Day); and, especially, Eddie Anderson as valet-chauffeur Rochester van Jones who was as popular as Benny himself.

And that was itself a radical proposition for the era: unlike the protagonists of Amos 'n' Andy, Rochester was a black man allowed to one-up his vain, skinflint boss. In more ways than one, with his mock-befuddled one-liners and his sharp retorts, he broke a comedic racial barrier. Unlike many black supporting characters of the time, Rochester was depicted and treated as a regular member of Benny's fictional household. Benny, in character, tended if anything to treat Rochester more like an equal partner than as a hired domestic, even though gags about Rochester's flimsy salary were a regular part of the show. (Frederick W. Slater, newsman of St. Joseph, Missouri, recalled when Benny and his staff stayed at the restricted Robidioux Hotel during their visit to that town. When the desk staff told Benny that "Rochester" could not stay at the hotel, Benny replied, "If he doesn't stay here, neither do I." The hotel's staff eventually relented.)

Rochester seemed to see right through his boss's vanities and knew how to prick them without overdoing it, often with his famous line "Oh, Boss, come now!" Benny deserves credit for allowing this character and the actor who played him (it is difficult, if not impossible, to picture any other performer giving Rochester what Anderson gave him) to transcend the era's racial stereotype and for not discouraging his near-equal popularity. A New Year's Eve episode, in particular, shows the love each performer had for the other, quietly toasting each other with champagne. That this attention to Rochester's race was no accident became clearer during World War II, when Benny would frequently pay tribute to the diversity of Americans who had been drafted into service.

After the war, once the depths of Nazi race hatred had been revealed, Benny made a conscious effort to remove the most stereotypical aspects of Rochester's character. In 1948, it became apparent to Benny how much the times had changed when a 1941 script for "The Jack Benny Program" was re-used for one week's show. The script included mention of several African-American stereotypes (i.e. a reference to Rochester carrying a razor), and prompted a number of listeners, who didn't know the script was an old one, to send in angry letters protesting the stereotypes. Thereafter, Benny insisted that his writers should make sure that no racial jokes or references should be heard on his show. Benny also often gave key guest-star appearances to African-American performers such as Louis Armstrong and the Ink Spots.

The rest of Benny's cast included character actors and comedians:

Sheldon Leonard (later a hugely successful television producer and creator) as a tight-lipped racetrack tout

Joseph Kearns (best remembered as cantankerous Mr. Wilson on the television version of Dennis the Menace) as Ed, the superannuated guard to Jack's money vault

Verna Felton as Dennis Day's mother

Frank Nelson, usually as an oily desk clerk or floorwalker, always greeting Benny with an eager Yeeeeeeesss?;

singer/bandleader Bob Crosby (who succeeded Phil Harris in the early 1950s);

Artie Auerbach as the Yiddish-accented Mr. Kitzel ("hoo, hoo, hoo!");

Bea Benaderet, as Gertrude the switchboard operator;

Mel Blanc, who provided several characters' voices, including the railroad station announcer who said, "Train leaving on track five for Anaheim, Azusa and Cucamonga!". This running gag became so well known that it eventually led to a statue of Benny in Cucamonga. Blanc also was featured with Benny in the classic Si-Sy routine and on radio as the sound of Benny's Maxwell automobile. Blanc is perhaps best remembered as Benny's perpetually frustrated violin teacher, Professor LeBlanc, who was as likely to throw his own and Benny's instrument into the fireplace as he was to have a nervous breakdown before he was out the door.

Other musical contributions came starting in 1946 from the singing quartet the Sportsmen (members: Bill Days, Max Smith, Marty Sperzel and Gurney Bell) singing the middle Lucky Strike commercial. In the early days of the program, the supporting characters were often vaudevillian ethnic stereotypes whose humor was grounded in dialects. As the years went by, the humor of these figures became more character-based.

Benny's method of bringing a character into a skit, by announcing his name, also became a well-known Benny shtick: "Oh, Dennis..." or "Oh, Rochester..." typically answered by, "Yes, Mr. Benny (Boss)?"

Situations

at Jack Benny Way and Rochester Avenue, commemorates the program's famed running gag: "Train leaving on track five for Anaheim, Azusa and Cu-ca-monga!"]]

The Jack Benny Program evolved from a variety show blending sketch comedy and musical interludes into the situation comedy form we know even now, crafting particular situations and scenarios from the fictionalization of Benny the radio star. Any situation from hosting a party to income tax time to a night on the town was good for a Benny show, and somehow the writers and star would find the right ways and places to insert musical interludes from Phil Harris and Dennis Day. With Day, invariably, it would be a brief sketch that ended with Benny ordering Day to sing the song he planned to do on that week's show.

One extremely popular scenario that became an annual tradition on The Jack Benny Program was the "Christmas Shopping" episode, in which Benny would head to a local department store. Each year, Benny would buy a ridiculously cheap Christmas gift for Don Wilson from a store clerk played by Mel Blanc. Benny would then have second (then third, and even fourth) thoughts about his gift choice, driving Blanc (or, in two other cases, his wife and his psychiatrist, as well) to hilarious insanity by exchanging the gift, pestering about the Christmas card or wrapping paper countless times throughout the episode: in many cases, the clerk would commit suicide, or attempt and fail to commit suicide ("Look what you done! You made me so nervous, I missed!") as a result.

In the 1946 Christmas episode, for example, Benny buys shoelaces for Don, and then is unable to make up his mind whether to give Wilson shoelaces with plastic tips or shoelaces with metal tips. After Benny exchanges the shoelaces repeatedly, Mel Blanc is heard screaming insanely, "Plastic tips! Metal tips! I can't stand it anymore!" A variation in 1948 concerned Benny buying an expensive wallet for Don, but repeatedly changing the greeting card inserted—prompting Blanc to shout: "I haven't run into anyone like you in 20 years! Oh, why did the governor have to give me that pardon!?" – until Benny realizes that he should have gotten Don a wallet for $1.98, whereupon the put-upon clerk immediately responds by committing suicide. Over the years, in these Christmas episodes, Benny bought and repeatedly exchanged cuff links, golf tees, a box of dates, a paint set, and even a gopher trap.

In 1936, after a few years broadcasting from New York, Benny moved the show to Los Angeles, allowing him to bring in guests from among his show business friends — such as Frank Sinatra, James Stewart, Judy Garland, Barbara Stanwyck, Bing Crosby, Burns and Allen (George Burns was Benny's closest friend), and many others. Burns and Allen and Orson Welles guest hosted several episodes in March and April 1943 when Benny was seriously ill with pneumonia, while Ronald Colman and his wife Benita Hume appeared frequently in the 1940s as Benny's long-suffering neighbors.

Sponsors

In the early days of radio (and in the early television era, often as not), the airtime was owned by the sponsor, and Benny made a point of incorporating the commercials into the body of the show. Sometimes the sponsors were the butt of jokes, though Benny did not deploy this device as frequently as his friend and "rival" Fred Allen did at the time, or as his cast member Phil Harris later did on his own successful radio sitcom. Nevertheless, for many years Benny insisted in contract negotiations that his writers pen the sponsor's commercial in the middle of the program (leaving the sponsor to provide the opening and closing spots) and the resulting ads were cleverly and wittily worked into the storyline of the show. For example, on one program, Don Wilson accidentally misread Lucky Strike's slogan ("Be happy, go Lucky") as "Be Lucky, go happy", prompting a story arc over several weeks that had Wilson unable to attend the show due to being severely traumatized by the error.

In fact, the radio show was generally not announced as The Jack Benny Program. Instead, the primary name of the show tied to the sponsor. Benny's first sponsor was Canada Dry Ginger Ale from 1932 to 1933. Benny's sponsors included Chevrolet from 1933 to 1934, General Tire in 1934, and Jell-O from 1934 to 1942. The Jell-O Program Starring Jack Benny was so successful in selling Jell-O, in fact, that General Foods could not manufacture it fast enough when sugar shortages arose in the early years of World War II, and the company had to stop advertising the popular dessert mix. General Foods switched the Benny program from Jell-O to Grape-Nuts from 1942 to 1944, and it became, naturally, The Grape Nuts Program Starring Jack Benny. Benny's longest-running sponsor, however, was the American Tobacco Company's Lucky Strike cigarettes, from 1944 to 1955, when the show was usually announced as The Lucky Strike Program starring Jack Benny.

Writers

Benny was notable for employing a small group of writers, most of whom stayed with him for many years. This was very much in contrast to other successful radio or television comedians, such as Bob Hope, who would change writers frequently. Historical accounts (like those by longtime Benny writer Milt Josefsberg) indicate that Benny's role was essentially that of both head writer and director of his radio programs, though he was not credited in either capacity. In contrast to Fred Allen, who initially personally wrote all of his own radio scripts (and continued to extensively rewrite scripts produced in later years by a writing staff), Jack Benny was often described by his writers as a consummate comedy editor rather than a writer per se. He would often debate the precise wording of jokes, and always sought to ensure the preservation of the integrity of the show's characters above easy gags.

