Generally, a battle is a conceptual component in the hierarchy of combat in warfare between two or more armed forces, or combatants. In a battle, each combatant will seek to defeat the others, with defeat determined by the conditions of a military campaign. Battles generally are well defined in duration, area and force commitment.^[1]

Wars and military campaigns are guided by strategy, whereas battles take place on a level of planning and execution known as operational mobility.^[2] German strategist Carl von Clausewitz stated that "the employment of battles ... to achieve the object of war"^[3] was the essence of strategy.

The Battle of Waterloo by William Sadler II

Etymology[link]

The definition of a battle cannot be arrived at solely through the names of historical battles, many of which are misnomers. The word battle is a loanword in English from the Old French bataille, first attested in 1297, from Late Latin battualia, meaning "exercise of soldiers and gladiators in fighting and fencing", from Late Latin (taken from Germanic) battuere "beat", from which the English word battery is also derived via Middle English batri,^[4] and comes from the staged battles in the Colosseum in Rome that may have numbered 10,000 individuals.

Characteristics of battle[link]

The defining characteristic of the battle as a concept in the Theory of combat^[5] has been a dynamic one through the course of military history, changing with the changes in the organisation, employment and technology of military forces.

While the British military historian Sir John Keegan suggested an ideal definition of battle as "something which happens between two armies leading to the moral then physical disintegration of one or the other of them",^[6] the origins and outcomes of battles can rarely be summarized so neatly.

In general a battle during the 20th century was, and continues to be, defined by the combat between opposing forces representing major components of total forces committed to a military campaign, used to achieve specific military objectives, within a time-frame of less than a month.^[7] Where the duration of the battle is longer than a week, it is often for reasons of staff operational planning called an operation. Battles can be planned, encountered, or forced by one force on the other when the latter is unable to withdraw from combat.

A battle always has as its purpose the reaching of a mission goal by use of military force.^[8] A victory in the battle is achieved when one of the opposing sides forces the other to abandon its mission, or to surrender its forces, or routs the other, i.e., forces it to retreat or renders it militarily ineffective for further combat operations. However, a battle may end in a Pyrrhic victory, which ultimately favors the defeated party. If no resolution is reached in a battle, it can result in a stalemate. A conflict in which one side is unwilling to reach a decision by a direct battle using conventional military forces often becomes an insurgency.

Until the 19th century the majority of battles were of short duration, many lasting a part of a day. (The Battle of Nations (1813) and the Battle of Gettysburg (1863) were exceptional in lasting three days.) This was mainly due to the difficulty of supplying armies in the field, or conducting night operations. The means of prolonging a battle was typically by employment of siege warfare. Improvements in transportation and the sudden evolving of trench warfare, with its siege-like nature during World War I in the 20th century, lengthened the duration of battles to days and weeks.^[8] This created the requirement for unit rotation to prevent combat fatigue,^[9] with troops preferably not remaining in a combat area of operations for more than a month. Trench warfare had become largely obsolete in conflicts between advanced armies by the start of the Second World War.

The use of the term "battle" in military history has led to its misuse when referring to almost any scale of combat, notably by strategic forces involving hundreds of thousands of troops that may be engaged in either a single battle at one time (Battle of Leipzig) or multiple operations (Battle of Kursk). The space a battle occupies depends on the range of the weapons of the combatants. A "battle" in this broader sense may occupy a large piece of spacetime, as in the case of the Battle of Britain or the Battle of the Atlantic. Until the advent of artillery and aircraft, battles were fought with the two sides within sight, if not reach, of each other. The depth of the battlefield has also increased in modern warfare with inclusion of the supporting units in the rear areas; supply, artillery, medical personnel etc. often outnumber the front-line combat troops.

Battles are, on the whole, made up of a multitude of individual combats, skirmishes and small engagements within the context of which the combatants will usually only experience a small part of the events of the battle's entirety. To the infantryman, there may be little to distinguish between combat as part of a minor raid or as a major offensive, nor is it likely that he anticipates the future course of the battle; few of the British infantry who went over the top on the first day on the Somme, July 1, 1916, would have anticipated that they would be fighting the same battle in five months' time. Conversely, some of the Allied infantry who had just dealt a crushing defeat to the French at the Battle of Waterloo fully expected to have to fight again the next day.

Battlespace[link]

Battlespace is a unified strategy to integrate and combine armed forces for the military theatre of operations, including air, information, land, sea and space. It includes the environment, factors and conditions that must be understood to successfully apply combat power, protect the force, or complete the mission. This includes enemy and friendly armed forces; facilities; weather; terrain; and the electromagnetic spectrum within the operational areas and areas of interest.

Factors within battles[link]

Battles are decided by various factors. The number and quality of combatants and equipment, the skill of the commanders of each army, and the terrain advantages are among the most prominent factors. A unit may charge with high morale but less discipline and still emerge victorious. This tactic was effectively used by the early French Revolutionary Armies.

Weapons and armour can be a decisive factor. On many occasions armies have achieved victories largely owing to the employment of more advanced weapons than those of their opponents. An extreme example was in the Battle of Omdurman, in which a large army of Sudanese Mahdists armed in a traditional manner were destroyed by an Anglo-Egyptian force equipped with Maxim guns.

On some occasions, simple weapons employed in an unorthodox fashion have proven advantageous, as with the Swiss pikemen who gained many victories through their ability to transform a traditionally defensive weapon into an offensive one. Likewise, the Zulus in the early 19th century were victorious in battles against their rivals in part because they adopted a new kind of spear, the iklwa. Even so, forces with inferior weapons have still emerged victorious at times, for example in the Wars of Scottish Independence and in the First Italo–Ethiopian War. Discipline within the troops is often of greater importance; at the Battle of Alesia, the Romans were greatly outnumbered but won because of superior training.

Battles can also be determined by terrain. Capturing high ground, for example, has been the central strategy in innumerable battles. An army that holds the high ground forces the enemy to climb, and thus wear themselves down. Areas of dense vegetation, such as jungles and forest, act as force-multipliers, of benefit to inferior armies. Arguably, terrain is of less importance in modern warfare, due to the advent of aircraft, though terrain is still vital for camouflage, especially for guerrilla warfare.

Generals and commanders also play a decisive role during combat. Hannibal, Julius Caesar and Napoleon Bonaparte were all skilled generals and, consequently, their armies were extremely successful. An army that can trust the commands of their leaders with conviction in its success invariably has a higher morale than an army that doubts its every move. The British in the naval Battle of Trafalgar, for example, owed its success to the reputation of celebrated admiral Lord Nelson.

Types of battle[link]

The Battle of Poltava between Russia and Sweden, by Denis Martens the Younger

Battles can be fought on land, sea and in the modern age, in the air. Naval battles have occurred since before the 5th century BC. Air battles have been far less common, due to their late conception, the most prominent being the Battle of Britain in 1940. However since the Second World War land or sea battles have come to rely on air support. Indeed, during the Battle of Midway, five aircraft carriers were sunk without either fleet coming into direct contact.

Battle Scene-Detail from Deccan miniature painting. c. 19th century.

There are numerous types of battles:

• A battle of encounter (or encounter battle) is a meeting engagement where the opposing sides collide in the field without either having prepared their attack or defence.

• A battle of attrition aims to inflict losses on an enemy that are less sustainable compared to one's own losses. These need not be greater numerical losses - if one side is much more numerous than the other than pursuing a strategy based on attrition can work even if casualties on both sides are about equal. Many battles of the Western Front in the First World War were intentionally (Verdun) or unintentionally (Somme) attrition battles.

• A battle of breakthrough aims to pierce the enemy's defences, thereby exposing the vulnerable flanks which can be turned.

• A battle of encirclement—the Kesselschlacht of the German Blitzkrieg—surrounds the enemy in a pocket.

• A battle of envelopment involves an attack on one or both flanks; the classic example being the double-envelopment of the Battle of Cannae.

• A battle of annihilation is one in which the defeated party is destroyed in the field, such as the French fleet at the Battle of the Nile.

Battles frequently do not fit one particular type perfectly, and are usually hybrids of different types listed above.

A decisive battle is one of particular importance; often by bringing hostilities to an end, such as the Battle of Hastings or the Battle of Hattin, or as a turning point in the fortunes of the belligerents, such as the Battle of Stalingrad. A decisive battle can have political as well as military impact, changing the balance of power or boundaries between countries. The concept of the decisive battle became popular with the publication in 1851 of Edward Creasy's The Fifteen Decisive Battles of the World. British military historians J.F.C. Fuller (The Decisive Battles of the Western World) and B.H. Liddell Hart (Decisive Wars of History), among many others, have written books in the style of Creasy's work.

