Sammy Davis Jr.
1986 portrait by Allan Warren
Born	Samuel George Davis, Jr. (1925-12-08)December 8, 1925 Harlem, New York, United States
Died	May 16, 1990(1990-05-16) (aged 64) Beverly Hills, California, United States Interred: Forest Lawn Memorial Park, Glendale, California
Cause of death	Throat cancer
Occupation	Singer, tap dancer, actor, musician
Years active	1928–1990
Religion	Judaism
Spouse	Loray White (1958–1959) May Britt (1960–1968) Altovise Davis (1970–1990)
Children	Tracey (b. 1961) Mark (b. 1960) Jeff (b. 1964) Manny (b. 1988)
Parents	Sammy Davis, Sr. (father) Elvera Sanchez (mother)
Website
sammydavis-jr.com

Samuel George "Sammy" Davis Jr. (December 8, 1925 – May 16, 1990) was an American entertainer and was also known for his impersonations of actors and other celebrities.

Primarily a dancer and singer, Davis started as a child vaudevillian who became known for his performances on Broadway and Las Vegas. He went on to become a world famous recording artist, television and film star. Davis was also a member of Frank Sinatra's "Rat Pack".

At the age of three Davis began his career in vaudeville with his father and "uncle" as the Will Mastin Trio, toured nationally, and after military service, returned to the trio. Davis became an overnight sensation following a nightclub performance at Ciro's after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, he lost his left eye in an automobile accident.

His film career began as a child in 1933. In 1960 he appeared in the first Rat Pack film, Ocean's 11. After a starring role on Broadway in 1956's Mr Wonderful, Davis returned to the stage in 1964's Golden Boy, and in 1966 had his own TV variety show, The Sammy Davis Jr. Show. Davis' career slowed in the late sixties, but he had a hit record with "The Candy Man", in 1972, and became a star in Las Vegas earning him the nickname Mister Show Business.

As an African American, Davis was the victim of racism throughout his life, and was a large financial supporter of civil rights causes. Davis had a complex relationship with the African-American community, and attracted criticism after physically embracing Richard Nixon in 1970. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap—I'm a one-eyed Negro Jew."^[1][2] This was to become a signature comment, recounted in his autobiography, and in countless articles.^[3]

After reuniting with Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before dying of throat cancer in 1990. He died in debt to the Internal Revenue Service, and his estate was the subject of legal battles.^{[citation needed]}

Davis was awarded the Spingarn Medal by the NAACP, and was nominated for a Golden Globe and an Emmy Award for his television performances. He was the recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.

Early life[link]

Samuel George Davis, Jr. was born in New York City, to Sammy Davis, Sr. (1900–1988), an African-American entertainer, and Elvera Sanchez (1905–2000),^[4] a tap dancer. During his lifetime, Davis, Jr. stated that his mother was Puerto Rican and born in San Juan; however, in the 2003 biography In Black and White, author Wil Haygood writes that Davis, Jr.'s mother was born in New York City to Cuban American parents, and that Davis, Jr. claimed he was Puerto Rican because he feared anti-Cuban backlash would hurt his record sales.^[5][6][7]

Davis' parents were vaudeville dancers. As an infant, he was raised by his paternal grandmother. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour. Davis learned to dance from his father and his "uncle" Will Mastin, who led the dance troupe his father worked for. Davis joined the act as a child and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism. Snubs were explained as jealousy, for instance. When Davis served in the United States Army during World War II, however, he was confronted by strong racial prejudice. He later said, "Overnight the world looked different. It wasn't one color any more. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for eighteen years, a door which they had always secretly held open."

Career[link]

Sammy Davis Jr. during the 1963 March on Washington

During service in WWII, the Army assigned Davis to an integrated entertainment Special Services unit and he found that the spotlight lessened the prejudice. Even prejudiced white men admired and respected his performances. "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking," he said.^[8]

After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He began to achieve success on his own and was singled out for praise by critics, releasing several albums.^[9] This led to Davis being hired to sing the title track for the Universal Pictures film Six Bridges to Cross in 1954,^[10][11] and later to his appearance in the Broadway play Mr. Wonderful in 1956.

In 1959, Davis became a member of the famous "Rat Pack", led by his friend Frank Sinatra, which included fellow performers such as Dean Martin, Joey Bishop and Peter Lawford. Initially, Sinatra called the gathering "the Clan", but Sammy voiced his opposition, saying that it reminded people of the racist Ku Klux Klan. Sinatra renamed the group "the Summit", but the media referred to them as the Rat Pack.