Theme music

During his early radio shows, there was no recurring theme, the program instead opening each week with a different then-current popular song. Throughout the Jello and Grapenuts years, announcer Don Wilson would announce the name of the show, some of the cast, and then state "The orchestra opens the program with [name of song]". The orchestra number would continue softly as background for Don Wilson's opening commercial.

Starting in the Lucky Strike era, Benny adopted a medley of "Yankee Doodle Dandy" and "Love in Bloom" as his theme music, opening every show. "Love in Bloom" later became the theme of his television show as well. His radio shows often ended with the orchestra playing "Hooray for Hollywood". The TV show ended with one of two bouncy instrumentals written for the show by his musical arranger and conductor, Mahlon Merrick.

Benny would sometimes joke about the propriety of "Love in Bloom" as his theme song. On a segment often played in Tonight Show retrospectives, Benny talks with Johnny Carson about this. Benny says he has no objections to the song in and of itself, only as his theme. Proving his point, he begins reciting the lyrics slowly and deliberately: "Can it be the trees. That fill the breeze. With rare and magic perfume. Now what the hell has that got to do with me?"

"Your money or your life"

A master of the carefully timed pregnant pause, Benny and his writers used it to set up what is popularly (but incorrectly) believed to be the longest laugh in radio history. It climaxed an episode (broadcast March 28, 1948) in which Benny borrowed neighbor Ronald Colman's Oscar and was returning home when accosted by a mugger (voiced by comedian Eddie Marr). After asking for a match to light a cigarette, the mugger demanded, "Don't make a move, this is a stickup. Now, come on. Your money or your life." Benny paused, and the studio audience—knowing his skinflint character—laughed. The robber then repeated his demand: "Look, bud! I said your money or your life!" And that's when Benny snapped back, without a break, "I'm thinking it over!" This time, the audience laughed louder and longer than they had during the pause.

The punchline came to Benny staff writers John Tackaberry and Milt Josefsberg almost by accident. Writer George Balzer described the scene to author Jordan R. Young, for The Laugh Crafters, a 1999 book of interviews with veteran radio and television comedy writers: :... they had come to a point where they had the line, "Your money or your life." And that stopped them... Milt is pacing up and down, trying to get a follow... And he gets a little peeved at Tack, and he says, "For God's sakes, Tack, say something." Tack, maybe he was half asleep—in defense of himself, says, "I'm thinking it over." And Milt says, "Wait a minute. That's it." And that's the line that went in the script... By the way, that was not the biggest laugh that Jack ever got. It has the reputation of getting the biggest laugh. But that's not true.

The actual length of the laugh the joke got was five seconds when originally delivered and seven seconds when the gag was reprised on a follow-up show. In fact, the joke is probably not so memorable for the length of the laugh it provoked, but because it became the definitive "Jack Benny joke"—the joke that best illustrated Benny's "stingy man" persona. The punchline—"I'm thinking it over!"—simply would not have worked with any other comedian but Benny.

The actual longest laugh known to collectors of The Jack Benny Program lasted in excess of 32 seconds. The International Jack Benny Fan Club reports that, at the close of the program broadcast on December 13, 1936, sponsored by Jell-O, guest Andy Devine says that it is the "last number of the eleventh program in the new Jelly series." The audience, who loved any sort of accidental flub in the live program, is still laughing after 32 seconds, at which point the network cut off the program to prevent it from running overtime.

According to Jack himself, Mary Livingstone got the biggest laugh he ever heard on the show, on the April 25, 1948 broadcast. The punchline was the result of the following exchange between Don Wilson and noted opera singer Dorothy Kirsten:

:Don Wilson: Oh, Miss Kirsten, I wanted to tell you that I saw you in "Madame Butterfly" Wednesday afternoon, and I thought your performance was simply magnificent. :Dorothy Kirsten: Well, thanks, awfully. It's awfully nice and kind of you, Mr. Wilson. But, uh, who could help singing Puccini? It's so expressive. And particularly in the last act, starting with the allegro vivacissimo. :Don Wilson: Well, now, that's being very modest, Miss Kirsten. But not every singer has the necessary bel canto and flexibility or range to cope with the high tessitura of the first act. :Dorothy Kirsten: Thank you, Mr. Wilson. And don't you think that in the aria, "Un bel dì vedremo", that the strings played the con molto passione exceptionally fine and with great sostenuto? :Jack Benny: Well, I thought-- :Mary Livingstone (to Jack): Oh, shut up!

According to Jack, the huge laugh resulted from the long buildup, and the audience's knowledge that Jack, with his pompous persona, would have to break into the conversation at some point.

A nearly identical exchange occurred over a year earlier, among renowned violinist Isaac Stern, actor Ronald Colman, Jack Benny, and Mary Livingstone. The quartet's back-and-forth, which centered on Stern's recent public performance of a Mendelssohn piece, was heard on an episode first broadcast on February 16, 1947. The resulting laughter lasted some 18 seconds, after which Jack retorted, "Mary, that's no way to talk to Mr. Stern."

Later in life, when performing as a stand-up comedian in Las Vegas, Jack had just begun to tell an old joke about the salesman, the farmer and the farmer's daughter: "So the salesman and the farmer's daughter come to the front door, and the farmer opens the door." At this point, Sammy Davis, Jr. walks onstage behind Jack, the audience screams, and Sammy proceeds to speak and sing and dance about 25 minutes or so, while Jack continues to stand at center stage, quietly watching the spectacle. When Davis finally walks offstage and the audience's applause dies down, Jack continues to watch Davis offstage for a few moments, then as the audience is finally quiet continues: "... So the farmer said--" And that's about as far as that joke got, because the audience laughed for minutes afterward.

The Benny-Allen "feud"

In 1937 Benny began his famous radio "feud" with rival Fred Allen. Allen kicked the "feud" off on his own show, after child violinist Stewart Canin gave a performance credible enough that Allen wisecracked about "a certain alleged violinist" who should by comparison be ashamed of himself. Benny, who either listened to the Allen show or was told about the crack, answered in kind on his own show. And the two comedians were off and running.

For a decade, the two went at it back and forth, so convincingly that fans of either show could have been forgiven for believing they had become blood enemies. In fact, the two men were good friends and each other's greatest admirers. Benny and Allen often appeared on each other's show during the thick of the "feud"; numerous surviving episodes of both comedians' radio shows feature each other, in both acknowledged guest spots and occasional cameos. Benny in his eventual memoir (Sunday Nights at Seven) and Allen in his Treadmill to Oblivion later revealed that each comedian's writing staff often met together to plot future takes on the mock feud. If Allen zapped Benny with a satirisation of Benny's show ("The Pinch Penny Program"), Benny shot back with a parody of Allen's early favourite, Town Hall Tonight. Benny's parody? "Clown Hall Tonight." And their playful sniping ("Benny was born ignorant, and he's been losing ground ever since") was also advanced in the films Love Thy Neighbor and It's in the Bag!.

Perhaps the climax of the "feud" came during Fred Allen's parody of popular quiz-and-prize show Queen for a Day, which was barely a year old when Allen decided to have a crack at it on The Fred Allen Show---an episode that has survived for today's listeners to appreciate. Calling the sketch "King for a Day", Allen played the host and Benny a contestant who sneaked onto the show using the alias Myron Proudfoot. Benny answered the prize-winning question correctly and Allen crowned him "king" and showered him with a passel of almost meaningless prizes. Allen proudly announced, "Tomorrow night, in your ermine robe, you will be whisked by bicycle to Orange, New Jersey, where you will be the judge in a chicken-cleaning contest." To which Benny joyously declared, "I'm king for a day!" At this point a professional pressing-iron was wheeled on stage, to press Benny's suit properly. It didn't matter that Benny was still in the suit. Allen instructed his aides to remove Benny's suit, one item at a time, ending with his trousers, each garment's removal provoking louder laughter from the studio audience. As his trousers began to come off, Benny howled, "Allen, you haven't seen the end of me!" At once Allen shot back, "It won't be long now!"

The laughter was so loud and chaotic at the chain of events that the Allen show announcer, Kenny Delmar, was cut off the air while trying to read a final commercial and the show's credits. (Allen was notorious for running overtime often enough, largely thanks to his ad-libbing talent, and he overran the clock again this time.)

Benny was profoundly shaken by Allen's sudden death of a heart attack in 1956. In a statement released on the day after Allen's death, Benny said, "People have often asked me if Fred Allen and I were really friends in real life. My answer is always the same. You couldn't have such a long-running and successful feud as we did, without having a deep and sincere friendship at the heart of it."