The differences among land battles throughout history[link]

There is an obvious difference in the way battles have been fought throughout time. Early battles were probably fought between rival hunting bands as disorganized mobs. However, during the Battle of Megiddo, the first reliably documented battle in the fifteenth century BC, actual discipline was instilled in both armies. However, during the many wars of the Roman Empire, barbarians continued using mob tactics.

As the Age of Enlightenment dawned, armies began to fight in highly disciplined lines. Each would follow the orders from their officers and fight as a single unit instead of individuals. Each army was successively divided into regiments, battalions, companies, and platoons. These armies would march, line up, and fire in divisions.

Native Americans, on the other hand, did not fight in lines, utilizing instead guerrilla tactics. American colonists and European forces continued using disciplined lines, continuing into the American Civil War.

A new style, during World War I, known as trench warfare, developed nearly half a century later. This also led to radio for communication between battalions. Chemical warfare also emerged with the use of poisonous gas during World War I.

By World War II, the use of the smaller divisions, platoons and companies, became much more important as precise operations became vital. Instead of the locked trench warfare of World War I, during World War II, a dynamic network of battles developed where small groups encountered other platoons. As a result, elite squads became much more recognized and distinguishable.

Maneuver warfare also developed with an astonishing pace with the advent of the tank, replacing the archaic cannons of the Enlightenment Age. Artillery has since gradually replaced the use of frontal troops. Modern battles now continue to resemble that of World War II, though prominent innovations have been added. Indirect combat through the use of aircraft and missiles now comprise of a large portion of wars in place of battles, where battles are now mostly reserved for capturing cities^{[citation needed]}.

The evolution of naval warfare[link]

The Battle of Scheveningen of 1653: episode from the First Anglo-Dutch War.

One significant difference of modern naval battles as opposed to earlier forms of combat is the use of marines, which introduced amphibious warfare. Today, a marine is actually an infantry regiment that sometimes fights solely on land and is no longer tied to the navy. A good example of an old naval battle is the Battle of Salamis.

Most ancient naval battles were fought by fast ships using the battering ram to sink opposing fleets or steer close enough for boarding in hand-to-hand combat. Troops were often actually used to storm enemy ships as used by Romans and pirates. This tactic was usually used by civilizations that could not beat the enemy with ranged weaponry.

Another invention in the late Middle Ages was the use of Greek fire by the Byzantines, which was used to set enemy fleets on fire. Empty demolition ships utilized the tactic to crash into opposing ships and set it afire with an explosion. After the invention of cannons, naval warfare became useful as support units for land warfare.

During the 19th century, the development of mines led to a new type of naval warfare. The ironclad, first used in the American Civil War, resistant to cannons, soon made the wooden ship obsolete. The invention of military submarines, during World War I, brought naval warfare to both above and below the surface. With the development of military aircraft during World War II, battles were fought in the sky as well as below the ocean. Aircraft carriers have since become the central unit in naval warfare, acting as a mobile base for lethal aircraft.

Aerial battles throughout history[link]

Although the use of aircraft has for the most part always been used as a supplement to land or naval engagements, since their first major military use in World War I aircraft have increasingly taken on larger roles in warfare. During World War I, the primary use was for reconnaissance, and small-scale bombardment.

Aircraft began becoming much more prominent in the Spanish Civil War and especially World War II. Aircraft design began specializing, primarily into two types: bombers, which carried explosive payloads to bomb land targets or ships; and fighter-interceptors, which were used to either intercept incoming aircraft or to escort and protect bombers (engagements between fighter aircraft were known as dog fights). Some of the more notable aerial battles in this period include the Battle of Britain and the Battle of Midway.

Another important use of aircraft came with the development of the helicopter, which first became heavily used during the Vietnam War, and still continues to be widely used today to transport and augment ground forces.

Today, direct engagements between aircraft are rare - the most modern fighter-interceptors carry much more extensive bombing payloads, and are used to bomb precision land targets, rather than to fight other aircraft. Anti-aircraft batteries are used much more extensively to defend against incoming aircraft than interceptors. Despite this, aircraft today are much more extensively used as the primary tools for both army and navy, as evidenced by the prominent use of helicopters to transport and support troops, the use of aerial bombardment as the "first strike" in many engagements, and the replacement of the battleship with the aircraft carrier as the center of most modern navies.

Battle naming[link]

Battle of Gibraltar of 1607 by Hendrick Cornelisz Vroom.

Battles are usually named after some feature of the battlefield geography, such as the name of a town, forest or river, commonly prefixed "Battle of...". Occasionally battles are named after the date on which they took place, such as The Glorious First of June.

In the Middle Ages it was considered important to settle on a suitable name for a battle which could be used by the chroniclers. For example, after Henry V of England defeated a French army on October 25, 1415, he met with the senior French herald and they agreed to name the battle after the nearby castle and so it was called the Battle of Agincourt.

In other cases, the sides adopted different names for the same battle, such as the Battle of Gallipoli which is known in Turkey as the Battle of Çanakkale. During the American Civil War, the Union tended to name the battles after the nearest watercourse, such as the Battle of Wilsons Creek and the Battle of Stones River, whereas the Confederates favoured the nearby towns, as in the Battles of Chancellorsville and Murfreesboro. Occasionally both names for the same battle entered the popular culture, such as the battle of Antietam, which is also referred to as the battle of Sharpsburg.

Sometimes in desert warfare, there is no nearby town name to use; map coordinates gave the name to the Battle of 73 Easting in the First Gulf War.

Some place names have become synonymous with the battles that took place there, such as the Passchendaele, Pearl Harbor, the Alamo, Thermopylae, or Waterloo. Military operations, many of which result in battle, are given codenames, which are not necessarily meaningful or indicative of the type or the location of the battle. Operation Market Garden and Operation Rolling Thunder are examples of battles known by their military codenames.

When a battleground is the site of more than one battle in the same conflict, the instances are distinguished by ordinal number, such as the First and Second Battles of Bull Run. An extreme case are the twelve Battles of the Isonzo—First to Twelfth—between Italy and Austria-Hungary during the First World War.

Some battles are named for the convenience of military historians so that periods of combat can be neatly distinguished from one another. Following the First World War, the British Battles Nomenclature Committee was formed to decide on standard names for all battles and subsidiary actions. To the soldiers who did the fighting, the distinction was usually academic; a soldier fighting at Beaumont Hamel on November 13, 1916 was probably unaware he was taking part in what the committee would call the "Battle of the Ancre".

Many combats are too small to merit a name. Terms such as "action", "skirmish", "firefight", "raid" or "offensive patrol" are used to describe small-scale battle-like encounters. These combats often take place within the time and space of a battle and while they may have an objective, they are not necessarily "decisive". Sometimes the soldiers are unable to immediately gauge the significance of the combat; in the aftermath of the Battle of Waterloo, some British officers were in doubt as to whether the day's events merited the title of "battle" or would be passed off as merely an "action".^{[citation needed]}

The effects of a battle[link]

Battles affect the individuals who take part, as well as the political actors. Personal effects of battle range from mild psychological issues to permanent and crippling injuries. Some battle-survivors have nightmares about the conditions they encountered, or abnormal reactions to certain sights or sounds. Some suffer flashbacks. Physical effects of battle can include scars, amputations, lesions, loss of bodily functions, blindness, paralysis — and death.

Battles also affect politics. A decisive battle can cause the losing side to surrender, while a Pyrrhic Victory such as the Battle of Asculum can cause the winning side to reconsider its long-term goals. Battles in civil wars have often decided the fate of monarchs or political factions. Famous examples include the War of the Roses, as well as the Jacobite Uprisings. Battles also affect the commitment of one side or the other to the continuance of a war, for example the Battle of Incheon and the Battle of Hue during the Tet Offensive.

