- published: 21 Oct 2015
- views: 3274
Pre-code may refer to:
Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American film actress and sex symbol of the 1930s.
After being signed by director Howard Hughes, Harlow's first major appearance was in Hell's Angels (1930), followed by a series of critically unsuccessful films before signing with Metro-Goldwyn-Mayer in 1932. Harlow became a leading lady for MGM, starring in a string of hit films including Red Dust (1932), Dinner at Eight (1933), Reckless (1935), and Suzy (1936). Among her frequent co-stars were William Powell, Spencer Tracy, and in six films, Clark Gable.
Harlow's popularity rivaled and soon surpassed that of her MGM colleagues Joan Crawford and Norma Shearer. She had become one of the biggest movie stars in the world by the late 1930s, often nicknamed the "Blond Bombshell" and the "Platinum Blonde", and popular for her "Laughing Vamp" movie persona.
She died during the filming of Saratoga in 1937 at the age of 26. The film was completed using doubles and released a little over a month after Harlow's death. The American Film Institute ranked her as the 22nd greatest female star of classic Hollywood cinema.
The Canon EOS 5D Mark III is a professional full-frame digital single-lens reflex (DSLR) camera made by Canon. It has a 22.3 megapixel CMOS image sensor.
Succeeding the EOS 5D Mark II, it was announced on 2 March 2012, the 25th anniversary of the announcement of the first camera in the EOS line, the EOS 650. It was also Canon's 75th anniversary. The Mark III went on sale later in March with a retail price of $3,499 in the US, £2999 in the UK, and €3569 in the Eurozone.
Pre-Code Hollywood refers to the brief era in the American film industry between the introduction of sound pictures in 1929 and the enforcement of the Motion Picture Production Code censorship guidelines in 1934, usually labeled, albeit inaccurately, as the "Hays Code". Although the Code was adopted in 1930, oversight was poor and it did not become rigorously enforced until July 1, 1934, with the establishment of the PCA. Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion, than strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.
As a result, films in the late 1920s and early 1930s included sexual innuendo, miscegenation, profanity, illegal drug use, promiscuity, prostitution, infidelity, abortion, intense violence, and homosexuality. Strong female characters were ubiquitous, in such films as Female, Baby Face, and Red-Headed Woman. Gangsters in films like The Public Enemy, Little Caesar, and Scarface were seen by many as heroic rather than evil. Along with featuring stronger female characters, films examined female subject matters that would not be revisited until decades later in American films. Nefarious characters were seen to profit from their deeds, in some cases without significant repercussions, and drug use was a topic of several films. Many of Hollywood's biggest stars such as Clark Gable, Barbara Stanwyck, Joan Blondell and Edward G. Robinson got their start in the era. Other stars who excelled during this period, however, like Ruth Chatterton (who decamped to England) and Warren William (the so-called "king of Pre-Code", who died in 1948), would wind up essentially forgotten by the general public within a generation.
Pre-Codes: Cartoons No Copyright Infringement was intended in the making of this video, all clips and music belong to original and respective owners.
...then think again! If you like this video, please support these film preservation charities: The British Film Institute, https://www.bfi.org.uk/filmisfragile/ The Film Foundation, http://www.film-foundation.org/donation The George Eastman Museum, http://eastman.org/donate The Production Code, rigidly enforced from 1934 onwards, put paid to much of the naughtiness, which is why the vast majority of these clips hail from the pre-Code era - a period that saw a veritable flood of delightfully debauched movies hit the screens. Even after the Code came into effect, however, the occasional naughty moment slipped through... Turn on subtitles to find out the film names.
Check out my other pre-Code videos: Pre-Codes: Cartoons, Too! https://www.youtube.com/watch?v=RJAXh... Pre-Codes: The Unmentionable https://youtu.be/R3-XCvlTkK4 Pre-Codes: Bare Necessities https://youtu.be/7SdC0tCkh9o Pre-Codes: Thelma Todd https://youtu.be/DCGfcstdzq8
For Courtney. Hope you and everyone else enjoy! (it's my favorite era too!)
This fan-vid celebrates the provocative movies of the pre-code era, which lasted briefly from about 1930 to the first half of 1934.
In the pre-code era Betty Boop was very different. Cartoons were intended for adults, not kids. In these early toons, Betty has a garter, short dress, even goes topless and in these cartoons, Betty is sexual harassed, and nearly raped.