Davis was a headliner at The Frontier Casino in Las Vegas, Nevada, but he was required (as were all black performers in the 1950s) to lodge in a rooming house on the west side of the city, instead of in the hotels as his white colleagues did. No dressing rooms were provided for black performers, and they had to wait outside by the swimming pool between acts. Davis and other black artists could entertain, but could not stay at the hotels where they performed, gamble in the casinos, or dine or drink in the hotel restaurants and bars. Davis later refused to work at places which practiced racial segregation.^[12]

Sammy Davis Jr. (left) with Walter Reuther (center) and Roy Wilkins (right) at the 1963 March on Washington.

In 1964, Davis was starring in Golden Boy at night and shooting his own New York-based afternoon talk show during the day. When he could get a day off from the theater, he would be recording new songs in the studio, or performing live, often at charity benefits as far away as Miami, Chicago, and Las Vegas, or doing television variety specials in Los Angeles. Davis knew he was cheating his family of his company, but he could not help himself; as he later said, he was incapable of standing still.

Although he was still a draw in Las Vegas, Davis' musical career had sputtered by the latter 1960s, although he had a No. 11 hit (#1 on the Easy Listening singles chart) with "I've Gotta Be Me" in 1969. His effort to update his sound and reconnect with younger people resulted in some "hip" musical efforts with the Motown record label.^[13] But then, even as his career seemed at its nadir, Sammy had an unexpected hit with "Candy Man". Although he did not particularly care for the song and was chagrined that he was now best known for it, Davis made the most of his opportunity and revitalized his career. Although he enjoyed no more Top 40 hits, he did enjoy popularity with his 1976 performance of the theme song from the Baretta TV series, "Baretta's Theme (Keep Your Eye On The Sparrow)" (1975–1978), which was released as a single (20th century 2282). He occasionally landed television and film parts, including cameo visits to the television shows "I Dream of Jeannie", All in the Family (during which he famously kisses Archie Bunker (Carroll O'Connor) on the cheek) and, with wife Altovise Davis, on Charlie's Angels. In the 1970s, he appeared in commercials in Japan for Suntory whiskey.

Davis performing in 1966.

On December 11, 1967, NBC broadcast a musical-variety special entitled Movin' With Nancy. In addition to the Emmy Award-winning musical performances, the show is notable for Nancy Sinatra and Sammy Davis Jr. greeting each other with a kiss, one of the first black-white kisses in U.S. television history.^[14]

It's been said^{[by whom?]} Davis had a friendship with Elvis Presley. Davis sang a cover-version of Presley's song "In The Ghetto" and made a cameo-appearance in Presley's concert-film Elvis: That's the Way It Is. One year later, he made a cameo appearance in a James Bond film, but the scene he appeared in was deleted.

In Japan, Davis appeared in television commercials for coffee, and in the U.S. he joined Sinatra and Martin in a radio commercial for a Chicago car dealership.

Davis was a fan of the daytime soap operas, particularly the shows produced by the American Broadcasting Company. This led to a cameo appearance on General Hospital and a recurring role as character Chip Warren on One Life to Live, for which he received a Daytime Emmy nomination in 1980. He was also a game show fan, appearing on the ABC version of Family Feud in 1979. He appeared on Tattletales with third wife Altovise Davis in the 1970s. He made a cameo during an episode of the NBC version of Card Sharks in 1981.

In addition to American soaps, he was also a huge fan of the Australian show Prisoner: Cell Block H. Davis wanted to make an appearance in Prisoner, but the show ended (in 1986) before this could be arranged.

Davis was an avid photographer who enjoyed shooting family and acquaintances. His body of work was detailed in a 2007 book by Burt Boyar. "Jerry [Lewis] gave me my first important camera, my first 35 millimeter, during the Ciro's period, early '50s", Boyar quotes Davis. "And he hooked me." Davis used a medium format camera later on to capture images. Again quoting Davis, "Nobody interrupts a man taking a picture to ask ... 'What's that nigger doin' here?'". His catalog includes rare photos of his father dancing onstage as part of the Will Mastin Trio and intimate snapshots of close friends Jerry Lewis, Dean Martin, Frank Sinatra, James Dean, Nat "King" Cole, and Marilyn Monroe. His political affiliations also were represented, in his images of Robert Kennedy, Jackie Kennedy, and Martin Luther King, Jr. His most revealing work comes in photographs of wife May Britt and their three children, Tracey, Jeff and Mark.