Gallery[link]

• 

  Illuminated single leaf, Battle Scene from the Baburnamah

See also[link]

• Military tactics
• Military strategy
• Naval battle
• Pitched battle
• Skirmisher
• War
• List of battles

References[link]

Wikimedia Commons has media related to: Battles

Sources[link]

• Glantz, David M.; Vuono, Carl E. (1991). Soviet military operational art: In pursuit of deep battle. Taylor & Francis. ISBN 0-7146-4077-8. 
• Keegan, John (1976). The Face of Battle. Pimlico. ISBN 1-84413-748-1. 
• Dupuy, Trevor Nevitt (1992). Understanding war: History and Theory of combat. London: Leo Cooper. ISBN 0-85052-293-5. 
• von Clausewitz, Carl, Bemerkungen über die reine und angewandte Strategie des Herrn von Bülow oder Kritik der darin enthaltenen Ansichten, Verstreute kleine Schriften, Ed. Werner Hahlweg, (Osnabrück: Biblio Verlag, 1979), 77.
• Tucker, T.G. (1976). Etymological dictionary of Latin. Chicago: Ares Publishers. ISBN 0-89005-172-0. 
• Richardson, F.M.; Hunt, Sir Peter (Forward) (1978). Fighting spirit: A study of psychological factors in war. London: Leo Cooper. ISBN 0-85052-236-6. 
• Great Britain Battles Nomenclature Committee (1919-1921) (1922, reprinted 1993). Official Names of the Battles and Other Engagements Fought by the Military Forces of the British Empire During the Great War, 1914-1919, and the Third Afghan War, 1919. The Naval & Military Press. ISBN 1-897632-06-1. 

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There are many people in history who are commonly appended with the phrase "the Great", or who were called that or an equivalent phrase in their own language. Other languages have their own suffixes such as e Bozorg and e azam in Persian and Urdu respectively.

In Persia, the title "the Great" at first seems to be a colloquial version of the Old Persian title "Great King". This title was first used by the conqueror Cyrus II of Persia.^[1]

The Persian title was inherited by Alexander III of Macedon (336–323 BC) when he conquered the Persian Empire, and the epithet "Great" eventually became personally associated with him. The first reference (in a comedy by Plautus)^[2] assumes that everyone knew who "Alexander the Great" was; however, there is no earlier evidence that Alexander III of Macedon was called "the Great".

The early Seleucid kings, who succeeded Alexander in Persia, used "Great King" in local documents, but the title was most notably used for Antiochus the Great (223–187 BC).

Later rulers and commanders began to use the epithet "the Great" as a personal name, like the Roman general Pompey. Others received the surname retrospectively, like the Carthaginian Hanno and the Indian emperor Ashoka the Great. Once the surname gained currency, it was also used as an honorific surname for people without political careers, like the philosopher Albert the Great.

As there are no objective criteria for "greatness", the persistence of later generations in using the designation greatly varies. For example, Louis XIV of France was often referred to as "The Great" in his lifetime but is rarely called such nowadays, while Frederick II of Prussia is still called "The Great". A later Hohenzollern - Wilhelm I - was often called "The Great" in the time of his grandson Wilhelm II, but rarely later.

Rulers[link]

• Abbas I of Persia (1571–1629), Shah of Iran
• Akbar (1542–1605), ruler of the Mughal Empire of South Asia, mainly India
• Alain I of Albret (1440–1522), French aristocrat
• Alexander the Great (356-323 BC), King of Macedonia, Persia, Greece, Egypt, and all of Mesopotamia
• Alexander I of Georgia (1386–1446), King of Georgia
• Alfonso III of León (c. 848-910), King of León, Galicia and Asturias
• Alfred the Great (848/849-899), King of Wessex
• Antiochus III the Great (c. 241–187 BC), ruler of the Seleucid Empire
• Ashoka the Great (c. 304–232 BC), Indian emperor of the Maurya dynasty
• Ashot I of Iberia “the Great”(died 826/830), presiding prince of Iberia (modern Georgia),
• Askia Mohammad I (c. 1442–1538), ruler of the Songhai Empire
• Bhumibol Adulyadej (born 1927), King of Thailand
• Bolesław I Chrobry (967-1025), sometimes called "the Great", first King of Poland
• Bruno the Great (925–965), Archbishop of Cologne and Duke of Lotharingia (also listed in the following section)
• Buddha Yodfa Chulaloke (1736–1809), founder and ruler of the Rattanakosin Kingdom (in what is now Thailand)
• Cnut the Great (c. 985 or 995-1035), King of Denmark, England, Norway and parts of Sweden
• Casimir III the Great (1310–1370), King of Poland
• Catherine the Great (1729–1796), Empress of Russia
• Chandragupta II (reigned 375-413/415), also known as Vikramaditya, ruler of the Gupta empire in India
• Charlemagne (died 814), King of the Franks and Emperor of the Romans
• Chulalongkorn (1853–1910), King of Siam (now Thailand)
• Chlothar II (584-629), King of Neustria and King of the Franks
• Conrad, Margrave of Meissen (c. 1097-1157), Margrave of Meissen
• Constantine I (c. 272-337), Roman emperor
• Cyaxares the Great (c. 625-585 BC), third king of Media
• Cyrus the Great (c. 600 BC or 576 BC–530 BC), founder and ruler of the Persian or Achaemenid Empire
• Darius the Great (550 – 486 BC), third ruler of the Persian Empire
• Devapala (died 850), ruler of the Pala Empire in the Indian subcontinent
• Dionysius I, Greek tyrant of Syracuse^[3]
• Ferdinand I of León and Castile (c. 1015–1065), King of León and Count of Castile
• Frederick the Great (1712–1786), King of Prussia
• Genghis Khan (1162?-1227), founder and Great Khan of the Mongol Empire
• Gero (c. 900–965), ruler of Marca Geronis, a very large march in Europe
• Gustavus Adolphus of Sweden (1594–1632), King of Sweden, founder of the Swedish Empire, and noted military leader
• Gwanggaeto the Great, King of Goguryeo, one of the Three Kingdoms of Korea^[4][5]
• Hanno the Great, the name of three leaders of Carthage, in the 4th, 3rd, and 2nd centuries BC
• Henry I, Duke of Burgundy (946–1002)
• Henry IV of France (1553–1610), King of France and King of Navarre
• Herod the Great (73/74 BC-4 BC), King of Judea
• Hugh the Great (898-956), Duke of the Franks and Count of Paris
• Hugh Magnus of France (1007–1025), co-King of France
• Hugh I, Count of Vermandois (1057–1101)
• Humphrey I de Bohun (died c. 1123), Anglo-Norman aristocrat
• Ivan III of Russia (1440–1505), Tsar of Russia
• John I of Portugal (1358–1433), King of Portugal and the Algarve
• John II of Aragon (1398–1479), King of Aragon and, through his wife, King of Navarre
• Justinian I (483-565), Byzantine Emperor
• Kamehameha I (c. 1758-1819), first King of Hawai'i
• Kanishka (died c. 127), ruler of the Kushan Empire in Central Asia and parts of India
• Kvirike III of Kakheti (1010–1029), King of Kakheti in eastern Georgia
• Kublai Khan (1215–1294), Mongol ruler in the 13th century and Emperor of China; founder of the Yuan Dynasty
• Llywelyn the Great (c. 1172–1240), Prince of Gwynedd and de facto ruler of most of Wales
• Louis I of Hungary (1326–1382), King of Hungary, Croatia and Poland
• Mangrai the Great (1238–1317), Lanna, northern Thailand
• Emperor Meiji (1852–1912), Emperor of Japan
• Mircea I of Wallachia (1355–1418)
• Mithridates II of Parthia (died 88 BC), ruler of the Parthian Empire (in present day Iran)
• Mithridates VI of Pontus (134 BC–63 BC), ruler of Pontus and the Bosporan Kingdom
• Mstislav I of Kiev (1076–1132), Grand Prince of Kievan Rus
• Naresuan (1555–1605), King of Ayutthaya
• Narai (1633–1688), King of Ayutthaya (in what is now modern Thailand)
• Odo the Great (died c. 735), Duke of Aquitaine
• Otto I, Holy Roman Emperor (912-973)
• K'inich Janaab' Pakal (603-683), ruler of the Mayan city-state of Palenque
• Parakramabahu I of Polonnaruwa (1123–1186), King of Sri Lanka
• Peter Krešimir IV of Croatia (died 1075), King of Croatia
• Peter the Great (1672–1725), Tsar of Russia
• Peter III of Aragon (1239–1285), King of Aragon and King of Sicily
• Pompey (106 BC-48 BC), military and political leader of the late Roman Republic, rival of Julius Caesar
• Radama I (1793–1828), first king of greater Madagascar
• Raja Raja Chola I (c. 947-1014), Indian emperor of the Cholas.^[6][7][8]
• Rajendra Chola I (reigned 1014–1044), Tamil King of India
• Ramesses II (reigned 1279 BC – 1213 BC), considered the greatest pharaoh of Ancient Egypt
• Ram Khamhaeng (around 1237 to 1247-1298), King of Sukhothai (in present day Thailand)
• Ramon Berenguer III, Count of Barcelona (1082–1131), also Count of Provence and various other counties
• Rhodri the Great (c. 820–878), King of Gwynedd (in present day Wales)
• Roman the Great (after 1160-1205), Grand Prince of Kiev
• Saladin (c. 1138-1193), Kurdish Sultan of Egypt and Syria, founder of the Ayyubid dynasty, and victor over the Crusaders
• Samudragupta (c. 335–375), ruler of the Gupta empire in the Indian subcontinent
• Sancho III of Navarre (c. 992-1035), King of Kingdom of Navarre
• Sargon of Akkad (died c. 2215 BC), ruler of the Akkadian Empire
• Sejong the Great (1397–1450), Korean king^[9]
• Shapur II (309-379), king of the Sassanid Empire, Persia
• Simeon I of Bulgaria (864/865-927), ruler of the First Bulgarian Empire
• Stephen III of Moldavia (1433–1504), Prince of Moldavia (Romania)
• Stephen Uroš IV Dušan of Serbia (c. 1308-1355), King of Serbia and Emperor of the Serbs and Greeks
• Taksin (1734–1782), King of the Thonburi Kingdom (Thailand)
• Tamar (1160-1123), Queen of the Georgian Empire
• Timur (1336–1405), better known as Tamerlane, founder of the Timurid Dynasty
• Theobald II, Count of Champagne (1090–1151), Count of Blois and of Chartres as Theobald IV, Count of Champagne and of Brie
• Theodoric the Great (454-526), King of the Ostrogoths, regent of the Visigoths and a viceroy of the Byzantine Empire
• Theodosius I (347-395), Roman emperor
• Tigranes the Great (140-55 BC), Emperor of Armenia
• Tiridates III of Armenia (285-339), King of Armenia
• Umar (c. 586 to 590–644), second caliph of the Muslim Empire
• Valdemar I of Denmark (1131–1182), King of Denmark
• Valentinian I (364-375), Roman Emperor
• Vladimir I of Kiev (c. 958-1015), ruler of Kievan Rus
• Vytautas (c. 1350-1430), archduke of the Lithuanian Grand Duchy
• William I, Count of Burgundy (1020–1087), Count of Burgandy and Mâcon
• William V, Duke of Aquitaine (969-1030), also Count of Poitou
• Xerxes I (519-465 BC), King of Kings of the Achaemenid Empire (Persia)
• Yu the Great (c. 2200-2100 BC), legendary ruler in ancient China