The CBS talent raid

On the advice of MCA's Lew Wasserman, Jack Benny formed a holding company, "Amusement Enterprises" (a tax break major entertainers usually enjoyed in those years), which allowed him to bundle his entire program and personnel into a single commodity. The company also gave Benny the opportunity to produce and package other radio programs (including his 1947 summer replacement series starring Jack Paar), and invest in other entertainment ventures, including the production of a 1949 feature film, The Lucky Stiff, starring Dorothy Lamour, and as a key financial backer of the 1948 Broadway version of Mister Roberts, starring Henry Fonda. While Benny was top of the proverbial heap on NBC, CBS czar William S. Paley cast a hungry eye upon the comedian. Paley apparently had good reason to believe Benny could be had. In the summer of 1948, he successfully negotiated a deal with Freeman Gosden and Charles Correll, buying their holding company, which owned the Amos 'n' Andy radio show (and the rights to those characters), moving the entire "package" from NBC to CBS that fall: he then learned that NBC balked at buying a "Jack Benny" package deal when "Jack Benny" was not the star's real name. Paley reached out to Benny and offered him a deal that would allow that package-buy.

But Paley, according to CBS historian Robert Metz, also learned that Benny chafed under NBC's almost indifferent attitude toward the talent that attracted the listeners. NBC, under the leadership of David Sarnoff, seemed at the time to think that listeners were listening to NBC because of NBC itself. To Paley, according to Metz, that was foolish thinking at best: Paley believed listeners were listening because of the talent, not because of which platform hosted them. When Paley said as much to Benny, the comedian agreed. Because Paley took a personal interest in the Benny negotiations, as opposed to Sarnoff who had never met his top-rated star, Benny was convinced to make the jump. He convinced a number of his fellow NBC performers (notably Burns and Allen, Edgar Bergen, Red Skelton and Kate Smith) to join him.

To sweeten the deal for a very nervous sponsor, Paley also agreed to make up the difference to American Tobacco if Benny's Hooper rating (the radio version of today's Nielsen ratings) on CBS fell to a certain level below his best NBC Hooper rating. Benny's CBS debut on January 2, 1949 bested his top NBC rating by several points while also pumping up the ratings of the show that followed, Amos 'n' Andy. NBC, with its smash Sunday night lineup now broken up, offered lucrative new deals to two of those Sunday night hits, The Fred Allen Show and The Phil Harris-Alice Faye Show. Benny's bandleader and his singing actress wife now starred in their own hit sitcom, meaning Harris was featured on shows for two different networks.

Benny and Sarnoff eventually met several years later and became good friends. Benny said that if he had had this kind of relationship with Sarnoff earlier, when he was Sarnoff's number-one radio star, he never would have left NBC.

Television

The television version of The Jack Benny Program ran from October 28, 1950 to 1965. Initially scheduled as a series of five "specials" during the 1950–1951 season, the show appeared every six weeks for the 1951–1952 season, every four weeks for the 1952–1953 season and every three weeks in 1953–1954. For the 1953–1954 season, half the episodes were live and half were filmed during the summer, to allow Benny to continue doing his radio show. From the fall of 1954 to 1960, it appeared every other week, and from 1960 to 1965 it was seen weekly.

In September 1954, CBS premiered Chrysler's Shower of Stars co-hosted by Jack Benny and William Lundigan. It enjoyed a successful run from 1954 until 1958. Both television shows often overlapped the radio show. In fact, the radio show alluded frequently to its television counterparts. Often as not, Benny would sign off the radio show in such circumstances with the line "Well, good night, folks. I'll see you on television."

When Benny moved to television, audiences learned that his verbal talent was matched by his controlled repertory of dead-pan facial expressions and gesture. The program was similar to the radio show (several of the radio scripts were recycled for television, as was somewhat common with other radio shows that moved to television), but with the addition of visual gags. Lucky Strike was the sponsor. Benny did his opening and closing monologues before a live audience, which he regarded as essential to timing of the material. As in other TV comedy shows, canned laughter was sometimes added to "sweeten" the soundtrack, as when the studio audience missed some close-up comedy because of cameras or microphones in their way. The television viewers learned to live without Mary Livingstone, who was afflicted by a striking case of stage fright. Livingstone appeared rarely if at all on the television show (for the last few years of the radio show, she pre-recorded her lines and Jack and Mary's daughter, Joan, stood in for the live broadcast as the pre-recordings were played), and finally retired from show business permanently in 1958, as her friend Gracie Allen had done.

Benny's television program relied more on guest stars and less on his regulars than his radio program. In fact, the only radio cast members who appeared regularly on the television program as well were Don Wilson and Eddie Anderson. Day appeared sporadically, and Harris had left the radio program in 1952, although he did make a guest appearance on the television show (Bob Crosby, Phil's "replacement", frequently appeared on television through 1956). A frequent guest was the Canadian born singer-violinist Gisele Mackenzie.

Benny was able to attract guests who rarely, if ever, appeared on television. In 1953, both Marilyn Monroe and Humphrey Bogart made their television debuts on Benny's program.

Canadian singer Gisele MacKenzie, who toured with Benny in the early 1950s, guest starred seven times on The Jack Benny Program. Benny was so impressed with MacKenzie's talents that he served as co-executive producer and guest starred on her 1957–1958 NBC variety show, The Gisele MacKenzie Show.

In 1964, Walt Disney was a guest, primarily to promote his production of Mary Poppins. Benny persuaded Disney to give him over 100 free admission tickets to Disneyland for his friends, but later in the show Disney apparently sent his pet tiger after Benny as revenge, at which point Benny opened his umbrella and soared above the stage like Mary Poppins.

In due course the ratings game finally got to Benny, too. CBS dropped the show in 1964, citing Benny's lack of appeal to the younger demographic the network began courting, and he went to NBC, his original network, in the fall, only to be out-rated by CBS's Gomer Pyle, U.S.M.C. The network dropped Benny at the end of the season. He continued to make occasional specials into the 1970s. His last television appearance was in 1974, on a Dean Martin Roast for Lucille Ball. The videotaped show was telecast just a few weeks after his death.

In his unpublished autobiography, I Always Had Shoes (portions of which were later incorporated by Jack's daughter, Joan, into her memoir of her parents, Sunday Nights at Seven), Benny said that he, not NBC, made the decision to end his TV series in 1965. He said that while the ratings were still very good (he cited a figure of some 18 million viewers per week, although he qualified that figure by saying he never believed the ratings services were doing anything more than guessing, no matter what they promised), advertisers were complaining that commercial time on his show was costing nearly twice as much as what they paid for most other shows, and he had grown tired of what was called the "rate race." Thus, after some three decades on radio and television in a weekly program, Jack Benny went out on top. In fairness, Benny himself shared Fred Allen's ambivalence about television, though not quite to Allen's extent. "By my second year in television, I saw that the camera was a man-eating monster...It gave a performer close-up exposure that, week after week, threatened his existence as an interesting entertainer."

In a joint appearance with Phil Silvers on Dick Cavett's show, Benny recalled that he had advised Silvers not to appear on television. However, Silvers ignored Benny's advice and proceeded to win several Emmy awards as Sergeant Bilko on the popular series The Phil Silvers Show, while Benny claimed he never won any of the television honors.

Movies

Benny also acted in movies, including the Academy Award-winning The Hollywood Revue of 1929, Broadway Melody of 1936 (as a benign nemesis for Eleanor Powell and Robert Taylor), George Washington Slept Here (1942), and notably, Charley's Aunt and To Be or Not to Be. He and Livingstone also appeared in Ed Sullivan's Mr. Broadway (1933) as themselves. Benny often parodied contemporary movies and movie genres on the radio program, and the 1940 film Buck Benny Rides Again features all the main radio characters in a funny Western parody adapted from program skits. The failure of one Benny vehicle, The Horn Blows at Midnight, became a running gag on his radio program, although contemporary viewers may not find the film as disappointing as the jokes suggest.

Benny may have had an unbilled cameo role in Casablanca (claimed by a contemporary newspaper advertisement and reportedly in the Casablanca press book In response to a follow-up question in his next column, he stated, "I think you're right."

Benny also was caricatured in several Warner Brothers cartoons including Daffy Duck and the Dinosaur (1939, as Casper the Caveman), I Love to Singa, Slap Happy Pappy, and Goofy Groceries (1936, 1940, and 1941 respectively, as Jack Bunny), Malibu Beach Party (1940, as himself), and The Mouse that Jack Built (1959). The last of these is probably the most memorable: Robert McKimson engaged Benny and his actual cast (Mary Livingstone, Eddie Anderson, and Don Wilson) to do the voices for the mouse versions of their characters, with Mel Blanc—the usual Warner Brothers cartoon voicemeister—reprising his old vocal turn as the always-aging Maxwell, always a phat-phat-bang! away from collapse. In the cartoon, Benny and Livingstone agree to spend their anniversary at the Kit-Kat Club, which they discover the hard way is inside the mouth of a live cat. Before the cat can devour the mice, Benny himself awakens from his dream, then shakes his head, smiles wryly, and mutters, "Imagine, me and Mary as little mice." Then, he glances toward the cat lying on a throw rug in a corner and sees his and Livingstone's cartoon alter egos scampering out of the cat's mouth. The cartoon ends with a classic Benny look of befuddlement. It was rumored that Benny requested that, in lieu of monetary compensation, he receive a copy of the finished film.

