Ray Davies
Ray Davies performing in Toronto, 1977
Background information
Birth name	Raymond Douglas Davies
Born	(1944-06-21) 21 June 1944 (age 68) Fortis Green, London England, United Kingdom
Genres	Rock, pop, hard rock
Occupations	Songwriter, Musician
Instruments	Vocals, guitar, harmonica, keyboards, piano
Years active	1963—
Associated acts	The Kinks
Website	www.raydavies.info

Raymond Douglas "Ray" Davies, CBE ( /ˈdeɪvɨz/ DAY-viz;^[1] born 21 June 1944) is an English rock musician. He is best known as lead singer and songwriter for The Kinks, which he led with his younger brother, Dave. He has also acted, directed and produced shows for theatre and television.

Since the dissolution of the Kinks in 1996, Ray Davies has embarked on a solo career as a singer-songwriter.

Biography[link]

6 Denmark Terrace, birthplace of the Davies brothers

Davies was born at 6 Denmark Terrace, Fortis Green in Muswell Hill, North London, England. He is the seventh of eight children born to Fred and Annie Davies, including six older sisters and younger brother Dave Davies. He went to William Grimshaw Secondary Modern School (now called Fortismere School).^[2]

Davies was an art student at Hornsey College of Art in London in 1962–1963, when the Kinks developed into a professional performing band. After the Kinks obtained a recording contract in early 1964, Davies emerged as the chief songwriter and de facto leader of the band, especially after the band's breakthrough success with his early composition "You Really Got Me", which was released as the band's third single in August of that year.

Davies led the Kinks through a period of musical experimentation between 1966 and 1975, with notable artistic achievements and commercial success. Between 1976 and their break-up twenty years later, Davies and the group reverted to their earlier mainstream rock format and enjoyed a second peak of success, with other hit songs, like "Destroyer", "Come Dancing" and "Do It Again". The Kinks disbanded in 1996, and Ray Davies has performed solo since then.

In 1973, Davies attempted suicide by overdose following the breakup of his first marriage; he was later diagnosed with bipolar disorder.^[3]

Davies has had a tempestuous relationship with younger brother Dave (the band's lead guitarist) that dominated the Kinks' career as a band. He has been married three times and has four daughters: Louisa, Victoria, Natalie and Eva. Davies was romantically involved with Chrissie Hynde of the Pretenders during the 1980s, and Natalie is a product of that relationship.

In 1990, Davies was inducted, with the Kinks, into the Rock and Roll Hall of Fame and, in 2005, into the UK Music Hall of Fame.

On 4 January 2004, Davies was shot in the leg while chasing thieves who had snatched the purse of his companion as they walked in the French Quarter of New Orleans, Louisiana.^[4] The shooting came less than a week after Davies was named a Commander of the Order of the British Empire by Queen Elizabeth II.

Work[link]

The Kinks: 1963–1996[link]

Early style (1964-65)[link]

The Kinks' early recordings of 1964 ranged from covers of R&B standards like "Long Tall Sally" and "Got Love If You Want It"; to the chiming, melodic beat music of Ray Davies' earliest original compositions for the band, "You Still Want Me" and "Something Better Beginning"; to the more influential proto-metal, protopunk, power chord-based hard rock of the band's first two hit singles, "You Really Got Me" and "All Day and All of the Night".

However, by 1965, this raucous, hard-driving early style gradually gave way to the softer and more introspective sound of "Tired of Waiting for You", "Nothin' in the World Can Stop Me Worryin' 'Bout That Girl", "Set Me Free", "I Go to Sleep" and "Ring the Bells". With the eerie, droning "See My Friends"—inspired by the untimely death of the Davies brothers' older sister Rene in June 1957—the band began to show signs of expanding their musical palette even further. A rare foray into early psychedelic rock, it is credited by Jonathan Bellman as the first Western pop song to integrate Indian raga sounds—being released six months before the Beatles' "Norwegian Wood".^[5]

The classic mid-period (1965-75)[link]