Religious figures[link]

• Abraham the Great of Kashkar (ca. 492-586), monk and saint of the Assyrian Church of the East
• Abraham Kidunaia (died c. 366, hermit, priest, and Christian saint of Mesopotamia
• Albertus Magnus (1193/1206–1280), medieval German philosopher and theologian
• Anthony the Great (c. 251–356), early Christian saint of Egypt
• Babai the Great (c. 551–628), Assyrian church leader
• Basil of Caesarea (330-379), Greek bishop and theologian
• Bruno the Great (925–965), Archbishop of Cologne and Duke of Lotharingia (also listed in the previous section)
• Euthymius the Great (377-473), abbot and Roman Catholic and Eastern Orthodox saint
• Gertrude the Great (1256-c. 1302), German Benedictine, mystic, theologian and Roman Catholic saint
• Pope Gregory I (c. 540-604)
• Hiyya the Great, 3rd-century rabbi, Palestine
• Pope John Paul II (1920–2005)
• Pope Leo I (c. 391 or 400-461)
• Macarius of Egypt (c. 300-391), Egyptian hermit
• Pope Nicholas I (c. 800-867)
• Photius I of Constantinople (c. 810–c. 893), Eastern Orthodox saint and Patriarch of Constantinople
• William of Maleval (died 1157), founder of the Catholic congregation of Williamites

Other[link]

• Beli Mawr, a figure in medieval Welsh literature and genealogies
• Emmy the Great, folk singer
• Matteo Rosso the Great, Roman politician and father of Pope Nicholas III
• Prokop the Great, Hussite general in Bohemia

See also[link]

• Epithet
• List of monarchs by nickname
• List of nicknames of European Royalty and Nobility: G-I
• James, son of Zebedee, also known as James the Greater, one of the twelve apostles of Jesus
• Ajax (mythology), called Ajax the Greater
• Mohandas Karamchand Gandhi, whose common honorific "Mahatma" means "Great Soul"

Notes[link]

Colbie Caillat
Colbie Caillat performing in 2009
Background information
Birth name	Colbie Marie Caillat
Born	(1985-05-28) May 28, 1985 (age 27) Newbury Park, California, United States
Origin	Malibu, California, United States
Genres	Pop, folk pop, pop rock, blue-eyed soul
Occupations	Singer-songwriter, guitarist, pianist
Instruments	Vocal, acoustic guitar, ukulele, piano
Years active	2007–present
Labels	Universal Republic Records
Website	www.colbiecaillat.com

Colbie Marie Caillat (ⁱ/ˈkoʊlbi kəˈleɪ/; born May 28, 1985) is an American pop singer-songwriter and acoustic guitarist from Malibu, California. She debuted in 2007 with Coco, which included hit singles "Bubbly" and "Realize". In 2008, she recorded a duet with Jason Mraz, "Lucky", which won a Grammy. Caillat released her second album, Breakthrough, in August 2009. Breakthrough was nominated for Best Pop Vocal Album at the 2010 Grammy Awards. She was also part of the group that won Album of the Year at the 2010 Grammys for her background vocals and writing on Taylor Swift's Fearless album. She has sold over six million albums worldwide and sold over 10 million singles. In 2009, Billboard magazine's 94th-best-selling music artist of the 2000–2009 decade.^[1]

Life and career[link]

Childhood and youth[link]

Caillat performing in Birmingham, Alabama

Caillat was born in Malibu, California, and grew up in Newbury Park, California. Her father, Ken Caillat, co-produced Fleetwood Mac's Rumours (1977) and Tusk (1979) albums. When she was an infant, her parents gave her the nickname "Coco", which she would later name her debut album.^[2] Caillat took piano lessons as a child, but lacked significant inspiration until she turned 11 years old, when she became enthralled with Lauryn Hill's performance in Sister Act 2.^[3] She realized that she wanted to be a singer, and began taking vocal lessons, performing onstage for the first time in sixth grade.^[4] Since then she has covered the Roberta Flack song that Lauryn Hill immortalized, "Killing Me Softly", and Hill's own^{[citation needed]} "Tell Him" (an import bonus song from her solo debut album).

Caillat soon met producer Mikal Blue, who hired her to sing on techno songs used at fashion shows. Caillat began playing the acoustic guitar at age 19, and Blue helped her record her first song.^[3] She auditioned for American Idol but was rejected at the pre-audition stage and was unable to sing for the judges.^[5] The second time she auditioned for the show, she sang her own original song, "Bubbly", and was rejected once again. However, Caillat expressed gratitude at the judges' decision, saying "I was shy. I was nervous. I didn't look the greatest. I wasn't ready for it yet. I was glad, when I auditioned, that they said no."^[6] The popularity of Caillat's MySpace profile led her to become the number-one unsigned singer in her genre for four consecutive months.^[7]

[edit] 2007–2008: Coco

Caillat performing at The Malibu Inn during the Coco Summer Tour

Caillat performing at The Malibu Inn

Caillat's debut album, Coco was released in 2007. Her debut single "Bubbly" peaked at #5 on the Billboard Hot 100 and #2 on the Pop 100. Two other singles followed, "Realize" (#20, Hot 100) and "The Little Things" (#94, Pop 100).^[8] After touring with The Goo Goo Dolls and Lifehouse in 2007, she was the supporting act for John Mayer on his 2008 Summer Tour.