Running gags

Benny teamed with Fred Allen for the best-remembered running gag in classic radio history, in terms of character dialogue. But Benny alone sustained a classic repertoire of running gags in his own right, including his skinflint radio and television persona, his perpetual stage age of 39, and his atonal violin playing.

A skit heard numerous times on radio, and seen many times on television, had Mel Blanc as a Mexican in a sombrero and sarape sitting on a bench. Jack Benny sits down and begins a conversation. To each question asked by Benny, Blanc replies Si, Benny asks his name, Blanc replies Sy and when Benny asks where Blanc is going, Blanc replies, "to see his sister", Sue.

A running gag in Benny's private life concerned George Burns. To Benny's eternal frustration, he could never get Burns to laugh. Burns, on the other hand, could crack Benny up with the least effort. An example of this occurred at a party when Benny pulled out a match to light a cigar. Burns announced to all, "Jack Benny will now perform the famous match trick!" Benny had no idea what Burns was talking about, so he proceeded to light up. Burns observed, "Oh, a new ending!" and Benny collapsed in helpless laughter.

Benny even had a sound-based running gag of his own: his famous basement vault alarm, allegedly installed by Spike Jones, ringing off with a shattering cacophony of whistles, sirens, bells, and blasts, before ending invariably with the sound of a foghorn. The alarm rang off even when Benny opened his safe with the correct combination. The vault also featured a guard named Ed (voiced by Joseph Kearns) who had been on post down below before, apparently, the end of the Civil War, the end of the Revolutionary War, the founding of Los Angeles, on Jack's 38th birthday, and even the beginning of humanity. In one appearance, Ed asked Benny, "By the way, Mr. Benny...what's it like on the outside?" Benny responded, "...winter is nearly here, and the leaves are falling." Ed responded, "Hey, that must be exciting." To which Benny replied (in a stunningly risqué joke for the period), "Oh, no—people are wearing clothes now." In one episode of the Benny radio show, Ed the Guard actually agreed when Jack invited him to take a break and come back to the surface world, only to discover that modern conveniences and transportation, which hadn't been around the last time he'd been to the surface, terrorized and confused him. (Poor Ed thought a crosstown bus was "a red and yellow dragon.") Finally, Ed decides to return to his post fathoms below and stay there. The basement vault gag was also used in the cartoon The Mouse that Jack Built and an episode of The Lucy Show.

A separate sound gag involved a song Benny had written, "When You Say I Beg Your Pardon, Then I'll Come Back to You." Its inane lyrics and insipid melody guaranteed that it would never be published or recorded, but Benny continued to try to con, extort, or otherwise inveigle some of his musical guests (including The Smothers Brothers and Peter, Paul and Mary) to perform it. None ever made it all the way through.

In keeping with his "stingy" schtick, on one of his television specials he remarked that, to his way of looking at things, a "special" is when the price of coffee is marked down.

The explanation usually given for the "stuck on 39" running joke is that he had celebrated his birthday on-air when he turned 39, and decided to do the same the following year, because "there's nothing funny about 40." Upon his death, having celebrated his 39th birthday 41 times, some newspapers continued the joke with headlines such as "Jack Benny Dies – At 39?"

Another popular running gag concerned the social habits of Benny's on-air orchestra, who were consistently portrayed as a bunch of drunken ne'er-do-wells. Led first by Phil Harris and later by Bob Crosby, the orchestra, and in particular band member Frank Remley, were jokingly portrayed as often being too drunk to play properly, using an overturned bass drum to play cards on just minutes before a show, and so enamored by liquor that the sight of a glass of milk would make them sick. Remley was portrayed in various unflattering situations, such as being thrown into a garbage can by a road sweeper who had found him passed out in the street at 4 am, and on a wanted poster at the Beverly Hills police station. Crosby also got consistent laughs by frequently joking about his more famous brother Bing's vast wealth.

The Maxwell

from the seat of a c. 1908 Maxwell Roadster]] Starting on the radio show, a running joke was that Benny drove a Maxwell automobile, a brand that went out of business in 1925. Benny's old car was so worn out that it would barely run, but the miserly Benny insisted he could get a few more miles out of it. When a sound effects man missed a cue for the automobile engine, Mel Blanc quickly improvised a vocal imitation of a sputtering car engine that was so funny it became a regular feature of the show. By 1943, Jack Benny's Maxwell had become such a well known aspect of popular culture that it was referenced in the Spike Jones record "The Sound Effects Man".

When the Jack Benny Program began appearing on television in 1950, a 1916 Maxwell Model 25 Tourer became one of the production's standard props. Benny's Maxwell later became a 1923 Tourer. In addition to on the program, Benny would often make public appearances in Maxwells. He appeared behind the wheel of one in the film It's a Mad, Mad, Mad, Mad World and drove a Maxwell onto the stage in one of his last television specials. Benny and his archaic auto were featured in a series of television and print ads for Texaco from the 1950s through the 1970s. A series of gags were built around the premise that Benny appreciated the value of "Sky Chief" brand gasoline in keeping his car running smoothly, but was too cheap to buy more than one gallon at a time.

Final years

After his broadcasting career ended, Benny performed live as a stand up comedian and returned to films in 1963 with a cameo appearance in It's a Mad, Mad, Mad, Mad World. Benny was preparing to star in the film version of Neil Simon's The Sunshine Boys when his health failed. In fact, he prevailed upon his longtime best friend, George Burns, to take his place on a nightclub tour while preparing for the film. (Burns ultimately had to replace Benny in the film as well and went on to win an Academy Award for his performance).

Benny made one of his final television appearances in the fall of 1972 on The Tonight Show with Johnny Carson when Carson celebrated his 10th anniversary. (An audio recording featuring highlights of Benny's appearance is featured on the album Here's Johnny: Magic Moments From The Tonight Show released in 1973.) During this appearance, he stated that he loved the violin so much, "if God came to me and said 'Jack, starting tomorrow I will make you one of the world's great violinists, but no more will you ever be able to tell a joke', I really believe that I would accept that." He also related something Isaac Stern once told him: "You know, Jack, when you walk out in front of a symphony orchestra in white tie and tails and your violin, you actually look like one of the world's great violinists. It's a damned shame you have to play!" Jokes aside, Benny was a serious, dedicated violinist who could play aside Stern and not embarrass himself

Death

In October 1974, Benny canceled a performance in Dallas after suffering a dizzy spell, coupled with numbness in his arms. Despite a battery of tests, Benny's ailment could not be determined. When he complained of stomach pains in early December, a first test showed nothing, but a subsequent one showed he had inoperable pancreatic cancer. Choosing to spend his final days at home, he was visited by close friends including George Burns, Bob Hope, Frank Sinatra, Johnny Carson and New Zealand crooner John Rowles. He died on December 26, 1974. Bob Hope delivered the eulogy at his funeral. Two days after his death, he was interred in a crypt at Hillside Memorial Park Cemetery in Culver City, California. Benny's will arranged for flowers, specifically a single long-stemmed red rose, to be delivered to his widow, Mary Livingstone, every day for the rest of her life. Livingstone died nine years later on June 30, 1983.

In trying to explain his successful life, Benny summed it up by stating "Everything good that happened to me happened by accident. I was not filled with ambition nor fired by a drive toward a clear-cut goal. I never knew exactly where I was going."

Upon his death, his family donated to UCLA his personal, professional, and business papers, as well as a collection of his television shows. The university established the Jack Benny Award in his honor in 1977 to recognize outstanding people in the field of comedy. Johnny Carson was the first award recipient. Benny also donated a Stradivarius violin purchased in 1957 to the Los Angeles Philharmonic Orchestra. Benny had commented, "If it isn't a $30,000 Strad, I'm out $120."

Honors

Jack Benny has one star each on the Hollywood Walk of Fame for TV, film, and radio.

Posthumous tributes

When the price of a standard first-class US postal stamp was increased to 39 cents in 2006, fans petitioned for a Jack Benny stamp to honor his stage persona’s perpetual age. The U.S. Postal Service had issued a stamp depicting Jack Benny in 1991, as part of a booklet of stamps honoring comedians; however, the stamp was issued at the then-current rate of 29 cents.

Jack Benny Middle School in Waukegan, Illinois, is named after the famous comedian. Its motto matches his famous statement as "Home of the '39ers".

See also

List of most-listened-to radio programs

References

Further reading

New York Times, April 16, 1953, p43,"Jack Benny plans more work on tv."