Beginning with "A Well Respected Man" and "Where Have All the Good Times Gone" (both recorded in the summer of 1965), Ray Davies' lyrics assumed a new sociological character. He began to explore the aspirations and frustrations of common working class people, with particular emphasis on the psychological effects of the British class system. Face to Face (1966), the first Kinks album comprised solely of original material, was a creative breakthrough. As the band began to experiment with theatrical sound effects and baroque musical arrangements (Nicky Hopkins played harpsichord on several tracks), Davies' songwriting fully acquired its distinctive elements of narrative, observation and wry social commentary. His topical songs took aim at the complacency and indolence of wealthy playboys and the upper class ("A House in the Country", "Sunny Afternoon"), the heedless ostentation of a self-indulgent spendthrift nouveau riche ("Most Exclusive Residence For Sale"), and even the mercenary nature of the music business itself ("Session Man").

By late 1966, Davies was addressing the bleakness of life at the lower end of the social spectrum: released together as the complementary A-B sides of a single, "Dead End Street" and "Big Black Smoke" were powerful neo-Dickensian sketches of urban poverty. Other songs like "Situation Vacant" (1967) and "Shangri-La" (1969) hinted at the helpless sense of insecurity and emptiness underlying the materialistic values adopted by the English working class. In a similar vein, "Dedicated Follower of Fashion" (1966) wittily satirized the consumerism and celebrity worship of Carnaby Street and 'Swinging London', while "David Watts" (1967) humorously expressed the wounded feelings of a plain schoolboy who envies the grace and privileges enjoyed by a charismatic upper class student.

Davies' mid-period work for the Kinks also showed signs of an emerging social conscience. For example, "Holiday in Waikiki" (1966) deplored the vulgar commercialization of a once unspoiled indigenous culture. Similarly, "God's Children" and "Apeman" (both 1970), and the songs "20th Century Man", "Complicated Life" and "Here Come the People in Grey" from Muswell Hillbillies (1971), passionately decried industrialization and bureaucracy in favour of simple pastoral living. Perhaps most significantly, the band's acclaimed 1968 concept album The Kinks are the Village Green Preservation Society gave an affectionate embrace to "Merry England" nostalgia and advocated for the preservation of traditional English country village and hamlet life.

A definitive testament to Ray Davies' reputation as a songwriter of insight, empathy and wit can be heard on the Kinks' landmark 1969 album Arthur (or the Decline and Fall of the British Empire). The band's first rock opera affectionately chronicled the trials and tribulations of a working class everyman and his family from the very end of the Victorian era through World War I and World War II, the postwar austerity years, and up to the 1960s. The overall theme of the record was partly inspired by the life of Ray and Dave Davies' brother-in-law, Arthur Anning, who had married their older sister, Rose—herself the subject of an earlier Kinks song, "Rosie Won't You Please Come Home" (1966)—and had emigrated to Australia after the war.^[6] Over the course of a dozen evocative songs, Arthur fulfils its ambitious subtitle as Davies embellishes an intimate family chronicle with satirical observations about the shifting mores of the English working class in response to the declining fortunes of the British Empire.

The Kinks have been called "the most adamantly British of the Brit Invasion bands"^[7] on account of Ray Davies' abiding fascination with England's imperial past and his tender, bittersweet evocations of "a vanishing, romanticized world of village greens, pubs and public schools".^[7] During the band's mid-period, he wrote many cheerfully eccentric—and often ironic—celebrations of traditional English culture and living: "Village Green" (1966), "Afternoon Tea" and "Autumn Almanac" (both 1967), "The Last of the Steam-Powered Trains" (1968), "Victoria" (1969), "Have a Cuppa Tea" (1971) and "Cricket" (1973).