In 2008, Caillat recorded a duet with Jason Mraz, called "Lucky," on his album, We Sing, We Dance, We Steal Things.^[9] In August 2008, Caillat released a song and video for the 2008 Beijing Summer Olympics called "Somethin' Special".^[10] Caillat also sings on "You" by Schiller and appears in the music video. She has been involved in the soundtrack of the movie Imagine That; she and Mikal Blue cover the Beatles song "Here Comes the Sun". She is also featured in Colombian singer Juanes' album La vida... es un ratico (en vivo) in the song "Hoy Me Voy". In October 2008, the song "Midnight Bottle" was included in the soundtrack of Brazilian soap opera Três Irmãs. She also played herself on this soap opera and performing the song. Caillat provided background vocals for and co-wrote Taylor Swift's song "Breathe", on her album, Fearless.

[edit] 2009–2010: Breakthrough

Caillat on the red carpet at the 2009 American Music Awards

Caillat's second album, Breakthrough, was released in August 2009. Most of the album was co-written by Jason Reeves and features guitarist David Becker on two tracks. Becker has worked with Caillat's father Ken.^[11] Caillat had writer's block during the recording sessions, so she enlisted her friends Kara DioGuardi and Jason Reeves, and they went to Hawaii for three weeks, rented a beach house and wrote songs. The first single from Breakthrough, "Fallin' for You", was released in June. The second single, "I Never Told You," was released in February 2010. Caillat released two Christmas songs for the 2009 holiday season: the standard "Have Yourself a Merry Little Christmas" and the Beach Boys song "Merry Christmas, Baby".^[12]

Caillat was recognized as BMI's songwriter of the year. In July 2010, Caillat performed "God Bless America" during the seventh inning stretch at the 2010 Major League Baseball All-Star Game. In September 2010, Caillat performed the national anthem in the season opener game of the National Football League in New Orleans and a Monday Night Football game in Chicago. In December 2010, Caillat performed at the Nobel Peace Prize Concert in Oslo, Norway. In 2010, Caillat visited the Watkins Glen, New York shelter of Farm Sanctuary, an organization she supports.^[13]

[edit] 2011–present: All of You

Caillat with with longtime-collaborator Jason Reeves

Caillat's third album, All of You, was released on July 12, 2011. The first single, "I Do" was released in February. The second single, "Brighter Than the Sun", was released in June.^[14] Caillat performed an acoustic version of the National Anthem before the San Diego Chargers v Minnesota Vikings game at Qualcomm Stadium in San Diego on September 11, 2011, during the day of remembrance for 9/11. Caillat performed "Brighter Than the Sun" on Disney Channel's Original Series So Random.

Caillat appeared in the third episode of the cancelled NBC television series The Playboy Club as 1960s singer Lesley Gore. In the episode broadcast on October 3, 2011, Caillat sang Gore's 1963 hit, "It's My Party".^[15] Cast for the part in August 2011,^[16] Caillat taped her portion of the episode in Chicago.^[17]

Discography[link]

• Coco (2007)
• Breakthrough (2009)
• All of You (2011)

Tours[link]

Caillat performing at The Nobel Peace Price Concert 2010

• 2008: John Mayer 2008 Summer Tour
• 2008: Coco Summer Tour
• 2008: Coco World Tour
• 2009/2010: Breakthrough World Tour
• 2011: All of You Summer Tour
• 2012: Co-Headlining Summer Tour with Gavin DeGraw

Filmography[link]

Awards and nominations[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (August 2011)

Grammy Awards[link]

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences. Caillat has won two awards from four nominations, including Album of the Year (as featured artist).

Others awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Colbie Caillat

	Book: Colbie Caillat
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Official website
• Colbie Caillat at Universal Republic
• Colbie Caillat at the Internet Movie Database
• Colbie Caillat on the cover of the March 19, 2008 issue of iProng Magazine
• Colbie Caillat cover story in the January 2009 issue of International Musician
• AOL Sessions Performance & Interview
• Interview with Caillat's manager Chad Jensen, HitQuarters Jun 2008

Dr. Seuss
Theodor Seuss Geisel surrounded by his literary works. He holds one of his most popular, The Cat in the Hat.
Born	Theodor Seuss Geisel (1904-03-02)March 2, 1904 Springfield, Massachusetts, U.S.
Died	September 24, 1991(1991-09-24) (aged 87) La Jolla, California, U.S.[1]
Pen name	Dr. Seuss, Theo LeSieg, Rosetta Stone, Theophrastus Seuss
Occupation	Writer, cartoonist, animator, book publisher, artist
Nationality	American
Genres	Children's literature
Notable work(s)	Horton Hears a Who! (1954) The Cat in the Hat (1957) How the Grinch Stole Christmas! (1957) Green Eggs and Ham (1960) The Lorax (1971)
Spouse(s)	Helen Palmer Geisel (1927–1967) Audrey Stone Dimond (1968–1991)
Signature
www.seussville.com

Theodor Seuss Geisel ( /ˈɡaɪzəl/; March 2, 1904 – September 24, 1991) was an American writer, poet, and cartoonist most widely known for his children's books written under the pen names Dr. Seuss, Theo LeSieg and, in one case, Rosetta Stone.^[2]

He published 46 children's books, which were often characterized by imaginative characters, rhyme, and frequent use of anapestic meter. His most celebrated books include the bestselling Green Eggs and Ham, The Cat in the Hat, One Fish Two Fish Red Fish Blue Fish, Horton Hatches the Egg, Horton Hears a Who!, and How the Grinch Stole Christmas!. Numerous adaptations of his work have been created, including 11 television specials, four feature films, a Broadway musical and four television series. He won the Lewis Carroll Shelf Award in 1958 for Horton Hatches the Egg and again in 1961 for And to Think That I Saw It on Mulberry Street.

Geisel also worked as an illustrator for advertising campaigns, most notably for Flit and Standard Oil, and as a political cartoonist for PM, a New York City newspaper. During World War II, he worked in an animation department of the United States Army, where he wrote Design for Death, a film that later won the 1947 Academy Award for Documentary Feature.

Geisel's birthday, March 2, has been adopted as the annual date for National Read Across America Day, an initiative on reading created by the National Education Association.

Life and career[link]

Theodor Seuss Geisel was born in Springfield, Massachusetts, to Theodor Robert and Henrietta (Seuss) Geisel.^[3][4] All of his grandparents were German immigrants.^[5] His father managed the family brewery and later supervised Springfield's public park system after the brewery closed due to Prohibition.^[6] Mulberry Street in Springfield, made famous in Dr. Seuss' first children's book And to Think That I Saw It on Mulberry Street!, is less than a mile southwest of his boyhood home on Fairfield Street. Geisel was raised a Lutheran.^[7]

College[link]

Geisel attended Dartmouth College as a member of the Class of 1925.^[8] At Dartmouth, he joined the Sigma Phi Epsilon fraternity^[3] and the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief.^[3]

While at Dartmouth, Geisel was caught drinking gin with nine friends in his room.^[9] As a result, Dean Craven Laycock insisted that he resign from all extracurricular activities, including the college humor magazine.^[10] To continue work on the Jack-O-Lantern without the administration's knowledge, Geisel began signing his work with the pen name "Seuss". His first work signed as "Dr. Seuss" appeared after he graduated, six months into his work for The Judge where his weekly feature Birdsies and Beasties appeared.^[11] Geisel was encouraged in his writing by professor of rhetoric W. Benfield Pressey, whom he described as his "big inspiration for writing" at Dartmouth.^[12]

After Dartmouth, he entered Lincoln College, Oxford, intending to earn a Doctor of Philosophy in English literature.^[13] At Oxford, he met his future wife, Helen Palmer; he married her in 1927, and returned to the United States without earning a degree.^[3]

Earliest post-college publications[link]

He began submitting humorous articles and illustrations to Judge, Life, Vanity Fair, and Liberty. One notable "Technocracy Number" made fun of the technocracy movement and featured satirical rhymes at the expense of Frederick Soddy.^[14] The July 16, 1927, issue of the The Saturday Evening Post published his first cartoon under the name Seuss.^[15] He became nationally famous from his advertisements for Flit, a common insecticide at the time. His slogan, "Quick, Henry, the Flit!" became a popular catchphrase. Geisel supported himself and his wife through the Great Depression by drawing advertising for General Electric, NBC, Standard Oil, Narragansett Brewing Company and many other companies. In 1935, he wrote and drew a short-lived comic strip called Hejji.^[11]

In 1937, while Geisel was returning from an ocean voyage to Europe, the rhythm of the ship's engines inspired the poem that became his first book, And to Think That I Saw It on Mulberry Street.^[16] It was rejected 27 times (numbers will vary).^[17] Geisel wrote three more children's books before the US entered World War II, including Horton Hatches the Egg in 1940, two of which are, atypically for him, in prose.