14bit linear uncompressed raw from the 5D Mark III with Magic Lantern pre-Alpha dev code. Iscorama (original version) 1.5x anamorphic. 2560x1280 workflow. End result - delicious! Full article: http://www.eoshd.com/content/10450/3k-cinemascope-anamorphic-raw-on-the-5d-mark-iii The EOSHD Canon DSLR group at Vimeo: https://vimeo.com/groups/raw Full frame sensor raw from the 5D Mark III is RGGB subsampled from the 6K CMOS then debayered in post to DNG raw format. DIGIC and internal debayer and compression is bypassed. I then used Adobe Camera Raw in After Effects to grade each DNG sequence, using the first frame as a reference. After that I rendered out the raw from After Effects to ProRes 422 and edited the final video in Premiere. I exported for Vimeo by heavily compressing the sequence to...
A sneak peek of every track of the new album 'Secret Codes and Battleships' out Oct 24th UK, Oct 21 Rest of the world. Pre-order here: http://www.darrenhayes.com/other/secret_codes_and_battleships
Director: Jo Steingold Producer: Simon Oxley Cameras: Jude Moore & Jack Hextall Sound Recordist: Leaf Troupe Editor: Geej Owner Composer: Adam Shaw [ http://adamshawmusic.com ] Truscott Arts Programme Jo Steingold & Jess Carlisle www.thetruscottarms.com/tap The Truscott Arts Program (TAP) is delighted to present an exhibition of prints by acclaimed artist Nina Fowler. Working predominantly with film-stills and found imagery from 1930s and 1940s Hollywood, Fowler uses traditional techniques (drawing, bas relief, etching) to explore themes of idolatry, celebrity and fame. Striking and decadent, her works have a glamour which belie their dark and unsettling subtext. Nina Fowler has been nominated for the BP Portrait Prize, the Jerwood Drawing Prize and the Young Masters Prize. Her work...
In this video I show how to create and work with JavaScript arrays. This includes coding arrays, pre-initializing arrays, array literals, and arrays vs objects.
Mart 371 New Media - final project. Kenneth Anger's "Puce Moment" as glitch/mosh exercise. Anger's experimental short film is cut with original and found footage. I processed the video with two "techniques"; datamoshing and data-bending. Glitch artifacts remind me of sequins, so Puce Moment was a natural choice to experiment on. I was also thinking about decay, pre-Hayes Code cinema, the transition from silent film to talkies, and today's digital transition. (For the technically curious) I used several programs, including: Avidemux FLV crunch FFmpegX Rubygem - AviGlitch Text-edit Audacity Forester codec & aspect ratio transformations Adobe Premiere for assembly and output
SATURDAY JANUARY 28th 10:30pm They’re brassy, bold, hot, and swathed in glamour. They’re girls who know what they want and get what they’re after. Girls who steal your man, eat your lunch, have more fun, are dumb like a fox — girls who are blonde. Pre-code and proto-feminist, Jean Harlow is the Blonde at the Beginning, who sashayed onscreen in white satin, an adventuress with platinum pin-curled locks, radiating white heat and rattling off razor-sharp tough-babe zingers: the mother of all beloved blondes to come, from Marilyn to Madonna, from Dolly to Gwen. If you’ve never had a chance to steep yourself in the Harlow style, your babehood is languishing incomplete! Thanks to the Warner Archive Collection and their new Jean box set, we’ve got access to a gorgeous 35mm print of her iconic fi...
New album 'Secret Codes and Battleships' out Oct 24th UK, Oct 21 Rest of the world. Pre-order now: http://www.darrenhayes.com/other/secret_codes_and_battleships
Sfera is a game, mostly written using OpenCL and OpenGL, with real-time path tracing (i.e. ray tracing) rendering. It includes a Bullet Physics based engine. the sources and pre-compiled binaries are available here: http://code.google.com/p/sfera The video is recorded on a i7 860 + 1xHD5870 at 640x360. The multi-gpu example runs on a i7 860 + 2xHD5870+1xHD5850 at 850x450.
Another weary day
Has left me with a beautiful addiction
No work and all day play
Leaves me feeling happy
When the day is done
I'll suffer just like everyone
And I'll watch as my life starts collecting dust
And when my friends are all dropping like flies
I'll just go to another place in time
Another weary day
Has left me with a beautiful addiction
No work and all day play
Leaves me feeling happy
When the day is done
I'll suffer just like everyone
And I'll laugh as my life starts collecting dust
And when my friends are all dropping like flies
I'll just go to another place in time
Another place in time
Another place in time
I'll be the next
To die of sex
And desolation
I can't accept
The loneliness