It was also during this time that Davies began composing songs in the style of British music hall, vaudeville and trad jazz. These include "Dedicated Follower of Fashion", "Sunny Afternoon", "Dandy" and "Little Miss Queen of Darkness" (all 1966); "Mister Pleasant" and "End of the Season" (both 1967); "Sitting By the Riverside" and "All of My Friends Were There" (both 1968); "She's Bought a Hat Like Princess Marina" (1969); "Acute Schizophrenia Paranoia Blues" and "Alcohol" (both 1971); "Look a Little on the Sunny Side" (1972); and "Holiday Romance" (1975). Occasionally, he varied the group's sound with more disparate musical influences, such as raga ("Fancy", 1966), bossa nova ("No Return", 1967) and calypso ("Monica", 1968; "Apeman", 1970; "Supersonic Rocket Ship", 1972).

Davies is often at his most affecting when he sings of giving up worldly ambition for the simple rewards of love and domesticity ("This is Where I Belong", 1966; "Two Sisters", 1967; "The Way Love Used to Be", 1971; "Sweet Lady Genevieve", 1973; "You Make It All Worthwhile", 1974), or when he extols the consolations of friendship and memory ("Days", 1968; "Do You Remember Walter?", 1968; "Picture Book", 1968; "Young and Innocent Days", 1969; "Moments", 1971; "Schooldays", 1975). Yet another perennial Ray Davies theme is the championing of individualistic personalities and lifestyles ("I'm Not Like Everybody Else", 1966; "Johnny Thunder", 1968; "Monica", 1968; "Lola", 1970; "Celluloid Heroes", 1972; "Where Are They Now?", 1973; "Sitting in the Midday Sun", 1973). On his 1967 masterpiece "Waterloo Sunset", the singer finds a fleeting sense of contentment in the midst of urban drabness and solitude.

Ray Davies performing in Toronto, 1977

Later commercial sound (1976-84)[link]

When the Kinks changed record labels from RCA to Arista in 1976, Davies abandoned his then-recent propensity for ambitious, theatrical concept albums and rock operas—the RCA era (1971–75) had produced Muswell Hillbillies, Everybody's in Show-Biz, Preservation Act 1 and Act 2, Soap Opera and Schoolboys in Disgrace—and returned to writing more basic, straightforward songs. The group would also employ newer production techniques to achieve a more refined studio sound on the albums Sleepwalker (1977) and Misfits (1978), as Davies' focus shifted to wistful ballads of restless alienation ("Life on the Road", "Misfits"), meditations on the inner lives of obsessed pop fans ("Juke Box Music", "A Rock & Roll Fantasy"), and exhortations of carpe diem ("Life Goes On", "Live Life", "Get Up"). A notable single from late 1977 reflected the contemporary influence of punk rock: "Father Christmas" (A-side) and "Prince of the Punks" (B-side—inspired by Ray Davies' troubled collaboration with Tom Robinson).

By the early 80s, the Kinks revived their commercial fortunes considerably by adopting a much more mainstream arena rock style; and the band's four remaining studio albums for Arista—Low Budget (1979), Give the People What They Want (1981), State of Confusion (1983) and Word of Mouth (1984)—showcased a decidedly canny and opportunistic approach. On "(Wish I Could Fly Like) Superman", Davies vented his existential angst about the 1979 energy crisis over a thumping disco beat; on "A Gallon of Gas", he addressed the same concern over a traditional acoustic twelve-bar blues shuffle. In contrast, "Better Things" (1981), "Come Dancing" (1982), "Don't Forget to Dance" (1983) and "Good Day" (1984) were sentimental songs of hope and nostalgia for the aging Air Raid Generation. However, with "Catch Me Now I'm Falling" (1979), "Destroyer" (1981), "Clichés of the World (B Movie)" (1983) and "Do It Again" (1984), the Davies brothers cranked out strident, heavy-riffing hard rock that conveyed an attitude of bitter cynicism and world weary disillusionment.

I write songs because I get angry, and now I'm at the stage where it's not good enough to brush it off with humour.

—NME, June 1978^[8]

Solo work: 1985-present[link]

Aside from the lengthy Kinks discography, Davies has released five solo albums: the 1985 release Return to Waterloo (which accompanied a television film he wrote and directed), the 1998 release The Storyteller, Other People's Lives in early 2006, Working Man's Café in October 2007 and The Kinks Choral Collection in June 2009. Other People's Lives was his first top 40 album in the UK since the 1960s, when he worked with the Kinks.