Essomarine[link]

Geisel gained a significant public profile through a program for motor boat lubricants produced by Standard Oil under the brand name Essomarine. He later recounted that Harry Bruno, Ted Cook, and Verne Carrier worked with him for exhibits at the National Motor Boat Show called the Seuss Navy.^[18] In 1934 Geisel produced a 30-page booklet Secrets of the Deep which was available by mail after June. At the January boat show for 1935, visitors filled out order cards to receive Secrets. Geisel drew up a Certificate of Commission for visitors in 1936. A mock ship deck called SS Essomarine provided the scene where photos of "Admirals" were taken. That summer Geisel released a second volume of Secrets. For the 1937 show, he sculpted Marine Muggs and designed a flag for the Seuss Navy. The following year featured "Little Dramas of the Deep", a six-act play with ten characters. According to Geisel’s sister, "He plans the whole show with scenery and action and then, standing in a realistic bridge, reels off a speech which combines advertising with humor." For 1939, exhibitors made available the Nuzzlepuss ashtray and illustrated tide-table calendars. On 11 January 1940, at the Waldorf-Astoria Hotel, a Seuss Navy Luncheon was held. At that year’s boat show, Geisel provided the Navigamarama exhibit and the Sea Lawyers Gazette. The final contribution to the Essomarine project, in 1941, was the mermaid Essie Neptune and her pet whale. The exhibit offered photos for a Happy Cruising passport.^[19]

World War II-era work[link]

'The Goldbrick', Private Snafu episode written by Geisel, 1943

As World War II began, Geisel turned to political cartoons, drawing over 400 in two years as editorial cartoonist for the left-leaning New York City daily newspaper, PM.^[20] Geisel's political cartoons, later published in Dr. Seuss Goes to War, denounced Hitler and Mussolini and were highly critical of non-interventionists ("isolationists"), most notably Charles Lindbergh, who opposed US entry into the war.^[21] One cartoon^[22] depicted all Japanese Americans as latent traitors or fifth-columnists, while at the same time other cartoons deplored the racism at home against Jews and blacks that harmed the war effort. His cartoons were strongly supportive of President Roosevelt's handling of the war, combining the usual exhortations to ration and contribute to the war effort with frequent attacks on Congress^[23] (especially the Republican Party^[24]), parts of the press (such as the New York Daily News, Chicago Tribune and Washington Times-Herald),^[25] and others for criticism of Roosevelt, criticism of aid to the Soviet Union,^[26][27] investigation of suspected Communists,^[28] and other offenses that he depicted as leading to disunity and helping the Nazis, intentionally or inadvertently.

In 1942, Geisel turned his energies to direct support of the U.S. war effort. First, he worked drawing posters for the Treasury Department and the War Production Board. Then, in 1943, he joined the Army as a Captain (OF-2) and was commander of the Animation Departmant of the First Motion Picture Unit of the United States Army Air Forces, where he wrote films that included Your Job in Germany, a 1945 propaganda film about peace in Europe after World War II; Our Job in Japan, and the Private Snafu series of adult army training films. While in the Army, he was awarded the Legion of Merit.^[29] Our Job in Japan became the basis for the commercially released film, Design for Death (1947), a study of Japanese culture that won the Academy Award for Documentary Feature.^[30] Gerald McBoing-Boing (1950), which was based on an original story by Seuss, won the Academy Award for Animated Short Film.

Later years[link]

After the war, Geisel and his wife moved to La Jolla, California. Returning to children's books, he wrote many works, including such favorites as If I Ran the Zoo, (1950), Horton Hears a Who! (1955), If I Ran the Circus (1956), The Cat in the Hat (1957), How the Grinch Stole Christmas (1957) and Green Eggs and Ham (1960). Although he received numerous awards throughout his career, Geisel won neither the Caldecott Medal nor the Newbery Medal. Three of his titles from this period were, however, chosen as Caldecott runners-up (now referred to as Caldecott Honor books): McElligot's Pool (1947), Bartholomew and the Oobleck (1949), and If I Ran the Zoo (1950). Dr Seuss also wrote the musical and fantasy film The 5,000 Fingers of Dr. T, which was released in 1953. The movie was a critical and financial failure, and Geisel never attempted another feature film. During the 1950s, he also published a number of illustrated short stories, mostly in Redbook Magazine. Some of these were later collected (in volumes such as The Sneetches and Other Stories or reworked into independent books (If I Ran the Zoo). A number have never been reprinted since their original appearances.

In May 1954, Life magazine published a report on illiteracy among school children, which concluded that children were not learning to read because their books were boring. Accordingly, William Ellsworth Spaulding, the director of the education division at Houghton Mifflin who later became its Chairman, compiled a list of 348 words he felt were important for first-graders to recognize and asked Geisel to cut the list to 250 words and write a book using only those words.^[31] Spaulding challenged Geisel to "bring back a book children can't put down." ^[32] Nine months later, Geisel, using 236 of the words given to him, completed The Cat in the Hat. It was described as a tour de force by some reviewers^[who?]—it retained the drawing style, verse rhythms, and all the imaginative power of Geisel's earlier works, but because of its simplified vocabulary, it could be read by beginning readers. The Cat in the Hat and subsequent books written for young children achieved significant international success and they remain very popular today. In 2009 Green Eggs and Ham sold 540,366 copies, The Cat in the Hat sold 452,258 copies, and One Fish Two Fish Red Fish Blue Fish (1960) sold 409,068 copies—outselling the majority of newly published children's books.^[33]

Geisel went on to write many other children's books, both in his new simplified-vocabulary manner (sold as Beginner Books) and in his older, more elaborate style. The Beginner Books were not easy for Geisel and reportedly^{[citation needed]} took him months to complete.

On October 23, 1967, suffering from a long struggle with illnesses including cancer—as well as emotional pain over her husband's affair with Audrey Stone Dimond—Geisel's wife, Helen Palmer Geisel, committed suicide.^[34] Geisel married Dimond on June 21, 1968. Though he devoted most of his life to writing children's books, Geisel had no children of his own. He would say, when asked about this, "You have 'em; I'll entertain 'em."

Death and posthumous honors[link]

Geisel died of throat cancer on September 24, 1991, at his home in La Jolla at the age of 87.^[35][36] He was cremated and his ashes were scattered. On December 1, 1995, four years after his death, University of California, San Diego's University Library Building was renamed Geisel Library in honor of Geisel and Audrey for the generous contributions they made to the library and their devotion to improving literacy.^[37]

While Geisel was living in La Jolla, the United States Postal Service and others frequently confused him with another La Jolla resident, Dr. Hans Suess. Their names have been linked together posthumously: the personal papers of Hans Suess are housed in the Geisel Library.^[38]

In 2002, the Dr. Seuss National Memorial Sculpture Garden opened in his birthplace of Springfield, Massachusetts; it features sculptures of Geisel and of many of his characters. On May 28, 2008, California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced that Geisel would be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony took place December 15 and his widow Audrey accepted the honor in his place. On March 2, 2009, the web search engine Google temporarily changed its logo to commemorate Geisel's birthday (a practice it often follows for various holidays and events).^[39]

At his alma mater, Dartmouth, where over 90% of incoming first-year students participate in pre-registration Dartmouth Outing Club trips into the New Hampshire wilderness, it is traditional for students returning from the trips to overnight at Dartmouth's Moosilauke Ravine Lodge, where they are served green eggs and ham for breakfast in honor of Dr. Seuss. On April 4, 2012, the Dartmouth Medical School renamed itself the Audrey and Theodor Geisel School of Medicine in honor of their many years of generosity to the college.^[40]

Dr. Seuss's honors include two Academy awards, two Emmy awards, a Peabody award, the Laura Ingalls Wilder Medal, and the Pulitzer Prize.

Dr. Seuss has a star on the Hollywood Walk of Fame, at the 6500 block of Hollywood Boulevard.^[41]

Pen names and pronunciations[link]

Geisel's pen name is regularly pronounced /ˈsjuːs/ SEWSS, an anglicized pronunciation inconsistent with his German surname. He himself noted that it rhymed with "voice" (his own pronunciation being /ˈsɔɪs/ SOYSS) and Alexander Liang (his collaborator on the Dartmouth Jack-O-Lantern) wrote of him:

You’re wrong as the deuce

And you shouldn’t rejoice

If you’re calling him Seuss.