New York Times, March 16, 1960, p75, "Canned laughter: Comedians are crying on the inside about CBS rule that public know of its use."

Jack Benny, Mary Livingstone Benny, Hilliard Marks with Marcia Borie, Doubleday & Company, 1978, 322 p.

Sunday Nights at Seven: The Jack Benny Story, Jack Benny and Joan Benny, Warner Books, 1990, 302 p.

CBS: Reflections in a Bloodshot Eye, by Robert Metz, New American Library, 1978.

The Laugh Crafters: Comedy Writing in Radio and TV's Golden Age, by Jordan R. Young; Past Times Publishing, 1999.

Well! Reflections on the Life and Career of Jack Benny, edited by Michael Leannah, BearManor Media, 2007.

Jack Benny v. Commissioner of Internal Revenue, 25 T.C. 197 (1955).

Hilmes, M. (1997). Radio voices American broadcasting, 1922-1952. Minnesota Minneapolis: University of Minnesota Press.

Further reading

Benny, Jack; Benny, Joan. (1990) Sunday Nights at Seven: The Jack Benny Story. Warner Books.

Josefsberg, Milt. (1977) The Jack Benny Show. New Rochelle: Arlington House. ISBN 0-87000-347-X

Leannah, Michael, editor. (2007) Well! Reflections on the Life and Career of Jack Benny. BearManor Media. Contributing authors: Frank Bresee, Clair Schulz, Kay Linaker, Janine Marr, Pam Munter, Mark Higgins, B. J. Borsody, Charles A. Beckett, Jordan R. Young, Philip G. Harwood, Noell Wolfgram Evans, Jack Benny, Michael Leannah, Steve Newvine, Ron Sayles, Kathryn Fuller-Seeley, Marc Reed, Derek Tague, Michael J. Hayde, Steve Thompson, Michael Mildredson.

External links

Audio

*Jack Benny Show – OTR Podcast – Daily episodes of The Jack Benny Program in MP3 format with new introductions and Benny Trivia

*Over 350 episodes of The Jack Benny Program in MP3 format

*Two broadcasts (East/West) of The Jello Program: "Christmas Shopping for Perfume and a Necktie" (12/17/39)

Video

Jack Benny at TVGuide.com

Jack Benny Fred Allen Feud

Jack Benny Audio History

International Jack Benny Fan Club

Online audio and video of Jack Benny

Copies of Jack Benny's Radio and TV scripts, with handwritten edits

Free 2 minute download of Humphrey Bogart on the Jack Benny Show

Jack Benny Middle School

Jack Benny Center for the Cultural Arts

"The Friars Club"

Jack Benny papers at the University of Wyoming - American Heritage Center

FBI file on Jack Benny

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China () is seen variously as an ancient civilization extending over a large area in East Asia, a nation and/or a multinational entity.

With nearly 4,000 years of continuous history, China is one of the world's oldest civilizations. Prior to the 19th century, it possessed one of the most advanced societies and economies in the world; but through successive dynasties it then missed the Industrial Revolution in Europe and began to decline. In the 19th and 20th century, imperialism, internal weakness and civil wars damaged the country and its economy, and led to the overthrow of imperial rule.

In 1949, after major combat ended in the Chinese Civil War, two states calling themselves "China" emerged: The People's Republic of China (PRC), established in 1949, commonly known as China, has control over mainland China and the largely self-governing territories of Hong Kong (since 1997) and Macau (since 1999). The Republic of China (ROC) established in 1912 in mainland China, now commonly known as Taiwan, has control over the islands of Taiwan, Penghu, Kinmen, Matsu, the Pratas island group, and a few other outlying islands.

In the 1950s, change to economic policies in Taiwan transformed the island into a technology-oriented industrialized developed economy after a period of high growth rates and rapid industrialization. In mainland China, in the 1970s, reforms known as the Four Modernizations improved agriculture, industry, technology and defense, raising living standards and making the PRC one of the great powers. By 2011 challenges included the growing divide between rich and poor, environmental degradation, and rampant corruption.

Historically, the cultural sphere of China has extended across East Asia as a whole, with Chinese religion, customs, and writing systems being adopted to varying degrees by neighbors such as Japan, Korea and Vietnam. Through its history, China was the source of many major inventions. It has also one of the world's oldest written language systems. The first evidence of human presence in the region was found at the Zhoukoudian cave. It is one of the earliest known specimens of Homo erectus, now commonly known as the Peking Man, estimated to have lived from 300,000 to 780,000 years ago.

Etymology

(top) and simplified (bottom) characters for "China" in Chinese. The first character means "middle" or "center", and the second character means "country" or "state."]]

English names

The word "China" is derived from Cin (چین), a Persian name for China popularized in Europe by Marco Polo. The first recorded use in English dates from 1555. In early usage, "china" as a term for porcelain was spelled differently from the name of the country, the two words being derived from separate Persian words. Both these words are derived from the Sanskrit word Cīna (चीन),

There are various scholarly theories regarding the origin of this word. The traditional theory, proposed in the 17th century by Martino Martini, is that "China" is derived from "Qin" (秦, pronounced chin), the westernmost of the Chinese kingdoms during the Zhou Dynasty, or from the succeeding Qin Dynasty (221 – 206 BC). In the Hindu scriptures Mahābhārata (5th century BC) and Manusmṛti (Laws of Manu) (2nd century BC), the Sanskrit word Cīna (चीन) is used to refer to a country located in the Tibeto-Burman borderlands east of India. Another theory is that this word is derived from Yelang, an ancient kingdom in what is now Guizhou whose inhabitants referred to themselves as 'Zina'.

Chinese names

The official name of China changed with each dynasty or with each new government, the imperial governments referred to themselves as the Empire of the Great Qing, Empire of the Great Ming, etc. However, the common name remained as Zhōngguó (, ) through dynastic changes. This translates traditionally as "the central Kingdom", or as "the middle country".

The name Zhōngguó first appeared in the Classic of History (6th century BC), and was used to refer to the late Zhou Dynasty, as they believed that they were the "center of civilization," while peoples in the four cardinals were called Eastern Yi, Southern Man, Western Rong and Northern Di respectively. Some texts imply that "Zhōngguó" was originally meant to refer to the capital of the sovereign, to differ from the capital of his vassals. The use of "Zhōngguó" implied a claim of political legitimacy, and "Zhōngguó" was often used by states who saw themselves as the sole legitimate successor to previous Chinese dynasties; for example, in the era of the Southern Song Dynasty, both the Jin Dynasty and the Southern Song state claimed to be "Zhōngguó."

Zhōngguó was used as a common name for the Republic of China (Zhonghua Minguo) after its establishment in 1912. After the Communists took over control of mainland China in 1949, they established the People's Republic of China (PRC). After the ROC's loss of the UN "China" seat in 1971, the PRC gained the ability to be the "representative" of "China" under the One-China policy and as a result is now commonly known as "China" or "Zhōngguó" in Chinese. The Republic of China nowadays is commonly known as "Taiwan".

History

Ancient China was one of the earliest centers of human civilization. Chinese civilization was also one of the few to invent writing,

Prehistory

Archaeological evidence suggests that the earliest hominids in China date from 250,000 to 2.24 million years ago. A cave in Zhoukoudian (near present-day Beijing) has fossils dated at somewhere between 300,000 to 780,000 years.

Dynastic rule

, 17th to 11th Century BC.]] Chinese tradition names the first dynasty Xia, but it was considered mythical until scientific excavations found early Bronze Age sites at Erlitou in Henan Province in 1959. Archaeologists have since uncovered urban sites, bronze implements, and tombs in locations cited as Xia's in ancient historical texts, but it is impossible to verify that these remains are of the Xia without written records from the period.

of the Qin Dynasty, ca. 210 BC.]] The first Chinese dynasty that left historical records, the loosely feudal Shang (Yin), settled along the Yellow River in eastern China from the 17th to the 11th century BC. The Oracle bone script of the Shang Dynasty represent the oldest forms of Chinese writing found and the direct ancestor of modern Chinese characters used throughout East Asia. The Shang were invaded from the west by the Zhou, who ruled from the 12th to the 5th century BC, until their centralized authority was slowly eroded by feudal warlords. Many independent states eventually emerged out of the weakened Zhou state, and continually waged war with each other in the Spring and Autumn Period, only occasionally deferring to the Zhou king. By the time of the Warring States Period, there were seven powerful sovereign states, each with its own king, ministry and army.

The first unified Chinese state was established by Qin Shi Huang of the Qin state in 221 BC, who proclaimed himself as the "First Emperor" and created many reforms in the Empire, notably the forced standardization of the Chinese language and measurements. The Qin Dynasty lasted only fifteen years, as its harsh legalist and authoritarian policies soon led to widespread rebellion.