The release of Working Man's Café was followed on 28 October 2007 with a performance at the BBC's Electric Proms series, at The Roundhouse, Camden, accompanied by the Crouch End Festival Chorus. The concert was broadcast the same evening on BBC Two. An edited version of Working Man's Café, excluding two bonus tracks and liner notes, was given away with 1.5 million copies of the Sunday Times on 21 October.

Since the Kinks ceased performing in 1996, Davies has toured independently. Initially, he toured with the mainly acoustic 20th Century Man, An Evening With Ray Davies and Storyteller shows, accompanied by guitarist Pete Mathison. He has toured with a full band consisting of, among others, Toby Baron (drums), Geoff Dugmore (drums), Dick Nolan (bass), Gunnar Frick (keyboards), Ian Gibbons (keyboards), Scott Donaldson (guitar), Mark Johns (guitar), Milton McDonald (guitar), Bill Shanley (guitar), and Damon Wilson (drums).^{[citation needed]}

In 2005, Davies released The Tourist, a four-song EP, in the UK; and Thanksgiving Day, a five-song EP, in the US.

Davies at Bluesfest 2008 in Ottawa

Ray Davies with the Crouch End Festival Chorus at Kenwood House, London, in June 2009

Davies published his "unauthorised autobiography", X-Ray, in 1994. In 1997, he published a book of short stories entitled Waterloo Sunset, described as "a concept album set on paper." He has made three films, Return to Waterloo in 1985, Weird Nightmare in 1991, a documentary about Charles Mingus and Americana (subtitled "A Work In Progress") which was included on DVD with the Working Man's Cafe disc release in 2008.

A choral album, The Kinks Choral Collection, on which Davies has been collaborating with the Crouch End Festival Chorus since 2007, was released in the UK in June 2009 and in the US in November 2009. The album was re-released as a special extended edition including Davies' charity Christmas single "Postcard From London" featuring Davies' former girlfriend and leader of The Pretenders, Chrissie Hynde. The video for the single was directed by Julien Temple and features London landmarks including Waterloo Bridge, Carnaby Street, The Statue of Eros steps and the Charlie Chaplin statue in Leicester Square. The duet was originally recorded with Kate Nash.^[9] His first choice had been Dame Vera Lynn.^[10]

In October 2009, Davies performed "All Day and All of the Night" with Metallica at the 25th Anniversary Rock & Roll Hall of Fame Concert.^[11]

Davies was also a judge for the 3rd and 7th annual Independent Music Awards to support independent artists' careers.^[12]

Davies played at Glastonbury Festival 2010 where he dedicated several songs to the late Kinks' bassist, Pete Quaife. Davies is seen to visibly almost break down in tears while singing an a cappella intro to the song "Days".

A collaborations album, See My Friends, was released in November 2010 with a US release to follow in early 2011.^[13]

Davies performed with Mando Diao in their MTV Unplugged live show.

In 2011 Davies was "grounded" for six months following discovery of blood clots in his lungs. After the malady Davies programmed the line-up for the upcoming Meltdown Festival in London. At the festival he is scheduled to perform rendition of the Kinks' Village Green Preservation Society album with the London Philharmonic and a local chorus. He was working on his second book: a memoir that Davies described as "kind of fictionalized". His first book X-Ray was released in 1995.^[13]

2011 also marked Davies' return to New Orleans, Louisiana to play the Voodoo Experience Music festival. Davies' setlist included material by the Kinks and solo material.^[14]

In Fall 2011, Davies toured with The 88 as his backing band.