Davis was an enthusiastic shooter and gun owner. He participated in fast-draw competitions—Johnny Cash recalled that Sammy was said to be capable of drawing and firing a Colt Single Action Army revolver in less than a quarter of a second.^[15] Davis was skilled at fast and fancy gunspinning, and appeared on TV variety shows showing off this skill. He appeared in Western films and as a guest star on several "Golden Age" T.V. Westerns.

Personal life[link]

Car accident and conversion to Judaism[link]

Davis nearly died in an automobile accident on November 19, 1954 in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles.^[16] The accident occurred at a fork in U.S. Highway 66 at Cajon Boulevard and Kendall Drive (34°12′26″N 117°23′08″W / 34.2072°N 117.3855°W / 34.2072; -117.3855). Davis lost his left eye as a result. His friend, actor Jeff Chandler, offered one of his own eyes if it would keep Davis from total blindness. The offer was not needed.^[17] Davis wore an eye patch for at least six months following the accident.^[18][19] He appeared on What's My Line wearing the patch.^[20] Later, he was fitted for a glass eye, which he wore for the rest of his life.

While in the hospital, Davis' friend, performer Eddie Cantor, told him about the similarities between the Jewish and black cultures. Prompted by this conversation, Davis—who was born to a Catholic mother and Protestant father—began studying the history of Jews. He converted to Judaism several years later.^[1] One passage from his readings (from the book A History of The Jews by Abram L. Sachar), describing the endurance of the Jewish people, intrigued him in particular: "The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush".^[21] In many ways, the accident marked a turning point in Davis' career, taking him from a well-known entertainer to a national celebrity and icon.^[16]

Marriages[link]

In the mid-1950s, Sammy was involved with Kim Novak, a film star under contract to Columbia Studios. The head of the studio, Harry Cohn, was worried about the negative effect this would have on the studio because of the prevailing taboo against miscegenation. He called his friend, the mobster Johnny Roselli, who was asked to tell Davis that he had to stop the affair with Novak. Roselli arranged for Davis to be kidnapped for a few hours to throw a scare into him. His hastily arranged and soon-dissolved marriage to black dancer Loray White in 1958 was an attempt to quiet the controversy.^[22]

In 1960, Davis caused controversy again when he married white Swedish-born actress May Britt. Davis received hate mail while starring in the Broadway musical adaptation of Golden Boy from 1964–66 (for which he received a Tony Award nomination for Best Actor). At the time Davis appeared in the play, interracial marriages were forbidden by law in 31 US states, and only in 1967 were those laws ruled unconstitutional by the US Supreme Court.^[23] Davis and Britt had one daughter and adopted two sons. Davis performed almost continuously and spent little time with his wife. They divorced in 1968, after Davis admitted to having had an affair with singer Lola Falana. That year, Davis started dating Altovise Gore, a dancer in Golden Boy. They were married on May 11, 1970 by the Reverend Jesse Jackson. They adopted a child and remained married until Davis's death in 1990.

Political beliefs[link]

Sammy Davis, Jr. in the Yellow Oval Room of the White House with President Richard Nixon, March 4, 1973

Although Davis had been voting Democratic, he felt a lack of respect from the John F. Kennedy presidency. He had been removed from the list of performers for Kennedy's inaugural party (hosted by Davis' close friend Frank Sinatra) because of Davis' recent interracial marriage to May Britt on November 13, 1960, in order to quell any controversy.^[24]

In the early 1970s, Davis supported Republican President Richard M. Nixon (and gave the startled President a hug during a live television broadcast). The incident was controversial, and Davis was given a hostile reception by his peers. Previously Davis had won their respect with his performance as Joe Wellington Jr. in Golden Boy and his participation in the Civil Rights Movement. Nixon invited Davis to sleep in the White House in 1973, which is believed^{[by whom?]} to be the first time an African American was invited to do so.^{[citation needed]} Davis spent the night in the Queens' Bedroom.^[25] Unlike Sinatra, Davis voted Democratic for President again after the Nixon administration, supporting the campaigns of Rev. Jesse Jackson in 1984 and 1988.