The subsequent Han Dynasty ruled China between 206 BC and 220 AD, and created a lasting Han cultural identity among its populace that extends to the present day. The Han Dynasty expanded the empire's territory considerably with military campaigns reaching Korea, Vietnam, Mongolia and Central Asia, and also helped establish the Silk Road in Central Asia.

After Han's collapse, another period of disunion followed, including the highly chivalric period of the Three Kingdoms. Independent Chinese states of this period such as Wu opened diplomatic relations with Japan, introducing the Chinese writing system there. In 580 AD, China was reunited under the Sui. However, the Sui Dynasty was short-lived after a failure in the Goguryeo-Sui Wars (598–614) weakened it. celadon porcelain pieces from Zhejiang province, during the Song Dynasty]]

Under the succeeding Tang and Song dynasties, Chinese technology and culture reached its zenith. The Tang Empire was at its height of power until the middle of the 8th century, when the An Shi Rebellion destroyed the prosperity of the empire. The Song Dynasty was the first government in world history to issue paper money and the first Chinese polity to establish a permanent standing navy. Between the 10th and 11th centuries, the population of China doubled in size. This growth came about through expanded rice cultivation in central and southern China, and the production of abundant food surpluses.

Within its borders, the Northern Song Dynasty had a population of some 100 million people. The Song Dynasty was a culturally rich period for philosophy and the arts. Landscape art and portrait painting were brought to new levels of maturity and complexity after the Tang Dynasty, and social elites gathered to view art, share their own, and trade precious artworks. Philosophers such as Cheng Yi and Chu Hsi reinvigorated Confucianism with new commentary, infused Buddhist ideals, and emphasized a new organization of classic texts that brought about the core doctrine of Neo-Confucianism. ; daily life of people from the Song period at the capital, Bianjing, today's Kaifeng.]] In 1271, the Mongol leader and fifth Khagan of the Mongol Empire Kublai Khan established the Yuan Dynasty, with the last remnant of the Song Dynasty falling to the Yuan in 1279. Before the Mongol invasion, Chinese dynasties reportedly had approximately 120 million inhabitants; after the conquest was completed in 1279, the 1300 census reported roughly 60 million people. A peasant named Zhu Yuanzhang overthrew the Mongols in 1368 and founded the Ming Dynasty. Ming Dynasty thinkers such as Wang Yangming would further critique and expand Neo-Confucianism with ideas of individualism and innate morality that would have tremendous impact on later Japanese thought. Chosun Korea also became a nominal vassal state of Ming China and adopted much of its Neo-Confucian bureaucratic structure.

Under the Ming Dynasty, China had another golden age, with one of the strongest navies in the world, a rich and prosperous economy and a flourishing of the arts and culture. It was during this period that Zheng He led explorations throughout the world, possibly reaching America. During the early Ming Dynasty China's capital was moved from Nanjing to Beijing. In 1644 Beijing was sacked by a coalition of rebel forces led by Li Zicheng, a minor Ming official turned leader of the peasant revolt. The last Ming Chongzhen Emperor committed suicide when the city fell. The Manchu Qing Dynasty then allied with Ming Dynasty general Wu Sangui and overthrew Li's short-lived Shun Dynasty, and subsequently seized control of Beijing, which became the new capital of the Qing Dynasty.

The Qing Dynasty, which lasted until 1912, was the last dynasty in China. In the 19th century the Qing Dynasty adopted a defensive posture towards European imperialism, even though it engaged in imperialistic expansion into Central Asia. At this time China awoke to the significance of the rest of the world, the West in particular. As China opened up to foreign trade and missionary activity, opium produced by British India was forced onto Qing China. Two Opium Wars with Britain weakened the Emperor's control. European imperialism proved to be disastrous for China: ship Celestial Empire]]

The Arrow War (1856–1860) [2nd Opium War] saw another disastrous defeat for China. The subsequent passing of the humiliating Treaty of Tianjin in 1856 and the Beijing Conventions of 1860 opened up more of the country to foreign penetrations and more ports for their vessels. Hong Kong was ceded over to the British. Thus, the "unequal treaties system" was established. Heavy indemnities had to be paid by China, and more territory and control were taken over by the foreigners.

The weakening of the Qing regime, and the apparent humiliation of the unequal treaties in the eyes of the Chinese people had several consequences. One consequence was the Taiping Civil War, which lasted from 1851 to 1862. It was led by Hong Xiuquan, who was partly influenced by an idiosyncratic interpretation of Christianity. Hong believed himself to be the son of God and the younger brother of Jesus. Although the Qing forces were eventually victorious, the civil war was one of the bloodiest in human history, costing at least 20 million lives (more than the total number of fatalities in the World War I), with some estimates of up to two hundred million. Other costly rebellions followed the Taiping Rebellion, such as the Punti-Hakka Clan Wars (1855–67), Nien Rebellion (1851–1868), Miao Rebellion (1854–73), Panthay Rebellion (1856–1873) and the Dungan revolt (1862–1877). at night; the palace was the residence for the imperial family from the reign of the Yongle Emperor of the Ming Dynasty in the 15th century until the fall of the Qing Dynasty in 1912.]] These rebellions resulted in an estimated loss of several million lives each and led to disastrous results for the economy and the countryside. The flow of British opium hastened the empire's decline. In the 19th century, the age of colonialism was at its height and the great Chinese Diaspora began. About 35 million overseas Chinese live in Southeast Asia today. The famine in 1876–79 claimed between 9 and 13 million lives in northern China. From 108 BC to 1911 AD, China experienced 1,828 famines, or one per year, somewhere in the empire.

While China was wracked by continuous war, Meiji Japan succeeded in rapidly modernizing its military and set its sights on Korea and Manchuria. At the request of the Korean emperor, the Chinese government sent troops to aid in suppressing the Tonghak Rebellion in 1894. However, Japan also sent troops to Korea, leading to the First Sino-Japanese War, which resulted in Qing China's loss of influence in the Korean Peninsula as well as the cession of Taiwan to Japan.

Following this series of defeats, a reform plan for the empire to become a modern Meiji-style constitutional monarchy was drafted by the Guangxu Emperor in 1898, but was opposed and stopped by the Empress Dowager Cixi, who placed Emperor Guangxu under house arrest in a coup d'état. Further destruction followed the ill-fated 1900 Boxer Rebellion against westerners in Beijing.

By the early 20th century, mass civil disorder had begun, and calls for reform and revolution were heard across the country. The 38-year-old Emperor Guangxu died under house arrest on 14 November 1908, suspiciously just a day before Cixi's own death. With the throne empty, he was succeeded by Cixi's handpicked heir, his two year old nephew Puyi, who became the Xuantong Emperor. Guangxu's consort became the Empress Dowager Longyu. In another coup de'tat, Yuan Shikai overthrew the last Qing emperor, and forced empress Dowager Longyu to sign the abdication decree as regent in 1912, ending two thousand years of imperial rule in China. She died, childless, in 1913.

Republic of China (1912–49)

and Chiang Kai-shek at the founding of the Whampoa Military Academy. Flags of the Republic of China and the Nationalist Party shown.]] On 1 January 1912, the Republic of China was established, heralding the end of the Qing Dynasty. Sun Yat-sen of the Kuomintang (the KMT or Nationalist Party) was proclaimed provisional president of the republic. However, the presidency was later given to Yuan Shikai, a former Qing general, who had ensured the defection of the entire Beiyang Army from the Qing Empire to the revolution. In 1915, Yuan proclaimed himself Emperor of China but was forced to abdicate and return the state to a republic when he realized it was an unpopular move, not only with the population but also with his own Beiyang Army and its commanders.

After Yuan Shikai's death in 1916, China was politically fragmented, with an internationally recognized but virtually powerless national government seated in Peking (Beijing). Warlords in various regions exercised actual control over their respective territories. In the late 1920s, the Kuomintang, under Chiang Kai-shek, was able to reunify the country under its own control, moving the nation's capital to Nanking (Nanjing) and implementing "political tutelage", an intermediate stage of political development outlined in Sun Yat-sen's program for transforming China into a modern, democratic state. Effectively, political tutelage meant one-party rule by the Kuomintang.

The Second Sino-Japanese War (1937–1945) (part of World War II) forced an uneasy alliance between the Nationalists and the Communists as well as causing around 20 million Chinese civilian deaths. With the surrender of Japan in 1945, China emerged victorious but financially drained. The continued distrust between the Nationalists and the Communists led to the resumption of the Chinese Civil War. In 1947, constitutional rule was established, but because of the ongoing Civil War many provisions of the ROC constitution were never implemented in mainland China.

Post Civil War (1949–present)

After its victory in the Chinese Civil War, the Communist Party of China (CPC) led by Mao Zedong gained control of most of Mainland China. On 1 October 1949, they established the People's Republic of China as a socialist state headed by a "Democratic Dictatorship" with the CPC as the ruling political party, thus, laying claim as the successor state of the ROC. The central government of the Kuomintang (Chinese Nationalist Party) led by Chiang Kai-shek retreated to the island of Taiwan that it had administered at the end of World War II, and moved the ROC government there. Major armed hostilities ceased in 1950 but no peace treaty has been signed.