Musicals[link]

Davies "Other People's Lives" tour Commodore Ballroom, Vancouver, BC 2006

In 1981 Davies collaborated with Barrie Keefe to write his first stage musical, Chorus Girls, which opened at the Theatre Royal Stratford East, London,^[15] starring Marc Sinden and also had a supporting cast of Michael Elphick, Anita Dobson, Kate Williams and Charlotte Cornwell. Directed by Adrian Shergold, the choreography was by Charles Augins and Jim Rodford played bass with the theatre's "house band".^[16]

Davies wrote songs for a musical version of Jules Verne's Around the World in Eighty Days; the show, 80 Days, had a book by playwright Snoo Wilson. It was directed by Des McAnuff and ran at the La Jolla Playhouse's Mandell Weiss Theatre in San Diego from 23 August to 9 October 1988. The musical received mixed responses from the critics. Davies' multi-faceted music, McAnuff's directing, and the acting, however, were well received, with the show winning the "Best Musical" award from the San Diego Theatre Critics Circle.^[17]

Davies' musical Come Dancing, based partly on his 1983 hit single with twenty new songs, ran at the Theatre Royal Stratford East, London in September–November 2008.

Awards[link]

• On 17 March 2004, Davies received the CBE from Queen Elizabeth II for "Services to Music."
• On 22 June 2004, Davies won the Mojo Songwriter Award, which recognises "an artist whose career has been defined by his ability to pen classic material on a consistent basis."
• Davies was also a judge for the third annual Independent Music Awards. His contributions helped assist upcoming independent artists' careers.^[12]
• Davies and the Kinks were the third British band (along with The Who) to be inducted into the Rock and Roll Hall of Fame in 1990, at which Davies was called "almost indisputably rock's most literate, witty and insightful songwriter." They were inducted into the UK Music Hall of Fame in 2005.
• On 3 October 2006, Davies was awarded the BMI Icon Award for his "enduring influence on generations of music makers" at the 2006 annual BMI London Awards.^[18]
• On 15 February 2009, The Mobius Best Off-West End Production in the UK for the musical Come Dancing.
• On 7 September 2010, Davies was awarded the Outstanding Achievement Award at the GQ Men of the Year Awards.
• On 26 October 2010, Davies was presented with the Lifetime Achievement Award at his AVO Session concert in Basel; the concert was televised internationally.

Solo discography[link]

For Kinks discography see The Kinks discography

• Return to Waterloo (1985)
• The Storyteller (1998) (UK#105)
• Other People's Lives (2006) (UK#36)
• Working Man's Café (2007) (UK#179)
• The Kinks Choral Collection (2009) (UK#28)
• Ray Davies - Collected (2009) (released 19 October 2009) (Compilation)
• See My Friends (2010) (UK#12)

Chart singles written by Davies[link]

The following is a list of Davies compositions that were chart hits for artists other than The Kinks. (See The Kinks discography for hits by The Kinks.)

See also[link]

The Kinks portal

• Songs written by Ray Davies

References[link]

• Rock and Roll Hall of Fame

Bibliography[link]

• Polito, Robert. Bits of Me Scattered Everywhere: Ray Davies and the Kinks, pp. 119–144 in Eric Weisbard, ed., This is Pop, Harvard University Press, 2004. ISBN 0-674-01321-2 (cloth), ISBN 0-674-01344-1 (paper)
• Kitts, Thomas. Ray Davies, Not Like Everybody Else, 302 pp., Routledge Pub., 2008. ISBN 0-415-97769-X (paper)

External links[link]

Wikimedia Commons has media related to: Ray Davies

• Official website
• The Kinks website

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2010)

Pete Quaife
Quaife (standing, at centre) with The Kinks in Sweden, 1965
Background information
Born	(1943-12-31)31 December 1943
Origin	Tavistock, Devon, England
Died	23 June 2010(2010-06-23) (aged 66)
Genres	Rock
Occupations	Musician
Instruments	Bass
Years active	1962–1971
Labels	Pye
Associated acts	The Kinks, Mapleoak

Peter Alexander Greenlaw "Pete" Quaife (31 December 1943 – 23 June 2010)^[1][2] was an English musician, artist and author. He was a founding member and the original bass guitarist for The Kinks, from 1963 until 1969.