Death[link]

Davis died in Beverly Hills, California on May 16, 1990, of complications from throat cancer. Earlier, when he was told that surgery (laryngectomy) offered him the best chance of survival, Davis replied he would rather keep his voice than have a part of his throat removed; he subsequently was treated with a combination of chemotherapy and radiation.^[26] However, a few weeks prior to his death his entire larynx was removed during surgery.^[27] He was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California next to his father and Will Mastin.

On May 18, 1990, two days after Davis' death, the neon lights of the Las Vegas Strip were darkened for ten minutes, as a tribute to him.

Portrayals[link]

Davis in 1989

Davis was portrayed by Don Cheadle in the HBO film The Rat Pack, a television film about the pack of entertainers. Cheadle won a Golden Globe award for his performance.

Eddie Griffin has made his impersonation of Davis a major part of his career, be it at stage or TV.

On Saturday Night Live, Davis has been portrayed by Garrett Morris, Eddie Murphy, Billy Crystal and Tim Meadows.

Davis was portrayed on the popular sketch comedy show In Living Color by Tommy Davidson, notably a parody of the film Ghost, in which the ghost of Davis enlists the help of Whoopi Goldberg to communicate with his wife.

David Raynr also portrayed Davis in the miniseries Sinatra, a television film about the life of Frank Sinatra.

Davis was portrayed by Keith Powell in an episode of 30 Rock entitled "Subway Hero".

In the 1993 film Wayne's World 2, Tim Meadows portrays Davis in the dream sequence with Michael A. Nickles as Jim Morrison.

He was portrayed by Paul Sharma in the 2003 West End production Rat Pack Confidential.^[28]

In September 2009, the musical Sammy: Once in a Lifetime premiered at the Old Globe Theater in San Diego with book, music and lyrics by Leslie Bricusse, and additional songs by Bricusse and Anthony Newley. The title role was played by Broadway Tony Award nominee Obba Babatundé.

Davis was mentioned in British singer Amy Winehouse's album Back to Black on the song "Me and Mr. Jones". The lyrics are as follows: "Aside from Sammy you're my best black Jew."

A black and white portrait of Davis, drawn by Jim Blanchard, adorns the cover of avant-garde rock band Oxbow's second album King Of The Jews.

Midwest radio personality Kevin Matthews impersonated Sammy Davis, Jr. many times on his radio show.

Comedian Jim Carrey has portrayed Davis on stage in a stand up routine.

Discography[link]

Honors and awards[link]

Grammy Awards[link]

Emmy Awards[link]

Other honors[link]

Filmography[link]

Stage[link]

• Mr. Wonderful (1957), musical
• Golden Boy (1964), musical – Tony Nomination for Best Actor in a Musical
• Sammy (1974), special performance featuring Davis with the Nicholas Brothers
• Stop the World - I Want to Get Off (1978) musical revival

TV[link]

• The Rifleman – episode "Two Ounces of Tin (#4.21)" (February 19, 1962).
• Ben Casey – episode "Allie" (1963).
• The Patty Duke Show - episode "Will the Real Sammy Davis Please Hang Up?" (1965).
• Wild Wild West – episode "The Night of the Returning Dead" (October 14, 1966).
• I Dream of Jeannie – episode "The Greatest Entertainer in the World" (1967).
• The Name Of The Game - episode "I Love You, Billy Baker." (1970).
• All in the Family – episode "Sammy's Visit" (1972).
• Charlie's Angels - episode "Sammy Davis, Jr. Kidnap Caper" (1977).
• The Jeffersons episode "What Makes Sammy Run?" (1984).
• Gimme a Break – episode "The Lookalike" (1985).
• The Cosby Show – episode "No Way, Baby" (1989). (After Davis' death in 1990, Bill Cosby wore a black pin with Davis' initials printed in white for an entire season of the show.)

See also[link]

• Rat Pack
• Jews and Judaism in the African diaspora
• List of notable Hispanics from the United States

References[link]

Further reading[link]

Autobiographies[link]

• Yes, I Can (with Burt and Jane Boyar) (1965) ISBN 0-374-52268-5
• Why Me? (with Burt and Jane Boyar) (1980) ISBN 0-446-36025-2
• Sammy (with Burt and Jane Boyar) (2000) ISBN 0-374-29355-4; consolidates the two previous books and includes additional material
• Hollywood in a Suitcase (1980) ISBN 0-425-05091-2

Biographies[link]

• Haygood, Wil. (2003) In Black and White: The Life of Sammy Davis, Jr. Billboard Books. ISBN 978-0-8230-8395-4
• Birkbeck, Matt. (2008) Deconstructing Sammy. Amistad. ISBN 978-0-06-145066-2
• Silber, Jr., Arthur (2003) "Sammy Davis, Jr: Me and My Shadow, Samart Enterprises, ISBN 0-9655675-5-9

Other[link]

• Photo by Sammy Davis, Jr. (Burt Boyar) (2007) ISBN 0-06-114605-6

External links[link]

Wikimedia Commons has media related to: Sammy Davis, Jr.