Beginning in the late 1970s, the Republic of China began the implementation of full, multi-party, representative democracy in the territories still under its control (Taiwan, and a number of smaller islands including Quemoy and Matsu). Today, the ROC has active political participation by all sectors of society. The main cleavage in ROC politics is the issue of eventual political unification with the Chinese mainland vs. formal independence of Taiwan. proclaiming the establishment of the People's Republic of China in 1949.]] After the Chinese Civil War, mainland China saw a dramatic improvement in life expectancy, leading to an explosion in population. A series of disruptive socioeconomic movements started in the late 1950s with the Great Leap Forward and continued in the 1960s with the Cultural Revolution. The Great Chinese Famine resulted in an estimated 30 to 36 million deaths. With the death of its first generation Communist Party leaders such as Mao Zedong and Zhou Enlai, the PRC began implementing a series of political and economic reforms advocated by Deng Xiaoping that eventually formed the foundation for mainland China's rapid economic development starting in the 1990s.

Post-1978 reforms in mainland China have led to some relaxation of control over many areas of society. However, the PRC government still has almost absolute control over politics, and it continually seeks to eradicate what it perceives as threats to the social, political and economic stability of the country. Examples include the fight against terrorism, jailing of political opponents and journalists, custody regulation of the press, regulation of religion, and suppression of independence/secessionist movements. In 1989, the student protests at Tiananmen Square were violently put to an end by the Chinese military after 15 days of martial law. In 1997, Hong Kong was ceded to the PRC by the United Kingdom, and in 1999, Macau was handed over by Portugal.

Since 1949, mainland China is administered by the People's Republic of China—a one-party state under the leadership of the Chinese Communist Party—while the island of Taiwan and surrounding islands are administered by the Republic of China—a democratic multi-party state. After the founding of the People's Republic in 1949, both states claimed to be the sole legitimate ruler of all of China. After the Kuomintang retreat to Taiwan in 1949, the Republic of China had maintained official diplomatic relations with most states around the world, but by the 1970s, a shift had occurred in international diplomatic circles and the People's Republic of China gained the upper hand in international diplomatic relations and recognition count.

In 1971, under UN resolution 2758, the representatives of Chiang Kai-shek to the United Nations were expelled from the intergovernmental organization. With the expulsion of the representatives, and effectively the Republic of China, the representatives of the People's Republic of China were invited to assume China's seat on the UN Security Council, the UN General Assembly and other United Nations councils and agencies. Later attempts by the Republic of China to rejoin the UN have either been blocked by the People's Republic of China, which has veto power on the UN Security Council, or rejected by the United Nations Secretariat or a United Nations General Assembly committee responsible for the General Assembly's agenda.

Since the relocation of its capital to Taiwan, the Republic of China has not formally renounced its claim to authority over all of China, nor has it changed its official maps, which include the mainland and Mongolia. Following the introduction of full democracy, and the electoral victory of the DPP's Chen Shui-bian in the presidential elections, the ROC had adopted a policy of separating the state's identity from "China", while moving towards identifying the state as "Taiwan".

However, the ROC has not made any formal moves to change the name, flag, or national anthem of the state to reflect a Taiwanese identity due to the lack of consensus within Taiwan, pressure from the United States and the fear of invasion or military action from the People's Republic of China against the island. The Republic of China during the DPP years did not actively pursue its claims on mainland China or Mongolia. However, after having been elected as president, KMT's Ma Ying-jeou asserted that, constitutionally, mainland China is part of the Republic of China. The People's Republic of China claims to have succeeded the Republic of China as the sole legitimate governing authority of all of China, which, from the official viewpoint of the People's Republic of China, includes the island of Taiwan.

Over the last 50 years, both the Republic of China and the People's Republic of China have used diplomatic and economic means to compete for recognition in the international arena. Because most international, intergovernmental organizations observe the One-China policy of the People's Republic of China, the PRC has been able to pressure organizations, such as the World Health Organization and the International Olympic Committee, to refuse to officially recognize the Republic of China. Due to the One-China policy, states around the world are pressured to refuse, or to cut off diplomatic relations with the Republic of China. As a result, 23 U.N. member states currently maintain official diplomatic relations with the Republic of China, while the vast majority of U.N. member states maintain official diplomatic relations with the People's Republic of China.

Territory and environment

Historical political divisions

Top-level political divisions of China have altered as administrations changed. Top levels included circuits and provinces. Below that, there have been prefectures, subprefectures, departments, commanderies, districts, and counties. Recent divisions also include prefecture-level cities, county-level cities, towns and townships.

Most Chinese dynasties were based in the historical heartlands of China, known as China proper. Various dynasties also expanded into peripheral territories like Inner Mongolia, Manchuria, Xinjiang, and Tibet. The Manchu-established Qing Dynasty and its successors, the ROC and the PRC, incorporated these territories into the Chinese empire.

Geography and climate

China ranges from mostly plateaus and mountains in the west to lower lands in the east. Principal rivers flow from west to east, including the Yangtze (central), the Yellow River (Huang He, north-central), and the Amur (northeast), and sometimes toward the south (including the Pearl River, Mekong (river), and Brahmaputra), with most Chinese rivers emptying into the Pacific Ocean.

In the east, along the shores of the Yellow Sea and the East China Sea there are extensive and densely populated alluvial plains. On the edges of the Inner Mongolian plateau in the north, grasslands can be seen. Southern China is dominated by hills and low mountain ranges. In the central-east are the deltas of China's two major rivers, the Yellow and Yangtze rivers. Most of China's arable lands lie along these rivers, and they were the centers of China's major ancient civilizations. Other major rivers include the Pearl River, Mekong, Brahmaputra and Amur. Yunnan Province is considered a part of the Greater Mekong Subregion, which also includes Myanmar, Laos, Thailand, Cambodia, and Vietnam. In the west, the north has a great alluvial plain, and the south has a vast calcareous tableland traversed by hill ranges of moderate elevation, and the Himalayas, containing Earth's highest point, Mount Everest. The northwest also has high plateaus with more arid desert landscapes such as the Takla-Makan and the Gobi Desert, which has been expanding. During many dynasties, the southwestern border of China has been the high mountains and deep valleys of Yunnan, which separate modern China from Burma, Laos and Vietnam.

The Paleozoic formations of China, excepting only the upper part of the Carboniferous system, are marine, while the Mesozoic and Tertiary deposits are estuarine and freshwater, or else of terrestrial origin. Groups of volcanic cones occur in the Great Plain of north China. In the Liaodong and Shandong Peninsulas, there are basaltic plateaus.

The climate of China varies greatly. The northern zone (containing Beijing) has summer daytime temperatures of more than 30 degrees Celsius and winters of Arctic severity. The central zone (containing Shanghai) has a temperate continental climate with very hot summers and cold winters. The southern zone (containing Guangzhou) has a subtropical climate with very hot summers and mild winters.

Due to a prolonged drought and poor agricultural practices, dust storms have become usual in the spring in China. Dust has blown to southern Mainland China and Taiwan, and has reached the West Coast of the United States. Water, erosion, and pollution control have become important issues in China's relations with other countries.

Economy

China was for a large part of the last two millennia the world's largest economy. However, in the later part of the Qing Dynasty, China's economic development began to slow and Europe's rapid development during and after the Industrial Revolution enabled it to surpass China.

Many analysts assert that modern China is one of the leading examples of state capitalism in the 21st century.

Culture

, a highly influential Neo-Confucian]] (Beijing Opera) performance in Beijing of the historical character Yang Guifei.]] Confucianism was the official philosophy throughout most of Imperial China's history, and mastery of Confucian texts was the primary criterion for entry into the imperial bureaucracy. China's traditional values were derived from various versions of Confucianism. A number of more authoritarian strains of thought have also been influential, such as Legalism.

There was often conflict between the philosophies, e.g. the Song Dynasty Neo-Confucians believed Legalism departed from the original spirit of Confucianism. Examinations and a culture of merit remain greatly valued in China today. In recent years, a number of New Confucians (not to be confused with Neo-Confucianism) have advocated that democratic ideals and human rights are quite compatible with traditional Confucian "Asian values".

With the rise of European economic and military power beginning in the mid-19th century, non-Chinese systems of social and political organization gained adherents in China. Some of these would-be reformers totally rejected China's cultural legacy, while others sought to combine the strengths of Chinese and European cultures. In essence, the history of 20th-century China is one of experimentation with new systems of social, political, and economic organization that would allow for the reintegration of the nation in the wake of dynastic collapse.

Arts, scholarship, and literature

by Mi Fu, Song Dynasty, ca. 1100 CE]]

, a traditional Chinese stringed musical instrument, favored by scholars and the nobility, as highlighted in the Book of Rites: "a gentleman does not part with his qin or se without good reason."]]