Quaife founded a group known as The Ravens in 1963 with brothers Ray and Dave Davies. Around late 1963/early 1964, they changed their name to The Kinks, and hired Mick Avory as a drummer. The group scored several major international hits throughout the 1960s. Their early singles, including "You Really Got Me" and "All Day and All of the Night", have been cited as an early influence on the hard rock and heavy metal genres.^[3] In the band's early days, Quaife, who was generally regarded as the best-looking member, was often their spokesman.^[4] Following a ban from touring the United States in 1965, The Kinks focused their efforts on the UK market. Singles such as "Sunny Afternoon" (1966) and "Waterloo Sunset" (1967) showcased lead singer Ray Davies' observational writing style and became Top Ten hits throughout Europe and the UK. Quaife played an important role on the group's influential album The Kinks Are the Village Green Preservation Society, which featured a strong theme of nostalgia. He departed from The Kinks in 1969 and formed the band Mapleoak, which he left in April 1970.

After retiring from the music business, Quaife resided in Denmark throughout the 1970s. He relocated to Belleville, Ontario in 1980, where he worked as a cartoonist and artist. He was diagnosed with renal failure in 1998 and moved back to Denmark in 2005. Quaife died in June 2010 of kidney failure.^[1]

The Kinks[link]

Quaife was born in Tavistock, Devon, and after a brief period studying commercial art, formed The Kinks in 1962 along with school friend Dave Davies and subsequently asked Dave's brother Ray Davies to join.^[5] The band was originally called The Ravens and performed rhythm and blues at local venues such as the Hornsey Recreation Club at Crouch End Secondary School. The 'Kinks' name came about only upon the signing of a recording contract in late 1963.

The Kinks became a top chart act throughout the world beginning with their third single, 1964's "You Really Got Me". Quaife was commonly the voice of the band in early press interviews. He was temporarily replaced in the Kinks in mid 1966 by John Dalton, after a serious car crash left him unable to perform. He resigned from the band shortly thereafter, but reconsidered and returned in November 1966.

For the next two years Quaife played on albums such as Something Else By The Kinks and The Kinks Are the Village Green Preservation Society, and helped rehearse some songs on the album Arthur (Or the Decline and Fall of the British Empire). Quaife left The Kinks permanently in April 1969. He was again replaced on bass, this time permanently, by Dalton.

Mapleoak[link]

After leaving The Kinks, Quaife founded a new band, the country/rock outfit, Mapleoak. The group's name derived from the heritage of its members: The 'Maple' represented the two Canadian members of the group. Singer-songwriters Stan Endersby (born 17 July 1947, in Lachine, Quebec, Canada) and Marty Fisher (born 24 December 1945, in Vancouver, British Columbia, Canada), while the 'Oak' represented British members Quaife and drummer Mick Cook.

Quaife had contacts in Denmark, so the group gigged heavily there and in the UK during most of 1969 and early 1970. Cook left the band in June 1969, and was replaced by another Canadian: Gordon MacBain (born 5 August 1947, in Toronto, Ontario, Canada), who would write most of the group's original material.

Mapleoak released their first single, "Son of a Gun", in April 1970 but it failed to chart. Quaife then left both the band and the music industry. He subsequently moved to Denmark, and did not appear on Mapleoak's only album, which was released in 1971.

1980s and 1990s[link]

Quaife never fully returned to the music world as a professional performer. In 1980, he relocated to Belleville, Ontario, Canada to work as a graphic artist. In 1981, he made his only post 1960s concert appearance with The Kinks, playing bass in an encore number at a show in Toronto. Along with the original Kinks, Quaife was inducted into the Rock and Roll Hall of Fame in 1990. At the ceremony in New York, Quaife jammed on stage with the other musicians being honoured that year.

Quaife was diagnosed with renal failure in 1998. During dialysis sessions, he drew a series of cartoons based on his experiences. Following their enthusiastic reception by other patients, they have subsequently been published in book form as The Lighter Side of Dialysis (Jazz Communications, Toronto, 2004). Though he was invariably known as 'Pete' during his time with the Kinks, Quaife's books are published under the name 'Peter Quaife'.