He pronounces it Soice^[42] (or Zoice^[43])

Geisel switched to the anglicized pronunciation because it "evoked a figure advantageous for an author of children’s books to be associated with—Mother Goose"^[32] and because most people used this pronunciation.

For books that Geisel wrote and others illustrated, he used the pen name "Theo LeSieg" ("LeSieg" is "Geisel" spelled backward).

Political views[link]

Geisel was a liberal Democrat and a supporter of President Franklin D. Roosevelt and the New Deal. His early political cartoons show a passionate opposition to fascism, and he urged to oppose it, both before and after the entry of the United States into World War II. His cartoons tended to regard the fear of communism as overstated, finding the greater threat in the Dies Committee and those who threatened to cut the US's "life line"^[27] to Stalin and the USSR, the ones carrying "our war load".^[26]

Geisel's cartoons also called attention to the early stages of the Holocaust and denounced discrimination in the USA against African Americans and Jews. Geisel himself experienced anti-Semitism: in his college days, he was mistaken for a Jew and denied entry into conservative social circles, although he was actually of German ancestry and a practising Christian.^{[citation needed]}

Geisel supported the Japanese American internment during World War II. His treatment of the Japanese and of Japanese Americans, between whom he often failed to differentiate, has struck many readers as a moral blind spot.^[44] On the issue of the Japanese, he is quoted as saying:

But right now, when the Japs are planting their hatchets in our skulls, it seems like a hell of a time for us to smile and warble: "Brothers!" It is a rather flabby battle cry. If we want to win, we’ve got to kill Japs, whether it depresses John Haynes Holmes or not. We can get palsy-walsy afterward with those that are left.

—Theodor Geisel, quoted in Dr. Seuss Goes to War by Richard H. Minear ^[45]

After the war, though, Geisel overcame his feelings of animosity, using his book Horton Hears a Who! (1954) as an allegory for the Hiroshima bombing and the American post-war occupation of Japan, as well as dedicating the book to a Japanese friend.^[46]

In 1948, after living and working in Hollywood for years, Geisel moved to La Jolla, California. It is said that when he went to register to vote in La Jolla, some Republican friends called him over to where they were registering voters, but Geisel said, "You, my friends, are over there, but I am going over here [to the Democratic registration]."^[47]

Shortly before the end of the 1972–1974 Watergate scandal, in which United States president Richard Nixon resigned, Geisel converted one of his famous children's books into a polemic. "Richard M. Nixon, Will You Please Go Now!" was published in major newspapers through the column of his friend Art Buchwald.^[48]

The line "A person's a person, no matter how small!!" from Horton Hears a Who! has grown, despite the objections of Geisel's widow, into widespread use on the pro-life side of the issue. While Geisel preferred to let his work speak for itself, in 1986 when the line first started being used by the pro-life movement, Geisel, who would speak out to protect his characters from exploitation, demanded a retraction and received one.^[49] In its original context, it is unrelated to abortion issues.^[50]

In his books[link]

Though Geisel made a point of not beginning the writing of his stories with a moral in mind, stating that "kids can see a moral coming a mile off," he was not against writing about issues; he said that "there's an inherent moral in any story,"^[51] and he remarked that he was "subversive as hell."^[52]

Many of Geisel's books express his views on a remarkable variety of social and political issues: The Lorax (1971), about environmentalism and anti-consumerism; "The Sneetches" (1961), about racial equality; The Butter Battle Book (1984), about the arms race; Yertle the Turtle (1958), about Hitler and anti-authoritarianism; How the Grinch Stole Christmas (1957), criticizing the materialism and consumerism of the Christmas season; and Horton Hears a Who! (1950), about anti-isolationism and internationalism.^[32][46]

Poetic meters[link]

Geisel wrote most of his books in anapestic tetrameter, a poetic meter employed by many poets of the English literary canon. This is often suggested as one of the reasons that Geisel's writing was so well-received.^[53][54]

Anapestic tetrameter consists of four rhythmic units, anapests, each composed of two weak syllables followed by one strong syllable (the beat); often, the first weak syllable is omitted, or an additional weak syllable is added at the end. An example of this meter can be found in Geisel's "Yertle the Turtle", from Yertle the Turtle and Other Stories:

"And today the Great Yertle, that Marvelous he

Is King of the Mud. That is all he can see."^[55]

Some books by Geisel that are written mainly in anapestic tetrameter also contain many lines written in amphibrachic tetrameter, such as these from If I Ran the Circus:

"All ready to put up the tents for my circus.

I think I will call it the Circus McGurkus.

"And NOW comes an act of Enormous Enormance!

No former performer's performed this performance!"

Geisel also wrote verse in trochaic tetrameter, an arrangement of a strong syllable followed by a weak syllable, with four units per line (for example, the title of One Fish Two Fish Red Fish Blue Fish). Traditionally, English trochaic meter permits the final weak position in the line to be omitted, which allows both masculine and feminine rhymes.

Geisel generally maintained trochaic meter for only brief passages, and for longer stretches typically mixed it with iambic tetrameter, which consists of a weak syllable followed by a strong, and is generally considered easier to write. Thus, for example, the magicians in Bartholomew and the Oobleck make their first appearance chanting in trochees (thus resembling the witches of Shakespeare's Macbeth):

"Shuffle, duffle, muzzle, muff"

then switch to iambs for the oobleck spell:

"Go make the Oobleck tumble down

On every street, in every town!"^[56]

Artwork[link]

At work on a drawing of The Grinch for How the Grinch Stole Christmas, in 1957

Geisel's earlier artwork often employed the shaded texture of pencil drawings or watercolors, but in children's books of the postwar period, he generally employed the starker medium of pen and ink, normally using just black, white, and one or two colors. Later books such as The Lorax used more colors.

Geisel's figures are often rounded and somewhat droopy. This is true, for instance, of the faces of the Grinch and of the Cat in the Hat. It is also true of virtually all buildings and machinery that Geisel drew; although these objects abound in straight lines in real life, for buildings, this could be accomplished in part through choice of architecture. For machines, for example, If I Ran the Circus includes a droopy hoisting crane and a droopy steam calliope.

Geisel evidently enjoyed drawing architecturally elaborate objects. His endlessly varied (but never rectilinear) palaces, ramps, platforms, and free-standing stairways are among his most evocative creations. Geisel also drew complex imaginary machines, such as the Audio-Telly-O-Tally-O-Count, from Dr. Seuss's Sleep Book, or the "most peculiar machine" of Sylvester McMonkey McBean in The Sneetches. Geisel also liked drawing outlandish arrangements of feathers or fur, for example, the 500th hat of Bartholomew Cubbins, the tail of Gertrude McFuzz, and the pet for girls who like to brush and comb, in One Fish Two Fish.

Geisel's images often convey motion vividly. He was fond of a sort of voilà gesture, in which the hand flips outward, spreading the fingers slightly backward with the thumb up; this is done by Ish, for instance, in One Fish Two Fish when he creates fish (who perform the gesture themselves with their fins), in the introduction of the various acts of If I Ran the Circus, and in the introduction of the Little Cats in The Cat in the Hat Comes Back. He was also fond of drawing hands with interlocked fingers, which looked as though the characters were twiddling their thumbs.

Geisel also follows the cartoon tradition of showing motion with lines, for instance in the sweeping lines that accompany Sneelock's final dive in If I Ran the Circus. Cartoonists' lines are also used to illustrate the action of the senses (sight, smell, and hearing) in The Big Brag and even of thought, as in the moment when the Grinch conceives his awful idea.