• Sammy Davis, Jr. at AllRovi
• Sammy Davis, Jr. at Find a Grave
• Sammy Davis, Jr. at the Internet Broadway Database
• Sammy Davis, Jr. at the Internet Movie Database
• Discography of Sammy Davis, Jr.'s Recording Career
• Obituary, NY Times, May 17, 1990 Sammy Davis Jr. Dies at 64; Top Showman Broke Barriers
• Sammy Davis Jr. talks to draft dodgers in Canada, CBC Archives

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)

"Can I Get a Witness" is a 1963 hit song by Marvin Gaye on the Tamla (Motown) label. Written and produced by Motown songwriting and producing team Holland–Dozier–Holland, the song was built among gospel-styled music and heralded Gaye's beginnings in the church with a rhythm and blues/rock and roll setting. The song featured Gaye on piano, playing a boogie pattern, The Funk Brothers, and members of The Supremes in the background accompanying Gaye. The song became a hit in both the U.S. and the United Kingdom, and British musicians Lulu, Dusty Springfield, The Rolling Stones, Sam Brown and Steampacket (which featured a very young Rod Stewart) recorded cover versions of the song. Gaye's version peaked at #22 on the Hot 100 chart and its title soon became a catchphrase. Lee Michaels' 1971 version reached #39 on the Hot 100; both his and Gaye's versions peaked during Christmas week.

In popular culture[link]

• Gaye's recording is featured in the 1999 biographical film The Hurricane.

Personnel[link]

• Lead vocals by Marvin Gaye
• Background vocals by The Supremes: Diana Ross, Florence Ballard, and Mary Wilson
• Instrumentation by The Funk Brothers

Gregory Oliver Hines (February 14, 1946 – August 9, 2003) was an American actor, singer, dancer and choreographer.

Early years[link]

Born in New York City to Maurice Hines Sr. and Alma Hines, Gregory Hines began tapping when he was around three years old, and began dancing semi-professionally at the age of five. Since then, he and his older brother Maurice performed together, studying with choreographer Henry LeTang. The two brothers were known as "The Hines Kids", making nightclub appearances, and later as "The Hines Brothers". When their father joined, Maurice Hines, Sr., the name changed again in 1963 to "Hines, Hines, and Dad".

Career[link]

Hines performed as the lead singer and musician in a rock band called Severance in 1975/1976 based in Venice, California. Severance was one of the house bands at an original music club called Honky Hoagies Handy Hangout, otherwise known as the 4H Club. In 1986, he sang a duet with Luther Vandross, entitled "There's Nothing Better Than Love", which reached the #1 position on the Billboard R&B charts.^[1]

Hines made his movie debut in Mel Brooks' History of the World, Part 1. Critics took note of Hines's comedic charm, and he later appeared in such movies as The Cotton Club, White Nights, Running Scared, Tap, and Waiting to Exhale. On television, he starred in his own series in 1997 called The Gregory Hines Show on CBS, as well as in the recurring role of Ben Doucette on Will & Grace. In 1999, Hines made his return on television with Nick Jr.'s Little Bill, as the voice of Big Bill.

Hines made his Broadway debut with his brother in The Girl in Pink Tights in 1954. He earned Tony Award nominations for Eubie! (1979), Comin' Uptown (1980) and Sophisticated Ladies (1981), and won the Tony Award and Drama Desk Award for Jelly's Last Jam (1992) and the Theatre World Award for Eubie!. He also co-hosted the Tony Awards ceremony in 1995 and 2002.^[2]

In 1990, Hines visited with his idol, Sammy Davis, Jr., as he was dying of throat cancer, unable to speak. After Davis died, an emotional Hines spoke at Davis's funeral of how Sammy had made a gesture to him, "as if passing a basketball … and I caught it." Hines spoke of the honor that Sammy thought that Hines could carry on from where he left off.^{[3][dead link]}