In 1996, in an interview for Goldmine Magazine, The Who´s John Entwistle was asked who his favourite bassist was, he responded: "I'd say one of my favourite bass players was Pete Quaife because he literally drove the Kinks along".

21st century[link]

At the time of his death Quaife had no formal association with the Kinks, but still enthusiastically talked of his time in the band, and made appearances at fan gatherings. During a Kinks Meeting in Utrecht, Netherlands, in September 2004, he read excerpts from Veritas, his fictional account of a 1960s rock group. He also joined in with The Kast Off Kinks on a few songs.

Quaife lived in Canada for more than two decades, but he moved back to Denmark in 2005 after his marriage ended in divorce, to live with his girlfriend Elisabeth Bilbo, who he had known since she was a 19-year old Kinks fan. At the time of his death, they had become engaged to marry.

In 2005, Quaife was inducted into the UK Music Hall of Fame with Kinks, marking the final reunion of the four original band members. In December 2007, Record Collector published an interview with Ray Davies, in which he was quoted as saying, "I spoke to Quaife about a month ago and he dearly wants to make another record with me". The tabloid press picked up on this quote, and turned it into a story saying that the Kinks were reforming for a tour in 2008. However, in an interview aired on the Biography Channel in December 2008, Quaife flatly said he would never participate in any type of Kinks reunion. In March 2009, Quaife released a statement that he was permanently retiring from the public eye.

Death[link]

Quaife, who had been receiving kidney dialysis for more than ten years, died on 23 June 2010, aged 66.^[1] Two days after Quaife's death, Dave Davies posted a statement on his message board expressing his deep sorrow over the passing of his former band mate and lauding him for his friendship, personality, talent, and contributions to The Kinks' sound. He stated that Quaife "was never really given the credit he deserved for his contribution and involvement [sic] [with The Kinks]".^[6] Ray Davies dedicated his 27 June performance at the Glastonbury Festival to Quaife and performed several Quaife-era Kinks songs in tribute to him. Davies told the crowd, "I wouldn't be here today if it wasn't for him."^[7][8]

[edit] Veritas

Quaife's book, Veritas, Volume 1, which he had been trying to get published for years, was finally published posthumously in February 2011. The book tells the story of a fictitious 1960's band based largely on Quaife's experiences with The Kinks. Veritas, Volume II is expected to be published in the near future.^[9]

References[link]

External links[link]

• Publisher's page for "The Lighter Side of Dialysis" giving the background to the book
• Cartoons from "The Lighter Side of Dialysis"
• 1998 interview with Quaife
• 2005 interview with Quaife
• Article on Mapleoak

Jools Holland
Holland at the British Academy Television Awards 2009
Background information
Birth name	Julian Miles Holland
Born	(1958-01-24) 24 January 1958 (age 54) Blackheath, London, England
Genres	Boogie-woogie, jazz, blues, R&B
Occupations	Musician, composer, television presenter, bandleader
Instruments	Piano, keyboard, guitar
Years active	1974–present
Associated acts	Squeeze Rhythm & Blues Orchestra
Website	Official site

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, David Gilmour, Magazine and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B music. He currently hosts Later... with Jools Holland, a music-based show aired on BBC2, on which his annual show Hootenanny, is based.^[1]

Life and career[link]

His great grandfather came from Ireland.^[2]

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."^[3]

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.^[3]

Holland began issuing solo records in 1978, his first EP being Boogie Woogie '78. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show The Tube with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks.^[4] He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005

In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album Soul Mining. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The Jools Holland Big Band which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.^[3]

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television.^[5] Since 1992 he has presented the music program Later... with Jools Holland, plus an annual New Year's Eve Hootenanny.

In 1996, Holland signed a recording contract with Warner Bros. Records,^[3] and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff.