Calligraphy later became commercialized, and works by famous artists became prized possessions. Chinese literature has a long past; the earliest classic work in Chinese, the I Ching or "Book of Changes" dates to around 1000 BC. A flourishing of philosophy during the Warring States Period produced such noteworthy works as Confucius's Analects and Laozi's Tao Te Ching. (See also: the Chinese classics.) Dynastic histories were often written, beginning with Sima Qian's seminal Records of the Grand Historian, which was written from 109 BC to 91 BC.

The Tang Dynasty witnessed a poetic flowering, while the Four Great Classical Novels of Chinese literature were written during the Ming and Qing Dynasties. Printmaking in the form of movable type was developed during the Song Dynasty. Academies of scholars sponsored by the empire were formed to comment on the classics in both printed and handwritten form. Royalty frequently participated in these discussions as well.

The Song Dynasty was also a period of great scientific literature, and saw the creation of works such as Su Song's Xin Yixiang Fayao and Shen Kuo's Dream Pool Essays. There were also enormous works of historiography and large encyclopedias, such as Sima Guang's Zizhi Tongjian of 1084 AD or the Four Great Books of Song fully compiled and edited by the 11th century.

For centuries, religious and social advancement in China could be achieved through high performance on the imperial examinations. This led to the creation of a meritocracy, although success was available only to males who could afford test preparation. Imperial examinations required applicants to write essays and demonstrate mastery of the Confucian classics. Those who passed the highest level of the exam became elite scholar-officials known as jinshi, a highly esteemed socio-economic position.

Chinese philosophers, writers and poets were highly respected and played key roles in preserving and promoting the culture of the empire. Some classical scholars, however, were noted for their daring depictions of the lives of the common people, often to the displeasure of authorities.The Chinese invented numerous musical instruments, such as the zheng (zither with movable bridges), qin (bridgeless zither), sheng (free reed mouth organ), and xiao (vertical flute) and adopted and developed others such the erhu (alto fiddle or bowed lute) and pipa (pear-shaped plucked lute), many of which later spread throughout East Asia and Southeast Asia, particularly to Japan, Korea, and Vietnam.

Demography

and the Republic of China]] Hundreds of ethnic groups have existed in China throughout its history. The largest ethnic group in China by far is the Han. This group, however, is internally diverse and can be further divided into smaller ethnic groups that share similar traits.

Over the last three millennia, many previously distinct ethnic groups in China have been Sinicized into a Han identity, which over time dramatically expanded the size of the Han population. However, these assimilations were usually incomplete, and vestiges of indigenous language and culture still often remain in various regions of China. Because of this, many within the Han identity have maintained distinct linguistic and cultural traditions while still identifying as Han.

Several ethnicities have also dramatically shaped Han culture, e.g. the Manchurian clothing called the qipao became the new "Chinese" fashion after the 17th century, replacing earlier Han styles of clothing such as the Hanfu. The modern term Chinese nation (Zhonghua Minzu) is now used to describe a notion of a Chinese nationality that transcends ethnic divisions.

Languages

Most languages in China belong to the Sino-Tibetan languages family, spoken by 29 ethnicities. There are also several major linguistic groups within the Chinese language itself. The most spoken varieties are Mandarin (spoken by over 70% of the population), Wu, Yue (Cantonese), Min, Xiang, Gan, and Hakka. Non-Sinitic languages spoken widely by ethnic minorities include Zhuang (Thai), Mongolian, Tibetan, Uyghur (Turkic), Hmong and Korean.

Classical Chinese was the written standard in China for thousands of years, and allowed for written communication between speakers of various unintelligible languages and dialects in China. Written vernacular Chinese, or baihua, is the written standard based on the Mandarin dialect and first popularized in Ming Dynasty novels. It was adopted with significant modifications during the early 20th century as the national standard. Classical Chinese is still part of the high school curriculum and is thus intelligible to some degree to many Chinese.

Religion

bronze script character for tian (天), "Sky" or "Heaven."]] The "official" orthodox faith system held by most dynasties of China since at least the Shang Dynasty (1766 BC) until the overthrow of the last dynasty (1911 AD) centered on the worship of Shangdi ("Supreme God") or "Heaven" as an omnipotent force. This faith system pre-dated the development of Confucianism and Taoism and the introduction of Buddhism, Islam and Christianity.

It has features of monotheism in that Heaven is seen as an omnipotent entity, endowed with personality but no corporeal form. From the writings of Confucius, we find that Confucius himself believed that Heaven cannot be deceived, Heaven guides people's lives and maintains a personal relationship with them, and that Heaven gives tasks for people to fulfill to teach them righteousness (yi, 義). They became influential in government circles, including Zheng He, Lan Yu and Yeheidie'erding, who designed the Yuan Dynasty's capital, Khanbaliq. Nanjing became an important center of Islamic study. The Qing Dynasty waged war and genocide against Muslims in the Dungan revolt and Panthay Rebellion.

Judaism in China dates to as early as the 7th or 8th century CE. In the first half of the 20th century, tens of thousands of Jews from Europe arrived in Shanghai and Hong Kong during those cities' periods of economic expansion, seeking refuge from the Holocaust. Shanghai was notable for its volume of Jewish refugees, as it was the only port in the world to accept them without an entry visa.

Christianity in China has developed since at least the 7th century AD with the introduction of the Assyrian Church of the East. Christianity began to make significant inroads in China after the 16th century through Jesuit and later Protestant missionaries. The Taiping Rebellion was influenced to some degree by Christian teachings, and the Boxer Rebellion was in part a reaction against Christianity in China.

Sports and recreation

racing, a popular traditional Chinese sport.]]

:For sports in the People's Republic of China, see Sport in the People's Republic of China, Sport in Hong Kong, and Sport in Macau. :For sports in the Republic of China, see Sport in Taiwan.

Many historians believe that football originated in China, where a form of the sport may have appeared around 1000 AD. Other popular sports include martial arts, table tennis, badminton, and more recently, golf. Basketball is now popular among young people in urban centers.

There are also many traditional sports. Chinese dragon boat racing occurs during the Duanwu Festival. In Inner Mongolia, Mongolian-style wrestling and horse racing are popular. In Tibet, archery and equestrian sports are part of traditional festivals.

Physical fitness is highly regarded. It is common for the elderly to practice tai chi chuan and qigong in parks. Board games such as Chess, Go (Weiqi), and Xiangqi (Chinese chess) are also common and have organized formal competitions. The capital city of the People's Republic of China, Beijing, hosted the 2008 Summer Olympics, a major international sporting event.

Science and technology

Among the technological accomplishments of ancient China were paper (not papyrus) and papermaking, woodblock printing and movable type printing, the early lodestone and needle compass, gunpowder, toilet paper, early seismological detectors, matches, pound locks, the double-action piston pump, blast furnace and cast iron, the iron plough, the multi-tube seed drill, the suspension bridge, natural gas as fuel, the differential gear for the South Pointing Chariot, the hydraulic-powered armillary sphere, the hydraulic-powered trip hammer, the mechanical chain drive, the mechanical belt drive, the raised-relief map, the propeller, the crossbow, the cannon, the rocket, the multistage rocket, etc.

Chinese astronomers were among the first to record observations of a supernova. The work of the astronomer Shen Kuo (1031–95) alone was most impressive, as he theorized that the sun and moon were spherical, corrected the position of the pole star with his improved sighting tube, discovered the concept of true north, wrote of planetary motions such as retrogradation, and compared the orbital paths of the planets to points on the shape of a rotating willow leaf. With evidence for them, he also postulated geological theories for the processes of land formation in geomorphology and climate change in paleoclimatology.

Other important astronomers included Gan De, Shi Shen, Zhang Heng, Yi Xing, Zhang Sixun, Su Song and Guo Shoujing. Chinese mathematics evolved independently of Greek mathematics and is therefore of great interest in the history of mathematics. The Chinese were also keen on documenting all of their technological achievements, such as in the Tiangong Kaiwu encyclopedia written by Song Yingxing (1587–1666).

China's science and technology had fallen behind that of Europe by the 17th century. Political, social and cultural reasons have been given for this, although recent historians focus more on economic causes, such as the high level equilibrium trap. Since the PRC's market reforms, China has become better connected to the global economy and is placing greater emphasis on science and technology.

See also

Index of China-related articles

Outline of China

Sinosphere

Notes

References

External links

China.org.cn China news, weather, business, travel, language courses, archives

Forecasts for Chinese Development to 2060 by Issue

China from UCB Libraries GovPubs

China information from the U.S. Department of State

U.S. Department of Commerce, Office of China Economic Area

IBTimes HK Topics - China

Category:Ancient history Category:Ancient peoples Category:Civilizations Category:Cultural regions Category:Divided regions Category:East Asia