Hines was an avid improviser. He did a lot of improvisation of tap steps, tap sounds, and tap rhythms alike. His improvisation was like that of a drummer, doing a solo and coming up with all sorts of rhythms. He also improvised the phrasing of a number of tap steps that he would come up with, mainly based on sound produced. A laid back dancer, he usually wore nice pants and a loose-fitting shirt. Although he inherited the roots and tradition of the black rhythmic tap, he also influenced the new black rhythmic tap, as a proponent. "'He purposely obliterated the tempos,' wrote tap historian Sally Sommer, 'throwing down a cascade of taps like pebbles tossed across the floor. In that moment, he aligned tap with the latest free-form experiments in jazz and new music and postmodern dance.'"^[4]

Throughout his career, Hines wanted to and continued to be an advocate for tap in America. In 1988, he successfully petitioned the creation of National Tap Dance Day, which is now celebrated in 40 cities in the United States. It is also celebrated in eight other nations. Gregory Hines was on the Board of Directors of Manhattan Tap, he was a member of the Jazz Tap Ensemble, and a member of the American Tap Foundation (formerly the American Tap Dance Orchestra). He was a good teacher, influencing tap dance artists Savion Glover, Dianne Walker, Ted Levy, and Jane Goldberg.^[4]

Personal life[link]

Hines' marriages to Patricia Panella and Pamela Koslow ended in divorce.

Death[link]

Hines died of liver cancer at 57, on August 9, 2003, en route to hospital from his home in Los Angeles. He had been diagnosed with the disease more than a year earlier but had informed only his closest friends. In addition to his father and brother, he is survived by his daughter, Daria; a son, Zach; stepdaughter, Jessica Koslow; and a grandson. At the time of his death, he was engaged to Negrita Jayde.^[5] Hines is interred at Saint Volodymyr's Ukrainian Catholic Cemetery in Oakville, Ontario. Following his death, the television series Lost at Home, in which he was featured, was canceled.

Awards and nominations[link]

Awards

• 1979 Theatre World Award—Eubie!
• 1992 Tony Award for Best Actor in a Musical—Jelly's Last Jam
• 1992 Drama Desk Award Outstanding Actor in a Musical—Jelly's Last Jam
• 1988 Image Awards Outstanding Lead Actor in a Motion Picture—Running Scared
• 1998 Flo-Bert Award—Lifetime Achievement in Tap Dance by the New York Committee To Celebrate National Tap Dance Day
• 2002 Image Awards Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special—Bojangles
• 2002 Daytime Emmy Award for Outstanding Performer in an Animated Program—Little Bill

Nominations

• 1979 Tony Award for Best Featured Actor in a Musical—Eubie!
• 1980 Tony Award for Best Actor in a Musical—Comin' Uptown
• 1981 Tony Award for Best Actor in a Musical—Sophisticated Ladies
• 1982 Emmy Award for Outstanding Individual Achievement—Special Class—I Love Liberty
• 1985 Emmy Award for Outstanding Individual Performance in a Variety or Music Program—Motown Returns to the Apollo
• 1989 Emmy Award for Outstanding Variety, Music or Comedy Program—Tap Dance in America
• 1992 Drama Desk Award Outstanding Choreography—Jelly's Last Jam
• 1992 Tony Award for Best Choreography—Jelly's Last Jam
• 1995 Image Awards Outstanding Lead Actor in a Motion Picture—Waiting to Exhale
• 1998 American Comedy Awards Funniest Male Guest Appearance in a TV Series—Will & Grace
• 1998 Image Awards Outstanding Lead Actor in a Comedy Series—The Gregory Hines Show
• 2001 Black Reel Awards Network/Cable Best Actor—Bojangles
• 2001 Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie—Bojangles
• 2001 Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Television Movie or Miniseries—Bojangles
• 2002 Daytime Emmy Award for Outstanding Performer in a Children's Special—The Red Sneakers
• 2002 Daytime Emmy Award for Outstanding Performer in an Animated Program—The Red Sneakers

Filmography[link]

See also[link]

Dance portal

References[link]

External links[link]

• Gregory Hines at the Internet Broadway Database
• Gregory Hines at the Internet Movie Database
• Gregory Hines at Find a Grave
• Blog of Death obituary
• Tapping into history Deborah Jowitt, Village Voice. August, 2003.
• TonyAwards.com Interview with Gregory Hines
• Archival footage of Gregory Hines, Dianne Walker and Jimmy Slyde in 1996 at Jacob's Pillow