Personal[link]

Holland lives in the Westcombe Park area of Blackheath in South East London, where he had his studio, Helicon Mountain, built to his design, inspired by Portmeirion, the setting for the 1960s TV series The Prisoner.^[6] Holland owns costumes and props from the series and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, The Laughing Prisoner, with Stephen Fry, Terence Alexander and Hugh Laurie.^[6] Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. His younger brother, Christopher, also plays organ in the Rhythm & Blues Orchestra, as well as being a singer-songwriter.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film Spiceworld as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent.^[7] He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay,^[8] and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings.^[9] He is also patron of the Drake Music Project^[10] and has raised many thousands of pounds for the charity.

Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.^[11]

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, before they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.^[12]

Holland is also a patron for The Milton Rooms, an Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.^[13]

Writing[link]

His 2007 biography, Barefaced Lies and Boogie Woogie Boasts was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography[link]

Albums that have charted and gained Certifications[link]

Releases[link]

• 1978 "Boogie Woogie '78" (EP)
• 1981 Jools Holland and His Millionaires
• 1984 Jools Holland Meets Rock 'A' Boogie Billy (U.S. release only)
• 1990 World Of His Own
• 1991 The Full Complement
• 1992 "Together Again" (single with Sam Brown)
• 1992 The A-Z Geographer's Guide To The Piano
• 1994 Solo Piano
• 1994 Live Performance
• 1996 " Jazz & Rock & Roll
• 1997 Lift The Lid
• 1998 Best Of
• 1999 Sunset Over London
• 2000 Hop The Wag
• 2001 Small World Big Band
• 2002 SWBB Volume Two: More Friends
• 2003 Jack O The Green (SWBB Friends 3)
• 2004 Tom Jones & Jools Holland
• 2005 Beatroute
• 2005 Swinging the Blues, Dancing the Ska
• 2006 Moving Out To The Country
• 2007 Best of Friends
• 2008 The Collection
• 2008 The Informer (With Ruby Turner)
• 2008 "The Informer" (single with Ruby Turner)
• 2009 "I Went By" (single with Louise Marshall)
• 2010 Rockinghorse

Film and television[link]

• 1981 Urgh! A Music War
• 1982 Police: Around the World
• 1982 - 1987 The Tube (Host for 121 editions)
• 1983 Rebellious Jukebox: Compere
• 1984 The Young Ones: Punk (Episode entitled "Summer Holiday")
• 1985 Walking To New Orleans (Jools Holland in New Orleans)
• 1987 Eat the Rich: Sun Reporter
• 1987 Filthy Rich & Catflap: Strip Show Pianist (Episode #1.3)
• 1987 The Laughing Prisoner: No. 7
• 1987 French and Saunders (Episode 1.5)
• 1988 Sunday Night: Host (unknown episodes)
• 1989 Juke Box Jury: Host (unknown episodes)
• 1989 The Groovy Fellers Himself, 6 episodes
• 1991 Mr Roadrunner (Jools Holland in Memphis)
• 1994 There's No Business: Pianist
• 1994 - 1995 Don't Forget Your Toothbrush
• 1995 The Beatles Anthology
• 1997 Spice World: Musical Director
• 1997 Name That Tune: Host and Pianist
• 2003 Jool's History of the Piano : Presenter
• 2006 Top Gear: Star in a reasonably priced car.
• 2007 Fairport@Forty: Interview
• 2009 Chop Shop Rover Concept: The Jet 1 Car : Customer

Current television programmes[link]

• 1992–present Later... with Jools Holland
• 1993–present Hootenanny

Books[link]

• "Rolling Stones": A Life on the Road, (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)
• Beat Route: Journeys Through Six Counties, Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)
• Ray Charles: Man and Music, (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)
• Hand That Changed Its Mind , International Music Publications (2007), (ISBN 1-84328-645-9)
• Barefaced Lies and Boogie-woogie Boasts , Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References[link]

External links[link]

• Official website
• Jools Holland at the Internet Movie Database
• Jools Holland's Radio 2 show at BBC Programmes
• Later...with Jools Holland at BBC Online