Recurring images[link]

Geisel's early work in advertising and editorial cartooning produced sketches that received more perfect realization later in the children's books. Often, the expressive use to which Geisel put an image later on was quite different from the original.^[57]

• An editorial cartoon of July 16, 1941,^[58] depicts a whale resting on the top of a mountain, as a parody of American isolationists, especially Charles Lindbergh. This was later rendered (with no apparent political content) as the Wumbus of On Beyond Zebra (1955). Seussian whales (cheerful and balloon-shaped, with long eyelashes) also occur in McElligot's Pool, If I Ran the Circus, and other books.
• Another editorial cartoon from 1941^[59] shows a long cow with many legs and udders, representing the conquered nations of Europe being milked by Adolf Hitler. This later became the Umbus of On Beyond Zebra.
• The tower of turtles in a 1942 editorial cartoon^[60] prefigures a similar tower in Yertle the Turtle. This theme also appeared in a Judge cartoon as one letter of a hieroglyphic message, and in Geisel's short-lived comic strip Hejji. Geisel once stated that Yertle the Turtle was Adolf Hitler.^[61]
• Little cats A B and C (as well as the rest of the alphabet) who spring from each others hats appeared in a Ford ad.
• The connected beards in Did I Ever Tell You How Lucky You Are? appear frequently in Geisel's work, most notably in Hejji, which featured two goats joined at the beard, The 5000 Fingers of Dr. T, which featured two roller-skating guards joined at the beard, and a political cartoon in which Nazism and the America First movement are portrayed as "the men with the Siamese Beard."
• Geisel's earliest elephants were for advertising and had somewhat wrinkly ears, much as real elephants do.^[62] With And to Think That I Saw It on Mulberry Street! (1937) and Horton Hatches the Egg (1940), the ears became more stylized, somewhat like angel wings and thus appropriate to the saintly Horton. During World War II, the elephant image appeared as an emblem for India in four editorial cartoons.^[63] Horton and similar elephants appear frequently in the postwar children's books.
• While drawing advertisements for Flit, Geisel became adept at drawing insects with huge stingers,^[64] shaped like a gentle S-curve and with a sharp end that included a rearward-pointing barb on its lower side. Their facial expressions depict gleeful malevolence. These insects were later rendered in an editorial cartoon as a swarm of Allied aircraft^[65] (1942), and again as the Sneedle of On Beyond Zebra, and yet again as the Skritz in I Had Trouble in Getting to Solla Sollew.
• There are many examples of creatures who arrange themselves in repeating patterns, such as the "Two and fro walkers, who march in five layers", and the Through-Horns Jumping Deer in If I Ran the Circus, and the arrangement of birds which the protagonist of Oh, the Places You'll Go! walks through, as the narrator admonishes him to "...always be dexterous and deft, and never mix up your right foot with your left."

Publications[link]

Over the course of his long career, Geisel wrote over 60 books. Though most were published under his well-known pseudonym, Dr. Seuss, he also authored over a dozen books as Theo LeSieg and one as Rosetta Stone. His books have topped many bestseller lists, sold over 222 million copies, and been translated into more than 15 languages.^[66] In 2000, Publishers Weekly compiled a list of the best-selling children's books of all time; of the top 100 hardcover books, 16 were written by Geisel, including Green Eggs and Ham, at number 4, The Cat in the Hat, at number 9, and One Fish Two Fish Red Fish Blue Fish, at number 13.^[67] In the years after his death in 1991, two additional books were published based on his sketches and notes: Hooray for Diffendoofer Day! and Daisy-Head Mayzie. My Many Colored Days, originally written in 1973, was posthumously published in 1996. Most recently, seven stories originally published in magazines during 1950 and 1951 were released in a collection entitled The Bippolo Seed and Other Lost Stories in September 2011.

At various times, Geisel also wrote books for adults that used the same style of verse and pictures: The Seven Lady Godivas (1939; reprinted 1987), which included nude depictions; You're Only Old Once! (written in 1986 when Geisel was 82) which chronicles an old man's journey through a clinic, a satire of the inefficiency of clinics. His last book, written a year before his death, was Oh, the Places You'll Go!, a popular gift for graduating students.

Adaptations[link]

Seuss Landing at Islands of Adventure in Orlando

For most of his career, Geisel was reluctant to have his characters marketed in contexts outside of his own books. However, he did allow for the creation of several animated cartoons, an art form in which he himself had gained experience during the Second World War, and gradually relaxed his policy as he aged.

The first adaptation of one of Geisel's works was a cartoon version of Horton Hatches the Egg, animated at Warner Bros. in 1942. Directed by Robert Clampett, it was presented as part of the Looney Tunes series, and included a number of gags not present in the original narrative, including a fish committing suicide and a Katharine Hepburn imitation by Maisie.

In 1959, Geisel authorized Revell, the well-known plastic-model-making company, to make a series of "animals" that snapped together rather than being glued together, and could be assembled, disassembled and re-assembled "in thousands" of ways. The series was called the "Dr. Seuss Zoo" and included Gowdy the Dowdy Grackle, Norval the Bashful Blinket, Tingo the Noodle Topped Stroodle and Roscoe the Many Footed Lion. The basic body parts were the same and all were interchangeable, and so it was possible for children to combine parts from various characters in essentially unlimited ways in creating their own animal characters (Revell encouraged this by selling Gowdy, Norval and Tingo together in a "Gift Set" as well as individually). Revell also made a conventional glue-together "beginner's kit" of The Cat in the Hat.

In 1966, Geisel authorized the eminent cartoon artist Chuck Jones – his friend and former colleague from the war – to make a cartoon version of How the Grinch Stole Christmas!; Geisel was credited as a co-producer, along with Jones, under his real name, "Ted Geisel." The cartoon, narrated by Boris Karloff, who also provided the voice of the Grinch, was very faithful to the original book, and is considered a classic by many to this day; it is often broadcast as an annual Christmas television special. Jones directed an adaptation of Horton Hears a Who! in 1970, and produced an adaptation of The Cat in the Hat in 1971.

From 1972 to 1983, Geisel wrote six animated specials, which were produced by DePatie-Freleng: The Lorax (1972); Dr. Seuss on the Loose (1973); The Hoober-Bloob Highway (1975); Halloween Is Grinch Night (1977); Pontoffel Pock, Where Are You? (1980); and The Grinch Grinches the Cat in the Hat (1982). Several of the specials were nominated for and won multiple Emmy Awards.

A Soviet paint-on-glass-animated short film called Welcome (an adaptation of Thidwick the Big-Hearted Moose) was made in 1986. The last adaptation of Geisel's works before he died was The Butter Battle Book, a television special based on the book of the same name, directed by adult animation legend Ralph Bakshi. Geisel himself called the special "the most faithful adaptation of his work."^{[citation needed]}

A television film titled In Search of Dr. Seuss, released in 1994, adapted many of Seuss's stories. It uses both live-action versions and animated versions of the characters and stories featured; however, the animated portions were merely edited (and, in some cases, re-dubbed as well) versions of previous animated television specials.

After Geisel died of cancer at the age of 87 in 1991, his widow Audrey Geisel was placed in charge of all licensing matters. She approved a live-action feature-film version of How the Grinch Stole Christmas starring Jim Carrey, as well as a Seuss-themed Broadway musical called Seussical, and both premiered in 2000. The Grinch has had limited engagement runs on Broadway during the Christmas season, after premiering in 1998 (under the title How the Grinch Stole Christmas) at the Old Globe Theatre in San Diego, where it has become a Christmas tradition. In 2003, another live-action film was released, this time an adaptation of The Cat in the Hat that featured Mike Myers as the title character. Audrey Geisel was vocal in her dislike of the film, especially the casting of Myers as the Cat in the Hat, and stated that there would be no further live-action adaptations of Geisel's books.^[68] However, an animated CGI feature film adaptation of Horton Hears a Who! was approved, and was eventually released on March 14, 2008, to critical acclaim. A CGI-animated feature film adaptation of The Lorax was released by Universal on March 2, 2012 (on what would have been the 108th birthday of Seuss).

Four television series have been adapted from Geisel's work. The first, Gerald McBoing-Boing, was an animated television adaptation of Geisel's 1951 cartoon of the same name and lasted three months between 1956 and 1957. The second, The Wubbulous World of Dr. Seuss, was a mix of live-action and puppetry by Jim Henson Television, the producers of The Muppets. It aired for one season on Nickelodeon in the United States, from 1996 to 1997. The third, Gerald McBoing-Boing, is a remake of the 1956 series.^[69] Produced in Canada by Cookie Jar Entertainment, it ran from 2005 to 2007. The fourth, The Cat in the Hat Knows a Lot About That!, produced by Portfolio Entertainment Inc., began on August 7, 2010 in Canada and September 6, 2010 in the United States and is currently still showing.

Geisel's books and characters are also featured in Seuss Landing, one of many islands at the Islands of Adventure theme park in Orlando, Florida. In an attempt to match Geisel's visual style, there are reportedly "no straight lines" in Seuss Landing.^[70]